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Once, just once, I'd like to take a coach service | 0:00:19 | 0:00:22 | |
that fulfils its obligations to the travelling public | 0:00:22 | 0:00:24 | |
according to the promised schedule. | 0:00:24 | 0:00:27 | |
I don't like this heath. | 0:00:27 | 0:00:28 | |
-OWL HOOTS -It's spooky. | 0:00:28 | 0:00:30 | |
Well, if they can't manage that, at least be honest about it. | 0:00:30 | 0:00:32 | |
Time of departure - when we can be arsed. | 0:00:32 | 0:00:35 | |
Time of arrival - some point in the latter part of the 16th century. | 0:00:35 | 0:00:39 | |
Well, in fairness, Will, the coach did throw a wheel. | 0:00:40 | 0:00:43 | |
Because the lane was rutted and the axle weak, Kit. | 0:00:43 | 0:00:45 | |
And why is that? | 0:00:45 | 0:00:47 | |
Because the exorbitant fares we pay | 0:00:47 | 0:00:49 | |
go to line the puffling pants of bloated shareholders, | 0:00:49 | 0:00:51 | |
and none be spent on upgrading the rolling stock, | 0:00:51 | 0:00:54 | |
mending the tracks or ensuring there be an adequate supply of | 0:00:54 | 0:00:57 | |
soft leaves and damp moss in the coach house privy. | 0:00:57 | 0:01:00 | |
How far is it, do you think, Mr Shakespeare? | 0:01:02 | 0:01:04 | |
I really don't like this heath. | 0:01:04 | 0:01:06 | |
Oh, about a dozen furlongs, Kate. | 0:01:06 | 0:01:08 | |
Mainly bog with patches of swamp. | 0:01:08 | 0:01:10 | |
Well, it's better than being in London. | 0:01:10 | 0:01:12 | |
You do not want to be in Southwark with the Black Death in town. | 0:01:12 | 0:01:14 | |
Such a shame they had to close the theatres. | 0:01:14 | 0:01:17 | |
Hmm, a grim business. | 0:01:17 | 0:01:18 | |
We were giving my Richard the night it struck. | 0:01:18 | 0:01:20 | |
Awful moment, I thought half the audience had nodded off. | 0:01:20 | 0:01:23 | |
Big relief to discover they were dead. | 0:01:23 | 0:01:26 | |
Course, some of them had died in their sleep. | 0:01:26 | 0:01:29 | |
A few, Bottom. Ten, at most. | 0:01:30 | 0:01:32 | |
Well, we'll make a merry crew in Warwickshire, | 0:01:32 | 0:01:34 | |
and no mistake - you at Stratford, | 0:01:34 | 0:01:35 | |
and me staying at Sir Thomas Livesey's manor house nearby. | 0:01:35 | 0:01:38 | |
Particularly with Burbage and his company forced out of London on tour | 0:01:38 | 0:01:42 | |
-and booked to perform. -Ah, well, I may skip that. | 0:01:42 | 0:01:44 | |
The Livesey children have a French teacher who teases most cheekily | 0:01:44 | 0:01:47 | |
whenever I come to visit. | 0:01:47 | 0:01:48 | |
Always whispering l'amour and then running away. | 0:01:48 | 0:01:51 | |
Well, this time I hope to catch her. | 0:01:51 | 0:01:53 | |
FRENCH ACCENT: Prenons un petit seau, avec un chou le-dedans, hein? | 0:01:53 | 0:01:57 | |
Which is French. It means "chase my little cupcake into the larder". | 0:01:57 | 0:02:01 | |
Actually, Mr Marlowe, it means, | 0:02:01 | 0:02:03 | |
-"Grab a small bucket with a cabbage in it." -Really? | 0:02:03 | 0:02:06 | |
-Gosh, Kit, you're such a cool chap. -Yes, I am. | 0:02:06 | 0:02:10 | |
It was kind of you to invite me along as well, Mr Shakespeare. | 0:02:10 | 0:02:14 | |
I can't wait to meet your daughter Susanna. | 0:02:14 | 0:02:16 | |
I hope we shall be best of friends. | 0:02:16 | 0:02:19 | |
Hmm. I... I'm not sure I'd call her friendly. | 0:02:19 | 0:02:22 | |
Oh, Mr Shakespeare, I'm sure she's perfect, and I shall love her. | 0:02:22 | 0:02:25 | |
When I was young, I didn't have a lot of friends...or any, in fact. | 0:02:25 | 0:02:29 | |
That's dead sad, that. | 0:02:29 | 0:02:30 | |
No, no, Bottom. It was my own fault. | 0:02:30 | 0:02:32 | |
I was a bit of a swotty try-hard. | 0:02:32 | 0:02:35 | |
Always trying to chat to girls in Latin at slumber parties, | 0:02:35 | 0:02:38 | |
or discuss the oppression of the female sex. | 0:02:38 | 0:02:40 | |
John Knox's book, | 0:02:40 | 0:02:42 | |
A First Blast On The Trumpet Against The Monstrous Regiment Of Women, | 0:02:42 | 0:02:45 | |
had just come out, and I was so angry about it. | 0:02:45 | 0:02:48 | |
EERIE SCREECH | 0:02:48 | 0:02:50 | |
Oh, this heath is really, really spooky. | 0:02:50 | 0:02:53 | |
Oh, for goodness' sake, Bottom. Desist! | 0:02:53 | 0:02:55 | |
It's the 1590s, not the Dark Ages! | 0:02:55 | 0:02:57 | |
-A glorious age of reason and logic. -You still believe in wood nymphs. | 0:02:58 | 0:03:02 | |
I'm torn. I think the jury's out. | 0:03:02 | 0:03:04 | |
HE GRUNTS | 0:03:04 | 0:03:06 | |
After all, if dew be not the tears of scolded fairies, | 0:03:06 | 0:03:09 | |
