Browse content similar to Inside Mans. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
We've all got what we wanted. | 0:00:02 | 0:00:04 | |
We've got the girl, you've got your nephew. | 0:00:04 | 0:00:06 | |
Let's just call it quits | 0:00:06 | 0:00:07 | |
You dishonoured me. | 0:00:07 | 0:00:08 | |
They were going to kill me, | 0:00:08 | 0:00:09 | |
and you sent these two dickheads with an empty suitcase! | 0:00:09 | 0:00:12 | |
Police. My husband's...just been killed. | 0:00:15 | 0:00:18 | |
- Run! - Er, two men... | 0:00:18 | 0:00:20 | |
They broke in and killed him. | 0:00:20 | 0:00:22 | |
(TYRES SCREECH) | 0:00:22 | 0:00:23 | |
Get in. | 0:00:23 | 0:00:24 | |
I am the only man on the planet who can prove your innocence. | 0:00:24 | 0:00:28 | |
What's this about? | 0:00:28 | 0:00:29 | |
Milankovic can identify Russian agents working here and in the States. | 0:00:29 | 0:00:34 | |
(THUMP) | 0:00:34 | 0:00:35 | |
(TRANSLATION FROM RUSSIAN) | 0:00:37 | 0:00:40 | |
Sam, this is not what it looks like. | 0:00:41 | 0:00:43 | |
It's fine. I just didn't realise you'd moved on so quickly. | 0:00:43 | 0:00:48 | |
I don't know anything. | 0:00:48 | 0:00:50 | |
I just sold some art, that's all I did. | 0:00:50 | 0:00:53 | |
To Marat Milankovic. | 0:00:53 | 0:00:54 | |
Oh, shit! | 0:00:54 | 0:00:56 | |
Nick sold everything to raise the ransom. | 0:00:59 | 0:01:01 | |
And because it was in the safe, | 0:01:01 | 0:01:02 | |
he must have thought the music box was valuable. | 0:01:02 | 0:01:04 | |
Honey... | 0:01:04 | 0:01:05 | |
But they won't know what it is. They can't know. How could they? | 0:01:05 | 0:01:08 | |
Honey... | 0:01:08 | 0:01:09 | |
So, I mean, in many ways, it's worthless... | 0:01:09 | 0:01:11 | |
Honey! Stop. | 0:01:11 | 0:01:13 | |
Get it back. | 0:01:16 | 0:01:19 | |
- OK, it's just... - I don't care. | 0:01:19 | 0:01:21 | |
This is a problem. | 0:01:23 | 0:01:25 | |
Needs to be fixed. | 0:01:25 | 0:01:27 | |
I know. I'm sorry, I'm so sorry. | 0:01:27 | 0:01:30 | |
Come here, come here, come here. | 0:01:38 | 0:01:40 | |
Anyone else had done this to me, it'd be very serious. | 0:01:45 | 0:01:50 | |
You do understand? | 0:01:54 | 0:01:55 | |
Yes. | 0:01:56 | 0:01:58 | |
They wouldn't get a second chance. | 0:01:58 | 0:02:00 | |
I'm sorry, Dad. | 0:02:00 | 0:02:02 | |
That's a good girl. | 0:02:02 | 0:02:04 | |
This programme contains some violent scenes and some strong language | 0:02:04 | 0:02:07 | |
And that's in business class? | 0:02:07 | 0:02:09 | |
OK, and what's the latest that we'd be able to book that? | 0:02:10 | 0:02:16 | |
Four hours. All right. Um, no, no. OK, all right, thanks ever so much. | 0:02:16 | 0:02:21 | |
OK, cheers. | 0:02:21 | 0:02:22 | |
OK, there's a flight that leaves for Mexico City at 6am. | 0:02:24 | 0:02:27 | |
Me and you, right, we...we open up a...a surf shack on the beach. | 0:02:27 | 0:02:31 | |
Me and you, buddy, we...we run the surf shack, | 0:02:31 | 0:02:33 | |
- we meet a couple of girls, we have... - We're not opening a surf shack! | 0:02:33 | 0:02:36 | |
