Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome to my new show, The Sarah Millican Television Programme, | 0:00:36 | 0:00:40 | |
where I take a big swig from TV's cappuccino | 0:00:40 | 0:00:44 | |
and spend a bit too long licking the chocolate off the lid. | 0:00:44 | 0:00:46 | |
I love television, it's taught me everything I know. | 0:00:48 | 0:00:51 | |
I've learnt about sci-fi by watching shows like Torchwood. | 0:00:51 | 0:00:53 | |
Apparently, Torchwood is known as Doctor Who for grown-ups. | 0:00:55 | 0:00:58 | |
So somebody needs to remind all the men in their 30s that means | 0:00:58 | 0:01:01 | |
Doctor Who is officially for kids. | 0:01:01 | 0:01:04 | |
I've learnt all about politics by watching Question Time. | 0:01:06 | 0:01:10 | |
I just wish David Dimbleby was more honest with the intros. | 0:01:10 | 0:01:13 | |
Good evening and tonight on Question Time, | 0:01:13 | 0:01:15 | |
we have that bloke you hated last time, | 0:01:15 | 0:01:17 | |
that woman who never stops talking and, for some reason, Jedward. | 0:01:17 | 0:01:21 | |
And I've tried to learn about driving by watching Top Gear | 0:01:23 | 0:01:26 | |
or, as I like to call it, Two-And-A-Half Men. | 0:01:26 | 0:01:29 | |
To be honest, I don't really see the attraction. | 0:01:31 | 0:01:33 | |
If I wanted to watch slightly racist middle-aged men driving, I'd just take a cab. | 0:01:33 | 0:01:39 | |
Tonight, I'm going to talk about two of my favourite types of telly, | 0:01:45 | 0:01:49 | |
drama and weather forecasts. I occasionally combine both | 0:01:49 | 0:01:53 | |
when I get caught in the rain wearing a white top. | 0:01:53 | 0:01:55 | |
The walk home from Tesco is like the most disappointing | 0:01:57 | 0:02:00 | |
wet T-shirt contest ever. | 0:02:00 | 0:02:02 | |
My boyfriend and I get on brilliantly, | 0:02:03 | 0:02:06 | |
but don't always agree on telly. | 0:02:06 | 0:02:07 | |
In my house, a TV drama is usually | 0:02:07 | 0:02:09 | |
when two things are about to clash on my Sky box. | 0:02:09 | 0:02:12 | |
I love a costume drama, he prefers zombies and horror. | 0:02:13 | 0:02:17 | |
When choosing a film, we always try to trick each other. | 0:02:17 | 0:02:20 | |
So far, he has seen When Harry Ate Sally... | 0:02:20 | 0:02:25 | |
and I have seen Night Of The Lovely Dead. | 0:02:25 | 0:02:28 | |
On holiday once, | 0:02:30 | 0:02:31 | |
we decided it would be really romantic to read to each other in bed. | 0:02:31 | 0:02:35 | |
One night, I read him my favourite chapter from Sense and Sensibility. | 0:02:35 | 0:02:40 | |
The next night, he read me a Stephen King short story | 0:02:40 | 0:02:44 | |
about an evil cat. | 0:02:44 | 0:02:46 | |
The story ended with the cat forcing its way into a man's mouth | 0:02:49 | 0:02:52 | |
and eating its way out of his stomach. | 0:02:52 | 0:02:55 | |
My boyfriend shut the book and went, "Ah, night-night." | 0:02:57 | 0:03:00 | |
I do like a TV drama though. | 0:03:02 | 0:03:04 | |
Sometimes, I find I can't enjoy my dinner | 0:03:04 | 0:03:06 | |
unless I'm watching Robson Green's wife being murdered. | 0:03:06 | 0:03:10 | |
-Do you remember Life On Mars? -AUDIENCE: Yes. | 0:03:11 | 0:03:13 | |
It's basically where a police detective goes into a coma | 0:03:13 | 0:03:16 | |
and wakes up in the 1970s. | 0:03:16 | 0:03:18 | |
You can experience a similar situation | 0:03:18 | 0:03:21 | |
by getting the Megabus to Carlisle. | 0:03:21 | 0:03:23 | |
But I'll watch any costume drama about the upper classes. | 0:03:26 | 0:03:30 | |
What was that brilliant show on telly last year? | 0:03:30 | 0:03:32 | |
Full of posh people dressed up in ridiculous outfits, | 0:03:32 | 0:03:35 | |
being fawned on by people who are common as muck. | 0:03:35 | 0:03:39 | |
