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| Line | From | To | |
|---|---|---|---|
INAUDIBLE CONVERSATIONS | 0:00:14 | 0:00:17 | |
What's the matter with you, Ashley? You're miserable. | 0:01:21 | 0:01:23 | |
I'm not that bad. At least I'm not a psychopath! | 0:01:23 | 0:01:25 | |
-You're a hoarder, Ashley. -No, I am not. | 0:01:25 | 0:01:28 | |
-You belong in a shock-doc. -No, I do not. | 0:01:28 | 0:01:30 | |
What's going on? | 0:01:30 | 0:01:31 | |
-She's doing a toss-out. -For the second-hand shop. | 0:01:31 | 0:01:34 | |
No, no, I am not having some hippy get his hands all over my Duff mug. | 0:01:34 | 0:01:38 | |
No! And... What? Not the Amstrad! | 0:01:38 | 0:01:41 | |
Or the brochures... Not the double poncho! | 0:01:41 | 0:01:43 | |
-Double? What's a double? -Alton Towers. | 0:01:43 | 0:01:45 | |
Room for two humans? | 0:01:45 | 0:01:47 | |
Found it in the nook, the nook in the boiler room, | 0:01:47 | 0:01:49 | |
-where she puts things, before they get bumped off. -Not officially. | 0:01:49 | 0:01:52 | |
The zone between the living and the dead. | 0:01:52 | 0:01:54 | |
-Oh, like where you put Nana. -No, we are not discussing that, Tom. | 0:01:54 | 0:01:56 | |
Sheltered accommodation, | 0:01:56 | 0:01:58 | |
Tom - she's got a Hitachi TV, she's living the effing dream! | 0:01:58 | 0:02:00 | |
We bought this on our first date, Les - Alton Towers. | 0:02:00 | 0:02:02 | |
Leicester years. We were the scourge of Leicester, Tom. | 0:02:02 | 0:02:05 | |
-Were you? -We didn't do it any favours, that's for sure. | 0:02:05 | 0:02:07 | |
Les, tell him about the time I wee'd in the swimming pool. | 0:02:07 | 0:02:10 | |
Oh, he wee'd in the swimming pool, Tom. | 0:02:10 | 0:02:12 | |
-Oh, yeah? -Hammered. | 0:02:12 | 0:02:14 | |
In the middle of the day, as well. | 0:02:14 | 0:02:16 | |
Wonderful. Well, I'm going to see Maeve, debrief on last night's date. | 0:02:16 | 0:02:19 | |
Oh, tell her mum says hi, then. | 0:02:19 | 0:02:21 | |
It was from the diving board, Tom. | 0:02:21 | 0:02:23 | |
-Fabulous. -People clapped. | 0:02:23 | 0:02:25 | |
-Your father clapped. -And off I pop. | 0:02:25 | 0:02:27 | |
No! Oh, no-no-no... | 0:02:27 | 0:02:29 | |
But... Sorry, he asked you to get back with him? | 0:02:38 | 0:02:40 | |
He was quite upset. Couldn't finish his peshwari naan. | 0:02:40 | 0:02:43 | |
But hold on - Luke asked you, and you, rather than him, said "no"? | 0:02:43 | 0:02:46 | |
I know it's difficult to compute. | 0:02:46 | 0:02:48 | |
He's awful with the waiters, Hermione. | 0:02:48 | 0:02:51 | |
Sorry... He works for the UN, Ellen. | 0:02:51 | 0:02:53 | |
He's met Ban Ki-moon - he's offered him a Smint. | 0:02:53 | 0:02:55 | |
He mentioned, a few times. | 0:02:55 | 0:02:57 | |
If you like him so much, why don't you go out with him? | 0:02:57 | 0:02:59 | |
The day I get sloppy seconds from you | 0:02:59 | 0:03:01 | |
is the day I lie in a bath and, as they say, commit suicide. | 0:03:01 | 0:03:04 | |
Baby, don't over-estimate yourself. | 0:03:04 | 0:03:08 | |
Luke's willing to overlook a hell of a lot. | 0:03:08 | 0:03:10 | |
You're new to London, you temp, you're Northern, | 0:03:10 | 0:03:13 | |
and I'm only telling you painful truths because I care. | 0:03:13 | 0:03:16 | |
What's painful about it? That's my life. | 0:03:16 | 0:03:19 | |
I know. Breaks my heart. | 0:03:19 | 0:03:21 | |
Oi-oi, here comes trouble. BUILDER WOLF-WHISTLES | 0:03:21 | 0:03:23 | |
-Put it away, Norm! -Oh, God! | 0:03:23 | 0:03:25 | |
Just smile and absorb it, don't be frigid. | 0:03:25 | 0:03:27 | |
-Hey, guys! What up? -You all right, girls? | 0:03:27 | 0:03:29 | |
How you feeling? Lonely? Want a little cuddle? | 0:03:29 | 0:03:32 | |
She is a bit lonely, actually. Good shout, buddy. | 0:03:32 | 0:03:35 | |
Hey, you, cheer yourself up, it might never happen. | 0:03:35 | 0:03:37 | |
I mean, it is happening - THIS is happening. | 0:03:37 | 0:03:40 | |
Don't be so moody, Ellen. Time of the month, is it? Eh, boys? | 0:03:40 | 0:03:43 | |
-This has been nice. I'm going to my car. -Oi, love... | 0:03:43 | 0:03:46 | |