-then how do you explain it? -Well, exactly! | 0:03:09 | 0:03:11 | |
There'd be no rain in the night, yet, come morn, the ground be soft. | 0:03:11 | 0:03:13 | |
I mean, how does that work? | 0:03:13 | 0:03:15 | |
-HE GRUNTS -I did try to make friends. | 0:03:15 | 0:03:17 | |
One time, I organised a pink-themed girlie party | 0:03:17 | 0:03:21 | |
with strawberry pudding and raspberry lemonade, but nobody came. | 0:03:21 | 0:03:24 | |
Perhaps it was a mistake to write the invitations in Greek. | 0:03:24 | 0:03:27 | |
You think(?) | 0:03:27 | 0:03:29 | |
But this time, with Susanna, I am determined to make a proper...pal. | 0:03:29 | 0:03:33 | |
WITCHES: Double, double Toil and trouble | 0:03:33 | 0:03:37 | |
Fire burn and cauldron bubble. | 0:03:37 | 0:03:41 | |
All hail Will Shakespeare. | 0:03:41 | 0:03:44 | |
Owner of your house in Henley Street. | 0:03:44 | 0:03:48 | |
Owner of a fine, new suckling pig. | 0:03:48 | 0:03:51 | |
And owner of New Place hereafter. | 0:03:53 | 0:03:57 | |
ALL CACKLE | 0:03:57 | 0:04:00 | |
WITCHES: Owner of New Place hereafter! | 0:04:00 | 0:04:02 | |
WITCHES CACKLE | 0:04:02 | 0:04:03 | |
THUNDER CRASHES | 0:04:03 | 0:04:06 | |
-Well, that was a bit weird. -Ever so. | 0:04:06 | 0:04:10 | |
Such strange prophecy. | 0:04:10 | 0:04:12 | |
I am the owner of the house on Henley Street, | 0:04:12 | 0:04:14 | |
but I have no new pig | 0:04:14 | 0:04:16 | |
and I'm certainly not the owner of New Place. | 0:04:16 | 0:04:19 | |
-New Place? -The second-largest house in Stratford. | 0:04:19 | 0:04:22 | |
Own water, extensive family area, with room for second cow. | 0:04:22 | 0:04:26 | |
Anne and I would kill for that house. | 0:04:26 | 0:04:29 | |
SQUEALING AND GURGLING | 0:04:29 | 0:04:31 | |
Angels and ministers of grace defend us! | 0:04:31 | 0:04:34 | |
What be that ghostly shriek? | 0:04:34 | 0:04:36 | |
-BOTTOM: -Just a bit of road kill, Master. | 0:04:36 | 0:04:38 | |
'Tis a fine suckling pig. Still living... | 0:04:38 | 0:04:40 | |
PIG SQUEALS | 0:04:40 | 0:04:41 | |
DULL THUD | 0:04:41 | 0:04:43 | |
Now dead. | 0:04:43 | 0:04:44 | |
Good fortune indeed. | 0:04:44 | 0:04:46 | |
Mrs Shakespeare'll be thrilled to have a nice pig for supper. | 0:04:46 | 0:04:49 | |
Well, that's a bit blooming spooky, isn't it? | 0:04:49 | 0:04:52 | |
-What? -The witches' prophecy. | 0:04:52 | 0:04:54 | |
They knew you were owner of the house on Henley Street. | 0:04:54 | 0:04:56 | |
Which you are. | 0:04:56 | 0:04:57 | |
-They said you'd own a pig. -Which you now do! | 0:04:57 | 0:05:00 | |
And then they said you'd be owner of New Place hereafter - | 0:05:00 | 0:05:03 | |
ha-ha, ha-ha - which you just said you'd kill for. | 0:05:03 | 0:05:07 | |
Kate's right. That's spooky. | 0:05:07 | 0:05:08 | |
-Spooky. -Spooky. | 0:05:08 | 0:05:10 | |
Not spooky at all. | 0:05:10 | 0:05:12 | |
And yet do I feel my spirits quicken within me. | 0:05:13 | 0:05:16 | |
I would love to own New Place. | 0:05:16 | 0:05:18 | |
Property is going crazy in Stratford right now. | 0:05:18 | 0:05:21 | |
THUNDER CRASHES | 0:05:21 | 0:05:24 | |
HEN CLUCKS | 0:05:24 | 0:05:26 | |
Oh, God, I'd love that house. | 0:05:26 | 0:05:28 | |
It's a common little hovel. | 0:05:28 | 0:05:30 | |
When I was a girl, I lived in a manor house... | 0:05:30 | 0:05:33 | |
-POSH ACCENT: -...but then I was an Arden and of noble birth. | 0:05:33 | 0:05:37 | |
Oh, shut up about your noble birth, woman! | 0:05:37 | 0:05:41 | |
What music do you like? I'm totally into madrigals. | 0:05:41 | 0:05:43 | |
They're crap! | 0:05:43 | 0:05:45 | |
Yeah. No, totally, so lame. | 0:05:45 | 0:05:46 | |
Hate them. | 0:05:46 | 0:05:47 | |
Shall we make a den and talk about female emancipation? | 0:05:47 | 0:05:50 | |
Who are you?! | 0:05:50 | 0:05:53 | |
-Shall we have a midnight feast? -SHE GROANS | 0:05:53 | 0:05:56 | |
This New Place looks like a pretty good buy, Will. | 0:05:56 | 0:05:59 | |
Put us Shakespeares back on the town map. | 0:05:59 | 0:06:02 | |
After you comprehensively rubbed us off it. | 0:06:02 | 0:06:04 | |
Oh, shut up, woman. | 0:06:04 | 0:06:06 | |
It was only a bit of fiddling. | 0:06:06 | 0:06:08 | |
You used to find it quite titillating till I got nabbed. | 0:06:08 | 0:06:12 | |
Anyway, Will, what if those witches' prophecy came true? | 0:06:14 | 0:06:18 | |
Actually, I don't think witches are witches at all, | 0:06:18 | 0:06:21 | |
just women who don't fit in. | 0:06:21 | 0:06:23 | |
Learned, creative, reluctant to accept the repressive social | 0:06:23 | 0:06:27 | |
