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-Eeny, meeny, miny... -DOORBELL RINGS | 0:00:02 | 0:00:04 | |
..moe. | 0:00:04 | 0:00:05 | |
Mel. Odie. Melodie. | 0:00:06 | 0:00:09 | |
Hi, Andy. | 0:00:09 | 0:00:11 | |
This programme contains some strong language. | 0:00:11 | 0:00:13 | |
-Melodie's in my flat. -What the hell are you doing up here? | 0:00:13 | 0:00:15 | |
I don't know what to say to her. | 0:00:15 | 0:00:17 | |
-Apologise to her for your wrongs. -Yeah, but... | 0:00:17 | 0:00:19 | |
-that's not cool. -Whatever you decide, | 0:00:19 | 0:00:21 | |
can you do it in your own time? I've got to catch up with my homework. | 0:00:21 | 0:00:24 | |
Homework? It's summer! | 0:00:24 | 0:00:25 | |
I'm taking a fantasy writing class. | 0:00:25 | 0:00:27 | |
-Nerd. -I'm not taking it for pleasure. I'm taking it | 0:00:27 | 0:00:29 | |
cos you tell me that everything I write is very literal. | 0:00:29 | 0:00:32 | |
-Nerd. -At least I'd know what to say to Melodie. | 0:00:32 | 0:00:34 | |
Melodie! | 0:00:34 | 0:00:35 | |
DOOR BANGS | 0:00:35 | 0:00:37 | |
I ran out of fresh towels. | 0:00:39 | 0:00:41 | |
Would you like a drink? | 0:00:41 | 0:00:43 | |
-No, thanks. -It's just as well. | 0:00:43 | 0:00:45 | |
I've given up drinking. | 0:00:45 | 0:00:47 | |
You've given up drinking? | 0:00:47 | 0:00:48 | |
Yeah. No social lubricant. | 0:00:48 | 0:00:51 | |
So, how did you find my new digs? | 0:00:54 | 0:00:57 | |
Gwen Pearson and Shelley Asher. | 0:00:57 | 0:01:00 | |
We're in a secret Facebook group. | 0:01:00 | 0:01:03 | |
You're in a secret Facebook group with two of my exes? | 0:01:03 | 0:01:06 | |
Yep. | 0:01:06 | 0:01:07 | |
Nice garden flat, by the way. | 0:01:07 | 0:01:09 | |
Thanks. | 0:01:09 | 0:01:11 | |
I just bought my mum this exact same rug. | 0:01:11 | 0:01:14 | |
-Carpet Brothers? -Yes. Oh, good spot. | 0:01:14 | 0:01:17 | |
I wrote the jingle for them. | 0:01:17 | 0:01:18 | |
"The selection's tops and the deals don't stop. | 0:01:18 | 0:01:20 | |
"Shagpiles for miles, we've got the lot." | 0:01:20 | 0:01:22 | |
Haven't heard of it. Are these for your next jingle? | 0:01:22 | 0:01:25 | |
I'm writing a song for a boyband. | 0:01:25 | 0:01:27 | |
You? A boyband? | 0:01:27 | 0:01:29 | |
I've had to commune with my inner teen girl. | 0:01:29 | 0:01:32 | |
-My boss is a bit of an ogre, though. -Sounds scary. | 0:01:32 | 0:01:35 | |
I'm sorry about saying "lubricant" earlier. | 0:01:35 | 0:01:38 | |
It must have just...slipped out. | 0:01:38 | 0:01:40 | |
So why are you darkening my doorstep? | 0:01:43 | 0:01:46 | |
I was in town for a couple of days. | 0:01:46 | 0:01:48 | |
Cool. | 0:01:48 | 0:01:49 | |
-It's nice to see you, Andy. -You, too. | 0:01:49 | 0:01:52 | |
Wait, I'm... I lied. | 0:01:52 | 0:01:55 | |
-It's not nice to see me? -No...yes, it is. | 0:01:55 | 0:01:57 | |
I mean... | 0:01:57 | 0:01:59 | |
I've been in London for two months, | 0:01:59 | 0:02:02 | |
-getting my visa renewed. -I've got to tell you, | 0:02:02 | 0:02:04 | |
if it's taking you that long, you should probably consider Mastercard. | 0:02:04 | 0:02:08 | |
And now that you've got your visa? | 0:02:08 | 0:02:11 | |
Heading back to New York. | 0:02:11 | 0:02:13 | |
Are you still... doing all that book stuff? | 0:02:13 | 0:02:16 | |
I'm an assistant editor. | 0:02:16 | 0:02:17 | |
Young-adult fiction. | 0:02:17 | 0:02:19 | |
Mostly contemporary coming-of-age stuff, | 0:02:19 | 0:02:22 | |
LGBT issues, eating disorders... | 0:02:22 | 0:02:25 | |
-You know lots about that. -Yeah. | 0:02:25 | 0:02:26 | |
-Cos you've got an eating disorder. -Yes, yeah. | 0:02:26 | 0:02:28 | |
Look, Melodie... | 0:02:30 | 0:02:31 | |
-Andy, I need to say... -Sorry. Assistant editors first. | 0:02:31 | 0:02:34 | |
You know when you want to pick something up where you've left off, | 0:02:34 | 0:02:38 | |
but... | 0:02:38 | 0:02:40 | |
you've waited so long that you don't know how to begin again? | 0:02:40 | 0:02:44 | |
If this is about my competitive street-dancing career, | 0:02:44 | 0:02:47 | |
I've hung up my kicks for good. | 0:02:47 | 0:02:48 | |
Andy, will you be serious for one minute? | 0:02:48 | 0:02:50 | |
Sorry. My therapist says it's a deflection technique. | 0:02:50 | 0:02:53 | |
You're seeing a therapist? That's great. | 0:02:53 | 0:02:55 | |
I mean, it's my sister. But she gives me family rates. | 0:02:55 | 0:02:57 | |
-That was another joke, I'm sorry. -SHE LAUGHS NERVOUSLY | 0:02:57 | 0:03:00 | |
(You don't know how good it is to see you.) | 0:03:00 | 0:03:02 | |
Yeah? | 0:03:02 | 0:03:03 | |
Then why didn't you return my phone? | 0:03:03 | 0:03:06 | |
You knew I had it this whole time? | 0:03:06 | 0:03:07 | |
Well, not until Gwen and Shelley confirmed your address. | 0:03:07 | 0:03:10 | |
Wha...? | 0:03:18 | 0:03:19 | |
The cabbie returned it to me like that. | 0:03:19 | 0:03:22 | |
Look, I'll make it up to you. | 0:03:22 | 0:03:24 | |