Why don't you show us where you piss from? | 0:03:47 | 0:03:50 | |
-HERMIONE LAUGHS -Oh, naughty! Bit of a firecracker! | 0:03:50 | 0:03:53 | |
I don't mind it, and I think it's great, | 0:03:53 | 0:03:56 | |
but for some, that's a bit much. | 0:03:56 | 0:03:59 | |
Well, don't do anything I wouldn't do. | 0:03:59 | 0:04:01 | |
Want to have a little play with Kevin and the twins? | 0:04:01 | 0:04:03 | |
Who's Kev...? | 0:04:03 | 0:04:04 | |
NERVOUS GIGGLE | 0:04:06 | 0:04:07 | |
Ellen, you'll never guess what just happened. | 0:04:07 | 0:04:09 | |
We were having a nice chat and I was about to ask him about | 0:04:09 | 0:04:11 | |
his working conditions, because I'm actually really interested... | 0:04:11 | 0:04:14 | |
CRASH AND HERMIONE SCREAMS | 0:04:14 | 0:04:16 | |
Ellen! | 0:04:16 | 0:04:18 | |
CAR ENGINE REVS | 0:04:18 | 0:04:19 | |
Bless her. Come on, Squidge. | 0:04:21 | 0:04:23 | |
Those houses won't build themselves. | 0:04:23 | 0:04:25 | |
Oh, my Lord! | 0:04:27 | 0:04:28 | |
Come on, then. Lay it on me. | 0:04:38 | 0:04:40 | |
Where's Lincoln? | 0:04:40 | 0:04:41 | |
What...? Say again? | 0:04:41 | 0:04:42 | |
-Where's Lincoln? -East Midlands. -Good... | 0:04:42 | 0:04:45 | |
Cool. So, saw Liz Tang last night, don't hold back. | 0:04:46 | 0:04:50 | |
I've been Tangoed. What's the feedback? | 0:04:50 | 0:04:52 | |
How...like, tall do you think the Shard is? | 0:04:52 | 0:04:56 | |
What are you doing, Maeve? | 0:04:56 | 0:04:57 | |
Oh, I'm just updating the Wikipedia entry for England. | 0:04:57 | 0:05:00 | |
Right, I mean, you're a barrister - | 0:05:00 | 0:05:02 | |
should you not be doing, you know, your bits and bobs? | 0:05:02 | 0:05:05 | |
-They've left out a ton of stuff. -Hmm? | 0:05:05 | 0:05:07 | |
-Lincoln, the Shard, Watchdog... -Uh-huh. | 0:05:07 | 0:05:09 | |
Giving myself a little mention. | 0:05:09 | 0:05:10 | |
-Does it need to mention you, do you think? -Well, it mentions Tring. | 0:05:10 | 0:05:13 | |
-Fair play, then. -Um, so... Um, yeah. | 0:05:13 | 0:05:17 | |
Liz Tang... | 0:05:17 | 0:05:18 | |
I was just on the phone to her, actually... | 0:05:18 | 0:05:20 | |
Before you start blabbing on, I just want to say thank you, really, | 0:05:20 | 0:05:24 | |
because last night, more than any other dates I've been on, | 0:05:24 | 0:05:27 | |
I was just myself. | 0:05:27 | 0:05:29 | |
And just thanks for that advice, basically. | 0:05:29 | 0:05:31 | |
-What, did I say that? -Yes, you did. | 0:05:31 | 0:05:33 | |
-"Just be yourself"? -Indeed. | 0:05:33 | 0:05:35 | |
Um, how do you think it went? | 0:05:35 | 0:05:38 | |
Quietly confident. | 0:05:38 | 0:05:40 | |
It's a "no" from her. | 0:05:40 | 0:05:42 | |
Good. Well, that's a relief. Um, good. | 0:05:43 | 0:05:46 | |
To be honest, I don't really have time for a woman in my life | 0:05:46 | 0:05:49 | |
at the moment anyway, because I'm building up to Ironman Australia. | 0:05:49 | 0:05:52 | |
So... Well, I'm off. | 0:05:52 | 0:05:55 | |
Oh, just a quick... Width of a Beefeater's hat? | 0:05:55 | 0:05:58 | |
Not now, Maeve. | 0:05:58 | 0:05:59 | |
Ellen, pull over. I'm hyperventilating! | 0:06:13 | 0:06:16 | |
There you are, so don't say I'm not impulsive. | 0:06:16 | 0:06:18 | |
-I never ever say that, anyway. -Well, don't say it from now on. | 0:06:18 | 0:06:21 | |
Oh, Jesus! I won't tell Luke, don't worry. | 0:06:21 | 0:06:24 | |
I don't care about Luke! What about the Met? | 0:06:24 | 0:06:26 | |
How anal are they, in regards to crime these days? | 0:06:26 | 0:06:30 | |
Tell me if it's a bad time to bring it up, | 0:06:30 | 0:06:32 | |
but is it OK that I invited Luke to Sian's house-warming later? | 0:06:32 | 0:06:36 | |
-No. -If this madness ends and you do - fingers crossed - | 0:06:36 | 0:06:39 | |
-get back with Luke... -Um... | 0:06:39 | 0:06:40 | |
..he would actually do his best to secure me an internship at the UN. | 0:06:40 | 0:06:43 | |
-I mean, I'm manifestly speechless! -It would be paid, is the thing. | 0:06:43 | 0:06:47 | |
I've just rammed a van, | 0:06:47 | 0:06:48 | |
and you're talking about trading me like a prostitute for your career. | 0:06:48 | 0:06:51 | |
