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# You better toss a coin into the old wishing well | 0:00:04 | 0:00:10 | |
# You better roll the dice | 0:00:10 | 0:00:13 | |
# Cos after all, you can never tell | 0:00:13 | 0:00:17 | |
-# This could be your lucky day -Lucky day | 0:00:17 | 0:00:20 | |
# But if you don't play the game | 0:00:20 | 0:00:22 | |
# You'll never know | 0:00:22 | 0:00:23 | |
# You'll never know. # | 0:00:25 | 0:00:26 | |
SOOTHING CHIMES | 0:00:30 | 0:00:32 | |
KNOCKING | 0:00:41 | 0:00:43 | |
-WOMAN'S VOICE: -What's the door closed for? This door is closed. | 0:00:46 | 0:00:50 | |
Who's in here? Ciara? | 0:00:50 | 0:00:51 | |
Ma, I'm in the bath! | 0:00:51 | 0:00:53 | |
The door's locked! Are you all right? Ciara! | 0:00:53 | 0:00:56 | |
Yes, I'm all right! | 0:00:56 | 0:00:58 | |
BANGING | 0:00:58 | 0:00:59 | |
No, Ma... | 0:00:59 | 0:01:01 | |
Ma, please, just leave me alone! | 0:01:01 | 0:01:04 | |
Holy God, are you all right? Is the light broken? | 0:01:06 | 0:01:08 | |
-No, it's working. -Ma, I want the light off. | 0:01:11 | 0:01:13 | |
Why do you want the light off when you're having a bath? You'll drown. | 0:01:13 | 0:01:16 | |
I won't drown, Ma. I'm not a puppy. | 0:01:16 | 0:01:18 | |
-I want your opinion on something. -Oh, leave me alone. | 0:01:18 | 0:01:21 | |
Oh, shut up, everyone's got a bum. | 0:01:21 | 0:01:23 | |
-Now, taste this gravy. -No! -Go on. | 0:01:23 | 0:01:26 | |
No, Ma, I'm trying to pretend I'm in Thailand. | 0:01:26 | 0:01:29 | |
Does it need more hot water or more granules? | 0:01:29 | 0:01:32 | |
DOG WHINES | 0:01:34 | 0:01:35 | |
No, go away. | 0:01:35 | 0:01:37 | |
Not for you, not for you. Any joy there now, Martin? | 0:01:38 | 0:01:42 | |
-What's wrong with it, Carmel? -Jesus, what's right with it? | 0:01:42 | 0:01:44 | |
Turns itself off at the drop of a hat, | 0:01:44 | 0:01:46 | |
keeps trying to electrocute me, makes the milk warm. | 0:01:46 | 0:01:49 | |
I hear conversations coming from that in the middle of the night. | 0:01:49 | 0:01:52 | |
-Conversations? -Like, "Uhmamhmlmuhm!" | 0:01:52 | 0:01:55 | |
Sounds like a pub in there. It's just a demented fridge. | 0:01:55 | 0:01:58 | |
Well, how are you doing there, sexy? | 0:01:58 | 0:02:00 | |
-Fine. -I was talking to Martin! | 0:02:00 | 0:02:01 | |
HE LAUGHS | 0:02:01 | 0:02:02 | |
-Very well, thanks, Tony. -I was only messing. -I know. | 0:02:02 | 0:02:05 | |
-Oh, I'm sorry, I was only messing. -Go away. Go away from me. | 0:02:05 | 0:02:08 | |
-Tony, in future... -I had a pen. | 0:02:08 | 0:02:09 | |
-Would you be able to maybe sweat a bit more evenly? -Where's my pen? | 0:02:09 | 0:02:12 | |
It's all in the collar there. Boil wash does nothing. | 0:02:12 | 0:02:14 | |
You've nothing to wear tonight. | 0:02:14 | 0:02:16 | |
-What's tonight? -Oh, you know what's tonight. | 0:02:16 | 0:02:18 | |
-That's tonight? -Yes. | 0:02:18 | 0:02:20 | |
-They'll be gone by nine, though, won't they? -I don't know. | 0:02:20 | 0:02:22 | |
I want a good, long, hard look at him. | 0:02:22 | 0:02:24 | |
TONY WINCES | 0:02:24 | 0:02:26 | |
-Oh, I saw that. -It's nothing. | 0:02:26 | 0:02:27 | |
-Will you make a doctor's appointment? -Doctor's appointment? | 0:02:27 | 0:02:30 | |
Well, that's a great idea, Carmel. Have you got 65 euros, please? | 0:02:30 | 0:02:33 | |
Tony, just give Dr Cusack a call. | 0:02:33 | 0:02:36 | |
Dr Cusack has freezing hands | 0:02:36 | 0:02:37 | |
and he always gets you to wait for more than an hour. Do you know why? | 0:02:37 | 0:02:40 | |
Cos he charges for parking. | 0:02:40 | 0:02:41 | |
Can't keep using that as an excuse. It's a five-minute walk. | 0:02:41 | 0:02:44 | |
-You try walking with this thing. -You can't keep avoiding the issue. | 0:02:44 | 0:02:47 | |
I'm not, I'm picking Rory up from work. | 0:02:47 | 0:02:49 | |
Tony, you have to get that bottom looked at. | 0:02:49 | 0:02:51 | |
-Stop talking about it in front of Martin. -Yes, Tony? | 0:02:51 | 0:02:54 | |
METAL CLATTERS | 0:03:00 | 0:03:02 | |
HORN BEEPS | 0:03:22 | 0:03:24 | |
-I'm locking up. -Fair play to you. | 0:03:28 | 0:03:31 | |
They have you practically running that place now. | 0:03:31 | 0:03:34 | |
-Yeah. -Come on, then. | 0:03:35 | 0:03:36 | |
THEY BOTH LAUGH | 0:03:40 | 0:03:42 | |
