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# There may be trouble ahead | 0:00:09 | 0:00:14 | |
# But while there's moonlight and music and love and romance | 0:00:14 | 0:00:21 | |
# Let's face the music and dance | 0:00:21 | 0:00:25 | |
# Let's face the music and dance... # | 0:00:25 | 0:00:32 | |
Nice? What the hell does that mean? | 0:00:36 | 0:00:38 | |
-I've met him a few times. I seem to remember him as a decent guy. Hi, Sally. -Oh, hi. | 0:00:38 | 0:00:42 | |
It's Monday morning and the | 0:00:42 | 0:00:44 | |
start of another week at the Olympic Deliverance Commission in London. | 0:00:44 | 0:00:48 | |
Siobhan Sharpe, from PR company Perfect Curve, | 0:00:48 | 0:00:51 | |
has asked for a meeting with Head of Deliverance, Ian Fletcher. | 0:00:51 | 0:00:54 | |
We've got 15,000 people in the NEC. | 0:00:54 | 0:00:56 | |
We've got Take That. We've got Beckham. | 0:00:56 | 0:00:58 | |
-We've got Boris, too. -Oh no, really? -Yeah, I know, I tried. | 0:00:58 | 0:01:01 | |
No, I said, if he comes they're going to have to sew his shirt into his trousers first. | 0:01:01 | 0:01:05 | |
Her brief as Head of Brand for 2012 includes handling the Raising The Bar scheme, | 0:01:05 | 0:01:09 | |
which is intended to involve young people in the excitement and inspiration of the Games. | 0:01:09 | 0:01:13 | |
Let's look at our options. | 0:01:13 | 0:01:15 | |
-OK, our options are, we've got one option here. -OK. Shall I just...? | 0:01:15 | 0:01:17 | |
-OK, sure. -With a major relaunch of the scheme at the NEC in Birmingham only weeks away to coincide with the | 0:01:17 | 0:01:24 | |
International Day for Youth, she's become concerned | 0:01:24 | 0:01:26 | |
that the person chosen as its public face may not be the best choice. | 0:01:26 | 0:01:30 | |
-Let's stay positive on this, shall we? -I'm totally positive. | 0:01:30 | 0:01:32 | |
You want people to be inspired, they've got to stay conscious first. | 0:01:32 | 0:01:35 | |
I've never actually been to Warwick before, so that's pretty interesting for a start. | 0:01:37 | 0:01:42 | |
Meanwhile, the man in question, ex-Olympic athlete Dave Wellbeck, is on the road. | 0:01:42 | 0:01:45 | |
I was having a look on the internet and, apparently, they've got a castle here, which is handy. | 0:01:45 | 0:01:52 | |
I might work that into the old presentation. | 0:01:52 | 0:01:55 | |
-Great stuff. -After winning a silver medal in the 1,500 metres in Sydney | 0:01:55 | 0:01:59 | |
in 2000, he went on to take silver again in Athens in 2004 before his career was gradually cut short. | 0:01:59 | 0:02:06 | |
That's very good, Dion. Come on, all the way. | 0:02:06 | 0:02:08 | |
Fast legs. Let's go. | 0:02:08 | 0:02:09 | |
To be honest, I didn't know what to do | 0:02:09 | 0:02:12 | |
with my life after I stopped competing. | 0:02:12 | 0:02:14 | |
All I knew was I wanted to put something back. | 0:02:14 | 0:02:18 | |
To feel like you're making the difference. | 0:02:18 | 0:02:21 | |
You might be switching on some kid out there, whereby you completely | 0:02:21 | 0:02:24 | |
change the course of their future future. | 0:02:24 | 0:02:27 | |
It can't get any better than that, can it? | 0:02:27 | 0:02:29 | |
Don't worry about those feet, they'll follow your shoulders. | 0:02:29 | 0:02:33 | |
That's it, good boy, come on, great stuff! | 0:02:33 | 0:02:35 | |
Right, here we go. Showtime! | 0:02:36 | 0:02:40 | |
In his role as official 2012 Olympic hero, it's his job to get out | 0:02:41 | 0:02:46 | |
there and spread the word about Raising The Bar to young people. | 0:02:46 | 0:02:49 | |
Today he's come to St Peter's School in Warwick. | 0:02:49 | 0:02:53 | |
-Hi. -Morning. Can I help you? | 0:02:54 | 0:02:57 | |
Yes, hi, Dave Wellbeck. | 0:02:57 | 0:02:59 | |
Oh, yes. Welcome to St Peter's. I'll tell Colin you're here. | 0:02:59 | 0:03:02 | |
-Great stuff. -You found us all right, then? | 0:03:02 | 0:03:04 | |
Yeah, yeah, no sweat. | 0:03:04 | 0:03:07 | |
-Saying that, I did take a left too early and ended up at, is it Sainsbury's Homebase? -Right. -Yeah. | 0:03:07 | 0:03:12 | |
You know, and PC World, and then I almost got siphoned back on to the bypass up towards Lea-mington Spa. | 0:03:12 | 0:03:19 | |
-Leamington. -Yeah. -No, he's not answering. | 0:03:19 | 0:03:21 | |
-I'll try his mobile. -So, I was like, "Oh, OK, this is interesting. | 0:03:21 | 0:03:25 | |
"If I'm not careful, I'll end up at the castle." | 0:03:25 | 0:03:26 | |
-The castle? -Yeah. Then where would I be? | 0:03:26 | 0:03:29 | |
The castle's in the other direction completely. | 0:03:29 | 0:03:31 | |
-Right. -It's in the centre of town. | 0:03:31 | 0:03:33 | |
-You can see it from the car park. -Yeah. | 0:03:33 | 0:03:35 | |
