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This programme contains strong language. | 0:00:02 | 0:00:09 | |
-All right? -You ain't going to believe this. | 0:00:20 | 0:00:22 | |
-What? -Mr Perkins. | 0:00:22 | 0:00:24 | |
What about him? | 0:00:24 | 0:00:26 | |
He's dead. | 0:00:26 | 0:00:27 | |
He's dead? | 0:00:27 | 0:00:30 | |
Are you joking? | 0:00:30 | 0:00:32 | |
No. | 0:00:32 | 0:00:33 | |
Way! | 0:00:35 | 0:00:37 | |
-BOTH: -Way! | 0:00:37 | 0:00:39 | |
Way! | 0:00:39 | 0:00:40 | |
# He's dead, he's dead, he's dead, he's dead! | 0:00:40 | 0:00:44 | |
# He's dead! He is dead! | 0:00:44 | 0:00:48 | |
# He's dead, he's dead, he's dead, he's dead! | 0:00:48 | 0:00:51 | |
# He's dead! He is dead! # | 0:00:51 | 0:00:55 | |
Basically, Mr Perkins was our old woodwork teacher | 0:00:59 | 0:01:02 | |
and he was a massive prick. | 0:01:02 | 0:01:04 | |
-Yeah. -He used to be just plain nasty, wasn't he, Kurts? | 0:01:04 | 0:01:07 | |
-Yeah. -He always used to say, "Oh, Kerry and Kurtan, | 0:01:07 | 0:01:09 | |
-"you'll do..." -"Nothing with your lives." | 0:01:09 | 0:01:12 | |
Which is a bit rich, to be honest, coming from him, who's now dead. | 0:01:12 | 0:01:15 | |
Yeah. | 0:01:15 | 0:01:16 | |
# He's dead, he's dead, he's dead, he's dead! # | 0:01:16 | 0:01:18 | |
I think it's disgusting, what yous is doing, celebrating a man's death. | 0:01:18 | 0:01:22 | |
Shut up, Len, you're boring. | 0:01:22 | 0:01:24 | |
Yeah, well, I think it's disgusting you not celebrating the man's death. | 0:01:24 | 0:01:27 | |
-Charming. -Hogwarts is that way, Dumbledore. | 0:01:27 | 0:01:31 | |
Idiot man. | 0:01:31 | 0:01:32 | |
He used to call us... | 0:01:33 | 0:01:36 | |
Ren and Stimpy, didn't he? | 0:01:36 | 0:01:37 | |
Yeah. Tweedledum and Tweedledee. | 0:01:37 | 0:01:39 | |
Pinky and Perky. | 0:01:39 | 0:01:41 | |
Asterix and Obelix. | 0:01:41 | 0:01:42 | |
Noel Edmonds and Mr Blobby. | 0:01:42 | 0:01:44 | |
The Neville brothers. | 0:01:44 | 0:01:45 | |
He used to say I looked like the puppet off the Dolmio advert. | 0:01:45 | 0:01:48 | |
It's just, I...I knew this day would come, but I just, | 0:01:50 | 0:01:53 | |
I actually can't believe it's here, do you know what I mean? | 0:01:53 | 0:01:56 | |
-All right, Mand? -No, I'm not all right, | 0:01:56 | 0:01:58 | |
some little old blind man with a guide dog walked into a bin | 0:01:58 | 0:02:01 | |
outside my house. | 0:02:01 | 0:02:02 | |
Shit, is he all right? | 0:02:02 | 0:02:03 | |
He won't be when I've got my hands on him. | 0:02:03 | 0:02:05 | |
Poor Tyson was so scared, he's run up a tree and ate a bird's nest. | 0:02:05 | 0:02:08 | |
So I'm going to find him and break his legs for him. | 0:02:08 | 0:02:11 | |
See how he likes it. | 0:02:11 | 0:02:12 | |
You see him, you send him my way, yeah? | 0:02:12 | 0:02:15 | |
All right, you fucking psychopath. | 0:02:15 | 0:02:16 | |
Who's a psychopath? | 0:02:16 | 0:02:19 | |
Er... | 0:02:19 | 0:02:20 | |
The blind man. | 0:02:20 | 0:02:22 | |
Yeah, I know. Poor little baby birds | 0:02:24 | 0:02:26 | |
got their guts sucked out their arseholes cos of him. | 0:02:26 | 0:02:28 | |
Evil bastard. | 0:02:28 | 0:02:30 | |
Fucking weirdo. | 0:02:31 | 0:02:32 | |
