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Ross Lee is no ordinary man. | 0:00:02 | 0:00:03 | |
He's a practitioner of pranking and the public are his prey. A master of mischief, | 0:00:03 | 0:00:08 | |
his mind a cyclone of stupidity, | 0:00:08 | 0:00:12 | |
this is what happens when he spins out of control and crashes into the real world. | 0:00:12 | 0:00:18 | |
This programme contains some strong language. | 0:00:18 | 0:00:27 | |
This is running the extra mile. | 0:00:36 | 0:00:39 | |
Oh, dear. | 0:00:45 | 0:00:47 | |
Errr. | 0:00:47 | 0:00:49 | |
-What the fuck? -Lady Mash, | 0:00:49 | 0:00:52 | |
featuring an average Northern man requiring refreshment | 0:00:52 | 0:00:55 | |
and a bemused Brazilian barman. | 0:00:55 | 0:00:58 | |
Hey up, mate, um, just a pint of dandelion and burdock, please, mate. | 0:01:02 | 0:01:07 | |
Sure. | 0:01:07 | 0:01:09 | |
Sorry, I've just been talking to my manager and we don't have any of that at the moment. | 0:01:09 | 0:01:13 | |
Are you telling me that you haven't got any dandelion and burdock? | 0:01:13 | 0:01:16 | |
Yes, that's what I just told you. | 0:01:16 | 0:01:18 | |
-What is it that you're really after? -Whatever you want to drink I can offer you. | 0:01:18 | 0:01:22 | |
I want a pint of dandelion and burdock and I know what you want. | 0:01:22 | 0:01:27 | |
It's written all over your face. You men, you're ALL the same. | 0:01:27 | 0:01:33 | |
OK, if that's the way that you want to play it, | 0:01:33 | 0:01:38 | |
let's do it, let's have it your way. | 0:01:38 | 0:01:42 | |
MUSIC: "Stand By Your Man" by Tammy Wynette | 0:01:42 | 0:01:46 | |
Are you happy now? | 0:01:46 | 0:01:49 | |
Fine, here we go, are you watching this? Just for you, but a deal is as deal, yeah? | 0:01:49 | 0:01:57 | |
There we go. | 0:01:57 | 0:01:58 | |
Yeah, there you go mate, now you've got what you want, | 0:01:58 | 0:02:04 | |
can I please have what I want? | 0:02:04 | 0:02:06 | |
If you can cover these for me, that would be great. I'll try to help you. | 0:02:06 | 0:02:10 | |
Are you seriously trying to tell me that you didn't want to see these things? | 0:02:10 | 0:02:14 | |
I don't want to see them. | 0:02:14 | 0:02:16 | |
You really should stop leading people on, all right? | 0:02:16 | 0:02:21 | |
Meanwhile, fish 'n' trips, starring a man | 0:02:21 | 0:02:26 | |
who's mangled his tiny mind | 0:02:26 | 0:02:28 | |
with drugs and a fishmonger | 0:02:28 | 0:02:30 | |
in for a sexy treat. | 0:02:30 | 0:02:32 | |
PACEY RAVE MUSIC PLAYS | 0:02:32 | 0:02:35 | |
Hey up, mate, just one sec, I can't get me bloody music off, hang on. | 0:02:40 | 0:02:45 | |
There we go. How you doing? | 0:02:45 | 0:02:47 | |
-I'm fine, how are you today? -Yeah, I'm all right, I'm after a fish believe it or not, | 0:02:47 | 0:02:52 | |
-that looks bloody good, don't it, that one, what's that one? -It's called tilapia. | 0:02:52 | 0:02:55 | |
Look at the eyeballs on that, they're like on stalks, aren't they? | 0:02:55 | 0:02:59 | |
It looks like that fish has been larging it all weekend. | 0:02:59 | 0:03:01 | |
I could really, really fall in love with that fish. | 0:03:01 | 0:03:05 | |
Hey, come here. | 0:03:05 | 0:03:07 | |
Come here, beautiful. | 0:03:07 | 0:03:09 | |
