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This programme contains some strong language | 0:00:02 | 0:00:06 | |
ALARM BEEPS / RADIO ON | 0:00:15 | 0:00:17 | |
RADIO: Apparently, we are under a blanket of ice here... | 0:00:17 | 0:00:19 | |
GROANS | 0:00:19 | 0:00:21 | |
RADIO CONTINUES FAINTLY | 0:00:21 | 0:00:23 | |
SPURT OF LOUD MUSIC | 0:00:37 | 0:00:38 | |
-RADIO: -BBC News on Friday the 8th of January. | 0:00:45 | 0:00:48 | |
Good morning. This is Moira Stuart. | 0:00:48 | 0:00:50 | |
LOUD MUSIC | 0:00:50 | 0:00:52 | |
Lizzie! | 0:01:06 | 0:01:07 | |
Lizzie, I don't know if that's you or your answerphone. | 0:01:07 | 0:01:11 | |
I love you. I love you. | 0:01:11 | 0:01:13 | |
Hi, it's me again. | 0:01:13 | 0:01:15 | |
Um, just come over as friends. | 0:01:15 | 0:01:16 | |
Still got my... | 0:01:16 | 0:01:19 | |
black V neck cos... | 0:01:19 | 0:01:20 | |
SOBS | 0:01:20 | 0:01:21 | |
I really love jumpers. | 0:01:21 | 0:01:23 | |
WIND WHISTLES | 0:01:26 | 0:01:28 | |
What? | 0:01:38 | 0:01:39 | |
SIGHS | 0:01:39 | 0:01:40 | |
MUSIC: "Get Me Away From Here, I'm Dying" by Belle and Sebastian | 0:01:40 | 0:01:44 | |
# Oh, get me away from here, I'm dying | 0:01:44 | 0:01:47 | |
# Play me a song to set me free | 0:01:47 | 0:01:50 | |
# Nobody writes them like they used to | 0:01:50 | 0:01:53 | |
# So it may as well be me | 0:01:53 | 0:01:57 | |
# Here on my own now after hours | 0:01:57 | 0:01:59 | |
# Here on my own now on a bus | 0:01:59 | 0:02:02 | |
# Think of it this way | 0:02:02 | 0:02:04 | |
# You could either be successful or be us | 0:02:04 | 0:02:09 | |
# With our winning smiles, and us... # | 0:02:09 | 0:02:12 | |
TYRES SCREECH | 0:02:12 | 0:02:13 | |
MUSIC LEAKS TINNILY FROM HEADPHONES | 0:02:20 | 0:02:22 | |
BREATHES HEAVILY | 0:02:52 | 0:02:53 | |
Car crash. Ambulance. | 0:03:01 | 0:03:03 | |
Amazing really, innit? | 0:03:08 | 0:03:09 | |
If you'd have been a few steps further up that road, you wouldn't be talking to us now. | 0:03:09 | 0:03:12 | |
Have you been drinking, sir? | 0:03:12 | 0:03:14 | |
I'm sorry? | 0:03:14 | 0:03:15 | |
Drinking? Alcohol? | 0:03:15 | 0:03:16 | |
A bit, last night. | 0:03:16 | 0:03:18 | |
I was at home. | 0:03:18 | 0:03:19 | |
My flatmate had a party and I just sort of got dragged into it. | 0:03:19 | 0:03:22 | |
You can't arrest me for drink-walking, can you? | 0:03:22 | 0:03:24 | |
I'll ask the questions, sir. | 0:03:24 | 0:03:26 | |
Were there illegal substances at this party? | 0:03:26 | 0:03:28 | |
Calm down, Doug. Cut the kid some slack. | 0:03:28 | 0:03:31 | |
We've all... | 0:03:31 | 0:03:33 | |
I mean, I didn't inhale, obviously. Not me, Officer! | 0:03:33 | 0:03:36 | |
LAUGHS | 0:03:36 | 0:03:38 | |
Yeah, but you are in shock. We should take you home. | 0:03:38 | 0:03:41 | |
I'm OK. I really have to get to work. | 0:03:41 | 0:03:42 | |
-Oh, something to hide at home is there? -No, I'm just... | 0:03:42 | 0:03:45 | |
-I'm already late for a meeting. -If you do need us, there's my card. | 0:03:45 | 0:03:49 | |
And we've got your address, if we need you. | 0:03:51 | 0:03:54 | |
Yeah. | 0:03:55 | 0:03:57 | |
SIRENS WAIL | 0:03:57 | 0:03:58 | |
PHONE RINGS | 0:04:07 | 0:04:09 | |
Hello? | 0:04:31 | 0:04:32 | |
-MAN WITH FOREIGN ACCENT: -'Where are you now?' | 0:04:32 | 0:04:35 | |
-Um... -'Where are you?' | 0:04:35 | 0:04:36 | |
No, it's not... | 0:04:36 | 0:04:38 | |
'Let me make this quite clear, | 0:04:38 | 0:04:39 | |
'If you're not here by five o'clock, we will kill your wife.' | 0:04:39 | 0:04:44 | |
LINE GOES DEAD | 0:04:44 | 0:04:46 | |
-WOMAN: -So, I want the work we do going forward | 0:05:17 | 0:05:20 | |
to prove that this was the right thing to do | 0:05:20 | 0:05:23 | |
