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This programme contains very strong language | 0:00:02 | 0:00:05 | |
CHEERING | 0:00:08 | 0:00:10 | |
Mr King? | 0:00:10 | 0:00:12 | |
-Mr King, we're waiting for you. -RHYTHMIC CLAPPING | 0:00:13 | 0:00:16 | |
-SLOW MOTION: -Mr King? Mr King? | 0:00:16 | 0:00:20 | |
Touche or not touche, that is the question. | 0:00:23 | 0:00:25 | |
Take that, you vegan wannabe! | 0:00:25 | 0:00:28 | |
Take that, you Neil Diamond lover. | 0:00:28 | 0:00:29 | |
Hey! Don't knock Jewish Elvis. | 0:00:29 | 0:00:32 | |
Just had my last radiation treatment, bitches! | 0:00:32 | 0:00:36 | |
My tit cancer's been cured, or I'll turn into the Hulk, | 0:00:36 | 0:00:38 | |
but either way, it's a win. | 0:00:38 | 0:00:39 | |
-That's amazing news! -Ah! Careful! | 0:00:39 | 0:00:41 | |
The girls are still tender! | 0:00:41 | 0:00:42 | |
Sorry. Sorry. We're going to celebrate hardcore, right? | 0:00:42 | 0:00:45 | |
No. My follow-up mammogram's not for another six months, | 0:00:45 | 0:00:47 | |
so I won't know if I've got the all clear until then. | 0:00:47 | 0:00:49 | |
PHONE BUZZES | 0:00:49 | 0:00:50 | |
Oh. Shit. | 0:00:50 | 0:00:52 | |
It's OK, I know why I'm here. | 0:00:52 | 0:00:54 | |
Just fire me already, and get it over with. | 0:00:54 | 0:00:56 | |
Bear? | 0:01:01 | 0:01:03 | |
Your new band name. Bear Maximum was giving me cock rot. | 0:01:03 | 0:01:06 | |
-I don't follow. -Explain it to him, Spock. | 0:01:06 | 0:01:08 | |
I think Marsh is trying to rebrand you as a performer, | 0:01:08 | 0:01:10 | |
not just a composer/producer. | 0:01:10 | 0:01:12 | |
I know I said I couldn't package you, but I had a bit of a rethink. | 0:01:12 | 0:01:14 | |
I'll sign you as is - old-school songwriter. | 0:01:14 | 0:01:17 | |
We'll wheel you out as a kind of Joe Cocker meets Elbow. | 0:01:17 | 0:01:19 | |
That's right in the pocket! | 0:01:19 | 0:01:20 | |
Ever heard of Ezra + Riley? Duo on my label? | 0:01:20 | 0:01:23 | |
Total tossers, but they're getting quite big. | 0:01:23 | 0:01:25 | |
First headliners coming up, six-month European tour. | 0:01:25 | 0:01:28 | |
My opener's pulled. | 0:01:28 | 0:01:29 | |
Rehab. I've got your backing band all lined up. | 0:01:29 | 0:01:32 | |
All expenses paid. Tour leaves in a week. | 0:01:32 | 0:01:33 | |
-What about my nephew? -I assume you'll want to bring him. | 0:01:33 | 0:01:36 | |
He's your Ray Manzarek. Everybody loves a bit of keyboards. | 0:01:36 | 0:01:38 | |
So you're asking me to be the opening act on a six-month | 0:01:38 | 0:01:41 | |
European tour with my nephew, all expenses paid? | 0:01:41 | 0:01:45 | |
This is your shot. Don't blow it. | 0:01:45 | 0:01:48 | |
'I'm not stressing. I think it's great.' | 0:01:48 | 0:01:50 | |
I just don't know how I'm going to persuade them | 0:01:50 | 0:01:52 | |
to let me go, especially with GCSEs coming up. | 0:01:52 | 0:01:54 | |
Is that you that changed it from Dusky Butternut to Dusky Butt? | 0:01:54 | 0:01:56 | |
I learnt from the best. | 0:01:56 | 0:01:58 | |
Unacceptable. | 0:01:58 | 0:01:59 | |
Sorry, I'll change the label. | 0:01:59 | 0:02:01 | |
No, that...punter perusing with his dumb, handsome face. | 0:02:01 | 0:02:05 | |
We don't need that sort in here. | 0:02:05 | 0:02:07 | |
Look at him, with his chiselled features. | 0:02:07 | 0:02:09 | |
Who does he think he is, David Ginola? | 0:02:09 | 0:02:12 | |
Michelangelo called. He wants his sculpture back. | 0:02:12 | 0:02:14 | |
Probably one of them blokes who says that they love nipple clamps | 0:02:14 | 0:02:17 | |
but when push comes to shove, he's like, | 0:02:17 | 0:02:19 | |
"Ooh, no, I don't want to hurt you, Roopesh." | 0:02:19 | 0:02:22 | |
# Please, please, please let Roly go | 0:02:23 | 0:02:26 | |
# On tour with me and do a show | 0:02:26 | 0:02:29 | |
# We'll make a handsome sum, for sure | 0:02:29 | 0:02:31 | |
# If me and Roly go on tour | 0:02:31 | 0:02:34 | |
# By day I'll make him learn and read | 0:02:34 | 0:02:37 | |
# By night we'll make some earholes bleed | 0:02:37 | 0:02:40 | |
# Paris, Stockholm, Lisbon, Rome | 0:02:40 | 0:02:42 | |
# He'll keep in touch, I'll make him phone | 0:02:42 | 0:02:45 | |
# Now it's time to sort this mess | 0:02:45 | 0:02:48 | |
# So won't you kindly... | 0:02:48 | 0:02:50 | |
# Please... | 0:02:50 | 0:02:51 | |
# Say... | 0:02:51 | 0:02:53 | |
BOTH: # Yes? # | 0:02:53 | 0:03:01 | |
I can't believe they said no! | 0:03:01 | 0:03:02 | |
Do they know how long it took me to make those cards? | 0:03:02 | 0:03:04 | |
I'm still high off Sharpie fumes. | 0:03:04 | 0:03:05 | |
