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This programme contains some strong language and some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:06 | |
-What do you want? -I want my keys back. Before I change the locks. | 0:00:06 | 0:00:10 | |
The body they found in Berkshire yesterday was Agent Walker | 0:00:10 | 0:00:13 | |
-Oh, my God. -I know. | 0:00:13 | 0:00:15 | |
HE SPEAKS RUSSIAN | 0:00:15 | 0:00:18 | |
I'm helping Sam with the Reid regeneration project. | 0:00:18 | 0:00:21 | |
It's the Green regeneration project. | 0:00:21 | 0:00:23 | |
-Green as in Lizzie Green? -Mr Reid insisted, | 0:00:23 | 0:00:26 | |
because of all the hard work I've done on it. | 0:00:26 | 0:00:29 | |
Get me that music box. | 0:00:29 | 0:00:31 | |
We know who bought it. The Russian. | 0:00:31 | 0:00:33 | |
-Marat Milankovic. -I need it back. | 0:00:33 | 0:00:35 | |
Find the house, find the guy. Find the guy, find the music box. | 0:00:35 | 0:00:38 | |
Find the music box... | 0:00:38 | 0:00:39 | |
Well, then we're done. If we find that, we're good. | 0:00:39 | 0:00:42 | |
GUNSHOTS | 0:00:42 | 0:00:43 | |
Take me with you! | 0:00:44 | 0:00:46 | |
For one day I'm not safe. I'll give you anything. | 0:00:46 | 0:00:50 | |
Anything? | 0:00:50 | 0:00:52 | |
No-one's following us. I think we're going to be all right. | 0:00:52 | 0:00:56 | |
This had better be good. | 0:01:11 | 0:01:12 | |
It's Agent Walker's car, Ma'am it's on the move. | 0:01:12 | 0:01:15 | |
So find it. Why am I out of bed? | 0:01:15 | 0:01:17 | |
The two men driving the car were with Walker moments before he died, Ma'am. | 0:01:17 | 0:01:20 | |
OK. So who are we dealing with? | 0:01:20 | 0:01:22 | |
On the left. Samuel James Pinkett, 29, works for Berkshire County Council. | 0:01:23 | 0:01:27 | |
To his right, Philip Neville Bourne, 31, | 0:01:27 | 0:01:29 | |
works in the council building but not for the council itself. | 0:01:29 | 0:01:32 | |
Where's my coffee? | 0:01:32 | 0:01:34 | |
-Any previous? -No convictions, Ma'am. | 0:01:39 | 0:01:41 | |
But we can connect them to nine incidents in the last 48 hours. | 0:01:41 | 0:01:44 | |
Holy shit! | 0:01:44 | 0:01:45 | |
-Who are these guys? -We're still piecing that together, Ma'am. | 0:01:45 | 0:01:48 | |
Walker picked them up outside the house of Scarlett Stevens | 0:01:48 | 0:01:51 | |
just after she reported the death of her husband Nick. | 0:01:51 | 0:01:54 | |
Then at 23:10 we have them handing over something to this man. | 0:01:54 | 0:01:56 | |
Lionel Lau, organiser of an underground gambling ring, together with a whole... | 0:01:56 | 0:02:00 | |
Yeah, OK, when does this get interesting? | 0:02:00 | 0:02:02 | |
At 1.15am they arrive at the address of Marat Milankovic | 0:02:02 | 0:02:06 | |
who was the subject of Walker's surveillance. | 0:02:06 | 0:02:08 | |
Why was he watching this guy? | 0:02:08 | 0:02:10 | |
It's possible that Milankovic had some intel... | 0:02:10 | 0:02:12 | |
We don't know. Walker hadn't filed any reports | 0:02:12 | 0:02:17 | |
-Is Milankovic with them now? -We don't know. | 0:02:17 | 0:02:19 | |
Are they working with the Russians? Don't tell me, you don't know. | 0:02:19 | 0:02:23 | |
Milk and sugar? Neither. | 0:02:23 | 0:02:25 | |
I've already put the milk in. | 0:02:27 | 0:02:28 | |
Anyone want one with milk? | 0:02:32 | 0:02:34 | |