Andy! Are you crazy? | 0:03:25 | 0:03:27 | |
Duh! Obviously! I mean, that's sort of my thing. | 0:03:27 | 0:03:31 | |
I was too embarrassed to return it to you because then you'd know that | 0:03:31 | 0:03:34 | |
I knew that you were back in town. | 0:03:34 | 0:03:36 | |
You clearly didn't want to see me, otherwise you'd have got in contact. | 0:03:36 | 0:03:39 | |
That's not what happened. I thought about getting in contact every day, | 0:03:39 | 0:03:42 | |
but...my life's complicated. | 0:03:42 | 0:03:45 | |
The guy on the phone... | 0:03:45 | 0:03:46 | |
He's my editor. And a friend. | 0:03:46 | 0:03:48 | |
We tried to be something more, but... | 0:03:49 | 0:03:52 | |
But? | 0:03:52 | 0:03:53 | |
He knows I'm in love with someone else. | 0:03:53 | 0:03:56 | |
Are you saying what I think you're saying? | 0:03:56 | 0:03:58 | |
You haven't spoken to me in over a year! | 0:03:58 | 0:04:01 | |
You haven't spoken to me either. | 0:04:01 | 0:04:03 | |
I needed you to make the next move, Andy. It couldn't have been me. | 0:04:03 | 0:04:06 | |
Oh, God, forget it. I shouldn't have come. | 0:04:06 | 0:04:08 | |
It was selfish. | 0:04:08 | 0:04:09 | |
I just needed to see how this was going to play out, | 0:04:10 | 0:04:12 | |
but it was a fantasy, it's just a childish dream. | 0:04:12 | 0:04:15 | |
I was coming for you, that day you left. | 0:04:15 | 0:04:17 | |
I was on my way and... | 0:04:17 | 0:04:20 | |
something happened... | 0:04:20 | 0:04:22 | |
..and I froze. | 0:04:23 | 0:04:25 | |
I'm done chasing you. | 0:04:25 | 0:04:28 | |
I'm done dreaming about you. | 0:04:28 | 0:04:30 | |
Do you want to be with me, the real me, or not? | 0:04:31 | 0:04:34 | |
Not? | 0:04:34 | 0:04:35 | |
I've never heard of her. | 0:04:36 | 0:04:39 | |
Melodie, wait. | 0:04:40 | 0:04:42 | |
Can't you sleep? | 0:04:51 | 0:04:53 | |
Are you feeling stressed? | 0:04:53 | 0:04:55 | |
Feeling inspired, actually. | 0:04:55 | 0:04:58 | |
Feeding the ogre. | 0:04:59 | 0:05:00 | |
Well, don't let me disturb you. | 0:05:00 | 0:05:02 | |
Don't go! | 0:05:04 | 0:05:06 | |
You're my muse. | 0:05:07 | 0:05:10 | |
So... | 0:05:10 | 0:05:11 | |
in your fantasy, what happens now? | 0:05:11 | 0:05:16 | |
We could go for the record, if that's what you want. | 0:05:16 | 0:05:19 | |
No! | 0:05:19 | 0:05:20 | |
I meant... | 0:05:20 | 0:05:21 | |
what happens to us, | 0:05:21 | 0:05:24 | |
tomorrow and...and the day after that? | 0:05:24 | 0:05:27 | |
We should start with a nice breakfast. Fair warning, though - | 0:05:27 | 0:05:31 | |
I am a shit cook. | 0:05:31 | 0:05:34 | |
Well, the cafe next to my Airbnb makes a delicious breakfast. | 0:05:34 | 0:05:39 | |
Hmm. | 0:05:39 | 0:05:40 | |
-And then? -Then... | 0:05:40 | 0:05:42 | |
we could go to the zoo. | 0:05:42 | 0:05:45 | |
How did you know I loved animals? | 0:05:45 | 0:05:47 | |
Well, I knew that you fancied bears. | 0:05:47 | 0:05:49 | |
Shut up! | 0:05:49 | 0:05:51 | |
And then? | 0:05:51 | 0:05:53 | |
And then...we could take a trip somewhere tropical | 0:05:53 | 0:05:57 | |
and master the art of hammock sex. | 0:05:57 | 0:06:00 | |
And then? | 0:06:01 | 0:06:02 | |
And then we would come back to London | 0:06:03 | 0:06:07 | |
and we could spend the rest of our lives together. | 0:06:07 | 0:06:10 | |
That sounds like a dream. | 0:06:12 | 0:06:15 | |
What about your job? And New York? | 0:06:15 | 0:06:18 | |
We'll work it out. | 0:06:18 | 0:06:21 | |
I love you, princess. | 0:06:21 | 0:06:23 | |
MUSIC: Downtown by Petula Clark | 0:06:29 | 0:06:32 | |
# When you're alone and life is... # | 0:06:36 | 0:06:38 | |
Morning, princess. | 0:06:38 | 0:06:40 | |
How did you sleep? | 0:06:41 | 0:06:44 | |
I am starving, like Marvin Berry. | 0:06:44 | 0:06:48 | |
# ..Downtown | 0:06:51 | 0:06:53 | |
# The lights are much brighter there... # | 0:06:53 | 0:06:55 | |
Oh, no. | 0:06:55 | 0:06:56 | |
-Oh, no, no, no, no, no, no, no. -# ..Forget all your troubles | 0:06:56 | 0:06:59 | |
-# Forget all your cares so go... # -Fuck! | 0:06:59 | 0:07:02 | |
"..He said. Hadn't their sexy times clinched the deal? | 0:07:02 | 0:07:05 | |
"Perhaps he'd said something wrong. | 0:07:05 | 0:07:07 | |
"Perhaps he snored too loudly. | 0:07:07 | 0:07:09 | |
"Perhaps he lacked the introspection to know. | 0:07:09 | 0:07:11 | |
"Perhaps he didn't listen to his genius nephew enough." | 0:07:11 | 0:07:14 | |
-Errol. -"Perhaps he didn't..." | 0:07:14 | 0:07:16 | |
Errol! You do understand this is a fantasy writing class? | 0:07:16 | 0:07:19 | |
There are many fantastical elements to this story | 0:07:19 | 0:07:21 | |
-that even I find hard to believe. -Be that as it may, | 0:07:21 | 0:07:24 | |
when we say "fantasy", we mean the genre fantasy - witches, | 0:07:24 | 0:07:28 | |
dragons, magic, mythology. | 0:07:28 | 0:07:29 | |
Surely we're all bored of the whole Game Of Thrones aesthetic. | 0:07:29 | 0:07:33 | |
-ALL: -No. -It's just, at the moment, | 0:07:33 | 0:07:34 | |