So, no, apart from that, straight down the line. | 0:03:35 | 0:03:38 | |
Your colleague's already here. She's outside on the phone, I think. | 0:03:38 | 0:03:42 | |
Oh, nice one. | 0:03:42 | 0:03:44 | |
Colin, it's Carol. I've got Dave Wellbeck here at reception. | 0:03:44 | 0:03:48 | |
-Yeah. Great stuff. -Hey. | 0:03:48 | 0:03:50 | |
Hi. | 0:03:50 | 0:03:52 | |
For today's presentation, Siobhan has decided to make the trip up from London to Warwick. | 0:03:52 | 0:03:57 | |
I mean, you've got to know that Raising The Bar is at the heart of what we're about as a brand. | 0:03:57 | 0:04:02 | |
-Right. -She's keen to see for herself just how high up Dave is managing to Raise The Bar. | 0:04:02 | 0:04:07 | |
And it's out here in places like, umm... | 0:04:07 | 0:04:09 | |
Places like this that we need to be. | 0:04:09 | 0:04:11 | |
-Warwick. -And that we need to be inspiring young kids | 0:04:11 | 0:04:15 | |
to say, you know, "Hey, do you know what? | 0:04:15 | 0:04:17 | |
"This is cool, I can be a hero, too." | 0:04:17 | 0:04:19 | |
-Right, no pressure, then. -And I think I'm right in saying that Dave is the only British athlete | 0:04:19 | 0:04:25 | |
to have achieved the feat of two middle distance silver medals at consecutive Olympic Games. | 0:04:25 | 0:04:33 | |
I think the first few times you do it you get nervous, obviously, but then you get into it. | 0:04:33 | 0:04:39 | |
But, to be honest, as an athlete you are a performer anyway, so it's pretty much the same thing | 0:04:39 | 0:04:44 | |
except you're using your mouth instead of your legs. | 0:04:44 | 0:04:47 | |
Give it up for Dave Wellbeck! | 0:04:47 | 0:04:50 | |
APPLAUSE | 0:04:50 | 0:04:52 | |
Thank you. That's... | 0:04:58 | 0:05:00 | |
-Well, first of all thank you, Kevin. -Colin. | 0:05:00 | 0:05:03 | |
And hello, Warwick! | 0:05:03 | 0:05:05 | |
A friend of mine once told me that a good speech should begin with a joke, an anecdote and a... | 0:05:10 | 0:05:16 | |
No, should begin with an anecdote, a joke and a laugh. | 0:05:16 | 0:05:20 | |
Well, there's an anecdote. | 0:05:20 | 0:05:22 | |
There's a joke and there's a laugh. | 0:05:22 | 0:05:26 | |
So, what do we mean when we talk about Raising The Bar? | 0:05:31 | 0:05:34 | |
OK, funny you should ask that. | 0:05:34 | 0:05:37 | |
It's gone to sleep. | 0:05:42 | 0:05:45 | |
Probably having a power nap. | 0:05:45 | 0:05:47 | |
That's not bad actually, I just made it up. | 0:05:47 | 0:05:49 | |
PowerPoint having a power nap. Great stuff. | 0:05:49 | 0:05:52 | |
OK, so... Ah! OK. | 0:05:52 | 0:05:55 | |
OK, we're good. Right. | 0:05:55 | 0:05:57 | |
So, what do we mean when we talk about Raising The Bar? | 0:05:57 | 0:06:01 | |
OK. Well, it's funny you should ask that. | 0:06:01 | 0:06:04 | |
Top question. Now, we have all been... | 0:06:04 | 0:06:08 | |
Oh, OK. No, that's gone on ahead now. | 0:06:08 | 0:06:11 | |
That's the thing about computers, isn't it? They're not... | 0:06:13 | 0:06:16 | |
Some of them, they're just... OK, no, we're good. We're good. | 0:06:16 | 0:06:19 | |
That's... OK, right. | 0:06:19 | 0:06:21 | |
OK. Well, that's two false starts. | 0:06:21 | 0:06:23 | |
One more and I'll be disqualified! | 0:06:23 | 0:06:25 | |
I'll just explain that. | 0:06:29 | 0:06:31 | |
You're allowed three false starts and then... | 0:06:31 | 0:06:33 | |
You're not allowed three, you're allowed two false starts and then you're out. | 0:06:33 | 0:06:36 | |
You're out of the race. You're disqualified. | 0:06:36 | 0:06:38 | |
In running, I mean. | 0:06:38 | 0:06:41 | |
Just like in life. | 0:06:41 | 0:06:43 | |
OK, good stuff. | 0:06:43 | 0:06:45 | |
When we talk about Olympic values, what are they? | 0:06:45 | 0:06:50 | |
Right, OK. Just talk amongst yourselves for one minute. | 0:06:52 | 0:06:56 | |
He doesn't mean that literally, all right? | 0:06:56 | 0:06:59 | |
For many in today's young audience, it will be the degree of crossover | 0:06:59 | 0:07:02 | |
between the skills required to become the second best athlete in your field | 0:07:02 | 0:07:06 | |
and those required to be a public speaker that's the biggest surprise. | 0:07:06 | 0:07:10 | |
OK. Right, OK. Great. Good stuff. | 0:07:10 | 0:07:13 | |
But what...? | 0:07:13 | 0:07:17 | |
So when we talk about Olympic values, what are they? | 0:07:17 | 0:07:22 | |
Well, here's one that I prepared earlier. | 0:07:22 | 0:07:24 | |
Friendship! | 0:07:27 | 0:07:29 | |
Friendship, OK? | 0:07:29 | 0:07:31 | |
Now, being a hero isn't just about winning. | 0:07:31 | 0:07:35 | |
We could say it's not about being king of the castle. | 0:07:35 | 0:07:38 | |
Being a hero is about making new friendships wherever your castle may end up, | 0:07:38 | 0:07:44 | |