-Hey, where've you been all me life? -Are you going to buy the fish, man? | 0:03:09 | 0:03:13 | |
This isn't a fish, it's a mermaid. | 0:03:13 | 0:03:15 | |
Wow, you're beautiful. | 0:03:17 | 0:03:21 | |
Ross, you're making me so wet! | 0:03:21 | 0:03:24 | |
Come here and kiss me, you skinny little monkey. | 0:03:24 | 0:03:28 | |
Ugh! | 0:03:34 | 0:03:35 | |
Make love to me right here, right now. | 0:03:43 | 0:03:45 | |
Bloody hell, where do I put it? | 0:03:45 | 0:03:47 | |
Oh, Oh! | 0:03:59 | 0:04:01 | |
Oh, Ross, | 0:04:01 | 0:04:03 | |
you're the best lover I've ever had. | 0:04:03 | 0:04:05 | |
Yeah, I've never made love to a half-woman half-fish... | 0:04:05 | 0:04:10 | |
fish...fish... | 0:04:10 | 0:04:13 | |
Whoa-ho-ho! Flashback! There, all right. | 0:04:13 | 0:04:20 | |
Cheers. Whoo... | 0:04:20 | 0:04:23 | |
PACEY RAVE MUSIC | 0:04:25 | 0:04:30 | |
..featuring a hopeless romantic, | 0:04:33 | 0:04:35 | |
an entire restaurant wise to the wind-up | 0:04:35 | 0:04:38 | |
and the luscious | 0:04:38 | 0:04:40 | |
but unenlightened Lakeisha. | 0:04:40 | 0:04:43 | |
Lakeisha has been set up on a blind date from hell | 0:04:43 | 0:04:46 | |
by one of her friends. | 0:04:46 | 0:04:47 | |
-Your accent. -Yes. -I love your accent. -Thank you. | 0:04:49 | 0:04:52 | |
-Where are you from? -Texas. | 0:04:52 | 0:04:54 | |
What she doesn't know is she's having dinner with the most allergic man on the planet. | 0:04:54 | 0:05:00 | |
How would you say it sort of compared | 0:05:00 | 0:05:03 | |
working in Dallas compared to working back over here? | 0:05:03 | 0:05:07 | |
Um... | 0:05:07 | 0:05:10 | |
So why have you put foil on your glass? | 0:05:13 | 0:05:16 | |
It's like dust, you see, if I was to put... If dust gets in the drink. | 0:05:16 | 0:05:20 | |
Do you take any tablets or anything? | 0:05:20 | 0:05:22 | |
Oh, you wouldn't believe, you pick me up and shake me, I'd rattle. | 0:05:22 | 0:05:26 | |
-I've got so many inside me, I can't actually see at the moment. -Oh, my God. | 0:05:26 | 0:05:33 | |
Do you mind if I ask if you're wearing any perfume at all? | 0:05:34 | 0:05:38 | |
I am wearing perfume, is that it? I'm so sorry. | 0:05:38 | 0:05:42 | |
Don't apologise, you smell absolutely gorgeous, | 0:05:42 | 0:05:46 | |
but to me it's literally like someone's sat here | 0:05:46 | 0:05:49 | |
-just squirting sulphuric acid into my eyes. -I'm sorry. | 0:05:49 | 0:05:53 | |
-Um, could you do me a favour and just sort of wipe your perfume? -Sure. | 0:05:53 | 0:05:58 | |
-I'll just pop to the loo. -OK, that's fine, there we go. -Thank you. | 0:05:58 | 0:06:02 | |
-Thanks very much, thanks very much, I'll see you in one second. -All right. | 0:06:02 | 0:06:07 | |
-Are you doing well? -Mmm. | 0:06:09 | 0:06:12 | |
My tongue, my tongue... | 0:06:13 | 0:06:15 | |
Your tongue is swollen? | 0:06:15 | 0:06:16 | |
-A bit. -Should I go? I'm so sorry. -No, no. -I'm so sorry. -No! | 0:06:16 | 0:06:23 | |
Does it look OK? | 0:06:23 | 0:06:25 | |
Oh, my gosh, it's still swollen. | 0:06:28 | 0:06:29 | |
-HE MUMBLES -Yeah... | 0:06:29 | 0:06:31 | |
Mm-hm. | 0:06:38 | 0:06:39 | |
Sorry? A...? | 0:06:47 | 0:06:48 | |
-Do you have a fan? A fan? -Yes, | 0:06:48 | 0:06:51 | |