I'll just phone Marsh in the morning and tell him it's off. | 0:03:05 | 0:03:08 | |
You're giving up the biggest break of your life for me? | 0:03:08 | 0:03:10 | |
I can't believe it, either. But who are we kidding? I'm better off | 0:03:10 | 0:03:13 | |
with you, and if I go it alone, I'll only end up making a tit of myself. | 0:03:13 | 0:03:16 | |
-But you love tits. -I know. | 0:03:16 | 0:03:18 | |
I guess this is what growing up feels like. | 0:03:18 | 0:03:22 | |
SNORING | 0:03:22 | 0:03:23 | |
ANDY GASPS | 0:03:23 | 0:03:24 | |
How long have you been sitting there? | 0:03:26 | 0:03:27 | |
Not long. Just 20 minutes. | 0:03:27 | 0:03:30 | |
-Listen, I've been thinking... -20 minutes?! | 0:03:30 | 0:03:32 | |
-Go without me. -Am I dreaming? | 0:03:32 | 0:03:34 | |
You've been given a chance you've always wanted, | 0:03:34 | 0:03:36 | |
and now you're terrified to balls it up. | 0:03:36 | 0:03:37 | |
What if all those hundreds of people who thought you didn't have | 0:03:37 | 0:03:40 | |
what it takes were right? What if you ARE just a talentless hack? | 0:03:40 | 0:03:42 | |
Instead of putting it all on the line, you're going to retreat, | 0:03:42 | 0:03:45 | |
because if you don't ever try, | 0:03:45 | 0:03:47 | |
then at least you know that you won't ever fail. | 0:03:47 | 0:03:49 | |
Don't use me as an excuse. I'll be right here when the tour's over. | 0:03:49 | 0:03:51 | |
And who knows, I might even have a girlfriend. | 0:03:51 | 0:03:54 | |
Now I KNOW I'm dreaming. | 0:03:54 | 0:03:55 | |
It's not a dream, dummy! | 0:03:55 | 0:03:57 | |
-So, are you going or not? -Yes. I'll go. | 0:03:57 | 0:04:01 | |
Good. | 0:04:01 | 0:04:03 | |
MUSIC: Souvenir, by Orchestral Manoeuvres In The Dark | 0:04:03 | 0:04:05 | |
So I figured it's going to take off, right? | 0:04:05 | 0:04:07 | |
-Yeah. -That's going to... | 0:04:07 | 0:04:09 | |
Hi. The name's Andy, Andy King, | 0:04:09 | 0:04:11 | |
but my friends call me Big Dick Legend With A Heart Of Gold. | 0:04:11 | 0:04:14 | |
Rich. Guitar. | 0:04:14 | 0:04:15 | |
Gareth. Drums. | 0:04:15 | 0:04:17 | |
-So, when's the headline act getting here? -Oh, just over there. | 0:04:17 | 0:04:22 | |
Maybe one day we'll get a ride that doesn't smell like zombie come. | 0:04:22 | 0:04:25 | |
The thing about zombie come is that | 0:04:25 | 0:04:26 | |
it tastes a lot better than it smells. | 0:04:26 | 0:04:30 | |
Yeah, all right, mate. | 0:04:30 | 0:04:31 | |
Berlin, here we come! | 0:04:33 | 0:04:35 | |
Not without me! | 0:04:35 | 0:04:36 | |
Oh, what in the name of holy fuck are you doing here? | 0:04:36 | 0:04:39 | |
Come to give me a goodbye kiss? | 0:04:39 | 0:04:41 | |
No, dick features, I'm your bassist. | 0:04:41 | 0:04:43 | |
I don't think so. Marsh has taste. Why would he hire you? | 0:04:43 | 0:04:45 | |
Cos I done a few sessions for him, and he likes my work. | 0:04:45 | 0:04:48 | |
I'm not happy about this, either, but money's money. | 0:04:48 | 0:04:50 | |
Well, what do Gwen and Val think about this? | 0:04:50 | 0:04:52 | |
That you're a prick. That you need me to keep an eye on you. | 0:04:52 | 0:04:55 | |
But I'm warning you - | 0:04:55 | 0:04:58 | |
this isn't going to end up with us being besties, | 0:04:58 | 0:05:00 | |
sleeping on each other's shoulders, | 0:05:00 | 0:05:02 | |
staying up all night watching Girls, whilst eating Nutella out of a pot. | 0:05:02 | 0:05:07 | |
Savvy? | 0:05:07 | 0:05:08 | |
I don't even like Nutella. | 0:05:11 | 0:05:14 | |
HORN BLARES | 0:05:14 | 0:05:15 | |
This is really weird. | 0:05:20 | 0:05:21 | |
It's only been a day. I'm quite enjoying the lack of thumping music | 0:05:21 | 0:05:24 | |
-coming from the basement. -Garden flat. | 0:05:24 | 0:05:27 | |
Plus, now Roly and I get to spend more time together. | 0:05:27 | 0:05:29 | |
You guys should take a knitting class. | 0:05:29 | 0:05:31 | |
-That is a great idea, Tiff. -And we can go trainspotting. | 0:05:31 | 0:05:34 | |
Well, I should probably get to school. Knowledge is power. | 0:05:34 | 0:05:36 | |
Yeah, the power to make other people feel stupid. | 0:05:36 | 0:05:38 | |
BRUCE LAUGHS | 0:05:38 | 0:05:40 | |
Andy would've loved that one. | 0:05:42 | 0:05:43 | |
Six of one, half a dozen of the other, | 0:05:43 | 0:05:45 | |
but I didn't understand that meant "the same"... | 0:05:45 | 0:05:48 | |
LAUGHTER | 0:05:48 | 0:05:49 | |
PHONE CHIMES | 0:05:49 | 0:05:51 | |
# No vital signs, no BPM | 0:06:10 | 0:06:14 | |
# Our relationship flatlined right then | 0:06:14 | 0:06:16 | |
# There was nothing left to do but pray | 0:06:17 | 0:06:21 | |
# Like the last time you walked out | 0:06:21 | 0:06:23 | |
DRUMS CRASH | 0:06:23 | 0:06:25 | |