Ah, I'm only codding you, Rory. Hop in. | 0:03:45 | 0:03:48 | |
THEY LAUGH | 0:03:49 | 0:03:52 | |
That's brilliant! | 0:03:52 | 0:03:54 | |
-Get in if you're getting in, Rory. -I'm trying, Da. | 0:03:54 | 0:03:57 | |
THEY LAUGH | 0:03:58 | 0:04:00 | |
What are you making gravy for anyway, Ma? | 0:04:00 | 0:04:03 | |
-Graham's just popping his head in. We're going out for dinner. -I know. | 0:04:03 | 0:04:06 | |
SHE SIGHS | 0:04:06 | 0:04:08 | |
Why is this always here? | 0:04:08 | 0:04:10 | |
For drying the shoes. How are you? | 0:04:10 | 0:04:13 | |
How are the nerves? Are you going mental with them? I know I would be. | 0:04:13 | 0:04:17 | |
I know if my boyfriend was popping round for the first time, | 0:04:17 | 0:04:19 | |
I'd be going absolutely mental round about now. | 0:04:19 | 0:04:22 | |
Actually, I am a bit worried about the impression Graham might get. | 0:04:22 | 0:04:26 | |
Oh, God, yes. With those two eejits. We need to watch them like hawks. | 0:04:26 | 0:04:31 | |
I mean, we wouldn't want them doing anything that might show us up. | 0:04:31 | 0:04:35 | |
What is that up my nose? | 0:04:35 | 0:04:37 | |
Oh, no, I know what that is. | 0:04:37 | 0:04:39 | |
Oh, Da, what would you prefer, right? | 0:04:41 | 0:04:44 | |
Not being able to go to the toilet for the rest of your life, | 0:04:44 | 0:04:47 | |
or ONLY being able to go to the toilet for the rest of your life? | 0:04:47 | 0:04:50 | |
Oh, tough one, Rory, tough one! | 0:04:50 | 0:04:52 | |
Hmm... Only being able to go to the toilet the rest of my life. | 0:04:52 | 0:04:55 | |
-Yeah, I'd agree. -Definitely, 100%. -Reasons? | 0:04:55 | 0:04:58 | |
Well, first of all, constant relief. | 0:04:58 | 0:05:01 | |
-Yes. -Never turn your nose up at constant relief. | 0:05:01 | 0:05:03 | |
Now, don't be engaging in any conversations with Ciara's fella, | 0:05:05 | 0:05:08 | |
-all right? We need them gone by nine. -Why? | 0:05:08 | 0:05:10 | |
Something on the telly I want to watch. Thing about The Goose. | 0:05:10 | 0:05:14 | |
-The what? -The Goose. | 0:05:14 | 0:05:16 | |
John Gander, crime boss, the most dangerous man in Dublin. | 0:05:16 | 0:05:20 | |
Oh, him. I heard about him. I heard he got shot in the face | 0:05:20 | 0:05:24 | |
and now his left eyeball is made of Waterford Crystal. | 0:05:24 | 0:05:26 | |
TONY LAUGHS | 0:05:26 | 0:05:28 | |
There's many a wild rumour about The Goose. | 0:05:28 | 0:05:30 | |
It was his right eye. | 0:05:30 | 0:05:31 | |
-So what do you know about this fella anyway? -Just that eyeball thing. | 0:05:34 | 0:05:37 | |
-No, Ciara's fella. -Oh, his name's Graham Gill and he's a doctor. | 0:05:37 | 0:05:41 | |
-How did you find that out? -I read her texts. | 0:05:41 | 0:05:43 | |
Doctor? That's a step up. | 0:05:43 | 0:05:45 | |
-Six nuggets! -Six nuggets! | 0:05:46 | 0:05:48 | |
And he's always talking about how he wants to examine her. | 0:05:50 | 0:05:53 | |
God Almighty! He must be rolling in it if he can do her for free. | 0:05:53 | 0:05:56 | |
Oh, Rory, this isn't our house. | 0:05:56 | 0:05:58 | |
This must be where Cindy Crawford and Pamela Anderson live. | 0:05:58 | 0:06:01 | |
Sorry, ladies, we'll let you get on with your day. | 0:06:01 | 0:06:03 | |
Dad, it's Ma and Ciara. | 0:06:03 | 0:06:05 | |
HE SQUEAKS | 0:06:05 | 0:06:06 | |
Awoogah! | 0:06:06 | 0:06:07 | |
All right, you two, listen up. | 0:06:08 | 0:06:10 | |
Eyes and ears. Ciara had something she wanted to say. | 0:06:10 | 0:06:13 | |
Now, Ciara, nice, big, loud voice. | 0:06:13 | 0:06:15 | |
Again, Ma, this is for everyone... | 0:06:15 | 0:06:17 | |
Everyone, do you hear that? That means you two. | 0:06:17 | 0:06:19 | |
When Graham's here, | 0:06:20 | 0:06:22 | |
if the conversation starts drifting into a dangerous area, | 0:06:22 | 0:06:25 | |
-I'll say something. -What do you mean? | 0:06:25 | 0:06:27 | |
I'm trying to tell you, Da. | 0:06:27 | 0:06:30 | |
-Something like a code or... -A code? | 0:06:30 | 0:06:33 | |
A safety word. I think that's what Ciara is trying to say. | 0:06:33 | 0:06:36 | |
Something to calm things down if it gets a bit hot and heavy. | 0:06:36 | 0:06:39 | |
I'll say something like, "It's been very mild recently." | 0:06:39 | 0:06:41 | |
That's very clever. | 0:06:41 | 0:06:42 | |
Because it hasn't been mild, it's actually been very close. | 0:06:42 | 0:06:45 | |