All right, then. Well, a burger shack or a juice shack or a taco shack. | 0:02:36 | 0:02:39 | |
We're not opening a shack of any description. | 0:02:39 | 0:02:41 | |
Why not? | 0:02:41 | 0:02:42 | |
We'll be arrested before we even get on a plane. | 0:02:42 | 0:02:44 | |
We'll get new identities. | 0:02:44 | 0:02:45 | |
We've got a tonne of cash here, we'll get fake passports... | 0:02:45 | 0:02:47 | |
This is not our money. Even coming here was a bad idea. | 0:02:47 | 0:02:52 | |
We stopped at the first hotel we came to. | 0:02:52 | 0:02:54 | |
We passed a Travelodge. | 0:02:54 | 0:02:56 | |
We also passed some bins outside. | 0:02:56 | 0:02:57 | |
I'm not sleeping in them either. Have some self-respect. | 0:02:57 | 0:02:59 | |
We're wanted for murder. | 0:02:59 | 0:03:03 | |
Exactly! Things are bad enough. | 0:03:03 | 0:03:05 | |
We're in the gutter, Sam, but at least we're looking up at the birds | 0:03:05 | 0:03:08 | |
flying over above us, coming out of trees. | 0:03:08 | 0:03:13 | |
All I'm saying is, we have to be really careful | 0:03:13 | 0:03:15 | |
not to draw any attention to ourselves. | 0:03:15 | 0:03:17 | |
(KNOCK ON DOOR) | 0:03:17 | 0:03:19 | |
(KNOCK ON DOOR) | 0:03:23 | 0:03:25 | |
- Who is it? - Room service. | 0:03:25 | 0:03:27 | |
Yeah, OK. I've got to go, room service is here. Bye. | 0:03:42 | 0:03:46 | |
Beep. | 0:03:49 | 0:03:51 | |
(PHONE RINGS) | 0:03:51 | 0:03:53 | |
That's my phone. | 0:03:54 | 0:03:55 | |
It's my mum. | 0:03:59 | 0:04:00 | |
Don't answer it, the police will be there. | 0:04:00 | 0:04:02 | |
- She'll be worried sick. - They can trace it. | 0:04:02 | 0:04:04 | |
It's my mum. | 0:04:04 | 0:04:05 | |
Tell her you're fine and then hang up. | 0:04:06 | 0:04:07 | |
I'm fine. | 0:04:07 | 0:04:08 | |
Hello, love of my life. | 0:04:08 | 0:04:10 | |
It's her. It's not my mum, it's her. It's her. | 0:04:12 | 0:04:15 | |
You're not still upset with me, are you? | 0:04:15 | 0:04:18 | |
We all have rows, darling. | 0:04:18 | 0:04:19 | |
Tell him to come home and stop being so stupid. | 0:04:19 | 0:04:22 | |
Put the phone down, then. Hang up! | 0:04:22 | 0:04:24 | |
Is that Sam? Can you pass the phone to him? | 0:04:24 | 0:04:28 | |
She wants to speak to you. | 0:04:28 | 0:04:30 | |
What do you want? | 0:04:33 | 0:04:34 | |
Meet me at the church on Harkett Road in one hour. | 0:04:34 | 0:04:37 | |
And why would I do that? | 0:04:37 | 0:04:39 | |
Either you meet me... | 0:04:39 | 0:04:41 | |
or you'll have to explain to Phil what happened to his mum. | 0:04:41 | 0:04:45 | |
We have to go and meet her. | 0:04:49 | 0:04:51 | |
We're going to have to cancel that food, mate. | 0:04:52 | 0:04:54 | |
(TRANSLATION FROM CANTONESE) | 0:04:59 | 0:05:03 | |
Fuck! | 0:05:23 | 0:05:25 | |
(CHURCH ORGAN MUSIC) | 0:05:30 | 0:05:34 | |
(CHOIR SINGS) | 0:05:45 | 0:05:47 | |
Thank you for coming. | 0:05:50 | 0:05:52 | |
- You didn't give us much choice. - Why are we meeting here? | 0:05:52 | 0:05:55 | |
I'm in mourning for my poor husband. | 0:05:55 | 0:05:58 | |
