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Ah, a toast, Will. A toast to the age of exploration, | 0:00:22 | 0:00:24 | |
and for once I'm paying. | 0:00:24 | 0:00:25 | |
Every ship returning from the New World brings riches to Albion's shore. | 0:00:25 | 0:00:29 | |
Everyone's coining it in! | 0:00:29 | 0:00:30 | |
You've got that right, Kit. Hmm! I'm making plenty gold myself. | 0:00:30 | 0:00:34 | |
You should get a piece of it, Will. | 0:00:34 | 0:00:37 | |
Timid bull don't pleasure no cow. | 0:00:37 | 0:00:39 | |
No, thank you, Lucy. | 0:00:39 | 0:00:40 | |
I'm aware that the city's sharp boys in their Italian-designed tights | 0:00:40 | 0:00:43 | |
are coining it big on the New World commodity market, | 0:00:43 | 0:00:46 | |
also, that the occasional bonus even trickles down | 0:00:46 | 0:00:48 | |
to smaller investors like yourselves, but I'm a conservative sort of bloke. | 0:00:48 | 0:00:52 | |
I prefer to keep my money in my puffling pants. | 0:00:52 | 0:00:55 | |
Rubbish! You told me you were investing in Burbage's new theatre. | 0:00:55 | 0:00:57 | |
Bricks and mortar, Kit. Very different. Solid. Respectable. | 0:00:57 | 0:01:01 | |
Why invest in malodorous leaves and tuberous root vegetables | 0:01:01 | 0:01:05 | |
from a mosquito swap in north Virginia, when you can build here in London, | 0:01:05 | 0:01:09 | |
using bricks made of solid dung and straw? | 0:01:09 | 0:01:12 | |
Well, it's your loss, mate. | 0:01:12 | 0:01:13 | |
Robert Greene is setting up a syndicate | 0:01:13 | 0:01:15 | |
to buy the cargo off the next ship that docks. | 0:01:15 | 0:01:17 | |
He needs investors and - mmph! - this fella's in! | 0:01:17 | 0:01:19 | |
Me too. I'm saving up to buy a warship, | 0:01:19 | 0:01:22 | |
so I can cruise the Ivory Coast freeing slaves. | 0:01:22 | 0:01:26 | |
THEY CHEER I've often wondered | 0:01:26 | 0:01:27 | |
how you won your own freedom, Lucy. | 0:01:27 | 0:01:29 | |
Perchance I'll immortalise the story in a play. | 0:01:29 | 0:01:32 | |
I bribed my way out with a diamond ring, | 0:01:32 | 0:01:35 | |
which I cut from the man who first stole me from my home. | 0:01:35 | 0:01:39 | |
Goodness! You cut off his finger? | 0:01:39 | 0:01:41 | |
It wasn't on his finger. | 0:01:41 | 0:01:43 | |
KIT CHUCKLES | 0:01:43 | 0:01:45 | |
Thoroughly invigorating woman. | 0:01:45 | 0:01:47 | |
I'd miss her if she did go off and become a lady pirate. | 0:01:47 | 0:01:50 | |
Ahh! | 0:01:50 | 0:01:52 | |
Quid agis, Marlowe? | 0:01:52 | 0:01:54 | |
Omne bene, gratias, Greene. | 0:01:54 | 0:01:56 | |
Ni illud velum sic habis bonum mane, Shakespeare. | 0:01:56 | 0:01:59 | |
Um...um...wait, I know this. | 0:01:59 | 0:02:01 | |
Ah, yes, I was forgetting. | 0:02:01 | 0:02:04 | |
You speak but little Latin. | 0:02:04 | 0:02:05 | |
Sad. Come, now, Marlowe. Have you money for your investment? | 0:02:05 | 0:02:09 | |
I would fain not stay a moment longer in these immoral surroundings than I must. | 0:02:09 | 0:02:14 | |
Hey! Mr Greene! Here again so soon? | 0:02:14 | 0:02:17 | |
Hey! Phwoar! | 0:02:17 | 0:02:19 | |
You are a naughty boy. | 0:02:19 | 0:02:21 | |
I know not what you mean. | 0:02:21 | 0:02:23 | |
I am here to speak to Mr Marlowe. | 0:02:23 | 0:02:26 | |
'Tis true, I occasionally visit this establishment, | 0:02:26 | 0:02:29 | |
but only in order to raise up fallen women with Bible-reading. | 0:02:29 | 0:02:33 | |
It is unlike you to take the missionary position. | 0:02:33 | 0:02:36 | |
The money, Marlowe. | 0:02:39 | 0:02:41 | |
Da mihi pecunia. | 0:02:41 | 0:02:42 | |
Hic pecunia mea. | 0:02:42 | 0:02:44 | |
Just bung that on whatever's in the next ship. | 0:02:44 | 0:02:46 | |
Mr Shakespeare, vis ad obsedendam in unico tempores opportunitate? | 0:02:46 | 0:02:52 | |
-Um... Vis - that's "would". -He's asking if you want to invest. | 0:02:52 | 0:02:56 | |
Oh, uh, right. Well... | 0:02:56 | 0:02:58 | |
Non ego...non. | 0:02:58 | 0:03:00 | |
Non...quick... | 0:03:00 | 0:03:02 | |
tibi... | 0:03:02 | 0:03:04 | |
