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This programme contains very strong language | 0:00:00 | 0:00:02 | |
-They're quiet bat people. -Is she sniffing these pens at night? | 0:00:02 | 0:00:05 | |
What's going on inside her abandoned barn of a brain? | 0:00:05 | 0:00:08 | |
Tickle wasn't the Queen of people's hearts, he was a twat in a tent. | 0:00:08 | 0:00:11 | |
Tickle! We drove a man to his death! We are responsible for this! | 0:00:11 | 0:00:16 | |
-Does this look like a bat? -No. -I should challenge her? -Not necessary. | 0:00:16 | 0:00:19 | |
She's going to kick her own head in. | 0:00:19 | 0:00:21 | |
Which will be easy for her because she does yoga. | 0:00:21 | 0:00:23 | |
Sam, Hi, listen, can you do me a favour? | 0:00:23 | 0:00:26 | |
Buy some flowers for Nicola fucking Murray. | 0:00:26 | 0:00:28 | |
Yeah, have them delivered to her home this evening with a card | 0:00:28 | 0:00:33 | |
that says "sorry you had to go, but let's face it, | 0:00:33 | 0:00:38 | |
"you are a fucking waste of skin." | 0:00:38 | 0:00:42 | |
"Waste of skin," yeah. | 0:00:43 | 0:00:45 | |
Yeah, Doug, get the cattle gun ready. | 0:00:45 | 0:00:47 | |
I'm afraid it's gonna be painful, yeah. | 0:00:47 | 0:00:50 | |
But you know me, I'm always on the look out | 0:00:50 | 0:00:52 | |
for new sources of powerful opiates. | 0:00:52 | 0:00:54 | |
Morning, I'm looking for Mr Oliver Reeder. | 0:00:54 | 0:00:58 | |
He looks a bit like a Quentin Blake illustration. | 0:00:58 | 0:01:01 | |
Just down the corridor on the right. | 0:01:01 | 0:01:04 | |
Very good, Bill, very good. | 0:01:05 | 0:01:06 | |
You weren't funny in London, you're not funny in Salford. | 0:01:06 | 0:01:09 | |
-Oh, do I have to do the..? -Yes, please. -Matron knows best, eh? | 0:01:09 | 0:01:13 | |
-I do. -I've got a friend who drinks this stuff. | 0:01:13 | 0:01:16 | |
Give him that, and a bag of macadamias | 0:01:16 | 0:01:17 | |
and he's made for the night. | 0:01:17 | 0:01:19 | |
Hiya, Mum. Yeah, a bit sore. | 0:01:19 | 0:01:23 | |
Here she is. Britain's latest post-op transsexual. | 0:01:23 | 0:01:26 | |
Do they actually manage to graft one on? | 0:01:26 | 0:01:28 | |
I'll call you back, Mum. It's the scary Morrissey. | 0:01:28 | 0:01:31 | |
-I've come to cheer you up. -Did you actually buy me flowers, Malcolm? | 0:01:31 | 0:01:34 | |
It's one of the many advantages | 0:01:34 | 0:01:36 | |
of living close to an accident blackspot. | 0:01:36 | 0:01:38 | |
So how are things, little boy from the Secret Garden? | 0:01:38 | 0:01:41 | |
Well, you know, there's no WI-FI, | 0:01:41 | 0:01:43 | |
there's basic Freeview it's like living in 2003. | 0:01:43 | 0:01:46 | |
But I am lighter to | 0:01:46 | 0:01:48 | |
the tune of one whole appendix, so I do feel very svelte. | 0:01:48 | 0:01:50 | |
-So have you seen this? -Nicola Murray is unelectable? | 0:01:50 | 0:01:54 | |
Fleming is foaming. | 0:01:54 | 0:01:55 | |
Is that it then, is she fucked? | 0:01:55 | 0:01:57 | |
Like Caligula's favourite watermelon. | 0:01:57 | 0:01:59 | |
Fleming's fired the starting pistol, | 0:01:59 | 0:02:00 | |
so we can all start firing our actual pistols | 0:02:00 | 0:02:02 | |
onto her fucking fat, unelectable, smug head. | 0:02:02 | 0:02:06 | |
How... Is this it now? | 0:02:06 | 0:02:07 | |
It's on. It's on like fat Pat's thong. | 0:02:07 | 0:02:10 | |
We're putting her on a train | 0:02:10 | 0:02:12 | |
to Bradford. It's the closest as I could get to locking her in a metal box. | 0:02:12 | 0:02:15 | |
Oh, this is the "here to hear" thing. | 0:02:15 | 0:02:17 | |
A great idea, going round the country listening to people | 0:02:17 | 0:02:19 | |
tell you that they hate you, just in different accents. | 0:02:19 | 0:02:22 | |
-IN DIFFERENT ACCENTS: -"I fucking hate you", | 0:02:22 | 0:02:24 | |
"I hate you," "I fucking hate you," | 0:02:24 | 0:02:27 | |
-so, wait, today's the day? -Today's the day. | 0:02:27 | 0:02:29 | |
Once she's on the train, I'm going to detonate the main bomb, | 0:02:29 | 0:02:32 | |
but I need you to set one off later. | 0:02:32 | 0:02:34 | |
-Malcolm, I'm in hospital, I'm not, I'm not wearing any pants. -I don't care if you've been | 0:02:34 | 0:02:39 | |
dead a year, playing cribbage with Jimmy fucking Saville. | 0:02:39 | 0:02:42 | |
I want you to make a bomb and explode it, today. | 0:02:42 | 0:02:46 | |
This is a metaphorical bomb right? | 0:02:46 | 0:02:48 | |
This is it, Jack fucking Bauer, | 0:02:48 | 0:02:49 | |
time for you to embrace your inner bastard. | 0:02:49 | 0:02:53 | |
I'll be in touch, right. That wee nurse needs cheering up. | 0:02:53 | 0:02:56 | |
Nice, really nice, Malcolm, those are my flowers. | 0:02:56 | 0:02:58 | |
Easy come, easy go. | 0:02:58 | 0:03:00 | |
Is everything OK? | 0:03:04 | 0:03:06 | |
I've had a stroke. Oh, no, no such luck. | 0:03:06 | 0:03:10 | |
-Is that why you're not answering your phone? -I'm finding it quite comforting. | 0:03:10 | 0:03:13 | |
Maybe I'll bring you a shot glass and some bleach. | 0:03:13 | 0:03:16 | |
Hey, only my kids are allowed | 0:03:16 | 0:03:17 | |
to talk to me like that, and my husband. | 0:03:17 | 0:03:19 | |
Don't forget you're on a train to Bradford soon, | 0:03:19 | 0:03:22 | |
-Can you try to arrange for me to be underneath it? -I look forward to our lovely train journey together. | 0:03:22 | 0:03:26 | |