and economic restraints forced upon their sex. | 0:06:27 | 0:06:30 | |
Uh...what?! | 0:06:30 | 0:06:31 | |
Men find that threatening and so they burn them as witches. | 0:06:31 | 0:06:34 | |
Totally obvious to me. | 0:06:34 | 0:06:36 | |
Uh, Kate, the three learned | 0:06:36 | 0:06:37 | |
and creative women we encountered on the heath | 0:06:37 | 0:06:40 | |
had huge hooked noses, | 0:06:40 | 0:06:42 | |
numerous enormous warts, | 0:06:42 | 0:06:45 | |
cackled incessantly and wore pointy hats. | 0:06:45 | 0:06:49 | |
Exactly what part of not being a witch are you getting at here? | 0:06:49 | 0:06:53 | |
Anyway, can we please stop talking about New Place? | 0:06:53 | 0:06:55 | |
Duncan MacBuff owns it, | 0:06:55 | 0:06:56 | |
and I'm afraid I could never do business with him. | 0:06:56 | 0:06:59 | |
Don't be soft, lad. Why not? | 0:06:59 | 0:07:00 | |
Because he is Scottish and I am English, | 0:07:00 | 0:07:02 | |
so no matter how much I pay or how generous the terms, | 0:07:02 | 0:07:06 | |
he will still claim to have been given a raw deal | 0:07:06 | 0:07:08 | |
and then bang on about it for ever. | 0:07:08 | 0:07:11 | |
DOOR OPENS | 0:07:11 | 0:07:14 | |
-Ah, Mrs Shakespeare! -Speak of the Devil. | 0:07:14 | 0:07:17 | |
I'll trouble you for a jug of milk | 0:07:17 | 0:07:20 | |
unless, being English, you prefer to deny sustenance to a Scotsman. | 0:07:20 | 0:07:24 | |
God, MacBuff! Again with the victim thing! Let it go! | 0:07:24 | 0:07:28 | |
What have you got to feel victimised about? | 0:07:28 | 0:07:30 | |
King Edward I invading. | 0:07:30 | 0:07:33 | |
His soldiers murdering William Wallace. | 0:07:33 | 0:07:35 | |
It happened in 1296! | 0:07:35 | 0:07:37 | |
Wallace was topped in 1305! | 0:07:37 | 0:07:40 | |
When will you let it drop? | 0:07:40 | 0:07:42 | |
God's boobikins! At this rate, | 0:07:42 | 0:07:44 | |
you'll still be banging on about William bloody Wallace | 0:07:44 | 0:07:47 | |
in the next millennium. | 0:07:47 | 0:07:48 | |
Longshanks did plenty cruel | 0:07:48 | 0:07:50 | |
and bloody slaughter to innocent Scots. | 0:07:50 | 0:07:52 | |
Well, it was your own fault. | 0:07:52 | 0:07:54 | |
I'm sorry, but painting yourself blue is just not a battle plan. | 0:07:54 | 0:07:57 | |
It made us look scary. | 0:07:57 | 0:08:00 | |
It did not make you look scary. It made you look silly. | 0:08:00 | 0:08:03 | |
We pulverised you at Bannockburn. | 0:08:03 | 0:08:05 | |
Absolutely, because I am 300 years old and was there(!) | 0:08:05 | 0:08:09 | |
You dishonour a great and noble heritage, sir, | 0:08:09 | 0:08:12 | |
but I expect nothing else from an Englishman. | 0:08:12 | 0:08:14 | |
The milk, if you please! | 0:08:14 | 0:08:15 | |
You're very welcome to go next door to Moll Sluttage, if you wish. | 0:08:15 | 0:08:18 | |
She is English, too, and so, like you, | 0:08:18 | 0:08:21 | |
sees it as her birth right to... | 0:08:21 | 0:08:23 | |
to cheat and abuse us Scots, who are, as the world knows, | 0:08:23 | 0:08:26 | |
a decent, industrious, fair-minded and egalitarian people... | 0:08:26 | 0:08:31 | |
in permanent occupation of the moral high ground. | 0:08:31 | 0:08:34 | |
Thank God we're a separate nation! | 0:08:34 | 0:08:37 | |
Yes, well, I think we can all agree with you on that one, Mr MacBuff, | 0:08:38 | 0:08:43 | |
and long may it remain so. | 0:08:43 | 0:08:45 | |
Here's your milk, Mr MacBuff. | 0:08:45 | 0:08:47 | |
I shall be back early morning before church for a second jug, | 0:08:47 | 0:08:50 | |
unless, being English, | 0:08:50 | 0:08:51 | |
you've murdered me in my bed for being Scottish. | 0:08:51 | 0:08:54 | |
That Duncan MacBuff, he's so bloody self-righteous. | 0:08:56 | 0:08:59 | |
It drives me potty. | 0:08:59 | 0:09:01 | |
It'd serve him right if I did put water in his milk. | 0:09:01 | 0:09:04 | |
Or worse. | 0:09:04 | 0:09:05 | |
Hmm. Worse? | 0:09:05 | 0:09:07 | |
Oh, it'd be so easy, too. | 0:09:07 | 0:09:10 | |
There's a bucket of white lead paint | 0:09:10 | 0:09:12 | |
all ready to do the plaster on the half-timbering. | 0:09:12 | 0:09:15 | |
Do you see what I'm getting at? | 0:09:15 | 0:09:16 | |
Anne, I've told you, I'll get round to it! | 0:09:16 | 0:09:19 | |
Just put it on my "dad job" list. | 0:09:19 | 0:09:21 | |
Some blokes would just take the witches' hint | 0:09:21 | 0:09:24 | |
and kill the Caledonian bastible! | 0:09:24 | 0:09:25 | |
Yes. Well, fortunately, I'm not some blokes, am I? | 0:09:25 | 0:09:28 | |
I'm your husband, whom you do oft call Snugglington or Tiny Knob. | 0:09:28 | 0:09:32 | |