..keepus cashus... | 0:03:05 | 0:03:07 | |
No matter. Most of the cargo is already sold. | 0:03:08 | 0:03:12 | |
The sacks of potatoes are spoken for, likewise the bags of tobacco. | 0:03:12 | 0:03:16 | |
Before long, the only thing left on that boat | 0:03:16 | 0:03:18 | |
will be a couple of cases of syphilis sive morbus Gallicus. | 0:03:18 | 0:03:22 | |
MARLOWE AND GREENE CHUCKLE | 0:03:22 | 0:03:24 | |
Oh, sorry, Will. You wouldn't get it. | 0:03:24 | 0:03:26 | |
Latin joke. | 0:03:26 | 0:03:27 | |
Need to have gone to Cambridge. | 0:03:27 | 0:03:29 | |
CAT MEOWS | 0:03:31 | 0:03:32 | |
Deum, daem, dadum, | 0:03:32 | 0:03:35 | |
dadum, dadum da bloody dum. | 0:03:35 | 0:03:37 | |
It's no good, Kate. | 0:03:37 | 0:03:39 | |
It won't stay in that which supports a hat but be not a hook, | 0:03:39 | 0:03:42 | |
has a crown but be not a king, | 0:03:42 | 0:03:44 | |
and is fringed with hair but be not my Bolingbrokes. | 0:03:44 | 0:03:47 | |
Pardon? | 0:03:47 | 0:03:48 | |
He means his head, love. | 0:03:48 | 0:03:50 | |
You will, Mr Shakespeare, you will. | 0:03:50 | 0:03:52 | |
You already have your schoolboy Latin to build on. | 0:03:52 | 0:03:55 | |
I taught myself from scratch. | 0:03:55 | 0:03:57 | |
Yes, but I think it's easier for girls, | 0:03:57 | 0:03:59 | |
their heads being otherwise so empty that... | 0:03:59 | 0:04:03 | |
that there's more room to learn things. | 0:04:03 | 0:04:05 | |
Yes, because that's really logical(!) | 0:04:05 | 0:04:07 | |
I don't know why you care, anyway. | 0:04:07 | 0:04:09 | |
I mean, how many dead Romans are you going to be chatting with? | 0:04:09 | 0:04:12 | |
Apart from the obvious social advantages of knowing Latin, | 0:04:12 | 0:04:15 | |
all legal documents are writ in the language of the Caesars. | 0:04:15 | 0:04:18 | |
If I'm to be a theatre owner, I must be able to read the contracts. | 0:04:18 | 0:04:21 | |
Theatre owner? | 0:04:21 | 0:04:22 | |
Such an exciting idea, Mr Shakespeare. | 0:04:22 | 0:04:24 | |
Isn't it? Yes. Burbage must move his productions to south of the river | 0:04:24 | 0:04:28 | |
to escape the wrath of the God-prodding pure-titties who run the city. | 0:04:28 | 0:04:32 | |
Oh, I hate those God-prodding pure-titties. | 0:04:32 | 0:04:34 | |
They're so grim. There's no singing, no dancing... | 0:04:34 | 0:04:37 | |
Yes, and most crucially, no point! | 0:04:37 | 0:04:39 | |
I searched the Bible in vain | 0:04:39 | 0:04:41 | |
for the passage that tells us that putting horseshoe nails | 0:04:41 | 0:04:45 | |
on the inside of your codpiece will give you a front-row cloud in heaven. | 0:04:45 | 0:04:49 | |
Still, the pure-titties' righteous fury could be the making of me, | 0:04:49 | 0:04:53 | |
for Burbage has asked me to come in with him as investor and producer. | 0:04:53 | 0:04:57 | |
Such a joyful happenstance! | 0:04:57 | 0:04:59 | |
And what's more, | 0:04:59 | 0:05:00 | |
he has hinted that if I can but finish my great teen romance in time, | 0:05:00 | 0:05:04 | |
-it will open the new house. -Why don't you just tell him it's finished? | 0:05:04 | 0:05:07 | |
-Because it isn't. -It is if you want it to be. | 0:05:07 | 0:05:09 | |
Liberate yourself. Just stop writing. | 0:05:09 | 0:05:11 | |
Put a big full stop, and you're done. | 0:05:11 | 0:05:13 | |
But nothing will be concluded of plot or character. | 0:05:13 | 0:05:17 | |
Trust me, no-one will notice. | 0:05:17 | 0:05:19 | |
They're not really following, anyway. | 0:05:20 | 0:05:22 | |
Your plays are too long. | 0:05:22 | 0:05:23 | |
I mean, Richard III was nearly four hours. That's just wrong. | 0:05:23 | 0:05:27 | |
People cheered. | 0:05:27 | 0:05:29 | |
Yeah, they were glad it was over! | 0:05:29 | 0:05:31 | |
Didn't you get that? | 0:05:31 | 0:05:33 | |
Bottom, your barbs do bite most bitterly. | 0:05:33 | 0:05:36 | |
Well, no-one else will tell you except me. You give 'em too much. | 0:05:36 | 0:05:39 | |
Kate, you don't agree with this, do you? | 0:05:39 | 0:05:41 | |