That will alert us something is going on. | 0:06:45 | 0:06:47 | |
-Hasn't been that close, Carmel. -It has been close, Tony. | 0:06:47 | 0:06:49 | |
That thing on your bottom only comes out when it's close. | 0:06:49 | 0:06:52 | |
What's this? It's a brilliant list of rude words! Look, Da! | 0:06:52 | 0:06:55 | |
THEY LAUGH | 0:06:55 | 0:06:56 | |
No, no, no! Those are the words you're not allowed to talk about. | 0:06:56 | 0:06:59 | |
Me and Ciara wrote it up. | 0:06:59 | 0:07:01 | |
But these are all the good words. | 0:07:01 | 0:07:02 | |
Is this necessary? Can we not just all be ourselves? | 0:07:02 | 0:07:05 | |
BOTH: No! | 0:07:05 | 0:07:06 | |
This is exactly what we don't want - you two eejits being yourselves. | 0:07:06 | 0:07:10 | |
Just to say again, Ma, this is for everyone. | 0:07:10 | 0:07:12 | |
-Yeah, you hear that, you two? -We've literally nothing left to say now. | 0:07:12 | 0:07:15 | |
Rory! | 0:07:15 | 0:07:17 | |
-Now, Ciara, may I add a word to that list, please? -What? | 0:07:17 | 0:07:21 | |
Fart. | 0:07:21 | 0:07:22 | |
I hate it, I absolutely detest the word fart. | 0:07:22 | 0:07:25 | |
-It's on there. -No, it isn't. | 0:07:25 | 0:07:27 | |
It's under snot, look. | 0:07:27 | 0:07:29 | |
Oh... "Crack, snot, fart." I'm very sorry, so it is. Sorry, sorry. | 0:07:29 | 0:07:33 | |
What'll I say instead of fart? There's only one word for fart. | 0:07:33 | 0:07:36 | |
-How about, don't talk about farts? -That's hardly realistic, Ciara. | 0:07:36 | 0:07:39 | |
Yeah, what if they come up in conversation? | 0:07:39 | 0:07:41 | |
What if someone does one?! | 0:07:41 | 0:07:43 | |
Maybe for tonight, could we try to hold them in? | 0:07:43 | 0:07:45 | |
-Depends what's for dinner, Carmel. -Come on, put in a bit of effort. | 0:07:45 | 0:07:48 | |
I don't know, this is just a violation of my human rights. | 0:07:48 | 0:07:51 | |
-Rory, it's only for... -God! | 0:07:51 | 0:07:52 | |
That was our fault, now. | 0:07:57 | 0:07:59 | |
Right, well, that should work out fine. | 0:08:05 | 0:08:07 | |
Thanks, Martin. | 0:08:07 | 0:08:08 | |
I'll, um... | 0:08:08 | 0:08:10 | |
Right. | 0:08:12 | 0:08:13 | |
"Heh-heh, good one, Mr Walsh. Ha-ha!" | 0:08:14 | 0:08:17 | |
"Oh, Mrs Walsh, how are you? Oh, you look beautiful... | 0:08:17 | 0:08:21 | |
"You look nice. Very nice, Mrs Walsh." | 0:08:22 | 0:08:25 | |
DOG BARKS | 0:08:25 | 0:08:27 | |
Takes you back, wha? | 0:08:32 | 0:08:35 | |
Huh? | 0:08:35 | 0:08:36 | |
I was a wreck meeting Brendan and Teresa for the first time. Remember? | 0:08:36 | 0:08:40 | |
-Yeah, well, that was a bit different, Tony. -How? | 0:08:40 | 0:08:43 | |
-Because we had to tell them I was pregnant. -Oh, yeah. | 0:08:43 | 0:08:47 | |
-Oh, Tony... -She's not pregnant. | 0:08:48 | 0:08:50 | |
Yeah. OK, yeah, yeah. Yeah. | 0:08:51 | 0:08:53 | |
Tony... | 0:08:56 | 0:08:57 | |
Is that why we didn't spend more time at my parents house? | 0:08:57 | 0:09:00 | |
Because of Da chasing you down the road like that? | 0:09:00 | 0:09:03 | |
Nah. It's just the way it goes. | 0:09:03 | 0:09:05 | |
Couples end up spending all their time with one side of the family. | 0:09:05 | 0:09:09 | |
The best family wins. | 0:09:09 | 0:09:11 | |
Oh, Rory told me your man's a doctor. | 0:09:11 | 0:09:13 | |
Where's that pen? | 0:09:15 | 0:09:17 | |
Has that pen gone for a walk again, Carmel? | 0:09:18 | 0:09:20 | |
It's in the living room. | 0:09:20 | 0:09:22 | |
Ah, there it is. | 0:09:23 | 0:09:24 | |
HE WINCES | 0:09:28 | 0:09:30 | |
You watching this thing tonight, Martin? | 0:09:33 | 0:09:36 | |
What, your man coming over? | 0:09:36 | 0:09:38 | |
What? | 0:09:38 | 0:09:40 | |
Oh, Carmel says Ciara has someone coming over. | 0:09:40 | 0:09:42 | |
No. How would you watch that? | 0:09:42 | 0:09:46 | |
No, the thing about The Goose. | 0:09:46 | 0:09:47 | |
Oh, David Attenborough thing? | 0:09:47 | 0:09:49 | |
No, the crime boss fella. | 0:09:49 | 0:09:52 | |
And he's coming over? | 0:09:52 | 0:09:53 | |
God, no, Martin, it's on television. | 0:09:53 | 0:09:55 | |
-Are they upstairs? -Who? | 0:09:55 | 0:09:57 | |
What is it, a hidden camera thing? | 0:09:57 | 0:09:59 | |
No, Martin, we've gotten our wires crossed here. | 0:09:59 | 0:10:02 | |
It's a television programme on television about The Goose. | 0:10:02 | 0:10:05 | |