# No survivors | 0:06:25 | 0:06:27 | |
DRUMS CRASH # No survivors | 0:06:27 | 0:06:30 | |
# No... # | 0:06:32 | 0:06:33 | |
I mean... I mean... Erm... | 0:06:33 | 0:06:34 | |
Er, I think you're coming in a bit strong. | 0:06:34 | 0:06:37 | |
Maybe you're coming in a bit weak. | 0:06:37 | 0:06:39 | |
Am I rushing or dragging? ANDY CHUCKLES | 0:06:39 | 0:06:42 | |
Oh, forget it. Let's go again. | 0:06:42 | 0:06:46 | |
# No vital signs, no BPM | 0:06:46 | 0:06:50 | |
# Our relationship flatlined right then | 0:06:50 | 0:06:53 | |
# There was nothing left to do but pray | 0:06:53 | 0:06:57 | |
# Like the last time you walked out | 0:06:57 | 0:07:00 | |
# No survivors | 0:07:00 | 0:07:04 | |
# No survivors | 0:07:04 | 0:07:06 | |
GUITAR OUT OF TUNE | 0:07:06 | 0:07:08 | |
# No survivors... # | 0:07:08 | 0:07:10 | |
-How do you think it sounds? -Honestly? | 0:07:13 | 0:07:16 | |
Like cats puking. | 0:07:16 | 0:07:18 | |
Well, can you tell your new girlfriends to step in line? | 0:07:18 | 0:07:20 | |
I can't take your side in front of them. They'll never respect me. | 0:07:20 | 0:07:22 | |
-Says the guy wearing the beanie. -Hey! Don't diss the beans. | 0:07:22 | 0:07:27 | |
RINGING TONE | 0:07:27 | 0:07:28 | |
-Miss me already? -You wish. | 0:07:28 | 0:07:30 | |
-Are you at school? -Just getting out of chemistry. | 0:07:30 | 0:07:32 | |
-Why do chemists love nitrates so much? -Why? | 0:07:32 | 0:07:34 | |
They're cheaper than day rates. | 0:07:34 | 0:07:37 | |
Listen, when we're rehearsing a song and we disagree on something, | 0:07:37 | 0:07:41 | |
-how do we resolve it? -Is it Casper? Bloody bassists! | 0:07:41 | 0:07:44 | |
I wish it was just Casper. | 0:07:44 | 0:07:45 | |
OK, well, here's what you do. You've got to tell them, | 0:07:45 | 0:07:47 | |
"Listen here, you wastes of carbon. | 0:07:47 | 0:07:49 | |
"I haven't spent two decades crawling out of music's..." | 0:07:49 | 0:07:51 | |
..shitter to let you fanny-come-latelys | 0:07:51 | 0:07:54 | |
tell me how to play my music! | 0:07:54 | 0:07:56 | |
So if you've got a problem with that, why don't you fuck off | 0:07:56 | 0:07:59 | |
back to the prick holes that you dribbled out of? | 0:07:59 | 0:08:01 | |
And don't let the door hit you where Phil Collins shit you! | 0:08:01 | 0:08:05 | |
# No vital signs, no BPM | 0:08:11 | 0:08:15 | |
# Our relationship flatlined back then | 0:08:15 | 0:08:19 | |
# There was nothing left to do but pray | 0:08:19 | 0:08:22 | |
# Like the last time you walked out | 0:08:22 | 0:08:26 | |
# No survivors | 0:08:26 | 0:08:29 | |
# No survivors | 0:08:29 | 0:08:33 | |
# No survivors... # | 0:08:33 | 0:08:36 | |
MUSIC: Waterfall, by The Stone Roses | 0:08:42 | 0:08:47 | |
Goodnight, Prague! | 0:08:50 | 0:08:52 | |
You've been great, Oslo! | 0:08:52 | 0:08:53 | |
Goodnight, Stockholm! | 0:08:53 | 0:08:54 | |
# Now you're at the wheel Tell me how... # | 0:08:59 | 0:09:03 | |
Thank you, Amsterdam! | 0:09:03 | 0:09:05 | |
Goodnight, Brussels! | 0:09:05 | 0:09:08 | |
# ..so good to have equalised | 0:09:08 | 0:09:12 | |
# To lift up the lids of your eyes... # | 0:09:12 | 0:09:19 | |
We did two encores last night. For the second one, | 0:09:25 | 0:09:28 | |
we did a cover of Little Red Corvette at half tempo, | 0:09:28 | 0:09:31 | |
James-Blaked the shit out of it. | 0:09:31 | 0:09:33 | |
I even caught Casper enjoying himself. | 0:09:33 | 0:09:35 | |
-MELODIE: -Oh, sounds amazing! Remind me again, which one's Casper? | 0:09:35 | 0:09:39 | |
Bassist. Gwen's boyfriend. Sworn enemy. | 0:09:39 | 0:09:42 | |
When we're not making sweet music together, that is. | 0:09:42 | 0:09:45 | |
Ahh! Are you in your hotel now? | 0:09:45 | 0:09:47 | |
Yeah. Pretty swank. | 0:09:47 | 0:09:50 | |
Scotland has the worst hotel porn, though. | 0:09:50 | 0:09:53 | |
SHE CHUCKLES | 0:09:53 | 0:09:54 | |
PHONE BEEPS | 0:09:54 | 0:09:56 | |
Shit. Sorry, Melodie, I should get this. | 0:09:56 | 0:10:00 | |
-Talk soon? -Always. | 0:10:00 | 0:10:01 | |
Hey, Roly! | 0:10:04 | 0:10:06 | |
Are you freezing your balls off yet? | 0:10:06 | 0:10:08 | |
The one upside of Edinburgh is that the entire place reeks of hops. | 0:10:08 | 0:10:11 | |
It's like I'm still drinking. | 0:10:11 | 0:10:14 | |
It sucks that we're in the same country but we can't see each other. | 0:10:14 | 0:10:17 | |
Same kingdom. Different country. | 0:10:17 | 0:10:19 | |
All right, Cromwell. KNOCK AT DOOR | 0:10:19 | 0:10:23 | |
How did you...? | 0:10:23 | 0:10:24 | |
We have this amazing new invention called the rail service. | 0:10:24 | 0:10:27 | |