your writing is a little bit too literal. | 0:07:34 | 0:07:37 | |
For example, one of your minor characters is named Errol... | 0:07:37 | 0:07:39 | |
Minor?! No, he's more of a co-lead. | 0:07:39 | 0:07:42 | |
Do you feel you have the ability to tell the same story, | 0:07:42 | 0:07:45 | |
but change the genre? | 0:07:45 | 0:07:47 | |
You see, Errol, I don't normally allow people your age into my class, | 0:07:47 | 0:07:51 | |
but you seemed mature beyond your years. | 0:07:51 | 0:07:53 | |
-Was I mistaken? -You want mature? | 0:07:53 | 0:07:55 | |
I read the Guardian and the Daily Mail, just for balance. | 0:07:55 | 0:07:58 | |
Well, then. Surprise me. | 0:07:58 | 0:08:00 | |
Ye Olden Times. | 0:08:07 | 0:08:09 | |
'It's the Renaissance, | 0:08:09 | 0:08:11 | |
'plus the Medieval period, with a splash of the Dark Ages. | 0:08:11 | 0:08:14 | |
'In a quaint country inn, the stable master was enjoying | 0:08:14 | 0:08:17 | |
'a fibre-rich breakfast when his quietude was interrupted | 0:08:17 | 0:08:20 | |
'by the idiot stableboy who lived in the cellar.' | 0:08:20 | 0:08:22 | |
The Princess Melodie was in my bedchamber last night! | 0:08:22 | 0:08:25 | |
'Said the lowly stableboy.' | 0:08:25 | 0:08:27 | |
Did you fall into the vat of mead again? | 0:08:27 | 0:08:29 | |
I haven't touched a drop in months. | 0:08:29 | 0:08:30 | |
The princess did sleep in my bed. | 0:08:30 | 0:08:32 | |
Innkeeper, you believe me! | 0:08:32 | 0:08:34 | |
Forsooth, I believe there were a maid in your bed, | 0:08:34 | 0:08:36 | |
but if she spent the night, 'tweren't no princess. | 0:08:36 | 0:08:39 | |
I speak truth! She hath fled and left only this note. | 0:08:41 | 0:08:45 | |
Stableboy, how are we meant to believe you | 0:08:45 | 0:08:47 | |
when you tell such fantastical lies all the time? | 0:08:47 | 0:08:49 | |
'This was the innkeeper's wife, who was in fact a man. | 0:08:49 | 0:08:52 | |
-'Take that, sexists.' -When have I ever lied? | 0:08:52 | 0:08:56 | |
What about the time you said a dragon ate your goat? | 0:08:56 | 0:08:58 | |
You don't even have a goat. | 0:08:58 | 0:08:59 | |
-Because a dragon ate it! -Or when you said | 0:08:59 | 0:09:01 | |
a water nymph cursed you with incurable allure. | 0:09:01 | 0:09:04 | |
-Hello! Have you seen me? -Or that time you said an ogre forced you | 0:09:04 | 0:09:07 | |
to pay him in songs to keep him from eating you. | 0:09:07 | 0:09:09 | |
-That IS true. -It's only because you're simple and my blood | 0:09:09 | 0:09:11 | |
that I let you abide here. You don't pay rent | 0:09:11 | 0:09:13 | |
and you're the worst stableboy in Christendom. | 0:09:13 | 0:09:15 | |
-I am a balladeer at heart. -Wait. He speaks the truth. | 0:09:15 | 0:09:20 | |
Every word is correctly spelt. | 0:09:20 | 0:09:21 | |
No halfwit stableboy could have written this. | 0:09:21 | 0:09:24 | |
Thanks. But she's fled, and I know not why. | 0:09:24 | 0:09:27 | |
-Was it the sex? -Maybe because you're soft in the head | 0:09:27 | 0:09:29 | |
-and live in a cellar? -It's a garden abode! And she knew all that. | 0:09:29 | 0:09:32 | |
And now I must find her and profess my true love. | 0:09:32 | 0:09:35 | |
Can't you just ring her mobile? | 0:09:35 | 0:09:37 | |
I mean... | 0:09:37 | 0:09:38 | |
send a messenger pigeon? | 0:09:38 | 0:09:40 | |
My pigeon is no more. I stamped on it to death | 0:09:40 | 0:09:44 | |
to...impress her. | 0:09:44 | 0:09:45 | |
Must you be such a dunce? | 0:09:45 | 0:09:48 | |
Maybe I am a mirror | 0:09:48 | 0:09:49 | |
and you are staring at your own dunce-y reflection. | 0:09:49 | 0:09:52 | |
-Shut up. -No, you shut up. | 0:09:52 | 0:09:54 | |
-Shut up. -You shut up. | 0:09:54 | 0:09:55 | |
-Boys! -BOTH: Yes? | 0:09:55 | 0:09:57 | |
You both shut up and muck out the stables. They're full of horseshit. | 0:09:57 | 0:09:59 | |
-But my quest! -But the horseshit. | 0:09:59 | 0:10:01 | |
-But true love! -But the shit. | 0:10:01 | 0:10:04 | |
I'll do it later! | 0:10:04 | 0:10:05 | |
But first, Stable Master, | 0:10:05 | 0:10:07 | |
come with me to find the princess and make her my wife, | 0:10:07 | 0:10:11 | |
-or die trying. -Hmm. I'll pass. | 0:10:11 | 0:10:13 | |
I have a folklore workshop anon, | 0:10:13 | 0:10:15 | |
and I'm yet to be visited by my muse. | 0:10:15 | 0:10:17 | |
Maybe our adventure will inspire. | 0:10:17 | 0:10:19 | |
-Please. I need your IQ. -Ah, yes. | 0:10:19 | 0:10:21 | |
My Impressive Questing. | 0:10:21 | 0:10:23 | |
If it's enlightenment you seek, you should visit the Oracle. | 0:10:23 | 0:10:26 | |
Or the Wise Man. | 0:10:26 | 0:10:28 | |
Hmm. | 0:10:28 | 0:10:30 | |
Which is closer? | 0:10:30 | 0:10:32 | |
'And so the quest began. | 0:10:32 | 0:10:34 | |
'They bought supplies, which wasn't interesting, but realistic, | 0:10:34 | 0:10:37 | |
'and then they went to consult... | 0:10:37 | 0:10:39 | |
'the Oracle.' | 0:10:39 | 0:10:41 | |