and that our town does have | 0:05:23 | 0:05:25 | |
a bright future to look forward to, | 0:05:25 | 0:05:27 | |
thanks to the generosity of Mr Reid. | 0:05:27 | 0:05:30 | |
And now that the redevelopment has got full approval, | 0:05:30 | 0:05:32 | |
I want... | 0:05:32 | 0:05:34 | |
APPLAUSE | 0:05:34 | 0:05:35 | |
What about the rail link? | 0:05:37 | 0:05:38 | |
It's just rumours, Alan. Don't worry yourself. | 0:05:38 | 0:05:41 | |
So, as you all know, there's been some... | 0:05:43 | 0:05:45 | |
-Nice of you to turn up(!) -It's taken a lot of time and effort... | 0:05:45 | 0:05:47 | |
-What was it this time? -..to persuade everyone to our vision. | 0:05:47 | 0:05:50 | |
We'll be going public on Friday. | 0:05:50 | 0:05:52 | |
So, Sam, are we anywhere with that slogan? | 0:05:52 | 0:05:55 | |
Yeah. | 0:05:55 | 0:05:56 | |
Yeah, getting there. | 0:05:56 | 0:05:57 | |
You've been getting there for a couple of weeks now. | 0:05:57 | 0:05:59 | |
Well, I've got one or two good candidates. | 0:05:59 | 0:06:02 | |
Great. Let's hear them. | 0:06:02 | 0:06:03 | |
I'd rather get them... | 0:06:03 | 0:06:05 | |
locked. | 0:06:05 | 0:06:07 | |
Go on, read them out. | 0:06:07 | 0:06:08 | |
It would be nice to hear them. | 0:06:08 | 0:06:10 | |
OK, um... | 0:06:12 | 0:06:13 | |
Er... | 0:06:19 | 0:06:20 | |
Well...one them I've got is, er... | 0:06:20 | 0:06:24 | |
"Bracknell's dead. | 0:06:26 | 0:06:28 | |
"Long live Bracknell." | 0:06:28 | 0:06:30 | |
I've got a few others here. Um... | 0:06:37 | 0:06:39 | |
Br... | 0:06:41 | 0:06:42 | |
"Bracknell's back on track... | 0:06:43 | 0:06:46 | |
"y'all." | 0:06:46 | 0:06:47 | |
"If you like James Cracknell, you'll love Bracknell"? | 0:06:51 | 0:06:54 | |
Can I see you when you've got ten minutes? | 0:06:54 | 0:06:57 | |
Yeah. | 0:06:57 | 0:06:58 | |
Ooh. | 0:06:59 | 0:07:00 | |
I thought you were coming in early. | 0:07:00 | 0:07:02 | |
Yeah, Noel, I was. | 0:07:02 | 0:07:03 | |
Yeah. This is exactly why you shouldn't be on this project. | 0:07:03 | 0:07:06 | |
I told them. I said, "Don't use Sam. He will let you down." | 0:07:06 | 0:07:08 | |
They were like, "No, we want to give him a chance to prove himself." "Oh, OK." What's he proved, | 0:07:08 | 0:07:12 | |
-apart from that he's consistently late, without good reason? -I witnessed a car crash. OK? | 0:07:12 | 0:07:16 | |
Is that a good enough reason? | 0:07:16 | 0:07:17 | |
Save it for Lizzie, mate. Don't involve me in your web of lies. | 0:07:17 | 0:07:20 | |
Don't move. Do not move a muscle. | 0:07:44 | 0:07:47 | |
-Morning, Phil. -You moved. | 0:07:47 | 0:07:49 | |
You're popular. | 0:07:49 | 0:07:51 | |
She got three. What you doing tonight? | 0:07:51 | 0:07:53 | |
Oh, I'm busy. | 0:07:53 | 0:07:54 | |
Oh, me, too. So another time maybe, yeah? | 0:07:54 | 0:07:56 | |
-Yeah. -What about Friday? You around Friday night? | 0:07:56 | 0:07:59 | |
-Busy. -Oh, me, too. Hey, listen, we'll keep trying. | 0:07:59 | 0:08:01 | |
We'll get there eventually, eh? | 0:08:01 | 0:08:03 | |
Er, see you in a bit. | 0:08:03 | 0:08:04 | |
MAKES SOUND OF EXPLOSION | 0:08:04 | 0:08:06 | |
You've got to explode it. If you don't explode it, it doesn't mean anything. | 0:08:06 | 0:08:09 | |
MAKES SOUND OF EXPLOSION | 0:08:11 | 0:08:12 | |
Shrapnel! See you later. | 0:08:12 | 0:08:14 | |
Guys? | 0:08:19 | 0:08:21 | |
Guys... | 0:08:21 | 0:08:22 | |
Guys? I don't know if anyone's... | 0:08:22 | 0:08:24 | |
I put this up a couple of weeks ago now. | 0:08:24 | 0:08:26 | |
Just about if anyone wants to go go-karting this Saturday. Anyone? | 0:08:26 | 0:08:30 | |
-I've sent you an e-mail. -Alan can't make it, I know that. | 0:08:30 | 0:08:32 | |
I've got an appointment. I don't want to say any more than that. | 0:08:32 | 0:08:35 | |