I've told Mum I'm staying at a friend's house. | 0:10:27 | 0:10:28 | |
She won't suspect a thing. My train back's at 7.30 tomorrow morning. | 0:10:28 | 0:10:31 | |
Sadly, it's too late to visit the Scottish Parliament, | 0:10:31 | 0:10:33 | |
so we'll just have to make our own fun. | 0:10:33 | 0:10:35 | |
# You don't know if I'm a berk And you don't care if I go to work | 0:10:35 | 0:10:41 | |
# What am I supposed to do? | 0:10:41 | 0:10:44 | |
# That's one | 0:10:44 | 0:10:46 | |
# You're telling me | 0:10:46 | 0:10:48 | |
# I'm still a baby. # | 0:10:48 | 0:10:52 | |
Mum is dragging me to ballroom classes. Bruce has bought a drone | 0:10:52 | 0:10:55 | |
for us to fly, and Tiff has made me watch all of the Divergent films. | 0:10:55 | 0:10:59 | |
You can say it. | 0:10:59 | 0:11:01 | |
OK, I did enjoy the first Divergent, but the others just felt incoherent. | 0:11:01 | 0:11:04 | |
-Hunger Games was much better. -No, you miss me. | 0:11:04 | 0:11:07 | |
Have you noticed how every room service menu has a club sandwich? | 0:11:07 | 0:11:10 | |
Guess it's not a very exclusive club, then. | 0:11:10 | 0:11:12 | |
KNOCK AT DOOR | 0:11:16 | 0:11:18 | |
We're going to the bar. You coming? | 0:11:19 | 0:11:21 | |
Whoa. Hey, man, what happens in Edinburgh stays in Edinburgh, but... | 0:11:21 | 0:11:24 | |
Shut up, donkey. That's his nephew. | 0:11:24 | 0:11:26 | |
-THEY CHEER -There he is! | 0:11:26 | 0:11:28 | |
Errol said that you two have been playing music together | 0:11:28 | 0:11:32 | |
since he was 12. You playing nursery rhymes or something? | 0:11:32 | 0:11:34 | |
THEY LAUGH | 0:11:34 | 0:11:35 | |
I'll have you know that working with my nephew's been | 0:11:35 | 0:11:37 | |
a very important step in my evolution as a songwriter. | 0:11:37 | 0:11:39 | |
I'm basically the John Lennon to his Paul McCartney. | 0:11:39 | 0:11:41 | |
More like the Linda McCartney to my Paul. | 0:11:41 | 0:11:43 | |
They were the Wings of nursery rhymes. | 0:11:43 | 0:11:45 | |
No, it's cool you guys are so close, man. | 0:11:45 | 0:11:46 | |
I mean, I only see my uncle at Christmas, | 0:11:46 | 0:11:48 | |
which is often enough, cos he's a twat. | 0:11:48 | 0:11:51 | |
Both my parents are only children, so I don't have an aunt or an uncle. | 0:11:51 | 0:11:54 | |
That explains so much. | 0:11:54 | 0:11:56 | |
The family you choose mean more than the family you're born with. | 0:11:56 | 0:11:58 | |
-Thanks, Ghostie! -Not you, idiots. Val and Gwen. | 0:11:58 | 0:12:03 | |
We're getting married when the tour's over. | 0:12:03 | 0:12:06 | |
I'm sure you and Val will be very happy together. | 0:12:08 | 0:12:11 | |
THEY LAUGH | 0:12:11 | 0:12:13 | |
It's funny, I'm really happy for you both. | 0:12:13 | 0:12:15 | |
If we ever have a boy, | 0:12:17 | 0:12:19 | |
we definitely won't call him Andy. | 0:12:19 | 0:12:21 | |
DOOR SLAMS Ho, ho, ho! | 0:12:21 | 0:12:25 | |
Andy King is ho-ho-home for the ho-ho-holidays! | 0:12:25 | 0:12:29 | |
Hey! The prodigal brother's returned. | 0:12:29 | 0:12:32 | |
Ow! You smell like Pringles and petrol. | 0:12:32 | 0:12:36 | |
Welcome home, dude. | 0:12:36 | 0:12:38 | |
Look, Bruce is teaching me how to shave. | 0:12:38 | 0:12:39 | |
I could've taught you how to shave. | 0:12:39 | 0:12:41 | |
What does Bruce know about shaving? He's got a beard. | 0:12:41 | 0:12:43 | |
-So do you, Andy. -Oh, yeah. | 0:12:43 | 0:12:44 | |
Now, wash that custard pie off your face and put your shoes on. | 0:12:44 | 0:12:47 | |
We're going out to buy me a new car. | 0:12:47 | 0:12:48 | |
But me and Bruce were just about to go droning. | 0:12:48 | 0:12:52 | |
I'll get my shoes. | 0:12:52 | 0:12:54 | |
Don't you think this looks a little bit upmarket for you? | 0:12:54 | 0:12:56 | |
Only if you've got a down-market 'tude. | 0:12:56 | 0:13:00 | |
Oh, shit, it's Alfie. We need to go somewhere else. | 0:13:00 | 0:13:03 | |
No way. This is like that scene in Pretty Woman | 0:13:03 | 0:13:05 | |
when Julia Roberts goes into that shop and makes all the staff | 0:13:05 | 0:13:07 | |
feel like shit because they made her feel like shit | 0:13:07 | 0:13:09 | |
when they thought that she was just a poor prozzie. | 0:13:09 | 0:13:11 | |
Yeah, but she was just a poor prozzie. | 0:13:11 | 0:13:12 | |
And the proper term is "sex worker". | 0:13:12 | 0:13:14 | |
Well, well! What are you two queefs doing here? | 0:13:14 | 0:13:17 | |
Get lost on the way to your bikini wax? | 0:13:17 | 0:13:19 | |
Speedo wax, actually. And no. | 0:13:19 | 0:13:21 | |
Nice hat, Alfie. Does a good job of hiding those horns. | 0:13:21 | 0:13:25 | |
Dad! | 0:13:25 | 0:13:27 | |
Well, well. | 0:13:30 | 0:13:31 | |