Take the lead on this, Paul. | 0:02:38 | 0:02:41 | |
And use these two, they seem to have it well covered. | 0:02:41 | 0:02:43 | |
Yes, ma'am. OK, kids... | 0:02:43 | 0:02:45 | |
..meet your targets. | 0:02:46 | 0:02:47 | |
The last agent who got too close ended up in a body bag. | 0:02:48 | 0:02:52 | |
So find them... | 0:02:52 | 0:02:54 | |
watch them... | 0:02:54 | 0:02:56 | |
keep your distance. | 0:02:56 | 0:02:58 | |
These guys are probably armed... | 0:02:58 | 0:03:01 | |
and definitely dangerous. | 0:03:01 | 0:03:03 | |
MICROWAVE PINGS | 0:03:11 | 0:03:12 | |
-What are you doing? -What? I was quick! | 0:03:20 | 0:03:22 | |
-You were ten minutes! -You have to heat them individually. | 0:03:22 | 0:03:25 | |
You don't HAVE to. You don't HAVE to buy them. | 0:03:25 | 0:03:29 | |
I'm not eating a cold Jinsters, Sam. | 0:03:29 | 0:03:31 | |
-Ginsters. -Jinsters. | 0:03:31 | 0:03:33 | |
-Ginsters. -Jinsters. | 0:03:33 | 0:03:35 | |
-Ginsters. -Jinsters. | 0:03:35 | 0:03:37 | |
-Ginsters. -Jinsters, it's Jinsters! | 0:03:37 | 0:03:39 | |
Right, I'm not doing... Just drive, we need to get him to the hospital. | 0:03:39 | 0:03:42 | |
No, no, no hospital. They will look for me there. | 0:03:42 | 0:03:45 | |
Don't worry, Marat, we're going to patch you up, all right? | 0:03:46 | 0:03:48 | |
Drink that, it's isotonic. | 0:03:48 | 0:03:51 | |
Oh, Philip, is that you? | 0:03:55 | 0:03:57 | |
Hiya, Mum! | 0:03:57 | 0:03:58 | |
Oh, where have you been? | 0:03:58 | 0:04:01 | |
Oh, my Jesus! Who's... He's bleeding! | 0:04:01 | 0:04:03 | |
-Mum, he needs your help he's been shot. -What? | 0:04:03 | 0:04:05 | |
-We can't take him to hospital... -Have you been hanging out with that Neil West again? | 0:04:05 | 0:04:09 | |
-I'm calling the police. -Mum, listen, no, we can't, OK? | 0:04:09 | 0:04:11 | |
Mum, listen to me. Mum, listen to my voice. | 0:04:11 | 0:04:13 | |
-Shooting. -Listen to my voice. | 0:04:13 | 0:04:15 | |
-Yes. Yes. -Breath in through your mouth, | 0:04:15 | 0:04:17 | |
and out through your nose, in through your mouth, out through your nose, | 0:04:17 | 0:04:20 | |
in through your... out through your... | 0:04:20 | 0:04:23 | |
I'm trying to do the right thing. | 0:04:23 | 0:04:25 | |
You have to trust me. | 0:04:25 | 0:04:27 | |
Right, get him into the garage. I don't want any blood on the good settee, I'll get my kit. | 0:04:30 | 0:04:34 | |
-OK, this way, this way. -Shoes off. -Shoes off, guys. Shoes off, shoes off, shoes off. | 0:04:34 | 0:04:38 | |
What's his name? | 0:04:41 | 0:04:42 | |
Marat. | 0:04:42 | 0:04:44 | |
OK, Marat, | 0:04:44 | 0:04:45 | |
I think this might hurt a little bit | 0:04:45 | 0:04:48 | |
What is that? Tiny town? | 0:04:48 | 0:04:50 | |
No, it's a model railway! | 0:04:50 | 0:04:52 | |
-Marat, there's no exit wound, I think the bullet's still in there. -Aaaah! | 0:04:52 | 0:04:56 | |
Have you done this before? | 0:04:56 | 0:04:58 | |
No. But you don't spend 12 years in A&E | 0:04:58 | 0:05:00 | |
without seeing your fair share of gunshot wounds. | 0:05:00 | 0:05:03 | |
Wow, how many have you seen? | 0:05:03 | 0:05:05 | |
Two. | 0:05:05 | 0:05:07 | |
If you count this one. | 0:05:07 | 0:05:09 | |
Aaah! You trying to kill me. | 0:05:09 | 0:05:10 | |
No, no, no, no, it's us, we're trying to help you, remember? | 0:05:10 | 0:05:14 | |
Petr tried to kill me | 0:05:16 | 0:05:17 | |