SPOOKY CHANTING | 0:10:41 | 0:10:43 | |
What's all that moaning? | 0:10:43 | 0:10:45 | |
Is it... | 0:10:45 | 0:10:47 | |
Is it sex noises? | 0:10:48 | 0:10:50 | |
Oh, must you always? | 0:10:50 | 0:10:51 | |
It's the Oracle... | 0:10:53 | 0:10:54 | |
making sex noises. | 0:10:54 | 0:10:57 | |
You should have heard the princess's sex noises last night. | 0:10:57 | 0:10:59 | |
Can we not? | 0:10:59 | 0:11:01 | |
We can hear you! | 0:11:01 | 0:11:03 | |
THEY SQUEAL AND HOWL | 0:11:03 | 0:11:06 | |
ALL: We are the Oracle. | 0:11:06 | 0:11:10 | |
But there's three of you. | 0:11:10 | 0:11:12 | |
Yeah, we're the three aspects, innit? | 0:11:12 | 0:11:13 | |
The mother, the maiden and the crone. | 0:11:13 | 0:11:15 | |
THEY HOWL AND SCREECH | 0:11:15 | 0:11:17 | |
Wait, wait, wait, hold up. | 0:11:17 | 0:11:19 | |
Why do I always have to be the crone? You're the oldest! | 0:11:19 | 0:11:21 | |
I'm timeless. It's different. | 0:11:21 | 0:11:23 | |
Why does she get to be the maiden? I know for a fact | 0:11:23 | 0:11:26 | |
-you ain't no maiden. -Neither are you! | 0:11:26 | 0:11:28 | |
Stop whingeing! We get it! You're both sluts. | 0:11:28 | 0:11:30 | |
But someone had to be the crone. | 0:11:30 | 0:11:32 | |
But I could be pretty. I've got good bone structure. | 0:11:32 | 0:11:35 | |
Bitches, be quiet. | 0:11:35 | 0:11:36 | |
These idiot stableboys obviously have something they want to say. | 0:11:36 | 0:11:39 | |
I'm a stable master, actually. | 0:11:39 | 0:11:41 | |
Nobody cares. | 0:11:41 | 0:11:42 | |
We hear you can guide our quest. | 0:11:42 | 0:11:45 | |
Yes, but first, you must answer a riddle. | 0:11:45 | 0:11:48 | |
I am light as a feather... | 0:11:48 | 0:11:51 | |
But even a giant... | 0:11:51 | 0:11:52 | |
Can't hold me. | 0:11:52 | 0:11:54 | |
The giant's a woman. That's always the twist. | 0:11:54 | 0:11:56 | |
-Your breath. -I brushed my teeth. | 0:11:56 | 0:11:58 | |
-No, that's the answer. Breath. -I told you it was too easy. | 0:11:58 | 0:12:00 | |
-You pick the riddle next time! -Beckies, shush. | 0:12:00 | 0:12:02 | |
What is your query? | 0:12:02 | 0:12:04 | |
Do you know where I can find the Princess Melodie? | 0:12:04 | 0:12:08 | |
-She make a runner? -Was it the sex? | 0:12:08 | 0:12:09 | |
-No! The sex was... -Please hold while we buffer your query. | 0:12:09 | 0:12:12 | |
THEY HUM | 0:12:12 | 0:12:14 | |
ALL: # Melodie | 0:12:14 | 0:12:18 | |
# Oh, mmm... # | 0:12:18 | 0:12:21 | |
Yeah, can we move this along? | 0:12:21 | 0:12:22 | |
-Yeah, we don't know where she is, mate. -Hang on! | 0:12:22 | 0:12:25 | |
I know you. Aren't you in a secret group with the princess? | 0:12:25 | 0:12:28 | |
She told you about our "Andy's a dick" Facebook group? | 0:12:28 | 0:12:31 | |
GIGGLING Very funny, Errol, | 0:12:31 | 0:12:32 | |
-but that detail might be a bit too anachronistic. -Fine. | 0:12:32 | 0:12:35 | |
She told you about our "Stableboy is a horse's phallus" group | 0:12:35 | 0:12:37 | |
on the Book of Faces? | 0:12:37 | 0:12:39 | |
Oh, I hate the Book of Faces. | 0:12:39 | 0:12:41 | |
You've seen one woodcut of somebody's baby, | 0:12:41 | 0:12:44 | |
-you've seen them all! -Hang on. The entire purpose of this group | 0:12:44 | 0:12:47 | |
-is to compare me to a horse's phallus? -Can I join? | 0:12:47 | 0:12:49 | |
More importantly, can you use this group to find out where she is? | 0:12:49 | 0:12:53 | |
Let me think about that. No. | 0:12:53 | 0:12:55 | |
This is all a joke to you, isn't it? But this is my actual life. | 0:12:55 | 0:12:58 | |
It's not a game. My entire future happiness | 0:12:58 | 0:13:01 | |
relies on me finding my princess. | 0:13:01 | 0:13:02 | |
You, sexy mum, do you think | 0:13:02 | 0:13:04 | |
you can help me find her? | 0:13:04 | 0:13:05 | |
Why is everyone always asking me for advice? | 0:13:05 | 0:13:08 | |
-I've got my own problems. -Ask me! I'm smarter than I look. | 0:13:08 | 0:13:12 | |
-And sound. -I'm good. | 0:13:13 | 0:13:15 | |
Did she say anything about where she'd been recently? | 0:13:15 | 0:13:17 | |
Only that she'd bought a rug for her lady mother | 0:13:17 | 0:13:19 | |
-from the Den of Carpets. -So, if they delivered the rug | 0:13:19 | 0:13:22 | |
then they'd know where her lady mother abides, | 0:13:22 | 0:13:24 | |
and thusly her lady mother | 0:13:24 | 0:13:26 | |
might know where her daughter, the princess, is. | 0:13:26 | 0:13:30 | |
-I'm fucking good. -That was actually very useful. | 0:13:30 | 0:13:32 | |
Do you want to hear me play the mandolin? | 0:13:32 | 0:13:34 | |
We're all right, thanks. Cheers. | 0:13:34 | 0:13:36 | |
If all else fails, ask for the Wise Men! | 0:13:36 | 0:13:40 | |
ALL: Men, men, men, men, men... | 0:13:40 | 0:13:46 | |
BELL JINGLES | 0:13:46 | 0:13:47 | |
MANDOLIN PLAYS | 0:13:47 | 0:13:49 | |
Welcome to the Den of Carpets. | 0:13:54 | 0:13:56 | |
Are they magic carpets? | 0:13:56 | 0:13:58 | |
-Oh. -In a way. | 0:13:58 | 0:14:00 | |