Oh, that's right, the Royal wedding. | 0:03:39 | 0:03:41 | |
Downton Abbey must be like watching Big Brother for the Queen. | 0:03:44 | 0:03:48 | |
People say the Royal family deserve their money | 0:03:51 | 0:03:54 | |
because they bring a lot of foreign people into the country. | 0:03:54 | 0:03:56 | |
Well, so do long-distance lorry drivers, | 0:03:56 | 0:03:59 | |
but no-one gives them a big house. | 0:03:59 | 0:04:01 | |
You have to have a certain accent to be in a period drama. | 0:04:05 | 0:04:08 | |
If they ever cast me in one, | 0:04:08 | 0:04:10 | |
they'd probably have to make me the coalman. | 0:04:10 | 0:04:14 | |
Class is a simple issue. | 0:04:14 | 0:04:15 | |
If someone else cleans your toilet, you're posh. | 0:04:15 | 0:04:20 | |
And I don't mean your wife. | 0:04:20 | 0:04:22 | |
But the people who clean hotel rooms deserve a medal. | 0:04:28 | 0:04:32 | |
People do things in hotel rooms that they'd never do at home. | 0:04:32 | 0:04:34 | |
Largely because their wife's not there. | 0:04:34 | 0:04:38 | |
I don't like it in hotels when the porter asks | 0:04:38 | 0:04:40 | |
if I want help with my case. | 0:04:40 | 0:04:42 | |
It feels like he's implying I couldn't carry it myself. | 0:04:42 | 0:04:44 | |
I did once say, "You're threatening my masculinity." | 0:04:44 | 0:04:48 | |
Then I remembered I'm not supposed to have any of that. | 0:04:49 | 0:04:53 | |
I always worried about how much to tip. | 0:04:53 | 0:04:55 | |
Like, oh, I've only got a tenner on me, | 0:04:55 | 0:04:57 | |
but you've only carried my case ten foot. | 0:04:57 | 0:05:00 | |
Can you do some more stuff, so I can get my money's worth? | 0:05:00 | 0:05:03 | |
Like maybe unpack, or run a bath, or... | 0:05:04 | 0:05:06 | |
heavy petting? | 0:05:06 | 0:05:08 | |
So, talking of class, I would like to ask you, the lovely audience, | 0:05:11 | 0:05:14 | |
have you ever been out with someone too posh for you? | 0:05:14 | 0:05:17 | |
We've got a nice lady with a lovely black top. | 0:05:17 | 0:05:20 | |
Let's see if we can get the Millicam to her. | 0:05:20 | 0:05:22 | |
Pass that along and if you point it at yourself, flower. | 0:05:22 | 0:05:24 | |
-Hello, love, what's your name? -Jenny. | 0:05:24 | 0:05:26 | |
Hello, Jenny, and what's your story? | 0:05:26 | 0:05:29 | |
I was going out with a guy for, in total, about four years | 0:05:29 | 0:05:31 | |
and after about a year and a half, his parents invited me | 0:05:31 | 0:05:34 | |
to New York for his 18th birthday. | 0:05:34 | 0:05:36 | |
So I think my dad felt a little bit bad, | 0:05:36 | 0:05:38 | |
so the year after, he invited him on our family holiday to Anglesey. | 0:05:38 | 0:05:43 | |
I bet it was more fun, was it? | 0:05:45 | 0:05:47 | |
Er, no. | 0:05:47 | 0:05:50 | |
But I'm now, again, in a similar relationship, where again, I'm not the posh one. | 0:05:51 | 0:05:56 | |
We need to find some real dregs of society for you | 0:05:56 | 0:05:59 | |
and then you can be the posh one. | 0:05:59 | 0:06:02 | |
Thank you very much. Let's give her a round of applause. | 0:06:02 | 0:06:05 | |
We've got a nice lady in a lovely pink top there. | 0:06:08 | 0:06:12 | |
-Excellent, hello, love. -Hiya. -What's your name? -Lynn. -Hello, Lynn. | 0:06:12 | 0:06:16 | |
Tell me your story. | 0:06:16 | 0:06:18 | |
I once went out with an antique dealer | 0:06:18 | 0:06:20 | |
and he decided to take me out to the theatre one night. | 0:06:20 | 0:06:24 | |
I love the theatre, so I thought, that'll be great. | 0:06:24 | 0:06:26 | |
He proceeded to tell me everything what was going on | 0:06:26 | 0:06:32 | |
and what the opera glasses were for, because I didn't know. | 0:06:32 | 0:06:35 | |