Yeah, well, that's fine, but anyone else? | 0:08:35 | 0:08:37 | |
Anyone? Clyde? Clyde? | 0:08:37 | 0:08:39 | |
Clyde? | 0:08:39 | 0:08:40 | |
Clyde? | 0:08:40 | 0:08:41 | |
Clive. | 0:08:41 | 0:08:43 | |
What? Anyone else? | 0:08:43 | 0:08:45 | |
No-one wants to go go-karting. OK? | 0:08:45 | 0:08:48 | |
Same as no-one wanted to go on your stupid paintball trip. | 0:08:48 | 0:08:51 | |
Same as no-one ever wants to do curry night. | 0:08:51 | 0:08:53 | |
I'll come. | 0:08:56 | 0:08:58 | |
Yes, Sam. | 0:09:01 | 0:09:03 | |
Stick that one in. | 0:09:05 | 0:09:06 | |
I can't... I can't do that. | 0:09:09 | 0:09:10 | |
I'll do that later. I can remember that. | 0:09:10 | 0:09:12 | |
But now we've got one, it will snowball surely. | 0:09:12 | 0:09:14 | |
Anyone else? It's just I've booked it for the whole day | 0:09:14 | 0:09:17 | |
and it's going to cost Sam a fortune if it's just the two of us. So... | 0:09:17 | 0:09:20 | |
Well, look, it's up there. Still got a few days to... | 0:09:22 | 0:09:24 | |
It's not "curry night". It's "curry club". | 0:09:28 | 0:09:30 | |
PHONE RINGS | 0:09:30 | 0:09:32 | |
-Your phone's ringing. -That's not my phone. | 0:09:34 | 0:09:37 | |
-It's coming from your drawer. -No, it isn't. | 0:09:38 | 0:09:41 | |
Well, it is. | 0:09:41 | 0:09:42 | |
PHONE STILL RINGS | 0:09:42 | 0:09:44 | |
PHONE STOPS RINGING | 0:09:44 | 0:09:46 | |
It's stopped. I really need to... | 0:09:48 | 0:09:51 | |
Hi, this is a message for Sergeant Ince... It's Sam Pinkett here | 0:10:02 | 0:10:05 | |
from the accident this morning, | 0:10:05 | 0:10:08 | |
the car crash. | 0:10:08 | 0:10:09 | |
After you'd gone, | 0:10:09 | 0:10:11 | |
there was a... I found...um... | 0:10:11 | 0:10:14 | |
Sorry, this isn't really something I can leave in a message. | 0:10:15 | 0:10:18 | |
Can you call me back as soon as you get this? Thank you. | 0:10:18 | 0:10:21 | |
-Late night? -No. | 0:10:33 | 0:10:35 | |
-Really? -Why? | 0:10:35 | 0:10:38 | |
No, you just left 13 voice mails on my phone at three o'clock this morning. | 0:10:38 | 0:10:41 | |
Oh, I'm so sorry. | 0:10:41 | 0:10:44 | |
Did you bring my house keys? | 0:10:44 | 0:10:46 | |
Oh, I haven't unpacked all the boxes yet. They'll be in there. | 0:10:46 | 0:10:49 | |
It's been three weeks. Why haven't you unpacked? | 0:10:49 | 0:10:51 | |
-Just thought, you know, might be temporary, so... -It isn't temporary. | 0:10:51 | 0:10:55 | |
The next couple of days are really important for me and I need... | 0:11:01 | 0:11:04 | |
-I miss you. -Don't. -I do. | 0:11:04 | 0:11:06 | |
You miss someone looking after you. | 0:11:06 | 0:11:08 | |
I miss you looking after me. | 0:11:08 | 0:11:10 | |
You miss someone making your decisions for you. | 0:11:10 | 0:11:12 | |
I miss you making my decisions for me. | 0:11:12 | 0:11:15 | |
Argh! | 0:11:18 | 0:11:19 | |
-CLEARS THROAT -I can't do this. | 0:11:19 | 0:11:22 | |
Um, if I don't get that research pack on my desk today, | 0:11:22 | 0:11:26 | |
I'm the one who has to explain to Mr Reid tomorrow. | 0:11:26 | 0:11:29 | |
It's me that's going to look bad. | 0:11:29 | 0:11:31 | |
Please don't let me down. | 0:11:32 | 0:11:34 | |
I won't. | 0:11:36 | 0:11:37 | |
-VOICE MAIL: -'You have received one new message. | 0:11:44 | 0:11:48 | |
'Message received today at 11:09am. | 0:11:48 | 0:11:52 | |
VOICE MAIL BEEP | 0:11:52 | 0:11:53 | |
-MAN: -'You want to play games with us? You want to play games? | 0:11:53 | 0:11:56 | |
'This is what happens when we play games! | 0:11:56 | 0:11:59 | |
WOMAN SHRIEKS | 0:11:59 | 0:12:01 | |
'You show some respect. | 0:12:02 | 0:12:03 | |
'If you're talking to the police, she is dead. | 0:12:03 | 0:12:07 | |
'There's a change of plan. New address. | 0:12:07 | 0:12:09 | |