-Yeah, I think so. I'll go and check. -OK. | 0:06:53 | 0:06:56 | |
-Hope that's OK for you. -Sorry. | 0:06:56 | 0:06:59 | |
Squirt it? Like that? | 0:08:04 | 0:08:07 | |
-Is that good? -Mmm. | 0:08:12 | 0:08:14 | |
All right? Got it? | 0:08:15 | 0:08:18 | |
-Aha. -OK. | 0:08:18 | 0:08:21 | |
How can I say no to that face? | 0:08:32 | 0:08:34 | |
..introducing some Sopranos wannabes. | 0:08:41 | 0:08:43 | |
And a man with a big cake to deliver. | 0:08:43 | 0:08:46 | |
Some Sicilian silly bugger has ordered a homecoming cake, | 0:08:46 | 0:08:50 | |
but the way this family operates means they don't pay for things. | 0:08:50 | 0:08:55 | |
Hiya, delivery for Ross Corleone, yeah? | 0:08:55 | 0:08:58 | |
-ITALIAN ACCENT: Hey, what have we got here? Yeah, that's nice. -You like it? | 0:08:58 | 0:09:02 | |
Welcome home, Granddad, he going to go crazy. | 0:09:02 | 0:09:05 | |
There you go. | 0:09:05 | 0:09:07 | |
-OK, what's the damage? -65. | 0:09:07 | 0:09:10 | |
65? Let me get it, two minutes. | 0:09:10 | 0:09:13 | |
OK, yeah. | 0:09:13 | 0:09:15 | |
Hey, ciao! De scrachia? | 0:09:20 | 0:09:23 | |
De Rosco? | 0:09:25 | 0:09:26 | |
-Oh, yeah. -Rosco! Your money-o dispacio, scrachi? | 0:09:26 | 0:09:33 | |
-No, sorry, I don't understand what you're saying. -You, stay. | 0:09:35 | 0:09:42 | |
-Mm-hmm. -For two momento. | 0:09:42 | 0:09:44 | |
Would you be able to give them a call and see if we can take the payment over a card | 0:09:51 | 0:09:55 | |
because he's speaking in Italian and I can't understand. | 0:09:55 | 0:09:59 | |
-Hiya. -You look like you're hungry. -No, I'm fine. | 0:10:01 | 0:10:05 | |
-I make some pizza, I fill your belly. -No, no, my belly is fine. -Yeah? | 0:10:05 | 0:10:11 | |
You like-a the pepperoni, yeah? | 0:10:11 | 0:10:14 | |
-No, I'm absolutely fine. I need to collect £65 for the cake. -OK. | 0:10:14 | 0:10:19 | |
I'm going to talk to the Don and then I'll get you the green. | 0:10:19 | 0:10:22 | |
-Thank you very much. -OK. -No problem. -OK, OK... | 0:10:22 | 0:10:25 | |
-HE GRUNTS -Hiya. | 0:10:33 | 0:10:35 | |
Are you able to pay for the cake? | 0:10:35 | 0:10:38 | |
Hey, you come to my house, | 0:10:38 | 0:10:42 | |
asking me for the money? | 0:10:42 | 0:10:45 | |
When I give you the money, what you going to do for me? | 0:10:45 | 0:10:50 | |
I've already done what I'm supposed to do - give you a cake. | 0:10:50 | 0:10:53 | |
You want-a money or you want me to do you a favour, Cakes? I'll call you Cakes. | 0:10:53 | 0:10:58 | |
That's fine, you can call me Cakes. | 0:10:58 | 0:11:00 | |
I can do a lot for you, Cakes. | 0:11:00 | 0:11:01 | |
-I'm sure you could but my job is just to take the money and deliver the cakes. -I like you, Cakes. | 0:11:01 | 0:11:07 | |
-That's good to know. -Hey, Cakes. -I'm good here, sir. | 0:11:07 | 0:11:10 | |
You're good here, I'm good there. OK, Cakes, I'll see you. | 0:11:10 | 0:11:14 | |
..introducing a man with a vintage libido, | 0:11:26 | 0:11:29 | |
our game-for-a-laugh granny | 0:11:29 | 0:11:32 | |
and a pharmacist under fire. | 0:11:32 | 0:11:34 | |
I'm looking for some supplements for, er, a friend of mine, she's not as supple as she used to be so... | 0:11:38 | 0:11:42 | |