-So he thought you didn't know what the opera glasses were for? -Yeah. | 0:06:35 | 0:06:39 | |
Take them outside to look at the stars later on. | 0:06:39 | 0:06:41 | |
It might have been OK if it had been in Italian or something, | 0:06:42 | 0:06:45 | |
but it was actually Evita. | 0:06:45 | 0:06:48 | |
-Patronising swine. -Yeah. -Thank you very much, Lynn. | 0:06:49 | 0:06:52 | |
Let's give her a round of applause. | 0:06:52 | 0:06:55 | |
I think the best way to check if you are working class is | 0:06:58 | 0:07:00 | |
if you have a bean jug. | 0:07:00 | 0:07:04 | |
A bean jug is a bright orange-stained measuring jug... | 0:07:04 | 0:07:08 | |
Now you know! | 0:07:11 | 0:07:14 | |
..that you use to microwave beans in at least three times a week. | 0:07:14 | 0:07:18 | |
I never have posh food at home, it's always comfort food. | 0:07:20 | 0:07:23 | |
I never have posh food at home. | 0:07:23 | 0:07:24 | |
To me, antipasti is my dad's sister who works in Greggs. | 0:07:24 | 0:07:27 | |
Sometimes, I feel bad watching period dramas. | 0:07:31 | 0:07:34 | |
The women weren't allowed to work, had to get married to survive, | 0:07:34 | 0:07:37 | |
and if life were Upstairs Downstairs, | 0:07:37 | 0:07:39 | |
I'd definitely have been downstairs. | 0:07:39 | 0:07:42 | |
The best I could hope for would be rough sex in the scullery | 0:07:42 | 0:07:45 | |
with the mill owner. | 0:07:45 | 0:07:46 | |
What I need here is a TV expert to guide me through all things dramatic. | 0:07:49 | 0:07:53 | |
He's one of our greatest actors, | 0:07:53 | 0:07:55 | |
literally millions have admired his Dickens... | 0:07:55 | 0:07:58 | |
..and I'd lov to nuzzle his Chuzzlewit. | 0:08:00 | 0:08:04 | |
Please welcome Simon Callow. | 0:08:04 | 0:08:06 | |
-Thank you very much, thank you for coming on the show. -It's a joy. | 0:08:16 | 0:08:19 | |
Let's have a little look at you in action. | 0:08:19 | 0:08:21 | |
It looked like... | 0:08:23 | 0:08:25 | |
Oh, my Lord! | 0:08:27 | 0:08:29 | |
It looked... | 0:08:30 | 0:08:32 | |
..like that. | 0:08:33 | 0:08:35 | |
What...phantasmagoria is this? | 0:08:37 | 0:08:39 | |
Argh! | 0:08:45 | 0:08:49 | |
I've done gigs like that. | 0:08:49 | 0:08:52 | |
What do you think it is about costume drama that's so sexy? | 0:08:57 | 0:09:00 | |
Everything being held in. | 0:09:00 | 0:09:03 | |
-Pinched. -You swell from within. -Oh, OK. | 0:09:03 | 0:09:05 | |
We're not talking about now, are we? | 0:09:09 | 0:09:11 | |
-Do you get to do many sex scenes? -Oh, lots. | 0:09:13 | 0:09:16 | |
They are supposed to be quite uncomfortable | 0:09:16 | 0:09:18 | |
and not remotely sexy at all, is that true? | 0:09:18 | 0:09:21 | |
Or do you get into it a bit? | 0:09:21 | 0:09:23 | |
It's about the most unarousing thing you can do... | 0:09:25 | 0:09:28 | |
I bet I could show you other things. | 0:09:28 | 0:09:31 | |
That sounds like a challenge to me. | 0:09:34 | 0:09:37 | |
What lengths have you gone to to prepare for a role? | 0:09:39 | 0:09:42 | |
Obviously, dressing up as well, but are you very method? | 0:09:42 | 0:09:45 | |
-Recently, I played a transvestite. -Yes. -But... | 0:09:45 | 0:09:50 | |
What did you do for that? | 0:09:50 | 0:09:52 | |
I went to all sorts of interesting places, | 0:09:54 | 0:09:56 | |
but when I put the bra on and the high-heel shoes, | 0:09:56 | 0:10:02 | |
and then the wig, especially, | 0:10:02 | 0:10:04 | |
then I became some other person. | 0:10:04 | 0:10:08 | |
Was your bra full, or just sort of baggy? | 0:10:08 | 0:10:11 | |
It was like two rugby balls side-by-side. | 0:10:13 | 0:10:16 | |
How do you prepare for the stage? | 0:10:20 | 0:10:22 | |
About four o'clock in the afternoon, | 0:10:22 | 0:10:25 | |
if I've got a 7:30 show, | 0:10:25 | 0:10:27 | |