That's right, and we helped you, yeah? | 0:05:17 | 0:05:20 | |
You...you... | 0:05:21 | 0:05:24 | |
...you my rent boy, mmm? | 0:05:25 | 0:05:28 | |
-He's delirious. Have some more of this. -Mmm, yep that's it, drink it down. Shh. | 0:05:29 | 0:05:33 | |
-Aaaah! -There I can see it! | 0:05:34 | 0:05:36 | |
Hold still, hold still. | 0:05:36 | 0:05:38 | |
-Aaaah! -Hold still, hold still. | 0:05:38 | 0:05:41 | |
Got it! | 0:05:47 | 0:05:48 | |
Bandages! | 0:05:49 | 0:05:51 | |
You're amazing, Mum. | 0:05:54 | 0:05:56 | |
Go and get some bedding from the bedding cupboard. | 0:05:56 | 0:05:59 | |
I need to pop out for a few minutes | 0:05:59 | 0:06:01 | |
Are you OK? | 0:06:01 | 0:06:02 | |
I'm fine, I just need some air. | 0:06:02 | 0:06:04 | |
If you could just sit up, sit up. | 0:06:05 | 0:06:07 | |
It's Pinkett. | 0:06:17 | 0:06:19 | |
Shit! | 0:06:36 | 0:06:38 | |
TRAIN HOOTS | 0:06:47 | 0:06:51 | |
But, why? | 0:06:51 | 0:06:53 | |
Don't know really. | 0:06:54 | 0:06:55 | |
We never used to go on holiday so... | 0:06:56 | 0:06:59 | |
..me and my Dad, we made this. | 0:07:00 | 0:07:02 | |
We called it Michaelton Philage, | 0:07:04 | 0:07:06 | |
cos his name was Michael and Phil sounds a bit like village. | 0:07:06 | 0:07:10 | |
Well, you know, the first bit. | 0:07:11 | 0:07:12 | |
Here you go. | 0:07:12 | 0:07:13 | |
This'll replace all your fluids and salts and whatnot. | 0:07:15 | 0:07:18 | |
-It tastes horrid, but... -Thank you. | 0:07:18 | 0:07:20 | |
Do you know where is my phone? | 0:07:20 | 0:07:22 | |
Oh, actually I did see a phone somewhere. | 0:07:23 | 0:07:26 | |
Mum, be careful! | 0:07:26 | 0:07:28 | |
What is that? | 0:07:28 | 0:07:29 | |
It's a music box. Try and be careful! | 0:07:29 | 0:07:32 | |
Calm down, Philip, please. | 0:07:32 | 0:07:34 | |
See, there is a phone there, you see. Look! | 0:07:34 | 0:07:37 | |
Thank you. MUSIC BOX PLAYS | 0:07:38 | 0:07:41 | |
Well, don't play music now, he needs to sleep. | 0:07:41 | 0:07:44 | |
It's a lullaby, Mum, it's perfect. | 0:07:44 | 0:07:46 | |
'The number you have dialled is not in service. Please check...' | 0:07:51 | 0:07:55 | |
Hey! | 0:08:29 | 0:08:30 | |
Sorry, I didn't wake you up did I? | 0:08:30 | 0:08:33 | |
I can't sleep. | 0:08:33 | 0:08:34 | |
You know me - terrified. I've got this big speech tonight, | 0:08:34 | 0:08:38 | |
-there're all these people going to be there... -You'll be amazing, | 0:08:38 | 0:08:41 | |
you always are. | 0:08:41 | 0:08:43 | |
-Oh... -Sam, um... | 0:08:46 | 0:08:47 | |
I don't want to talk about it, us. | 0:08:47 | 0:08:49 | |
Every time I do I seem to make things worse. | 0:08:49 | 0:08:53 | |
I just wanted to give you the keys back. | 0:08:53 | 0:08:55 | |
I'm sorry it took so long. | 0:08:55 | 0:08:57 | |
I'll see you at work, then. | 0:09:05 | 0:09:08 | |
OK, let's go. | 0:09:16 | 0:09:17 | |
Wait, he wants us to wait. | 0:09:17 | 0:09:19 | |
All right? | 0:09:47 | 0:09:49 | |
Yeah, I just needed to... | 0:09:49 | 0:09:50 | |
-Oh, no, what happened? -Mum dropped the box. | 0:09:52 | 0:09:54 | |
The song kept getting stuck, so I'm trying to, you know... | 0:09:54 | 0:09:57 | |
Take it to pieces? | 0:09:57 | 0:09:58 | |
No, fix it, she'll notice if the song sounds wrong. | 0:09:58 | 0:10:01 | |
Maybe it was like that before. I mean, you don't know what you're doing! | 0:10:01 | 0:10:04 | |