Well, they are quite long, Mr Shakespeare. | 0:05:41 | 0:05:43 | |
I mean, it's all great. | 0:05:43 | 0:05:45 | |
It's just sometimes, less is more. | 0:05:45 | 0:05:47 | |
A short play's a good play. | 0:05:47 | 0:05:48 | |
You don't want Juliet's balls dropping halfway through the balcony scene. | 0:05:48 | 0:05:52 | |
Well, that's true. | 0:05:52 | 0:05:53 | |
And 'tis ever a danger with these beardless youths | 0:05:53 | 0:05:56 | |
that we must employ to play the ladies. | 0:05:56 | 0:05:58 | |
Of course, if an actual girl were playing the role... | 0:05:58 | 0:06:01 | |
Oh, God, here we go. Would you let it drop, woman? | 0:06:01 | 0:06:04 | |
Girls can't act. | 0:06:04 | 0:06:05 | |
No, no, Bottom. I confess I'm beginning to come round to Kate's way of thinking. | 0:06:05 | 0:06:09 | |
I would love to hear my Juliet in the true voice of a maid. | 0:06:09 | 0:06:12 | |
Sadly, we're constrained by law. | 0:06:12 | 0:06:14 | |
It's so frustrating! | 0:06:14 | 0:06:16 | |
A woman may not disport herself on stage for fear she be thought a trollop. | 0:06:16 | 0:06:20 | |
It does seem silly, but there it is. | 0:06:20 | 0:06:22 | |
If ever I am to hope to sneak you into Burbage's company, | 0:06:22 | 0:06:24 | |
it must be in disguise. You must make him believe that you be that | 0:06:24 | 0:06:27 | |
which, though it hath teats, hath no breasts, | 0:06:27 | 0:06:30 | |
and though it hath balls, be not a game of tennis. | 0:06:30 | 0:06:33 | |
-You mean a man, right? -Yes, I mean a man. | 0:06:33 | 0:06:36 | |
A bit tortured, that one, if I'm honest, Master. | 0:06:36 | 0:06:39 | |
You have to let 'em roll and then edit later. | 0:06:39 | 0:06:41 | |
Now, I must be on my way. | 0:06:41 | 0:06:43 | |
I'm to meet Burbage to discuss our great venture. | 0:06:43 | 0:06:45 | |
-Let me come. -You, Kate? How so? | 0:06:45 | 0:06:48 | |
I speak Latin, I understand compound interest. | 0:06:48 | 0:06:51 | |
I can be your secretary. | 0:06:51 | 0:06:53 | |
But you're a girl. Girls can't be secretaries. It's unheard of. | 0:06:53 | 0:06:56 | |
Exactly! | 0:06:56 | 0:06:58 | |
And so I shall come disguised as a man, | 0:06:58 | 0:07:00 | |
and if I can do that without discovery, | 0:07:00 | 0:07:03 | |
then surely I can audition as a boy to play Juliet? | 0:07:03 | 0:07:06 | |
Well, I suppose I could do with a Latin speaker on my team. | 0:07:06 | 0:07:09 | |
Oh, no. I don't like this at all. | 0:07:09 | 0:07:11 | |
This is just rubbish, this is. | 0:07:11 | 0:07:13 | |
You have an objection, Bottom? | 0:07:13 | 0:07:14 | |
Yes, I have got a flippin' objection. | 0:07:14 | 0:07:17 | |
I can't read, I can't write, I own nothing and I'm sewn into my underwear, | 0:07:17 | 0:07:21 | |
but at least I've got more rights and status than any bloomin' bird! | 0:07:21 | 0:07:25 | |
You start edging women into the workplace, | 0:07:25 | 0:07:27 | |
then where's that going to leave all of us pig-ignorant blokes? | 0:07:27 | 0:07:30 | |
Now, Kate, be ever vigilant. | 0:07:33 | 0:07:35 | |
The tiniest mistake could see you unmasked as a weak and timorous girlie. | 0:07:35 | 0:07:39 | |
What sort of mistake? Any hints? | 0:07:39 | 0:07:41 | |
Well, do not, under any circumstances, discuss your feelings. | 0:07:41 | 0:07:45 | |
Not discuss feelings? | 0:07:46 | 0:07:47 | |
What do men talk about? | 0:07:47 | 0:07:49 | |
Sex, beer and sport. | 0:07:49 | 0:07:50 | |
On the subject of feelings, | 0:07:50 | 0:07:52 | |
if a rehearsal begins, do not cry at the sad bits, | 0:07:52 | 0:07:56 | |
and if blood sports be suggested, and a pack of dogs | 0:07:56 | 0:07:59 | |
be set upon a tethered goat for fun, | 0:07:59 | 0:08:01 | |
you must cry, "Kill! Kill!" | 0:08:01 | 0:08:03 | |
not, "But he looks so sweet. Why do we have to hurt him?" | 0:08:03 | 0:08:06 | |
And, of course, there's the most important factor of all in pretending to be a man. | 0:08:06 | 0:08:10 | |
What's that? | 0:08:10 | 0:08:12 | |
I must ne'er be seen to perform a multitude of tasks | 0:08:12 | 0:08:14 | |