In the way that all carpets are magical | 0:14:00 | 0:14:02 | |
because they give us so much beauty and comfort. | 0:14:02 | 0:14:04 | |
THEY SIGH | 0:14:04 | 0:14:05 | |
I know. Everyone's expecting magic carpets. | 0:14:05 | 0:14:08 | |
It's actually been quite bad for business. | 0:14:08 | 0:14:10 | |
-By the by, what are you looking for today? -We are on a quest. | 0:14:10 | 0:14:14 | |
I love a quest! What's it for? Like, a ring or a sword | 0:14:14 | 0:14:17 | |
or an enchanted cherry Bakewell? | 0:14:17 | 0:14:18 | |
True love. | 0:14:18 | 0:14:20 | |
-Oh, bless. -It's the Princess Melodie. | 0:14:20 | 0:14:22 | |
She professed her love...and then fled. | 0:14:22 | 0:14:25 | |
Oh, God. Was it that? | 0:14:25 | 0:14:28 | |
I heard tell that she stopped by | 0:14:28 | 0:14:30 | |
to purchase a rug for her lady mother. | 0:14:30 | 0:14:32 | |
'Tis, um, a secret. | 0:14:32 | 0:14:34 | |
You wouldn't want me to divulge a secret, would you? | 0:14:34 | 0:14:37 | |
-Oh, go on. -No, I couldn't possibly. | 0:14:37 | 0:14:39 | |
-Yes, you could. -No, I couldn't. | 0:14:39 | 0:14:42 | |
No, stop that! No, you're evil! | 0:14:42 | 0:14:45 | |
Oh, you're ticklish! | 0:14:45 | 0:14:46 | |
I'm going to wee if you keep going! | 0:14:46 | 0:14:49 | |
No... I'm gonna piss myself! | 0:14:49 | 0:14:52 | |
Fine. You tortured it out of me. | 0:14:53 | 0:14:55 | |
My lady did purchase a rug. She had it delivered | 0:14:55 | 0:14:58 | |
to a cottage in the village of Dumpton. | 0:14:58 | 0:15:00 | |
But that's leagues away. | 0:15:00 | 0:15:02 | |
-We'll never make it. -Not the old-fashioned way. | 0:15:02 | 0:15:04 | |
-But using my magic... -Carpet? -Carpet? | 0:15:04 | 0:15:07 | |
..cupboard, you'll be there in a jiff. It's just over here. | 0:15:07 | 0:15:10 | |
-If all else fails, just ask the Wise Man. -Cheers. | 0:15:10 | 0:15:14 | |
Sorry, Errol, but the tickling seems a little bit odd, even for me. | 0:15:14 | 0:15:17 | |
I liked it. | 0:15:17 | 0:15:19 | |
Sometimes the truest things are the least probable, Siobhan. | 0:15:19 | 0:15:21 | |
Fair enough. Anyone got any questions or comments? | 0:15:21 | 0:15:23 | |
Is there a happy ending? | 0:15:23 | 0:15:25 | |
I'd like to keep this spoiler free for now, Doris. | 0:15:25 | 0:15:26 | |
Will there be any kissing? Maybe with some light choking? | 0:15:26 | 0:15:29 | |
-TBD. -I hope the stable master dies. | 0:15:29 | 0:15:31 | |
He's not very sympathetic. | 0:15:31 | 0:15:33 | |
Life isn't very sympathetic, Jane. | 0:15:33 | 0:15:35 | |
Um, yes. You said there'd be ogres and elves and whatnot? | 0:15:35 | 0:15:38 | |
Patience, Dave. | 0:15:38 | 0:15:40 | |
THEY GASP | 0:15:40 | 0:15:42 | |
-It's this way. -How do you know? | 0:15:42 | 0:15:43 | |
Because our screen direction's been left to right this entire quest. | 0:15:43 | 0:15:47 | |
Look! It's the lady mother's cottage. | 0:15:54 | 0:15:58 | |
DOOR CREAKS | 0:15:58 | 0:15:59 | |
You're...not the lady mother. | 0:16:02 | 0:16:05 | |
Close the door behind you, yeah? | 0:16:05 | 0:16:07 | |
-Isn't that... -Princess Shelley? The Elf Queen? | 0:16:07 | 0:16:10 | |
-Yeah. -Princess...Queen? | 0:16:10 | 0:16:13 | |
Don't think too hard on it. Stableboy, good to see you again. | 0:16:13 | 0:16:15 | |
How do you know the Elf Queen? | 0:16:15 | 0:16:17 | |
-We used to date. It was quite serious. -It wasn't that serious. | 0:16:17 | 0:16:20 | |
It was pretty serious. | 0:16:20 | 0:16:21 | |
Stableboy, I'm here to stop you from | 0:16:21 | 0:16:23 | |
-making a horrible mistake. -What? | 0:16:23 | 0:16:26 | |
Following my heart? Believing in true love? | 0:16:26 | 0:16:28 | |
I thought my problem was being too cynical. | 0:16:28 | 0:16:30 | |
No, you're a hopeless romantic. You have no follow-through. | 0:16:30 | 0:16:32 | |
You love the idea of being in love, but you live in a fantasy. | 0:16:32 | 0:16:36 | |
Why must you only pursue true love after you've driven it away? | 0:16:36 | 0:16:39 | |
All right, I self-sabotage. I don't know what real love feels like | 0:16:39 | 0:16:41 | |
so I assume it's supposed to hurt. Now, will you help us, or not? | 0:16:41 | 0:16:45 | |
Who's Not? | 0:16:45 | 0:16:46 | |
J/K! | 0:16:46 | 0:16:47 | |
Look, I don't know where she is, but... | 0:16:47 | 0:16:50 | |
dreams... | 0:16:50 | 0:16:52 | |
can come true. | 0:16:52 | 0:16:54 | |
Look at me, babe. I'm with you. | 0:16:54 | 0:16:56 | |
You know you've got to have hope. | 0:16:56 | 0:16:58 | |
-You know you've got to be strong. -That's it? | 0:16:58 | 0:17:01 | |
-That's rubbish. -It sounds much better when you sing it. | 0:17:01 | 0:17:03 | |
BOTH: Huh. | 0:17:03 | 0:17:04 | |
Or seek the Wise Man. I don't care. | 0:17:04 | 0:17:06 | |
Now, fuck off. I need my beauty sleep. | 0:17:06 | 0:17:09 | |
Stableboy, I really hope you find your princess. | 0:17:11 | 0:17:15 | |
-Thanks, Stable Master. -But aren't you worried | 0:17:17 | 0:17:19 | |