It's just a matter of straightening the cogs, that's... | 0:10:04 | 0:10:07 | |
-CLINK -Oh, that's fine that was meant... | 0:10:07 | 0:10:09 | |
It's a USB stick. | 0:10:14 | 0:10:16 | |
This is what she wants. | 0:10:16 | 0:10:17 | |
He said it himself - this is worthless. This is the key! | 0:10:17 | 0:10:20 | |
We need to find out what's on this! | 0:10:20 | 0:10:23 | |
No, we don't. That's only going to make things worse. | 0:10:23 | 0:10:25 | |
-What we don't know can't hurt us. -She's framing us for murder, Sam! | 0:10:25 | 0:10:28 | |
Who knows what else she's capable of. | 0:10:28 | 0:10:30 | |
Exactly! Unless we give her what she wants. Now, put it back! | 0:10:30 | 0:10:32 | |
You can't put the genie back in the bottle. | 0:10:32 | 0:10:34 | |
Well, of course you can! That's where the genie lives! | 0:10:34 | 0:10:37 | |
HE GROANS I'm hungry. | 0:10:38 | 0:10:40 | |
We're going to fire up this bad boy. | 0:10:42 | 0:10:44 | |
-Ooh! -Right, it's obvious what this is, | 0:10:45 | 0:10:48 | |
-we don't need to... -Right, well, it's on now so... | 0:10:48 | 0:10:51 | |
COMPUTER BEEPS | 0:10:54 | 0:10:55 | |
-It won't let me copy it. -Why do you want to copy it? | 0:10:55 | 0:10:59 | |
For clues. | 0:10:59 | 0:11:00 | |
MARAT GROANS | 0:11:00 | 0:11:01 | |
Just shut it down this is clearly a personal... | 0:11:01 | 0:11:04 | |
Hang on, I recognise him. | 0:11:04 | 0:11:06 | |
From TV or something like a culture programme or sports show. | 0:11:06 | 0:11:09 | |
Marat has had Shreddies, but there is Crunchy... | 0:11:09 | 0:11:13 | |
It's not... We weren't watching it like that, that's not what it is, | 0:11:13 | 0:11:16 | |
-we were... It was for research. -What did I tell you? | 0:11:16 | 0:11:20 | |
What did I tell you about watching mucky ladies? | 0:11:20 | 0:11:23 | |
They're not happy. | 0:11:25 | 0:11:26 | |
No, they are not happy. | 0:11:26 | 0:11:28 | |
Do you think they're happy, Sam? | 0:11:29 | 0:11:31 | |
No, Sam doesn't think they're happy. | 0:11:31 | 0:11:34 | |
Now, don't be surprised if when you come home from work | 0:11:34 | 0:11:37 | |
-that computer is no longer in this house. -Mum! | 0:11:37 | 0:11:40 | |
No! | 0:11:40 | 0:11:42 | |
We need to put this back and get to work. | 0:11:42 | 0:11:45 | |
We don't know when she's going to show up looking for it. | 0:11:45 | 0:11:47 | |
What are we going to do today? | 0:11:47 | 0:11:48 | |
What? | 0:11:52 | 0:11:53 | |
He's a bit old for work experience, isn't he, Phil? | 0:11:55 | 0:11:57 | |
Yeah, he's retraining. | 0:11:57 | 0:11:59 | |
Oh, right, what did you do before, mate? | 0:11:59 | 0:12:02 | |
Baker | 0:12:02 | 0:12:03 | |
-Sign him in. -Cheers, Len! | 0:12:05 | 0:12:07 | |
Chyort. | 0:12:11 | 0:12:12 | |
Chyort! | 0:12:13 | 0:12:14 | |
What's the matter? | 0:12:14 | 0:12:16 | |
My contact, he doesn't answer. | 0:12:16 | 0:12:18 | |
Who's your contact? | 0:12:18 | 0:12:20 | |
MI5 man. He said he could protect me, but his phone is dead. | 0:12:20 | 0:12:23 | |
Is his name Agent Walker? | 0:12:26 | 0:12:29 | |
Yes, Walker. | 0:12:29 | 0:12:31 | |
You know Walker? | 0:12:34 | 0:12:36 | |
Oh, well, sort of, we did. | 0:12:36 | 0:12:38 | |
He's dead. | 0:12:40 | 0:12:41 | |
What? Are you serious? | 0:12:41 | 0:12:44 | |
-Dead? -Yeah. | 0:12:44 | 0:12:45 | |
Who's dead? | 0:12:45 | 0:12:46 | |
-BOTH: -Alan -What? | 0:12:46 | 0:12:49 | |