all at the same moment. | 0:08:14 | 0:08:16 | |
For 'tis a fact well known that men cannot perform a multitude of tasks | 0:08:17 | 0:08:21 | |
all at the same moment. | 0:08:21 | 0:08:22 | |
Actually, that's a fundamental misunderstanding on the part of you girls. | 0:08:22 | 0:08:26 | |
In fact, men can perform a multitude of tasks all at the same moment. | 0:08:26 | 0:08:29 | |
We just prefer to sit around drinking beer. | 0:08:29 | 0:08:32 | |
So, Master Shakespeare, we come, as promised, to discuss plans | 0:08:32 | 0:08:36 | |
for our new theatre and... Who's this? | 0:08:36 | 0:08:39 | |
Cuthbert, my secretary. A young fellow who would make a life in the theatre. | 0:08:39 | 0:08:43 | |
-DEEP VOICE: -Wotch, you bunch of hugger-tuggers! | 0:08:43 | 0:08:45 | |
Anyone get any minge last night? | 0:08:45 | 0:08:47 | |
Boo-hey! I love minge. | 0:08:47 | 0:08:49 | |
Seems a very pleasant fellow, Will. | 0:08:53 | 0:08:55 | |
Yes, come and sit down, Cuthbert. | 0:08:55 | 0:08:57 | |
Tell you what, perhaps later on we'll go bear-baiting, eh? | 0:08:57 | 0:09:00 | |
Brilliant! I certainly won't cry! | 0:09:00 | 0:09:03 | |
So, Will, as you know, | 0:09:03 | 0:09:05 | |
the God-prodding pure-titties in the city have forced our company | 0:09:05 | 0:09:09 | |
beyond London's walls, so we plan to build south of the river, in Southwark. | 0:09:09 | 0:09:13 | |
Yes. England's first purpose-built theatre. | 0:09:13 | 0:09:16 | |
Think of it, Burbage! We're actually inventing the form. | 0:09:16 | 0:09:18 | |
Absolutely. | 0:09:18 | 0:09:20 | |
It falls upon us to lay the very foundation stone | 0:09:20 | 0:09:23 | |
of theatre architecture. | 0:09:23 | 0:09:25 | |
So, a playhouse. | 0:09:25 | 0:09:27 | |
What is it? | 0:09:28 | 0:09:30 | |
A big space...for people to stand in. | 0:09:30 | 0:09:33 | |
Yes. That's a good beginning. | 0:09:33 | 0:09:35 | |
Yes. What else? What else? | 0:09:35 | 0:09:38 | |
A stage at one end, probably? | 0:09:38 | 0:09:39 | |
A stage, for certain. A stage. | 0:09:39 | 0:09:42 | |
This is so exciting, | 0:09:42 | 0:09:43 | |
and since our building will be only for the production of plays | 0:09:43 | 0:09:46 | |
and not also for boozing and bear-baiting, as has been the custom to date, | 0:09:46 | 0:09:50 | |
there's no limit to the effects we can install! | 0:09:50 | 0:09:52 | |
Traps, drapes, screens - | 0:09:52 | 0:09:55 | |
with such devices great battles and mighty tempests can be presented. | 0:09:55 | 0:09:59 | |
Hmm, yeah? Really? | 0:09:59 | 0:10:01 | |
HE GRUNTS | 0:10:01 | 0:10:02 | |
-SQUEAKY VOICE: -Not sure. | 0:10:02 | 0:10:04 | |
You have an observation to make, Kempe? | 0:10:05 | 0:10:07 | |
Just saying. Battles? Tempests? Bit dated? | 0:10:07 | 0:10:11 | |
Wrong thing to say? Don't care. Said it now, so... | 0:10:11 | 0:10:15 | |
Dated, Kempe? | 0:10:15 | 0:10:17 | |
Not going to lie. All that shouting, | 0:10:17 | 0:10:18 | |
all that, "Oh, I'm a king and my army's all dead..." That's not relatable. That's not interesting. | 0:10:18 | 0:10:23 | |
What do you suggest? | 0:10:23 | 0:10:24 | |
Well, instead of setting the big scene in a battle, | 0:10:24 | 0:10:26 | |
why not set it in the king's counting house? | 0:10:26 | 0:10:29 | |
In an office? | 0:10:29 | 0:10:30 | |
Observational, see? | 0:10:31 | 0:10:33 | |
Minimal is the new epic. | 0:10:35 | 0:10:36 | |
Yeah? Instead of having heroic characters struggling with war and murder, | 0:10:36 | 0:10:41 | |
they could all be really ordinary and worried about really tiny things, | 0:10:41 | 0:10:44 | |
like, "Ooh, did you use my quill?" "Oh, was that your quill?" | 0:10:44 | 0:10:47 | |
"Well, yeah. That was my quill. It's got my name on it." | 0:10:47 | 0:10:50 | |
"Oh, sorry." | 0:10:50 | 0:10:51 | |
"Well, you can borrow it, but if you ask, maybe. Please respect my stuff." | 0:10:51 | 0:10:55 | |
That sort of thing. It'd be brilliant. | 0:10:55 | 0:10:57 | |
Do shut up, Kempe. | 0:10:57 | 0:10:59 | |