If it isn't Baloo and Mowgli. | 0:13:31 | 0:13:33 | |
You need to update your refs, Tom. | 0:13:33 | 0:13:35 | |
You of all people, Baloo, should know they've just made | 0:13:35 | 0:13:37 | |
a live-action Jungle Book, so who's the muppet now? | 0:13:37 | 0:13:40 | |
You've got a lot of nerve showing up here, after what you did. | 0:13:43 | 0:13:46 | |
-Don't know what you're talking about. -Yeah? | 0:13:46 | 0:13:47 | |
-Who etched a cock on my Benters? -Haven't the foggiest. | 0:13:47 | 0:13:50 | |
And you should know, Tom, a lot's changed since last we met. | 0:13:50 | 0:13:54 | |
My band is currently on a European tour. | 0:13:54 | 0:13:57 | |
The Edinburgh show was rated three stars in the Scotsman, | 0:13:57 | 0:13:59 | |
which is the equivalent of six English stars. | 0:13:59 | 0:14:02 | |
Yeah? What's your band's name? | 0:14:02 | 0:14:05 | |
-It's Bear. -What's that? I can't hear you. | 0:14:05 | 0:14:08 | |
Bear! We're called Bear! | 0:14:08 | 0:14:09 | |
That's a perfect band name, Baloo. | 0:14:09 | 0:14:11 | |
I forgot how funny you were! | 0:14:13 | 0:14:16 | |
He's not here to make jokes, he's here to buy a car. | 0:14:16 | 0:14:19 | |
You can't afford any of these! | 0:14:21 | 0:14:24 | |
Not a problem. We could cut a deal. My services for a discount. | 0:14:24 | 0:14:28 | |
What would you have to offer, Baloo? | 0:14:28 | 0:14:30 | |
I wrote a jingle for Carpet Brothers, | 0:14:30 | 0:14:32 | |
and their sales went up by 30%. | 0:14:32 | 0:14:33 | |
Actually, forget it. | 0:14:33 | 0:14:35 | |
I can see we're not dealing with serious businessmen. | 0:14:35 | 0:14:38 | |
Errol, come. | 0:14:38 | 0:14:40 | |
Wait. | 0:14:40 | 0:14:41 | |
# Leyton Luxury Cars, Leyton Luxury Cars, | 0:14:41 | 0:14:43 | |
# Leyton Luxury Cars, Leyton Luxury Cars | 0:14:43 | 0:14:45 | |
# Oh, Leyton car dealership is here to stay | 0:14:45 | 0:14:47 | |
# If you don't like it, get out the way | 0:14:47 | 0:14:50 | |
# Whether you're from Leyton or you're from Mars | 0:14:50 | 0:14:53 | |
# Leyton is the best at dealing cars | 0:14:53 | 0:14:55 | |
# The interiors are leather and sometimes vinyl | 0:14:55 | 0:14:58 | |
# Smells like a car, not a urinal | 0:14:58 | 0:15:00 | |
# Come to fucking Leyton car dealership | 0:15:00 | 0:15:02 | |
# It'll make you cool, it'll make you hip | 0:15:02 | 0:15:05 | |
# Everybody's gonna think you have a massive dick | 0:15:05 | 0:15:07 | |
# It's Leyton Luxury Dealership | 0:15:07 | 0:15:09 | |
# W-W-Word! # ERROL BEATBOXES | 0:15:10 | 0:15:12 | |
Not bad, Baloo. You've earned your discount. | 0:15:12 | 0:15:16 | |
On one condition. | 0:15:16 | 0:15:18 | |
I can live with that. | 0:15:22 | 0:15:23 | |
Hi, this is Errol, future Prime Minister. | 0:15:23 | 0:15:25 | |
-Leave a message after the beep. -BEEP | 0:15:25 | 0:15:28 | |
Hey, it's your cool Uncle Andy here. | 0:15:28 | 0:15:30 | |
Er, I'm in Stuttgart, but my flight's been cancelled. | 0:15:30 | 0:15:33 | |
Bloody climate change! | 0:15:33 | 0:15:35 | |
So I guess I'll have to see you next month. Sorry about that, mate. | 0:15:35 | 0:15:37 | |
Oh, PS - you're a nerd. CALL ENDS | 0:15:37 | 0:15:39 | |
Well, Uncle Andy's not coming back this weekend. | 0:15:41 | 0:15:45 | |
What am I going to do? | 0:15:45 | 0:15:46 | |
Spend time with friends your own age? | 0:15:46 | 0:15:48 | |
I haven't got any friends my own age. | 0:15:48 | 0:15:50 | |
PHONE BUZZES | 0:15:50 | 0:15:51 | |
Who's that? | 0:15:51 | 0:15:52 | |
That's Ian from school. He keeps wanting to hang out. | 0:15:54 | 0:15:57 | |
He's a nice chap, but he's into symphonic metal. | 0:15:57 | 0:15:59 | |
Hey! | 0:16:02 | 0:16:03 | |
Oh, wow, that looks really good. | 0:16:03 | 0:16:05 | |
Yeah. It's what happens when you finally ask | 0:16:05 | 0:16:07 | |
your professional-artist brother for help. | 0:16:07 | 0:16:09 | |
Ooh, speaking of collabs, I spoke with the oncologist today, and, erm, | 0:16:09 | 0:16:13 | |
she says if - sorry, no, when - I get the all clear, | 0:16:13 | 0:16:17 | |
she recommends that we wait for two more years | 0:16:17 | 0:16:20 | |
before trying for a baby again, in case of a relapse. | 0:16:20 | 0:16:24 | |
Well, I've been waiting 13 years for the new Postal Service album, | 0:16:24 | 0:16:28 | |
so two years is a cinch. | 0:16:28 | 0:16:30 | |
DOOR SLAMS | 0:16:32 | 0:16:33 | |
The road warrior's here! | 0:16:33 | 0:16:35 | |
Witness me! | 0:16:35 | 0:16:37 | |
MUSIC FROM DOWNSTAIRS | 0:16:37 | 0:16:40 | |
Guess who, motherfucker? | 0:16:40 | 0:16:43 | |
LOUD ROCK MUSIC | 0:16:43 | 0:16:46 | |
MUSIC STOPS | 0:16:50 | 0:16:52 | |