Hmm. Yeah. Alan passed away last night. | 0:12:49 | 0:12:51 | |
-Oh, my God! -Morning! | 0:12:51 | 0:12:54 | |
Not that Alan, | 0:12:54 | 0:12:55 | |
it's another Alan. | 0:12:55 | 0:12:57 | |
I'll be up in a minute. | 0:12:57 | 0:12:59 | |
Right, you take him to the mail room, don't tell anyone his name. | 0:13:01 | 0:13:04 | |
-OK, yeah, I know. -I need to reach MI5. | 0:13:04 | 0:13:05 | |
OK, I'll do it. | 0:13:05 | 0:13:07 | |
-And I need a new bandage. -I'm on it. | 0:13:07 | 0:13:09 | |
It's this way. Come on, this way, OK? It's all right. Shhh. | 0:13:09 | 0:13:12 | |
Hello, umm, I'm not sure if this was the right number to call... | 0:13:12 | 0:13:15 | |
-'What's the nature of the threat?' -No, no threat. | 0:13:15 | 0:13:18 | |
What it is, is I've got someone who was meant to talk to one of your agents | 0:13:18 | 0:13:23 | |
who recently...sadly...died, | 0:13:23 | 0:13:27 | |
umm, Marat Milankovic. | 0:13:27 | 0:13:29 | |
'Please hold.' | 0:13:29 | 0:13:31 | |
'Hello, Sam.' | 0:13:32 | 0:13:34 | |
Oh, hello, Sam, someone just put me through to you. | 0:13:34 | 0:13:37 | |
No, no, no. My name isn't Sam, I'm saying, | 0:13:37 | 0:13:40 | |
hello, Sam, I know who you are. | 0:13:40 | 0:13:43 | |
-Is Milankovic safe? -Yes. | 0:13:45 | 0:13:47 | |
And has he told you anything or spoken to anyone, | 0:13:47 | 0:13:49 | |
or written anything down? | 0:13:49 | 0:13:51 | |
No. | 0:13:51 | 0:13:52 | |
And you've not been in contact with anyone else? | 0:13:52 | 0:13:55 | |
-No. -OK. Good. | 0:13:55 | 0:13:57 | |
-And where is he now? -He's with me. At work. | 0:13:57 | 0:14:00 | |
I work at Berkshire County Council. | 0:14:00 | 0:14:02 | |
Do you think you could come and get him? | 0:14:02 | 0:14:05 | |
I think we'll meet somewhere neutral if you don't mind. Take down this address. | 0:14:05 | 0:14:08 | |
Be there at... | 0:14:11 | 0:14:13 | |
..two o'clock. Goodbye. | 0:14:14 | 0:14:16 | |
OK, you heard, pull out now! | 0:14:17 | 0:14:19 | |
Sir, Milankovic is in there. | 0:14:19 | 0:14:20 | |
There's no CCTV inside, just a camera on the rear entrance. | 0:14:20 | 0:14:23 | |
Caretaker comes out the back every 20 minutes for a smoke. | 0:14:23 | 0:14:26 | |
We go in. Grab Milankovic, bring him out for questioning. | 0:14:26 | 0:14:29 | |
Well, let me ask you a question, Sumner, | 0:14:29 | 0:14:31 | |
do you think this guy is more likely to yield information under duress | 0:14:31 | 0:14:34 | |
in a government facility or of his own free will in a public location? | 0:14:34 | 0:14:38 | |
-Well... -Pull out. Now. | 0:14:39 | 0:14:42 | |
We're meeting MI5 at two. | 0:14:46 | 0:14:48 | |
Good. | 0:14:48 | 0:14:50 | |
Did you nick that from mine? | 0:14:50 | 0:14:52 | |
Yes. | 0:14:52 | 0:14:53 | |
Invisible ink! Old school, nice! | 0:14:54 | 0:14:57 | |
What is it? | 0:14:57 | 0:14:58 | |
FSB used my secrets against me. | 0:14:59 | 0:15:02 | |
But I have secrets too. | 0:15:02 | 0:15:04 | |
Who's it for? | 0:15:04 | 0:15:05 | |
You. | 0:15:07 | 0:15:08 | |
I give it to you. You keep safe. | 0:15:15 | 0:15:18 | |
Tell no-one. | 0:15:18 | 0:15:19 | |
-Not a plaster, a bandage. -Well, what's it for? -It doesn't matter. | 0:15:38 | 0:15:42 | |
-I need to put something on the accident form. -Put gunshot wound. | 0:15:42 | 0:15:44 | |
Does anyone know what's happening with this banner? | 0:15:44 | 0:15:47 | |