even if it ends up right here in Warwick. | 0:07:44 | 0:07:47 | |
Warwick Castle. | 0:07:49 | 0:07:50 | |
-The guy is a major disaster area. -OK, I hear what you're saying, Siobhan. | 0:07:57 | 0:08:01 | |
Back in London, after having to leave Warwick early, | 0:08:01 | 0:08:04 | |
Siobhan has gone straight back to the Olympic Deliverance Commission. | 0:08:04 | 0:08:07 | |
With the forthcoming International Concert for Youth | 0:08:07 | 0:08:10 | |
at the NEC very much in mind, she's keen to share her findings about Dave Wellbeck with Ian. | 0:08:10 | 0:08:15 | |
So, we're committed to the concert. | 0:08:15 | 0:08:16 | |
We're committed to Raising The Bar being part of that event. | 0:08:16 | 0:08:19 | |
So, these are the things we can't change. | 0:08:19 | 0:08:21 | |
Why don't we focus on the things we can change? | 0:08:21 | 0:08:23 | |
-Sure. We lose Wellbeck. -Well, I'm reluctant to look at that at this stage. | 0:08:23 | 0:08:26 | |
OK, that guy walks on to the stage with his laptop, | 0:08:26 | 0:08:29 | |
-we're dead history. -But... -Period. | 0:08:29 | 0:08:31 | |
-But what if he didn't just walk out there with his laptop? -Say again? | 0:08:31 | 0:08:33 | |
I mean, is there some sort of media training in the time available? | 0:08:33 | 0:08:37 | |
The guy does not need media training, Ian. This guy needs a complete oil change. | 0:08:37 | 0:08:41 | |
Right. So, we know someone who can do that? | 0:08:41 | 0:08:44 | |
-OK, sure. -Good. | 0:08:44 | 0:08:45 | |
Good. | 0:08:45 | 0:08:47 | |
It's a Green Beacon. It's a symbol of our commitment to a One Planet 2012. | 0:08:48 | 0:08:52 | |
I'm sorry, it doesn't matter what it's a beacon of if you haven't got any wind. | 0:08:52 | 0:08:55 | |
Meanwhile, elsewhere in the building, other wheels are turning. | 0:08:55 | 0:08:59 | |
If you look at a two week period over the last 10 years, you've got | 0:08:59 | 0:09:02 | |
a wind speed of less than 3kph on a mean average of eight out of 14 days. | 0:09:02 | 0:09:06 | |
But that's an average. That doesn't mean anything. | 0:09:06 | 0:09:08 | |
-Yes, it does. -That's like saying the average height for a woman is 5'4", OK? | 0:09:08 | 0:09:12 | |
-How come I'm 5'7", then? -That's just daft. | 0:09:12 | 0:09:14 | |
You're never 5'7" for a kick off. | 0:09:14 | 0:09:15 | |
Head of Sustainability, Kay Hope, is discussing plans for the Olympic Park wind turbine, or so called | 0:09:15 | 0:09:20 | |
Angel Of Leyton, with Head of Contracts Nick Jowett and Head of Infrastructure Graham Hitchins. | 0:09:20 | 0:09:27 | |
I'm sorry, I really think this is important. | 0:09:27 | 0:09:29 | |
I'm sorry, Kay. I'm all for saving the planet. | 0:09:29 | 0:09:31 | |
I've no problem with that. But this is like building a very expensive boat in the middle of a desert. | 0:09:31 | 0:09:37 | |
-Well, I'm sorry, I'm from Yorkshire. -It's difficult enough as it is. | 0:09:37 | 0:09:39 | |
-This is the one thing that makes sustainability visible. -Yeah, it is bloody big. | 0:09:39 | 0:09:43 | |
If we lose that, I mean what is 2012 about? | 0:09:43 | 0:09:45 | |
-Yeah. -You know? | 0:09:45 | 0:09:47 | |
-Yeah. -Well, sport. | 0:09:47 | 0:09:49 | |
Yeah, sport. And stuff like archery. | 0:09:49 | 0:09:52 | |
-And what's the...? Oh...diversity. -I'm not going to let this go. | 0:09:52 | 0:09:57 | |
-I'm sorry. -Well, then we've got a problem. | 0:09:57 | 0:09:59 | |
-Yeah, it is going to be a problem, yeah. -Good. Well, we agree, then. | 0:09:59 | 0:10:02 | |
-That's what it is. -Yep, fine. | 0:10:02 | 0:10:04 | |
Yeah. | 0:10:04 | 0:10:06 | |
Seb, hi. How are you? | 0:10:06 | 0:10:08 | |
Oh, you know, pretty good, I think. | 0:10:08 | 0:10:09 | |
Busy but happy, so that's all good. | 0:10:09 | 0:10:11 | |
Meanwhile, Ian has had a call from upstairs. | 0:10:11 | 0:10:14 | |
Yes. Friday week, the 17th, I think. | 0:10:14 | 0:10:17 | |
Well, we're not sure about Cheryl Cole yet, Cheryl Tweedie yet, | 0:10:17 | 0:10:20 | |
but we've definitely got Take That. And... | 0:10:20 | 0:10:23 | |
Yes, he is coming. Yes, his office called last week and... | 0:10:23 | 0:10:28 | |
Well, we made that point, but he's coming anyway. Oh, really? | 0:10:28 | 0:10:34 | |
Well, that's great, that's fantastic. | 0:10:34 | 0:10:37 | |
No, excellent. Absolutely. | 0:10:37 | 0:10:39 | |
Absolutely. Well, hurrah for that. | 0:10:39 | 0:10:41 | |
Yeah. Well, Birmingham here we come, basically. | 0:10:41 | 0:10:44 | |
No, it's good, it's all good. | 0:10:44 | 0:10:46 | |
-So, what's the...? -Now he's coming to the NEC concert, as well. | 0:10:46 | 0:10:49 | |
-Is that good for you? -No, I mean it's fine. | 0:10:49 | 0:10:51 | |