-I look forward to you fucking off actually. -Thanks very much. | 0:03:26 | 0:03:29 | |
-Is the Dowager Countess receiving? -Can you give her a minute? | 0:03:29 | 0:03:31 | |
-She's meditating. -Step aside, she's asked to see me. | 0:03:31 | 0:03:34 | |
Morning, oh, God, oh, dear. | 0:03:34 | 0:03:35 | |
You can get that in large print you know. | 0:03:35 | 0:03:38 | |
Still not knocking, I see, Malcolm. | 0:03:38 | 0:03:39 | |
It's an old habit from my time in the Haitian death squads, | 0:03:39 | 0:03:42 | |
-so how you doing? -The Guardian seem to hate me | 0:03:42 | 0:03:44 | |
more than the Prime Minister, I mean, what do I expect next, | 0:03:44 | 0:03:47 | |
am I gonna get spat at in the street by Michael Palin? | 0:03:47 | 0:03:49 | |
That's highly unlikely, he's really a very, very nice man. | 0:03:49 | 0:03:52 | |
But on to more serious matters, Mr Tickle is dead. | 0:03:52 | 0:03:55 | |
-What are you gonna do about it? -I'm not going to exploit a suicide. | 0:03:55 | 0:03:58 | |
You can't look a gift corpse in the mouth, | 0:03:58 | 0:04:00 | |
you should be taking it and slapping the government | 0:04:00 | 0:04:02 | |
about the face with it, bit of slap with tickle. | 0:04:02 | 0:04:04 | |
No, I'm not doing it, it's insensitive, as was that. | 0:04:04 | 0:04:08 | |
Sorry, I just think this is what we should be doing. | 0:04:08 | 0:04:11 | |
Look, fine, it's there as a policy we can use in the extreme, | 0:04:11 | 0:04:15 | |
but I just, I just want us to try | 0:04:15 | 0:04:18 | |
and build some momentum through positivity. | 0:04:18 | 0:04:21 | |
OK, yeah, good luck with that. | 0:04:21 | 0:04:24 | |
That's me being positive, by the way. | 0:04:24 | 0:04:27 | |
So, it's just a quick chat with Sky, yeah? | 0:04:27 | 0:04:30 | |
Yeah, just give them ten minutes' bullshit | 0:04:30 | 0:04:31 | |
about how you much prefer them to the BBC, | 0:04:31 | 0:04:33 | |
and then get straight onto the "here to hear" stuff. | 0:04:33 | 0:04:36 | |
It's a very good name "here to hear," well done. | 0:04:36 | 0:04:38 | |
Much better than, what was Olly's effort? | 0:04:38 | 0:04:40 | |
"We're all ears." | 0:04:40 | 0:04:42 | |
But the "all" was capitalised | 0:04:42 | 0:04:43 | |
implying that everyone is actually an ear. | 0:04:43 | 0:04:46 | |
Christ in a hot tub, that is truly terrible. | 0:04:46 | 0:04:49 | |
Olympic sprinters don't get paid for the number of hours they run, | 0:04:49 | 0:04:52 | |
otherwise, if they did, | 0:04:52 | 0:04:53 | |
the faster you ran, the less they'd actually get paid. | 0:04:53 | 0:04:56 | |
Oh, God, Duggan, of all people. John, nice to see you again. | 0:04:56 | 0:05:02 | |
All aboard the Hogwarts express | 0:05:02 | 0:05:04 | |
for Nicola Potter and the Prisoner of AzkerBradford. | 0:05:04 | 0:05:07 | |
I come bearing broadcast journalists. | 0:05:07 | 0:05:09 | |
Sounds almost sexual, doesn't it? | 0:05:09 | 0:05:12 | |
This is Cath-y, Cathy, so good they named her twice. | 0:05:12 | 0:05:16 | |
-And a cameraman who's name I cannot recall. -I'm Nicholas. | 0:05:16 | 0:05:18 | |
Hello, hi. Nicola Murray. | 0:05:18 | 0:05:20 | |
This is Helen, my number two. | 0:05:20 | 0:05:22 | |
Ah, unexpected item in bagging area. | 0:05:22 | 0:05:24 | |
I was expecting something more Olly shaped, I'm JD, recently divorced. | 0:05:24 | 0:05:28 | |
Erm, John, maybe... | 0:05:29 | 0:05:31 | |
Please call me JD, I've rebranded. | 0:05:31 | 0:05:32 | |
Right, so John, if you could get us some drinks, that would be great. | 0:05:32 | 0:05:36 | |
Absodutely, I could murder a lager. It's all right drinking on trains, isn't it? | 0:05:36 | 0:05:40 | |
It's one of those places where alcohol is acceptable | 0:05:40 | 0:05:42 | |
at any time of day, like a casino or Cardiff. | 0:05:42 | 0:05:44 | |
That's not racist. I could have said Glasgow or Dublin. | 0:05:44 | 0:05:49 | |
Glenn, mate, guess who? | 0:05:49 | 0:05:51 | |
No, it's Olly Reeder. Who the fuck's Preston? | 0:05:51 | 0:05:55 | |
No, all right, listen, I was wondering if you fancied a spot of lunch? | 0:05:55 | 0:05:58 | |
You know St Thomas' Hospital? Well, let's say St Thomas' Hospital. | 0:05:58 | 0:06:03 | |
Because I'm in St Thomas' Hospital, Glenn. | 0:06:05 | 0:06:08 | |
Yeah, it's a Nigella recipe, you, you, | 0:06:08 | 0:06:10 | |
you sort of do it with gammon and Coca Cola, it's fantastic. | 0:06:10 | 0:06:13 | |
-Ah, the hairless Hagrid? I need a private word. -We're in the middle of something. | 0:06:13 | 0:06:17 | |
I need you lot to make like a tree, and go fuck yourselves. | 0:06:17 | 0:06:19 | |
Yeah, we'll, we'll pick this up later. | 0:06:19 | 0:06:22 | |
You know, Westminster can often seem to be all about here, here. | 0:06:22 | 0:06:26 | |
But we want to make it clear that with "here to hear," | 0:06:26 | 0:06:30 | |
we are very definitely here to hear. | 0:06:30 | 0:06:34 | |
So, today, in Bradford, | 0:06:34 | 0:06:36 | |
we're going to be talking to the good folk of that city, | 0:06:36 | 0:06:39 | |
that we're there for them, that we are listening | 0:06:39 | 0:06:42 | |
to their concerns and that we're there to, erm, | 0:06:42 | 0:06:45 | |
that we're here to hear. | 0:06:45 | 0:06:48 | |
-Great, well. -That OK? -I think that's us done. -Good, good, lovely. | 0:06:49 | 0:06:53 | |
-Thanks. -Thank you. Oh, are you, that's where you're erm... | 0:06:53 | 0:07:00 | |
We'll be grabbing some GVs and some day in the life shots. | 0:07:00 | 0:07:03 | |