And those be no names for a wild and dangerous killer. | 0:09:34 | 0:09:37 | |
Yeah, I know. Nice to think about, though. Lovely dream. | 0:09:37 | 0:09:42 | |
Night. | 0:09:42 | 0:09:44 | |
THUNDER CRASHES | 0:09:53 | 0:09:56 | |
HE GASPS | 0:09:58 | 0:10:01 | |
Is this a milk jug which I see before me... | 0:10:03 | 0:10:06 | |
..the handle toward my hand? | 0:10:08 | 0:10:10 | |
Come, let me clutch thee. | 0:10:13 | 0:10:16 | |
I have thee not, and yet I see thee still! | 0:10:18 | 0:10:22 | |
CREAKING | 0:10:24 | 0:10:27 | |
I see thee yet, in form as palpable | 0:10:33 | 0:10:36 | |
as this which now I draw. | 0:10:36 | 0:10:39 | |
Thou marshals me the way that I was going, | 0:10:39 | 0:10:43 | |
and such an instrument I was to use. | 0:10:43 | 0:10:46 | |
I see thee still. | 0:10:49 | 0:10:51 | |
And on thy spout and handle gouts of white paint containing lead, | 0:10:51 | 0:10:55 | |
ready to do the outside plaster, | 0:10:55 | 0:10:57 | |
which is on my "dad jobs" list that I keep meaning to get round to. | 0:10:57 | 0:11:01 | |
BELL CLANGS | 0:11:03 | 0:11:05 | |
The bell invites me. | 0:11:06 | 0:11:08 | |
Hear it not, Duncan, | 0:11:08 | 0:11:10 | |
for it is a knell that summons thee to heaven or to hell. | 0:11:10 | 0:11:17 | |
THUNDER CRASHES | 0:11:17 | 0:11:19 | |
HE GASPS | 0:11:19 | 0:11:20 | |
Wife, a terrible, terrible dream I had. | 0:11:20 | 0:11:24 | |
GENTLE BIRDSONG | 0:11:24 | 0:11:26 | |
Ah, me! My hands be all gooey and covered in pale slop. | 0:11:26 | 0:11:30 | |
Yes, well, you've had plenty of those dreams, Will. | 0:11:31 | 0:11:34 | |
There's no need to wake me up about it. | 0:11:34 | 0:11:36 | |
No, I did walk in my sleep. | 0:11:36 | 0:11:38 | |
I must put a stop to this before 'tis too late. | 0:11:38 | 0:11:41 | |
-Where's the jug? -What jug? | 0:11:43 | 0:11:45 | |
The jug of paint...milk! | 0:11:45 | 0:11:47 | |
Oh, the jug for Mr MacBuff? | 0:11:47 | 0:11:49 | |
Yeah, he came round really early on his way to church, | 0:11:49 | 0:11:52 | |
-saw my candle lit and came for his milk. -Oh, no, Bottom. | 0:11:52 | 0:11:55 | |
You shouldn't have given it to him. | 0:11:55 | 0:11:57 | |
What? Because he's Scottish? | 0:11:57 | 0:11:59 | |
That's just prejudiced. | 0:12:01 | 0:12:02 | |
No, because I poisoned it. | 0:12:02 | 0:12:04 | |
Well, that's really prejudiced! | 0:12:05 | 0:12:07 | |
Could we get off the geo-political aspect of this for a minute? | 0:12:07 | 0:12:11 | |
The crucial point is to stop me from being hung for murder. | 0:12:11 | 0:12:15 | |
He's drunk the paint. | 0:12:21 | 0:12:23 | |
What am going to do? | 0:12:23 | 0:12:25 | |
I wouldn't worry. | 0:12:25 | 0:12:27 | |
I reckon your plaster's good for at least another year. | 0:12:27 | 0:12:29 | |
-I don't know what Mrs S is on about. -I'm not talking about my dad job! | 0:12:29 | 0:12:32 | |
I'm talking about MacBuff! He's dead! | 0:12:32 | 0:12:35 | |
Maybe he's asleep. | 0:12:35 | 0:12:37 | |
Asleep? Shakespeare doth murder sleep. | 0:12:37 | 0:12:40 | |
I've killed him and I'll be found out. | 0:12:40 | 0:12:43 | |
Milk will have blood! | 0:12:43 | 0:12:45 | |
God, you're so dramatic, Master. | 0:12:45 | 0:12:47 | |
Yes, funny, that. | 0:12:47 | 0:12:49 | |
Except, hang on, it's what I do! | 0:12:49 | 0:12:51 | |
It's got to be perfect, love. | 0:12:54 | 0:12:56 | |
I've never been to a dinner party before. | 0:12:56 | 0:12:58 | |
If you need any alterations, I can do them. | 0:12:58 | 0:13:01 | |
I love girlie dress-up stuff. | 0:13:01 | 0:13:02 | |
Well, OK, thanks. Got this. | 0:13:02 | 0:13:04 | |
Anne, I must speak with thee. Susanna, Kate, would you mind? | 0:13:04 | 0:13:08 | |
Well, can I stay and she go? | 0:13:08 | 0:13:10 | |
Please, Sue, I need a moment. | 0:13:10 | 0:13:11 | |
Come on, I'd love to meet some of your mates. | 0:13:11 | 0:13:14 | |
-That is not going to happen! -Please! | 0:13:15 | 0:13:19 | |
I can't believe I'm going to dinner at Sir Thomas Livesey's. | 0:13:19 | 0:13:22 | |
Me, a farmer's daughter, | 0:13:22 | 0:13:24 | |
supping with the cock-snobbled folderols! | 0:13:24 | 0:13:28 | |
Anne, I've killed him. | 0:13:28 | 0:13:30 | |
What? | 0:13:30 | 0:13:31 | |
MacBuff. I've killed him. | 0:13:31 | 0:13:33 | |
-Don't jape. -I'm not japing. | 0:13:33 | 0:13:35 | |
Trust me. You'd know if he was japing, | 0:13:35 | 0:13:37 | |
because you wouldn't get it. | 0:13:37 | 0:13:39 | |
I-I've murdered MacBuff! | 0:13:41 | 0:13:44 | |
In the night! | 0:13:44 | 0:13:45 | |
I filled the milk jug with lead paint. | 0:13:45 | 0:13:47 | |