Don't think of it as a trade - | 0:06:51 | 0:06:52 | |
think of it as a lease, or a loan, if that helps. | 0:06:52 | 0:06:54 | |
It doesn't help. I'm getting some ciggies. | 0:06:54 | 0:06:56 | |
Ellen, the only thing I've ever truly wanted for my career is... | 0:06:56 | 0:06:59 | |
..training to be an estate agent, but carry on. | 0:06:59 | 0:07:01 | |
Oh, like the UN doesn't need estate agents?! | 0:07:01 | 0:07:03 | |
Those refugees will need somewhere to live, Ellen, | 0:07:03 | 0:07:05 | |
and I can secure them houses at very competitive prices. | 0:07:05 | 0:07:08 | |
Good on you! | 0:07:08 | 0:07:09 | |
Agh! | 0:07:09 | 0:07:11 | |
Oh! | 0:07:11 | 0:07:12 | |
Ow... | 0:07:15 | 0:07:16 | |
Lovely... | 0:07:23 | 0:07:24 | |
Seven seconds on low, just take the edge off the chill, | 0:07:27 | 0:07:31 | |
maintain the bouquet and oopsie-doopsie-daisy-doe, | 0:07:31 | 0:07:36 | |
a perfect rhubarb yog for you. | 0:07:36 | 0:07:39 | |
Ta. Still tossing your Amstrad, but... | 0:07:39 | 0:07:41 | |
Next, on the perfect afternoon with Ashley and Lesley, | 0:07:41 | 0:07:46 | |
MasterChef quarter finale on BBC's iPlayer. | 0:07:46 | 0:07:50 | |
VOICES ON TV | 0:07:50 | 0:07:51 | |
Well, eat it quickly, Les. | 0:07:52 | 0:07:54 | |
Room temperature plays havoc with Asda dairy. | 0:07:54 | 0:07:56 | |
Left out an eight-pack of Petits Filous - absolute massacre. | 0:07:56 | 0:08:00 | |
Mmm. | 0:08:00 | 0:08:01 | |
DOOR SHUTS | 0:08:03 | 0:08:05 | |
Lovely. | 0:08:05 | 0:08:06 | |
Now, don't go panicking, it looks worse than it is. | 0:08:06 | 0:08:09 | |
Oh, no - not this! Tom... | 0:08:09 | 0:08:11 | |
I just had a little accident, banged my head, but honestly... | 0:08:11 | 0:08:13 | |
-Oh, my God - he's hit his head, Ashley! -I'll pause MasterChef. | 0:08:13 | 0:08:16 | |
-A head injury, Christ! What's your name? -I'm Tom. | 0:08:16 | 0:08:18 | |
Lesley, don't stop eating it! It'll be tepid in five seconds. | 0:08:18 | 0:08:21 | |
I was just on my bike and a car door opened. | 0:08:21 | 0:08:23 | |
-Joyce's boy had a head injury and he ended up a plumber! -Right... | 0:08:23 | 0:08:26 | |
The perfect temperature is the thing, Lesley! | 0:08:26 | 0:08:29 | |
Who did this to you? | 0:08:29 | 0:08:30 | |
Her name's Ellen Baxter. She's pretty fit, actually. | 0:08:30 | 0:08:33 | |
-Mmm... -Ashley! | 0:08:33 | 0:08:34 | |
Yes, well there's no point wasting a perfectly good rhubarb yog. | 0:08:34 | 0:08:37 | |
Our son! | 0:08:37 | 0:08:38 | |
Liz, I can be concerned and simultaneously eat a rhuby yog. | 0:08:38 | 0:08:42 | |
There's no right way to grieve. | 0:08:42 | 0:08:44 | |
-I just think I need to sit down. -Ashley, shift. | 0:08:44 | 0:08:47 | |
Dad, get up. | 0:08:47 | 0:08:48 | |
Yes, let's reconvene after MasterChef. | 0:08:48 | 0:08:50 | |
Kate's made an emulsion. | 0:08:52 | 0:08:53 | |
I thought he was quite...unusual. | 0:08:55 | 0:08:58 | |
Yeah, I was there. | 0:08:58 | 0:08:59 | |
Did you see? I just opened the door and he slammed right into it. | 0:08:59 | 0:09:02 | |
And I just kind of dusted my shoulder, kind of easy-osy, | 0:09:02 | 0:09:05 | |
when, "Hmm, fancy seeing you here". | 0:09:05 | 0:09:07 | |
He actually retched at first, and he... He had some dribble. | 0:09:07 | 0:09:11 | |
So, she's looking at me, like, "Wham-bam, this guy got some sugar." | 0:09:11 | 0:09:15 | |
It was quite a nice chat, in some ways. | 0:09:15 | 0:09:16 | |
Moments later, I had her details stuffed in my back pock. | 0:09:16 | 0:09:19 | |
-You didn't give him your number? -For insurance. | 0:09:19 | 0:09:21 | |
-Still counts! -Did you tell her you were unemployed? | 0:09:21 | 0:09:23 | |
No, I didn't tell her I'm unemployed. I don't think publishing a blog entry | 0:09:23 | 0:09:26 | |
-once a day can really mean that you're... -He is jobless. | 0:09:26 | 0:09:28 | |
-No, fair do's. -But he's very ambitious. | 0:09:28 | 0:09:31 | |
She sells these craft things online, like she does these vintage posters. | 0:09:31 | 0:09:34 | |
She's going to an art class later in Shoreditch. | 0:09:34 | 0:09:36 | |