I need to know a lot of other things. | 0:11:42 | 0:11:45 | |
-Right. -Age. | 0:11:45 | 0:11:47 | |
70 to 90. | 0:11:47 | 0:11:49 | |
You could try vitamins. | 0:11:49 | 0:11:51 | |
A multivitamin might help my friend get the legs behind the head. | 0:11:51 | 0:11:55 | |
-No. -No, no. -At that age, no. -No. | 0:11:55 | 0:11:59 | |
And do you have anything for, say, if a lady had a particular problem | 0:11:59 | 0:12:04 | |
-with, er, feminine dryness in a particular area, have you got something for that? -Yes. | 0:12:04 | 0:12:10 | |
# Baby let me love you now... # | 0:12:10 | 0:12:12 | |
-So as soon as you whack this on, whoosh, you're away, yeah? -No. | 0:12:14 | 0:12:18 | |
-No. -It takes time. -It takes time. | 0:12:18 | 0:12:20 | |
And do you have, um...? | 0:12:20 | 0:12:22 | |
EXHALES | 0:12:22 | 0:12:23 | |
# ..Honey got a booty like pow pow pow... # | 0:12:23 | 0:12:27 | |
This is... | 0:12:29 | 0:12:31 | |
# ..Wow oh wow... # | 0:12:31 | 0:12:33 | |
-Sorry, could you just excuse me just for one second? -Sure. | 0:12:33 | 0:12:36 | |
There's just something I HAVE to do. | 0:12:36 | 0:12:39 | |
# Loving you is easy cos you're beautiful | 0:12:43 | 0:12:50 | |
# Making love with you | 0:12:50 | 0:12:54 | |
# Is all I wanna do doo doo doo doo doo do... # | 0:12:54 | 0:13:00 | |
Come on, sir. Sir! | 0:13:00 | 0:13:02 | |
-Oh! -Now that is a 1932 vintage, if I'm not mistaken, mm. | 0:13:04 | 0:13:11 | |
-Hoo! -I only came in for a pack of rubbers. | 0:13:11 | 0:13:16 | |
..starring a persistently-sitting tenant, | 0:13:22 | 0:13:25 | |
a policeman on our payroll | 0:13:25 | 0:13:27 | |
and a mortified motorist. | 0:13:27 | 0:13:31 | |
Hello there, sir. | 0:13:31 | 0:13:33 | |
-Hiya. -My name's Police Constable Brown, we're doing some spot checks in the area. -OK. | 0:13:33 | 0:13:38 | |
-There's been some burglaries, I don't know whether... -I'm not from around here. | 0:13:38 | 0:13:42 | |
If you'd like to open your boot, please, sir. | 0:13:42 | 0:13:45 | |
Whoa! | 0:13:50 | 0:13:51 | |
Excuse me, sir, what's this? Could you come over here for me? | 0:13:51 | 0:13:55 | |
How did you get in my car? | 0:13:55 | 0:13:56 | |
Excuse me, do you know this gentlemen, sir? | 0:13:56 | 0:13:58 | |
No, I fucking don't. | 0:13:58 | 0:13:59 | |
OK, careful with the language, sir. Just come and stand over here. | 0:13:59 | 0:14:03 | |
What are you doing in this man's car, sir? | 0:14:03 | 0:14:05 | |
-Well, I live here. -You live in this car, sir? | 0:14:05 | 0:14:08 | |
Yes, actually I think, when did I...? | 0:14:08 | 0:14:10 | |
-Do you know this gentleman, sir? -No, sir. -Is this a joke? -I've been here for about three weeks. | 0:14:10 | 0:14:14 | |
I'm actually shaking. | 0:14:14 | 0:14:15 | |
Why is this man in the boot of your car? | 0:14:15 | 0:14:17 | |
I don't know, sir, that's what I'm trying to say. | 0:14:17 | 0:14:19 | |
-I live here. -Excuse me, sir, I'm going to ask you again, | 0:14:19 | 0:14:23 | |
why is a man living in the boot of your car? | 0:14:23 | 0:14:25 | |
-I don't know, sir. -Right, I'll have your name please, sir. -My name? | 0:14:25 | 0:14:29 | |
-What is your name? -Mine? -Yes, sir? -Peter Michaels, nice to see you. | 0:14:29 | 0:14:33 | |