We must consider the auditorium too. | 0:10:59 | 0:11:01 | |
We'll need a toilet, methinks. | 0:11:01 | 0:11:03 | |
Will's plays be very long. | 0:11:03 | 0:11:05 | |
Very, very long. | 0:11:05 | 0:11:06 | |
Incredibly long. Like mad long. | 0:11:06 | 0:11:08 | |
They're not long! | 0:11:08 | 0:11:09 | |
A bit long, Will. | 0:11:09 | 0:11:10 | |
Yes, we'll definitely need a big trench out the back to piss in. | 0:11:10 | 0:11:14 | |
And numerous closeted stalls for the ladies, | 0:11:16 | 0:11:18 | |
20 or 30, I'd say, otherwise there'll be a queue. | 0:11:18 | 0:11:20 | |
The ladies? You think we should cover for them? | 0:11:20 | 0:11:23 | |
Well, of course, yeah. | 0:11:23 | 0:11:24 | |
While there be no ladies on stage, many do attend the play. | 0:11:24 | 0:11:27 | |
Yes, well, I suppose we could knock up a little shed | 0:11:27 | 0:11:30 | |
and put a bucket in it. | 0:11:30 | 0:11:32 | |
So, the conveniences. | 0:11:32 | 0:11:34 | |
A 20-yard pissoir for the men, | 0:11:34 | 0:11:37 | |
and a single bucket in a cupboard for the ladies. | 0:11:37 | 0:11:40 | |
Mr Burbage, a single stall? | 0:11:40 | 0:11:43 | |
Surely you can see that in times of greatest traffic, such as the interval, | 0:11:43 | 0:11:46 | |
a large queue will form of angry ladies with their legs crossed. | 0:11:46 | 0:11:49 | |
Remember, sirrah, that what we design here today | 0:11:49 | 0:11:52 | |
will set the pattern for theatres across future centuries. | 0:11:52 | 0:11:56 | |
So, as I say... | 0:11:59 | 0:12:00 | |
..a 20-yard pissoir for the men | 0:12:01 | 0:12:03 | |
and a single bucket in a cupboard for the ladies. | 0:12:03 | 0:12:06 | |
(Have a care, young Kate,) | 0:12:06 | 0:12:07 | |
(for your outrageous special pleading for your own sex will unmask you.) | 0:12:07 | 0:12:10 | |
-(It's just so unfair!) -Right, lunch! | 0:12:10 | 0:12:13 | |
I have a meat pie. | 0:12:13 | 0:12:15 | |
-Meat pie. -Meat pasty. | 0:12:15 | 0:12:16 | |
Meat pie. | 0:12:16 | 0:12:18 | |
Oh, I've made a lovely little salad, which you're all welcome to pick at. | 0:12:22 | 0:12:25 | |
Just some fresh leaves and carrot goujons. | 0:12:25 | 0:12:27 | |
Also some rose petals, just for scent and colour, but you can eat them. | 0:12:27 | 0:12:30 | |
You're a bloody girl, aren't you? | 0:12:30 | 0:12:33 | |
An ambitious little bitchington trying to steal my job! | 0:12:33 | 0:12:37 | |
No. Minge! Flange! | 0:12:37 | 0:12:39 | |
-HIGH VOICE: -Anal! | 0:12:39 | 0:12:40 | |
We get one like you every fortnight. | 0:12:42 | 0:12:44 | |
Silly little girls pretending to be boys, | 0:12:44 | 0:12:46 | |
in the pathetic hope that they'll be as good at being girls as boys are. | 0:12:46 | 0:12:50 | |
Be gone, you foul sluttage. | 0:12:50 | 0:12:52 | |
And find yourself a husband! | 0:12:52 | 0:12:54 | |
So, theatre design complete. Now, | 0:12:54 | 0:12:57 | |
if you want to be in on this venture, you've got to invest. | 0:12:57 | 0:12:59 | |
Four quid minimum shares. Are you in or out? | 0:12:59 | 0:13:02 | |
In, Burbage. I journey to Stratford this very e'en to get the cash! | 0:13:02 | 0:13:06 | |
-Hoorah. -For there is a tide in the affairs of men | 0:13:06 | 0:13:09 | |
which, taken at the flood, leads on to fortune. | 0:13:09 | 0:13:13 | |
Meaning? | 0:13:15 | 0:13:16 | |
Well, I'm just reiterating, really... | 0:13:16 | 0:13:20 | |
that I'm going to Stratford to get the cash. | 0:13:20 | 0:13:23 | |
His stuff's too long. | 0:13:23 | 0:13:24 | |
-Oh, very long. -Very, very long. | 0:13:24 | 0:13:26 | |
HEN CLUCKS | 0:13:26 | 0:13:28 | |
God, what a journey! | 0:13:28 | 0:13:30 | |
Lost a whole half-day stuck behind a seriously unhelpful shepherd, | 0:13:30 | 0:13:35 | |
who simply refused to pull his sheep over to the side of the lane. | 0:13:35 | 0:13:39 | |
Let me tell you, when we finally did edge alongside, | 0:13:39 | 0:13:42 | |
we all made some seriously rude gestures out of the carriage window. | 0:13:42 | 0:13:45 | |