I mean, it's like I just cycled into Simone de Beauvoir! | 0:09:36 | 0:09:39 | |
I don't even know who that is. | 0:09:39 | 0:09:41 | |
Well, hold on a minute... | 0:09:42 | 0:09:44 | |
Crikey O'Digby! That's where I saw her. | 0:09:45 | 0:09:48 | |
-Last night. -In the alley, how weird. | 0:09:48 | 0:09:50 | |
How funny. | 0:09:50 | 0:09:52 | |
That's a sign, isn't it? | 0:09:52 | 0:09:53 | |
I mean, that is the meaningful hand of fate. | 0:09:53 | 0:09:56 | |
God, it's so obvious. I'll surprise her at the art class. | 0:09:56 | 0:09:59 | |
-You are not going painting, Tom. -You don't really paint, Tom. | 0:10:01 | 0:10:04 | |
I used to dabble when I was younger, I think I can... | 0:10:04 | 0:10:07 | |
-What, at primary school? -Doesn't matter when. The important thing is, | 0:10:07 | 0:10:10 | |
I'm trained. I particularly like working with... | 0:10:10 | 0:10:12 | |
-Did you mean primary school, Tom? -No, I did not! | 0:10:12 | 0:10:14 | |
What do you particularly like working with? | 0:10:14 | 0:10:16 | |
-Crayon and paper portraits, mainly. -Oh, shame. | 0:10:16 | 0:10:18 | |
-Potato cut-outs, sometimes. -Deary me. | 0:10:18 | 0:10:20 | |
-You're a tit in trainers, Tom! -Love you! | 0:10:20 | 0:10:22 | |
-Hey. -Um... | 0:10:24 | 0:10:26 | |
Oh, hello. Fine. | 0:10:26 | 0:10:28 | |
Just doing my laces up and you sort of crept up on me. | 0:10:29 | 0:10:32 | |
Well, I just opened my front door. | 0:10:32 | 0:10:33 | |
Didn't want to interview a suspect with my laces all flailing around. | 0:10:33 | 0:10:36 | |
Did you say "suspect"? | 0:10:36 | 0:10:38 | |
Can I come in? | 0:10:39 | 0:10:40 | |
Well, I was just going to an art class... | 0:10:40 | 0:10:42 | |
Oh, right. You're busy, are you? | 0:10:42 | 0:10:44 | |
It's just that someone has driven, with intense speed, | 0:10:44 | 0:10:46 | |
into a Leukaemia charity van. | 0:10:46 | 0:10:48 | |
A Leukaemia... | 0:10:48 | 0:10:49 | |
..charity van? Um... | 0:10:50 | 0:10:53 | |
Yeah, yeah, I mean, everything, really - landscapes, still life, | 0:10:54 | 0:10:59 | |
mobile life, so like a fruit bowl, but, um, plummeting... | 0:10:59 | 0:11:03 | |
There's a seat for you here. | 0:11:03 | 0:11:04 | |
Ah, lovely. | 0:11:04 | 0:11:06 | |
Um, deary me, my old friend, the easel. | 0:11:06 | 0:11:10 | |
Oooh, Private Pine, standing at ease. | 0:11:10 | 0:11:13 | |
Standing at easel. Standing at easel! | 0:11:13 | 0:11:15 | |
"Standing at easel"? No. | 0:11:17 | 0:11:19 | |
Were there any leukaemia victims actually in the van? | 0:11:21 | 0:11:24 | |
Oh, no, no. | 0:11:24 | 0:11:25 | |
I don't think they need to be sort of shuttled around. | 0:11:25 | 0:11:28 | |
-No, I suppose not. -They're quite mobile. -Yeah. | 0:11:28 | 0:11:30 | |
I mean, a few pots of paint were spilled, but... | 0:11:30 | 0:11:33 | |
Oh - so, no human damage, then? | 0:11:33 | 0:11:35 | |
No, no. | 0:11:35 | 0:11:37 | |
Of course, there were the wigs. | 0:11:37 | 0:11:40 | |
Wigs? | 0:11:40 | 0:11:41 | |
The paint ruined all the wigs. | 0:11:41 | 0:11:43 | |
And what are the wigs for? | 0:11:44 | 0:11:46 | |
Well, they're to create the illusion of hair. | 0:11:46 | 0:11:48 | |
No... In this case, though? | 0:11:48 | 0:11:50 | |
In this case, they're for the children - | 0:11:50 | 0:11:52 | |
so the children can live a normal life, go to school, | 0:11:52 | 0:11:56 | |
so they're not shunned for their chemotherapy. | 0:11:56 | 0:12:00 | |
But of course, on this occasion, they won't get their wigs, | 0:12:02 | 0:12:05 | |
which is devastatingly sad... | 0:12:05 | 0:12:07 | |
..and enraging. | 0:12:08 | 0:12:09 | |
I get nervous before I paint, sometimes. | 0:12:14 | 0:12:16 | |
It's the thrill of it, isn't it, partly? | 0:12:16 | 0:12:18 | |
What's going to...get drawn. | 0:12:18 | 0:12:21 | |
"Did you ram the van?" | 0:12:37 | 0:12:41 | |
I guess, is the headline. | 0:12:41 | 0:12:43 | |
No, I didn't, no. | 0:12:44 | 0:12:45 | |
No. No? | 0:12:45 | 0:12:47 | |
You see, that's thrown me. | 0:12:48 | 0:12:50 | |
I was hoping you'd confess, because I... | 0:12:50 | 0:12:52 | |
