
Browse content similar to Homing. Check below for episodes and series from the same categories and more!
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Why is wood so heavy? | 0:00:07 | 0:00:08 | |
Well, rest it on your hip. | 0:00:08 | 0:00:10 | |
Well, I'm not a circus seal, Mum. | 0:00:10 | 0:00:12 | |
Oh, should I stick the standing lamp on me neb as well, while I'm at it? | 0:00:12 | 0:00:15 | |
It'll be worth it when you see how I want it. | 0:00:15 | 0:00:17 | |
Your father has no idea. | 0:00:17 | 0:00:19 | |
GLASS SMASHES | 0:00:19 | 0:00:21 | |
Oh, crap it! | 0:00:21 | 0:00:22 | |
Oh? Oh, God, what? | 0:00:22 | 0:00:24 | |
-I've crapped it! -Oh, dear. | 0:00:24 | 0:00:25 | |
Oh, what a crap! | 0:00:25 | 0:00:27 | |
Oh, yes. Oh, dear. | 0:00:29 | 0:00:31 | |
Aw! You've smashed Mammy. | 0:00:32 | 0:00:35 | |
Oh, God, this is bad! | 0:00:35 | 0:00:37 | |
OK, well, let's just keep calm. | 0:00:37 | 0:00:38 | |
I'm really going to get this, aren't I? | 0:00:38 | 0:00:40 | |
I'm really going to get it right up the arse! | 0:00:40 | 0:00:42 | |
Well, you don't really smash Mammy and get away with it. | 0:00:42 | 0:00:45 | |
-Oh, everything was looking up, Maeve. -Oh, is the marriage off the rocks? | 0:00:45 | 0:00:48 | |
-We didn't hate each other any more, we'd upgraded. -Yeah, that's good. | 0:00:48 | 0:00:51 | |
Mild disdain - it's the elixir of a long marriage, Maeve. | 0:00:51 | 0:00:53 | |
OK, don't panic. I mean, it's... | 0:00:53 | 0:00:55 | |
Mammy was in the Falklands. You realise that, don't you, Maeve? | 0:00:55 | 0:00:58 | |
Mammy sat in the Captain's Mess. | 0:00:58 | 0:01:00 | |
She's been to war, she's fought for our bloody freedoms! | 0:01:00 | 0:01:03 | |
Yeah. Just a clock, obviously, but, yeah. | 0:01:03 | 0:01:05 | |
Oh, you know what he's like, though. | 0:01:05 | 0:01:08 | |
It's the only thing he's got of his mother's. | 0:01:08 | 0:01:10 | |
Now, do we have a plan for this? It's sort of giving me the willies. | 0:01:10 | 0:01:14 | |
We'll take it to Haggards, this arvo. Get it fixed. | 0:01:14 | 0:01:16 | |
-They do clocks. -SING-SONG GREETING -Hide it, quickly! -What? | 0:01:16 | 0:01:19 | |
-Put it in the chopsticks drawer. -The what? | 0:01:19 | 0:01:21 | |
We've got a chopsticks drawer. They are free, Maeve, all right?! | 0:01:21 | 0:01:25 | |
# And through it all, she offers me protection | 0:01:27 | 0:01:33 | |
# A lotta love and affection | 0:01:33 | 0:01:36 | |
# Whether I'm right or wrong... # | 0:01:36 | 0:01:38 | |
Please, don't... don't, Mum! | 0:01:38 | 0:01:40 | |
# And down the waterfall, wherever it may take me... # | 0:01:40 | 0:01:45 | |
Point being, I've got a girlfriend. It's official. | 0:01:45 | 0:01:49 | |
Stick it in the Times, telephone Obama, take an ad out in Loot. | 0:01:49 | 0:01:53 | |
We're together. Also, I've invited her round for lunch, Ma, | 0:01:53 | 0:01:56 | |
so sort that out, will you? Oh, I'm going to brainstorm a menu now. | 0:01:56 | 0:01:59 | |
# And through... # | 0:01:59 | 0:02:00 | |
# Through it all she offers me protection | 0:02:00 | 0:02:04 | |
# A lot of love and affection | 0:02:04 | 0:02:07 | |
# La la, la la la. # | 0:02:07 | 0:02:08 | |
Yeah, it feels really good. Officially a couple. | 0:02:09 | 0:02:12 | |
It's really weird. It's been quite hard-going, moving down, | 0:02:12 | 0:02:15 | |
but I guess it's all kind of working out. | 0:02:15 | 0:02:18 | |
-And have you told him about your police conviction yet? -Um, no. | 0:02:18 | 0:02:22 | |
Thanks for immediately bringing that up. | 0:02:22 | 0:02:25 | |
I have practised saying it, but it always sounds bad. | 0:02:25 | 0:02:28 | |
-Well, go on, then. -"Hi, Tom." -I know what you mean. | 0:02:28 | 0:02:31 | |
-Well, I haven't started yet. -Quite nasally. | 0:02:31 | 0:02:34 | |
-Can I carry on? "Hey, Tom..." -Uh-uh-uh! | 0:02:34 | 0:02:37 | |
"I've got a police conviction, because..." | 0:02:37 | 0:02:39 | |
"You disgust me!" I'm playing Tom now. | 0:02:39 | 0:02:41 | |
-You don't have to play Tom. -"Why have you got a police conviction?" | 0:02:41 | 0:02:45 | |
-"Because I accidentally..." -Not true. Hermione again. | 0:02:45 | 0:02:47 | |
"Because on purpose, I reversed into a van." | 0:02:47 | 0:02:50 | |