'So if you want to know where we're holding your wife, | 0:12:10 | 0:12:12 | |
'you pick up the phone! | 0:12:12 | 0:12:14 | |
LINE GOES DEAD | 0:12:14 | 0:12:16 | |
-AUTOMATED VOICE: -'To hear the message again, press...' | 0:12:18 | 0:12:20 | |
ENDS VOICE MAIL | 0:12:20 | 0:12:22 | |
All right? | 0:12:32 | 0:12:33 | |
Oh, my God! | 0:12:33 | 0:12:34 | |
Oh! | 0:12:34 | 0:12:35 | |
LAUGHS | 0:12:35 | 0:12:37 | |
Oh, my God! | 0:12:37 | 0:12:38 | |
LAUGHS | 0:12:38 | 0:12:39 | |
Oh, my God! | 0:12:39 | 0:12:41 | |
-Dear God! -PRETENDS TO RETCH | 0:12:41 | 0:12:43 | |
That's not helping. | 0:12:43 | 0:12:45 | |
They don't know who they're messing with. | 0:12:45 | 0:12:47 | |
They don't have a clue who they're messing with! They want to mess with us? | 0:12:47 | 0:12:50 | |
What are you talking about? They're not messing with us! | 0:12:50 | 0:12:53 | |
They're not even messing with me! I'm the wrong man. | 0:12:53 | 0:12:56 | |
They're trying to mess with the guy from the car crash. | 0:12:56 | 0:12:58 | |
Well, he's out of the game. | 0:12:58 | 0:13:00 | |
-This isn't a game. -So why have I got my game face on? | 0:13:00 | 0:13:02 | |
Because that's what you're looking at. My game face. | 0:13:02 | 0:13:05 | |
We need a plan of action, cos we sure as shit can't call the police. | 0:13:05 | 0:13:09 | |
Oh, they said they were going to kill her if you call the police. | 0:13:12 | 0:13:16 | |
-It was before that. -Well, what did you say? | 0:13:16 | 0:13:18 | |
Nothing. I just left a message to call me back. | 0:13:18 | 0:13:20 | |
Good. From now on we just ignore them. | 0:13:20 | 0:13:21 | |
This is ridiculous. | 0:13:21 | 0:13:23 | |
You're looking at this the wrong way. This is our moment. | 0:13:23 | 0:13:27 | |
We've been chosen. | 0:13:27 | 0:13:29 | |
I'm a town planning and noise guidance advisor for Berkshire County Council. | 0:13:29 | 0:13:34 | |
You're a 31-year-old mail distribution assistant who lives with his mum. | 0:13:34 | 0:13:38 | |
Exactly! Stuff like this never happens! | 0:13:38 | 0:13:41 | |
I don't want it to happen! I haven't slept all night. | 0:13:41 | 0:13:43 | |
I've got a load of work to do. Lizzie will kill me if I don't... | 0:13:43 | 0:13:46 | |
Oh, for God's sake. | 0:13:46 | 0:13:48 | |
It's actually nothing to do with me! | 0:13:48 | 0:13:49 | |
If this phone had rung three seconds later, I wouldn't even have heard it. | 0:13:49 | 0:13:52 | |
You know what? I should just... | 0:13:52 | 0:13:54 | |
No! No, no, no, no. | 0:13:56 | 0:13:59 | |
Stop! Stop, stop! | 0:13:59 | 0:14:02 | |
No, lock it up. Lock it up. Lock it up! | 0:14:02 | 0:14:05 | |
Lock it up! | 0:14:05 | 0:14:06 | |
Lock it up. | 0:14:06 | 0:14:07 | |
And you know what? You're right. | 0:14:09 | 0:14:11 | |
If that phone had rung three seconds later, but it didn't. | 0:14:11 | 0:14:15 | |
It rung three seconds earlier, and there's a reason for that. | 0:14:15 | 0:14:18 | |
Someone out there needs us. A woman. A beautiful woman. | 0:14:18 | 0:14:23 | |
Now we have to save her, | 0:14:23 | 0:14:25 | |
or there'll be blood on your hands. | 0:14:25 | 0:14:28 | |
What do you think Lizzie will make of that? | 0:14:28 | 0:14:30 | |
There you are! | 0:14:33 | 0:14:35 | |
What are you doing? | 0:14:35 | 0:14:37 | |
-Nothing. -Just hanging out. | 0:14:37 | 0:14:39 | |
Trying to stay warm. | 0:14:39 | 0:14:40 | |
Right. There's a Sergeant Ince on the phone for you... | 0:14:40 | 0:14:44 | |
returning your call. | 0:14:44 | 0:14:46 | |
Tell him I'm busy. | 0:14:50 | 0:14:52 | |
He'll be in the hospital. | 0:14:52 | 0:14:53 | |
We just need to find him, give him his phone back. End of story. | 0:14:53 | 0:14:56 | |
Right, but what if they call again? You can't ignore it. | 0:14:56 | 0:14:58 | |