I'm praying to God that they'll catch those two men who killed him. | 0:05:59 | 0:06:04 | |
I've spoken to the police, but I haven't told them it was you. | 0:06:04 | 0:06:06 | |
Well, it wasn't. | 0:06:06 | 0:06:08 | |
Yeah. So not thanks, actually. Thanks but no thanks. | 0:06:08 | 0:06:10 | |
I said I couldn't remember what they looked like. | 0:06:10 | 0:06:12 | |
It's quite common with shock. | 0:06:12 | 0:06:15 | |
But apparently my memory could come back at any moment | 0:06:15 | 0:06:19 | |
so it all depends on... | 0:06:19 | 0:06:21 | |
On what? | 0:06:23 | 0:06:24 | |
On what you can do for me. | 0:06:26 | 0:06:29 | |
What we can do for you? | 0:06:29 | 0:06:32 | |
I just found a phone. | 0:06:34 | 0:06:37 | |
That's it. I found a phone. | 0:06:37 | 0:06:40 | |
And this voice tells me they're going to kill someone | 0:06:40 | 0:06:42 | |
and I can't bear it. | 0:06:42 | 0:06:44 | |
I think... | 0:06:45 | 0:06:46 | |
Well, I have... I have to do something. | 0:06:48 | 0:06:52 | |
My whole life has been turned upside down, but do you know what? We did it. | 0:06:52 | 0:06:59 | |
We actually saved her. | 0:06:59 | 0:07:01 | |
I think it would have been worth it if it were anyone else but you. | 0:07:04 | 0:07:09 | |
Thanks. | 0:07:09 | 0:07:10 | |
(ORGAN MUSIC ENDS) | 0:07:10 | 0:07:11 | |
CHOIRMASTER: Cheers, everybody. See you on Sunday. | 0:07:11 | 0:07:15 | |
Look, I don't want you going near my mum again. | 0:07:15 | 0:07:16 | |
We've got the money. | 0:07:16 | 0:07:18 | |
You've got the ransom money? | 0:07:18 | 0:07:20 | |
- Your husband sold... - Ex-husband. | 0:07:20 | 0:07:22 | |
I'll do the talking. | 0:07:22 | 0:07:23 | |
He sold a load of stuff, we've ended up with the money, | 0:07:23 | 0:07:25 | |
you can just take that and leave us alone. | 0:07:25 | 0:07:28 | |
He sold something very important to me. | 0:07:28 | 0:07:31 | |
A music box. | 0:07:31 | 0:07:32 | |
Right, well, we know who bought it. The Russian. | 0:07:32 | 0:07:36 | |
- Marat Milankovic. - Braslan Ovanovic, something like that. | 0:07:36 | 0:07:39 | |
No, that was exactly it Marat Milankovic. | 0:07:39 | 0:07:41 | |
Ball park. | 0:07:41 | 0:07:42 | |
Why don't you just find him, give him the money, you walk away, | 0:07:42 | 0:07:45 | |
we walk away? | 0:07:45 | 0:07:46 | |
You're not going to say anything, we're not going to say anything. | 0:07:46 | 0:07:49 | |
BOTH: No-one's going to say anything. | 0:07:49 | 0:07:51 | |
Get me that music box. | 0:07:51 | 0:07:54 | |
Or I'll go to the police and tell them I've started remembering. | 0:07:54 | 0:07:57 | |
I'll tell them to go to the council and look for a scrawny hobbit | 0:07:57 | 0:08:00 | |
and a male Clare Balding. | 0:08:00 | 0:08:02 | |
You've got 24 hours. | 0:08:02 | 0:08:04 | |
You don't look anything like Clare Balding. | 0:08:17 | 0:08:19 | |
I know. | 0:08:19 | 0:08:20 | |
Hello, Miss Green, sorry to disturb, it's Council Security here. | 0:08:21 | 0:08:24 | |
I have a, er... | 0:08:24 | 0:08:26 | |
Sam Pinkett. | 0:08:26 | 0:08:28 | |
...Mr Pickett here. | 0:08:28 | 0:08:29 | |