Just some shots of you pretending to work, pretty sure I mentioned it. | 0:07:03 | 0:07:07 | |
You absolutely, definitely didn't mention it, John, | 0:07:07 | 0:07:10 | |
but that's, yeah, great, nice to spend a bit more time... | 0:07:10 | 0:07:12 | |
Maybe not, in my defence, I am the busiest man in politics. | 0:07:12 | 0:07:15 | |
One of the three main reasons my marriage broke up. | 0:07:15 | 0:07:17 | |
She was a Muggle, next wife's got to be a politico. | 0:07:17 | 0:07:21 | |
I'm sorry I can come back, | 0:07:23 | 0:07:24 | |
I didn't realise you were so fucking busy. | 0:07:24 | 0:07:26 | |
Well, I could do some work but you know what, we're still going to lose. | 0:07:26 | 0:07:29 | |
Don't be so grim, you big quim. You are the future of this party, yeah, you are the next generation. | 0:07:29 | 0:07:33 | |
And you're in its past. I mean, I don't really know why you're still here, Malcolm. | 0:07:33 | 0:07:37 | |
I want to see this turn around. I can't leave while we're getting fucked in the polls, | 0:07:37 | 0:07:41 | |
and we're getting fucked consistently and repeatedly like a horse in the fucking Hebrides. | 0:07:41 | 0:07:45 | |
Very original observations, Malcolm MacIntucker, | 0:07:45 | 0:07:47 | |
-but what's the solution? -Nicola has to go. Today. | 0:07:47 | 0:07:51 | |
-Oh, right. -You need to resign. | 0:07:51 | 0:07:55 | |
And challenge her for the leadership? | 0:07:55 | 0:07:58 | |
That, no, no. That would be petty and self-interested. | 0:07:58 | 0:08:02 | |
No, you are doing this for the greater good of the party. | 0:08:02 | 0:08:06 | |
As Deputy Leader, Dan Miller will take over, and he can be anointed at a later date. | 0:08:06 | 0:08:10 | |
You want me to stick my cock in a fan | 0:08:10 | 0:08:11 | |
so that Dan Miller can become the next Prime Minister! | 0:08:11 | 0:08:14 | |
Fuck you very much, Malcolm. | 0:08:14 | 0:08:15 | |
What do I get out of this? | 0:08:15 | 0:08:16 | |
I would not ask you to do this for nothing, would I? | 0:08:16 | 0:08:19 | |
You might. | 0:08:19 | 0:08:20 | |
I'm asking you, because you're a big fucking beast. | 0:08:20 | 0:08:23 | |
Which is why, when you come back, | 0:08:23 | 0:08:26 | |
it'll be as Foreign Secretary. | 0:08:26 | 0:08:29 | |
You mean Foreign Secretary, that isn't code for Northern Ireland, | 0:08:29 | 0:08:32 | |
I'm not fucking going there. | 0:08:32 | 0:08:33 | |
This is the proper Foreign Secretary with all the perks, | 0:08:33 | 0:08:36 | |
fuck off breakfasts at Dubai hotels, tours of secret Russian sex shops. | 0:08:36 | 0:08:42 | |
All right, all right, I'll do it. And you know what? | 0:08:42 | 0:08:45 | |
-I'd have done it for a lot less. -I beg your pardon? | 0:08:45 | 0:08:47 | |
I'd have done it just to see the look on Nicola's face. | 0:08:47 | 0:08:50 | |
I've underestimated you. | 0:08:52 | 0:08:54 | |
You've been out manoeuvred by a player. It happens. | 0:08:54 | 0:08:58 | |
Yeah, well, didn't used to. | 0:08:58 | 0:09:00 | |
God, this is absolutely ridiculous. | 0:09:02 | 0:09:05 | |
We so should have sat separately in first. | 0:09:05 | 0:09:08 | |
We can't do first class, it's career suicide, | 0:09:08 | 0:09:11 | |
you might as well do a shit in the aisle. | 0:09:11 | 0:09:12 | |
SMS ALERT | 0:09:12 | 0:09:14 | |
I want you to stay smiling looking relaxed. | 0:09:15 | 0:09:19 | |
Ben Swain is resigning. | 0:09:19 | 0:09:21 | |
Shitting quitting. | 0:09:23 | 0:09:25 | |
-Fuck off! -Shut up! | 0:09:25 | 0:09:28 | |
What is it sex scandal? I bet he pays for it. | 0:09:28 | 0:09:30 | |
Is he a Gaylord or something? | 0:09:30 | 0:09:32 | |
Grainne thinks it might be a putsch. | 0:09:32 | 0:09:33 | |
That's very good news actually, isn't it? | 0:09:33 | 0:09:36 | |
Just had some independent polling results in. | 0:09:36 | 0:09:39 | |
That's really encouraging. | 0:09:39 | 0:09:41 | |
If you could try and get a breakdown of that, | 0:09:41 | 0:09:43 | |
-with a bit more detail that would be... -Sure. | 0:09:43 | 0:09:45 | |
..terrific. | 0:09:45 | 0:09:47 | |
I think I might go and get a wrap. Does anyone want anything? | 0:09:47 | 0:09:50 | |
-No, thanks. -I quite fancy one of those pizzas | 0:09:50 | 0:09:53 | |
that's so hot the cheese actually evaporates. | 0:09:53 | 0:09:55 | |
Right, John, can you... | 0:09:55 | 0:09:58 | |
Sorry I thought, are you not going to fasttrack now? | 0:09:58 | 0:10:01 | |
Yeah, I am. All right, I'll get you a fucking pizza. | 0:10:01 | 0:10:05 | |
She is bonkers. | 0:10:05 | 0:10:07 | |
I, erm, might also go for a celebratory, | 0:10:07 | 0:10:12 | |
er, polling wee. That's what I'm going to do, so, John, | 0:10:12 | 0:10:16 | |
do you want to keep these good people company | 0:10:16 | 0:10:18 | |
without being too "Duggan" about it? | 0:10:18 | 0:10:20 | |
Totes, consider it done. Or about to be done, pre-done. | 0:10:20 | 0:10:24 | |
I'm saying yes, is the gist, basically. | 0:10:24 | 0:10:28 | |
Hello, hi. | 0:10:30 | 0:10:31 | |
-Do you want me to do a ring round? -Call Olly. -Why? | 0:10:33 | 0:10:36 | |
Olly and Ben are mates. I'm sorry I have to keep walking, | 0:10:36 | 0:10:39 | |
-this train feels like it's getting very small right now. -It's not it's the same size. | 0:10:39 | 0:10:43 | |
Get Olly to call Ben and tell him to offer him anything he wants, | 0:10:43 | 0:10:46 | |