Suddenly everyone wants a piece of the Raising the Bar scheme. | 0:10:51 | 0:10:54 | |
It's become like having your photograph taken with Johnny Depp. | 0:10:54 | 0:10:56 | |
Which is fine if you've got Johnny Depp, and I like the guy a lot, we haven't got Johnny Depp. | 0:10:56 | 0:11:00 | |
-We've got Dave Wellbeck. -Right. -Which is somehow different. -Yes. | 0:11:00 | 0:11:03 | |
-Sally, you're a star. -That's fine. | 0:11:03 | 0:11:05 | |
-Your wife's been trying to... -Yes, I know. | 0:11:05 | 0:11:06 | |
-Shall I say you're...? -Yes, could you? That'd be great. -Sure. | 0:11:06 | 0:11:09 | |
-Sally knows more about me than I do myself. -Right. | 0:11:09 | 0:11:12 | |
Not a problem. | 0:11:12 | 0:11:13 | |
Following her discussion with Ian, Siobhan has arranged for | 0:11:15 | 0:11:19 | |
Dave Wellbeck to visit one of London's most innovative performance coaches. | 0:11:19 | 0:11:23 | |
-Yeah, hi? -Yes, hello, it's Dave Wellbeck. | 0:11:28 | 0:11:31 | |
Oh, hi, Dave. Yeah, come on up. | 0:11:31 | 0:11:33 | |
Thanks. | 0:11:33 | 0:11:35 | |
Hi, Dave. | 0:11:35 | 0:11:38 | |
Hi. | 0:11:38 | 0:11:39 | |
-How are you? -Yeah, I'm pretty good, thanks. | 0:11:39 | 0:11:41 | |
-That's cool. -Not too bad at all, in actual fact. | 0:11:41 | 0:11:44 | |
-Come on through. -Nice one. | 0:11:44 | 0:11:48 | |
Jason Topper originally studied as an actor at a number of well-known drama schools in London. | 0:11:48 | 0:11:53 | |
OK, Dave. So, first of all, we don't need shoes, yeah? | 0:11:53 | 0:11:58 | |
-So let's say goodbye to those. -OK. | 0:11:58 | 0:12:00 | |
Fair enough. | 0:12:00 | 0:12:02 | |
Goodbye, shoes. | 0:12:04 | 0:12:07 | |
He went on to audition for a wide variety of roles in radio, on stage, in television and film, | 0:12:07 | 0:12:11 | |
both here and in America, before realising that his real vocation | 0:12:11 | 0:12:15 | |
all along had been in the field of transformational personal reprogramming. | 0:12:15 | 0:12:20 | |
So, you tell me what you think we're going to be doing here today. | 0:12:20 | 0:12:24 | |
Tell me what your expectations are. | 0:12:24 | 0:12:26 | |
OK. Yes. Hoping you can give me a bit of help on the old presentation front. | 0:12:26 | 0:12:31 | |
Uh-huh. And how are we going to do that? | 0:12:31 | 0:12:33 | |
Right, OK. Well, I brought my laptop along, you know, with the old PowerPoint. | 0:12:33 | 0:12:37 | |
-What I was thinking was, I could do you a little bit of my... -No. | 0:12:37 | 0:12:41 | |
-No? -Nope. It's not going to happen. | 0:12:41 | 0:12:43 | |
-OK. -No, I'm going to ask you to put that bag outside in a moment because I don't want it in this room. | 0:12:43 | 0:12:48 | |
-We don't need it. -Right. | 0:12:48 | 0:12:50 | |
-But before you do that, I want you to do something for me. -OK. | 0:12:50 | 0:12:54 | |
You're about to go to sleep. | 0:12:54 | 0:12:56 | |
Right, am I? Blimey, that's... | 0:12:56 | 0:12:58 | |
No, no, no, no. Stay with me, Dave. Listen, yeah? | 0:12:58 | 0:13:01 | |
It's night. | 0:13:01 | 0:13:02 | |
You're about to go to sleep and you're beginning to slip away, but just on the edge of your mind | 0:13:02 | 0:13:07 | |
is all the stuff that Dave Wellbeck worries about. | 0:13:07 | 0:13:11 | |
Right. I mean, to be honest, I am pretty much out like a light. | 0:13:11 | 0:13:15 | |
Well, this is stuff he may not even be aware of, but it is there and it's just waiting for him to go to sleep. | 0:13:15 | 0:13:22 | |
-Blimey. -Yeah. I want you to take that bad stuff... | 0:13:22 | 0:13:27 | |
-Hmm. -..and I want you to put it in that bag. | 0:13:27 | 0:13:29 | |
OK. | 0:13:33 | 0:13:35 | |
-Sorry, I'm a bit... -No, don't tell me what it is. | 0:13:35 | 0:13:38 | |
It's bad stuff, yeah? I don't want it. | 0:13:38 | 0:13:40 | |
Right. OK, I see. | 0:13:40 | 0:13:42 | |
-So I'll just pop it in the bag? -In the bag. | 0:13:46 | 0:13:49 | |
OK? | 0:13:56 | 0:13:58 | |
Yeah, have you done that? Is it in there? | 0:13:58 | 0:14:00 | |
-I think so. Yes. -Ok, good, good, good. Well done, Dave. | 0:14:00 | 0:14:04 | |
Now, I want you to take the bag, put it outside the room and I want you to leave it there. | 0:14:04 | 0:14:08 | |
Right. | 0:14:08 | 0:14:09 | |
Right. Will it be safe out there? | 0:14:09 | 0:14:11 | |
Just because, aside from the bad stuff, I do have my laptop in there. | 0:14:11 | 0:14:16 | |
-It'll be fine. -And my phone charger. -Dave, it'll be safe. | 0:14:16 | 0:14:19 | |
OK. | 0:14:19 | 0:14:20 | |
OK. | 0:14:22 | 0:14:24 | |
First of all... OK, here's the thing. | 0:14:27 | 0:14:29 | |
This is a totally impossible task. | 0:14:29 | 0:14:31 | |
What we're talking about here is a miracle. | 0:14:31 | 0:14:34 | |