He wants access to the building to do some work for you. | 0:08:29 | 0:08:32 | |
I know where we can search the planning archives. | 0:08:32 | 0:08:34 | |
- We just need to find the house. - Oh, I see. | 0:08:34 | 0:08:36 | |
Find the house, find the guy. Find the guy, find the music box. | 0:08:36 | 0:08:39 | |
Find the music box... | 0:08:39 | 0:08:40 | |
OK. | 0:08:40 | 0:08:41 | |
Well, then that's it. If we find that, we're done, we're going. | 0:08:41 | 0:08:45 | |
- Good to go. - Cheers, Len. | 0:08:46 | 0:08:49 | |
I hope she hasn't changed her password. | 0:08:53 | 0:08:55 | |
Yeah? What is it? Sam's got no pubes? | 0:08:55 | 0:08:58 | |
Yes, that's exactly what it is. | 0:08:58 | 0:09:00 | |
See, this is what my mum thinks I do all day - | 0:09:00 | 0:09:02 | |
sit in an office, taking calls... | 0:09:02 | 0:09:05 | |
Yeah, I can't think why that isn't your job. | 0:09:08 | 0:09:11 | |
Got him. | 0:09:15 | 0:09:17 | |
Can you turn on the printer in the office? | 0:09:17 | 0:09:19 | |
Yeah, I got it. | 0:09:19 | 0:09:20 | |
(SIGHS) | 0:09:22 | 0:09:24 | |
What are you doing?! | 0:09:34 | 0:09:35 | |
Why are you in my office?! | 0:09:38 | 0:09:39 | |
Just making up for the time I missed. | 0:09:39 | 0:09:42 | |
It's ten o'clock at night. | 0:09:42 | 0:09:44 | |
Shouldn't you be at your dinner party? | 0:09:44 | 0:09:46 | |
- You sort of ruined the vibe. - Oh, I'm sorry(!) | 0:09:46 | 0:09:49 | |
Sam, I'm a bit worried about you. | 0:09:53 | 0:09:55 | |
Well, don't be. | 0:09:55 | 0:09:56 | |
You've been acting so weird - disappearing from work, | 0:09:56 | 0:10:00 | |
getting into fights. | 0:10:00 | 0:10:03 | |
It's just not you. | 0:10:04 | 0:10:06 | |
- Maybe it is now. - Wow. | 0:10:06 | 0:10:08 | |
Got it. | 0:10:09 | 0:10:10 | |
- What are you doing here? - Oh, we had to... | 0:10:10 | 0:10:13 | |
I mean, I'm helping Sam with the Reid regeneration project. | 0:10:13 | 0:10:17 | |
It's the Green regeneration project, | 0:10:17 | 0:10:19 | |
and why would he need your help? You're just the mailroom guy. | 0:10:19 | 0:10:22 | |
Yeah. And Steven Segal was just the chef. | 0:10:22 | 0:10:24 | |
Hang on, Green as in Lizzie Green? | 0:10:24 | 0:10:27 | |
Yeah. | 0:10:27 | 0:10:28 | |
Mr Reid insisted. | 0:10:28 | 0:10:30 | |
Because of all the hard work I've done on it. | 0:10:30 | 0:10:33 | |
Ha! "Hard work." | 0:10:33 | 0:10:34 | |
Excuse me?! | 0:10:36 | 0:10:38 | |
Sorry. | 0:10:38 | 0:10:40 | |
Do you enjoy working for the council? | 0:10:40 | 0:10:42 | |
He doesn't actually work for the council, he just works for the building. | 0:10:42 | 0:10:45 | |
And no, I don't enjoy it. | 0:10:45 | 0:10:47 | |
I notice you're not denying it, you and Reid. | 0:10:52 | 0:10:57 | |
(SCOFFS) Oh, my God. You know what, Sam, why don't you...? | 0:10:57 | 0:11:01 | |
- I know, it's none of my business. - No, just listen. | 0:11:01 | 0:11:04 | |
I'm sorry that I got promoted. | 0:11:04 | 0:11:06 | |
And I am sorry that we split up but...I am not going to apologise | 0:11:06 | 0:11:11 | |