Mr Michaels, I won't be shaking your hand, sir. How did you get into the boot of this car, sir? | 0:14:33 | 0:14:39 | |
-Well, I have my own keys, obviously. -Have you given this man a set of keys? -No, I haven't. | 0:14:39 | 0:14:44 | |
-Here. -Have you given this man a set of keys? -No. | 0:14:44 | 0:14:46 | |
-Well, where did you get the keys, sir? -From the estate agent. | 0:14:46 | 0:14:49 | |
-Which estate agent is this. sir? -Just round the corner. | 0:14:49 | 0:14:52 | |
Would you stand here? Thank you, next to me, please, sir. | 0:14:52 | 0:14:56 | |
Sierra Alpha 213, Sierra Alpha 414, possible kidnap situation going on here. | 0:14:56 | 0:15:02 | |
Right, you're either sub-letting the back of this vehicle for a habitat | 0:15:02 | 0:15:07 | |
-or you know this gentlemen, which is it going to be? -No, neither. | 0:15:07 | 0:15:11 | |
I don't know who he is and he's pouring water in my car. | 0:15:11 | 0:15:14 | |
-Er, no, I live here. -Right, sir, I am arresting you for carrying an unsafe and dangerous load. | 0:15:14 | 0:15:19 | |
Excuse me, if you're all done here, could you close the front door, please? | 0:15:19 | 0:15:23 | |
..starring a prog-rock relic | 0:15:28 | 0:15:29 | |
on a shopping spree | 0:15:29 | 0:15:31 | |
and a man that sells things. | 0:15:31 | 0:15:33 | |
This funky-haired fool is looking for a new vacuum cleaner | 0:15:34 | 0:15:39 | |
and, like any normal person, wishes to try it before he buys it. | 0:15:39 | 0:15:43 | |
-I'm looking for a vacuum cleaner, er, what've you got? -There, basically. | 0:15:43 | 0:15:47 | |
-OK, can I have a look at this? -Yeah. | 0:15:47 | 0:15:50 | |
Don't you find the most satisfying thing about a vacuum cleaner | 0:15:54 | 0:15:57 | |
is watching the cable go whizzing in? | 0:15:57 | 0:15:59 | |
-Yes. -OK, right, here we go, three, two, one... | 0:15:59 | 0:16:02 | |
That's pretty bloody good, in't it? | 0:16:05 | 0:16:07 | |
Can you just put that back in for me, please? | 0:16:07 | 0:16:09 | |
Yeah, it's very powerful. | 0:16:09 | 0:16:11 | |
Oops! I just sucked your pen up. | 0:16:13 | 0:16:16 | |
-If it can take a pen, let's have a look at this. -Hold up, hold up, hold up. | 0:16:17 | 0:16:23 | |
There you are... | 0:16:25 | 0:16:27 | |
Right, come and have a look at this. | 0:16:36 | 0:16:38 | |
-What the fuck? -This is what killed me last vacuum cleaner, | 0:16:38 | 0:16:42 | |
let's just see if this beauty | 0:16:42 | 0:16:44 | |
can withstand the power of the wriggling babies... | 0:16:44 | 0:16:48 | |
Wouldn't you like to be one of these little blighters now? | 0:16:52 | 0:16:55 | |
Whizzing up this tube, woo, at 300mph! | 0:16:55 | 0:16:59 | |
Eh, look at that! It's amazing, isn't it? | 0:17:02 | 0:17:05 | |
Oh, right, well, I tell you what, mate, | 0:17:07 | 0:17:11 | |
I've, er, tried it and I ain't going to buy it. | 0:17:11 | 0:17:15 | |
You've probably got about three weeks till they hatch. | 0:17:15 | 0:17:20 | |
Introducing a celebrity agent provocateur | 0:17:27 | 0:17:32 | |
and a talented young star. | 0:17:32 | 0:17:34 | |
Well, David look let's cut straight to the chase, do you want to be a celebrity? | 0:17:38 | 0:17:44 | |
-Yes. -You do. Do you want magazines? -Yes. | 0:17:44 | 0:17:48 | |