Who's a weirdo? | 0:02:32 | 0:02:33 | |
Er...Kurtan. | 0:02:36 | 0:02:38 | |
Yeah, I know. | 0:02:42 | 0:02:43 | |
Come on, Tyson, you fucking prick. | 0:02:44 | 0:02:47 | |
How the fuck did she hear all that? | 0:02:47 | 0:02:48 | |
Erm... | 0:02:48 | 0:02:49 | |
She's like a fucking bat. | 0:02:51 | 0:02:52 | |
People are scared of Mandy, but I ain't. | 0:02:53 | 0:02:56 | |
Because we're both on the same level of hardness. | 0:02:56 | 0:02:58 | |
It's, like, Kane isn't scared of The Undertaker | 0:02:58 | 0:03:01 | |
because they're both Brothers of Destruction. | 0:03:01 | 0:03:04 | |
There's a kid crying over there. | 0:03:04 | 0:03:06 | |
Do you want me to...? I can tell him to shut the fuck up if you want? | 0:03:06 | 0:03:09 | |
She belongs in a nuthouse, mate. | 0:03:09 | 0:03:10 | |
She is fucking nuts. | 0:03:10 | 0:03:13 | |
A very bad egg. | 0:03:13 | 0:03:14 | |
I like Kerry. Her mum's... | 0:03:16 | 0:03:17 | |
Mum's a good fighter, her mum, down the pub and that. | 0:03:17 | 0:03:21 | |
If you was in trouble, you can always rely on her mum. | 0:03:21 | 0:03:23 | |
Kerry's all right. Kurtan's a... | 0:03:23 | 0:03:25 | |
He's a fucking moron. | 0:03:25 | 0:03:27 | |
SHE GASPS | 0:03:40 | 0:03:41 | |
Our old prom photo, yeah? | 0:03:41 | 0:03:44 | |
Ten minutes after that was taken, | 0:03:44 | 0:03:45 | |
Kurtan vommed all the way down his ivory tie. | 0:03:45 | 0:03:48 | |
-Yeah, only cos I kept spiking my own drinks. -Yeah. | 0:03:48 | 0:03:51 | |
Oh, Kerr, our old detention cards from Mr Perkins. | 0:03:51 | 0:03:54 | |
"Kerry and Kurtan, lunchtime detention | 0:03:55 | 0:03:57 | |
"for making crass song in woodwork class." | 0:03:57 | 0:04:00 | |
Wait...I'll get it. KEYBOARD PLAYS TUNE | 0:04:00 | 0:04:03 | |
Five, six, seven. | 0:04:05 | 0:04:08 | |
# Mr Perkins is a prick | 0:04:08 | 0:04:11 | |
# Mr Perkins is a prick | 0:04:11 | 0:04:13 | |
# Mr Perkins is a prick | 0:04:13 | 0:04:15 | |
# Mr Perkins is a prick | 0:04:15 | 0:04:17 | |
# Mr Perkins is a prick | 0:04:17 | 0:04:19 | |
# Mr Perkins is a prick | 0:04:19 | 0:04:21 | |
# Mr Perkins is a prick | 0:04:21 | 0:04:23 | |
# All day long. # | 0:04:23 | 0:04:26 | |
-How is that crass? -How is that crass? | 0:04:26 | 0:04:28 | |
Disruption, yeah, defiance, yeah, abusive language, fucking yeah. | 0:04:29 | 0:04:34 | |
Listen to this. | 0:04:37 | 0:04:39 | |
"Kerry and Kurtan, lunchtime detention | 0:04:39 | 0:04:41 | |
"for making Robert Robinson | 0:04:41 | 0:04:42 | |
"ask the teacher what rimming is." | 0:04:42 | 0:04:44 | |
Who's Rob Robinson? | 0:04:44 | 0:04:46 | |
You don't remember Robert Robinson? | 0:04:46 | 0:04:48 | |
No. | 0:04:48 | 0:04:49 | |
He was in our class in Year 6 | 0:04:49 | 0:04:51 | |
for, like, two terms and he just vanished. | 0:04:51 | 0:04:53 | |
No-one ever heard of him again. | 0:04:53 | 0:04:54 | |
He had... Instead of a rucksack, yeah, | 0:04:57 | 0:04:59 | |
he had a suitcase on wheels. | 0:04:59 | 0:05:01 | |
And you started his nickname, which was Terminal Three. | 0:05:01 | 0:05:04 | |
You started that. That was brilliant. | 0:05:04 | 0:05:07 | |
You don't remember that? | 0:05:07 | 0:05:08 | |
Robert Robinson. | 0:05:08 | 0:05:10 | |