OK, but, I've got no option. | 0:14:34 | 0:14:36 | |
Ian's like, he's Head of Deliverance, he's trying to keep everybody happy. | 0:14:36 | 0:14:39 | |
I get that. So, you've got one shot at this. | 0:14:39 | 0:14:43 | |
You need a miracle worker, what are you going to do? | 0:14:43 | 0:14:46 | |
Well, I suppose you go to... | 0:14:46 | 0:14:47 | |
Well, you are going to find out who the "go to" guy is, and then go some place else. | 0:14:47 | 0:14:52 | |
-Right. Yes. -Yeah. -Right. | 0:14:53 | 0:14:56 | |
OK, Dave, | 0:14:57 | 0:14:59 | |
start by shaking these arms out, shall we? | 0:14:59 | 0:15:01 | |
-OK. -Get rid of some of this stiffness. | 0:15:01 | 0:15:03 | |
-Right, very good. -No, your arms. | 0:15:03 | 0:15:04 | |
Oh, yeah. OK. | 0:15:04 | 0:15:06 | |
The theories on which transformational personal reprogramming | 0:15:06 | 0:15:09 | |
is based were developed in New Mexico in the 1980s. | 0:15:09 | 0:15:14 | |
But Jason is convinced that they work equally well in present-day Shepherd's Bush. | 0:15:14 | 0:15:18 | |
Slowly but surely, he is preparing Dave for whatever it is that might happen next. | 0:15:18 | 0:15:23 | |
First of all... | 0:15:23 | 0:15:24 | |
..who are you seeing? | 0:15:26 | 0:15:28 | |
-Dave Wellbeck. -OK. Dave Wellbeck. | 0:15:28 | 0:15:30 | |
Good. You are going to look at him for as long as you want to. | 0:15:30 | 0:15:33 | |
There's nothing he can do about it. OK. | 0:15:33 | 0:15:36 | |
Now...tell me what you think he's seeing. | 0:15:39 | 0:15:44 | |
Right. Yeah. | 0:15:44 | 0:15:46 | |
What do you actually mean? | 0:15:48 | 0:15:50 | |
-Tell me three things that he really likes about you. -Right. OK. | 0:15:50 | 0:15:56 | |
-Umm. -No, don't let him look away. -No. | 0:15:56 | 0:15:59 | |
-Three? -Yeah. Three things about you that he's really jealous of. -OK. | 0:15:59 | 0:16:04 | |
Umm...my nose? | 0:16:04 | 0:16:07 | |
-Your nose? -No, that's rubbish, sorry. | 0:16:07 | 0:16:08 | |
-No, no! -No, no, OK, OK. I think he probably quite likes my trousers. | 0:16:08 | 0:16:12 | |
-OK. -Because I bought two pairs of these when I found them and I've | 0:16:12 | 0:16:17 | |
-never actually done that before. -Do you know the thing | 0:16:17 | 0:16:19 | |
that he likes about you most? | 0:16:19 | 0:16:22 | |
The thing that he's most jealous of? | 0:16:22 | 0:16:24 | |
I'd have to go with the trousers. | 0:16:24 | 0:16:26 | |
No. | 0:16:26 | 0:16:28 | |
-You. -Yeah. | 0:16:28 | 0:16:30 | |
What? | 0:16:30 | 0:16:33 | |
You. | 0:16:33 | 0:16:34 | |
That's the thing that he really loves about you. | 0:16:36 | 0:16:41 | |
OK, what I'm asking us to do here is think laterally on this. | 0:16:46 | 0:16:50 | |
Can I just say, I don't think we should think laterally? | 0:16:50 | 0:16:52 | |
I don't think that would be helpful. | 0:16:52 | 0:16:54 | |
Back at the ODC, it's Friday. | 0:16:54 | 0:16:57 | |
Kay's right to feel strongly about this. We start from the position | 0:16:57 | 0:17:00 | |
-that legacy is embedded as a core value in everything we do and are. -Fine. -Legacy? | 0:17:00 | 0:17:05 | |
-Sustainability, obviously. -Yeah, exactly. | 0:17:05 | 0:17:07 | |
Ian is hoping to find a solution to the wind turbine problem that keeps everybody happy. | 0:17:07 | 0:17:11 | |
Something that makes an equally bold statement of our commitment | 0:17:11 | 0:17:14 | |
to green energy but that isn't, in essence, a wind turbine. | 0:17:14 | 0:17:17 | |
-Call me old fashioned, but we've already got a biomass fuel energy unit in the Energy Centre. -Right. | 0:17:17 | 0:17:22 | |
-Oh, brilliant! -It's green as hell and it's staring us in the face. | 0:17:22 | 0:17:25 | |
OK, first of all, no-one knows what a biomass fuel energy unit is. | 0:17:25 | 0:17:28 | |
-Right, basically... -I don't want to know, OK? | 0:17:28 | 0:17:31 | |
-OK. -You can't see it, you can't touch it, you can't smell it. | 0:17:31 | 0:17:34 | |
You can't smell a wind turbine either. | 0:17:34 | 0:17:36 | |
-A turbine... -You can actually smell biomass fuel. -Look... | 0:17:36 | 0:17:39 | |
-OK, keep your hair on. -A wind turbine is big, it's bold, it's sexy. | 0:17:39 | 0:17:43 | |
It's a symbol of everything sustainability should be. | 0:17:43 | 0:17:46 | |
-Right. -I don't care if there's no wind, I really think that. | 0:17:46 | 0:17:49 | |
Don't look at me. I can't say anything right. | 0:17:49 | 0:17:51 | |
He's in a meeting at the moment, so I imagine he's turned it off. | 0:17:51 | 0:17:54 | |
Meanwhile, Ian Fletcher's PA, Sally Owen, is protecting him | 0:17:54 | 0:17:57 | |
from any unnecessary calls, irrespective of whether they're from his wife or not. | 0:17:57 | 0:18:02 | |