I just stop thinking about anything else, except for the show, | 0:10:27 | 0:10:30 | |
and I just enter into the world of the characters, | 0:10:30 | 0:10:33 | |
so that the things that matter to the characters matter to me as well. | 0:10:33 | 0:10:37 | |
Because I wear Wonder Woman knickers. | 0:10:37 | 0:10:39 | |
It helps me. Makes me feel invincible. I've got them on now. | 0:10:41 | 0:10:46 | |
I mean, they're under much bigger knickers, but that's another story. | 0:10:46 | 0:10:50 | |
Now, you were an English teacher on Jamie's Dream School, weren't you? | 0:10:50 | 0:10:53 | |
Did the kids teach you any new words? | 0:10:53 | 0:10:56 | |
Well, the word that I learned, which amazed me, was sick, meaning good. | 0:10:59 | 0:11:03 | |
That was very peculiar, that took a long time... "Oh, sir, that's sick," they'd say. | 0:11:04 | 0:11:08 | |
And I'd think, "What did I...?" | 0:11:08 | 0:11:10 | |
And it meant great, they liked it. | 0:11:10 | 0:11:12 | |
And how do you keep a straight face when you say Coriolanus? | 0:11:12 | 0:11:15 | |
Have you ever acted your way out of an awkward situation? | 0:11:19 | 0:11:22 | |
No. | 0:11:25 | 0:11:26 | |
Could you, for next time? | 0:11:38 | 0:11:41 | |
With a bit of notice. | 0:11:41 | 0:11:43 | |
Now, acting's all well and good, but could you teach me some thespian skills | 0:11:46 | 0:11:50 | |
that might be useful in everyday life? | 0:11:50 | 0:11:53 | |
Say, for example, if you were ringing in sick | 0:11:53 | 0:11:55 | |
and you weren't really poorly. | 0:11:55 | 0:11:58 | |
-Yeah. -So you ring your boss. | 0:11:58 | 0:11:59 | |
Yeah, but the trick really would be not to act sick on the phone. | 0:11:59 | 0:12:05 | |
-Oh, no coughing? -None of that. | 0:12:05 | 0:12:06 | |
-No vomity noises in the background. -Yeah. | 0:12:06 | 0:12:09 | |
Just say, "I am so sick, I can't come in." | 0:12:09 | 0:12:14 | |
What if they're younger than you and they think you mean you're good? | 0:12:14 | 0:12:18 | |
What about if you're in a lift | 0:12:25 | 0:12:28 | |
and you had a bit of a dodgy tummy | 0:12:28 | 0:12:32 | |
and you dropped one... | 0:12:32 | 0:12:34 | |
how do you pretend that that's not yours? | 0:12:34 | 0:12:38 | |
Well, I think the thing to do, especially if you're wearing a coat, | 0:12:38 | 0:12:40 | |
is to sort of suddenly become involved in some quick movement. | 0:12:40 | 0:12:45 | |
It disperses the air. | 0:12:45 | 0:12:48 | |
And, obviously, how to fake an orgasm. | 0:12:48 | 0:12:51 | |
-Yeah, in a lift. -In a lift. | 0:12:51 | 0:12:54 | |
While ringing in sick. | 0:12:54 | 0:12:56 | |
I think, we'd all agree, that you are, obviously, a fantastic actor | 0:13:00 | 0:13:04 | |
and you have such a wonderful voice. | 0:13:04 | 0:13:05 | |
I bet you have no trouble | 0:13:05 | 0:13:07 | |
when you ring up to book cinema tickets with the automated ticket service? | 0:13:07 | 0:13:10 | |
-I do. -Do you, really? -They never understand a word I say. | 0:13:10 | 0:13:13 | |
Do friends ever get you to do their voicemail message on their phones? | 0:13:13 | 0:13:16 | |
-It has happened. -It has happened. And you don't mind doing that? -No. | 0:13:16 | 0:13:20 | |
OK, noted. | 0:13:20 | 0:13:21 | |
I wonder, there's a poem that really means a lot to me | 0:13:24 | 0:13:27 | |
and I'm wondering if maybe you could show me | 0:13:27 | 0:13:30 | |
how to read it properly, like, how to project... | 0:13:30 | 0:13:33 | |
-Could you do that? -I will, I will be proud to. -OK, just open the page there. | 0:13:33 | 0:13:36 | |
"First, I was afraid... | 0:13:42 | 0:13:44 | |
"I was petrified | 0:13:50 | 0:13:52 | |
"Kept thinking I could never live without you by my side | 0:13:54 | 0:13:59 | |