He's not a bird, he's a man. A crime man, a criminal. | 0:10:05 | 0:10:09 | |
He's got an eye made of Waterford Crystal. | 0:10:09 | 0:10:11 | |
That sounds worth watching all right, Tony. | 0:10:11 | 0:10:15 | |
And how long has he been seeing Ciara? | 0:10:15 | 0:10:17 | |
DOORBELL RINGS | 0:10:17 | 0:10:18 | |
The door, the door! Everybody stay calm. | 0:10:18 | 0:10:20 | |
Let's have a bit of craic with this fella, Martin. | 0:10:20 | 0:10:22 | |
I wouldn't mess with people like that, Tony. | 0:10:22 | 0:10:25 | |
TONY LAUGHS | 0:10:25 | 0:10:27 | |
No, ssh! | 0:10:27 | 0:10:28 | |
TONY GIGGLES | 0:10:31 | 0:10:33 | |
Ssh! Ssh! | 0:10:33 | 0:10:35 | |
HE CACKLES | 0:10:35 | 0:10:36 | |
Ssh! Ssh! | 0:10:36 | 0:10:38 | |
Hello, Mr Walsh. | 0:10:40 | 0:10:42 | |
I'm Graham. I'm Ciara's...friend. | 0:10:42 | 0:10:45 | |
-Ah, Graham, come on in. -Thank you. | 0:10:45 | 0:10:47 | |
-Come on in there, you're very welcome. -Thank you. Hello. | 0:10:47 | 0:10:50 | |
I'm Tony, Ciara's da. | 0:10:50 | 0:10:52 | |
And this is my life partner Martin, Ciara's other da. | 0:10:52 | 0:10:56 | |
Oh. Hello. | 0:10:56 | 0:10:58 | |
Ciara told you we were a pair of those, didn't she? | 0:10:58 | 0:11:02 | |
She didn't mention that, no. | 0:11:02 | 0:11:05 | |
Yes, I love Martin with all my heart. | 0:11:05 | 0:11:07 | |
Thanks very much, Tony. | 0:11:07 | 0:11:09 | |
You don't have a problem with gay stuff, do you, Graham? | 0:11:09 | 0:11:13 | |
-No. -Good. | 0:11:13 | 0:11:15 | |
Martin, why don't you tell Graham how we first met? | 0:11:15 | 0:11:17 | |
I live down the road, and I came round to borrow... | 0:11:17 | 0:11:21 | |
I can't remember what it was. | 0:11:22 | 0:11:24 | |
We got talking, and then Tony found out I was very good with my hands. | 0:11:25 | 0:11:30 | |
And it just took off from there. | 0:11:30 | 0:11:31 | |
Oh, it was a whisk. | 0:11:33 | 0:11:35 | |
That's right. And he whisked me off my feet. | 0:11:35 | 0:11:37 | |
Come here, gorgeous! | 0:11:37 | 0:11:39 | |
Tony, will you stop that! | 0:11:39 | 0:11:41 | |
-I'm only messing! -Stop! | 0:11:43 | 0:11:45 | |
Well, now, you must be Graham. | 0:11:45 | 0:11:48 | |
Oh, hello, Mrs Walsh. | 0:11:48 | 0:11:50 | |
You look...ravishing. | 0:11:50 | 0:11:52 | |
One tries her best. | 0:11:52 | 0:11:53 | |
These are for you. | 0:11:53 | 0:11:55 | |
Well, now, aren't you the gentleman? | 0:11:55 | 0:11:58 | |
Tony. God, and you're good looking, aren't you? | 0:11:58 | 0:12:02 | |
Do you know who you remind me of? A young Liam Neeson. | 0:12:02 | 0:12:04 | |
But with a much, much higher hairline. | 0:12:04 | 0:12:06 | |
God, look, what's left of the hair, it's just so fine. | 0:12:06 | 0:12:11 | |
God, you can barely feel that, it's so fine. | 0:12:11 | 0:12:13 | |
Tony, that is softer than it looks. Feel that. | 0:12:13 | 0:12:16 | |
I won't. Martin? | 0:12:16 | 0:12:18 | |
-It is very soft, actually. -Gorgeous. -It really is. | 0:12:23 | 0:12:26 | |
Thanks for that. | 0:12:27 | 0:12:28 | |
Well, better be hitting the road. | 0:12:30 | 0:12:32 | |
Tony, she's not responding to me at all. | 0:12:36 | 0:12:38 | |
-You wouldn't go up and give it a go? -I'll give it a go, but no promises. | 0:12:38 | 0:12:41 | |
THEY LAUGH AWKWARDLY | 0:12:41 | 0:12:43 | |
-Ciara is just a little bit under the weather. -Oh. | 0:12:43 | 0:12:46 | |
She's fine, she'll be down in a second. OK. | 0:12:46 | 0:12:48 | |
Just a word of warning, though. | 0:12:48 | 0:12:50 | |
Ciara can be a little tricky when it comes to her monthly visitor. | 0:12:50 | 0:12:54 | |
She's fine during, it's just, | 0:12:54 | 0:12:56 | |
-the three-week lead-up can be a bit tense. -Oh. | 0:12:56 | 0:13:00 | |
-Dunno, I think I might have made her worse. -For God's sake! | 0:13:00 | 0:13:03 | |
Yep. | 0:13:09 | 0:13:11 | |
Suppose you'll want a tour of the house, then. | 0:13:13 | 0:13:16 | |
Oh, um... | 0:13:16 | 0:13:18 | |
-Yeah? -Yeah... -Yeah. | 0:13:18 | 0:13:20 | |
-Eh...radiator there. -Right. | 0:13:20 | 0:13:23 | |
Phone. | 0:13:23 | 0:13:25 | |
HE LAUGHS | 0:13:25 | 0:13:26 | |
GRAHAM FORCES A LAUGH | 0:13:28 | 0:13:30 | |
-Yeah. -Ah... | 0:13:32 | 0:13:34 | |
Hey. There's a picture of my old ancestors back in the Wild West. | 0:13:35 | 0:13:40 | |