-Oh. Hey, Andy. -Oh? | 0:16:53 | 0:16:56 | |
Who are these people, and what are they doing in my flat? | 0:16:56 | 0:16:58 | |
We're Ophelia Nightshade. I'm Ian. | 0:16:58 | 0:17:01 | |
Sorry. It just seemed like a nice place to jam. | 0:17:01 | 0:17:05 | |
"Jam"? Are you a band?! | 0:17:05 | 0:17:07 | |
Roly! Is that a bass? | 0:17:07 | 0:17:09 | |
The bass was just a one-time thing. I was just experimenting. | 0:17:13 | 0:17:16 | |
This isn't a band, it's just a school project. | 0:17:16 | 0:17:18 | |
They're not even my mates, they're just co-workers. | 0:17:18 | 0:17:20 | |
-Trust me, no fun was being had. -I saw the bowl of Starmix. | 0:17:20 | 0:17:24 | |
It was just oranges and yellows. | 0:17:24 | 0:17:27 | |
What...? What are those magazines? | 0:17:27 | 0:17:29 | |
-Someone's written an article about me. -Oh, wow! Can I see? | 0:17:31 | 0:17:33 | |
Maybe when you've finished with your co-workers. | 0:17:33 | 0:17:35 | |
If you want some company, there's always Tiff. | 0:17:35 | 0:17:37 | |
You'd be doing me a big favour. | 0:17:37 | 0:17:38 | |
She keeps on flirting with Ian and showing him her jujitsu moves. | 0:17:38 | 0:17:41 | |
I don't need company! I've just performed a sell-out concert | 0:17:41 | 0:17:44 | |
in front of 3,000 adoring fans. And seriously, "Ophelia Nightshade"? | 0:17:44 | 0:17:47 | |
Have you gone all symphonic metal on me? | 0:17:47 | 0:17:50 | |
You paid them to write this, right? | 0:17:54 | 0:17:56 | |
No. Why would you think that? | 0:17:56 | 0:17:58 | |
It says that you're handsome and charismatic. If I gave a shit, | 0:17:58 | 0:18:01 | |
-I'd be really proud of you. -Thank you. | 0:18:01 | 0:18:04 | |
Listen, Andy, can I, er... | 0:18:04 | 0:18:07 | |
ask your advice about something? | 0:18:07 | 0:18:09 | |
You want my advice? | 0:18:09 | 0:18:11 | |
-Yeah. -It's a new low. | 0:18:11 | 0:18:12 | |
I just feel weird talking to Gwen about this. | 0:18:12 | 0:18:14 | |
I knew it. You hate Casper. We've all been there. | 0:18:14 | 0:18:16 | |
No, you knob! I'm seeing someone. Patrick. He's... | 0:18:16 | 0:18:20 | |
lovely, and it's getting serious, but he has teenage kids | 0:18:20 | 0:18:23 | |
and an ex-wife, and they're really straight. | 0:18:23 | 0:18:26 | |
You know? Square? | 0:18:26 | 0:18:27 | |
And I don't know what they're going to make of me, | 0:18:27 | 0:18:29 | |
or Gwen or this place... | 0:18:29 | 0:18:32 | |
I refuse to change who I am. And I just... I just don't want | 0:18:36 | 0:18:40 | |
to scare them off before they get to know me, you know? | 0:18:40 | 0:18:43 | |
-What? -Oh, my God! | 0:18:45 | 0:18:49 | |
You are so insecure. | 0:18:50 | 0:18:52 | |
Andy, don't make me kill you just when things were looking up. | 0:18:52 | 0:18:56 | |
Listen, Val... | 0:18:56 | 0:18:59 | |
you are one of the coolest, | 0:18:59 | 0:19:01 | |
most genuine, beautiful human beings I have ever met. | 0:19:01 | 0:19:05 | |
You stick up for your friends and your family. | 0:19:05 | 0:19:08 | |
And if you're special to this guy, | 0:19:08 | 0:19:10 | |
then his family should know about it. | 0:19:10 | 0:19:13 | |
And if they can't see it, and he won't show them, | 0:19:13 | 0:19:19 | |
then he doesn't deserve you. | 0:19:19 | 0:19:21 | |
If he doesn't want what you're cooking, | 0:19:21 | 0:19:23 | |
then I'll come over for dinner. | 0:19:23 | 0:19:25 | |
-SNIFFLES -Are you hitting on me? | 0:19:32 | 0:19:34 | |
Accidentally, maybe. | 0:19:34 | 0:19:35 | |
# How's it feel when it's on the wall? | 0:19:37 | 0:19:45 | |
# When you're out, you're out cold | 0:19:45 | 0:19:52 | |
# So long | 0:19:54 | 0:19:57 | |
# Shed your skin again, my child. # | 0:19:57 | 0:20:05 | |
Happy 16th, Roly! | 0:20:09 | 0:20:11 | |
You're now old enough to register as a blood donor. | 0:20:11 | 0:20:13 | |
-Or join the army. -Or get married. | 0:20:13 | 0:20:15 | |
-Over my dead body. -Or ride a moped, like a true mod. | 0:20:15 | 0:20:18 | |
-Over your dead body. -Hey! | 0:20:18 | 0:20:20 | |
You're leaving the biggest one out. | 0:20:20 | 0:20:22 | |
Sex! | 0:20:22 | 0:20:23 | |
You are officially old enough to change your name by deed poll! | 0:20:23 | 0:20:28 | |
This "Errol" joke has been going on long enough. | 0:20:28 | 0:20:31 | |
Hi, Uncle Andy. | 0:20:31 | 0:20:35 | |
Wow. When Sam heard I could finally afford to move out, | 0:20:35 | 0:20:38 | |
she wasted no time in packing all my stuff up. | 0:20:38 | 0:20:41 | |
Cool. Thanks. | 0:20:41 | 0:20:42 | |
It's a lady's small. It should fit perfectly. | 0:20:42 | 0:20:44 | |
Now that's out the way, what do you want to do? | 0:20:44 | 0:20:46 | |