Yes, you can if you like, but I know he's got a pretty full day today. | 0:18:02 | 0:18:06 | |
I'm sorry, I can't, I'm afraid. | 0:18:07 | 0:18:08 | |
I'll make sure he knows you called, though. | 0:18:08 | 0:18:11 | |
Obviously, when the job's as big as this, you've got to be efficient, | 0:18:11 | 0:18:14 | |
but anyone can be efficient if they want it enough. | 0:18:14 | 0:18:16 | |
So what would you say is the most impotant part of your job? | 0:18:16 | 0:18:19 | |
-Everybody wants a piece of Ian, but they can't always have it. -No. | 0:18:19 | 0:18:23 | |
I suppose what I'd say is that in the end it's my responsibility to make sure he's happy. | 0:18:23 | 0:18:26 | |
Right, that's quite a responsibility. | 0:18:26 | 0:18:30 | |
It is, but in the end if I don't do it, no-one else is going to, are they? | 0:18:30 | 0:18:33 | |
-No. No, they won't. -No. | 0:18:33 | 0:18:36 | |
OK, well...here's something. | 0:18:36 | 0:18:39 | |
It looks like we can't actually have a functioning wind turbine, but is there a way that we could have | 0:18:39 | 0:18:45 | |
a wind turbine that functions as a beacon for everything a wind turbine stands for? | 0:18:45 | 0:18:50 | |
Yeah that's... A what? | 0:18:50 | 0:18:53 | |
I'm sorry, you're going to have to run that by me again, I'm afraid. | 0:18:53 | 0:18:56 | |
Like a giant installation piece? | 0:18:56 | 0:18:58 | |
-Exactly. -So it would be exactly the same, except the thingies wouldn't go round. | 0:18:58 | 0:19:01 | |
Yes, or you could perhaps install a motor or... | 0:19:01 | 0:19:03 | |
-What, a powered wind turbine? -Well, I'm just... | 0:19:03 | 0:19:07 | |
You run it off your biomass energy unit, yeah? | 0:19:07 | 0:19:09 | |
-Right. -Everyone's a winner. | 0:19:09 | 0:19:10 | |
-OK. -Well, there you go. | 0:19:10 | 0:19:13 | |
I mean, it's obvious. Mind you, it's probably wrong. | 0:19:13 | 0:19:16 | |
Yeah, I've been doing quite a bit of thinking since I met with Jason. | 0:19:19 | 0:19:23 | |
Quite a bit. | 0:19:23 | 0:19:26 | |
I...think he was onto something. | 0:19:26 | 0:19:28 | |
Meanwhile, Dave Wellbeck is on his way to another school, this time in Basingstoke, | 0:19:28 | 0:19:32 | |
and he's something of a changed man. | 0:19:32 | 0:19:34 | |
I'm not going to use my cue cards, I'm not going to use my PowerPoint. | 0:19:34 | 0:19:39 | |
Dave Wellbeck is loosening right up. | 0:19:39 | 0:19:41 | |
This time, both Siobhan and Ian have made the journey from London | 0:19:49 | 0:19:53 | |
to see if Dave's work with Jason Topper has been successful. | 0:19:53 | 0:19:56 | |
-Hi, guys. -Hey, Dave! | 0:19:56 | 0:19:58 | |
-Hey. Thanks for coming again. -No, you got it. | 0:19:58 | 0:20:00 | |
You know Ian Fletcher, Head of Deliverance. | 0:20:00 | 0:20:03 | |
-Ian Fletcher, Head of Deliverance. -Oh, yes, look, right, yeah, yeah, excellent, wow. | 0:20:03 | 0:20:08 | |
Wow, you guys, this is... | 0:20:09 | 0:20:12 | |
-Good. -When I arrived and saw Siobhan but also Ian Fletcher standing there, | 0:20:12 | 0:20:17 | |
to be honest, I was almost quite moved, to be honest. | 0:20:17 | 0:20:20 | |
..Olympic gold medallist... silver, my apologies, Dave. | 0:20:20 | 0:20:23 | |
'It's like running in front of your home crowd, whereby you literally fly. | 0:20:23 | 0:20:28 | |
'Well, not literally, obviously, but in actual fact you literally run faster. | 0:20:28 | 0:20:33 | |
'Or at least you literally feel like you are.' | 0:20:33 | 0:20:35 | |
So without further ado, I'd like to introduce Dave Wellbeck. Dave. | 0:20:35 | 0:20:39 | |
APPLAUSE | 0:20:39 | 0:20:43 | |
Thank you. Thanks, guys. Thank you. | 0:20:43 | 0:20:45 | |
Thank you. | 0:20:45 | 0:20:46 | |
So...well, first of all, thank you, erm... | 0:20:48 | 0:20:50 | |
Thank you. | 0:20:52 | 0:20:54 | |
OK, great stuff. | 0:20:54 | 0:20:56 | |
So...hello, Basingstoke! | 0:20:58 | 0:21:00 | |
Er... | 0:21:02 | 0:21:06 | |
A good friend of mine once told me that a good speech | 0:21:06 | 0:21:10 | |
should begin with a joke, an anecdote and a laugh. I'm not going to bother with that today. | 0:21:10 | 0:21:15 | |
In actual fact, I think that might have been the other way round, but that doesn't matter. | 0:21:15 | 0:21:19 | |
OK. It was the other way round. Who cares? | 0:21:19 | 0:21:21 | |
Who can tell me what "raising the bar" means? | 0:21:21 | 0:21:26 | |
Anybody? Raising the bar? | 0:21:26 | 0:21:29 | |
OK, so, but we all have our personal bars in our lives, don't we? | 0:21:31 | 0:21:37 | |
But no, if you're a high jumper... | 0:21:40 | 0:21:43 | |
Actually, do we have any high jumpers here today? | 0:21:43 | 0:21:47 | |
Any high jumpers? | 0:21:49 | 0:21:51 | |
No, but you are trying to jump over an actual bar, like a real solid metal... | 0:21:52 | 0:21:58 | |