-He was pretty clear about that. -All right, well, we'll answer it, then. | 0:14:58 | 0:15:01 | |
Whoa! Not "we". Not "we". They must not know of my involvement. | 0:15:01 | 0:15:05 | |
I don't want to know of your involvement. | 0:15:05 | 0:15:07 | |
The greatest asset we have is they don't know I'm involved. | 0:15:07 | 0:15:09 | |
If they find out that I'm involved, they will shit themselves. | 0:15:09 | 0:15:12 | |
I'm so glad you're the person I'm sharing this with(!) | 0:15:12 | 0:15:14 | |
What are you doing down here? | 0:15:16 | 0:15:17 | |
-Just popping over the road. -Going to get some sweets. | 0:15:17 | 0:15:20 | |
Do you want some Haribo? | 0:15:20 | 0:15:21 | |
-You're not going anywhere until you've finished that research pack. -I have. -You've finished? | 0:15:21 | 0:15:25 | |
Yeah. | 0:15:25 | 0:15:26 | |
-Well, it's not on my desk. -I just need to print it out. | 0:15:26 | 0:15:29 | |
Great. Come and do it now. | 0:15:29 | 0:15:31 | |
OK. | 0:15:31 | 0:15:33 | |
You know where I am. | 0:15:33 | 0:15:34 | |
-Don't go without me. -I won't. | 0:15:34 | 0:15:36 | |
-Please. -OK. | 0:15:36 | 0:15:37 | |
-Promise? -All right. | 0:15:37 | 0:15:39 | |
PRINTER WHIRS | 0:15:48 | 0:15:50 | |
-There it is. -Oh! | 0:15:59 | 0:16:01 | |
Don't bother reading it now, just whenever... | 0:16:01 | 0:16:03 | |
Thank you, Sam. | 0:16:03 | 0:16:05 | |
Um, Sam... | 0:16:05 | 0:16:07 | |
I'm sorry if I was a bit harsh earlier. | 0:16:07 | 0:16:11 | |
I still find those kinds of conversations a bit weird. | 0:16:11 | 0:16:14 | |
-Me being your... -My boss. | 0:16:15 | 0:16:19 | |
That. | 0:16:19 | 0:16:20 | |
It's fine. I just need to remember not to talk about us at work. | 0:16:20 | 0:16:24 | |
So... | 0:16:25 | 0:16:26 | |
Well, hang on, I mean... | 0:16:26 | 0:16:28 | |
Maybe this is exactly what we should be doing, is talking about it. | 0:16:29 | 0:16:33 | |
Definitely. At some point. | 0:16:34 | 0:16:37 | |
-I see. -What? | 0:16:37 | 0:16:39 | |
You say you want to talk, but you always find a way of wriggling out. | 0:16:39 | 0:16:42 | |
OK. | 0:16:42 | 0:16:43 | |
Let's talk now. | 0:16:44 | 0:16:46 | |
Good. | 0:16:47 | 0:16:48 | |
Well, first of all, | 0:16:48 | 0:16:50 | |
I think you should know that I'm having a little get-together. | 0:16:50 | 0:16:52 | |
-PHONE RINGS -It's very casual. It's not a big... | 0:16:52 | 0:16:55 | |
I'm sorry. | 0:16:55 | 0:16:56 | |
-You're not answering that. -I have to. | 0:16:56 | 0:16:58 | |
You are not... You are answering that. Oh, my God! | 0:16:58 | 0:17:01 | |
Hello? | 0:17:01 | 0:17:02 | |
MAN: 'Picking up the phone, I see. | 0:17:02 | 0:17:04 | |
'I suppose you got the message.' | 0:17:05 | 0:17:07 | |
Yes, I got the message. | 0:17:07 | 0:17:08 | |
So, what can I do for you? | 0:17:10 | 0:17:11 | |
'You seem calm all of a sudden. | 0:17:11 | 0:17:14 | |
'I hope you're not planning something. | 0:17:14 | 0:17:16 | |
No, no. Not planning anything. | 0:17:16 | 0:17:18 | |
'I wouldn't be so calm if a knife was being held to my wife's throat.' | 0:17:18 | 0:17:22 | |
Right. That makes sense. | 0:17:22 | 0:17:23 | |
'Oh? You don't believe me? She'll tell you.' | 0:17:23 | 0:17:25 | |
No, no. I believe you. | 0:17:25 | 0:17:26 | |
WOMAN SHRIEKS There's no need to... | 0:17:26 | 0:17:29 | |
Please, don't do... Don't do that. | 0:17:29 | 0:17:31 | |
S... Stop it! | 0:17:31 | 0:17:33 | |
Silly billy. | 0:17:34 | 0:17:36 | |
-Is it really so important... -Shh. | 0:17:36 | 0:17:37 | |
-'Who's that?' -Nothing, no-one. | 0:17:37 | 0:17:39 | |
'You'd better not be involving the police.' | 0:17:39 | 0:17:42 | |
I'm already not doing that. | 0:17:42 | 0:17:44 | |
'Now, listen carefully. Here's the new address. | 0:17:44 | 0:17:46 | |