-You want photographers outside your house? -Yes. | 0:17:48 | 0:17:51 | |
-You want to be talked about? -Yes. -Yes. | 0:17:51 | 0:17:53 | |
So what I'm going to do is throw a few scenarios at you and just see | 0:17:53 | 0:17:57 | |
how you would cope with these, right? | 0:17:57 | 0:17:59 | |
I've taken you out to a nice, swanky, posh club for something to eat | 0:17:59 | 0:18:03 | |
and look, behind, over there, see who it is, | 0:18:03 | 0:18:05 | |
Mr Big Fat Cigar, right, he's looking for a muscular pop star. | 0:18:05 | 0:18:09 | |
I don't see any muscles around here, do you? | 0:18:09 | 0:18:11 | |
There you go, right, you've caught his eye now, | 0:18:15 | 0:18:18 | |
that's a good thing. | 0:18:18 | 0:18:20 | |
Now, you need to start singing, don't ya? | 0:18:20 | 0:18:22 | |
I'm going to give you something to sing about. Here, Post-it notes. | 0:18:22 | 0:18:25 | |
# You have a girl What is her name? | 0:18:25 | 0:18:27 | |
# Write her name on here and stick it on her left tit | 0:18:27 | 0:18:31 | |
# You have her name on her left tit while you're sucking it | 0:18:31 | 0:18:34 | |
# You see what her name is You date her sister | 0:18:34 | 0:18:38 | |
# You stick it on the right one Anything you want to know | 0:18:38 | 0:18:41 | |
# You write it on the Post-it | 0:18:41 | 0:18:44 | |
# Your father What is his mistress's name? | 0:18:44 | 0:18:46 | |
-# Stick it there... # -Dancing, dancing. | 0:18:46 | 0:18:49 | |
# I have a Post-it for your girlfriend | 0:18:49 | 0:18:51 | |
# Where does she want it? Take it anywhere she wants it | 0:18:51 | 0:18:56 | |
# Dance, skip, do a spin, Where do you want your Post-it? # | 0:18:56 | 0:19:02 | |
I've had about six people in here today, | 0:19:02 | 0:19:05 | |
you've just blown my right sock off. | 0:19:05 | 0:19:07 | |
DAVID LAUGHS | 0:19:07 | 0:19:08 | |
David, you got any addictions? | 0:19:08 | 0:19:11 | |
Er, smoking and gym. | 0:19:11 | 0:19:12 | |
To get people on this conveyor belt | 0:19:12 | 0:19:14 | |
and turn them into celebrities, | 0:19:14 | 0:19:16 | |
addictions are actually, well, useful. | 0:19:16 | 0:19:18 | |
I have a few of these lying around David, | 0:19:18 | 0:19:21 | |
because I get the sniffles when it's wintertime. | 0:19:21 | 0:19:24 | |
With these inhalers, I want you to try and hide your inhaler habit | 0:19:24 | 0:19:28 | |
and I'm going to be a reporter for a magazine. | 0:19:28 | 0:19:31 | |
David, you've just come out of the jungle, what were that like? | 0:19:32 | 0:19:36 | |
There's bits and pieces I'm not proud of | 0:19:36 | 0:19:38 | |
and you know I've got a girlfriend. Do you want some? | 0:19:38 | 0:19:42 | |
How many do you get through a day? Go on? | 0:19:42 | 0:19:43 | |
I wouldn't say it's a problem, but if you take... | 0:19:43 | 0:19:47 | |
Leave them up there, let me have a look at you, | 0:19:47 | 0:19:49 | |
someone's getting a shot of you now with a camera. That's it. | 0:19:49 | 0:19:52 | |
Right, this is what it's all about, David, | 0:19:52 | 0:19:54 | |
this is running the extra mile, this is pushing the extra brick. | 0:19:54 | 0:19:59 | |
Right, you see that door there? | 0:19:59 | 0:20:01 | |
I want you to go out that door, you're not going into a corridor but into a closet, | 0:20:01 | 0:20:05 | |