Well, it's not metal, obviously. It's probably some | 0:21:58 | 0:22:01 | |
kind of plastic or graphite compound, I should imagine... | 0:22:01 | 0:22:05 | |
And the higher you jump, the higher you have to... | 0:22:05 | 0:22:08 | |
Unless you raise that bar, then you're never going to get over it...is... | 0:22:10 | 0:22:15 | |
Yeah. But that's all very well and good, but how are we going to achieve that? | 0:22:15 | 0:22:22 | |
When we talk about Olympic values, what are...? | 0:22:25 | 0:22:28 | |
That's what I'm going to do now, OK? | 0:22:28 | 0:22:30 | |
But what is friendship? | 0:22:30 | 0:22:32 | |
Anybody here have any friends? | 0:22:34 | 0:22:36 | |
Anybody? Yes? Excellent. | 0:22:38 | 0:22:40 | |
-And w-w-w-what's your name? -Naomi. | 0:22:42 | 0:22:45 | |
Excellent, very good, Naomi, and where do you live, Naomi? | 0:22:45 | 0:22:48 | |
I don't want to know that, obviously. | 0:22:48 | 0:22:50 | |
Back in London, Ian and Siobhan are already busy considering their options. | 0:22:52 | 0:22:57 | |
-There's Louise Richards. -Right. -She's perfect for Raising The Bar. | 0:22:57 | 0:23:01 | |
She's real smart, she looks great in heels, and the key thing | 0:23:01 | 0:23:04 | |
she has going for her is she's not Dave Wellbeck. | 0:23:04 | 0:23:06 | |
-Yes. What's she been doing? -Great question... | 0:23:06 | 0:23:08 | |
With only nine days to go before the International Concert for Youth, | 0:23:08 | 0:23:11 | |
they know that if they're going to make a decision, | 0:23:11 | 0:23:14 | |
they need to do it now before they run out of ex-athletes. | 0:23:14 | 0:23:17 | |
-And what is it she won? -What did she win? | 0:23:17 | 0:23:20 | |
Jesus, Ian, give me a break, I'm not Nostradamus. | 0:23:20 | 0:23:23 | |
-Oh, OK, 400m hurdles, Athens. -Right, exactly, what's not to like? | 0:23:23 | 0:23:27 | |
No, you're right about this, Siobhan. | 0:23:27 | 0:23:29 | |
-Well, duh! -I feel we've tried with Dave Wellbeck, we've given him another chance. | 0:23:29 | 0:23:32 | |
And the guy sucked. He went out there and he totally ate carpet. | 0:23:32 | 0:23:35 | |
OK, whatever, but I'm clear on this, I'll action this, but I'm not going to just sack him. | 0:23:35 | 0:23:39 | |
-Right. -He's a whole-hearted guy, he tries hard, he never gives up. -Yeah, yeah. | 0:23:39 | 0:23:43 | |
I want to find something else for him to... | 0:23:43 | 0:23:45 | |
-I'm totally cool with that. -Yeah, so what about the Paralympics? | 0:23:45 | 0:23:48 | |
-Yep, that's cool. -Cos you think, how much damage could he actually...? -That's a good area. | 0:23:48 | 0:23:52 | |
Or is there anything in the whole Cultural Olympiad area... | 0:23:52 | 0:23:55 | |
-You're killing me. -No, OK, I just had to say it. | 0:23:55 | 0:23:57 | |
In a way, it's a shame that Raising The Bar is all about young people. | 0:23:57 | 0:24:01 | |
Right. | 0:24:01 | 0:24:03 | |
We don't have a scheme to inspire old people, do we? | 0:24:03 | 0:24:06 | |
No, nuh-uh. | 0:24:06 | 0:24:07 | |
Like any team, this is a team made up of people with very different strengths. | 0:24:07 | 0:24:12 | |
I'd say Siobhan's key strength is that she's absolutely 100% committed to being right about things. | 0:24:12 | 0:24:17 | |
-Right, how do you feel about that? -It's my job to manage and harness that commitment. | 0:24:17 | 0:24:21 | |
And how do you feel about that? | 0:24:21 | 0:24:23 | |
Yes, I mean it's not my job to have feelings about it. | 0:24:23 | 0:24:26 | |
I don't think that would be particularly helpful, | 0:24:26 | 0:24:28 | |
and in Siobhan's case it would be pointless anyway, | 0:24:28 | 0:24:30 | |
she's very clear about not wasting time on things like listening. | 0:24:30 | 0:24:34 | |
Meanwhile, it's another week. | 0:24:38 | 0:24:40 | |
-Dave, hi. -Hey, hi. | 0:24:46 | 0:24:48 | |
Sorry to keep... Sorry to keep you waiting. | 0:24:48 | 0:24:50 | |
No worries, not at all. Huge, isn't it? | 0:24:50 | 0:24:53 | |
Yes, it is. Come on through. | 0:24:53 | 0:24:55 | |
Yeah, nice one. | 0:24:55 | 0:24:57 | |
Ian and Siobhan have invited Dave Wellbeck in for a meeting. | 0:24:57 | 0:25:00 | |
-Siobhan you know, of course. -Hey, Dave. -Yeah, yes, of course. | 0:25:00 | 0:25:03 | |
-Hey! -Hey there. -Have a seat. | 0:25:03 | 0:25:05 | |
Oh, nice one. | 0:25:05 | 0:25:07 | |
They've got a carefully thought through proposal to put to him. | 0:25:07 | 0:25:11 | |
Here's another statistic for you. By 2030, over 60% of us will be over 65. | 0:25:11 | 0:25:16 | |
-Right. -This is a huge constituency we're talking about. | 0:25:16 | 0:25:18 | |
-Here's the thing, Dave. What we want to say here is that old people are our future. -Nice one. | 0:25:18 | 0:25:23 | |