for the fact that I actually care about what I'm trying to do. | 0:11:11 | 0:11:14 | |
I don't even know why you bother coming in. | 0:11:16 | 0:11:18 | |
For you. | 0:11:18 | 0:11:20 | |
It's always been for you. | 0:11:20 | 0:11:23 | |
I fucking hate it. | 0:11:23 | 0:11:24 | |
I come in here every day trying to be who you want me to be | 0:11:24 | 0:11:30 | |
and I don't even know what that is. | 0:11:30 | 0:11:34 | |
I wish you'd just tell me. | 0:11:34 | 0:11:37 | |
What do you want? | 0:11:37 | 0:11:39 | |
(LIFT DOORS OPEN) | 0:11:42 | 0:11:44 | |
Please select your floor. | 0:11:44 | 0:11:47 | |
I want my keys back before I change the locks. | 0:11:47 | 0:11:52 | |
Doors closing. | 0:11:52 | 0:11:54 | |
We've got to go. | 0:11:59 | 0:12:00 | |
So, Scarlett's dad is Mr Reid, the Reid development guy. | 0:12:01 | 0:12:05 | |
I know. | 0:12:05 | 0:12:06 | |
Right, it's straight on on this road for a mile and then it's right. | 0:12:08 | 0:12:12 | |
What are we going to say to this Marat guy? | 0:12:12 | 0:12:14 | |
We're just going to say, "Mr Stevens is sorry, | 0:12:14 | 0:12:16 | |
"he made a mistake, it wasn't his to sell and we need to buy it back." | 0:12:16 | 0:12:19 | |
Yeah, we've got the money, | 0:12:19 | 0:12:21 | |
he can't have bought it more than a couple of days ago. | 0:12:21 | 0:12:23 | |
You can take anything back within seven days. It's your statutory rights. | 0:12:23 | 0:12:26 | |
I'm not sure that applies here but... | 0:12:26 | 0:12:28 | |
(CAR IS REAR-ENDED) | 0:12:28 | 0:12:29 | |
- (CAR IS REAR-ENDED AGAIN) - Right, that's deliberate. | 0:12:29 | 0:12:31 | |
What are we going to do, Sam? | 0:12:44 | 0:12:45 | |
Just... Just...do as he says. | 0:12:45 | 0:12:49 | |
Shhhhh. | 0:12:58 | 0:13:00 | |
It's not all there. | 0:13:12 | 0:13:14 | |
C-C-Can you take that and we'll owe you the rest? | 0:13:14 | 0:13:16 | |
I get paid on Thursday. Phil, how much was that hot-stone massage? | 0:13:16 | 0:13:20 | |
£305. | 0:13:20 | 0:13:21 | |
£300?! | 0:13:21 | 0:13:23 | |
Yes, I didn't know we were going to need it to buy back a music box | 0:13:23 | 0:13:26 | |
and pay off a crazy... (MOUTHS) ...did I? | 0:13:26 | 0:13:28 | |
- Jesus Christ! - What? | 0:13:28 | 0:13:30 | |
What do you want me to say? That I regret it? That I'm sorry?! | 0:13:30 | 0:13:32 | |
Well, I don't! My back was in shreds, | 0:13:32 | 0:13:35 | |
full of stresses and tensions, and I wonder who caused that(!) | 0:13:35 | 0:13:39 | |
Sorry. | 0:13:39 | 0:13:40 | |
Any chance of a discount? | 0:13:44 | 0:13:46 | |
I'm going to miss you guys. | 0:13:50 | 0:13:51 | |
(PATS THE CAR ROOF) | 0:13:53 | 0:13:55 | |
Oh, shit. | 0:14:00 | 0:14:02 | |
Oh, shit. | 0:14:03 | 0:14:04 | |
Shit, shit, shit, shit, shit, shit, shit...! | 0:14:06 | 0:14:08 | |
The air bag went off. | 0:14:23 | 0:14:24 | |
OK, we tour the house, find the music box, grab it and run. | 0:14:27 | 0:14:31 | |
The key to this is just keep saying "Kirstie". | 0:14:32 | 0:14:35 | |
Kirstie, Kirstie, Kirstie, Kirstie, Kirstie. | 0:14:35 | 0:14:37 | |