"But I spent so many nights thinking how you did me wrong | 0:13:59 | 0:14:05 | |
"I grew strong | 0:14:05 | 0:14:07 | |
"I learned how to carry on | 0:14:07 | 0:14:09 | |
"So you're back from outer space | 0:14:11 | 0:14:14 | |
"I just walked in | 0:14:17 | 0:14:20 | |
"To find you here | 0:14:20 | 0:14:23 | |
"With that sad look upon your face | 0:14:23 | 0:14:26 | |
"I should have changed my stupid lock | 0:14:27 | 0:14:32 | |
"I should have made you leave your key | 0:14:32 | 0:14:34 | |
"If I had known for just one second | 0:14:34 | 0:14:37 | |
"You'd be back to bother me." | 0:14:37 | 0:14:40 | |
-That was awesome, can you teach me how to do that? -I will. | 0:14:51 | 0:14:54 | |
-Can I have a go? -Yeah. | 0:14:54 | 0:14:57 | |
-OK. Any...preliminary tips? -Breathe, calm down. | 0:14:57 | 0:15:00 | |
Calm down? | 0:15:00 | 0:15:02 | |
I'm quite excitable, to be fair. | 0:15:03 | 0:15:06 | |
Any tips on breathing? | 0:15:06 | 0:15:07 | |
In, out. | 0:15:07 | 0:15:09 | |
-And do you want me to do it in...? -English. | 0:15:18 | 0:15:22 | |
"Go on now, go | 0:15:26 | 0:15:28 | |
"Walk out the door..." | 0:15:30 | 0:15:33 | |
Start again, please. | 0:15:33 | 0:15:34 | |
I don't understand what you're really feeling, | 0:15:38 | 0:15:42 | |
I just hear a woman elocuting there. | 0:15:42 | 0:15:44 | |
-A woman! -I don't get the inner life. | 0:15:44 | 0:15:46 | |
I'm excited that you call me a woman. | 0:15:46 | 0:15:49 | |
-Erm, OK, so again? -Yeah. | 0:15:50 | 0:15:53 | |
-Just feel it a bit more? -Please. | 0:15:53 | 0:15:57 | |
"Go on now, go..." | 0:15:57 | 0:15:59 | |
No... | 0:16:00 | 0:16:01 | |
-I felt I nailed that bit. -I want to see the man, the man you're talking to, | 0:16:03 | 0:16:07 | |
I want a sense of who he is and what you're trying to do to him. | 0:16:07 | 0:16:11 | |
Do you want a picture? | 0:16:11 | 0:16:12 | |
Yes, pictures to form in my mind, as you speak. | 0:16:14 | 0:16:16 | |
-"Weren't you the one..." -Sorry... | 0:16:16 | 0:16:20 | |
"Weren't you the one..." | 0:16:20 | 0:16:22 | |
"Weren't you the one." | 0:16:22 | 0:16:26 | |
-"Weren't you the one..." -That's it. | 0:16:26 | 0:16:28 | |
-"Who tried to hurt me with goodbye?" -Yes. | 0:16:28 | 0:16:31 | |
"Did you think I'd crumble?" | 0:16:31 | 0:16:35 | |
Could we just have a look at the word crumble? | 0:16:35 | 0:16:38 | |
It's like cru-mble. | 0:16:41 | 0:16:43 | |
Cramble. Cramble. | 0:16:43 | 0:16:46 | |
It's got an A in it, that, cramble. | 0:16:46 | 0:16:49 | |
"Did you think I'd cramble? | 0:16:49 | 0:16:51 | |
"Did you think I'd lay down and die? Oh, no, not I! | 0:16:52 | 0:16:58 | |
-"I will survive!" -Yeah. | 0:16:58 | 0:17:00 | |
That was sick. | 0:17:03 | 0:17:06 | |
-Thank you very much, it's been lovely to have you on the show. -Pleasure. | 0:17:06 | 0:17:09 | |
Ladies and gentlemen, Simon Callow. | 0:17:09 | 0:17:12 | |
People still speak like they're in a costume drama these days, | 0:17:19 | 0:17:22 | |
but only when giving evidence in court. | 0:17:22 | 0:17:25 | |
I was proceeding along the promenade | 0:17:25 | 0:17:28 | |
when I was assailed by a nefarious character and then asked | 0:17:28 | 0:17:31 | |
if I would like any. | 0:17:31 | 0:17:34 | |
I liked the BBC adaptation of Jane Eyre, | 0:17:37 | 0:17:40 | |
although there was no mention of her evil brother Ryan. | 0:17:40 | 0:17:43 | |
You can tell classic books aren't written by men. | 0:17:47 | 0:17:51 | |
It's all stolen glances, long drawn-out foreplay and romance. | 0:17:51 | 0:17:56 | |
If a bloke wrote Pride And Prejudice, Mr Darcy would have had | 0:17:56 | 0:17:58 | |
Elizabeth against a wheelie bin in the first scene. | 0:17:58 | 0:18:01 | |