if you live happily ever after, it'll affect your balladeering? | 0:17:19 | 0:17:22 | |
Don't you write from a place of abject misery? | 0:17:22 | 0:17:24 | |
HE ROARS, THEY SQUEAL | 0:17:24 | 0:17:27 | |
-I'm an ogre! Feed me songs! -Oh, so you weren't lying about the ogre. | 0:17:27 | 0:17:30 | |
-Why would I lie about that? -Because you lie a lot. | 0:17:30 | 0:17:33 | |
-You do! You lie a lot. -Fine. I'll work on it. -Good. | 0:17:33 | 0:17:36 | |
But you won't get a chance if I kill you first. | 0:17:36 | 0:17:38 | |
Can we take a rain check? I'm on a quest. | 0:17:38 | 0:17:41 | |
Do you think I give a flying toss about your quest? | 0:17:41 | 0:17:43 | |
You knew you promised me a song for today! | 0:17:43 | 0:17:46 | |
-A song, or death! -Er... | 0:17:46 | 0:17:48 | |
# I'm too young to die Please don't eat me | 0:17:48 | 0:17:51 | |
# I'm too young to die Please don't eat me... # | 0:17:51 | 0:17:53 | |
That's a shit song! | 0:17:53 | 0:17:55 | |
I won't even kill you before I eat you, for that! | 0:17:55 | 0:17:57 | |
Wait! I have a song. A real song. | 0:17:57 | 0:18:00 | |
Of true love. | 0:18:00 | 0:18:02 | |
Go on, I'm listening. | 0:18:02 | 0:18:04 | |
-FULL ACCOMPANIMENT PLAYS -# Lost | 0:18:04 | 0:18:07 | |
# In a land without love, hugs and hope | 0:18:07 | 0:18:10 | |
# Set adrift | 0:18:10 | 0:18:12 | |
# On a voyage without pants and socks and soap | 0:18:13 | 0:18:17 | |
# As we quest through the sleet and the snow | 0:18:17 | 0:18:21 | |
# And the hellfire burns below | 0:18:21 | 0:18:24 | |
# Lost | 0:18:24 | 0:18:26 | |
# Ah-ah | 0:18:26 | 0:18:28 | |
# In a land without lo-ove | 0:18:28 | 0:18:32 | |
# Monsters and demons erupting like semen | 0:18:32 | 0:18:35 | |
# They snuck through the cracks in the nigh-i-ight | 0:18:35 | 0:18:38 | |
# They smashed open the door and I've just rolled a four | 0:18:38 | 0:18:42 | |
# Now they're coming to take you ali-i-ive | 0:18:42 | 0:18:45 | |
# With my trusty companion we'll curse and we'll damn them | 0:18:45 | 0:18:48 | |
# We're questing by land and by sea | 0:18:48 | 0:18:51 | |
# Where she is, I can't tell But her face rings a bell | 0:18:51 | 0:18:55 | |
# Yes, it's thee, my Melodie | 0:18:55 | 0:18:58 | |
# Melodie, my Melodie | 0:18:58 | 0:19:02 | |
# She was so in tune with me | 0:19:02 | 0:19:05 | |
# Melodie, my Melodie | 0:19:05 | 0:19:09 | |
# I feel her coming over me | 0:19:09 | 0:19:12 | |
# My Melodie goes round and round My Melodie doth ring | 0:19:12 | 0:19:15 | |
# My Melodie was on my lips My Melodie doth sing | 0:19:15 | 0:19:18 | |
# My Melodie is soft and sweet My Melodie will do | 0:19:18 | 0:19:21 | |
# My Melodie is fiddly My Melodie is true | 0:19:21 | 0:19:26 | |
# She's my Melodie She's my Melodie | 0:19:26 | 0:19:28 | |
# She's my Melodie | 0:19:28 | 0:19:31 | |
# She's my Melodie My Melodie-ee-ee. # | 0:19:31 | 0:19:40 | |
Hmm. The lyrics are shit, but the tune is passable. | 0:19:43 | 0:19:46 | |
Not good, but good enough not to eat you. | 0:19:46 | 0:19:49 | |
Today. | 0:19:49 | 0:19:50 | |
Until we meat again. | 0:19:50 | 0:19:52 | |
M-E-A-T. | 0:19:52 | 0:19:54 | |
Get it? | 0:19:54 | 0:19:55 | |
Yeah. We get it. | 0:19:55 | 0:19:56 | |
It's a pun. "Meat" and "meet". | 0:19:56 | 0:19:58 | |
-Because I will... -Eat us, yes. | 0:19:58 | 0:20:01 | |
I know what you're thinking. You're thinking... | 0:20:01 | 0:20:03 | |
Well, I'm not short for an ogre. We come in all shapes and sizes. | 0:20:03 | 0:20:06 | |
Thing to remember is, I am scary. | 0:20:06 | 0:20:08 | |
Raar! Songs! | 0:20:08 | 0:20:10 | |
They keep telling us to seek the Wise Man. Maybe it's time we did. | 0:20:13 | 0:20:15 | |
I'd love to, but I'm going to be late for my fantasy writing class. | 0:20:15 | 0:20:18 | |
-Your what? -You heard me. | 0:20:18 | 0:20:19 | |
-Folklore workshop. -Don't be a nerd. | 0:20:19 | 0:20:22 | |
I can't do this without you. I need you. You're my wingman. | 0:20:22 | 0:20:24 | |
I'm not. I'm your co-pilot, at the least. | 0:20:24 | 0:20:26 | |
-What's a co-pilot? -It's the other pilot of the plane. | 0:20:26 | 0:20:28 | |
I can't be explaining anachronisms to you. I'm going to be late. | 0:20:28 | 0:20:31 | |
Your schedule is more important than the love of my life? | 0:20:31 | 0:20:34 | |
Your love life is perpetually broken, | 0:20:34 | 0:20:35 | |
and making me late is not going to fix it. | 0:20:35 | 0:20:37 | |
Well, then, go! See if I care! | 0:20:37 | 0:20:39 | |
All right, then, I will. | 0:20:39 | 0:20:42 | |
Good! I don't need your help anyway! | 0:20:42 | 0:20:45 | |
Or anybody! | 0:20:45 | 0:20:46 | |
-That's all I've got. -No, but the story's not over yet! | 0:20:48 | 0:20:51 | |
You can't just give up on the princess like that. | 0:20:51 | 0:20:54 | |
-What about true love? -Fine. I didn't finish the story. | 0:20:54 | 0:20:57 | |
My uncle pulled me away in the morning and we searched all day | 0:20:57 | 0:21:00 | |