Oh... | 0:13:40 | 0:13:41 | |
-Only messing! It's us! In a shopping centre! Years ago! -Oh. | 0:13:41 | 0:13:45 | |
Look at Rory! He loved it. | 0:13:45 | 0:13:48 | |
Kept begging us to bring him back. | 0:13:48 | 0:13:50 | |
Gave in eventually. | 0:13:50 | 0:13:51 | |
SOFT MUSIC PLAYS | 0:13:54 | 0:13:57 | |
-Is that what you're wearing? -Jesus! | 0:14:03 | 0:14:05 | |
Jacks there. In case you need the "Oh, Jesus!" | 0:14:08 | 0:14:11 | |
Hey. Master bedroom! Hup! | 0:14:13 | 0:14:16 | |
Try that. | 0:14:20 | 0:14:22 | |
No, get on. | 0:14:25 | 0:14:26 | |
Oh, no, I'm OK, Mr Walsh. | 0:14:26 | 0:14:28 | |
-Go on. -No, I'd better not. My jacket's probably a bit grubby. | 0:14:28 | 0:14:33 | |
Then take it off. | 0:14:33 | 0:14:34 | |
OK. | 0:14:36 | 0:14:38 | |
Go on. | 0:14:50 | 0:14:52 | |
Lie down. | 0:14:55 | 0:14:56 | |
-It's very nice. -Soft, isn't it? | 0:15:01 | 0:15:04 | |
Oh, yeah, it's very soft. | 0:15:04 | 0:15:06 | |
You see, Carmel likes her side of the bed to be soft, | 0:15:06 | 0:15:10 | |
but I like my side of the bed to be hard, | 0:15:10 | 0:15:13 | |
so we bought two mattresses, | 0:15:13 | 0:15:15 | |
chopped them in half and stuck them together. | 0:15:15 | 0:15:17 | |
Soft, hard. | 0:15:17 | 0:15:20 | |
Soft, hard. Soft, hard. | 0:15:20 | 0:15:23 | |
Soft, hard. | 0:15:23 | 0:15:25 | |
You don't believe me, do you? | 0:15:27 | 0:15:29 | |
-Oh, no, I do. I do believe you. -Try my side. | 0:15:29 | 0:15:31 | |
-No, I'm OK. -Go on, switch. Go on. | 0:15:31 | 0:15:33 | |
Come on, then. Roly-poly now. | 0:15:33 | 0:15:34 | |
Whoops-a-daisy. There we are. | 0:15:34 | 0:15:36 | |
Now... | 0:15:36 | 0:15:38 | |
Heh. Yeah. | 0:15:38 | 0:15:41 | |
-See? -This is actually a bit harder, isn't it? -Yeah. | 0:15:41 | 0:15:44 | |
Ciara's room. She likes to pretend she doesn't live with us, | 0:15:46 | 0:15:49 | |
so just stuck a flat number on her door, leave the post outside. | 0:15:49 | 0:15:52 | |
Seems to do the job. Yeah. | 0:15:52 | 0:15:54 | |
Oh, did you bring your gas mask with you? | 0:15:54 | 0:15:57 | |
Because it's time to put them on. We're going in! | 0:15:57 | 0:16:01 | |
HE MAKES HEAVY BREATHING SOUNDS | 0:16:02 | 0:16:05 | |
HE LAUGHS | 0:16:08 | 0:16:10 | |
-I didn't know Ciara had a younger brother. -She doesn't. | 0:16:10 | 0:16:13 | |
I'm 25. | 0:16:13 | 0:16:14 | |
Oh. Hello. | 0:16:14 | 0:16:16 | |
-Is this him? -Yeah. I'll see what's keeping the girls. | 0:16:18 | 0:16:21 | |
What do you think of me space? | 0:16:23 | 0:16:25 | |
Oh, yeah, it's very nice. | 0:16:25 | 0:16:26 | |
Are you going out with Ciara? | 0:16:26 | 0:16:28 | |
Um, I suppose so. | 0:16:28 | 0:16:30 | |
Well, don't mess her about. | 0:16:30 | 0:16:31 | |
Cos the last fella that messed her about, let's just say... | 0:16:31 | 0:16:35 | |
..he's not around any more. | 0:16:36 | 0:16:38 | |
What happened to him? | 0:16:38 | 0:16:40 | |
His dad got a job in Cork and the whole family moved. | 0:16:40 | 0:16:43 | |
It's a pity cos he was actually pretty sound. | 0:16:43 | 0:16:46 | |
Da, get out! | 0:16:46 | 0:16:47 | |
OK. | 0:16:47 | 0:16:49 | |
Ma, I can't wear mustard. It makes me look like Big Bird. | 0:16:49 | 0:16:52 | |
But the Big Bird problem is what we're trying to address here, Ciara. | 0:16:52 | 0:16:55 | |
I'm telling you if you wear my mustard blouse | 0:16:55 | 0:16:57 | |
it'll make you look less chunky. | 0:16:57 | 0:16:59 | |
They'll be ages. | 0:16:59 | 0:17:00 | |
Which is good news for us, because I saved the best till last. | 0:17:00 | 0:17:05 | |
Now, Graham, you're about to enter the inner sanctum. | 0:17:07 | 0:17:11 | |
Will Ciara be coming down soon? | 0:17:11 | 0:17:13 | |
Ah-bu-bu-buh. No girls allowed. | 0:17:13 | 0:17:17 | |
-We are entering boy zone. -Yeah! | 0:17:17 | 0:17:20 | |
"From Xanadu did Peter Pan a pleasure dome erect." | 0:17:22 | 0:17:26 | |
Oscar Wilde. | 0:17:26 | 0:17:28 | |
Pow! Cheeky beer? Yeah? | 0:17:28 | 0:17:30 | |
-Yeah. -Give us an energy drink, Da. | 0:17:30 | 0:17:32 | |
Energy drink for Rory! There we go! | 0:17:32 | 0:17:35 | |
-Beer! -Hey! | 0:17:35 | 0:17:36 | |
Beer! All right! | 0:17:36 | 0:17:38 | |
Ha-ha, yeah! That's what I'm talking about! | 0:17:45 | 0:17:49 | |
ALL: Yeah! | 0:17:49 | 0:17:50 | |
-Yeah. -Yeah. -Yeah. | 0:17:50 | 0:17:52 | |