You don't remember? | 0:05:10 | 0:05:11 | |
Year 6 camping trip, he brought in an old army camp bed | 0:05:18 | 0:05:21 | |
and it had blood on it. | 0:05:21 | 0:05:23 | |
No. | 0:05:23 | 0:05:24 | |
We used to bog-wash him so much, | 0:05:25 | 0:05:26 | |
the bleach in the toilet actually turned his hair white. | 0:05:26 | 0:05:29 | |
-No. -Oh, my God! | 0:05:29 | 0:05:30 | |
He had about three unruly deaf brothers, yeah? | 0:05:31 | 0:05:34 | |
And he used to get picked up after school in a dirty old Land Rover | 0:05:34 | 0:05:36 | |
-full of flailing arms. -No. | 0:05:36 | 0:05:38 | |
You don't remember that? | 0:05:38 | 0:05:39 | |
-No. -He used to write everything out in that calculator font | 0:05:39 | 0:05:42 | |
cos he thought it was really cool. | 0:05:42 | 0:05:45 | |
-No. -We made him eat a fucking bark sandwich, for fuck's sake. | 0:05:45 | 0:05:49 | |
-No. -You don't remember that? | 0:05:49 | 0:05:51 | |
-No. -Nothing? -Nothing. | 0:05:51 | 0:05:53 | |
Fuck. | 0:05:53 | 0:05:54 | |
Right, I'm going to get Slugs over, he was in our class, he'll remember. | 0:05:57 | 0:06:00 | |
-Please don't get Slugs over. -Yes, I am! -He'll never leave. | 0:06:00 | 0:06:03 | |
Me and Kurtan have known Slugs since school | 0:06:03 | 0:06:05 | |
and I've never met anyone who outstays their welcome | 0:06:05 | 0:06:07 | |
more than him. | 0:06:07 | 0:06:08 | |
Like, you'll say, "Sorry, Slugs, | 0:06:08 | 0:06:09 | |
"I can't stop and chat I've got to go and have my dinner." | 0:06:09 | 0:06:12 | |
And he'll go, "What we having?" | 0:06:12 | 0:06:14 | |
Robert Robinson, yeah? | 0:06:14 | 0:06:15 | |
He had a fat woman's arse and tiny, short little legs like a troll. | 0:06:15 | 0:06:18 | |
Yeah, you sure you're not talking about Slugs? | 0:06:18 | 0:06:20 | |
Positive. He genuinely looked like a Moomin. | 0:06:20 | 0:06:22 | |
Yeah, so does Slugs. | 0:06:22 | 0:06:23 | |
I know, but it ain't Slugs. | 0:06:23 | 0:06:25 | |
His school jumper, yeah, | 0:06:25 | 0:06:26 | |
was the most faded out of everyone's. | 0:06:26 | 0:06:28 | |
He used to chew his sleeves into threads. | 0:06:28 | 0:06:30 | |
-No. -He brought in a bit of meteorite once, yeah, for show and tell, | 0:06:31 | 0:06:35 | |
and Darren Lacy called him Apollo 13. | 0:06:35 | 0:06:37 | |
-No. -Oh, my God. | 0:06:37 | 0:06:39 | |
He was obsessed with salamanders, yeah? | 0:06:39 | 0:06:42 | |
And we saw him at the school fete | 0:06:42 | 0:06:43 | |
and he was carrying around a little bank bag full of coppers | 0:06:43 | 0:06:46 | |
and his face was painted like a salamander | 0:06:46 | 0:06:48 | |
and he was hissing at dogs. | 0:06:48 | 0:06:49 | |
How do you not remember Robert fucking Robinson? | 0:06:52 | 0:06:55 | |
Oh, my God, there's this website | 0:06:55 | 0:06:56 | |
that allows you to watch a loaf of bread slowly going stale. | 0:06:56 | 0:07:00 | |
Fucking hell, man! | 0:07:00 | 0:07:03 | |
Stop it. | 0:07:03 | 0:07:04 | |
-What's it called? -Loaf of bread cam. | 0:07:05 | 0:07:09 | |
Seriously? | 0:07:09 | 0:07:10 | |
He's not on Facebook. | 0:07:16 | 0:07:17 | |
How can he not be on Facebook? | 0:07:18 | 0:07:20 | |
Everyone's on Facebook. | 0:07:20 | 0:07:21 | |