anything at all, bigger portfolio, pig roast, whatever, I... | 0:10:46 | 0:10:50 | |
I've just got to keep moving, I have to keep moving. | 0:10:50 | 0:10:53 | |
So go on then, how's life in Nazi HQ, | 0:10:53 | 0:10:55 | |
is it fun collaborating? | 0:10:55 | 0:10:57 | |
Oh, don't start all that again, I got into government by accident. | 0:10:57 | 0:11:01 | |
Speaking of which, how is Terri? | 0:11:01 | 0:11:04 | |
She's entering her dog for Britain's Got Talent. | 0:11:04 | 0:11:07 | |
What's the matter with you? | 0:11:09 | 0:11:11 | |
Please tell me you're looking for a bone marrow donor | 0:11:11 | 0:11:13 | |
and that I'm you're only hope. | 0:11:13 | 0:11:14 | |
The answer would be "no," by the way. | 0:11:14 | 0:11:16 | |
Bad luck, no, it's an appendix out. | 0:11:16 | 0:11:18 | |
I hope it is, since your lot took over the NHS | 0:11:18 | 0:11:20 | |
everything's a fucking adventure. | 0:11:20 | 0:11:22 | |
Look, this is all incredibly entertaining | 0:11:22 | 0:11:24 | |
but you've called me over in my lunch hour | 0:11:24 | 0:11:26 | |
and as you're fond of saying, I don't have many left. | 0:11:26 | 0:11:28 | |
-So, you know all this stuff with Mr Tickle. -Sad business. | 0:11:28 | 0:11:31 | |
-Very sad business. -Yeah. Mr Sad is actually very, very sad about it. | 0:11:31 | 0:11:35 | |
Yes, Mr Happy on the other hand, fucking delighted. | 0:11:35 | 0:11:38 | |
Mr Stoic's taking it on the chin. | 0:11:38 | 0:11:39 | |
Yes, Mr Milk-it says we should probably stop this now. | 0:11:39 | 0:11:42 | |
-Okey-doke. -I need you to dig out an old email for me. | 0:11:42 | 0:11:48 | |
One of those confidential, "delete after reading" emails, | 0:11:48 | 0:11:51 | |
that we never did delete? | 0:11:51 | 0:11:52 | |
Remember the email that Nicola sent ages ago, | 0:11:52 | 0:11:55 | |
where she floated the exact same policy | 0:11:55 | 0:11:56 | |
that's just got Mannion tickled in a bad way? | 0:11:56 | 0:11:59 | |
-No. -No, because you're 90, but, trust me, it does exist. | 0:11:59 | 0:12:03 | |
She was completely up for it before she realised that her | 0:12:03 | 0:12:06 | |
husband's PFI contracts fucked the whole thing. | 0:12:06 | 0:12:08 | |
That, my friend, is the email I'd like you to dig out. | 0:12:08 | 0:12:11 | |
So what's going on here, are you starting... | 0:12:11 | 0:12:14 | |
Is Malcolm starting a coup? | 0:12:14 | 0:12:16 | |
A bit louder, because there's a man in a coma over there, | 0:12:16 | 0:12:19 | |
Glenn, who didn't quite hear that. | 0:12:19 | 0:12:20 | |
Right, wee mission accomplished. | 0:12:20 | 0:12:24 | |
Actually, having an accurate wee into a moving train toilet | 0:12:24 | 0:12:27 | |
would make a great round on The Cube with Philip Schofield. | 0:12:27 | 0:12:29 | |
Nicola, is it true there's a rumour that Ben Swain is going to resign? | 0:12:29 | 0:12:32 | |
No, that's not true. I mean it might be true that there's a rumour, | 0:12:32 | 0:12:36 | |
but that rumour is not true. | 0:12:36 | 0:12:39 | |
-So Ben Swain is completely on side? -Oh, look, | 0:12:39 | 0:12:43 | |
I think Helen in the vestibule, Nicola. | 0:12:43 | 0:12:45 | |
She wants to, erm, wants to talk to you about your wrap. | 0:12:45 | 0:12:47 | |
In terms of filling, chicken or, or cheese. | 0:12:47 | 0:12:50 | |
That's what her body language is telling me. Any how. | 0:12:50 | 0:12:52 | |
-Right. -That's probably the first time I've ever used | 0:12:52 | 0:12:55 | |
the words "wrap" and "vestibule" in the same sentence, | 0:12:55 | 0:12:59 | |
actually I'm almost certain it is. | 0:12:59 | 0:13:02 | |
-PHONE RINGS -Do you need to get that? | 0:13:02 | 0:13:05 | |
-Erm, no, but I do need a wee, so... -All right, take it easy, | 0:13:05 | 0:13:09 | |
-let me give you a hand. -Don't! -I'm sorry. -Not there! All right. | 0:13:09 | 0:13:12 | |
That's where the appendix usually goes. | 0:13:12 | 0:13:16 | |
MUTTERING TO EACH OTHER | 0:13:16 | 0:13:18 | |
-He's not actually the grim reaper, just a friend -PHONE RINGS | 0:13:18 | 0:13:21 | |
-Helen, yes. -Some serious shit's going down. | 0:13:21 | 0:13:23 | |
-Ben's threatening to resign. -Ben? | 0:13:23 | 0:13:25 | |
Nah, he's just a fucking air bag. | 0:13:25 | 0:13:27 | |
I know he's a fucking air bag, | 0:13:27 | 0:13:29 | |
but if he goes off now in Nicola's face, | 0:13:29 | 0:13:31 | |
-she'll crash, so you've gotta call and stop him, -OK? We... | 0:13:31 | 0:13:34 | |
And you've hung up. | 0:13:34 | 0:13:35 | |
Wow, I'm fine, thanks, for asking, Wednesday fucking Addams. | 0:13:35 | 0:13:38 | |
Olly, this is the shittiest lunch break | 0:13:38 | 0:13:40 | |
I've had since Stewart took us all out for sushi. | 0:13:40 | 0:13:43 | |
Patience, old man, and you can watch the fuck puppet master at work now. | 0:13:43 | 0:13:47 | |
'Ben Swain!' | 0:13:49 | 0:13:50 | |
Benign tumour, bental illness. | 0:13:50 | 0:13:52 | |
Ol... Oliver cyst, | 0:13:52 | 0:13:55 | |
Olivetti spagett... | 0:13:55 | 0:13:57 | |
I don't really have time for chit chat, Olly. | 0:13:57 | 0:14:00 | |
Are you resigning, mate? Are you dropping the R-bomb? Benola Gay? | 0:14:00 | 0:14:03 | |
And I'm not just talking about the rumours. | 0:14:03 | 0:14:05 | |
Let's just say it is time to prepare the hidey hole | 0:14:05 | 0:14:08 | |
for Madame Hussein, her reign of error is over. | 0:14:08 | 0:14:12 | |
And out of interest, Ben, what would it take to stop you from resigning? | 0:14:12 | 0:14:15 | |