-Leukaemia charity van. -Yes, OK, I was saving that bit. | 0:02:50 | 0:02:52 | |
"Because on purpose I reversed into a..." | 0:02:52 | 0:02:54 | |
"Why has it taken so long to tell me? I'm furious! | 0:02:54 | 0:02:58 | |
"And hurt." | 0:02:58 | 0:03:00 | |
"Because I didn't want to scare you off and I really like..." | 0:03:00 | 0:03:03 | |
"Ironic then, isn't it, | 0:03:03 | 0:03:05 | |
"that by not telling me, your very dishonesty itself has scared me off? | 0:03:05 | 0:03:09 | |
"The very thing you didn't want to happen is happening... | 0:03:09 | 0:03:12 | |
"ie - you are dumped!" PHONE RINGS | 0:03:12 | 0:03:14 | |
-This is my mum. -Foster mum. | 0:03:16 | 0:03:18 | |
Yeah, I might take this in my room. | 0:03:18 | 0:03:21 | |
Ellen, your breakfast. | 0:03:22 | 0:03:24 | |
Oh, by the way, Mum, what are you doing about your 50th? | 0:03:24 | 0:03:27 | |
'Ah, well, it's not why I'm calling, but did Alice not call you?' | 0:03:27 | 0:03:32 | |
-What? No. -'Alice is organising me a surprise party.' | 0:03:32 | 0:03:35 | |
What are you talking about? | 0:03:35 | 0:03:37 | |
'Oh, love, she let it slip and I've promised I wouldn't speak about it.' | 0:03:37 | 0:03:41 | |
Am I not invited? | 0:03:41 | 0:03:42 | |
No, you are, it's just a new, special invite where you don't get told about it! | 0:03:42 | 0:03:46 | |
Ha-ha! Heya, getting bored through there, so... | 0:03:46 | 0:03:49 | |
-When are you doing it? -'It's tonight.' -Tonight? | 0:03:49 | 0:03:52 | |
'So, are you not coming, or...?' | 0:03:52 | 0:03:54 | |
-Tonight as well, that's bad. Gutted. -Where is it? | 0:03:54 | 0:03:57 | |
'The Prince Charles, obviously.' | 0:03:57 | 0:04:00 | |
Oh, no way! Are they still doing that chilli con carne lasagne? | 0:04:00 | 0:04:03 | |
-'Yeah, with the cheesy garlic bread. -SHE LAUGHS | 0:04:03 | 0:04:06 | |
'Oh love, this is all a shock, isn't it? | 0:04:06 | 0:04:08 | |
'I'll save the thing I was going to say, I'll tell you another time.' | 0:04:08 | 0:04:11 | |
No, don't worry, I'll make it, I'll book my tickets in a bit. | 0:04:11 | 0:04:14 | |
-What's the other thing? -'Oh, no, it's nothing. | 0:04:14 | 0:04:16 | |
'Now's not the time. You've had enough heartache.' | 0:04:16 | 0:04:19 | |
-Well, obviously you have to tell me now. -This should be good. | 0:04:19 | 0:04:22 | |
It's too much. Too secret. | 0:04:22 | 0:04:26 | |
Mum, seriously, I mean... | 0:04:26 | 0:04:27 | |
Fine, you've got a grandfather. | 0:04:27 | 0:04:29 | |
-What? -Good God, that's a load off. | 0:04:29 | 0:04:31 | |
I mean, what? | 0:04:31 | 0:04:32 | |
I'm sorry I didn't tell you sooner. | 0:04:32 | 0:04:35 | |
They told me a few years ago and I just didn't know | 0:04:35 | 0:04:37 | |
if it was right to tell you, and then I thought, well, | 0:04:37 | 0:04:39 | |
because you've moved down to London, I could do it now. | 0:04:39 | 0:04:42 | |
Why, so you didn't have to tell me face-to-face?! | 0:04:42 | 0:04:44 | |
No, because that's where he lives. | 0:04:44 | 0:04:47 | |
Give me the address! | 0:04:47 | 0:04:49 | |
Hmm, I mean it doesn't matter if she's not "the one", you know - | 0:04:49 | 0:04:52 | |
I'm just pleased he's showing any interest. | 0:04:52 | 0:04:55 | |
I mean, I think he's always been interested, um, | 0:04:55 | 0:04:58 | |
but you know, in the same way someone might be | 0:04:58 | 0:05:00 | |
interested in buying a submarine or trying to get a giraffe | 0:05:00 | 0:05:04 | |
into a hot-air balloon, you know - it just wasn't going to happen. | 0:05:04 | 0:05:07 | |
Yeah, I mean he's not exactly... | 0:05:07 | 0:05:09 | |
..the creme de la creme, is he? | 0:05:12 | 0:05:14 | |
Hmm. I think he was very hurt by the last one. | 0:05:14 | 0:05:17 | |
Grace Rust. | 0:05:17 | 0:05:19 | |
Yeah, what was the story there? | 0:05:19 | 0:05:20 | |
She lied to him and he was very paranoid after that, you know, | 0:05:20 | 0:05:23 | |
and he didn't go out with anyone else for two years. | 0:05:23 | 0:05:25 | |
What was the lie? | 0:05:25 | 0:05:27 | |
Well... | 0:05:27 | 0:05:28 | |
Mother, sister. | 0:05:30 | 0:05:31 | |
Hmm. | 0:05:33 | 0:05:34 | |
They were due to go on holiday, but at the last minute | 0:05:42 | 0:05:44 | |