'Twas a vision that led me. I thought it was a dream, | 0:13:47 | 0:13:49 | |
but it wasn't a dream. I really did it! | 0:13:49 | 0:13:52 | |
That's terrible, Will. | 0:13:52 | 0:13:53 | |
I know. I know! | 0:13:53 | 0:13:56 | |
Still, it does mean you can buy his house. | 0:13:56 | 0:13:59 | |
Actually, that's true. We can buy his house. | 0:14:01 | 0:14:04 | |
Anne, I don't think you heard me right. | 0:14:04 | 0:14:06 | |
I've murdered MacBuff! | 0:14:06 | 0:14:08 | |
Which is terrible, Will, terrible. | 0:14:08 | 0:14:10 | |
Wife, how canst thou take this so lightly? | 0:14:12 | 0:14:14 | |
Oh, I'm not taking it lightly. I'm just trying to see the upside. | 0:14:14 | 0:14:18 | |
We live in tough times. Life's cheap. | 0:14:18 | 0:14:20 | |
I mean, the average bloke's dead by the time he's 25. | 0:14:20 | 0:14:22 | |
I suppose, put like that, MacBuff should consider himself lucky. | 0:14:22 | 0:14:26 | |
Yeah, course he should. Selfish bastible. | 0:14:26 | 0:14:28 | |
I mean, how long did he want to live for, anyway? | 0:14:28 | 0:14:31 | |
There's no reason why we should be suspected - | 0:14:31 | 0:14:33 | |
not unless we bring it on ourselves. | 0:14:33 | 0:14:36 | |
Tonight, we dine at Sir Thomas Livesey's | 0:14:36 | 0:14:39 | |
and we must both appear innocent and carefree. | 0:14:39 | 0:14:42 | |
Smiling and laughing. | 0:14:42 | 0:14:44 | |
Yes, you're right. Innocent and carefree. | 0:14:44 | 0:14:47 | |
Of course, Burbage and his company are booked for the entertainment, | 0:14:47 | 0:14:51 | |
so smiling and laughing might be harder. | 0:14:51 | 0:14:54 | |
I think we should aim for forced grins. | 0:14:54 | 0:14:56 | |
I'm telling you, it's time to take some risks. | 0:15:03 | 0:15:06 | |
Push the boundaries. Mash it up, yeah? | 0:15:06 | 0:15:08 | |
But, Kempe, we have given Gammer Gurton's Needle | 0:15:08 | 0:15:11 | |
at every private engagement for over 30 years. | 0:15:11 | 0:15:14 | |
Oh, hello! What are you not getting? | 0:15:14 | 0:15:16 | |
Gammer Gurton's Needle is old. | 0:15:16 | 0:15:18 | |
-It is therefore, by definition, crap. -Oh, it's very harsh. | 0:15:18 | 0:15:21 | |
The world's moved on, mate. | 0:15:21 | 0:15:23 | |
A little thing called the Renaissance. Heard of it(?) | 0:15:23 | 0:15:25 | |
We've got to challenge the form, do some proper clowning. | 0:15:25 | 0:15:28 | |
For God's sake, Kempe. All right, just talk us through it again. | 0:15:28 | 0:15:32 | |
Commedia dell'arte, mate. Cutting edge. We'll do a lazzi. | 0:15:32 | 0:15:35 | |
-A lazzi? -Oh, yes, sorry. Forgot. You're English. | 0:15:35 | 0:15:38 | |
You don't know about new comedy. | 0:15:38 | 0:15:39 | |
It's a pre-agreed scenario around which we'll improvise. | 0:15:39 | 0:15:42 | |
-Impro-what? -Improv, mate. Yeah? | 0:15:42 | 0:15:44 | |
Going with the flow, yeah? Picking up the ball. | 0:15:44 | 0:15:47 | |
Free forming. Finding the comedy - ooh! - in the moment. | 0:15:47 | 0:15:51 | |
But I don't need to find my comedy. | 0:15:51 | 0:15:54 | |
I know exactly where it is. | 0:15:54 | 0:15:56 | |
I simply take my inflated pig's bladder. | 0:15:56 | 0:15:59 | |
I drop it on the floor. I stoop to pick it up. | 0:15:59 | 0:16:03 | |
Mr Condell kicks me up the bum-shank. | 0:16:03 | 0:16:05 | |
I go, "Ooh!" He says... | 0:16:05 | 0:16:07 | |
"Oh, Master, now thy arse be as red as thy face!" | 0:16:07 | 0:16:09 | |
And the whole room explodes in merriment! | 0:16:09 | 0:16:11 | |
Yeah. Sorry, mate, but people don't want jokes. | 0:16:11 | 0:16:15 | |
They want attitude. | 0:16:15 | 0:16:16 | |
We'll do a famous lazzi - the fly. It's brilliant. | 0:16:16 | 0:16:19 | |
HE CHUCKLES EXCITEDLY | 0:16:19 | 0:16:21 | |
I'm only going to do it if you stop laughing that laugh. | 0:16:21 | 0:16:25 | |
Can't, mate. Sometimes it's the only way I have of expressing | 0:16:25 | 0:16:28 | |
the breadth and depth of my comic instincts, so live with it, yeah? | 0:16:28 | 0:16:33 | |
Well, now, Mrs Shakespeare, | 0:16:35 | 0:16:37 | |
Lady Livesey and I are most happy to welcome you to our mansion. | 0:16:37 | 0:16:42 | |
Oh, yes, it is splendid to be dining with the gentry, Sir Thomas, | 0:16:42 | 0:16:47 | |
now that my Will is advancing in the world. | 0:16:47 | 0:16:50 | |
Kit Marlowe, whom you know, of course, will be joining us. | 0:16:50 | 0:16:52 | |
He's just finishing a French lesson with our governess. | 0:16:52 | 0:16:56 | |
-WOMAN: -Ooh! Ooh-la-la! | 0:16:56 | 0:16:58 | |
And we have another guest come in refuge from the plague - | 0:16:58 | 0:17:02 | |
-Robert Greene. -Greene? Here? | 0:17:02 | 0:17:05 | |