-'Why, what's Nicola offering?' -Name your price. | 0:14:15 | 0:14:18 | |
All right, Shadow Chancellor. | 0:14:18 | 0:14:21 | |
-OLLY LAUGHING -Ah, you still got it, Benny. | 0:14:21 | 0:14:26 | |
-I'm serious, stop fucking laughing. -All right, I'll, I'll call you back. | 0:14:26 | 0:14:29 | |
This is a fucking joke. Ben Swain, Chancellor. | 0:14:29 | 0:14:31 | |
He goes into debt every time he passes a sweet shop. | 0:14:31 | 0:14:35 | |
Let's pass it on to the new Glenn. She's about to lose her job, | 0:14:35 | 0:14:38 | |
so she's more like the old Glenn. | 0:14:38 | 0:14:39 | |
Yes. | 0:14:39 | 0:14:40 | |
'He would like Chancellor.' | 0:14:40 | 0:14:43 | |
He wants Chancellor. | 0:14:43 | 0:14:44 | |
-Just give it to the fucker. -It's fine. | 0:14:44 | 0:14:46 | |
What? Are you jerking my turkey? Chancellor? | 0:14:46 | 0:14:51 | |
It's a panicky thumbs up, from the vestibule. | 0:14:51 | 0:14:55 | |
Shit a thimble. Right, well. | 0:14:55 | 0:14:58 | |
'Shadow Chancellor Swain.' | 0:14:58 | 0:15:01 | |
-You are kidding me! -Deal or no deal? | 0:15:01 | 0:15:03 | |
I'll take the red box containing the fucking red box, | 0:15:03 | 0:15:07 | |
thank you, Noel, Ah, that is amazeballs. | 0:15:07 | 0:15:10 | |
-Ha! Ben Swain, knocks it out the park. -I'm off. | 0:15:10 | 0:15:12 | |
No, don't go, just stay there. I'll just use the... | 0:15:12 | 0:15:15 | |
Yeah. | 0:15:15 | 0:15:17 | |
What have you got for me, Professor Brian Cock? | 0:15:18 | 0:15:20 | |
'Ben small-balled it, she offered him Shadow Chancellor, | 0:15:20 | 0:15:23 | |
'he's not resigning.' | 0:15:23 | 0:15:24 | |
Christ in a diamond heist, the dopey fucking bollard. | 0:15:24 | 0:15:27 | |
Right, how are you getting on with the old man from Up? | 0:15:27 | 0:15:29 | |
-Yeah, you know, getting there. -'Well get a move on. | 0:15:29 | 0:15:32 | |
'I want him leaking like Cliff Richard out jogging.' | 0:15:32 | 0:15:35 | |
Right, OK, I'll be right on it. | 0:15:35 | 0:15:38 | |
Er, OK, Anne to justice, Sanjay to energy and climate change, | 0:15:40 | 0:15:46 | |
and Cuntface to culture media and sport. | 0:15:46 | 0:15:49 | |
Er, so C-face to CMS. | 0:15:49 | 0:15:52 | |
Er, Doug to Scotland, and Frank to international. | 0:15:52 | 0:15:55 | |
Frank to international development. It works, we don't need Ben. | 0:15:55 | 0:15:58 | |
-Fuck Ben. -Fuck Ben. -Brilliant, give me some skin, | 0:15:58 | 0:16:01 | |
palm, I dunno. Sorry. | 0:16:01 | 0:16:03 | |
I wasn't expecting to have to up my offer. | 0:16:03 | 0:16:06 | |
But that's how a gazumping works, Dan. | 0:16:06 | 0:16:09 | |
Er, what if I were to offer you Deputy Leader of the party? | 0:16:09 | 0:16:13 | |
-I would consider it. -Would you? | 0:16:13 | 0:16:15 | |
-I would consider it briefly, and then say "no." -I see. | 0:16:15 | 0:16:19 | |
Oh, here she is, Pippa Middleton, trying to steal the limelight | 0:16:19 | 0:16:22 | |
with your peachy little arse. | 0:16:22 | 0:16:24 | |
Right, where are we? | 0:16:24 | 0:16:26 | |
I've just offered Ben deputy leadership of the party. | 0:16:26 | 0:16:28 | |
I don't want it. I want Chancellor. | 0:16:28 | 0:16:31 | |
Chancellor? Of the United Kingdom? | 0:16:31 | 0:16:34 | |
It's what Nicola's offering me. | 0:16:34 | 0:16:35 | |
-Are you sure about this Ben? How's your economics? -Good, strong. | 0:16:35 | 0:16:39 | |
-What you're a PPE guy? -No, History of Art, but... | 0:16:39 | 0:16:42 | |
You are confident that one day you'll be able to shepherd the country | 0:16:42 | 0:16:45 | |
out of one of the darkest economic periods in its entire fucking art history. | 0:16:45 | 0:16:48 | |
Look, at the moment, I hold all the cards, | 0:16:48 | 0:16:50 | |
including the card that tells you how to play so, so it's over. | 0:16:50 | 0:16:53 | |
-The fat lady's singing. -No, she's not. | 0:16:53 | 0:16:55 | |
The fat man from the Go Compare advert is talking. | 0:16:55 | 0:16:58 | |
This is tiger by the tail time, | 0:16:58 | 0:17:00 | |
and I am loving it, loving it, loving it. | 0:17:00 | 0:17:02 | |
In that case you leave me no option, Ben, | 0:17:02 | 0:17:03 | |
I'm gonna have to say "yes." | 0:17:03 | 0:17:05 | |
Ha, ha, Chumba-fucking-Wumba. | 0:17:05 | 0:17:06 | |
Then I resign on the dotted line. | 0:17:06 | 0:17:09 | |
Can you give us a minute, Ben, please? | 0:17:09 | 0:17:11 | |
Dan and I need to talk some strategy. | 0:17:11 | 0:17:12 | |
Might head in the direction of confection. Any snackage, anyone? | 0:17:12 | 0:17:17 | |
No, no. | 0:17:17 | 0:17:18 | |
Is this for real? | 0:17:19 | 0:17:21 | |
No, of course it's not for real, Malcolm. | 0:17:21 | 0:17:23 | |
I'm offering him Chancellor, | 0:17:23 | 0:17:24 | |
I may as well offer bass player in The Wurzels, | 0:17:24 | 0:17:26 | |
because that burley haemorrhoid's not in any fucking Cabinet of mine. | 0:17:26 | 0:17:29 | |
Good. So how you gonna shaft him? That's not my problem. | 0:17:29 | 0:17:32 | |
That's your problem, Malcolm. | 0:17:33 | 0:17:35 | |
Right, so this is a little test? You're weighing my balls? | 0:17:35 | 0:17:37 | |
Should we get Ben? | 0:17:39 | 0:17:40 | |
Oh, he'll be back. Like the shit Terminator. | 0:17:40 | 0:17:43 | |
There he is. | 0:17:43 | 0:17:46 | |
-Ben Swain. -I know, she's a crazy woman. Nicola's got to go. | 0:17:46 | 0:17:49 | |
Any time a decision has to be made on anything | 0:17:49 | 0:17:51 | |