Hang on, who am I? | 0:14:37 | 0:14:38 | |
You're the researcher and I'm the Vice President of Channel 4 | 0:14:38 | 0:14:41 | |
and we think that this property is ideal for our couple. | 0:14:41 | 0:14:44 | |
It's right up Kirstie's street. | 0:14:44 | 0:14:45 | |
Kirstie, Kirstie, Kirstie, Kirstie, Kirstie, Kirstie, Kirstie. | 0:14:45 | 0:14:48 | |
OK, let's do this. | 0:14:48 | 0:14:50 | |
(DOOR BELL RINGS) | 0:14:50 | 0:14:53 | |
Wait, what's my name? | 0:14:55 | 0:14:57 | |
Hugh...Dandridge. | 0:14:57 | 0:14:58 | |
OK, Hugh Dandridge, Hugh Dandrige. | 0:14:58 | 0:15:01 | |
Hang on, who am I? | 0:15:01 | 0:15:02 | |
David Baddiel. Badanbridge. David Badanbridge. | 0:15:02 | 0:15:05 | |
(TRANSLATED FROM RUSSIAN) | 0:15:05 | 0:15:08 | |
- (DUB MUSIC) - (CHATTERING) | 0:15:08 | 0:15:09 | |
- Who are you? - Kirstie. | 0:15:09 | 0:15:11 | |
I mean Hugh. And this is David. | 0:15:11 | 0:15:14 | |
David Badandridge. | 0:15:14 | 0:15:15 | |
Are you Mori's boys? | 0:15:16 | 0:15:18 | |
Mmm-hmm. | 0:15:18 | 0:15:19 | |
You're early. Come in. | 0:15:21 | 0:15:24 | |
(MONKEY CHATTERS) | 0:15:29 | 0:15:32 | |
(GIGGLING) | 0:15:35 | 0:15:37 | |
Who are you? | 0:15:39 | 0:15:41 | |
We're Maurice's boys. | 0:15:42 | 0:15:44 | |
Mori's boys? | 0:15:44 | 0:15:46 | |
- Mmm-hmm. - We ask only one. | 0:15:46 | 0:15:47 | |
Who are you? You driver? | 0:15:47 | 0:15:50 | |
Hmm, yes, I... | 0:15:50 | 0:15:51 | |
You wait in car. | 0:15:51 | 0:15:53 | |
- No, he's with... - Wait in car! | 0:15:53 | 0:15:56 | |
Petr! Petr! Petr! | 0:15:56 | 0:16:01 | |
What are you saying to these guests? | 0:16:01 | 0:16:03 | |
You are both welcome. | 0:16:08 | 0:16:10 | |
I throw a party for my friend here | 0:16:10 | 0:16:13 | |
and he's the only one who doesn't have party. | 0:16:13 | 0:16:15 | |
We in UK now, | 0:16:18 | 0:16:21 | |
we don't need to worry. | 0:16:21 | 0:16:24 | |
You want drink? | 0:16:28 | 0:16:29 | |
You want drink? | 0:16:30 | 0:16:32 | |
Yes, sure. | 0:16:32 | 0:16:33 | |
(# KNIFE PARTY: Centipede) | 0:16:33 | 0:16:36 | |
I love this song. | 0:16:36 | 0:16:38 | |
You want? | 0:16:40 | 0:16:41 | |
Come on! | 0:16:47 | 0:16:48 | |
(ALL GASP) | 0:16:51 | 0:16:53 | |
(CACKLES) I like to photograph since I was a child, | 0:16:53 | 0:16:57 | |
but people pose, people show you what they want to show you. | 0:16:57 | 0:17:01 | |
At a party, I put the timer and people forget! | 0:17:01 | 0:17:04 | |
They drink, they have fun and I get wonderful pictures. | 0:17:04 | 0:17:07 | |
(GIGGLES MANIACALLY) You see? All beautiful. | 0:17:10 | 0:17:12 | |
- (CORK POPS) - (GIGGLES MANIACALLY) | 0:17:15 | 0:17:17 | |
You want? | 0:17:21 | 0:17:23 | |
Not you - you drive. Unlucky! | 0:17:26 | 0:17:31 | |
PARTYGOERS: Unlucky! Unlucky! Unlucky! Unlucky! | 0:17:31 | 0:17:37 | |
(SHOUTS) Shut up! | 0:17:37 | 0:17:38 | |
(GASPS AND SCREAMS) | 0:17:38 | 0:17:40 | |
I want to make speech! | 0:17:43 | 0:17:45 | |
Petr. My friend. | 0:17:46 | 0:17:50 | |
I am certain we cannot do business like before. | 0:17:50 | 0:17:52 | |