He gave you a poor review, did he not? | 0:17:05 | 0:17:08 | |
Yes, he did. He called me "upstart" in his Groatsworth of Wit. | 0:17:08 | 0:17:11 | |
I am honoured indeed that a great poet like yourself | 0:17:11 | 0:17:17 | |
remembers my poor slander. | 0:17:17 | 0:17:19 | |
After all, I only studied classics at Cambridge University, | 0:17:19 | 0:17:22 | |
whilst you, great Hermes, did reading and adding up | 0:17:22 | 0:17:27 | |
at Stratford Bumbling School. | 0:17:27 | 0:17:29 | |
I care not for your slanders, Greene, | 0:17:29 | 0:17:32 | |
although methinks a better title than a Groatsworth of Wit | 0:17:32 | 0:17:35 | |
would be to take "wit", subtract two Greenes | 0:17:35 | 0:17:38 | |
and add a call for silence. | 0:17:38 | 0:17:40 | |
I do not follow you, sirrah. | 0:17:40 | 0:17:43 | |
Why, you, sir, are Robert Greene. | 0:17:43 | 0:17:45 | |
So two Greenes is double you. | 0:17:45 | 0:17:47 | |
Take W from "wit" and you have but "it". | 0:17:47 | 0:17:50 | |
A call for silence is a very "sh", and add a "sh" to "it" | 0:17:50 | 0:17:54 | |
and you have a groatsworth of what you write! | 0:17:54 | 0:17:56 | |
Brilliant, Husband! | 0:17:59 | 0:18:00 | |
Nobody would guess you'd murdered a neighbour this morning. | 0:18:00 | 0:18:05 | |
Oh, yes, my Will is much raised up in the world. | 0:18:05 | 0:18:08 | |
Soon, we are to buy ourselves a bigger house here in Stratford. | 0:18:08 | 0:18:11 | |
-Ah. -New Place, which we have coveted for years. | 0:18:11 | 0:18:14 | |
Perhaps you know it? | 0:18:14 | 0:18:16 | |
New Place? Why, that belongs to Duncan MacBuff. | 0:18:16 | 0:18:19 | |
-A fine house for a fine man. -Mm. Also dead. | 0:18:19 | 0:18:24 | |
Dead? | 0:18:24 | 0:18:26 | |
But I saw him but last week. | 0:18:26 | 0:18:28 | |
He was fit and well and, being Scottish, also honest, | 0:18:28 | 0:18:32 | |
wise, good-humoured, | 0:18:32 | 0:18:34 | |
even-tempered | 0:18:34 | 0:18:36 | |
and possessed of a sparkling, dry wit. | 0:18:36 | 0:18:40 | |
I think it's the accent that I find most attractive. | 0:18:40 | 0:18:43 | |
If ever I were to seek counsel from an independent financial advisor... | 0:18:43 | 0:18:48 | |
...I would want to hear it in a Scottish accent. | 0:18:50 | 0:18:53 | |
Poor MacBuff. | 0:18:55 | 0:18:57 | |
We'll miss him. | 0:18:57 | 0:18:58 | |
It had nothing to do with me. I didn't kill him. | 0:18:58 | 0:19:01 | |
So, this MacBuff dies all of a sudden | 0:19:03 | 0:19:06 | |
and the upstart crow is all a-tremble | 0:19:06 | 0:19:09 | |
at the mention of his name. | 0:19:09 | 0:19:10 | |
What is more, the shrewish Mrs Crow would take the dead man's house. | 0:19:10 | 0:19:16 | |
'Tis strange. 'Tis passing strange. | 0:19:16 | 0:19:19 | |
I hope young Marlowe hurries himself. | 0:19:21 | 0:19:23 | |
We are to have rice pudding and curds, | 0:19:23 | 0:19:26 | |
and it gets a skin if left to stand. | 0:19:26 | 0:19:29 | |
BOTH GIGGLE | 0:19:29 | 0:19:30 | |
Oh, monsieur! | 0:19:30 | 0:19:31 | |
BOTH GASP | 0:19:31 | 0:19:34 | |
SPLAT | 0:19:34 | 0:19:35 | |
CRASHING CHORD | 0:19:38 | 0:19:40 | |
Which of you has done this? | 0:19:42 | 0:19:43 | |
Never shake thy milky chops at me! | 0:19:45 | 0:19:48 | |
What ails you, sirrah? | 0:19:48 | 0:19:50 | |
Stay back, vengeful spirit! | 0:19:50 | 0:19:53 | |
He sees some vision! | 0:19:53 | 0:19:55 | |
His eye is fixed with terror. | 0:19:55 | 0:19:57 | |
Some say 'tis conscience | 0:19:59 | 0:20:03 | |
that maketh men see vengeful vision. | 0:20:03 | 0:20:07 | |
No, no. 'Tis just a little fit. | 0:20:07 | 0:20:09 | |
He has a very active imagination. | 0:20:09 | 0:20:12 | |
It's his thing. | 0:20:12 | 0:20:13 | |
For Lordy's sake! | 0:20:13 | 0:20:16 | |
It is just a painting of fear. | 0:20:16 | 0:20:19 | |
Like the air-drawn milk jug you saw in your wet dream. | 0:20:19 | 0:20:22 | |
Look, Wife! Look! | 0:20:22 | 0:20:24 | |
God save us all! Sorry I'm late. Slight accident. | 0:20:24 | 0:20:28 | |
The chef says the curd pud will be another half an hour. | 0:20:28 | 0:20:31 | |
You all right, Will? You look like you've seen a ghost. | 0:20:31 | 0:20:33 | |
-Boogedy-boogedy! -HE CHUCKLES | 0:20:33 | 0:20:35 | |
Methinks I see a chance to rid myself of this unctuous oik. | 0:20:35 | 0:20:40 | |
Well, if pudding be delayed, then let us have our show. | 0:20:41 | 0:20:45 | |
Bring on the player! | 0:20:45 | 0:20:47 | |
Hi. Yeah, right. Hello. Hi. | 0:20:51 | 0:20:54 | |
Erm, we're going to do something a bit different, yeah? | 0:20:54 | 0:20:56 | |
It's called a lazzi. | 0:20:56 | 0:20:57 | |