It was supposed to be delivered this morning. | 0:15:47 | 0:15:49 | |
Yeah, they called earlier. There was some sort of problem, but I've sorted it. | 0:15:49 | 0:15:52 | |
I asked them to deliver it straight to the Town Hall. | 0:15:52 | 0:15:55 | |
-Oi, Sam! -Thank you. | 0:15:55 | 0:15:56 | |
Just let me know if you need me to do anything else. | 0:15:56 | 0:15:59 | |
Sam, there's a fittie at reception for you! | 0:15:59 | 0:16:01 | |
Sounds like you're pretty busy. | 0:16:01 | 0:16:04 | |
-What's all this? -Girl to see Sam, downstairs, and she is smokin'! | 0:16:04 | 0:16:07 | |
Smoking in the building? She can't do that. | 0:16:07 | 0:16:10 | |
No, Alan, she's hot, she's smokin' hot. | 0:16:10 | 0:16:12 | |
How hot? | 0:16:12 | 0:16:14 | |
Really, so hot gas mark... buck, yes. | 0:16:14 | 0:16:17 | |
Hi, Kev. | 0:16:18 | 0:16:20 | |
'I'm not denying anything. Neither am I confirming it, | 0:16:36 | 0:16:38 | |
'I've answered your question as best I can.' | 0:16:38 | 0:16:40 | |
Absolutely typical. Lying Brussels puppet. | 0:16:40 | 0:16:43 | |
Can you turn this off? | 0:16:43 | 0:16:44 | |
What? No, I'm watching it. | 0:16:44 | 0:16:47 | |
TV: 'As soon as we have the results of the consultation | 0:16:48 | 0:16:50 | |
'I will make a decision in conjunction with my colleagues...' | 0:16:50 | 0:16:53 | |
'So who's to blame for the decision being delayed again, Minister? | 0:16:58 | 0:17:01 | |
'Oh, Good Lord! | 0:17:01 | 0:17:03 | |
'It's not a question of blame but of due process.' | 0:17:03 | 0:17:05 | |
"Good Lord." | 0:17:05 | 0:17:06 | |
'This is a very delicate issue and we're consulting with numerous...' | 0:17:06 | 0:17:09 | |
Fit! | 0:17:12 | 0:17:13 | |
Not for me. | 0:17:13 | 0:17:15 | |
-Oh, yeah? What you into? -Nicki Minaj. | 0:17:15 | 0:17:17 | |
METALLIC CLANKING | 0:17:24 | 0:17:27 | |
Kev?! | 0:17:42 | 0:17:44 | |
Sam! Sam! | 0:17:46 | 0:17:48 | |
-Phil, it's Culverson. -It's Kev! | 0:17:48 | 0:17:49 | |
I saw a man here I thought was Kev and it isn't Kev! | 0:17:49 | 0:17:52 | |
What are you saying? | 0:17:52 | 0:17:53 | |
CRASH! | 0:17:53 | 0:17:55 | |
Oh, my...! | 0:17:57 | 0:17:58 | |
Ahh! | 0:18:06 | 0:18:07 | |
Argh! | 0:18:14 | 0:18:15 | |
Yaaah! | 0:18:15 | 0:18:17 | |
Argh! | 0:18:18 | 0:18:19 | |
HE CHOKES | 0:18:23 | 0:18:25 | |
Ya ya ya ya ya ya ya ya ya! | 0:18:25 | 0:18:28 | |
Aaah! | 0:18:32 | 0:18:34 | |
Oh, oh, aaah! | 0:18:48 | 0:18:51 | |
FIRE ALARM SOUNDS Argh! | 0:18:58 | 0:19:00 | |
Who are you? Who are you working for? | 0:19:06 | 0:19:08 | |
I'm a town planning and noise guidance adviser... | 0:19:09 | 0:19:12 | |
..for Berkshire County Council. | 0:19:13 | 0:19:15 | |
ALARM CONTINUES | 0:19:16 | 0:19:18 | |
No running! Sam Pinkett! | 0:19:22 | 0:19:24 | |
Well, this is it. | 0:20:00 | 0:20:01 | |
We're early. | 0:20:01 | 0:20:03 | |
OK, we wait. | 0:20:04 | 0:20:05 | |
Can't believe I've never been up here before. | 0:20:10 | 0:20:12 | |
Have you not? | 0:20:12 | 0:20:14 | |
I used to come here all the time with my Dad to fly my kite. | 0:20:14 | 0:20:17 | |
I never forget it got caught in that tree, down there and I was laughing so much | 0:20:18 | 0:20:23 | |
watching him trying to get it out with his shoe. | 0:20:23 | 0:20:25 | |
And then his shoe got stuck and he was trying to do it with his other shoe, | 0:20:25 | 0:20:28 | |