Well, I'm meeting Badger at five to play badminton | 0:12:52 | 0:12:55 | |
and yes, I will be checking his shuttlecocks this time | 0:12:55 | 0:12:58 | |
for signs of foul play. | 0:12:58 | 0:13:00 | |
Excuse me? | 0:13:05 | 0:13:06 | |
Hi, have you got a mirror? | 0:13:07 | 0:13:10 | |
No, I don't. | 0:13:10 | 0:13:11 | |
You haven't got just a hand mirror? | 0:13:11 | 0:13:13 | |
No, sorry. | 0:13:13 | 0:13:14 | |
How quickly can you draw, then? | 0:13:14 | 0:13:17 | |
-You want me to draw...? -No, it doesn't matter. Doesn't matter. | 0:13:17 | 0:13:20 | |
OK, I think we're all ready to get started. | 0:13:36 | 0:13:39 | |
Hi, sorry I'm late. | 0:13:40 | 0:13:42 | |
Whoa, no-no-no-no, this seat's taken. | 0:13:43 | 0:13:46 | |
There aren't any other chairs. | 0:13:46 | 0:13:47 | |
-Um, er... -OK, if we're all ready? | 0:13:47 | 0:13:50 | |
OK, Ellen... | 0:13:50 | 0:13:51 | |
Oh, God. No! | 0:13:54 | 0:13:57 | |
No, no... | 0:13:57 | 0:13:59 | |
God, no, no, no, no... | 0:13:59 | 0:14:01 | |
Please, please, don't, don't... | 0:14:01 | 0:14:05 | |
Stop, please, please. | 0:14:05 | 0:14:07 | |
No need, no need... I beg of you... | 0:14:07 | 0:14:10 | |
DOOR SHUTS | 0:15:00 | 0:15:01 | |
'Now, then - I... Sorry, earlier, for staring at you - not staring, | 0:15:03 | 0:15:06 | |
'but inadvertently seeing your breasts, your body, because... | 0:15:06 | 0:15:10 | |
'It was just because, you know, you mentioned about the art class | 0:15:10 | 0:15:13 | |
'and just out of interest, because you'd opened a door in my face - | 0:15:13 | 0:15:15 | |
'which by the way, I don't care - aching jaws and eyes - bovvered(?) | 0:15:15 | 0:15:19 | |
LAUGHING: 'But I just didn't assume | 0:15:19 | 0:15:21 | |
'that you'd be getting your clothes off for money. | 0:15:21 | 0:15:24 | |
'You little slut(!) | 0:15:24 | 0:15:25 | |
'No, no, no, because it's the drawing is what makes it not perving, | 0:15:25 | 0:15:28 | |
'which is why I did a little sketch on the bus home, | 0:15:28 | 0:15:31 | |
'show it to you some time. | 0:15:31 | 0:15:32 | |
'I guess the reason I came and found you, in all your glory, | 0:15:32 | 0:15:35 | |
'was that I just... I don't know, when I met you, | 0:15:35 | 0:15:37 | |
'we didn't have much time and maybe I could go for a coffee one day? | 0:15:37 | 0:15:41 | |
'With you - I wouldn't want to go on my own, I'd feel like a plum. | 0:15:41 | 0:15:44 | |
'But I'm not... I mean, I haven't actually said anything, | 0:15:44 | 0:15:46 | |
'so don't make out like I'm sort of bloody madly strutting around | 0:15:46 | 0:15:49 | |
'with a big banner with your face all over it. | 0:15:49 | 0:15:51 | |
'You're not Mao Zedong! | 0:15:51 | 0:15:53 | |
'You can redo these sometimes can't you, um, Ellen? | 0:15:53 | 0:15:55 | |
'Um...' | 0:15:55 | 0:15:57 | |
Text me, bye. | 0:15:57 | 0:15:58 | |
Well, good luck to you, Tom. | 0:16:02 | 0:16:04 | |
'Ellen, um... | 0:16:08 | 0:16:10 | |
'Text me, bye.' | 0:16:11 | 0:16:12 | |
-Yeah, so that's a shame. -TEXT ALERT | 0:16:14 | 0:16:16 | |
Oh, Cags wants you to send her Sian's address for the party. | 0:16:16 | 0:16:19 | |
Yeah, OK. | 0:16:19 | 0:16:21 | |
I think maybe this guy likes me. | 0:16:21 | 0:16:23 | |
Yes, obviously he likes you. He's a stalker! | 0:16:23 | 0:16:26 | |
He likes you so much, he'll probably want to eat you | 0:16:26 | 0:16:28 | |
and wear your back as a wig. | 0:16:28 | 0:16:30 | |
Use your feet to store umbrellas, or something. | 0:16:30 | 0:16:32 | |
I thought he might have been all right. | 0:16:32 | 0:16:34 | |
I was thinking of inviting him to the party | 0:16:34 | 0:16:36 | |
in a "relaxed, don't really care, inviting you almost because | 0:16:36 | 0:16:39 | |
"I can't be bothered not to invite you" kind of way, if that... | 0:16:39 | 0:16:42 | |
-Does that work? -No, it doesn't. Cags, Ellen. -Yes, OK. | 0:16:42 | 0:16:46 | |
But now he's trailed me, like I'm an antelope... | 0:16:46 | 0:16:49 | |
And stared at you naked, and called you a slut. | 0:16:49 | 0:16:51 | |
Why is everyone a psychopath? | 0:16:51 | 0:16:53 | |