Here, see that unit, Graham? Guess how much I paid for that. | 0:17:52 | 0:17:56 | |
Oh, I don't know. | 0:17:57 | 0:17:59 | |
Fif... | 0:18:01 | 0:18:02 | |
For... | 0:18:02 | 0:18:04 | |
-Try zero. -Oh. -Try zero, Graham. -Oh, wow. | 0:18:04 | 0:18:07 | |
Cobbled together from some shite I found in a skip, literally. | 0:18:07 | 0:18:10 | |
Da is amazing at DIY. | 0:18:10 | 0:18:13 | |
He built me a chill-out zone in the back garden. | 0:18:13 | 0:18:15 | |
It's up a tree, right, so I can read magazines and watch the sunset. | 0:18:15 | 0:18:19 | |
Like a treehouse? | 0:18:19 | 0:18:21 | |
No! | 0:18:21 | 0:18:22 | |
Oh... Are those lungs, Mr Walsh? | 0:18:25 | 0:18:29 | |
Lungs? They're my old boxing gloves. | 0:18:29 | 0:18:32 | |
-Did you use to box? -Yeah. So you'd better watch yourself. | 0:18:32 | 0:18:36 | |
-Ow! -Jesus, sorry, Graham. | 0:18:37 | 0:18:40 | |
Da, you're after punching him in the face! | 0:18:40 | 0:18:42 | |
-He moved into the impact zone. That's what happened. -Sorry. | 0:18:42 | 0:18:46 | |
But you're all right. | 0:18:46 | 0:18:48 | |
-Yeah, yeah, I'm all right. -OK. | 0:18:48 | 0:18:52 | |
Rory, I was hoping to have a quiet word with Graham. | 0:18:52 | 0:18:54 | |
You wouldn't mind just... | 0:18:54 | 0:18:56 | |
-Can I listen? -No. -Oh, please, Da. | 0:18:56 | 0:19:00 | |
Tell you what, will you do us a favour? | 0:19:00 | 0:19:01 | |
Will you run in to your mother and ask for the long stand? | 0:19:01 | 0:19:04 | |
-Oh, no, Da, she never knows where that is. -She does, just ask her. | 0:19:04 | 0:19:08 | |
She's always ages looking for it and then she can never find it. | 0:19:08 | 0:19:11 | |
I'm starting to think we don't even have one. | 0:19:11 | 0:19:13 | |
Good lad. | 0:19:13 | 0:19:15 | |
Well, here we are. | 0:19:19 | 0:19:22 | |
Yes... | 0:19:22 | 0:19:23 | |
Graham, this is a bit embarrassing. | 0:19:24 | 0:19:28 | |
Yes? | 0:19:28 | 0:19:30 | |
I have a small... | 0:19:30 | 0:19:31 | |
I don't know what you'd call it. | 0:19:32 | 0:19:35 | |
An anal event? | 0:19:35 | 0:19:36 | |
Uh... Sorry, sorry... A what? | 0:19:39 | 0:19:43 | |
It's like a rubbery M&M directly behind me scrotum. | 0:19:45 | 0:19:48 | |
Yeah... Uh... | 0:19:50 | 0:19:53 | |
Now, I'm a bit strapped for cash at the moment, | 0:19:53 | 0:19:55 | |
so I can't afford to pay you. | 0:19:55 | 0:19:57 | |
For...for-for-for what? | 0:19:57 | 0:20:01 | |
Well, you know. | 0:20:01 | 0:20:02 | |
I really...really don't. | 0:20:02 | 0:20:05 | |
I just want you to take a look at it. | 0:20:05 | 0:20:07 | |
Light isn't that ideal, so let's just make the best of it. | 0:20:07 | 0:20:10 | |
Here we go! Yeah! | 0:20:10 | 0:20:12 | |
Ciara! | 0:20:12 | 0:20:13 | |
Ciara! | 0:20:14 | 0:20:16 | |
Will you slow down, lads? The food's not running away anywhere. | 0:20:19 | 0:20:22 | |
You had to spring this roast on us, Carmel. | 0:20:22 | 0:20:24 | |
You know there's a thing on I want to watch. | 0:20:24 | 0:20:26 | |
DOOR OPENS | 0:20:26 | 0:20:28 | |
-CIARA: -I thought we were going for dinner? -We are. | 0:20:28 | 0:20:31 | |
-What are you eating for? -I don't...know. | 0:20:32 | 0:20:39 | |
Graham, what happened to your face? | 0:20:39 | 0:20:41 | |
Oh! Oh, nothing. I, er... | 0:20:41 | 0:20:44 | |
walked into a door. | 0:20:44 | 0:20:46 | |
Are you enjoying that, now, Graham? | 0:20:49 | 0:20:51 | |
Is that up your street? Is that ticking your box? | 0:20:51 | 0:20:54 | |
Erm...yes. | 0:20:54 | 0:20:56 | |
Because this is just the start. | 0:20:56 | 0:20:58 | |
I mean, I can make roasts, I can make cakes, | 0:20:58 | 0:21:00 | |
I can make a savage fruit salad. | 0:21:00 | 0:21:02 | |
I can do things for you, Graham. I can blow your mind. | 0:21:02 | 0:21:05 | |
-It's very mild recently, hasn't it, Mam? -Are you mad? | 0:21:05 | 0:21:08 | |
It's been awful close. I know I can make you happy, Graham. | 0:21:08 | 0:21:10 | |
Just give me a chance. | 0:21:10 | 0:21:11 | |
Just stop talking, Ma, stop talking the whole time. | 0:21:11 | 0:21:14 | |
Get down, you. | 0:21:14 | 0:21:17 | |
Why do you always come up when we have guests over? | 0:21:17 | 0:21:19 | |
He wants me to stroke him - that's hardly appropriate. | 0:21:21 | 0:21:23 | |
I'm not touching your head, not at the dinner table. | 0:21:23 | 0:21:26 | |