That doesn't make any sense. | 0:07:21 | 0:07:23 | |
Maybe he changed his name cos he got married. | 0:07:23 | 0:07:26 | |
-What? -Maybe he's not on Facebook because he doesn't exist. | 0:07:26 | 0:07:30 | |
What about that tea towel? | 0:07:30 | 0:07:31 | |
Where is it? | 0:07:35 | 0:07:36 | |
HE GASPS | 0:07:38 | 0:07:41 | |
This is it. Got it. | 0:07:41 | 0:07:42 | |
I've got it. This is it. | 0:07:42 | 0:07:45 | |
There. | 0:07:45 | 0:07:47 | |
-That's him. -Let me see. -He's here. | 0:07:47 | 0:07:48 | |
Rob Robinson. I got it. | 0:07:48 | 0:07:51 | |
You see? Right there. | 0:07:51 | 0:07:53 | |
Rob Robinson. | 0:07:53 | 0:07:55 | |
And that was him. And I was... | 0:07:55 | 0:07:57 | |
I knew it, didn't I? | 0:07:57 | 0:07:59 | |
And that looks like him, as well. | 0:07:59 | 0:08:00 | |
That looks exactly like him. | 0:08:00 | 0:08:02 | |
There's a massive pond in the back of there | 0:08:09 | 0:08:11 | |
and two summers ago, it got really bad algae. | 0:08:11 | 0:08:14 | |
32 grand's worth of Koi carp just dead in a day. | 0:08:14 | 0:08:16 | |
And the algae was thick, like a pint of cheese. | 0:08:17 | 0:08:20 | |
And down there is karate club. | 0:08:21 | 0:08:23 | |
On my first day of karate club, karate master goes to me, "Kerry, | 0:08:23 | 0:08:26 | |
"I don't know why you're here because I can't teach you anything." | 0:08:26 | 0:08:28 | |
"If anything, you should be teaching me." | 0:08:28 | 0:08:30 | |
And just gave me his black belt. | 0:08:30 | 0:08:31 | |
All right, Mand? | 0:08:35 | 0:08:36 | |
No, I'm not all right. You know that little old blind man? | 0:08:36 | 0:08:39 | |
-Yeah. -Yeah, when I was punching him in his face, | 0:08:39 | 0:08:41 | |
the lens from his glasses broke and cut my knuckle. | 0:08:41 | 0:08:44 | |
Oh, right. | 0:08:44 | 0:08:46 | |
Do you want a tattoo, by the way? | 0:08:46 | 0:08:48 | |
-Why's that? -Oh, I'm a qualified tattoo artist now, | 0:08:48 | 0:08:50 | |
I've got my certificate this morning. | 0:08:50 | 0:08:52 | |
Nice one. | 0:08:52 | 0:08:54 | |
-Do you want one, then? -Well, yeah, I've always wanted one | 0:08:54 | 0:08:57 | |
but I've just got no money. | 0:08:57 | 0:08:58 | |
-I've been saving up. -No, no, I'd do it for free. | 0:08:58 | 0:09:01 | |
Are you serious? | 0:09:01 | 0:09:02 | |
-Yeah, helps me build up my portfolio and that. -Oh! | 0:09:02 | 0:09:04 | |
Why don't you come round tomorrow afternoon, then? | 0:09:04 | 0:09:07 | |
That'd be amazing. | 0:09:07 | 0:09:08 | |
-All right. -Aw, nice one, Mand, cheers. | 0:09:08 | 0:09:10 | |
I'll see you later. | 0:09:10 | 0:09:12 | |
Tyson, fuck off! | 0:09:12 | 0:09:13 | |
So, there's a house over there | 0:09:14 | 0:09:16 | |
that we used to cherry knock at all the time. | 0:09:16 | 0:09:19 | |
But since Graham's wife died, we don't do it any more | 0:09:19 | 0:09:21 | |
cos we don't take the piss. | 0:09:21 | 0:09:23 | |
I'm going to do whatever it takes to find out what happened | 0:09:27 | 0:09:30 | |
to Robert Robinson. | 0:09:30 | 0:09:32 | |
My theory is...is that he died but they just kept it from us | 0:09:32 | 0:09:36 | |
cos we was just little, innocent children. | 0:09:36 | 0:09:39 | |