Which was satisfying, but considering it took three hours to pass him, | 0:13:45 | 0:13:49 | |
rather tiring on the arm. | 0:13:49 | 0:13:51 | |
Well, I'm glad you're back, love. | 0:13:53 | 0:13:55 | |
Your "dad jobs" list's getting longer than a pure-titty's sermon. | 0:13:55 | 0:13:58 | |
Aye, mistress. | 0:13:58 | 0:13:59 | |
Such was the longing I felt for thee, | 0:13:59 | 0:14:02 | |
so fervently did tug the bonds of love | 0:14:02 | 0:14:04 | |
that I must needs forswear all other thoughts and hasten to thy side. | 0:14:04 | 0:14:08 | |
What d'you want? | 0:14:08 | 0:14:10 | |
The family savings. | 0:14:10 | 0:14:11 | |
Our savings? | 0:14:11 | 0:14:13 | |
Yep. All of them. | 0:14:13 | 0:14:14 | |
The whole four quid. | 0:14:14 | 0:14:16 | |
What about our plans to buy New Place? | 0:14:16 | 0:14:19 | |
And Susanna's dowry? She be 13 and thus fast approaching marrying age. | 0:14:19 | 0:14:23 | |
And she's such a gobby little bitchington, | 0:14:23 | 0:14:26 | |
I really don't think we're going to off-load her for less than ten bob. | 0:14:26 | 0:14:30 | |
Shut up! God, you're so weird. | 0:14:30 | 0:14:32 | |
Everything I do is wrong. Shut up! | 0:14:32 | 0:14:34 | |
And I've told you ten times to move your cup and plate | 0:14:34 | 0:14:37 | |
and tidy away your clothes. | 0:14:37 | 0:14:38 | |
I'm busy. | 0:14:38 | 0:14:41 | |
Why is it always me? | 0:14:41 | 0:14:42 | |
Ask the twins. Shut up. | 0:14:42 | 0:14:45 | |
'Tis true, Wife. | 0:14:45 | 0:14:46 | |
Unless we can happen upon a youth who finds selfish lethargy | 0:14:46 | 0:14:49 | |
and impenetrable self-righteousness attractive, | 0:14:49 | 0:14:52 | |
we may be stuck with her for quite a while. | 0:14:52 | 0:14:54 | |
I didst not ask to be brought forth | 0:14:54 | 0:14:56 | |
-into the world. -What do you mean, you want our savings? | 0:14:56 | 0:14:59 | |
I want them in order to double them. | 0:14:59 | 0:15:02 | |
Treble them. | 0:15:02 | 0:15:03 | |
Burbage and I intend to build a theatre on the south bank. | 0:15:03 | 0:15:06 | |
Wife... | 0:15:10 | 0:15:11 | |
nearly all the money's gone. | 0:15:11 | 0:15:13 | |
Our savings? Stolen? | 0:15:13 | 0:15:15 | |
Yes. We had four pounds, and now there's only one. | 0:15:15 | 0:15:19 | |
Oh, the shame of it. | 0:15:19 | 0:15:20 | |
Your own son. | 0:15:20 | 0:15:21 | |
Mum? | 0:15:22 | 0:15:23 | |
He took it. Your father. | 0:15:23 | 0:15:25 | |
To think, me, an Arden, married to a thief! | 0:15:25 | 0:15:29 | |
Oh, yeah, cos it's all about you, isn't it? | 0:15:29 | 0:15:32 | |
He's been fined again. Illegal wool-trading. | 0:15:32 | 0:15:35 | |
He bought and sold sheepskin without paying the excise. | 0:15:35 | 0:15:39 | |
Oh, the shame of it! | 0:15:39 | 0:15:40 | |
The very shame. | 0:15:40 | 0:15:43 | |
Dad, be this true? Are you become a criminal? | 0:15:43 | 0:15:46 | |
Criminal? | 0:15:46 | 0:15:47 | |
Well, depends how you define "criminal". | 0:15:47 | 0:15:51 | |
Somebody who has broken the law. | 0:15:51 | 0:15:52 | |
But which law? | 0:15:52 | 0:15:54 | |
Real law or natural law? | 0:15:54 | 0:15:57 | |
Real law. | 0:15:57 | 0:15:58 | |
What about all the bankers and traders | 0:15:58 | 0:16:00 | |
who've tempted thousands to lose everything | 0:16:00 | 0:16:03 | |
in a fruitless search for mythical El Dorados? | 0:16:03 | 0:16:05 | |
They're the real criminals. | 0:16:05 | 0:16:07 | |
Yes. If by "the real" you mean "also". | 0:16:07 | 0:16:10 | |
None of this makes it all right for you to steal my life savings! | 0:16:12 | 0:16:16 | |
Look, I was desperate! | 0:16:16 | 0:16:18 | |
When you turned down my idea | 0:16:18 | 0:16:20 | |
for a dad-son double act, it was the last straw. | 0:16:20 | 0:16:24 | |
This is my fault?! | 0:16:24 | 0:16:26 | |
Well, I do think you might have considered the idea, William. | 0:16:26 | 0:16:29 | |
I still think we can make it work. | 0:16:29 | 0:16:31 | |
I have to find three pounds in the next week, | 0:16:31 | 0:16:33 | |
and shameless, self-indulgent, cross-generational fame-whoring | 0:16:33 | 0:16:37 | |