'There's an old industrial unit, on Cherry Tree Lane.' | 0:17:46 | 0:17:50 | |
OK. | 0:17:50 | 0:17:51 | |
'You get here at five o'clock, and this all ends.' | 0:17:51 | 0:17:54 | |
-Five o'clock. -You're not leaving early today. | 0:17:54 | 0:17:56 | |
Can we make it six? | 0:17:56 | 0:17:57 | |
'Oh, inconveniencing you, huh? Do you think you're in charge?' | 0:18:00 | 0:18:04 | |
No, sir. | 0:18:04 | 0:18:06 | |
It's just I can definitely be there at six. | 0:18:06 | 0:18:09 | |
'Fine. Six o'clock. | 0:18:13 | 0:18:14 | |
'We look forward to seeing you, Mr Stevens.' | 0:18:16 | 0:18:19 | |
Okey-dokey. | 0:18:19 | 0:18:21 | |
Bye, now. Bye-bye. | 0:18:21 | 0:18:23 | |
Sorry about that. It was just a... | 0:18:25 | 0:18:28 | |
What is going on? | 0:18:28 | 0:18:30 | |
Don't lie to me. | 0:18:30 | 0:18:32 | |
OK. | 0:18:40 | 0:18:41 | |
-A woman's been kidnapped. -Oh, get out! | 0:18:43 | 0:18:46 | |
-You said what? -I said, "Can we make it six?" | 0:18:46 | 0:18:50 | |
Nice! Yeah, badass! You bring that attitude at six o'clock | 0:18:50 | 0:18:53 | |
when we're all up in their grill, when we're face to face with these bastards. | 0:18:53 | 0:18:56 | |
We're not getting in their grill, Phil. Remember the plan. | 0:18:56 | 0:19:00 | |
We're just going to give the phone back to this Mr Stevens guy. Let's go. | 0:19:00 | 0:19:03 | |
Well, riddle me this. | 0:19:03 | 0:19:05 | |
What if he's dead? | 0:19:05 | 0:19:06 | |
-He isn't dead. -He might be. | 0:19:06 | 0:19:09 | |
Well, we'll cross that bridge when we come to it. Can we please just go? | 0:19:09 | 0:19:12 | |
We're going to cross a lot of bridges, Sam. | 0:19:15 | 0:19:17 | |
Jump a lot of hurdles. | 0:19:17 | 0:19:19 | |
I need to know that I'm with someone who's got my back. | 0:19:20 | 0:19:23 | |
Someone who's prepared to roll deep. | 0:19:24 | 0:19:26 | |
Are you prepared to roll deep? | 0:19:28 | 0:19:29 | |
I don't know what you're talking about and I don't think you do either. | 0:19:31 | 0:19:35 | |
I'm talking about rolling deep! | 0:19:35 | 0:19:37 | |
Because that's how I roll! | 0:19:37 | 0:19:38 | |
I roll deep! | 0:19:38 | 0:19:41 | |
Deep! | 0:19:42 | 0:19:43 | |
Is there any way you can do that quicker? | 0:19:54 | 0:19:56 | |
Preparation is key, Samuel. | 0:19:58 | 0:20:00 | |
You'd know that if you'd spent any time in Japan. | 0:20:01 | 0:20:03 | |
MUTTERS | 0:20:05 | 0:20:07 | |
Let's roll. | 0:20:09 | 0:20:10 | |
RAP MUSIC | 0:20:10 | 0:20:12 | |
Hey! You have got to keep your nutrients up. | 0:20:20 | 0:20:23 | |
Fluids, vitamins, OK? | 0:20:23 | 0:20:26 | |
This could be a long night. | 0:20:26 | 0:20:28 | |
-A long night with no signs... -I'll get something later. | 0:20:28 | 0:20:31 | |
Probably too much wasabi in there for you anyway. I put shitloads in. | 0:20:31 | 0:20:35 | |
Hi, excuse me. We're looking for Mr Stevens. He was in a car crash this morning. | 0:20:39 | 0:20:43 | |
Are you a relation? | 0:20:43 | 0:20:44 | |
-No, we're not related. -He's our dad. | 0:20:44 | 0:20:47 | |
Oh, they don't get on. Still your dad, though. Bit cold. | 0:20:48 | 0:20:52 | |
Right, well, I can't give that information, I'm afraid. | 0:20:52 | 0:20:54 | |
How about now? | 0:20:58 | 0:20:59 | |
There's 2.20 there. | 0:20:59 | 0:21:00 | |
I'm really sorry about him. | 0:21:01 | 0:21:03 | |
What about my change? I'll take that. | 0:21:03 | 0:21:05 | |
We're going to have to search the entire hospital. | 0:21:08 | 0:21:10 | |
Maybe not. | 0:21:13 | 0:21:15 | |
-It's not going to work. It's not going to work. It's not going to work. -Stay still. | 0:21:15 | 0:21:18 | |
You're meant to be unconscious. Just close your eyes. | 0:21:18 | 0:21:21 | |
Let me do what I do best. | 0:21:21 | 0:21:23 | |