she cancelled, because she said she had a part in Harry Potter. | 0:05:44 | 0:05:48 | |
-She said she was going to be Luna Lovegood! -Luna Lovegood! | 0:05:48 | 0:05:51 | |
THEY BOTH LAUGH | 0:05:51 | 0:05:53 | |
Luna Love...! Hi, Tom. | 0:05:53 | 0:05:55 | |
-Were you talking about Grace Rust? -No. | 0:05:55 | 0:05:58 | |
-Yeah. -Abracadabra! | 0:05:58 | 0:06:00 | |
-They don't even say that in Harry Potter, Mum! -"Abracadabra!" | 0:06:00 | 0:06:03 | |
-Oh, forget it! -Petronius. | 0:06:03 | 0:06:06 | |
I never saw it. | 0:06:06 | 0:06:07 | |
Come on. Come on! | 0:06:18 | 0:06:21 | |
Do it! | 0:06:22 | 0:06:24 | |
SUNG TO LONE RANGER THEME: # Ten to ten, ten to ten, ten to ten to ten | 0:06:24 | 0:06:27 | |
# Ten to ten, ten to ten, ten to ten to ten | 0:06:27 | 0:06:29 | |
# Ten to ten, ten to ten, ten to ten to ten # | 0:06:29 | 0:06:30 | |
# Ten to TEN, ten to ten to ten | 0:06:30 | 0:06:32 | |
# Ten to ten, ten to ten, ten to ten to ten... | 0:06:32 | 0:06:36 | |
# T-t-t... # | 0:06:36 | 0:06:37 | |
HORN BEEPS | 0:06:50 | 0:06:52 | |
-Does she like pate, Tom? -What? | 0:06:57 | 0:06:59 | |
-Does she like pate? -Probably. | 0:06:59 | 0:07:01 | |
Oh, great, well, I'll go out and get some pate as well, then. | 0:07:01 | 0:07:04 | |
Point taken, brilliant, Queen Victoria paying a visit. | 0:07:04 | 0:07:07 | |
-Doesn't mean you have to go out and... -No, well you've said it now. -Criminal. | 0:07:07 | 0:07:10 | |
Don't worry, Mum, I'll go to the shop. | 0:07:10 | 0:07:12 | |
I want to get some olives anyway. | 0:07:12 | 0:07:14 | |
Does she like olives, Tom? | 0:07:14 | 0:07:15 | |
-Oh, probably, if her attitude to pate is anything to go on. -All right, Mum, calm down. -Criminal. | 0:07:15 | 0:07:19 | |
-What? -Nothing. -What did you say? -Sorry, I can't do this any more. | 0:07:19 | 0:07:23 | |
I'm living a lie and it's, | 0:07:23 | 0:07:25 | |
it's tearing me limb from limb. | 0:07:25 | 0:07:28 | |
Oh, my God, he's a homosexual. | 0:07:28 | 0:07:31 | |
-What? No, I'm not! -No, no, I know. | 0:07:31 | 0:07:34 | |
Lesley, did you mean that? | 0:07:34 | 0:07:35 | |
No, I was kidding, having a laugh. | 0:07:35 | 0:07:37 | |
What did you actually say, Dad? | 0:07:40 | 0:07:42 | |
I said, Tom, Ellen is a criminal! | 0:07:42 | 0:07:45 | |
A felon, a crook, an ex-con-vict. | 0:07:47 | 0:07:50 | |
-Poor old Dad. -No, he's been watching too much athletics. | 0:07:54 | 0:07:57 | |
No, I have not been watching too much athletics. | 0:07:57 | 0:08:00 | |
You're a barmy old fool. | 0:08:00 | 0:08:01 | |
-Gets him all het-up. -No, it does not, Lesley! | 0:08:01 | 0:08:03 | |
Women's pole vault especially. | 0:08:03 | 0:08:05 | |
Olives-wise, I'm feeling pimentos. | 0:08:05 | 0:08:07 | |
I've got evidence. Hmm. | 0:08:07 | 0:08:09 | |
I don't think I can do this. | 0:08:13 | 0:08:15 | |
You're bound to be nervous, love. | 0:08:15 | 0:08:16 | |
He could turn out to be an awful, awfully abusive...don't know, cannibal? | 0:08:16 | 0:08:21 | |
Say? One of the bad kind of cannibals? | 0:08:21 | 0:08:24 | |
I should have phoned ahead. | 0:08:24 | 0:08:25 | |
I'm just going to go and then I'll phone ahead. | 0:08:25 | 0:08:28 | |
-I'm going to go. -No, well, we're here now. | 0:08:28 | 0:08:30 | |
I only really wanted a look anyway, I mean, it's fine, | 0:08:31 | 0:08:34 | |
it's good to put a face to a grandparent, but... | 0:08:34 | 0:08:37 | |
-Oh, hello there. -Hello. | 0:08:37 | 0:08:40 | |
I'm so sorry, I thought you were coming a tad later. | 0:08:50 | 0:08:54 | |
Did you? Um... | 0:08:54 | 0:08:56 | |
You are here to muck-out the pigeons? | 0:08:56 | 0:08:58 | |
Oh, sorry, no. | 0:08:58 | 0:08:59 | |
Yes, we are actually, that's us all right. | 0:08:59 | 0:09:02 | |
-Well, hold on, what? -Perfection. Follow me. | 0:09:02 | 0:09:05 | |
I'm not coming all this way without a peek at your twisted parentage. | 0:09:05 | 0:09:08 | |
Oh, God! | 0:09:08 | 0:09:09 | |
You don't seem to have much, um, cleaning paraphernalia with you. | 0:09:13 | 0:09:16 | |
Ah, yes, good point. Maybe we should... | 0:09:16 | 0:09:18 | |
-She does it bare-handed. -Do I? | 0:09:18 | 0:09:21 | |
Au naturale. Oh. | 0:09:21 | 0:09:24 | |
I've never seen that done, but, er, your choice. | 0:09:25 | 0:09:29 | |