This is where Robert Robinson lived. | 0:09:39 | 0:09:42 | |
I can see him, I can just see him now, | 0:09:45 | 0:09:47 | |
just playing in the garden. | 0:09:47 | 0:09:49 | |
Summer evening, having so much fun and laughter. | 0:09:51 | 0:09:56 | |
Cos he loved life. | 0:09:56 | 0:09:59 | |
And then his mum comes out, "Robert, dinner's ready." | 0:09:59 | 0:10:02 | |
And he's like, "Mum, I don't want to eat, | 0:10:02 | 0:10:05 | |
"I'm having too much fun playing." | 0:10:05 | 0:10:07 | |
She goes, "You have to eat something, Robert." | 0:10:07 | 0:10:09 | |
And he goes, "No, seriously, I'm fine." | 0:10:09 | 0:10:11 | |
She goes, "Right, that's it." | 0:10:11 | 0:10:14 | |
So she grabs him by the neck, like this, pulls him in, | 0:10:14 | 0:10:18 | |
and he's crying, | 0:10:18 | 0:10:20 | |
and he's putting his heels in but she's kicking him. | 0:10:20 | 0:10:22 | |
Thumping him on the back. | 0:10:24 | 0:10:26 | |
And so he gets sent up to his bedroom without any tea. | 0:10:26 | 0:10:29 | |
-Kurtan? -Cos he did have abusive parents. | 0:10:30 | 0:10:32 | |
-What? -There's a pair of old Spider-Man pants here | 0:10:32 | 0:10:34 | |
with some skidders in them. | 0:10:34 | 0:10:36 | |
Yeah. Those will be his. | 0:10:37 | 0:10:39 | |
It's just like one day he was here, and then the next, he was gone. | 0:10:42 | 0:10:47 | |
I can se... I can feel, I can feel, Kerr, I can feel him here. | 0:10:48 | 0:10:52 | |
I'm getting this weird feeling, I swear to God. | 0:10:52 | 0:10:54 | |
You all right, Kurts? | 0:11:02 | 0:11:03 | |
Can you just give me a minute? | 0:11:04 | 0:11:07 | |
He's loving this. | 0:11:07 | 0:11:09 | |
He gets very much too obsessive with things - | 0:11:09 | 0:11:12 | |
like, last week he was obsessed with finding out what happened | 0:11:12 | 0:11:15 | |
to the cast of The Queen's Nose. | 0:11:15 | 0:11:17 | |
It's, like, an old kids' programme that was on TV. | 0:11:17 | 0:11:20 | |
And a lot of them are still acting, actually. | 0:11:22 | 0:11:25 | |
And then he got obsessed with the...the Fuse bar. | 0:11:25 | 0:11:29 | |
He had to write a letter to Cadbury's | 0:11:29 | 0:11:31 | |
asking what happened to the Fuse bar. | 0:11:31 | 0:11:33 | |
And they wrote back saying, "The sales weren't great | 0:11:33 | 0:11:36 | |
"but thank you so much for taking the time to write in." | 0:11:36 | 0:11:39 | |
Thanks again so much for this, Mand, honestly, I can't believe it. | 0:11:49 | 0:11:53 | |
So, do you know what you want, then? | 0:11:53 | 0:11:54 | |
SHE SIGHS I just can't decide at the moment. | 0:11:54 | 0:11:57 | |
Why don't you have a look through one of these books, then? | 0:11:57 | 0:12:00 | |
-Choose something from there. -Cheers, Mand. | 0:12:00 | 0:12:02 | |
So, what's that one? | 0:12:05 | 0:12:07 | |
That's a pig. | 0:12:07 | 0:12:08 | |
All right. | 0:12:08 | 0:12:10 | |
Sorry, who's that? | 0:12:10 | 0:12:11 | |
That's Friends. | 0:12:11 | 0:12:13 | |
-And that one? -Harry Styles. | 0:12:13 | 0:12:15 | |
Tasmanian. | 0:12:15 | 0:12:17 | |
That's Justin Bieber. | 0:12:17 | 0:12:19 | |
Fred Flintstone. Spock. | 0:12:19 | 0:12:21 | |
Stig of the Dump. | 0:12:21 | 0:12:23 | |
All right. Who did these? | 0:12:23 | 0:12:25 | |