and then you're going to come back into my office and you're coming out of the closet | 0:20:05 | 0:20:09 | |
and you're into this office to come out of the closet, yeah? | 0:20:09 | 0:20:12 | |
DOOR CLOSES | 0:20:13 | 0:20:15 | |
KNOCKING AT DOOR | 0:20:15 | 0:20:16 | |
Come in. | 0:20:16 | 0:20:17 | |
-So I've been hiding it for long enough. -What? | 0:20:22 | 0:20:24 | |
Um, that I like dick. I was with my girlfriend last night | 0:20:24 | 0:20:27 | |
and it wasn't cutting it, all I could think about was a nice, juicy cock. | 0:20:27 | 0:20:32 | |
Right, well, I don't usually mince my words. | 0:20:32 | 0:20:34 | |
I've thought about it, I think me and you should work together. | 0:20:34 | 0:20:37 | |
-Do you want me to represent you? -Yes. -Great, fantastic. | 0:20:37 | 0:20:42 | |
Starring a sweet little old lady, | 0:20:44 | 0:20:48 | |
a ball bag | 0:20:48 | 0:20:51 | |
and a very helpful young man. | 0:20:51 | 0:20:54 | |
Oh, thank you. I'm already half an hour late to get to bingo | 0:20:57 | 0:21:00 | |
at the community centre. | 0:21:00 | 0:21:02 | |
There we go. | 0:21:02 | 0:21:04 | |
Oh! Oh! Oh, dear. | 0:21:04 | 0:21:06 | |
Oh, no! | 0:21:06 | 0:21:09 | |
MUSIC: "Heartbeats" by Jose Gonzalez | 0:21:09 | 0:21:13 | |
Oh, they are everywhere! They're absolutely everywhere! | 0:21:13 | 0:21:16 | |
If I hold the bag, could you...? Oh, thank you. | 0:21:16 | 0:21:19 | |
They're absolutely everywhere, absolutely everywhere, oh! | 0:21:19 | 0:21:24 | |
Oh, thank you very much. | 0:21:24 | 0:21:28 | |
I need to give you something, cos you've been so helpful. | 0:21:28 | 0:21:32 | |
Let me just... | 0:21:32 | 0:21:33 | |
Oh, no, it's happened again! | 0:21:33 | 0:21:36 | |
Oh, golly, I can't believe I've done that. | 0:21:44 | 0:21:47 | |
There we are, if you can get them again, that would be lovely. | 0:21:48 | 0:21:51 | |
-Yeah. -Thank you very much. -Oh, my God. | 0:21:51 | 0:21:53 | |
You tell me the number. Oh, a sticky eyeball, 18. Legs 11 there. Legs 11. | 0:21:53 | 0:21:59 | |
Mickey Mouse, number 12. | 0:21:59 | 0:22:02 | |
-Oh, thank you. -Hold them tight. | 0:22:02 | 0:22:05 | |
Could you just grab that for me? I've just dropped them. Can you get that for me? Thank you. | 0:22:05 | 0:22:10 | |
Oh, no they've gone everywhere, they've gone absolutely everywhere. | 0:22:12 | 0:22:16 | |
Pisspops, presenting a local man | 0:22:21 | 0:22:24 | |
with an unusual sideline | 0:22:24 | 0:22:25 | |
in frozen goods | 0:22:25 | 0:22:27 | |
and an innocent handyman who's just here to fix the ceiling. | 0:22:27 | 0:22:31 | |
HE WHISTLES, DOORBELL RINGS | 0:22:35 | 0:22:38 | |
Hiya, my name's Bill, I'm your handyman. | 0:22:38 | 0:22:40 | |
Ah, hey up, mate, how are you? | 0:22:40 | 0:22:43 | |
This is the job in hand. Two little holes here just need filling and if you can paint it, would be perfect. | 0:22:43 | 0:22:51 | |
-Right. -Just going to nip to the little man's room just to spend a penny. | 0:22:51 | 0:22:55 | |
LOUD URINATION | 0:22:56 | 0:22:59 | |
Phew, that's a strong one, isn't it? | 0:23:07 | 0:23:11 | |
Whoa, lovely. | 0:23:11 | 0:23:13 | |
Let's get these little puppies in the freezer, | 0:23:13 | 0:23:17 | |