Close your eyes! I know you're tired. | 0:21:23 | 0:21:25 | |
Excuse me. Sorry, I've got Mr Stevens here. | 0:21:28 | 0:21:31 | |
He had a nasty car accident this morning | 0:21:31 | 0:21:33 | |
and I've not got his ward on my bloomin' notes. | 0:21:33 | 0:21:36 | |
I don't know. Green Ward? | 0:21:36 | 0:21:39 | |
Of course. Yeah, course it would be Green Ward, wouldn't it? Yeah, yeah. | 0:21:39 | 0:21:42 | |
Not, bad, eh, Sam? Sam? | 0:21:44 | 0:21:46 | |
Sam! | 0:21:46 | 0:21:47 | |
SNORES | 0:21:47 | 0:21:48 | |
Oh... | 0:21:48 | 0:21:49 | |
Right, I think the Green Ward is round the next corner. | 0:22:08 | 0:22:11 | |
No, I've just come from there. Why are we going there? | 0:22:11 | 0:22:14 | |
-Who are you?! -What do you mean? | 0:22:14 | 0:22:15 | |
-Where's Sam? -Who's Sam? | 0:22:15 | 0:22:17 | |
I thought I was going to theatre. | 0:22:17 | 0:22:18 | |
-I'm having my leg amputated. -What?! | 0:22:18 | 0:22:21 | |
HOSPITAL STAFF MURMUR | 0:22:21 | 0:22:23 | |
Well, where's the operating theatre?! | 0:22:29 | 0:22:32 | |
I don't know. Shouldn't you know? | 0:22:32 | 0:22:34 | |
-I don't work here! -Eh? | 0:22:34 | 0:22:36 | |
Sam, Sam, Sam, Sam, Sam. | 0:22:39 | 0:22:40 | |
Right, let's try and get this thing done in under two hours, shall we? | 0:22:40 | 0:22:43 | |
There's no hold-up. The patient's already had his premed | 0:22:43 | 0:22:45 | |
and we'll administer the spinal anaesthesia. | 0:22:45 | 0:22:47 | |
Very good, very good. Let's get him over onto his side. | 0:22:47 | 0:22:50 | |
Whoa! | 0:22:52 | 0:22:54 | |
Can you hold the door, please? | 0:22:56 | 0:22:57 | |
OK, Mr Fletcher. | 0:22:57 | 0:23:00 | |
Are you with us? Ah, I'll be honest, this is going to hurt. | 0:23:00 | 0:23:05 | |
-Ow! What are you doing?! -He's struggling. | 0:23:06 | 0:23:09 | |
I've seen this happen before with amputees. It's the realisation | 0:23:09 | 0:23:11 | |
-that one's about to lose one's leg. -What?! | 0:23:11 | 0:23:13 | |
I'm so sorry. I'm so sorry. | 0:23:13 | 0:23:15 | |
No, you don't understand! Please, please! | 0:23:15 | 0:23:18 | |
Stop! Stop! | 0:23:19 | 0:23:20 | |
Phil! | 0:23:20 | 0:23:21 | |
You've got the wrong patient! | 0:23:21 | 0:23:23 | |
What are you talking about? | 0:23:23 | 0:23:24 | |
-This is your patient! -They were going to cut my fucking leg off. | 0:23:24 | 0:23:27 | |
Well, who are you, then? | 0:23:27 | 0:23:29 | |
This is Mr Pinkett. He's my patient. | 0:23:29 | 0:23:32 | |
I'm Sam and my legs are fine. | 0:23:32 | 0:23:33 | |
How did this happen, Phil? | 0:23:33 | 0:23:36 | |
I'll tell you how it happened. | 0:23:36 | 0:23:38 | |
It happened because this country's going to hell in a handcart! | 0:23:38 | 0:23:42 | |
And it's mistakes like this that give us a bad name. | 0:23:42 | 0:23:45 | |
MRSA! | 0:23:47 | 0:23:48 | |
I know we're all tired. | 0:23:51 | 0:23:52 | |
Working too long for too little and we're fed up. | 0:23:54 | 0:23:57 | |
But we cannot allow things like this to happen. | 0:23:58 | 0:24:01 | |
This is making me very nervous. | 0:24:01 | 0:24:03 | |
Now, I know you're a good surgeon. | 0:24:03 | 0:24:05 | |
I've seen your work, and I won't let you hang for this. | 0:24:05 | 0:24:08 | |
The first rule of being in this room... | 0:24:10 | 0:24:12 | |
is you don't talk about being in this room. | 0:24:13 | 0:24:16 | |
Agreed? | 0:24:17 | 0:24:18 | |
-Yes. Agreed. -ALL MURMUR | 0:24:18 | 0:24:21 | |
This is Fight Club. | 0:24:21 | 0:24:22 | |
Come on, Sam. Let's get out of here. | 0:24:23 | 0:24:26 | |
Coming. | 0:24:26 | 0:24:27 | |
Argh! | 0:24:28 | 0:24:29 | |
I understand what you're saying, Phil. | 0:24:31 | 0:24:33 | |
I just don't see what I've got to thank you for. | 0:24:33 | 0:24:35 | |