she just starts flapping about like Christ in a crucifix shop. | 0:17:51 | 0:17:54 | |
She's a nightmare. | 0:17:54 | 0:17:56 | |
She backed the hospital flats sell off, a man is dead because of that policy. | 0:17:56 | 0:17:59 | |
Oh wind it up, Polly fucking Toynbee. | 0:17:59 | 0:18:01 | |
All right fine, think of it this way. | 0:18:01 | 0:18:03 | |
Do it for yourself then, Glenn. Do it for the sheer revenge. | 0:18:03 | 0:18:06 | |
What has it actually been like, hey? | 0:18:06 | 0:18:08 | |
The last two years stuck in that fucking office | 0:18:08 | 0:18:11 | |
being pulled out once a week for a poke and a mop, | 0:18:11 | 0:18:14 | |
like some kind of fucking dancing bear. | 0:18:14 | 0:18:16 | |
What's that actually been like? | 0:18:16 | 0:18:18 | |
Absolutely relentless. | 0:18:18 | 0:18:20 | |
The worst thing is, there's no humour in the cruelty. | 0:18:20 | 0:18:22 | |
And you could never have said that about me. | 0:18:22 | 0:18:24 | |
So, do it for yourself and for the party. | 0:18:24 | 0:18:27 | |
But I need to have that email. | 0:18:27 | 0:18:30 | |
If you just shut up... | 0:18:30 | 0:18:32 | |
..I'll do it. | 0:18:34 | 0:18:35 | |
You are a diamond, Glenn, not just any form of ancient carbon, | 0:18:35 | 0:18:38 | |
the best. A diamond. | 0:18:38 | 0:18:39 | |
Do I send it to Malcolm or you? Organ grinder or monkey? | 0:18:39 | 0:18:43 | |
I'm no monkey, not any more. Things have changed there, right? | 0:18:43 | 0:18:47 | |
But, yeah, send it to Malcolm. And CC me, no BCC me. | 0:18:47 | 0:18:50 | |
-Bcc you? -Yeah. | 0:18:50 | 0:18:53 | |
I can't find Benjamin Glutton anywhere. | 0:18:53 | 0:18:54 | |
The massive fuck's gone to ground somehow and nobody's felt the aftershocks. | 0:18:54 | 0:18:58 | |
It's fine, we've sorted it, we've averted Benaggedon. | 0:18:58 | 0:19:01 | |
-No, no, I know about the deal, but he's still resigning. -Are you sure? | 0:19:01 | 0:19:04 | |
Commander Duggan, reporting for duty, what can I sort? | 0:19:04 | 0:19:07 | |
Go away, stop molesting us. | 0:19:07 | 0:19:08 | |
Oh, Glenn, you wrinkled beauty. This is an emergency situation, Nicola, | 0:19:08 | 0:19:12 | |
you have to break the glass and hit the dead Tickle button. | 0:19:12 | 0:19:15 | |
-No, I don't want to do that. -What don't you want to do? | 0:19:15 | 0:19:17 | |
Bash the Tickle button. | 0:19:17 | 0:19:18 | |
You need to talk to Sky, call for an inquiry, now. | 0:19:18 | 0:19:21 | |
I really think this could massively backfire. | 0:19:21 | 0:19:24 | |
-Is this Tickle? That could be good. -I cannot talk when I'm talking. | 0:19:24 | 0:19:27 | |
You're on the ropes, Nicola, do something fucking drastic. | 0:19:27 | 0:19:29 | |
I don't even know how to refer to him! Do I call him Mr Tickle? | 0:19:29 | 0:19:32 | |
-I can't call him Mr Tickle. -You're stuck on a train. | 0:19:32 | 0:19:35 | |
-I fucking know I'm stuck on a train. -Just attack, attack, and do it | 0:19:35 | 0:19:38 | |
-before Ben's resignation gets out. -Fine, yes. | 0:19:38 | 0:19:40 | |
Fine, fine, good. Thank you, Malcolm. Fuck off. | 0:19:40 | 0:19:43 | |
Sky lady, you need to go now, get her immediately. | 0:19:43 | 0:19:46 | |
-I'll just, I need a... -Just take a moment. -Yes, just go. | 0:19:46 | 0:19:49 | |
Ah, Suzy, might shake it up, spray it round the room like a... | 0:19:49 | 0:19:52 | |
Obviously I won't. | 0:19:52 | 0:19:54 | |
You can't have champagne in here. | 0:19:54 | 0:19:56 | |
-You're not fucking pregnant. -It's just Prosecco. -Just get on with it. | 0:19:56 | 0:20:00 | |
I hereby tweet, I have resigned. More to follow. | 0:20:00 | 0:20:03 | |
-Didn't seem that momentous. -How many followers have you got? | 0:20:06 | 0:20:09 | |
612, or thereabouts. | 0:20:09 | 0:20:12 | |
Christ, let's hope it gets re-tweeted, | 0:20:12 | 0:20:14 | |
otherwise you might just as well | 0:20:14 | 0:20:16 | |
just whisper it to a fucking dead tramp. | 0:20:16 | 0:20:18 | |
The word I would use Cathy is "disgraceful." | 0:20:18 | 0:20:21 | |
You know, I think this government has behaved appallingly | 0:20:21 | 0:20:24 | |
in the tragic case of this nurse that has died. | 0:20:24 | 0:20:28 | |
And the tragic events that lead to the death of Mr, er, | 0:20:28 | 0:20:32 | |
a missed and valued member of society, | 0:20:32 | 0:20:35 | |
are now going to have to come under scrutiny. | 0:20:35 | 0:20:38 | |
Great, thank you, Nicola. | 0:20:38 | 0:20:40 | |
We've just had word that Ben Swain is thinking... | 0:20:40 | 0:20:42 | |
Thank you. Nicola has to take a very urgent call, thank you so much. | 0:20:42 | 0:20:46 | |
I have to get off this train, I'm hyper fucking ventilating. | 0:20:46 | 0:20:49 | |
-I'll get the door. -And leave Duggan where he is, because he's just flotsam now. | 0:20:49 | 0:20:53 | |
Not flotsam, er jetsam, the other one, jetsam. | 0:20:53 | 0:20:55 | |
I'm pretty certain that was a genuinely urgent call. | 0:20:55 | 0:20:58 | |
I'm sure she'll be back to say a few words about Ben Swain. | 0:20:58 | 0:21:02 | |
Four letter ones? | 0:21:02 | 0:21:04 | |
Funny. | 0:21:04 | 0:21:05 | |
No, she hardly swears at all actually, the occasional "shit." | 0:21:05 | 0:21:09 | |
I'm gonna kill Ben Swain, I'm gonna fucking, fucking kill Ben Swain. | 0:21:09 | 0:21:13 | |
I'm gonna get some fucking giant Yorkie, and ram it down his gizzard. | 0:21:13 | 0:21:18 | |