Er, right, I'll just, er, I'll just empty this bucket | 0:09:29 | 0:09:32 | |
and then I'll leave you two to it. | 0:09:32 | 0:09:34 | |
I can't tell him. We'll do this and I'll talk to him, but then we're going. I can't do this right now. | 0:09:38 | 0:09:42 | |
That's fine, actually. It's already getting a bit yawn. | 0:09:42 | 0:09:45 | |
So how long have you had these then? | 0:09:46 | 0:09:48 | |
These? Oh, a long time. I love 'em. | 0:09:48 | 0:09:52 | |
There's something fabulous about pigeons. | 0:09:52 | 0:09:56 | |
This one here... | 0:09:56 | 0:09:57 | |
..Christopher, he's my favourite. | 0:09:59 | 0:10:01 | |
So, are they homing pigeons? | 0:10:01 | 0:10:02 | |
Oh, you can release them anywhere and they'll find their way home. | 0:10:02 | 0:10:05 | |
How do they do that? Do they just sort of... | 0:10:05 | 0:10:08 | |
Ah, ha-ha, the scientists aren't sure. I think it's love. | 0:10:08 | 0:10:13 | |
The males and females live in separate hutches, | 0:10:13 | 0:10:16 | |
but when they're flying back, I let them all muddle in together. | 0:10:16 | 0:10:20 | |
They all have their favourites. | 0:10:20 | 0:10:23 | |
And my dear departed wife, Eleanor, | 0:10:23 | 0:10:25 | |
used to say that's what love is, it's like coming home. | 0:10:25 | 0:10:29 | |
My mum says it's abs and finances. | 0:10:29 | 0:10:31 | |
Ah, ha-ha, yes. Er, where do you live? | 0:10:31 | 0:10:35 | |
Katherine Docks. | 0:10:35 | 0:10:37 | |
Oh, that's quite nearby. They fly over there every week. | 0:10:37 | 0:10:41 | |
I practise with them most nights, so, I'll, I'll do it tonight. | 0:10:41 | 0:10:45 | |
Look out of your window, half past six to seven and you might see 'em. | 0:10:45 | 0:10:49 | |
I will. I'll keep a look-out. | 0:10:49 | 0:10:52 | |
Right. I'll leave you to it, then. | 0:10:52 | 0:10:54 | |
There's a lot of guano in there. | 0:10:55 | 0:10:57 | |
Hmm, what's that? Is that a foreign word for love? | 0:10:57 | 0:11:01 | |
-It's faeces. -Oh, sure. | 0:11:01 | 0:11:03 | |
-It's another Grace Rust. -Oh, don't panic, Tom. | 0:11:07 | 0:11:09 | |
Community service means anything from vandalism to GBH, | 0:11:09 | 0:11:13 | |
not many murderers do it, Tom. | 0:11:13 | 0:11:14 | |
There you go, Tom, she might attack, but you'll probably survive, on balance. | 0:11:14 | 0:11:18 | |
I didn't think she was a bloody murderer! She's lovely. | 0:11:18 | 0:11:21 | |
She's literally very, very lovely. | 0:11:21 | 0:11:24 | |
I doubt she did very much at all. It was probably, tops - got drunk, | 0:11:24 | 0:11:26 | |
cos she's fun - trashed a wheelie bin or something. | 0:11:26 | 0:11:30 | |
Trashed a wheelie bin? That's worse! | 0:11:30 | 0:11:32 | |
That's worse than murder, is it? | 0:11:32 | 0:11:33 | |
Yeah, well, at least with murder, someone might have deserved it. | 0:11:33 | 0:11:36 | |
Lesley, you can't condone a revenge killing! This is your Midlands connection, isn't it? | 0:11:36 | 0:11:40 | |
Oh, don't you bring my heritage into this, Ashley. | 0:11:40 | 0:11:43 | |
Leicester is ace. | 0:11:43 | 0:11:44 | |
Well, what would justify violence like that? | 0:11:44 | 0:11:46 | |
Well, I don't know, someone calling Tom a pointless wanker. | 0:11:46 | 0:11:50 | |
-Oh! -Where's that come from? | 0:11:50 | 0:11:52 | |
Well, if one of her friends said, "Oh, that Tom, he's jobless, | 0:11:52 | 0:11:55 | |
"he lives at home, he loafs around, he's a stupid little pointless wanker..." | 0:11:55 | 0:11:59 | |
-Mum! -Con artist. -Oh, here we go. | 0:11:59 | 0:12:00 | |
Confidence trickster, I'm afraid. | 0:12:00 | 0:12:02 | |
Oh, how do you mean, Maeve? I'm interested by this. | 0:12:02 | 0:12:05 | |
-Well, sort of gulls, kind of simple-minded singletons. -Oh, yeah. | 0:12:05 | 0:12:08 | |
Backward apes. | 0:12:08 | 0:12:09 | |
-Huh, profile fits. -Yeah, desperate for love. -Hmm, gulls are into sort of... | 0:12:09 | 0:12:12 | |
Into what? I've got nothing to offer! What's she going to get out of me? | 0:12:12 | 0:12:15 | |
Hmm, wouldn't be worth her time. | 0:12:15 | 0:12:17 | |
God, that's true, actually. | 0:12:17 | 0:12:19 | |
Theory scuttled. DOORBELL | 0:12:19 | 0:12:22 | |
Oh, God, I don't... she will tell me in her own time. | 0:12:22 | 0:12:26 | |