And what about our obsession with the weather? | 0:18:04 | 0:18:06 | |
Here's a fun game for when you're watching the weather forecast on telly. | 0:18:06 | 0:18:09 | |
When it's a windy day and they have the big arrows on the map, | 0:18:09 | 0:18:13 | |
I like to sing... | 0:18:13 | 0:18:14 | |
# Who do you think you are kidding, Mr Hitler? # | 0:18:14 | 0:18:18 | |
I don't like it when they use new words, like mizzle, | 0:18:21 | 0:18:25 | |
which means mist and drizzle. | 0:18:25 | 0:18:27 | |
I always think, who've they got doing the weather, Snoop Doggy Dog? | 0:18:28 | 0:18:33 | |
Today, there will be mizzle up the hizzle. Tomorrow, sizzle. | 0:18:33 | 0:18:37 | |
For-shizzle. | 0:18:38 | 0:18:41 | |
To be a meteorologist, you need a good background in maths and science, | 0:18:41 | 0:18:46 | |
not like in the old days. You could just be pretty then. | 0:18:46 | 0:18:49 | |
Today, it's going to very hot and possibly wet later. | 0:18:49 | 0:18:53 | |
When I say that, it sounds less sexy | 0:18:56 | 0:18:59 | |
and more like I'm going through the change and I might piss myself later. | 0:18:59 | 0:19:03 | |
So what I need is an expert from the telly to teach me about the weather. | 0:19:06 | 0:19:10 | |
So please welcome, complete with his map, weather legend John Kettley. | 0:19:10 | 0:19:14 | |
Thank you very much for coming on the show, John. | 0:19:19 | 0:19:21 | |
-Sarah, it's great to be here. -Bless you. | 0:19:21 | 0:19:23 | |
Do you think the weather should come with a disclaimer? | 0:19:23 | 0:19:25 | |
"Warning, we're only guessing!" | 0:19:25 | 0:19:28 | |
I... It's educated guesswork, | 0:19:28 | 0:19:31 | |
it's always been educated guesswork. | 0:19:31 | 0:19:33 | |
So do you think you guys would all be out of a job | 0:19:33 | 0:19:36 | |
if we just started looking out of the window? | 0:19:36 | 0:19:41 | |
For most people, it's only what's happening first thing in the morning | 0:19:41 | 0:19:44 | |
-and when you come home from work later in the afternoon that matters, to some degree. -That's true. | 0:19:44 | 0:19:49 | |
You've got to put your washing out in the middle of the day, and pick the kids up from school, | 0:19:49 | 0:19:52 | |
but it's what's happening first thing, when you go to work, and in the evening. | 0:19:52 | 0:19:55 | |
We always try and get it right, obviously, | 0:19:55 | 0:19:57 | |
but sometimes, what happens for that little bit in the middle may not always be as important. | 0:19:57 | 0:20:01 | |
I've got a friend, instead of opening the door, | 0:20:01 | 0:20:04 | |
-she just puts her arm out of her cat flap. -Yeah. | 0:20:04 | 0:20:07 | |
Have you ever actually forecast that it's going to be raining men? | 0:20:07 | 0:20:11 | |
That's a great song, who did that song? Was it B*Witched? | 0:20:11 | 0:20:14 | |
-The Weather Girls. -The Weather Girls, was it? I should've known that one. | 0:20:14 | 0:20:18 | |
B*Witched? | 0:20:18 | 0:20:19 | |
Why do you tell us the pollen count on the forecast now? | 0:20:19 | 0:20:22 | |
You don't do that with other allergies? | 0:20:22 | 0:20:24 | |
Sian Lloyd never says, don't go near that carrot cake at dinner time because it might have nuts in it. | 0:20:24 | 0:20:28 | |
-No, but it's coming. That's on the way next year. -Oh, really? | 0:20:30 | 0:20:34 | |
-You never know. -Don't promise things you can't deliver, pet. | 0:20:34 | 0:20:37 | |
-No, all right. -Do you get fan mail from ladies who say they're experiencing damp patches? | 0:20:37 | 0:20:45 | |
Was that a no? | 0:20:50 | 0:20:51 | |
I've always been very happy talking about warm fronts, | 0:20:53 | 0:20:56 | |
rather than occluded fronts, because that leads to all sorts of things going through your head. | 0:20:56 | 0:21:00 | |