-OK, better? -Are we there? -It's good to let it out, I think. | 0:21:18 | 0:21:22 | |
-Once I get out in the air... -We're gonna do a ring round. | 0:21:22 | 0:21:24 | |
I'm going to leave Mary to you, she's a bit HRT-ish. | 0:21:24 | 0:21:27 | |
Go, go, go. | 0:21:27 | 0:21:28 | |
Kate, hi, can I count on your support? | 0:21:28 | 0:21:32 | |
Sorry, I am a bit out of breath | 0:21:32 | 0:21:34 | |
it's just because just because I'm running up a ramp. | 0:21:34 | 0:21:36 | |
No, no, not with a view to jumping off. | 0:21:36 | 0:21:39 | |
That's brilliant, that's great news. Thank you. | 0:21:41 | 0:21:44 | |
Hello, Bill. | 0:21:44 | 0:21:45 | |
Is it safe to assume we can count on your support then, love? | 0:21:45 | 0:21:49 | |
OK, that's fantastic, I knew I could trust you. | 0:21:49 | 0:21:52 | |
Lazy fucking shyster. | 0:21:52 | 0:21:54 | |
Mary, I was really hoping I could count on your support. | 0:21:55 | 0:21:58 | |
Well, I'm disappointed to hear you say that, I must say, | 0:21:58 | 0:22:02 | |
because If I'm honest, Mary, you sort of | 0:22:02 | 0:22:05 | |
brought some of this on yourself, really. | 0:22:05 | 0:22:07 | |
Well, in that you had quite a lot of time off before being diagnosed. | 0:22:07 | 0:22:10 | |
All right, Mary. Thank you, bye. | 0:22:10 | 0:22:13 | |
Fucking fibroid polyp bitch. | 0:22:13 | 0:22:15 | |
I hope they sprout out of her abdomen and fucking choke her. | 0:22:15 | 0:22:19 | |
We can still do it. | 0:22:20 | 0:22:21 | |
Do you want a bit of lippy or something? | 0:22:23 | 0:22:26 | |
-Do I need it? -Yeah. | 0:22:26 | 0:22:28 | |
OK, Ben, Big Ben tells us that it's resignation time. Are you pumped? | 0:22:28 | 0:22:32 | |
Yeah, I'm pumped, pumped to the fucking max. | 0:22:32 | 0:22:35 | |
If I was a petrol pump I'd be making that clicking sound. | 0:22:35 | 0:22:38 | |
Oh, Olly, you foxy lady. | 0:22:38 | 0:22:41 | |
The press have been hoofing an email about that proves | 0:22:41 | 0:22:43 | |
Nicola agreed with this key worker housing scheme. | 0:22:43 | 0:22:45 | |
Sweet. Suzy, can I get some powder? | 0:22:45 | 0:22:48 | |
Oh, Glenn, my trusty crusty. I've just had my boney buttocks saved. | 0:22:48 | 0:22:53 | |
These phones are amazing, aren't they? I've got an application | 0:22:53 | 0:22:56 | |
that can throw grenades into people's dreams. | 0:22:56 | 0:22:58 | |
So, how do I look? | 0:22:58 | 0:23:00 | |
-Has that suit got a reinforced trouser arse on it? -Ha-ha, very funny, | 0:23:00 | 0:23:03 | |
what, a joke that I'm going to shit myself? | 0:23:03 | 0:23:04 | |
No, you're going to need it for the ten years | 0:23:04 | 0:23:07 | |
you'll be on the back benches. The email trail about the key worker housing shows | 0:23:07 | 0:23:10 | |
that you, Benjamin Trevor Swain | 0:23:10 | 0:23:13 | |
were gleefully in favour of it, just like Nicola. | 0:23:13 | 0:23:16 | |
You... erm... | 0:23:16 | 0:23:19 | |
There you go. Break a leg, love. | 0:23:19 | 0:23:20 | |
And your neck and your wrist, it doesn't really matter. | 0:23:20 | 0:23:23 | |
I never act on impulse, I'm so not impulsive | 0:23:26 | 0:23:31 | |
and Malcolm made me do it and now, fuck. | 0:23:31 | 0:23:34 | |
What? | 0:23:34 | 0:23:35 | |
Launching this inquiry may prove to be misguided in that | 0:23:35 | 0:23:40 | |
I now recall I may have fleetingly supported the policy myself. | 0:23:40 | 0:23:47 | |
So you've essentially launched an investigation into yourself? | 0:23:47 | 0:23:50 | |
-Malcolm made me do it. -Oh, well, Malcolm, yeah. | 0:23:50 | 0:23:52 | |
You've met Malcolm. | 0:23:52 | 0:23:53 | |
I would have said that it was ethically bad, I'm sure. I said... | 0:23:53 | 0:23:56 | |
I'll tell you what you said, just give me a minute. | 0:23:56 | 0:23:59 | |
Brilliant, courtesy of the Telegraph website you said, | 0:23:59 | 0:24:02 | |
"Great revenue raiser but I'm afraid it's a no-no | 0:24:02 | 0:24:04 | |
"because of my bloody husband." | 0:24:04 | 0:24:06 | |
I'm sorry, why would you do that? | 0:24:06 | 0:24:08 | |
You remember all your emails, do you? | 0:24:08 | 0:24:10 | |
That you sent three years ago? | 0:24:10 | 0:24:11 | |
From what I understand from Olly, a large number were sent | 0:24:11 | 0:24:14 | |
to that married producer on the Daily Politics. | 0:24:14 | 0:24:16 | |
Olly is a fucking...because... | 0:24:16 | 0:24:18 | |
He was supposed to leave her and... | 0:24:20 | 0:24:23 | |
OK, while we're on our way back to London maybe | 0:24:23 | 0:24:26 | |
we should make a list of the things, you know, you're for and against. | 0:24:26 | 0:24:29 | |
-Let's start with something simple. Animals in circuses? -Tell you what, | 0:24:29 | 0:24:32 | |
why don't you make the little list | 0:24:32 | 0:24:34 | |
and shove it up your tight cold arse. | 0:24:34 | 0:24:37 | |
I just need to stare. | 0:24:37 | 0:24:39 | |
Have a good stare. | 0:24:39 | 0:24:41 | |
I believe that this government should be attacked | 0:24:43 | 0:24:46 | |
for its involvement in the tragic death of Mr Tickel. | 0:24:46 | 0:24:50 | |
But I do not believe that Nicola Murray is fit to lead such an attack | 0:24:50 | 0:24:54 | |
because email evidence has clearly shown that she herself, | 0:24:54 | 0:24:58 | |
when a minister, supported the exact same proposals. | 0:24:58 | 0:25:02 | |
Er, as for a brief and regrettable period of time did I. | 0:25:02 | 0:25:08 | |