ain't gonna do the job! | 0:16:37 | 0:16:40 | |
So, Mr Shakespeare, | 0:16:42 | 0:16:44 | |
you wish to invest after all? | 0:16:44 | 0:16:47 | |
Yes. I...I have a pound | 0:16:47 | 0:16:48 | |
and would hope for a great return, as you promised. | 0:16:48 | 0:16:52 | |
I also said you should hurry, sir. | 0:16:52 | 0:16:54 | |
All the investments are made - the potatoes, the tobacco, the spices. | 0:16:54 | 0:16:58 | |
But what about those cases of syphilis whatnot you mentioned? | 0:16:58 | 0:17:02 | |
You said there might be some of those left. | 0:17:02 | 0:17:04 | |
And so does this upstart crow's lack of education condemn him. | 0:17:05 | 0:17:10 | |
I have him in my clutches! | 0:17:10 | 0:17:13 | |
Hmm... | 0:17:13 | 0:17:15 | |
Well, now, let me see. | 0:17:15 | 0:17:17 | |
Yes, it seems, in fact, there are a number of cases of syphilis reported | 0:17:18 | 0:17:23 | |
on a ship just docked. | 0:17:23 | 0:17:25 | |
Then I would beg you, let me invest in one. | 0:17:25 | 0:17:27 | |
By all means. | 0:17:27 | 0:17:28 | |
Although, caveat emptor. For the purposes of my duty of care, | 0:17:28 | 0:17:33 | |
you are aware of the nature of that in which you would invest? | 0:17:33 | 0:17:36 | |
Who cares? It's been imported from America. | 0:17:36 | 0:17:39 | |
We in England will instantly adopt anything from America. | 0:17:39 | 0:17:42 | |
What is a potato but a starchy tuber? | 0:17:43 | 0:17:46 | |
What is tobacco but a dried weed? | 0:17:46 | 0:17:48 | |
What is a corn cob but a big, yellow, bobbly dildo? | 0:17:48 | 0:17:52 | |
I would invest in the very next case of syphilis that be brought ashore. | 0:17:54 | 0:17:58 | |
I have a pound. | 0:17:58 | 0:18:00 | |
I fear the minimum stake would be two. | 0:18:00 | 0:18:02 | |
I have but one. | 0:18:02 | 0:18:04 | |
The trap shuts. | 0:18:04 | 0:18:07 | |
Why, sir, let me lend you another. | 0:18:07 | 0:18:11 | |
Really? | 0:18:11 | 0:18:12 | |
You'd do that for me? | 0:18:12 | 0:18:13 | |
And for surety on the capital? | 0:18:13 | 0:18:16 | |
Name it. My house? My wife? | 0:18:16 | 0:18:18 | |
No, sir, nothing so onerous. | 0:18:18 | 0:18:21 | |
Let us just say that, for my one pound, | 0:18:21 | 0:18:23 | |
I would want merely one pound back... | 0:18:23 | 0:18:25 | |
Well, that seems very reasonable. | 0:18:25 | 0:18:27 | |
..of your flesh. | 0:18:27 | 0:18:30 | |
So, the investment's sorted. | 0:18:31 | 0:18:34 | |
I'm off to the Red Lion. | 0:18:34 | 0:18:36 | |
Burbage is conducting preliminary auditions for my Juliet | 0:18:36 | 0:18:40 | |
and if I'm not careful, he'll choose the wrong boy. | 0:18:40 | 0:18:42 | |
Oh, Mr Shakespeare, let me try again. Please! | 0:18:42 | 0:18:45 | |
Kate, I've told you. | 0:18:45 | 0:18:46 | |
In order to be a girl, you must first be a boy. | 0:18:46 | 0:18:49 | |
Give me another go. | 0:18:49 | 0:18:50 | |
Give me some hints. | 0:18:50 | 0:18:51 | |
I just need to get deeper into character. | 0:18:51 | 0:18:54 | |
Well...all right. | 0:18:54 | 0:18:57 | |
Supposing we go to the tavern where the new American potato tuber be served, | 0:18:57 | 0:19:01 | |
diced into batons and fried. | 0:19:01 | 0:19:03 | |
-Oh, God, I love them! -Aye, all men do. Women also. | 0:19:03 | 0:19:06 | |
And here, Kate, lies the rub, for without care you will be exposed. | 0:19:06 | 0:19:10 | |
How so, Mr Shakespeare? | 0:19:10 | 0:19:11 | |
When the diced potato tuber be offered, do not refuse to order your own, | 0:19:11 | 0:19:16 | |
only then to steal it from another's plate. | 0:19:16 | 0:19:18 | |
Oh, my God, I so do that. | 0:19:18 | 0:19:19 | |
For then will all at table know you are a girl. | 0:19:19 | 0:19:22 | |
I'll be so careful. | 0:19:22 | 0:19:24 | |
Will you also lend me another suit of clothes | 0:19:24 | 0:19:27 | |
so they don't recognise me from last time? | 0:19:27 | 0:19:29 | |
All right. But we have to hurry. | 0:19:29 | 0:19:31 | |
Kate, you must decide! | 0:19:33 | 0:19:35 | |