No-one say a single bloody word! | 0:12:26 | 0:12:28 | |
Jesus wept! Right, hide my jazz CDs. | 0:12:28 | 0:12:31 | |
-What are you doing? -I'm trying to smile. -It's not working. | 0:12:39 | 0:12:42 | |
You can't pick something like that up after 30 years, Les. | 0:12:42 | 0:12:46 | |
Hi. Hope you like pate. | 0:12:46 | 0:12:48 | |
Oh, not really. | 0:12:48 | 0:12:50 | |
Oh. Come in. | 0:12:50 | 0:12:52 | |
-The family. -Hello. | 0:12:58 | 0:12:59 | |
You know where it is, darling. | 0:13:00 | 0:13:02 | |
I think so, yeah. | 0:13:02 | 0:13:03 | |
Why are we now using plastic cutlery, Mum? | 0:13:08 | 0:13:11 | |
-Why do you think? -She's not going to steal the bloody cutlery! | 0:13:11 | 0:13:14 | |
She's stolen most of the olives. | 0:13:14 | 0:13:15 | |
Eaten - she's eaten the olives, Maeve! | 0:13:15 | 0:13:17 | |
She's like a hungry hippo. | 0:13:17 | 0:13:19 | |
Ahem. | 0:13:19 | 0:13:21 | |
Where's he going? | 0:13:21 | 0:13:23 | |
Is he going to go and check on her in the toilet? | 0:13:23 | 0:13:25 | |
Found the en-suite, Ellen? | 0:13:39 | 0:13:41 | |
Oh, sorry. I couldn't find a toilet, weirdly. | 0:13:41 | 0:13:44 | |
Oh, it's downstairs, by the front door, | 0:13:44 | 0:13:47 | |
where it's been for the last, oh, I think - 30 years. | 0:13:47 | 0:13:50 | |
Oh, God, what a dumbo! | 0:13:50 | 0:13:52 | |
-You couldn't find it? -Er, I must have just walked past it. | 0:13:52 | 0:13:56 | |
Oh, possible, I suppose. | 0:13:56 | 0:13:58 | |
You know, you're the first person - other than Lesley and I - | 0:13:58 | 0:14:01 | |
to ever use the en-suite toilet, Ellen. | 0:14:01 | 0:14:03 | |
I didn't know that. | 0:14:03 | 0:14:04 | |
It's my favourite room in the whole house. | 0:14:04 | 0:14:07 | |
Tom's never used it. Maeve's never used it. | 0:14:07 | 0:14:11 | |
It's my safe zone. | 0:14:11 | 0:14:12 | |
Oh. Sorry about that. As I say... | 0:14:13 | 0:14:16 | |
I think there's something you need to tell my son, love. Don't you? | 0:14:16 | 0:14:19 | |
-Yes, he does now know. -You told him? | 0:14:30 | 0:14:32 | |
It kind of came up naturally. | 0:14:32 | 0:14:34 | |
His dad sort of threatened me with a baguette. | 0:14:34 | 0:14:37 | |
So how did he take it? Are you finally over? Bless. | 0:14:37 | 0:14:41 | |
He was shocked, to be honest. He seemed quite shocked. | 0:14:41 | 0:14:44 | |
I was right - there is no way of making it sound good. | 0:14:44 | 0:14:47 | |
He said he understood and that we should just forget it, | 0:14:47 | 0:14:49 | |
but he also said he'd been lied to in the past, so... | 0:14:49 | 0:14:53 | |
Oh, he's clinging on, poor thing. | 0:14:53 | 0:14:55 | |
I guess when a starving fellow finds a banana in a cowpat... | 0:14:55 | 0:14:59 | |
I presume the banana's me. | 0:14:59 | 0:15:00 | |
He just has to hold his nose and get peeling. | 0:15:00 | 0:15:03 | |
Thought so. Right, train booked for this evening. | 0:15:03 | 0:15:07 | |
I just have to see Ern before I go and tell him. | 0:15:07 | 0:15:11 | |
I have to do that. | 0:15:11 | 0:15:12 | |
I can't believe I'm going home. | 0:15:14 | 0:15:16 | |
Someone's taken Mammy! | 0:15:26 | 0:15:27 | |
Oh, God, Dad, she's been gone for years. | 0:15:27 | 0:15:30 | |
-Mammy, not Mummy! -Oh, I see. -Where's Lesley and Maeve? | 0:15:30 | 0:15:33 | |
I think they've gone to John Lewis. Why? | 0:15:33 | 0:15:35 | |
Oh, it's my clock, my Naval clock. | 0:15:35 | 0:15:36 | |
Mammy fought in the Falklands, Tom! | 0:15:36 | 0:15:38 | |
OK, Dad, I know you're stressed out, | 0:15:38 | 0:15:39 | |
-but cards on the table, I don't like you calling the clock Mammy. -Well, where is she? -Or "she", really. | 0:15:39 | 0:15:44 | |
-Oh, my God. -What? | 0:15:46 | 0:15:49 | |
-It's your woman. -Ellen? | 0:15:49 | 0:15:50 | |
-Don't you think? -No! | 0:15:50 | 0:15:51 | |
Well, who else could it be? She was in the room last. | 0:15:51 | 0:15:54 | |
-I don't know, but... -Come on, Tom. | 0:15:54 | 0:15:56 | |
How well do you actually know her, if you're really honest? | 0:15:56 | 0:15:59 | |
I mean, she's already lied to you about a police conviction. | 0:15:59 | 0:16:01 | |
She is not exactly Mary Berry. | 0:16:01 | 0:16:04 | |
-What are you looking for? -Evidence. | 0:16:04 | 0:16:06 | |