They ruined that and they tried to ruin me. | 0:17:52 | 0:17:57 | |
They took everything, because they are thieves. | 0:17:57 | 0:18:00 | |
And everybody turned back on me like I was a stray dog. | 0:18:02 | 0:18:06 | |
Stray dog! | 0:18:06 | 0:18:07 | |
But not you, Petr, not you, because today you came to find me | 0:18:07 | 0:18:11 | |
and I'm glad to welcome you to my new home, Great Britain. | 0:18:11 | 0:18:15 | |
Great! | 0:18:15 | 0:18:16 | |
Where you can be who you want to be | 0:18:17 | 0:18:19 | |
and love...who your heart tells you to. | 0:18:19 | 0:18:25 | |
We have party! | 0:18:27 | 0:18:29 | |
(GASPS) | 0:18:29 | 0:18:31 | |
- (GUN CLICKS) - Bam! | 0:18:35 | 0:18:37 | |
- (# BENNY BENASSI: Satisfaction) - (GIGGLES MANIACALLY) | 0:18:37 | 0:18:40 | |
Come here! | 0:18:41 | 0:18:44 | |
You so beauty. | 0:18:53 | 0:18:54 | |
Bif! Bof! Bif! Bof! Bif! Bof! | 0:18:55 | 0:19:00 | |
Everything OK? | 0:19:12 | 0:19:14 | |
I'm fine. Er, I'm looking for the toilet. | 0:19:14 | 0:19:17 | |
It's this way. | 0:19:17 | 0:19:18 | |
-PETR: Dance for me. - SAM: What? | 0:19:23 | 0:19:25 | |
Just dance for me. | 0:19:25 | 0:19:26 | |
OK. | 0:19:26 | 0:19:28 | |
It's so hot in here. Take off your top. | 0:19:44 | 0:19:46 | |
Really? No, I'm cold, if anything. | 0:19:46 | 0:19:50 | |
Trust me, you're hot. | 0:19:50 | 0:19:53 | |
Go for it. | 0:19:54 | 0:19:55 | |
(MUSIC BOX TINKLES) | 0:20:18 | 0:20:20 | |
(MANY MUSIC BOXES TINKLE) | 0:20:24 | 0:20:26 | |
(DOOR OPENS) | 0:20:32 | 0:20:34 | |
What's wrong with you? Just dance. | 0:20:35 | 0:20:38 | |
I think it's the music. I'm not really feeling this. | 0:20:38 | 0:20:41 | |
Change the music! Change it! | 0:20:41 | 0:20:43 | |
(# SAM AND THE WOMP: Bom Bom) | 0:20:45 | 0:20:47 | |
OK! That's the one. | 0:20:53 | 0:20:55 | |
You're not so shy now! I love it! | 0:20:58 | 0:21:00 | |
(SHOUTS OF ENCOURAGEMENT) | 0:21:00 | 0:21:03 | |
Yes ! | 0:21:03 | 0:21:04 | |
Yes! | 0:21:17 | 0:21:19 | |
Awww! | 0:21:19 | 0:21:20 | |
You dirty boy. | 0:21:39 | 0:21:41 | |
Ah! | 0:21:46 | 0:21:48 | |
Unbutton me. | 0:21:50 | 0:21:52 | |
Dirty boy! | 0:22:02 | 0:22:03 | |
I'll just have a drink! | 0:22:05 | 0:22:06 | |
No, Sam! No, Sam, don't drink... Don't drink... Don't drink it. | 0:22:09 | 0:22:12 | |
What's going on? | 0:22:12 | 0:22:13 | |
Sam, you mustn't. It's... It's... | 0:22:13 | 0:22:15 | |
Cut the music! Cut the music! | 0:22:15 | 0:22:18 | |
Cut the music! | 0:22:18 | 0:22:19 | |
Don't drink it! | 0:22:19 | 0:22:20 | |
What's going on here? | 0:22:22 | 0:22:23 | |
Hiya. Er, Mori sent me. | 0:22:28 | 0:22:31 | |
Who sent you? | 0:22:33 | 0:22:35 | |
Mori. | 0:22:35 | 0:22:36 | |
(SCREAMS) | 0:22:39 | 0:22:40 | |
You sneak into my home. You try to poison me. | 0:22:40 | 0:22:43 | |
See how you like it. Drink your medicine. | 0:22:43 | 0:22:46 | |
No, Sam, no! | 0:22:46 | 0:22:48 | |
Drink your medicine! Drink it! | 0:22:48 | 0:22:50 | |
Drink it! | 0:22:52 | 0:22:53 | |
I saw someone poison the champagne, it wasn't me! | 0:22:55 | 0:22:58 | |
Who was it, then? | 0:22:58 | 0:23:00 | |