-Me. -Oh, right. | 0:12:25 | 0:12:27 | |
They're really good. | 0:12:29 | 0:12:31 | |
I know. | 0:12:31 | 0:12:32 | |
Who's that one? | 0:12:35 | 0:12:37 | |
That's Grant from EastEnders | 0:12:37 | 0:12:38 | |
but also it could be that bloke off MasterChef. | 0:12:38 | 0:12:42 | |
-Oh, right. -If you put glasses on it. | 0:12:42 | 0:12:44 | |
Do you know what? I think I'm going to have to just | 0:12:46 | 0:12:50 | |
go home and just have a think about it. | 0:12:50 | 0:12:52 | |
Why? | 0:12:52 | 0:12:53 | |
Cos...well, they're just so good, I can't choose which one. | 0:12:53 | 0:12:59 | |
So, you're wasting my time? | 0:12:59 | 0:13:01 | |
Cos I've booked the whole afternoon off for this. | 0:13:01 | 0:13:04 | |
And I'm giving you one for free. | 0:13:04 | 0:13:06 | |
-No, I... -You're taking the piss, aren't you? | 0:13:06 | 0:13:07 | |
I do really want one, it's just, I... | 0:13:07 | 0:13:10 | |
-I do, yeah, I do really want one, yeah. -What? | 0:13:10 | 0:13:12 | |
I just don't know which one to have yet, that's the only thing. | 0:13:12 | 0:13:16 | |
Do you do, like, really small ones? | 0:13:17 | 0:13:20 | |
Like I literally just want, like, a K. | 0:13:20 | 0:13:22 | |
I don't do small ones, I only do massive ones. | 0:13:22 | 0:13:25 | |
Right. | 0:13:25 | 0:13:26 | |
-You wanted one? -Nah. | 0:13:26 | 0:13:28 | |
Do you know what? I am going to go home and think about it, Mand. | 0:13:40 | 0:13:42 | |
Mand... | 0:13:44 | 0:13:45 | |
Mandy? | 0:13:45 | 0:13:47 | |
Mandy? | 0:13:47 | 0:13:48 | |
Brilliant, she's dead. | 0:13:50 | 0:13:52 | |
MANDY SNORES | 0:13:52 | 0:13:54 | |
No, she's sleeping. | 0:13:54 | 0:13:56 | |
Oh, what the fuck... What, with her eyes open? | 0:13:56 | 0:13:57 | |
Yeah, my nan does it, it's like a weird condition or something. | 0:13:59 | 0:14:01 | |
Look, watch this. Mandy? | 0:14:03 | 0:14:06 | |
Your tattoos are shit. | 0:14:06 | 0:14:09 | |
Oi. | 0:14:09 | 0:14:10 | |
That's the whole day away. | 0:14:12 | 0:14:14 | |
She's sleep talking. | 0:14:14 | 0:14:15 | |
Oh. | 0:14:17 | 0:14:18 | |
(Fuck this, I'm getting out of here.) | 0:14:18 | 0:14:21 | |
(Go, let's get out.) | 0:14:27 | 0:14:28 | |
Oh, my God. | 0:14:41 | 0:14:43 | |
She's going to be so livid that we just, like, legged it. | 0:14:43 | 0:14:46 | |
-Well, yeah, but... -Oh... | 0:14:46 | 0:14:48 | |
You'd rather get a punch in the face, yeah, | 0:14:48 | 0:14:49 | |
-than a giant tattoo for the rest of your life, so, just... -Oh, my God. | 0:14:49 | 0:14:52 | |
-Oh, for fuck's sake. -DISTANT SHOUTING | 0:14:54 | 0:14:57 | |
Oh, well, don't stop, let's keep walking. | 0:14:57 | 0:14:59 | |
-All right. -Pretend we haven't seen him. | 0:14:59 | 0:15:02 | |
Kerr, wait! | 0:15:02 | 0:15:04 | |
What is it? | 0:15:04 | 0:15:05 | |
God! | 0:15:07 | 0:15:08 | |
Look at him, he's waddling like he's shat himself. | 0:15:09 | 0:15:11 | |
What is it, mate? | 0:15:11 | 0:15:12 | |
Well, what is it? | 0:15:19 | 0:15:20 | |
Kerr, come on, let's just go. | 0:15:23 | 0:15:24 | |
What? What? | 0:15:27 | 0:15:28 | |
Rob Robinson? Well, what about him? | 0:15:29 | 0:15:31 | |
What? What is it? | 0:15:32 | 0:15:33 | |
No, what about him? What is it? Rob Robinson? | 0:15:35 | 0:15:37 | |