-I love a warm front. -I know, many people do. -Isobars. -Yes. | 0:21:00 | 0:21:03 | |
-Where are they, and how late do they stay open? -Well, the isobars... | 0:21:03 | 0:21:08 | |
Sarah, in the old Met office at Bracknell, the bar was actually called the Isobar. | 0:21:10 | 0:21:15 | |
Oh, that is so cool, but nerdy. | 0:21:15 | 0:21:18 | |
And is it possible for the sun to actually | 0:21:22 | 0:21:23 | |
shine out of someone's arse? | 0:21:23 | 0:21:26 | |
It's very interesting you ask that question as well, because | 0:21:30 | 0:21:33 | |
I went on a nine-week forecasting course and it never came up. | 0:21:33 | 0:21:36 | |
Thank you very much, you've been brilliantly helpful. | 0:21:37 | 0:21:40 | |
-Ladies and gentlemen, John Kettley. -Thank you. | 0:21:40 | 0:21:42 | |
When I watch a period drama, | 0:21:47 | 0:21:48 | |
one of the things that impresses me most is the clothes people used to wear. | 0:21:48 | 0:21:53 | |
Not the style of them, just the effort they used to go to | 0:21:53 | 0:21:56 | |
when they got dressed in the morning. | 0:21:56 | 0:21:58 | |
They're lucky most days if I change out of my pyjama bottoms | 0:21:58 | 0:22:00 | |
and put a bra on. | 0:22:00 | 0:22:02 | |
Why did they make corsets out of whalebone? | 0:22:03 | 0:22:05 | |
Everyone wore them, but it's something so hard to get hold of. | 0:22:05 | 0:22:09 | |
What else did they wear? Jumpers knitted from unicorn whiskers? | 0:22:09 | 0:22:14 | |
It was so repressed | 0:22:15 | 0:22:17 | |
and women weren't allowed to show any of their body. | 0:22:17 | 0:22:19 | |
If a man saw so much as an ankle, | 0:22:19 | 0:22:21 | |
he'd be so turned on, he turned into a spunk fountain. | 0:22:21 | 0:22:25 | |
Which is now a ride at Alton Towers. | 0:22:40 | 0:22:43 | |
Oh, you know what I really love about telly? | 0:22:46 | 0:22:49 | |
I love the fact that I can do... | 0:22:49 | 0:22:54 | |
this. | 0:22:54 | 0:22:57 | |
It took three women and a lot of lube to get us in this. | 0:23:06 | 0:23:09 | |
This is posh. Look how fancy it is. | 0:23:11 | 0:23:13 | |
The sofa's a bit rubbish, it's only got one end. | 0:23:13 | 0:23:15 | |
It's broken. | 0:23:17 | 0:23:18 | |
Oh. I'm down, I'm down, everybody, I'm down. | 0:23:20 | 0:23:23 | |
Oh, there's a bell. | 0:23:26 | 0:23:27 | |
SHE RINGS BELL | 0:23:27 | 0:23:29 | |
Wow, it's Mrs Hughes from Downton Abbey, also known as Phyllis Logan. | 0:23:31 | 0:23:36 | |
Hello, lovely lady. | 0:23:36 | 0:23:38 | |
I absolutely adore the show. | 0:23:40 | 0:23:42 | |
Why do you think it is that Downton Abbey is so popular? | 0:23:42 | 0:23:44 | |
It's just a good story, well told, with lots of love and intrigue. | 0:23:44 | 0:23:50 | |
In that setting as well. | 0:23:50 | 0:23:53 | |
And all the big frocks. | 0:23:53 | 0:23:55 | |
And all the big frocks. Not quite as big as yours, but, yes. | 0:23:55 | 0:23:59 | |
-You don't have to be rude about it. -Sorry. | 0:23:59 | 0:24:02 | |
-Does everyone stay in character? -Absolutely not. | 0:24:03 | 0:24:07 | |
Oh, really? So Hugh Bonneville, if he spills something down his front, | 0:24:07 | 0:24:10 | |
he's not getting you to come and mop it up, is he? | 0:24:10 | 0:24:13 | |
-I don't do mopping. -No, that's true. | 0:24:13 | 0:24:15 | |
I may be dressed with an apron, but I never wear an apron. | 0:24:15 | 0:24:18 | |
I'm very good at delegating, but I don't actually do any work. | 0:24:18 | 0:24:21 | |
-I just delegate. -I love all of the, you know, like a sideways glance? | 0:24:21 | 0:24:24 | |
-This is what I love about costume dramas, the sideways glance. -Right. | 0:24:24 | 0:24:29 | |
Like this, like this. | 0:24:29 | 0:24:30 | |
A little bit coy. You see, I can't... Can you do it? You can. | 0:24:32 | 0:24:35 | |