We could go and try and sneak you into an 18-certificate film, | 0:20:46 | 0:20:49 | |
or we could have a jam session. Starmix on me. | 0:20:49 | 0:20:51 | |
I'd love to, but my friends are waiting. | 0:20:51 | 0:20:52 | |
I'll see you at the gig tonight. | 0:20:52 | 0:20:54 | |
Ophelia Nightshade are friends now, are they? | 0:20:54 | 0:20:56 | |
I don't think I should feel guilty for jamming with other people. | 0:20:56 | 0:20:59 | |
And if you think Ophelia Nightshade's dumb, | 0:20:59 | 0:21:00 | |
then what about the Bear Maximum? | 0:21:00 | 0:21:02 | |
-That is a riff on a joke that YOU made. -When I was 12. | 0:21:02 | 0:21:05 | |
Well, if you're so mature, then how come you've stopped answering | 0:21:05 | 0:21:07 | |
-my calls? -Well, because I knew you'd make me feel bad | 0:21:07 | 0:21:09 | |
-for having fun without you. -Yeah, well, I've been having fun | 0:21:09 | 0:21:12 | |
without you. I've been having the time of my life. | 0:21:12 | 0:21:14 | |
Why would I want to hang around with a stupid kid from Croydon? | 0:21:14 | 0:21:16 | |
Because this stupid kid is the only real friend you've got. | 0:21:16 | 0:21:18 | |
Real friends hang out with each other on their birthdays, | 0:21:18 | 0:21:21 | |
-not with a bunch of talentless brats. -I only said | 0:21:21 | 0:21:23 | |
-they were talentless to protect your fragile ego. -MY fragile ego?! | 0:21:23 | 0:21:25 | |
The only reason I started hanging out with you in the first place | 0:21:25 | 0:21:28 | |
was because you're my sister's weirdo kid and I felt sorry for you. | 0:21:28 | 0:21:30 | |
Well, don't let me cramp your style. And me playing bass - | 0:21:30 | 0:21:33 | |
that wasn't a one-time thing. I'm a bassist now! | 0:21:33 | 0:21:35 | |
Well, you know what a bassist and a Hoover have in common? | 0:21:35 | 0:21:37 | |
They both suck when you plug them in! | 0:21:37 | 0:21:39 | |
Fuck you, Andy! | 0:21:39 | 0:21:40 | |
One minute you're writing hits for NTL, | 0:21:43 | 0:21:45 | |
and now you're opening for Ezra + Riley. | 0:21:45 | 0:21:47 | |
Does it all feel kind of surreal to you? | 0:21:47 | 0:21:49 | |
Yeah. I mean, it's been a long road. | 0:21:49 | 0:21:51 | |
And this band is kind of an evolution of your duo, | 0:21:51 | 0:21:54 | |
the Bear Maximum, right? That was with your nephew? | 0:21:54 | 0:21:57 | |
Can you talk about how that influenced your sound? | 0:21:57 | 0:21:59 | |
PHONE RINGS Yeah. | 0:21:59 | 0:22:00 | |
I mean, he wasn't available to do the tour. | 0:22:00 | 0:22:02 | |
Erm... Oh, I've got to get this. | 0:22:03 | 0:22:06 | |
Hey. What's up? | 0:22:06 | 0:22:07 | |
We're heading over to the venue, but I can't find Roly, | 0:22:07 | 0:22:09 | |
and he's not picking up. Have you heard from him? | 0:22:09 | 0:22:13 | |
# Isn't it a pity? | 0:22:13 | 0:22:16 | |
# Now isn't it a shame? | 0:22:19 | 0:22:22 | |
# How we break each other's hearts? # | 0:22:26 | 0:22:29 | |
All right, you fanny flannels. After six months together, | 0:22:34 | 0:22:38 | |
I can say each of you now feels like a brother - | 0:22:38 | 0:22:40 | |
a brother in the sense that I'm tired of smelling your farts | 0:22:40 | 0:22:43 | |
and cleaning up your vom. | 0:22:43 | 0:22:44 | |
I'm ashamed to say I know your wank schedules better than my own. | 0:22:44 | 0:22:49 | |
Now, let's get out there and give them the show of our lives tonight. | 0:22:49 | 0:22:53 | |
I've got some ex-girlfriends in the crowd, | 0:22:53 | 0:22:55 | |
and I'd like to make them feel bad for letting me get away. | 0:22:55 | 0:22:58 | |
Andy? You want to add anything? | 0:22:58 | 0:23:01 | |
Erm... | 0:23:01 | 0:23:02 | |
Don't fuck it up. | 0:23:02 | 0:23:04 | |
-ALL: -Don't fuck it up! | 0:23:04 | 0:23:07 | |
Come on, boys, come on. | 0:23:07 | 0:23:08 | |
CHEERING | 0:23:08 | 0:23:10 | |
MUSIC: Smother, by Daughter | 0:23:16 | 0:23:19 | |
Mr King? | 0:23:26 | 0:23:28 | |
Mr King, we're waiting for you. | 0:23:28 | 0:23:29 | |
# In the darkness I will meet my creators... # | 0:23:29 | 0:23:35 | |
RHYTHMIC CLAPPING | 0:23:49 | 0:23:52 | |
CHEERING | 0:23:52 | 0:23:55 | |
# We're always told it's all about the taking part | 0:24:03 | 0:24:08 | |
# Yeah, whoopy-doo and, well done, you | 0:24:08 | 0:24:11 | |
# You take that sentiment to heart | 0:24:11 | 0:24:15 | |
# You lag behind | 0:24:15 | 0:24:17 | |
# You've constantly been overlapped | 0:24:17 | 0:24:20 | |
# I raise my hat, I'm impressed that | 0:24:20 | 0:24:23 | |
# You've really ran with being crap | 0:24:23 | 0:24:27 | |
# Here we go again, here we go again | 0:24:27 | 0:24:30 | |
# You're perfect again | 0:24:30 | 0:24:31 | |
# Coming last again | 0:24:31 | 0:24:33 | |
# You can't know again You're on show again... # | 0:24:33 | 0:24:35 | |
So, you got all that rock-star stuff out of your system? | 0:24:35 | 0:24:40 | |