What is it? | 0:15:38 | 0:15:39 | |
He's alive? How do you know? | 0:15:40 | 0:15:42 | |
Yeah? | 0:15:45 | 0:15:46 | |
Oh, yeah! | 0:15:46 | 0:15:48 | |
Seriously? | 0:15:48 | 0:15:49 | |
Seriously? | 0:15:50 | 0:15:52 | |
Kerr, this is...this is... This is serious now. | 0:15:52 | 0:15:55 | |
That is amazing. | 0:15:55 | 0:15:57 | |
Thanks for that, mate. | 0:15:57 | 0:15:58 | |
Thank the Lord for Slugs. | 0:15:59 | 0:16:01 | |
That's brilliant, that. | 0:16:02 | 0:16:03 | |
-Come on. -I can't believe it, that is... | 0:16:04 | 0:16:07 | |
That's great news. The plot thickens, Kerr. | 0:16:07 | 0:16:10 | |
Mum, what's for tea? | 0:16:16 | 0:16:18 | |
What? | 0:16:20 | 0:16:21 | |
Can I have a word, Kerr? | 0:16:27 | 0:16:28 | |
(She's going to fucking kill us.) | 0:16:30 | 0:16:31 | |
(Not me, I'm going home.) | 0:16:31 | 0:16:33 | |
(You're coming in with me.) | 0:16:33 | 0:16:36 | |
(She'll fucking....) | 0:16:36 | 0:16:38 | |
(Don't you fucking dare.) | 0:16:38 | 0:16:39 | |
All right, Mand? | 0:16:49 | 0:16:51 | |
Look, I'm sorry about earlier. | 0:16:51 | 0:16:53 | |
I don't want you to think I sleep on the job or nothing. | 0:16:53 | 0:16:55 | |
-I'm a professional. -No, honestly, you're fine, | 0:16:55 | 0:16:58 | |
I reckon what we should do | 0:16:58 | 0:16:59 | |
is just forget about the whole thing, to be honest. | 0:16:59 | 0:17:02 | |
No, I brought all my tattooing stuff round now. | 0:17:02 | 0:17:05 | |
Yeah, but you're really tired, though, aren't you? | 0:17:08 | 0:17:11 | |
No. | 0:17:11 | 0:17:12 | |
Erm... | 0:17:13 | 0:17:15 | |
But I don't really know...what I want to have done yet, | 0:17:15 | 0:17:20 | |
that's the thing. | 0:17:20 | 0:17:21 | |
That's all right, I'll make it up as I go along. | 0:17:21 | 0:17:24 | |
Sit down. | 0:17:24 | 0:17:25 | |
Yeah, I could have said "no" to Mandy, but... | 0:17:26 | 0:17:29 | |
I want to support a local business, don't I? | 0:17:29 | 0:17:31 | |
Because that's who I am. | 0:17:31 | 0:17:33 | |
And when a tattoo removal company starts up round here, | 0:17:35 | 0:17:38 | |
I'll be supporting that, as well. | 0:17:38 | 0:17:41 | |
-Take your top off. -Yeah. | 0:17:41 | 0:17:43 | |
TATTOO GUN BUZZES | 0:17:43 | 0:17:45 | |
So, we're just outside the village. | 0:17:51 | 0:17:53 | |
It's been years since I've come up here. | 0:17:53 | 0:17:55 | |
Like, it's a long walk from my house, | 0:17:55 | 0:17:57 | |
but I think it's all going to be worth it | 0:17:57 | 0:17:59 | |
because I'm seeing Robert Robinson. | 0:17:59 | 0:18:03 | |
Slugs found out that he works in this garage | 0:18:03 | 0:18:05 | |
just outside the village. | 0:18:05 | 0:18:06 | |
I don't know what's going to happen. Like, anything could happen. | 0:18:06 | 0:18:09 | |
He might not want to see me. | 0:18:09 | 0:18:10 | |
He might just punch me in the face, and if he does, | 0:18:10 | 0:18:12 | |
I'm just going to stand there and take it | 0:18:12 | 0:18:14 | |
cos that is the least he deserves. | 0:18:14 | 0:18:16 | |
He might not even be the same lad I once knew, like... | 0:18:17 | 0:18:21 | |
He might not even be into salamanders any more. | 0:18:21 | 0:18:24 | |