And so it turns out I will not be seeking a front bench position in the foreseeable future. | 0:25:08 | 0:25:14 | |
Dan. Yeah, Blinkey's gone. | 0:25:14 | 0:25:16 | |
Yeah, don't ask how I did it, but I'm on my way over. | 0:25:16 | 0:25:18 | |
Get some sexy underwear on. Wear a basque. | 0:25:18 | 0:25:21 | |
-Are you backing Dan Miller for the leadership? -I can't reply to those questions at the moment. | 0:25:21 | 0:25:25 | |
-PHONE RINGS -Hello. | 0:25:25 | 0:25:27 | |
Olly, how the shit has this happened? | 0:25:27 | 0:25:29 | |
Ben's gone and I'm about to. | 0:25:29 | 0:25:32 | |
Er, I'm sorry about that. | 0:25:33 | 0:25:36 | |
You're not going to try and talk me down off a ledge, are you cos I'm really tired | 0:25:36 | 0:25:40 | |
and the pavement looks like a nice, warm, splatty bed right now. | 0:25:40 | 0:25:44 | |
Nicola, if you fight this, it's just going to be one of those long slow | 0:25:44 | 0:25:48 | |
agonising deaths. | 0:25:48 | 0:25:50 | |
'I might still recover though.' | 0:25:50 | 0:25:52 | |
I mean, maybe you should come on board a bit more, | 0:25:52 | 0:25:55 | |
maybe be my number one? | 0:25:55 | 0:25:56 | |
Sorry, it's career cancer, I would say, terminal. | 0:25:57 | 0:26:01 | |
I'm sorry Nicola, this is it. | 0:26:01 | 0:26:03 | |
Is it? | 0:26:03 | 0:26:05 | |
Right. | 0:26:05 | 0:26:06 | |
I am sorry. | 0:26:08 | 0:26:10 | |
I really thought I could be Prime Minister. | 0:26:10 | 0:26:12 | |
-Did you? -Yes, didn't you? | 0:26:12 | 0:26:15 | |
Yes. Of course. | 0:26:15 | 0:26:18 | |
Against a parade of top-hatted turds, how could I not win? | 0:26:18 | 0:26:22 | |
I don't know. | 0:26:22 | 0:26:23 | |
Can you ring James actually? | 0:26:23 | 0:26:26 | |
Because he'll just be all smug on the phone and then | 0:26:26 | 0:26:28 | |
I'm gonna end up asking for a divorce and that's exactly what he fucking well wants me to do | 0:26:28 | 0:26:32 | |
and I just know I'm going to end up with the fucking kids. | 0:26:32 | 0:26:36 | |
Right, come on, folks, gather round. Grab your cheesy nachos and your fucking vuvuzelas, | 0:26:36 | 0:26:40 | |
this is what we've been waiting for, it's the queen's fucking speech. | 0:26:40 | 0:26:43 | |
Hello, everybody. | 0:26:44 | 0:26:45 | |
Thank you very much for coming here at such short notice, | 0:26:45 | 0:26:48 | |
I will be reading a short prepared statement. | 0:26:48 | 0:26:51 | |
Come on, this is history in the making. | 0:26:51 | 0:26:52 | |
This is the ending of a chapter of a very thin book that nobody enjoyed reading. | 0:26:52 | 0:26:56 | |
It has become apparent to me that I no longer have the full support | 0:26:56 | 0:26:59 | |
-of my party. -You never had the support of the party, you big bag of fucking useless doubt. | 0:26:59 | 0:27:04 | |
'It is for this reason | 0:27:04 | 0:27:05 | |
'and with a heavy heart that I have decided to stand down as leader.' | 0:27:05 | 0:27:10 | |
Sam, get me Fatty on the phone. | 0:27:11 | 0:27:13 | |
Tell him he's won a hamper. | 0:27:13 | 0:27:14 | |
He needs to know the line and tow the line. | 0:27:14 | 0:27:17 | |
You. Bland fucking robot droid, clear that shit out of there. | 0:27:17 | 0:27:20 | |
We need to get a draft in here to blow away | 0:27:20 | 0:27:22 | |
the stench of fucking failure. | 0:27:22 | 0:27:24 | |
Somebody get me a fucking Fanta! | 0:27:24 | 0:27:26 | |
'The only thing I love more than my party is my family | 0:27:26 | 0:27:30 | |
'and I look forward to spending more time with my husband James | 0:27:30 | 0:27:33 | |
'and with my children Ben, Katie...' | 0:27:33 | 0:27:36 | |
And here he is, the anointed one. | 0:27:36 | 0:27:38 | |
Oh, please, please I'm not Christ. He was quite a scruffy man. | 0:27:39 | 0:27:43 | |
I think Nicola's just finishing herself off here. | 0:27:43 | 0:27:45 | |
Thank you very much. Thank you. | 0:27:45 | 0:27:47 | |
(Nicola, Nicola this way this way.) | 0:27:49 | 0:27:51 | |
Oh shit. | 0:27:51 | 0:27:53 | |
Oh, God, here we go. | 0:27:53 | 0:27:54 | |
Do you feel you've been stabbed in the back, Mrs Murray? | 0:27:54 | 0:27:57 | |
She won't be answering any questions at this time, thank you. | 0:27:57 | 0:27:59 | |
Will you be backing Dan Miller? | 0:27:59 | 0:28:00 | |
Can you hear that sound? | 0:28:00 | 0:28:01 | |
Underneath the champagne corks popping, there's another sound. | 0:28:01 | 0:28:04 | |
The sound of the government's arses | 0:28:04 | 0:28:07 | |
yawning open. | 0:28:07 | 0:28:08 | |
Because we have got ourselves a superb leader-in-waiting. | 0:28:08 | 0:28:14 | |
Who's going to stick the boot into those coked-up | 0:28:14 | 0:28:17 | |
cousin-fucking chinless aliens. | 0:28:17 | 0:28:20 | |
CLAPPING | 0:28:20 | 0:28:22 | |
-Thank you very much. -We have got some work to do with you. | 0:28:24 | 0:28:28 | |
What will you be doing this evening? | 0:28:28 | 0:28:30 | |
'Will it be Dan Miller?' | 0:28:30 | 0:28:32 | |
'Thank you all very much.' | 0:28:32 | 0:28:33 | |
'Any regrets in the last two years?' | 0:28:33 | 0:28:36 | |
Do you have a legacy? | 0:28:36 | 0:28:38 | |
Worst leader in living memory? | 0:28:38 | 0:28:40 | |
Get hold of Claire Ballentine by the ears, if necessary. | 0:28:40 | 0:28:42 | |
Tell her she's on the World Tonight tonight. | 0:28:42 | 0:28:44 | |
Nicola's security pass. Get it altered. | 0:28:44 | 0:28:46 | |
She gets into the lobby and the canteen. And that's it. | 0:28:46 | 0:28:49 |