-and then I had to come here. -Errol, | 0:21:00 | 0:21:02 | |
when we say, "Write what you know," it doesn't just mean, | 0:21:02 | 0:21:05 | |
"Write exactly what happened." | 0:21:05 | 0:21:07 | |
I turned a gay strip club into a witches' cave. | 0:21:07 | 0:21:08 | |
-And the carpet store? -That was a carpet store. | 0:21:08 | 0:21:11 | |
But there was no magic carpet. | 0:21:11 | 0:21:13 | |
We had to take the Jubilee line out to her mum's house in Stanmore. | 0:21:13 | 0:21:16 | |
-Ugh. That is really far. -She wasn't even home! | 0:21:16 | 0:21:18 | |
The whole conversation with Shelley was just a role-play | 0:21:18 | 0:21:21 | |
to keep us entertained for the way back. | 0:21:21 | 0:21:22 | |
So now the real-life experience is over, where do we go from here? | 0:21:22 | 0:21:25 | |
-I don't know. -Does that scare you, not knowing? | 0:21:25 | 0:21:28 | |
I like structure. It's comforting. | 0:21:28 | 0:21:30 | |
Errol, there is no wrong answer. | 0:21:30 | 0:21:32 | |
Just use your imagination. | 0:21:32 | 0:21:34 | |
The stableboy wandered alone in the wilderness. | 0:21:36 | 0:21:39 | |
His beard began to grow very long and smelly, | 0:21:42 | 0:21:45 | |
but he trimmed it conveniently before we next saw him. | 0:21:45 | 0:21:48 | |
He searched high and low for the Wise Man. | 0:21:48 | 0:21:52 | |
He put his life in great peril - | 0:21:52 | 0:21:54 | |
well, a little bit of peril - | 0:21:54 | 0:21:57 | |
until finally... | 0:21:57 | 0:21:59 | |
he came across a temple... | 0:21:59 | 0:22:01 | |
but it was shut. | 0:22:01 | 0:22:03 | |
He banged and screamed to come inside. | 0:22:03 | 0:22:05 | |
Please! | 0:22:05 | 0:22:06 | |
No word. It was warded with magic charms. | 0:22:06 | 0:22:09 | |
All was lost. | 0:22:09 | 0:22:10 | |
Until finally, he mustered every last ounce of strength | 0:22:10 | 0:22:14 | |
and barged the doors. | 0:22:14 | 0:22:16 | |
-You! You're the Wise Man! -Yes. | 0:22:20 | 0:22:23 | |
It was me all along. | 0:22:23 | 0:22:25 | |
-Only I knew you wouldn't listen to me. -OK. Explain. | 0:22:25 | 0:22:28 | |
Oh, hello, Miss Thomas. | 0:22:33 | 0:22:35 | |
Oh, hi! | 0:22:35 | 0:22:36 | |
Errol. You know, you don't need to call me that. | 0:22:36 | 0:22:39 | |
I'm not your teacher any more. | 0:22:39 | 0:22:40 | |
I'm sorry, Miss Thomas. I mean, Melodie. | 0:22:40 | 0:22:43 | |
So is Uncle Andy awake? | 0:22:43 | 0:22:44 | |
-Er... -Oh. I see. | 0:22:46 | 0:22:48 | |
It's better this way. | 0:22:48 | 0:22:50 | |
-If you say so. -I think maybe you're too young to understand. | 0:22:50 | 0:22:54 | |
Stuff like this makes me not want to grow up. | 0:22:54 | 0:22:56 | |
Yeah. Hold on to that feeling. | 0:22:56 | 0:22:59 | |
Some day you'll miss it. | 0:22:59 | 0:23:01 | |
Tell Andy...I'm sorry. | 0:23:02 | 0:23:05 | |
Why didn't you tell me from the start? | 0:23:12 | 0:23:14 | |
You had to go through the journey | 0:23:14 | 0:23:16 | |
to be the man that would come out the other side. | 0:23:16 | 0:23:18 | |
-You were scared to tell me. -Yeah. You can't keep a relationship | 0:23:18 | 0:23:21 | |
because you pull away when they get close | 0:23:21 | 0:23:23 | |
and then you cling on when they want to leave. | 0:23:23 | 0:23:25 | |
-Managed to stay friends with you. -Bros before hos. That's different. | 0:23:25 | 0:23:28 | |
It's not different, Dave. And they're sex workers, not hos. | 0:23:28 | 0:23:31 | |
You're the idiot stableboy? | 0:23:31 | 0:23:32 | |
I went to a petting zoo once. | 0:23:32 | 0:23:35 | |
-I imagined someone younger. -More blond. | 0:23:35 | 0:23:37 | |
-I imagined myself! -You were pretty bang-on, then. | 0:23:37 | 0:23:40 | |
Roly, I do need your help. | 0:23:40 | 0:23:42 | |
I've hit a...bit of a dead end. | 0:23:42 | 0:23:44 | |
We're still in class. | 0:23:44 | 0:23:46 | |
That doesn't have to be a problem. | 0:23:46 | 0:23:48 | |
Well, she's closed down her Facebook. | 0:23:48 | 0:23:50 | |
-No new tweets in a week. -Her Insta was active yesterday. | 0:23:50 | 0:23:52 | |
Every morning, coffee and Danish from the same place. | 0:23:52 | 0:23:55 | |
She mentioned a cafe by her Airbnb. | 0:23:55 | 0:23:57 | |
I know that cafe. One of my submissives works there. | 0:23:57 | 0:23:59 | |
-What's going on? -So if we check Airbnbs local to that cafe | 0:23:59 | 0:24:02 | |
that have been booked for the last two months... | 0:24:02 | 0:24:05 | |
And input the time and geo-stamps into this totally not | 0:24:05 | 0:24:08 | |
stalking-related app that I've developed, | 0:24:08 | 0:24:10 | |
we can pinpoint my lady's location. | 0:24:10 | 0:24:12 | |
Presto. | 0:24:12 | 0:24:14 | |
That is incredibly helpful, Dave. | 0:24:14 | 0:24:16 | |
-Roly, I hope you're paying attention. -Good work. | 0:24:16 | 0:24:18 | |
Now go and finish that story. | 0:24:18 | 0:24:20 | |
It was probably the sex. | 0:24:21 | 0:24:23 | |
PHONE RINGS | 0:24:25 | 0:24:27 | |
Hello? | 0:24:27 | 0:24:29 | |