- I don't know! - Maybe I can refresh your memory. | 0:23:00 | 0:23:02 | |
No, please don't! | 0:23:02 | 0:23:03 | |
They hunt me everywhere. FSB. | 0:23:05 | 0:23:07 | |
You know what I think of FSB? Fucking Shitty Bullshit! | 0:23:07 | 0:23:13 | |
It's him! It's him! That's it, it's him, he did it, look! | 0:23:16 | 0:23:23 | |
It was him, that's who I saw! Him! | 0:23:23 | 0:23:26 | |
Petr? | 0:23:31 | 0:23:32 | |
(TRANSLATED FROM RUSSIAN) | 0:23:32 | 0:23:35 | |
Da. | 0:23:37 | 0:23:38 | |
One bottle left. | 0:23:47 | 0:23:48 | |
(CORK POPS) | 0:23:52 | 0:23:53 | |
A toast to old friends. | 0:24:05 | 0:24:07 | |
Help! I cannot swim! | 0:25:30 | 0:25:33 | |
Come on, you're dressed for it. Go on! | 0:25:33 | 0:25:39 | |
- Come on! - I can't swim! I can't! | 0:25:47 | 0:25:50 | |
Oh, my...! | 0:25:53 | 0:25:54 | |
(SOBS) I cannot swim. I cannot swim. | 0:25:54 | 0:25:58 | |
Then why have you got a pool? | 0:25:58 | 0:26:00 | |
I don't go deep end. | 0:26:00 | 0:26:03 | |
Come on, Phil, let's get out of here. | 0:26:03 | 0:26:04 | |
No, no, no, no, please, take me with you! | 0:26:04 | 0:26:07 | |
We've got our own troubles, mate, honestly. | 0:26:07 | 0:26:10 | |
For one day. Only one day. I'm not safe! | 0:26:10 | 0:26:15 | |
I'll give you anything. You can take anything from here. | 0:26:15 | 0:26:19 | |
Anything you want. | 0:26:19 | 0:26:20 | |
- Anything? - Please! | 0:26:22 | 0:26:25 | |
Yeah, all right. | 0:26:25 | 0:26:26 | |
(MUSIC BOX TINKLES) | 0:26:26 | 0:26:28 | |
So you are not a rent boy? | 0:26:30 | 0:26:31 | |
No. | 0:26:31 | 0:26:33 | |
But...you put me in your hand. | 0:26:35 | 0:26:38 | |
(MUSIC BOX STOPS) | 0:26:38 | 0:26:41 | |
Are you sure this is the one you bought a couple of days ago | 0:26:41 | 0:26:44 | |
for 800 grand? | 0:26:44 | 0:26:46 | |
Yes, with other stuff - paintings, jewellery. But this is nothing. | 0:26:46 | 0:26:51 | |
It's worth a lot to someone. | 0:26:53 | 0:26:55 | |
Well, no-one's following us. I think we're going to be all right. | 0:26:57 | 0:27:01 | |
Have you seen this? | 0:27:28 | 0:27:29 | |
What? | 0:27:29 | 0:27:30 | |
The body they found in Berkshire yesterday...was Agent Walker. | 0:27:30 | 0:27:36 | |
- Oh, my God! - I know. | 0:27:36 | 0:27:38 | |
Hang on. | 0:27:38 | 0:27:40 | |
Isn't that his car? | 0:27:42 | 0:27:43 | |
Get me the duty officer. | 0:27:45 | 0:27:47 | |
(PHONE RINGS) | 0:27:47 | 0:27:49 | |
Mmm-hmm? | 0:27:51 | 0:27:52 | |
Yeah? | 0:27:54 | 0:27:55 | |
I'm on my way. | 0:27:57 | 0:27:58 | |
Just drive. We need to get him to the hospital. | 0:28:05 | 0:28:07 | |
No hospital. They will look for me there. | 0:28:07 | 0:28:10 | |
He's with me. At work. I work at Berkshire County Council. | 0:28:10 | 0:28:14 | |
FSB use my secrets against me. | 0:28:14 | 0:28:16 | |
But I have secrets too. | 0:28:16 | 0:28:18 | |
Have you written anything down? | 0:28:18 | 0:28:20 | |
Of course. | 0:28:20 | 0:28:22 | |
Tell me where it is. | 0:28:22 | 0:28:23 | |
Why do you need to know that? | 0:28:23 | 0:28:25 | |
Oh, my God. | 0:28:25 | 0:28:27 |