-What's this? -It's a bit of fluff. | 0:16:17 | 0:16:21 | |
-How long has it been there? -I haven't been across it, really. | 0:16:21 | 0:16:24 | |
Does it match any of the fluff found on Ellen's person? | 0:16:24 | 0:16:28 | |
Oh, God! | 0:16:29 | 0:16:30 | |
You're right, she did do it, Dad. | 0:16:33 | 0:16:35 | |
Hmm. I know you think you're clever, chum, | 0:16:36 | 0:16:40 | |
but I used to be a copper and I know an open-and-shut case when I see it. | 0:16:40 | 0:16:46 | |
Yes, she's five foot five. Mm-hm. | 0:16:47 | 0:16:50 | |
Yeah, she's quite a pretty girl. | 0:16:50 | 0:16:52 | |
Yeah, well, she may well be carrying a clock that's seen a few things. | 0:16:52 | 0:16:56 | |
-What are you doing? -I'm on the phone to the filth, Tom. | 0:16:56 | 0:16:58 | |
Sorry, officer, no, no, no, no, I used to be one of you. | 0:16:58 | 0:17:01 | |
Yeah, her name is Ellen Baxter. | 0:17:01 | 0:17:05 | |
Well, you should have her on your records. She smashed up some leukaemia thing. Mmm. | 0:17:05 | 0:17:09 | |
OK. Oh, that's good. They're sending a pig round to her house, Tom. | 0:17:09 | 0:17:13 | |
Again, sorry, do excuse the vocab. | 0:17:13 | 0:17:15 | |
I'd better call her. | 0:17:15 | 0:17:18 | |
What do you mean, you don't have the relevant pieces? | 0:17:18 | 0:17:20 | |
Well, this is a one-off. | 0:17:20 | 0:17:22 | |
I could probably try and cut some glass for you, | 0:17:22 | 0:17:24 | |
but getting parts will be difficult. | 0:17:24 | 0:17:26 | |
Hmm, will it? | 0:17:26 | 0:17:27 | |
Hold on, we had a call about a clock like this. | 0:17:27 | 0:17:30 | |
How do you mean? | 0:17:30 | 0:17:32 | |
Yes, I think this is a stolen clock. | 0:17:32 | 0:17:35 | |
I'm sorry, madam, I'm going to have to call the police. | 0:17:35 | 0:17:37 | |
-Oh, don't do that, you silly prig! -I beg your pardon? | 0:17:37 | 0:17:40 | |
-It's my husband's clock! -Can you call him and tell him? | 0:17:40 | 0:17:43 | |
Why are you even getting involved? It's so annoying. | 0:17:43 | 0:17:45 | |
-Just saying, if you could call him. -No, I can't call him. He'll implode. | 0:17:45 | 0:17:49 | |
If you're really his wife, can you at least describe what he looks like? | 0:17:49 | 0:17:52 | |
-Walking Rich Tea biscuit. Why? -Hello, there. | 0:17:52 | 0:17:55 | |
No. | 0:17:55 | 0:17:56 | |
He is such a little prick! | 0:18:02 | 0:18:04 | |
She's just gone mental at me. | 0:18:04 | 0:18:05 | |
-He's just accused me... -I merely suggested... -..of stealing... | 0:18:05 | 0:18:08 | |
-..that maybe by accident... -..some stupid clock! -..she stole it. | 0:18:08 | 0:18:11 | |
So I was like... how dare you accuse me of that! | 0:18:11 | 0:18:14 | |
So I just said, um, I was only asking a question. | 0:18:14 | 0:18:16 | |
You honestly think I'd be capable of doing something that awful? | 0:18:16 | 0:18:19 | |
Well, yeah, yeah. You lied about your police conviction, so you're a proven liar. | 0:18:19 | 0:18:23 | |
You're a liar and a crook, soz. | 0:18:23 | 0:18:25 | |
I mean, maybe that was a mistake, but I was freaked-out. I don't like being lied to. | 0:18:27 | 0:18:31 | |
He thinks I'm capable of doing that, then fine. | 0:18:31 | 0:18:33 | |
Look, I have to be allowed to freak out in a relationship, that's my thing, that's what I do. | 0:18:33 | 0:18:37 | |
He honestly thinks I might be a thief! | 0:18:37 | 0:18:39 | |
I mean, he's meant to like me. | 0:18:39 | 0:18:42 | |
He just doesn't even trust me! | 0:18:42 | 0:18:43 | |
He does all this stuff that makes it feel romantic, and we just | 0:18:43 | 0:18:46 | |
have a laugh, and it's, it's stupid and nice, and he was the one thing, | 0:18:46 | 0:18:50 | |
and now I've lied to him, and he thinks I'm a wandering bloody thief! | 0:18:50 | 0:18:54 | |
He threw a dart in my arm! I'm done. | 0:18:54 | 0:18:58 | |
I'm packing my bags, I'm going home where people are normal and | 0:18:58 | 0:19:01 | |
they look at each other on public transport and smile occasionally! | 0:19:01 | 0:19:04 | |
And hopefully, I will never have to see him again! | 0:19:04 | 0:19:08 | |
Yeah, I may have misjudged this. | 0:19:08 | 0:19:09 | |
-What are you doing? -I'm going to get her. | 0:19:17 | 0:19:20 | |
What, a lynching? No, Tom! | 0:19:20 | 0:19:24 | |