-'Miss Thomas?' -Ooh. | 0:24:29 | 0:24:30 | |
-'Er, Melodie.' -Er, Errol. | 0:24:30 | 0:24:33 | |
-How did you get...? -'Your Airbnb landlord.' | 0:24:33 | 0:24:36 | |
He's really gullible. Look out your window. | 0:24:36 | 0:24:38 | |
# Melodie, girl, look what you've done | 0:24:50 | 0:24:53 | |
# You stole my heart in front of everyone | 0:24:53 | 0:24:57 | |
# And now you've packed your bags and you're on the run | 0:24:57 | 0:25:00 | |
# Won't you stay and talk this over? | 0:25:00 | 0:25:04 | |
# Melodie, my Melodie | 0:25:04 | 0:25:07 | |
# I've written you a medley | 0:25:07 | 0:25:10 | |
# Seven hours in heaven | 0:25:10 | 0:25:13 | |
# Now it's all torn apart | 0:25:13 | 0:25:16 | |
# Seven hours in heaven, darling | 0:25:16 | 0:25:20 | |
# It was you from the start | 0:25:20 | 0:25:23 | |
# I don't like you | 0:25:23 | 0:25:26 | |
# I li-like you | 0:25:26 | 0:25:29 | |
# My Melodie | 0:25:29 | 0:25:33 | |
# Oh, I like you-ou-ou | 0:25:33 | 0:25:37 | |
# I don't like you. # | 0:25:37 | 0:25:40 | |
I like-like you. | 0:25:40 | 0:25:43 | |
DOOR OPENS | 0:25:45 | 0:25:46 | |
I suppose I owe you an explanation. | 0:25:52 | 0:25:54 | |
-If it's the sex... -No, it wasn't the sex. | 0:25:54 | 0:25:57 | |
The sex was great. | 0:25:57 | 0:25:58 | |
I needed to test myself to see if I was ready. | 0:25:58 | 0:26:01 | |
I wasn't. | 0:26:01 | 0:26:03 | |
If it's the commitment level, you know, too much, | 0:26:03 | 0:26:06 | |
or not enough, then I'm a dial. | 0:26:06 | 0:26:07 | |
You can turn the knob in any direction that suits you. | 0:26:07 | 0:26:11 | |
That's not a dick joke. | 0:26:11 | 0:26:12 | |
Unless you...liked it. | 0:26:12 | 0:26:14 | |
It's not the commitment level. | 0:26:14 | 0:26:16 | |
It's the timing. | 0:26:16 | 0:26:17 | |
It's me and you, now. | 0:26:19 | 0:26:20 | |
Andy. | 0:26:20 | 0:26:22 | |
I love you. | 0:26:22 | 0:26:24 | |
Don't panic - it's not a proposal, it's a promise, | 0:26:26 | 0:26:28 | |
to be the kind of person that you want to wake up with. | 0:26:28 | 0:26:32 | |
I think I've finally got bored of fucking stuff up. | 0:26:32 | 0:26:35 | |
It actually feels good to... care about other people. | 0:26:35 | 0:26:40 | |
And, yes, I'm guilty of putting you on a pedestal, but... | 0:26:40 | 0:26:44 | |
..I know now that you're not some perfect, unobtainable princess. | 0:26:46 | 0:26:51 | |
You're... | 0:26:51 | 0:26:52 | |
You're just like me. | 0:26:52 | 0:26:54 | |
In fact, you might actually be crazier. | 0:26:54 | 0:26:56 | |
-Oh. -I want to see how all that crazy mixes. | 0:26:56 | 0:27:00 | |
What do you say? | 0:27:00 | 0:27:02 | |
Pause. | 0:27:02 | 0:27:03 | |
Pause? | 0:27:05 | 0:27:06 | |
I'm going back to New York tomorrow. | 0:27:06 | 0:27:08 | |
But I'll be in and out of our UK office. | 0:27:08 | 0:27:10 | |
And, no, we're not going to date. | 0:27:10 | 0:27:12 | |
We won't be friends with benefits. | 0:27:12 | 0:27:15 | |
I want to be real friends. | 0:27:15 | 0:27:17 | |
And, yes, maybe occasionally we'll probably sleep together, | 0:27:17 | 0:27:20 | |
when we fall off the wagon. | 0:27:20 | 0:27:22 | |
And we're not going to lose touch like we did before. | 0:27:22 | 0:27:25 | |
Promise me. | 0:27:25 | 0:27:27 | |
We both have to be good about it. | 0:27:27 | 0:27:30 | |
-OK. -And then maybe we'll get together. | 0:27:30 | 0:27:33 | |
But maybe you'll find someone else who's perfect for you | 0:27:33 | 0:27:37 | |
and I'll find another right person for me, | 0:27:37 | 0:27:39 | |
and one of us has kids, or a dog and a budgie, | 0:27:39 | 0:27:43 | |
and we grow old, and I get divorced, | 0:27:43 | 0:27:46 | |
or your partner dies, | 0:27:46 | 0:27:47 | |
and then, in the twilight of our years, | 0:27:47 | 0:27:50 | |
when the buzzing has stopped in both of our hearts and our heads, | 0:27:50 | 0:27:55 | |
then... | 0:27:55 | 0:27:56 | |
Well, then it'll be our time. | 0:27:57 | 0:28:00 | |
But what if my partner doesn't die? | 0:28:00 | 0:28:02 | |
And you don't get divorced? | 0:28:02 | 0:28:04 | |
And we miss our boat? | 0:28:04 | 0:28:06 | |
Then that'll be great too. | 0:28:06 | 0:28:09 | |
A story doesn't just have to have one happy ending, Andy. | 0:28:09 | 0:28:13 | |
Like a Choose Your Own Adventure. | 0:28:14 | 0:28:16 | |
How occasionally will we be falling off the wagon? | 0:28:26 | 0:28:29 | |
Bad news? | 0:28:35 | 0:28:37 | |
Just...news. | 0:28:37 | 0:28:39 | |
I get why you didn't tell me you saw her leave now. | 0:28:39 | 0:28:42 | |
I just didn't want to steal your hope. | 0:28:42 | 0:28:44 | |
Can I finally challenge you to try a vindaloo? | 0:28:44 | 0:28:48 | |
Yeah. I'm up for an adventure. | 0:28:48 | 0:28:49 | |
The best adventures are yet to come. | 0:28:51 | 0:28:54 | |
C-U-M. Get it? | 0:28:54 | 0:28:55 | |
Yeah. I get it. | 0:28:55 | 0:28:57 | |
Yoo-hoo! | 0:28:57 | 0:28:59 | |
I knew it! | 0:29:00 | 0:29:02 | |
Suck it, dildos! | 0:29:02 | 0:29:04 |