-hopping round in his socks. -HE CHUCKLES | 0:20:28 | 0:20:32 | |
And you see the big tree there, in the middle of Priory Park? | 0:20:35 | 0:20:39 | |
That's where him and my Mum had their first kiss. | 0:20:42 | 0:20:44 | |
It's where we scattered his ashes. | 0:20:48 | 0:20:50 | |
That's where me and Lizzie first kissed. | 0:20:59 | 0:21:01 | |
-In that ASDA car park? -Well, no, not then. It was a roller disco. | 0:21:02 | 0:21:06 | |
-Yes! -Remember? -Yeah. | 0:21:06 | 0:21:09 | |
We used to go down there every Saturday night. | 0:21:09 | 0:21:11 | |
Gel my hair up, put on my sleeveless puffa jacket | 0:21:11 | 0:21:13 | |
-Like you're Michael J Fox. -Back To The Future, yeah! | 0:21:13 | 0:21:16 | |
They are here | 0:21:16 | 0:21:18 | |
Glad you came. | 0:21:37 | 0:21:39 | |
You made the right decision coming to talk to us. | 0:21:39 | 0:21:41 | |
Mr Milankovic and I need to have a little chat. You two can go, | 0:21:41 | 0:21:43 | |
wait in the car. Sumner. | 0:21:43 | 0:21:45 | |
Thank you. | 0:21:49 | 0:21:50 | |
Thank your mother. | 0:21:52 | 0:21:53 | |
Stay strong. | 0:21:54 | 0:21:55 | |
Bye then. | 0:22:00 | 0:22:01 | |
And you, beautiful boy... | 0:22:05 | 0:22:07 | |
..do not ever change. | 0:22:09 | 0:22:11 | |
OK, thank you. | 0:22:22 | 0:22:23 | |
Why do you need our protection? | 0:22:30 | 0:22:32 | |
I know names, and locations of many Russian agents based in Western Europe. | 0:22:32 | 0:22:39 | |
Where did you get this information? | 0:22:39 | 0:22:41 | |
I tell you what... | 0:22:44 | 0:22:46 | |
if that rail link did happen, all that'd go. | 0:22:46 | 0:22:48 | |
My dad's tree, the park, everything. The worst thing is the town wouldn't even get the benefit. | 0:22:50 | 0:22:54 | |
Train won't even stop here. It's just going to plough straight through. | 0:22:54 | 0:22:58 | |
Well, it isn't going to happen, so don't worry. | 0:22:58 | 0:23:00 | |
Then how do I know it's genuine? | 0:23:00 | 0:23:02 | |
FSB seems to think so. | 0:23:03 | 0:23:05 | |
All I'm saying is... | 0:23:07 | 0:23:08 | |
If I was a railway planner, which in my own small way I am, | 0:23:08 | 0:23:11 | |
that's exactly what you'd do. You'd go through the park, | 0:23:11 | 0:23:14 | |
through the hospital, through both schools, past the garage... | 0:23:14 | 0:23:16 | |
-Well, Reid owns all of those, they're all part of the development so... -So it could still happen. | 0:23:16 | 0:23:21 | |
I was talking to Agent Walker. | 0:23:21 | 0:23:23 | |
He believed me. | 0:23:23 | 0:23:24 | |
I believe you. | 0:23:24 | 0:23:26 | |
And you're talking to me now. | 0:23:26 | 0:23:28 | |
Why would Jim Reid go to all the effort of getting Lizzie to coordinate | 0:23:28 | 0:23:32 | |
a huge regeneration project, | 0:23:32 | 0:23:34 | |
if he thought he was just going to have to sell it to the government for... | 0:23:34 | 0:23:37 | |
Oh, my God. | 0:23:41 | 0:23:42 | |
-Have you told anyone else about this? -No. | 0:23:42 | 0:23:45 | |
And you've not spoken to any other intelligence agencies? | 0:23:45 | 0:23:49 | |
No. | 0:23:49 | 0:23:50 | |
They are bribing the Transport Minister. | 0:23:50 | 0:23:52 | |
They've, they've bagged all the right land to sell. | 0:23:52 | 0:23:55 | |
And he couldn't have done it without Lizzie. | 0:23:55 | 0:23:58 | |
-Have you written anything down? -Of course. | 0:23:58 | 0:24:02 | |