No? Good! Cos I want Bear to do me an album. | 0:24:40 | 0:24:44 | |
Don't thank me. | 0:24:44 | 0:24:45 | |
Fuck me. | 0:24:45 | 0:24:46 | |
In the ears. With your music. | 0:24:46 | 0:24:49 | |
-I'll give it a go. -Super. | 0:24:49 | 0:24:51 | |
Ezra, you skinny twat. | 0:24:51 | 0:24:53 | |
Andy, you ready to finish that interview? | 0:24:53 | 0:24:55 | |
Yeah, er... | 0:24:55 | 0:24:56 | |
Maybe later. | 0:24:59 | 0:25:00 | |
Hi. | 0:25:06 | 0:25:09 | |
That was a great show. | 0:25:09 | 0:25:11 | |
Yeah. Thanks. | 0:25:11 | 0:25:13 | |
EXHALES | 0:25:15 | 0:25:16 | |
You want to get out of here? | 0:25:18 | 0:25:20 | |
You punch like a diabetic kitten. | 0:25:21 | 0:25:25 | |
You punch like Danny DeVito in a zero-gravity plane. | 0:25:25 | 0:25:30 | |
You punch like an inflatable balloon man at a boat show. | 0:25:30 | 0:25:34 | |
You punch like a bassist. | 0:25:34 | 0:25:38 | |
Oh. Sorry. | 0:25:41 | 0:25:44 | |
That was a low blow. | 0:25:44 | 0:25:47 | |
You're my best friend. | 0:25:47 | 0:25:48 | |
Shut up! | 0:25:48 | 0:25:49 | |
You're my best friend, and that will never change, | 0:25:49 | 0:25:52 | |
but I've got some friends my own age now. | 0:25:52 | 0:25:54 | |
And I might need to start hanging out with them more. | 0:25:55 | 0:25:58 | |
For sociological reasons. | 0:25:58 | 0:26:00 | |
You know, how can I pretend to be a normal teenage boy | 0:26:00 | 0:26:04 | |
if I don't study their ways? | 0:26:04 | 0:26:07 | |
And sure, I might play in a few bands, but | 0:26:07 | 0:26:09 | |
you'll always be my number one. | 0:26:09 | 0:26:11 | |
Yeah. Well, you'll always be my number two. | 0:26:12 | 0:26:15 | |
And you're my best friend. | 0:26:17 | 0:26:18 | |
I love you, Errol Andrew Meyer. | 0:26:21 | 0:26:23 | |
I love you, too... | 0:26:26 | 0:26:28 | |
Andrew... | 0:26:28 | 0:26:30 | |
An-Andrew, er... | 0:26:30 | 0:26:32 | |
Oh, my God! | 0:26:32 | 0:26:34 | |
You don't know my middle name! | 0:26:34 | 0:26:36 | |
'Course I do! It... Er, it... | 0:26:36 | 0:26:38 | |
-It's, er...Andy? -You think my name is Andrew Andy King?! | 0:26:38 | 0:26:42 | |
AA King? It sounds... It sounds fancy, like, er.... | 0:26:42 | 0:26:46 | |
-AA Milne. -Yeah. | 0:26:46 | 0:26:47 | |
The only problem is that my full name is Andrew Guthrie King. | 0:26:47 | 0:26:52 | |
PHONE CHIMES | 0:26:52 | 0:26:55 | |
Shit. It's Ian and the lads. | 0:26:55 | 0:26:57 | |
They've come to pick up me and Tiff for a party. | 0:26:57 | 0:26:59 | |
And they're totally spaced. I'll... I'll cancel. | 0:26:59 | 0:27:02 | |
No, no, you should go. | 0:27:02 | 0:27:03 | |
You know, I've got to finish packing up this place, anyway. | 0:27:03 | 0:27:06 | |
-Are you sure? -Go on. Get out of here. | 0:27:06 | 0:27:09 | |
See you later... | 0:27:09 | 0:27:10 | |
..Baloo. | 0:27:12 | 0:27:14 | |
See you later, Mowgli. | 0:27:14 | 0:27:15 | |
MUSIC: Smother, by Daughter | 0:27:18 | 0:27:22 | |
Silly old bear. | 0:27:28 | 0:27:29 | |
TOILET FLUSHES | 0:27:43 | 0:27:45 | |
SNIFFLES | 0:27:46 | 0:27:48 | |
Hey! Don't cry. | 0:27:51 | 0:27:54 | |
It was only a wee. | 0:27:54 | 0:27:55 | |
-LAUGHS TEARFULLY -Sorry. It's just... | 0:27:55 | 0:27:58 | |
...Roly's growing up. | 0:28:00 | 0:28:02 | |
You're moving out. It's like everything's changing. | 0:28:02 | 0:28:05 | |
Yeah, it's funny. | 0:28:05 | 0:28:06 | |
This feels like the first time in my life that I'm actually all right | 0:28:06 | 0:28:10 | |
with being on my own, like I don't need someone else to complete me. | 0:28:10 | 0:28:18 | |
But, if it's making you this sad, | 0:28:18 | 0:28:20 | |
-I'll stay. -No. | 0:28:20 | 0:28:23 | |
I'm very proud you've finally put a deposit on a flat, | 0:28:23 | 0:28:26 | |
like a real grown-up. It's amazing. | 0:28:26 | 0:28:29 | |
And it's a moot point, anyway, because, erm, | 0:28:29 | 0:28:31 | |
Roly's moving down here to make some more space. | 0:28:31 | 0:28:35 | |
"Space"? | 0:28:35 | 0:28:38 | |
-For what? -The new nursery. | 0:28:38 | 0:28:41 | |
Bruce and I hadn't planned it, | 0:28:41 | 0:28:42 | |
but we've decided, as long as I stay in remission, | 0:28:42 | 0:28:45 | |
then we are moving forward. | 0:28:45 | 0:28:47 | |
Am I a stupid cow? | 0:28:47 | 0:28:50 | |
Andy? | 0:28:50 | 0:28:52 | |
Andy! Can you please say something? | 0:28:52 | 0:28:54 | |
You mean... | 0:28:55 | 0:28:56 | |
...I'm going to be an uncle? | 0:29:03 | 0:29:05 |