get them getting nice and hard, solidifying. | 0:23:17 | 0:23:21 | |
So is that like a sideline that you do? | 0:23:21 | 0:23:23 | |
Exactly that, yeah. The kids go absolutely mad for them. | 0:23:23 | 0:23:28 | |
We've all got what it takes to be able to produce these things, | 0:23:28 | 0:23:31 | |
it's just a matter of putting your mind to it. | 0:23:31 | 0:23:33 | |
I'm being ever so rude here. Would you like one? | 0:23:33 | 0:23:36 | |
-I'll try it. -Yeah, go on, there you go. | 0:23:36 | 0:23:40 | |
-What's in that? -It's a pisspop. | 0:23:43 | 0:23:46 | |
A pisspop? | 0:23:46 | 0:23:48 | |
No?! Is that why you keep going to the toilet? | 0:23:50 | 0:23:54 | |
Is that what you make it from? | 0:23:56 | 0:23:57 | |
-Special recipe. -Bloody hell! | 0:23:57 | 0:24:01 | |
Mate, do you want me to tell you all about pisspops? | 0:24:01 | 0:24:04 | |
No, you carry on, it's all right. | 0:24:04 | 0:24:06 | |
Come on, that's it. | 0:24:06 | 0:24:08 | |
I've got something to show you and I've got something to tell ya, | 0:24:12 | 0:24:17 | |
because I am only going to say this the once. | 0:24:17 | 0:24:21 | |
# Pisspops, pisspops | 0:24:24 | 0:24:28 | |
# Frozen golden wonder flowing over your chops | 0:24:28 | 0:24:32 | |
# Lapping up the lovely as your temperature drops | 0:24:32 | 0:24:36 | |
# Pisspops, pisspops | 0:24:36 | 0:24:40 | |
# You want refreshment in the stifling heat | 0:24:42 | 0:24:46 | |
# Your tongues are reachin' out for my frozen treat | 0:24:46 | 0:24:50 | |
# So icy hard it never slips when it drips | 0:24:50 | 0:24:54 | |
# Our teeth are gleaming as it tingles our lips | 0:24:54 | 0:24:57 | |
-ALL: -# Pisspops, pisspops | 0:24:57 | 0:25:02 | |
# Frozen golden wonder flowing over your chops | 0:25:02 | 0:25:05 | |
# Lapping up the lovely as your temperature drops | 0:25:05 | 0:25:09 | |
# Pisspops, pisspops | 0:25:09 | 0:25:13 | |
# There was a sad, sad time when I was down and out | 0:25:16 | 0:25:23 | |
-# I'd spent my every penny I was in a drought. -Aw! | 0:25:23 | 0:25:32 | |
# My well had run so dry and all the kids were sad | 0:25:32 | 0:25:40 | |
# Not one last pisspop at the bottom of my nads | 0:25:40 | 0:25:48 | |
# How did I escape those dire straits? | 0:25:48 | 0:25:53 | |
# What did you do? | 0:25:53 | 0:25:56 | |
# I had a few more pints and I opened up the gates | 0:25:56 | 0:26:04 | |
# Pisspops, pisspops | 0:26:04 | 0:26:07 | |
# You're in for a Sugar Puffy pot pourri | 0:26:07 | 0:26:11 | |
# Plenty here for you and me when we wee-wee-wee | 0:26:11 | 0:26:15 | |
# Pisspops, pisspops | 0:26:15 | 0:26:18 | |
# Those pisspops, how we love them | 0:26:18 | 0:26:19 | |
# Pisspops, pisspops | 0:26:19 | 0:26:21 | |
# Pisspops, pisspops. # | 0:26:24 | 0:26:29 | |
-ALL: -Ewww! | 0:26:30 | 0:26:32 | |
Thank you and good night. | 0:26:32 | 0:26:35 | |
-You're on a hidden camera show on BBC Three. -Eh? | 0:26:37 | 0:26:41 | |
Round of applause! | 0:26:41 | 0:26:43 | |
CHEERING AND APPLAUSE | 0:26:43 | 0:26:44 | |
You're on a new BBC Three hidden camera show. | 0:26:44 | 0:26:47 | |
CHEERING | 0:26:47 | 0:26:50 | |
Round of applause! | 0:26:52 | 0:26:54 | |
Subtitles by Red Bee Media Ltd | 0:27:11 | 0:27:15 | |
E-mail [email protected] | 0:27:15 | 0:27:18 |