I'm going to get her and I'm going to tell her how I feel! | 0:19:24 | 0:19:27 | |
PHONE RINGS | 0:19:29 | 0:19:32 | |
Hello? | 0:19:32 | 0:19:34 | |
Ashley, I love you, but I've done a terrible, terrible thing. | 0:19:34 | 0:19:38 | |
What? | 0:19:40 | 0:19:41 | |
His dad's phoned the police. They're on their way over now. | 0:19:41 | 0:19:44 | |
It's a bloody horror show! It's a horror hurricane. | 0:19:44 | 0:19:48 | |
I never should have told him. I knew it. | 0:19:48 | 0:19:50 | |
You're not really leaving, are you? | 0:19:50 | 0:19:52 | |
I think I might be, to be honest. | 0:19:52 | 0:19:53 | |
No, you're not. Well, you can't. | 0:19:53 | 0:19:55 | |
There's a 24-month notice period in the contract, so... | 0:19:55 | 0:19:58 | |
We don't have a contract. | 0:19:58 | 0:19:59 | |
Don't play hardball with me, Ellen. | 0:19:59 | 0:20:01 | |
-My dad's lawyers will erase you, permanently. -Erase me? | 0:20:01 | 0:20:04 | |
They can make it look like you murdered an immigrant, and then... | 0:20:04 | 0:20:07 | |
Hermione, we'll still be friends, you know. | 0:20:07 | 0:20:11 | |
Not fussed either way. I mean, you do what you like. | 0:20:11 | 0:20:14 | |
I mean, if you hate me so much, you could have just told me a long time ago. | 0:20:14 | 0:20:18 | |
Save me a lot of bother. | 0:20:18 | 0:20:20 | |
What are you doing now? | 0:20:20 | 0:20:21 | |
I wanted to see Ern's pigeons flying over. | 0:20:21 | 0:20:24 | |
Oh, no! You will never guess what is coming down the street. | 0:20:24 | 0:20:27 | |
-Not zombies? -No! | 0:20:27 | 0:20:29 | |
No, obviously, kidding. | 0:20:29 | 0:20:30 | |
Offender officer. | 0:20:30 | 0:20:32 | |
I just...I have to see Ern before I go. | 0:20:32 | 0:20:35 | |
SHE SIGHS | 0:20:35 | 0:20:37 | |
Will you keep him busy while I sneak out the back? | 0:20:37 | 0:20:39 | |
Oh, you mean like... | 0:20:39 | 0:20:40 | |
No, I don't mean like that! Just... | 0:20:40 | 0:20:43 | |
I mean, I'll hold his hand, but, plus extras, but there's a ceiling. | 0:20:43 | 0:20:46 | |
Just tell him I'm not in. You don't know where I am. | 0:20:46 | 0:20:49 | |
Just please, don't tell anyone where I'm going. | 0:20:49 | 0:20:51 | |
OK, my sweet! Fly. | 0:20:51 | 0:20:53 | |
Be free. DOORBELL | 0:20:55 | 0:20:57 | |
Well, where is she? | 0:21:03 | 0:21:04 | |
She's...died. | 0:21:04 | 0:21:07 | |
-Died...? -Not died as in, you know, "Oh, look, she's dead." | 0:21:10 | 0:21:15 | |
No, so, I mean, how DO you mean? | 0:21:15 | 0:21:16 | |
Died, as in... | 0:21:16 | 0:21:18 | |
died in terms of, she's not here, so in terms of this area. | 0:21:18 | 0:21:23 | |
I'm afraid to say she's literally gone to a better place. | 0:21:23 | 0:21:27 | |
Hermione, is Ellen at home? | 0:21:43 | 0:21:45 | |
You animal! You demon! | 0:21:45 | 0:21:47 | |
Oh, ow! Ow, I'm sorry! What's in those? | 0:21:47 | 0:21:50 | |
Ellen's things. I guess she won't need art materials in the North. | 0:21:50 | 0:21:53 | |
What are you talking about? | 0:21:53 | 0:21:54 | |
Don't you get it? She's gone, Tom! Because of you! | 0:21:54 | 0:21:58 | |
She's gone home, she's never coming back! | 0:21:58 | 0:22:01 | |
You mean she's leaving me? | 0:22:01 | 0:22:03 | |
No, she's leaving me! You were just also around. | 0:22:03 | 0:22:06 | |
-OK, where is she? -I'm not supposed to tell anyone, least of all traitors, so don't even try. | 0:22:06 | 0:22:10 | |
-If you tell me, I might be able to get her to stay. -Fine, she's at her grandad's. | 0:22:10 | 0:22:14 | |
-Right, where's that? -Er, quite near here, not my kind of place. | 0:22:14 | 0:22:18 | |
Yes? More detail? | 0:22:20 | 0:22:21 | |
Er, help me out, there were cars... It was, like, not tree-lined, | 0:22:21 | 0:22:24 | |
but on either side there was, like, a line of houses. | 0:22:24 | 0:22:26 | |
-That's just a street, Hermione. -Yes, house-lined. | 0:22:26 | 0:22:29 | |
-I need a sign, I need another car door. -You're not going to get another car door. | 0:22:29 | 0:22:33 | |
Something like a car door. | 0:22:33 | 0:22:35 | |
Ugh! Oh! | 0:22:35 | 0:22:36 | |
-Well, that pretty much sums it up! -SHE LAUGHS | 0:22:39 | 0:22:42 | |
Oh, every cloud. | 0:22:42 | 0:22:44 | |
Oh, hold on, they're probably her grandad's pigeons, actually. | 0:22:44 | 0:22:47 | |