-Any gravy there, Carmel? -Chicken's a bit dry, Ma. | 0:21:26 | 0:21:29 | |
Yeah, there's some there beside Graham. | 0:21:29 | 0:21:32 | |
Oh... | 0:21:34 | 0:21:36 | |
You... You mean this? | 0:21:36 | 0:21:39 | |
Did you use it all? | 0:21:39 | 0:21:40 | |
I-I thought it was a...drink. | 0:21:42 | 0:21:45 | |
-A drink? -Thought it was a beef...drink. | 0:21:45 | 0:21:49 | |
A beef drink. Is there even such a thing as a beef drink? | 0:21:49 | 0:21:52 | |
Never seen gravy in a mug before. | 0:21:54 | 0:21:56 | |
-But did you like it? -Right. | 0:21:58 | 0:22:01 | |
Well, I'm going to my room, | 0:22:01 | 0:22:03 | |
so when you're finished dinner maybe we can go for dinner. | 0:22:03 | 0:22:06 | |
So, Graham, how's work going? | 0:22:06 | 0:22:10 | |
Oh, erm, yeah, OK. Bit stressful at the moment, though. | 0:22:10 | 0:22:14 | |
-Long hours. -Aw, you poor thing. It's not all glamour, is it? | 0:22:14 | 0:22:18 | |
Do you have to work late often? | 0:22:18 | 0:22:20 | |
Mostly, yeah, and night shifts are the worst. Get a lot of drunks in. | 0:22:20 | 0:22:25 | |
Gotcha. I know how that one goes, yeah. | 0:22:25 | 0:22:28 | |
They go out, get boozed off their boxes, start a rumpus, | 0:22:28 | 0:22:31 | |
-then it's over to you lot to get fixed up, isn't that it? -Yeah. | 0:22:31 | 0:22:35 | |
Oh, God, I just think you do such important work. Yeah. | 0:22:35 | 0:22:39 | |
I just want to take this opportunity to say thank you. | 0:22:39 | 0:22:42 | |
People don't say it often enough to you guys. | 0:22:42 | 0:22:45 | |
Oh, er, no. | 0:22:45 | 0:22:47 | |
Well, I suppose it is sort of important work, yeah. | 0:22:47 | 0:22:51 | |
Thank you, Mrs Walsh. Really appreciate that. | 0:22:51 | 0:22:54 | |
Yeah, taxi game's the exact same. | 0:22:54 | 0:22:56 | |
Nothing but boozed up eejits wandering out onto the roads | 0:22:56 | 0:22:59 | |
at the weekend. To be honest with you, Graham, | 0:22:59 | 0:23:01 | |
-getting a little bit tired of hitting the brakes. -Tony! | 0:23:01 | 0:23:04 | |
Ah, don't worry, Carmel, | 0:23:04 | 0:23:06 | |
if I clip anyone Graham here can patch them up. | 0:23:06 | 0:23:08 | |
Do you think I'm a...doctor? | 0:23:18 | 0:23:22 | |
What? | 0:23:22 | 0:23:23 | |
Do you think I'm a doctor? | 0:23:25 | 0:23:26 | |
Yeah. Aren't you? | 0:23:29 | 0:23:31 | |
I work in a burger restaurant. | 0:23:31 | 0:23:34 | |
As a doctor? | 0:23:36 | 0:23:37 | |
I better go check on Her Majesty. I'm sorry, I'll be back. | 0:23:39 | 0:23:42 | |
I never would have shown it to you if I'd known you weren't qualified. | 0:23:42 | 0:23:45 | |
Have you no qualifications at all? | 0:23:45 | 0:23:47 | |
-I studied English. -English? | 0:23:47 | 0:23:50 | |
Let's just forget about it. | 0:23:50 | 0:23:52 | |
I don't want to think about it or talk about it ever again. | 0:23:52 | 0:23:55 | |
-Starting from now. -RORY: -Talk about what? | 0:23:55 | 0:23:57 | |
-I showed him that thing on me arse. -Why? | 0:23:57 | 0:24:00 | |
Well, I thought he was... I don't want to talk about it, Rory! | 0:24:00 | 0:24:03 | |
-Eh, films! You see any films at the shop? -I saw the Fast And Furious. | 0:24:03 | 0:24:08 | |
It's not very fast but it's fairly furious. | 0:24:08 | 0:24:10 | |
That sounds good. | 0:24:10 | 0:24:11 | |
-Rory works at Future Video. -Future Video? | 0:24:11 | 0:24:15 | |
Yeah, he's practically running the place. | 0:24:15 | 0:24:17 | |
Future Video...closed. Closed months ago. | 0:24:17 | 0:24:21 | |
-What? -Yeah, it went under. The... -Nah, nah. | 0:24:21 | 0:24:24 | |
Cos I've been collecting him from work. | 0:24:24 | 0:24:26 | |
Oh, for Jesus' sake! | 0:24:32 | 0:24:35 | |
KNOCK ON DOOR | 0:24:35 | 0:24:36 | |
-CARMEL: -Ciara? | 0:24:36 | 0:24:37 | |
Ciara, you all right? Can I come in? | 0:24:39 | 0:24:42 | |
SHE SIGHS | 0:24:42 | 0:24:44 | |
You're just going to, anyway. | 0:24:44 | 0:24:45 | |
Yeah, but we'll leave the chain on, OK? | 0:24:48 | 0:24:50 | |
Mam, this isn't working. | 0:24:55 | 0:24:58 | |
None of this is working. I need my own home, I... | 0:24:58 | 0:25:02 | |
I need my own flat, my own space. | 0:25:02 | 0:25:04 | |
I just... I can't breathe here. | 0:25:04 | 0:25:06 | |
But you haven't got a job, love. You need a job. | 0:25:08 | 0:25:12 | |
I just wanted everything to be perfect. | 0:25:12 | 0:25:15 | |