-They were going to cut your leg off. -Because you left me unattended. | 0:24:35 | 0:24:38 | |
-And you fell asleep. -You told me to close my eyes. | 0:24:38 | 0:24:40 | |
-We could go round like this for ever. -Wait. -What? | 0:24:40 | 0:24:43 | |
Back up. | 0:24:43 | 0:24:44 | |
That's him. | 0:24:48 | 0:24:49 | |
-Are you sure? -Yeah, definitely. | 0:24:51 | 0:24:52 | |
It says Mr Smith. I thought you said he was Mr Stevens. | 0:25:05 | 0:25:07 | |
-That's probably what they put when they can't identify someone. -Like a John Dory. | 0:25:07 | 0:25:11 | |
-You mean John Doe. -Do I? | 0:25:11 | 0:25:13 | |
-Yeah, because John Dory's a fish dish. -Fish dish. Sure. | 0:25:13 | 0:25:15 | |
I think he might be in a coma. | 0:25:28 | 0:25:30 | |
COUGHS | 0:25:30 | 0:25:32 | |
Who are you? | 0:25:39 | 0:25:41 | |
My name's Sam Pinkett. | 0:25:48 | 0:25:50 | |
You don't know me, but I was there when you crashed your car this morning. | 0:25:52 | 0:25:55 | |
It was me who called the ambulance. | 0:25:55 | 0:25:57 | |
After you'd been taken to the hospital, | 0:25:58 | 0:26:00 | |
your phone started ringing, and I picked it up. | 0:26:00 | 0:26:02 | |
I know everything. | 0:26:04 | 0:26:05 | |
-I know that your wife is in danger. -Wh... | 0:26:05 | 0:26:07 | |
I haven't involved the police. | 0:26:07 | 0:26:09 | |
The kidnappers called again, and I agreed to meet them. | 0:26:09 | 0:26:12 | |
I thought if I could just get your phone back to you, | 0:26:12 | 0:26:15 | |
you could take it from here. But...I can see that's not... | 0:26:15 | 0:26:18 | |
Look, I don't know what to do. | 0:26:20 | 0:26:21 | |
But if there's any way I can save your wife, I promise I will. | 0:26:22 | 0:26:26 | |
I don't know what you're talking about. | 0:26:35 | 0:26:37 | |
You had a car accident this morning? | 0:26:38 | 0:26:41 | |
Yeah. | 0:26:42 | 0:26:44 | |
In a grey BMW? | 0:26:44 | 0:26:45 | |
-Yeah. -And this... | 0:26:46 | 0:26:47 | |
is your phone. | 0:26:49 | 0:26:51 | |
That's not my phone. | 0:26:51 | 0:26:53 | |
That's my phone. | 0:26:55 | 0:26:57 | |
I'm not even married. | 0:27:02 | 0:27:03 | |
Do you mind feeding me a couple of grapes? | 0:27:14 | 0:27:17 | |
So whose phone was it, then? | 0:27:17 | 0:27:18 | |
I guess we'll find out in 45 minutes. | 0:27:18 | 0:27:20 | |
We can't just turn up empty-handed. You said yourself, they're psycho. | 0:27:20 | 0:27:23 | |
We've got no choice. We have to do something. | 0:27:23 | 0:27:25 | |
But they're going to want hard cash. Unmarked bills. Sequential serial numbers. All that jazz. | 0:27:25 | 0:27:29 | |
It doesn't matter. We're all she's got now. | 0:27:29 | 0:27:32 | |
And whatever happened to "rolling deep"? | 0:27:32 | 0:27:33 | |
SIGHS | 0:27:35 | 0:27:36 | |
OK. | 0:27:38 | 0:27:39 | |
I'm in. | 0:27:39 | 0:27:41 | |
But you have got to stay focused at all times, | 0:27:41 | 0:27:44 | |
because danger is everywhere. | 0:27:44 | 0:27:45 | |
You know what danger doesn't do? Call ahead. | 0:27:45 | 0:27:48 | |
Unless it's the IRA. | 0:27:49 | 0:27:51 | |
So are we going to get the bus, or... | 0:27:51 | 0:27:53 | |
BOTH YELL | 0:27:53 | 0:27:54 | |
Where's my money? | 0:28:04 | 0:28:06 | |
I don't know. | 0:28:06 | 0:28:07 | |
Don't fucking lie to me! | 0:28:07 | 0:28:08 | |
Your employer is a foolish man. | 0:28:08 | 0:28:11 | |
Well, I'm not going to go there without any money. | 0:28:11 | 0:28:13 | |
-No, I wouldn't do that. -That makes sense. | 0:28:13 | 0:28:15 | |
Foolish, cowardly man. | 0:28:15 | 0:28:17 | |
Only a total idiot would go there without any money. | 0:28:17 | 0:28:19 | |
-Oh, my God! -What a surprise. | 0:28:19 | 0:28:21 | |
I don't bloody believe this. | 0:28:21 | 0:28:24 | |
I'm going to have to kill you now. | 0:28:24 | 0:28:26 |