Well Fit is a new campaign aimed at encouraging the elderly | 0:25:23 | 0:25:26 | |
to get involved in the excitement and inspiration of the Games. | 0:25:26 | 0:25:31 | |
It's like my parents, they're both in their 60s. | 0:25:31 | 0:25:33 | |
-Right, OK. There you go. -I don't think of them as old at all. | 0:25:33 | 0:25:36 | |
Exactly, 60 isn't old anymore. That's what Well Fit is all about. | 0:25:36 | 0:25:41 | |
The point is, your parents are absolutely typical. | 0:25:41 | 0:25:43 | |
Well, I don't know about that. You'd have to meet them. | 0:25:43 | 0:25:46 | |
-My mum's pretty wacky, to be honest. -Is she? -Yeah, she's out there. | 0:25:46 | 0:25:49 | |
Right, well, Dave, all I can really say to you is that this is a major campaign for us, | 0:25:49 | 0:25:53 | |
and when we sat down to draw up a list of people who could possibly | 0:25:53 | 0:25:57 | |
front it, we only wrote one name on that list. | 0:25:57 | 0:25:59 | |
-Right. -It was yours. -Well, yes. | 0:26:02 | 0:26:04 | |
Wow. | 0:26:04 | 0:26:06 | |
-I don't know what to say. -I guess we think of it as a more senior position, if you will. | 0:26:06 | 0:26:10 | |
-I will. -Like I say, you'll want some time to think about it. | 0:26:10 | 0:26:13 | |
-Erm, what about Raising The Bar? -Well, yes. | 0:26:13 | 0:26:16 | |
-Because I don't want to let people down. -Of course not. | 0:26:16 | 0:26:19 | |
-I mean, I could maybe do both. -Well, no. | 0:26:19 | 0:26:22 | |
-No. -I don't mind the extra travel. | 0:26:22 | 0:26:23 | |
We feel that would be beyond the call of duty. | 0:26:23 | 0:26:25 | |
Yeah, I don't mind that. | 0:26:25 | 0:26:27 | |
-We've thought about this long and hard, haven't we? -Mm-mm. | 0:26:27 | 0:26:30 | |
And really we're resigned to the fact that if we lose you to Well Fit, | 0:26:30 | 0:26:33 | |
we're just going to have to find somebody else for Raising The Bar. | 0:26:33 | 0:26:36 | |
-Right. -It's been a very difficult decision for us. | 0:26:36 | 0:26:39 | |
Well, like I say to my guys at the academy, | 0:26:39 | 0:26:43 | |
the easy stuff is easy, it's the difficult stuff that's difficult. | 0:26:43 | 0:26:47 | |
-Yes. -Way to go. | 0:26:47 | 0:26:49 | |
I think it's a pretty good outcome, all things considered. | 0:26:51 | 0:26:54 | |
For Ian, meanwhile, all things considered, this has been a pretty good outcome. | 0:26:54 | 0:26:58 | |
Without Dave Wellbeck, we'd never have got to Well Fit. | 0:26:58 | 0:27:02 | |
-Do you feel you've been honest with him? -Honest, what do you mean by that? | 0:27:02 | 0:27:05 | |
Well, it's not really a promotion, is it? | 0:27:05 | 0:27:08 | |
-Well... -Not really. | 0:27:08 | 0:27:10 | |
Let's say you've got an athlete entered in a particular event but keeps losing. | 0:27:10 | 0:27:14 | |
All we've done is, we've entered him in a different event | 0:27:14 | 0:27:17 | |
in which he stands a much better chance of winning. | 0:27:17 | 0:27:20 | |
Right, OK. | 0:27:20 | 0:27:21 | |
I mean, I'm still gobsmacked, to be honest. | 0:27:23 | 0:27:25 | |
To be honest, I can't believe it. | 0:27:25 | 0:27:27 | |
For Dave himself, there's barely time to think straight before settling in to his new role. | 0:27:27 | 0:27:32 | |
I mean, to be honest, when I first started this, | 0:27:32 | 0:27:35 | |
I didn't think I could do it, I didn't think I had it in me. | 0:27:35 | 0:27:39 | |
When I was training, we used to talk about... You can only believe it if you can achieve it. | 0:27:39 | 0:27:44 | |
I never used to... No, wait, it's the other way round, isn't it? | 0:27:44 | 0:27:47 | |
-Er, well... -You can always achieve it if you don't... You can never believe it if you're not... | 0:27:47 | 0:27:51 | |
Anyway, it's when people start to believe in you, that's when you believe in yourself. | 0:27:51 | 0:27:55 | |
-Yes. -And that's when you realise...I'm Dave Wellbeck. | 0:27:55 | 0:27:58 | |
For me to make that kind of journey... | 0:27:58 | 0:28:01 | |
I can't tell you. | 0:28:01 | 0:28:03 | |
For Dave Wellbeck, this has been a personal journey. | 0:28:12 | 0:28:17 | |
He may not know exactly where it's going to take him yet, but through | 0:28:17 | 0:28:20 | |
hard work, sheer determination and other Olympic values, he's surely getting closer to finding out. | 0:28:20 | 0:28:27 | |
OK so...show time. | 0:28:27 | 0:28:29 | |
Yeah. | 0:28:29 | 0:28:30 | |
Great stuff! | 0:28:32 | 0:28:34 | |
Hi. | 0:28:38 | 0:28:40 | |
# There may be trouble ahead | 0:28:49 | 0:28:52 | |
# But while there's moonlight and music and love and romance | 0:28:54 | 0:28:59 | |
# Let's face the music and dance | 0:29:01 | 0:29:05 | |
# Let's face the music and dance.... # | 0:29:05 | 0:29:11 |