-Oh, can I? Sideways coy look? -Yeah. | 0:24:35 | 0:24:39 | |
I think whenever I do it, it looks... | 0:24:41 | 0:24:42 | |
Yeah, round of applause for yours. | 0:24:42 | 0:24:45 | |
It took me three years to learn that. | 0:24:46 | 0:24:49 | |
It just looks like I'm cheating in an exam, doesn't it? | 0:24:49 | 0:24:52 | |
Now, I'd love to live like the Crawleys, but under my stairs, | 0:24:54 | 0:24:58 | |
there's just a knackered hoover and an old Thighmaster. | 0:24:58 | 0:25:02 | |
I don't think there's much room for servants. | 0:25:02 | 0:25:04 | |
-I live in a flat, it doesn't really work like this. -No, no, it doesn't. | 0:25:04 | 0:25:09 | |
Do you treat your servants better now that you're in a programme like this? | 0:25:09 | 0:25:12 | |
They do get every second Sunday off. | 0:25:12 | 0:25:15 | |
Do you know if there's going to be any more series? | 0:25:15 | 0:25:18 | |
Because I'd love to carry on to, like, the '60s. | 0:25:18 | 0:25:20 | |
That would be great, to have Hugh Bonneville just smoking pot and wearing tie-dye. | 0:25:20 | 0:25:26 | |
Yes, well, I can tell you there is another series about. | 0:25:27 | 0:25:30 | |
And just to recap on Downton so far... | 0:25:36 | 0:25:39 | |
Matthew has recovered from a broken spine. | 0:25:39 | 0:25:42 | |
O'Brien got her own back on Lady Cora with a bar of soap. | 0:25:42 | 0:25:45 | |
Patrick, the original heir, returned | 0:25:45 | 0:25:47 | |
-with a different face and a Canadian accent. -That's fair enough. | 0:25:47 | 0:25:51 | |
Will Lord Grantham step out of the shower and realise it's all been a dream? | 0:25:51 | 0:25:56 | |
-Ssh. -KNOCKING AT THE DOOR | 0:25:56 | 0:25:58 | |
Oh, somebody at the door. | 0:25:58 | 0:26:00 | |
I didn't know we had a door. | 0:26:00 | 0:26:03 | |
-We definitely don't have a door. -CHEERING AND APPLAUSE | 0:26:03 | 0:26:06 | |
Sarah, my darling creature, it's not too late. I've missed you. | 0:26:14 | 0:26:18 | |
In fact, pet, I've crumbled. | 0:26:18 | 0:26:21 | |
To see again those rubescent lips, | 0:26:25 | 0:26:29 | |
those mammorial mammories. | 0:26:29 | 0:26:31 | |
Those glowing orbs. My darling creature. | 0:26:31 | 0:26:35 | |
Tell me, tell me you'll let me know again those embracing arms, | 0:26:35 | 0:26:40 | |
those tumbling tresses. | 0:26:40 | 0:26:42 | |
Tell me, Sarah, you will. | 0:26:43 | 0:26:45 | |
Go on, now, go! | 0:26:45 | 0:26:49 | |
Walk out the door. | 0:26:49 | 0:26:52 | |
Turn around now, because you're not welcome any more. | 0:26:52 | 0:26:56 | |
-My darling, this is so unlike you. -You bastard! | 0:26:57 | 0:27:01 | |
Ladies and gentlemen, Simon Callow and Phyllis Logan. | 0:27:16 | 0:27:20 | |
Well, that's all for tonight. | 0:27:27 | 0:27:29 | |
We haven't had time to talk about Grange Hill. | 0:27:29 | 0:27:31 | |
In one episode, a pupil overdosed on heroin. | 0:27:31 | 0:27:34 | |
Bloody hell, I thought Sheila Pullen was a wrong'un | 0:27:34 | 0:27:37 | |
just because she spent all her dinner money on sherbet Dip Dabs. | 0:27:37 | 0:27:40 | |
And Spooks has been ruined for me by the News of the World. | 0:27:42 | 0:27:45 | |
We now know they don't need to knock out security, | 0:27:45 | 0:27:47 | |
drug the guard dogs and dodge the lasers to get information. | 0:27:47 | 0:27:51 | |
They just press one, two, three, four and listen to the voicemail. | 0:27:51 | 0:27:54 | |
We haven't had time to talk about Misfits. | 0:27:56 | 0:27:58 | |
One of the characters is a teenager who can turn invisible. | 0:27:58 | 0:28:02 | |
That's not a super power, I was invisible at school for five years. | 0:28:02 | 0:28:05 | |
Goodnight. | 0:28:07 | 0:28:09 | |
Subtitles by Red Bee Media Ltd | 0:28:32 | 0:28:34 |