Ah, Ciara, nothing's ever perfect. | 0:25:16 | 0:25:20 | |
I think Da punched Graham in the face. | 0:25:20 | 0:25:23 | |
Yeah, and I think he also showed him the anal event but, look, | 0:25:23 | 0:25:26 | |
that's not the point. OK, the point is, that lad is still downstairs. | 0:25:26 | 0:25:31 | |
It does not surprise me one bit. | 0:25:31 | 0:25:34 | |
Because I've been lucky enough now to know you for 23 years, so... | 0:25:34 | 0:25:38 | |
I know what I say. | 0:25:38 | 0:25:39 | |
You're the most wonderful girl in the world, all right? | 0:25:41 | 0:25:45 | |
And any lad with half a brain... | 0:25:45 | 0:25:47 | |
would happily sit through a hundred million billion awkward, | 0:25:47 | 0:25:53 | |
uncomfortable, occasionally violent, | 0:25:53 | 0:25:57 | |
evenings like this evening... | 0:25:57 | 0:25:58 | |
..just to get to spend a bit of time with you, OK? | 0:26:01 | 0:26:03 | |
DOOR UNLOCKS | 0:26:12 | 0:26:13 | |
Oh! | 0:26:15 | 0:26:17 | |
Oh. | 0:26:17 | 0:26:18 | |
Why didn't you just tell us, Rory? | 0:26:20 | 0:26:22 | |
-I don't know... -I've been collecting you for over a month. | 0:26:23 | 0:26:26 | |
You know...you're always going on about scroungers and layabouts | 0:26:26 | 0:26:30 | |
and... | 0:26:30 | 0:26:32 | |
Just didn't want to let you down, you know? | 0:26:32 | 0:26:35 | |
Rory, you could never let me down. | 0:26:35 | 0:26:38 | |
-Don't be listening to me, anyway, I'm just an eejit. -No, you're not. | 0:26:38 | 0:26:42 | |
I am. | 0:26:42 | 0:26:44 | |
Sure after showing Professor Burger here the thing on me arsehole. | 0:26:44 | 0:26:47 | |
I just like shouting at the radio. | 0:26:47 | 0:26:49 | |
So, what have you been doing the last few weeks, anyway? | 0:26:51 | 0:26:54 | |
Practising me high kicks. | 0:26:54 | 0:26:56 | |
Least you haven't been wasting your time. | 0:26:57 | 0:26:59 | |
DOG GROWLS | 0:26:59 | 0:27:01 | |
Hey! | 0:27:01 | 0:27:02 | |
What have you got? Give me that, you. | 0:27:02 | 0:27:05 | |
Give me that! | 0:27:05 | 0:27:06 | |
These yours? | 0:27:08 | 0:27:09 | |
Well, Graham, I'm afraid that's us. | 0:27:12 | 0:27:15 | |
-Warts and all. -Carmel. | 0:27:15 | 0:27:17 | |
-Shut up about warts. -OK, sorry. | 0:27:17 | 0:27:19 | |
-One minute, the Goose is on in one minute! -Come on, come on, leave! | 0:27:19 | 0:27:23 | |
Look, I hope you come back. | 0:27:23 | 0:27:25 | |
But, you know, if you prefer to spend most of your time | 0:27:25 | 0:27:28 | |
-with Graham's mam and dad, well, you know I'd understand. -30 seconds! | 0:27:28 | 0:27:32 | |
Well, actually, Mrs Walsh, my mam passed away and... | 0:27:32 | 0:27:37 | |
Yeah, terrible, sad. | 0:27:37 | 0:27:38 | |
-.. Dad now lives in France... -That's awful. -..with his new wife. | 0:27:38 | 0:27:42 | |
Anyway, anyway. | 0:27:42 | 0:27:45 | |
We...don't really get on. | 0:27:45 | 0:27:47 | |
That is absolutely fantastic! | 0:27:47 | 0:27:51 | |
-Oh! -OK, OK, Mam! | 0:27:51 | 0:27:53 | |
OK, Mam, don't make me get the hose now. | 0:27:53 | 0:27:56 | |
Sorry. Look, go on, have your dinner. | 0:27:56 | 0:27:59 | |
And we'll see you later, OK? | 0:28:00 | 0:28:02 | |
Have a good time, guys. Enjoy. | 0:28:02 | 0:28:04 | |
It's time for the Goose! | 0:28:07 | 0:28:09 | |
BOTH: The most dangerous man in Dublin! | 0:28:09 | 0:28:11 | |
-What's wrong with it? It's not working! -Why? -I don't know! | 0:28:12 | 0:28:17 | |
Press "Source" and it'll cycle on to the channels. | 0:28:17 | 0:28:21 | |
-Ah, thanks, Martin. -Cheers, Martin. | 0:28:21 | 0:28:23 | |
Well, I better be off. | 0:28:23 | 0:28:25 | |
TV: 'The term "goose" applies to the female in particular. | 0:28:27 | 0:28:30 | |
'while the "gander" applies to the male.' | 0:28:30 | 0:28:31 | |
Dad, this is about gooses. | 0:28:31 | 0:28:33 | |
Are they for me? | 0:28:39 | 0:28:41 | |
Oh. | 0:28:41 | 0:28:43 | |
They were. | 0:28:43 | 0:28:45 | |
Sorry. | 0:28:45 | 0:28:46 | |
What are you sorry for? They're perfect. | 0:28:48 | 0:28:50 | |
-Could've went an awful lot worse. -Yeah. | 0:28:57 | 0:29:00 | |
Yeah, I kinda feel like I've got a rapport | 0:29:00 | 0:29:03 | |
with your dad now, maybe, hopefully. | 0:29:03 | 0:29:05 | |
I think it's good to get that sort of stuff out of the way early on... | 0:29:05 | 0:29:08 | |
THEIR VOICES FADE | 0:29:08 | 0:29:10 |