-Yeah, present company excepted. -Yeah... | 0:16:53 | 0:16:56 | |
I think I'll just play it safe. | 0:16:57 | 0:16:59 | |
Just send him a short, meaningless text and give nothing away. | 0:16:59 | 0:17:02 | |
TOM SIGHS | 0:17:04 | 0:17:07 | |
PHONE VIBRATES Oh. | 0:17:07 | 0:17:09 | |
Oh, my God! | 0:17:11 | 0:17:13 | |
She's all over me. | 0:17:13 | 0:17:15 | |
Dad! ASHLEY LAUGHS | 0:17:17 | 0:17:19 | |
Get me to the church on time(!) | 0:17:19 | 0:17:21 | |
There's nothing there, mate. It's a desert. | 0:17:21 | 0:17:25 | |
-Sorry, Tom. -No, it's fine. | 0:17:25 | 0:17:27 | |
I should probably forget all about it. | 0:17:27 | 0:17:30 | |
-So, this is the nook. -This is the vortex. | 0:17:31 | 0:17:34 | |
Guess you can't really complain about the bishop, Dad. | 0:17:34 | 0:17:37 | |
Supposing I find the other 31 pieces and the board | 0:17:37 | 0:17:39 | |
and start playing chess? | 0:17:39 | 0:17:41 | |
Is this a tactic, Ashley? To nook my belongings? | 0:17:41 | 0:17:43 | |
-Is this your next play? -Not at all, no. | 0:17:43 | 0:17:45 | |
I'm just putting some things we don't need in the nook. | 0:17:45 | 0:17:48 | |
I know you're lying, Ashley. I can tell from your body language. | 0:17:48 | 0:17:51 | |
What? You don't even know body language. | 0:17:51 | 0:17:53 | |
They don't teach that to people who can hear. | 0:17:53 | 0:17:55 | |
That's sign language, you bloody ape! Is that my Saga magazine? | 0:17:55 | 0:17:59 | |
-Oh, God! -Where? | 0:17:59 | 0:18:00 | |
They're sending me crazy, Maeve. | 0:18:00 | 0:18:02 | |
-Mum said that you harassed someone. -What? No, no, I didn't. I... | 0:18:02 | 0:18:05 | |
Yes, I followed someone to an appointment, and yes, | 0:18:05 | 0:18:08 | |
I saw them in the nuddy-duddy, but that's just... | 0:18:08 | 0:18:10 | |
-Just what gets you off. -No! Well, I didn't mind it. | 0:18:10 | 0:18:12 | |
PHONE VIBRATES Oh, text. | 0:18:12 | 0:18:14 | |
Oh, oops! | 0:18:14 | 0:18:16 | |
I think this is OK, | 0:18:16 | 0:18:17 | |
but I just accidentally sent Tom the address to the party. | 0:18:17 | 0:18:20 | |
-Why? -Well, I was trying to send it to Cags. | 0:18:20 | 0:18:23 | |
-Why didn't you send it to Cags, then? -Helpful(!) | 0:18:23 | 0:18:25 | |
-Oh, you don't think he's going to...? -No, I don't think he'll... | 0:18:25 | 0:18:28 | |
Uh-oh, someone just got invited to a party - moi, me! | 0:18:28 | 0:18:31 | |
-Oh, my days! What does it say? -Quite to the point. | 0:18:31 | 0:18:34 | |
"Hey, Cags," which I presume is some kind of East London slang term, | 0:18:34 | 0:18:37 | |
"colon, address for the party." Simple. | 0:18:37 | 0:18:40 | |
Right. Are you sure it's meant for you? | 0:18:40 | 0:18:42 | |
Hmm, let me just think. Did it come to my number or not? | 0:18:42 | 0:18:45 | |
Er, yes, it did, so yes, it was, so let's par-tay! | 0:18:45 | 0:18:48 | |
Does that...mean he's coming? | 0:18:48 | 0:18:51 | |
No. No. | 0:18:51 | 0:18:53 | |
It won't. | 0:18:53 | 0:18:54 | |
-Surely not? -Surely not. | 0:18:54 | 0:18:56 | |
-Oh, surely not, Tom. -Let's hit the road! | 0:18:56 | 0:18:58 | |
-Ow! Bloody hell, finger nails, Lesley! -Oh, sorry, did that hurt(?) | 0:18:58 | 0:19:02 | |
Oh, it's like you sharpen them! | 0:19:02 | 0:19:04 | |
-Well, they don't sharpen themselves. -What?! | 0:19:04 | 0:19:06 | |
Ding dong, I'm off to the ball. | 0:19:06 | 0:19:07 | |
Tom, the Amstrad! You'll pass a skip somewhere. | 0:19:11 | 0:19:14 | |
Just dump it for me, please. | 0:19:14 | 0:19:15 | |
This is one of the ones I have to win. | 0:19:15 | 0:19:17 | |
-He got to keep his cactus. -All right, fine, I don't care. | 0:19:17 | 0:19:20 | |
-Lesley?! -Go! | 0:19:20 | 0:19:22 | |
Lesley, what's going on? | 0:19:22 | 0:19:24 | |
Nothing. | 0:19:24 | 0:19:25 | |
Oh, good. Luke's dropping by at some point. | 0:19:44 | 0:19:46 | |
What? Oh, my God, stop it! | 0:19:46 | 0:19:49 | |
I shouldn't have to say this, | 0:19:49 | 0:19:50 | |
but stop using me as sex bait to get an internship. | 0:19:50 | 0:19:52 | |
The term is actually "honey trap", Ellen, but... | 0:19:52 | 0:19:54 | |