-Why? -One copy, for insurance. | 0:24:03 | 0:24:06 | |
He'll get rich, and she'll get the blame! | 0:24:06 | 0:24:09 | |
What are you going on about? | 0:24:09 | 0:24:11 | |
It was the transport minister on the sex tape. | 0:24:11 | 0:24:13 | |
Culverson, I saw him on the news. | 0:24:13 | 0:24:16 | |
-Tell me where it is. -Why do you need to know that? | 0:24:16 | 0:24:19 | |
That's the name of the programme I couldn't remember. | 0:24:19 | 0:24:22 | |
You couldn't remember the name of The News? | 0:24:22 | 0:24:25 | |
I need to know right now. | 0:24:25 | 0:24:27 | |
The evil old bastard. | 0:24:27 | 0:24:30 | |
We've got to warn Lizzie. | 0:24:31 | 0:24:32 | |
No! | 0:24:34 | 0:24:35 | |
-Start the car! -SILENCED GUNSHOT | 0:24:35 | 0:24:37 | |
-Where are the documents? -What? -The documents he gave you - where are they? | 0:24:47 | 0:24:51 | |
We don't know what you're talking about. | 0:24:51 | 0:24:53 | |
Tell me where they are and everything will be OK. | 0:24:53 | 0:24:55 | |
It's a set up! Don't let them get away! | 0:24:57 | 0:25:00 | |
Oh, my God, they've killed Marat! | 0:25:16 | 0:25:18 | |
They killed Marat! | 0:25:18 | 0:25:20 | |
Did he say anything to you about any documents? | 0:25:20 | 0:25:22 | |
No, I don't have a clue what he's talking about. They killed him! | 0:25:22 | 0:25:25 | |
Oh, my... Who is that?! | 0:25:25 | 0:25:28 | |
Oh, shit! | 0:25:28 | 0:25:31 | |
-Put your foot down! -It is down, Sam! | 0:25:31 | 0:25:33 | |
Put it down further! | 0:25:33 | 0:25:34 | |
Who is he? | 0:25:36 | 0:25:37 | |
I don't know! How would I know? | 0:25:37 | 0:25:39 | |
-Oh, my God! -Faster!!! | 0:25:39 | 0:25:42 | |
Oh shit! Shit! Shit! | 0:25:42 | 0:25:45 | |
Shit! | 0:25:47 | 0:25:49 | |
Stop! No! | 0:25:49 | 0:25:51 | |
-Seat belt! -What? | 0:25:54 | 0:25:56 | |
Seat belt! | 0:25:56 | 0:25:57 | |
HE SPEAKS RUSSIAN | 0:26:31 | 0:26:33 | |
-We've lost them! -Something's not right. | 0:26:42 | 0:26:45 | |
Oh, no, we've shaken them. This is it! We're clear! | 0:26:45 | 0:26:49 | |
This is us now! | 0:26:50 | 0:26:51 | |
We just keep driving. We drive this road. | 0:26:52 | 0:26:55 | |
This road is going to take us all the way to Mexico City! | 0:26:55 | 0:26:58 | |
Aaaaaah! | 0:27:00 | 0:27:02 | |
Samuel Pinkett! Philip Bourne! | 0:27:20 | 0:27:23 | |
We have you surrounded! | 0:27:23 | 0:27:25 | |
Give yourselves up! | 0:27:29 | 0:27:30 | |
-This is it. -Yeah. | 0:27:33 | 0:27:35 | |
We nearly did it. | 0:27:35 | 0:27:37 | |
Didn't we? We worked it all out, we were that close. | 0:27:37 | 0:27:40 | |
Open the doors slowly, | 0:27:40 | 0:27:41 | |
step out of the car... | 0:27:41 | 0:27:44 | |
..and put your hands on your head. | 0:27:45 | 0:27:47 | |
We make a great team, you and me. | 0:27:48 | 0:27:50 | |
I want you to know whatever happens, I don't regret a second of it. | 0:27:52 | 0:27:55 | |
Agent, do you have a shot, over? | 0:27:55 | 0:27:59 | |
Yes, sir, I have the shot. | 0:27:59 | 0:28:01 | |
On my command... | 0:28:01 | 0:28:03 | |
..take them out. | 0:28:04 | 0:28:06 | |
Roger that, standing by. | 0:28:06 | 0:28:08 | |
I'll give you three seconds! | 0:28:14 | 0:28:16 | |
Three... | 0:28:18 | 0:28:20 | |
two... | 0:28:20 | 0:28:21 | |
-OK, let's do this. -Do what? | 0:28:21 | 0:28:22 | |
-Get down! -..one! | 0:28:22 | 0:28:23 | |
-No! -Yaaah! | 0:28:23 | 0:28:26 |