-It's commedia dell'arte. -HE GRUNTS | 0:20:57 | 0:21:00 | |
It's cutting-edge comedy from Italy, where I have performed... | 0:21:00 | 0:21:03 | |
-SILLY VOICE: -..and won several awards. | 0:21:03 | 0:21:05 | |
-NORMAL VOICE: -Just saying, so... | 0:21:05 | 0:21:08 | |
Right, Punchinello, servant to Pantalone. | 0:21:08 | 0:21:11 | |
See, my master comes. | 0:21:11 | 0:21:13 | |
Well, now, Servant, I wonder if we shall have any visitors today. | 0:21:16 | 0:21:20 | |
KNOCK ON DOOR Oh! | 0:21:21 | 0:21:23 | |
Go and see who that is. | 0:21:23 | 0:21:25 | |
Ah. | 0:21:25 | 0:21:26 | |
Anybody there? | 0:21:28 | 0:21:29 | |
Not a fly, sir. Not a fly. | 0:21:29 | 0:21:32 | |
Loving it? Yeah? | 0:21:32 | 0:21:34 | |
It's Italian, see? Proper comedy. | 0:21:34 | 0:21:37 | |
KNOCK ON DOOR | 0:21:37 | 0:21:38 | |
Ah! Go and see who that is. | 0:21:38 | 0:21:40 | |
SOFTLY: Second. | 0:21:40 | 0:21:41 | |
Anyone there? | 0:21:43 | 0:21:44 | |
Again, sir, not a fly. Not a fly. | 0:21:44 | 0:21:47 | |
Yeah? Yeah? Keeping up so far? Yeah? | 0:21:47 | 0:21:50 | |
Not too challenging or ground-breaking, is it? | 0:21:50 | 0:21:52 | |
So, yeah, right. | 0:21:52 | 0:21:54 | |
KNOCK ON DOOR Ah, this time I shall go myself | 0:21:54 | 0:21:57 | |
to... | 0:21:57 | 0:21:58 | |
Right, right, this is the funny bit. Yeah? | 0:21:58 | 0:22:01 | |
This is where it gets really good, right? | 0:22:01 | 0:22:04 | |
And if you don't love it, well... | 0:22:04 | 0:22:05 | |
-HE GRUNTS -..your problem, so... | 0:22:05 | 0:22:07 | |
GRUNTING AND CLATTERING | 0:22:07 | 0:22:10 | |
HE GROANS | 0:22:14 | 0:22:15 | |
Ohh... | 0:22:15 | 0:22:17 | |
I have been robbed and beaten. | 0:22:17 | 0:22:20 | |
There are hooligans there, you fool! | 0:22:20 | 0:22:22 | |
Yeah, but there wasn't a fly, was there? | 0:22:22 | 0:22:24 | |
Brilliant, yeah? Oh, God... | 0:22:26 | 0:22:28 | |
Just a bit there. | 0:22:28 | 0:22:30 | |
We're dying on our arsingtons. | 0:22:30 | 0:22:32 | |
Condell, quickly! | 0:22:34 | 0:22:36 | |
What's this here? | 0:22:36 | 0:22:38 | |
Oops! Me old pig's bladder! | 0:22:38 | 0:22:40 | |
Oh! I've dropped it on the floor! | 0:22:40 | 0:22:42 | |
I'd better stoop to pick it up. DULL THUD | 0:22:42 | 0:22:44 | |
-Ooh! -Oh, Master, now thy arse be as red as thy face! | 0:22:44 | 0:22:48 | |
RAUCOUS LAUGHTER AND APPLAUSE | 0:22:48 | 0:22:51 | |
BLOWS RASPBERRY | 0:22:51 | 0:22:53 | |
LAUGHTER | 0:22:53 | 0:22:55 | |
This is wrong. This is so wrong. | 0:22:55 | 0:22:58 | |
GENTLE CREAKING | 0:23:04 | 0:23:06 | |
And so Anne's conscience doth betray her, as mine did me. | 0:23:09 | 0:23:14 | |
You do wander in your sleep, Anne, | 0:23:15 | 0:23:18 | |
ever trying to wash away our crime... | 0:23:18 | 0:23:21 | |
..but all the perfumes of Arabia will not sweeten that little hand. | 0:23:22 | 0:23:26 | |
Oh, don't be so soft. I went out for a wee. | 0:23:26 | 0:23:29 | |
Don't you wash your hands after visiting the privy? | 0:23:29 | 0:23:31 | |
I can't go on like this! | 0:23:31 | 0:23:34 | |
LIVELY MUSIC | 0:23:34 | 0:23:36 | |
Bottom! Bottom, get up! | 0:23:37 | 0:23:40 | |
My mind is much troubled. | 0:23:40 | 0:23:42 | |
I would seek advice and counsel from the weird sisters. | 0:23:42 | 0:23:45 | |
You want me to leave this nice warm cow | 0:23:45 | 0:23:48 | |
to come wi' you looking for witches on a blasted heath? | 0:23:48 | 0:23:52 | |
-No, don't be silly, of course not. -Oh, good. -I'm not going. | 0:23:52 | 0:23:56 | |
BIRD SQUAWKS | 0:23:58 | 0:24:00 | |
ALL: Double, double toil and trouble | 0:24:00 | 0:24:04 | |
Fire burn and cauldron bubble! | 0:24:04 | 0:24:07 | |
Uh... | 0:24:07 | 0:24:09 | |
Hello. | 0:24:09 | 0:24:10 | |
Uh... | 0:24:10 | 0:24:11 | |
Ladies. | 0:24:11 | 0:24:13 | |
Sorry to bother you while you're...cooking. | 0:24:13 | 0:24:16 | |
But my master's all of a doo-dah. | 0:24:16 | 0:24:19 | |
He thinks Robert Greene suspects him of murdering MacBuff. | 0:24:19 | 0:24:22 | |
Tell Will Shakespeare to fear not. | 0:24:25 | 0:24:28 | |
No man born of woman shall accuse him of this crime. | 0:24:28 | 0:24:33 | |
ALL CACKLE | 0:24:33 | 0:24:36 | |
Oh! | 0:24:36 | 0:24:37 | |
Well, that sounds all right. | 0:24:37 | 0:24:39 | |
What's in t'pot? | 0:24:39 | 0:24:41 | |
Eye of newt and toe of frog... | 0:24:42 | 0:24:44 | |
Wool of bat... | 0:24:44 | 0:24:46 | |
And tongue of dog. | 0:24:46 | 0:24:48 | |
Can I have a bit? | 0:24:48 | 0:24:50 | |
So, they said that no man born of woman could e'er accuse you. | 0:24:51 | 0:24:55 | |