But one thing I do know is that I lost him once | 0:18:25 | 0:18:27 | |
and I ain't ever going to lose him again. | 0:18:27 | 0:18:30 | |
I think that's him. | 0:18:33 | 0:18:34 | |
I am pretty sure, yeah, that is Robert fucking Robinson. | 0:18:34 | 0:18:39 | |
Right there. | 0:18:40 | 0:18:41 | |
-Robert? -Yeah? | 0:18:58 | 0:18:59 | |
You are...you are exactly how I remembered, it's so weird. | 0:19:03 | 0:19:07 | |
All right. | 0:19:07 | 0:19:08 | |
It's me, Kurtan. | 0:19:08 | 0:19:10 | |
OK. | 0:19:10 | 0:19:11 | |
Like, no-one else remembers who you were, right? | 0:19:15 | 0:19:17 | |
But I never forgot who you were, Robert. | 0:19:17 | 0:19:19 | |
Sorry...sorry, who are you? | 0:19:21 | 0:19:23 | |
Kurtan. | 0:19:23 | 0:19:25 | |
You were in my class, yeah, in Year 6 for, like, two terms, | 0:19:25 | 0:19:27 | |
I bullied you relentlessly. | 0:19:27 | 0:19:29 | |
-Right. -You don't remember...? | 0:19:29 | 0:19:33 | |
What happened to you? | 0:19:33 | 0:19:35 | |
Well, I moved schools. | 0:19:35 | 0:19:37 | |
-Right. -And now I work here. | 0:19:37 | 0:19:39 | |
Why aren't you on Facebook? | 0:19:42 | 0:19:44 | |
I am on Facebook. | 0:19:44 | 0:19:45 | |
I changed my name to Salamander. | 0:19:47 | 0:19:49 | |
Of course. | 0:19:51 | 0:19:53 | |
I should... That is so you, as well. | 0:19:53 | 0:19:55 | |
What time do you finish here? | 0:19:58 | 0:20:00 | |
Ten minutes. Why? | 0:20:00 | 0:20:02 | |
I don't know. | 0:20:06 | 0:20:08 | |
What sort of broom is that? | 0:20:12 | 0:20:14 | |
I don't know. | 0:20:14 | 0:20:15 | |
All right, well, look after yourself, yeah? | 0:20:27 | 0:20:29 | |
Absolute waste of time. | 0:20:44 | 0:20:45 | |
So fucking boring. Jesus. | 0:20:47 | 0:20:49 | |
Nothing about him. | 0:20:49 | 0:20:50 | |
How are we going to get home from here, as well? | 0:20:53 | 0:20:55 | |
I've got to walk through this fucking shit. | 0:20:57 | 0:20:59 | |
Some things are just best left in the past, where they belong. | 0:21:00 | 0:21:03 | |
You've just got to live in the moment | 0:21:03 | 0:21:05 | |
and appreciate what's around you. | 0:21:05 | 0:21:06 | |
Because while you're pining for Noel Edmond's House Party, | 0:21:06 | 0:21:09 | |
you're missing out on Alan Carr's Chatty Man. | 0:21:09 | 0:21:11 | |
It's just shits and roundabouts. | 0:21:11 | 0:21:13 | |
Let's see it, then. | 0:21:27 | 0:21:28 | |
-No. -Come on, please. | 0:21:28 | 0:21:30 | |
-No, I ain't showing you. -Please, Kerr, come on. | 0:21:30 | 0:21:32 | |
Oh. Yeah, fine, but don't touch it. | 0:21:32 | 0:21:34 | |
-I won't touch it. -Cos it's still really painful. | 0:21:34 | 0:21:37 | |
SHE WINCES | 0:21:38 | 0:21:40 | |
That looks like a dog sniffing a bumhole. | 0:21:42 | 0:21:44 | |
Piss off! It's a wolf howling at a moon, thanks. | 0:21:44 | 0:21:48 | |
-Oh... -Dick. -..this'll cheer you up, yeah? | 0:21:48 | 0:21:50 | |
I spoke to Mr Perkins' grieving wife earlier... | 0:21:50 | 0:21:53 | |
-Oh, yeah. -And he's definitely still dead. | 0:21:53 | 0:21:55 | |
-SHE GASPS -I know. | 0:21:55 | 0:21:58 | |
SHE BLOWS WHISTLE | 0:21:58 | 0:22:01 | |
He's dead! | 0:22:01 | 0:22:02 | |
He's dead! | 0:22:04 | 0:22:05 | |
The bastard's dead. | 0:22:06 | 0:22:08 |