I don't care. You don't even know what the UN does. | 0:19:54 | 0:19:57 | |
-Yes, I do! -What's it do, then? | 0:19:57 | 0:19:59 | |
Jesus Christ, I mean... | 0:19:59 | 0:20:01 | |
-Eloise...? -You can't get help from a friend. -I don't like Eloise. | 0:20:02 | 0:20:05 | |
OK, well that's not my point. | 0:20:05 | 0:20:06 | |
She's actually fatter than she is, you know? | 0:20:06 | 0:20:09 | |
Well, I don't understand that, so... | 0:20:09 | 0:20:11 | |
She's actually a fatter person than she actually is. | 0:20:11 | 0:20:14 | |
-That's the same sentence. -DOORBELL RINGS | 0:20:14 | 0:20:16 | |
Oh, that'll be Luke now. | 0:20:16 | 0:20:19 | |
Perfect(!) | 0:20:19 | 0:20:20 | |
Ugh, it's you. | 0:20:21 | 0:20:23 | |
Yes, hi. Is Ellen in? She invited... | 0:20:23 | 0:20:25 | |
-No, she didn't. -She did, actually. Bitten by the bug. | 0:20:25 | 0:20:27 | |
It was an admin error, she told me. | 0:20:27 | 0:20:29 | |
-No, it wasn't. Listen, Cags... -Eh? | 0:20:29 | 0:20:31 | |
I just like her, so just see what she thinks, because... | 0:20:31 | 0:20:34 | |
-No. -She might... -She won't. -I'm honestly... | 0:20:34 | 0:20:36 | |
-Oh, you're a worm! -What? -A worm! | 0:20:36 | 0:20:38 | |
-Er... -I knew you'd do that and I waited, | 0:20:44 | 0:20:46 | |
to save me the bother of coming back. The answer is "no"! | 0:20:46 | 0:20:49 | |
Hmm. | 0:20:58 | 0:20:59 | |
Luke's here! | 0:21:14 | 0:21:16 | |
CHEERING | 0:21:16 | 0:21:17 | |
Paco Rabanne? Don't mind if I do. | 0:21:17 | 0:21:20 | |
Hmm, pure sex. | 0:21:24 | 0:21:26 | |
SEXUAL MOANS AND LOUNGE MUSIC ON TV | 0:21:40 | 0:21:42 | |
I think I'm in the wrong place. | 0:21:49 | 0:21:50 | |
What are you doing in our flat? | 0:21:52 | 0:21:54 | |
I think I must have gone too high or too left. | 0:21:54 | 0:21:57 | |
I thought there was a party? | 0:21:57 | 0:21:59 | |
The party is next door. | 0:21:59 | 0:22:01 | |
Stay and watch, if you want. | 0:22:03 | 0:22:05 | |
Um... | 0:22:05 | 0:22:06 | |
-TV: -'Oh! Oh, yeah...' | 0:22:07 | 0:22:09 | |
Nah. Nah, you're OK. | 0:22:09 | 0:22:12 | |
Thanks, though. | 0:22:12 | 0:22:13 | |
-She's not pulling any punches, is she? -No. | 0:22:15 | 0:22:17 | |
-We know her. -Do you? | 0:22:19 | 0:22:20 | |
Go bowling with her. | 0:22:20 | 0:22:22 | |
That's...lovely. | 0:22:22 | 0:22:24 | |
MOANS CLIMAX | 0:22:24 | 0:22:27 | |
And how are you? | 0:22:27 | 0:22:29 | |
I'm OK. | 0:22:29 | 0:22:30 | |
These were flown in from Isfahan this morning. | 0:22:30 | 0:22:33 | |
Oh, thank you. | 0:22:33 | 0:22:34 | |
Your favourite cupcake. | 0:22:40 | 0:22:41 | |
You can have as many as you like. | 0:22:44 | 0:22:46 | |
Your figure's brilliant. | 0:22:46 | 0:22:48 | |
-Thank you. -Eat it. -What? | 0:22:48 | 0:22:50 | |
-Come on, eat it up. -Hermione? | 0:22:50 | 0:22:52 | |
Eat the cupcake. Seriously. | 0:22:52 | 0:22:54 | |
-So, this is all original... -TV: -'Oh... Oh, yeah...' | 0:22:56 | 0:22:59 | |
-Right. -..and we just had it painted. | 0:22:59 | 0:23:01 | |
Did you really? Well, it's a good life. | 0:23:01 | 0:23:03 | |
Um, I'm probably going to... I'm Tom, by the way. | 0:23:03 | 0:23:05 | |
-Sorry, what were your names? -Monica. -Monica and...? | 0:23:05 | 0:23:08 | |
Douglas Carol Pine. | 0:23:08 | 0:23:10 | |
-Carol? -Carol can be a man's name, as well. -OK, OK. | 0:23:10 | 0:23:14 | |
It can't, but fine. I'm probably going to go... | 0:23:16 | 0:23:19 | |
-Oh, don't leave. -I really want to. | 0:23:19 | 0:23:21 | |
Oh, please don't. My scene's coming up. Fast forward, Monica. | 0:23:21 | 0:23:25 | |
Don't, Monica. Monica, don't. | 0:23:25 | 0:23:27 | |
SHE CHOKES | 0:23:33 | 0:23:35 | |
What's happening? She's choking. | 0:23:35 | 0:23:36 | |
-What? -She's choking on the ring! | 0:23:36 | 0:23:38 | |
-What?! -Oh, my God, tell me she's got private health insurance! | 0:23:38 | 0:23:41 | |
-Do it properly, Luke! -Um... Will you marry me? | 0:23:41 | 0:23:44 | |
-MUFFLED COMPLAINTS -You said she'd be up for this! | 0:23:44 | 0:23:47 | |
-Do the list, Luke! -Oh, er... | 0:23:47 | 0:23:48 | |
-Ban Ki-moon, 70G a year, um... -Otter! -..and I got you an otter. | 0:23:48 | 0:23:51 | |