But this is brilliant news! | 0:24:55 | 0:24:57 | |
Greene, like all men, was born of woman. | 0:24:57 | 0:24:59 | |
-We're off the hook. -Absolutely. | 0:24:59 | 0:25:01 | |
We have it on the authority of three homeless derelicts | 0:25:01 | 0:25:04 | |
with clear mental-health issues. | 0:25:04 | 0:25:07 | |
And, quite frankly, the way I'm feeling, that's good enough for me. | 0:25:07 | 0:25:11 | |
As long as Greene was born of a woman, I'm in the clear! | 0:25:11 | 0:25:15 | |
In that case, sirrah, you will hang, | 0:25:15 | 0:25:19 | |
for untimely was I ripped from my mother's womb, | 0:25:19 | 0:25:23 | |
born by the Caesar method! | 0:25:23 | 0:25:25 | |
No, the prophecy! | 0:25:25 | 0:25:28 | |
Hang on! What difference does that make? | 0:25:28 | 0:25:30 | |
You were still born from a woman. | 0:25:30 | 0:25:32 | |
I mean, tummy or front bottom, it's still a birth, isn't it? | 0:25:32 | 0:25:35 | |
Shakespeare, you murdered MacBuff, and I will see you hang! | 0:25:35 | 0:25:40 | |
ALL SCREAM AND GASP | 0:25:40 | 0:25:43 | |
See! See! He returns! | 0:25:43 | 0:25:46 | |
ANNE SCREAMS The vision is come again! | 0:25:46 | 0:25:49 | |
-I see him too! -HE GROANS | 0:25:49 | 0:25:52 | |
I'll trouble you for a jug of milk, Mrs Shakespeare. | 0:25:54 | 0:25:58 | |
-Mr MacBuff, you're...you're alive. -Of course I'm alive! | 0:25:58 | 0:26:02 | |
I'm Scottish! | 0:26:02 | 0:26:04 | |
We're more than alive! | 0:26:05 | 0:26:07 | |
We are vibrant, creative, uniquely generous, | 0:26:07 | 0:26:10 | |
strong, fair-minded, even-handed, good-humoured. | 0:26:10 | 0:26:13 | |
Look, I...I saw you out cold in your parlour yesterday morning. | 0:26:13 | 0:26:17 | |
I...I thought you were dead. | 0:26:17 | 0:26:19 | |
I was just having my morning nap after church. | 0:26:19 | 0:26:21 | |
A big jug of milk always makes me sleepy, | 0:26:21 | 0:26:23 | |
and I got it all slopped over me. | 0:26:23 | 0:26:25 | |
But the milk...I...I poured it from the... | 0:26:25 | 0:26:28 | |
The milk bucket! | 0:26:28 | 0:26:30 | |
That be Mrs Moomoo's milk bucket, Husband! | 0:26:30 | 0:26:33 | |
And if you're looking for the paint to do the plaster, | 0:26:33 | 0:26:37 | |
it's over here beside the wash tub. | 0:26:37 | 0:26:40 | |
Such milk, Mrs Shakespeare - | 0:26:40 | 0:26:42 | |
full, creamy - I...I came to thank you, | 0:26:42 | 0:26:45 | |
and as a neighbourly token, | 0:26:45 | 0:26:47 | |
here is a gift of sweetmeats for the children. | 0:26:47 | 0:26:50 | |
-Oh, lovely. -Yeah. | 0:26:50 | 0:26:52 | |
Taken have I a solid base of nougatine, | 0:26:52 | 0:26:55 | |
spread upon it burned caramel | 0:26:55 | 0:26:58 | |
and enfolded all in a sweetened cocoa paste... | 0:26:58 | 0:27:03 | |
Oh, that sounds utterly delicious. | 0:27:03 | 0:27:05 | |
..then dipped in batter and deep-fried it. | 0:27:05 | 0:27:08 | |
You see, now you've gone too far. | 0:27:09 | 0:27:11 | |
I bid you goodnight. | 0:27:11 | 0:27:13 | |
No need to kill him for his house. | 0:27:13 | 0:27:16 | |
Simply sit back and wait for him to die of a heart attack. | 0:27:16 | 0:27:19 | |
Owners of New Place hereafter! | 0:27:19 | 0:27:22 | |
SHRIEKING | 0:27:22 | 0:27:24 | |
I can't stand her any longer! | 0:27:24 | 0:27:27 | |
She's driven me mad! Mad, I tell you! | 0:27:27 | 0:27:30 | |
Susanna, where is Kate? | 0:27:30 | 0:27:32 | |
Your hands be blood red! | 0:27:32 | 0:27:35 | |
You've murdered Kate! | 0:27:35 | 0:27:37 | |
Kate! Kate! | 0:27:37 | 0:27:39 | |
Yes, Mr Shakespeare? | 0:27:39 | 0:27:41 | |
If you don't get her away from me, I will murder her! | 0:27:41 | 0:27:44 | |
We're just having a girlie slumber party | 0:27:44 | 0:27:46 | |
with strawberry pudding and raspberry lemonade, Mr Shakespeare, | 0:27:46 | 0:27:49 | |
but I think Susanna might have had enough now. | 0:27:49 | 0:27:51 | |
You know, it seems to me, Husband, | 0:27:55 | 0:27:57 | |
all these doings would make a really good play. | 0:27:57 | 0:28:00 | |
Yes, you're right. Of course. | 0:28:02 | 0:28:05 | |
A light and breezy comedy | 0:28:05 | 0:28:07 | |
about a laughable misunderstanding over some milk. | 0:28:07 | 0:28:10 | |
Well, actually, I was thinking more of the weird sisters, | 0:28:12 | 0:28:15 | |
the ghost at the feast, | 0:28:15 | 0:28:17 | |
the conscience-struck wife, | 0:28:17 | 0:28:19 | |
endlessly washing her hands in the night. | 0:28:19 | 0:28:21 | |
You know, a proper blood-and-guts thriller. | 0:28:21 | 0:28:23 | |
No, no. I think comedy's the way to go. | 0:28:23 | 0:28:26 | |
Two Milky Jugs by William Shakespeare. | 0:28:26 | 0:28:29 |