-What? -He has homing pigeons. | 0:22:47 | 0:22:49 | |
What, you mean they're going to...? And Ellen's going to... | 0:22:51 | 0:22:54 | |
Oh, by the sweet grace of the good old Lord. | 0:22:55 | 0:22:58 | |
What? | 0:22:59 | 0:23:01 | |
Tom? | 0:23:01 | 0:23:03 | |
T... | 0:23:04 | 0:23:05 | |
Oh, he's going to... | 0:23:07 | 0:23:08 | |
Well, that won't work. | 0:23:09 | 0:23:10 | |
# Oh, whoa, whoa | 0:23:19 | 0:23:21 | |
# Oh, oh, oh, oh, oh | 0:23:21 | 0:23:22 | |
# Oh, oh, oh, oh, oh | 0:23:26 | 0:23:28 | |
# Oh, whoa, whoa | 0:23:28 | 0:23:30 | |
# Oh, oh, oh, oh, oh, oh... # | 0:23:30 | 0:23:34 | |
Sorry to drop by unannounced. Thank you. | 0:23:34 | 0:23:37 | |
I was just in the area and thought, I wanted to check that | 0:23:37 | 0:23:40 | |
the hutch was clean and that the pigeons were satisfied. | 0:23:40 | 0:23:43 | |
Not that they'd be satisfied, because they're pigeons, but... | 0:23:43 | 0:23:47 | |
You're my granddaughter, aren't you? | 0:23:47 | 0:23:49 | |
Er, well... | 0:23:51 | 0:23:52 | |
..yes, I think so. | 0:23:54 | 0:23:55 | |
I thought so today, but I, er... | 0:23:56 | 0:23:59 | |
And then the real pigeon people turned up. | 0:23:59 | 0:24:02 | |
Ah, yes. | 0:24:02 | 0:24:03 | |
-I don't think you did a great job. -Ha-ha! No. | 0:24:03 | 0:24:06 | |
Are you all right, love? | 0:24:08 | 0:24:10 | |
I'm great. I'm great. | 0:24:10 | 0:24:12 | |
London's hard work, isn't it? | 0:24:14 | 0:24:16 | |
But I'm going home tonight. To see my foster mum. | 0:24:16 | 0:24:21 | |
She told me about you, actually. | 0:24:23 | 0:24:26 | |
I kind of assumed that this would never happen. | 0:24:26 | 0:24:29 | |
I've ordered a taxi from here, if that's OK. | 0:24:29 | 0:24:32 | |
Perfection. Would you like some Hula Hoops while you're waiting? | 0:24:32 | 0:24:35 | |
That'd be lovely. | 0:24:35 | 0:24:37 | |
Cup of tea? | 0:24:37 | 0:24:38 | |
No, just the... And if... | 0:24:38 | 0:24:41 | |
Can you tell me anything about my mum? | 0:24:44 | 0:24:46 | |
Oh, she was a lovely girl. | 0:24:47 | 0:24:50 | |
She had the same backpack for 14 years. | 0:24:51 | 0:24:55 | |
She knew all the breeds of the dogs, she was obsessed with kiwis. | 0:24:55 | 0:24:59 | |
-Really? -Oh, she was lovely. | 0:24:59 | 0:25:01 | |
# Oh, oh, oh, oh, oh, oh, oh | 0:25:04 | 0:25:09 | |
# Oh, oh, oh... # | 0:25:09 | 0:25:11 | |
A city can swallow you whole and make you feel pretty crappy, | 0:25:14 | 0:25:19 | |
but it's a great place to meet people. | 0:25:19 | 0:25:22 | |
I met your grandma because she had a fit of hiccups in a lift | 0:25:22 | 0:25:25 | |
and threw her tea all over me. | 0:25:25 | 0:25:27 | |
And poof...! | 0:25:27 | 0:25:29 | |
That's 50 years gone. | 0:25:29 | 0:25:31 | |
# Oh, oh, oh... # | 0:25:54 | 0:25:57 | |
Have you not got a fella? | 0:25:58 | 0:26:00 | |
Um, I don't know any more. | 0:26:01 | 0:26:05 | |
I'm not sure. | 0:26:05 | 0:26:06 | |
It's...when we're together it's great, but it does get complicated. | 0:26:08 | 0:26:12 | |
Does it feel like coming home? | 0:26:14 | 0:26:16 | |
Um... | 0:26:17 | 0:26:18 | |
DOORBELL | 0:26:20 | 0:26:22 | |
That sounds like me. | 0:26:22 | 0:26:23 | |
OK, then. | 0:26:29 | 0:26:31 | |
# Oh, oh... # | 0:26:35 | 0:26:39 | |
Argh! | 0:26:43 | 0:26:45 | |
# Ah, ah, ah, ah, ah, ah, ah... # | 0:26:49 | 0:26:53 | |
As you were. | 0:26:54 | 0:26:55 | |
Oi! | 0:26:57 | 0:26:58 | |
# Ah, ah... # | 0:27:02 | 0:27:08 | |
Oh, my God, oh, my God, oh, my God. | 0:27:13 | 0:27:16 | |
Close call! | 0:27:21 | 0:27:22 | |
HE GROANS | 0:27:27 | 0:27:30 | |
I thought you were going home. | 0:27:35 | 0:27:37 | |
I am home. | 0:27:37 | 0:27:39 | |
-What are you like? -I don't...don't know. | 0:27:47 | 0:27:50 | |
# I'll be yours and you'll be mine | 0:27:52 | 0:27:57 | |
# And we'll be fine forever... # | 0:27:57 | 0:27:59 | |
-You silly bugger! -That does really hurt. | 0:27:59 | 0:28:01 | |
# I see you and you see me | 0:28:01 | 0:28:06 | |
# And we can, we can be together | 0:28:06 | 0:28:13 | |
# Together | 0:28:13 | 0:28:21 | |
# I'll be yours and you'll be mine | 0:28:21 | 0:28:26 | |
# And we'll be fine together. # | 0:28:26 | 0:28:34 | |
# And we'll be fine together. # | 0:28:34 | 0:28:37 |