A ceramic otter, because on your first weekend away, you saw an otter. | 0:23:51 | 0:23:54 | |
You have to pay me back for that, by the way, Luke. | 0:23:54 | 0:23:57 | |
ELLEN COUGHS AND RING DROPS | 0:23:57 | 0:23:59 | |
The answer is "no". | 0:23:59 | 0:24:01 | |
I mean, obviously! | 0:24:01 | 0:24:03 | |
Ellen, what's your problem?! He's a nine, you're six - max! | 0:24:03 | 0:24:06 | |
-Why am I a...? -Leeds, maybe! | 0:24:06 | 0:24:08 | |
SEDUCTIVE JAZZ MUSIC PLAYS | 0:24:14 | 0:24:16 | |
Notice how the sax really cuts through the mix. | 0:24:16 | 0:24:20 | |
Oh, yeah. It does, actually. | 0:24:23 | 0:24:25 | |
Must say, really glad you took a wrong turn. | 0:24:25 | 0:24:29 | |
Good... Oh, Christ on the old cross, mate! | 0:24:29 | 0:24:32 | |
PARTY MUSIC FROM INSIDE FLAT | 0:24:34 | 0:24:36 | |
Hey, how are you doing? | 0:24:50 | 0:24:52 | |
Lovely. | 0:24:52 | 0:24:53 | |
Which Shrek do you like most? | 0:24:59 | 0:25:01 | |
Oh, my God! I'm calling the police, he's stalking Ellen! | 0:25:01 | 0:25:04 | |
What? No, don't. Where is she? | 0:25:04 | 0:25:05 | |
-It's ringing. -Just... That was quick. | 0:25:05 | 0:25:07 | |
I just need to see her one more time, that's all. | 0:25:07 | 0:25:10 | |
Right, oh, my God! | 0:25:11 | 0:25:12 | |
-Who are you? -I don't know who these people are. | 0:25:15 | 0:25:17 | |
-Oh, bye, Tom. Nice to see you. -Absolutely no idea. | 0:25:17 | 0:25:19 | |
-Never met him before in my life... -Who likes vermouth? | 0:25:19 | 0:25:23 | |
Ellen? | 0:25:25 | 0:25:27 | |
Ellen! | 0:25:27 | 0:25:28 | |
MUSIC: To Be Alone With You by Sufjan Stevens | 0:25:33 | 0:25:36 | |
THUNDER RUMBLES | 0:25:41 | 0:25:42 | |
'Passenger announcement. | 0:26:41 | 0:26:43 | |
'No trains will be stopping at this station, folks. | 0:26:43 | 0:26:46 | |
'Can everyone please exit the station in an orderly fashion | 0:26:46 | 0:26:49 | |
'and seek alternative means of transport. Thank you.' | 0:26:49 | 0:26:53 | |
PHONE RINGS | 0:26:53 | 0:26:55 | |
-'Dramatic change of plan, Tom. -Yes? | 0:26:55 | 0:26:57 | |
'Save the Amstrad at all costs.' | 0:26:57 | 0:26:59 | |
It's pretty poor timing, Mum. | 0:27:00 | 0:27:02 | |
'It's got my diary of the Leicester years, Tom - | 0:27:02 | 0:27:04 | |
'it's the chronicle of our love.' | 0:27:04 | 0:27:06 | |
It describes our first-ever bridge game, Tom, it's sacrosanct. | 0:27:06 | 0:27:09 | |
It's not coming home, Mum. | 0:27:12 | 0:27:14 | |
-No! -No! -No! -No! -No! | 0:27:14 | 0:27:17 | |
No, no, it has everything, Tom, it has everything, | 0:27:17 | 0:27:19 | |
it's got the Harry Ramsden's dinner, Tom. | 0:27:19 | 0:27:21 | |
'I didn't realise - it's everything, Tom.' | 0:27:21 | 0:27:23 | |
We had three cod between two that night, Tom. | 0:27:23 | 0:27:26 | |
'Love is like that when you get together with someone. | 0:27:26 | 0:27:28 | |
'It was heady, it was mad, it was the Midlands in the '70s! | 0:27:28 | 0:27:31 | |
'Save the Amstrad, Tom! Save it at all costs, | 0:27:31 | 0:27:33 | |
-'if it's the last thing you ever...' -HE HANGS UP | 0:27:33 | 0:27:35 | |
THUNDERCLAP | 0:27:35 | 0:27:37 | |
MUSIC: First Day Of My Life by Bright Eyes | 0:27:43 | 0:27:46 | |
# This is the first day of my life | 0:27:47 | 0:27:50 | |
# Swear I was born right in the doorway | 0:27:52 | 0:27:55 | |
# I went out in the rain | 0:27:57 | 0:27:59 | |
# Suddenly everything changed | 0:27:59 | 0:28:01 | |
# They're spreading blankets on the beach | 0:28:01 | 0:28:05 | |
# Yours is the first face that I saw | 0:28:08 | 0:28:10 | |
# I think I was blind before I met you | 0:28:12 | 0:28:16 | |
# Now I don't know where I am, I don't know where I've been | 0:28:17 | 0:28:21 | |
# But I know where I want to go | 0:28:21 | 0:28:25 | |
# And so I thought I'd let you know | 0:28:26 | 0:28:29 | |
# That these things take forever | 0:28:30 | 0:28:33 | |
# I especially am slow | 0:28:33 | 0:28:35 | |
# But I realise that I need you | 0:28:37 | 0:28:40 | |
# And I wondered if I could come home | 0:28:40 | 0:28:43 | |
# Mm-hmm, mm-hmm... # | 0:28:43 | 0:28:47 |