I can't! I can't. | 0:19:35 | 0:19:37 | |
Every garment from the wardrobe hath been hurled upon the bed | 0:19:37 | 0:19:40 | |
and yet you still claim | 0:19:40 | 0:19:41 | |
that you have not a single thing with which to robe yourself! | 0:19:41 | 0:19:45 | |
Full, round and plumpish all do make me look. | 0:19:45 | 0:19:48 | |
But, Kate, can't you see this is a case in point? | 0:19:48 | 0:19:52 | |
As with the diced, fried tuber-batons. | 0:19:52 | 0:19:54 | |
Girls can't stop being girlie. | 0:19:54 | 0:19:56 | |
'Tis at the very core of their nature. | 0:19:56 | 0:19:58 | |
A man would simply grab the first pair of puffling pants to hand, | 0:19:58 | 0:20:02 | |
give them the sniff test, | 0:20:02 | 0:20:03 | |
and if they be not actually rotted with his dung, shove em on! | 0:20:03 | 0:20:07 | |
I've only ever owned a single pair! | 0:20:07 | 0:20:09 | |
I've had these on for 15 years. | 0:20:09 | 0:20:12 | |
You must decide. | 0:20:12 | 0:20:13 | |
All right. Which do you think? | 0:20:13 | 0:20:16 | |
-These or these? -Erm, those. | 0:20:16 | 0:20:18 | |
So you hate these? You think I look full, round and plumpish in these? | 0:20:18 | 0:20:21 | |
No, you asked me, by Jehovah's nostrils! | 0:20:21 | 0:20:24 | |
You...you forced a choice upon me and then you turned that choice into a slight! | 0:20:24 | 0:20:28 | |
Was ever there a thing so girlie? | 0:20:28 | 0:20:31 | |
-This is impossible! -All right. I'll go with these. | 0:20:31 | 0:20:34 | |
Finally. And actually, for what it's worth, | 0:20:34 | 0:20:36 | |
I think you look very nice in those puffling pants. | 0:20:36 | 0:20:38 | |
Yeah, right! As if! I do not. | 0:20:38 | 0:20:40 | |
You're obviously lying. | 0:20:40 | 0:20:41 | |
Oh, God. Look, Kate, I'm sorry, but I'm not doing this. | 0:20:41 | 0:20:44 | |
It's quite clear that you can never convince as a man | 0:20:44 | 0:20:47 | |
and, therefore, there is no possibility of your ever earning the opportunity | 0:20:47 | 0:20:51 | |
to convince as a woman. Now, I have far more pressing concerns. | 0:20:51 | 0:20:54 | |
You wait, Mr Shakespeare. I will find a way to prove my worth. | 0:20:54 | 0:20:58 | |
Kate, gentle Kate, thou provest thy worth | 0:20:58 | 0:21:02 | |
every day with thy joyous smile, | 0:21:02 | 0:21:05 | |
thy girlish laugh and the soft, tender grace | 0:21:05 | 0:21:08 | |
that all Eve's daughters bring to the rough world of men. | 0:21:08 | 0:21:12 | |
Oh, Mr Shakespeare, you are like he who gives support, | 0:21:12 | 0:21:15 | |
like that which sweetens all that it covers. | 0:21:15 | 0:21:18 | |
You are a great poet and are like the heavens. | 0:21:18 | 0:21:22 | |
Kate, your words move me, but I would fain know their meaning. | 0:21:22 | 0:21:26 | |
Why, he who gives support is a patron, | 0:21:26 | 0:21:29 | |
that which sweetens all that it covers be but icing, | 0:21:29 | 0:21:32 | |
a great poet is a bard, | 0:21:32 | 0:21:34 | |
and the heavens, of course, be starred. | 0:21:34 | 0:21:36 | |
Put them together and you get... | 0:21:36 | 0:21:39 | |
Patron...icing...bard...starred. | 0:21:39 | 0:21:42 | |
I'll leave it with you. | 0:21:43 | 0:21:45 | |
God! Her and her women's emancipation stuff. | 0:21:47 | 0:21:51 | |
Yeah. | 0:21:51 | 0:21:53 | |
Talk about having a diced, fried tuber-baton on her shoulder... | 0:21:53 | 0:21:56 | |
I think I'm outward-going and with a great personality. | 0:21:57 | 0:22:00 | |
It's my dream to play Juliet, and I really, really want it. | 0:22:00 | 0:22:03 | |
Thank you. Next. | 0:22:04 | 0:22:05 | |
But you haven't heard my backstory! | 0:22:05 | 0:22:08 | |
My mum's just got the plague! | 0:22:08 | 0:22:10 | |
I was bullied at dame school. | 0:22:10 | 0:22:12 | |
I'm bringing up my sister's son. | 0:22:12 | 0:22:14 | |
I said next! | 0:22:14 | 0:22:15 | |
You'll see. | 0:22:15 | 0:22:17 | |
I'll be a futtocking star, | 0:22:17 | 0:22:19 | |
and then you'll look like dicks. | 0:22:19 | 0:22:21 | |
Crappage! Crappage. They all be crappage. | 0:22:23 | 0:22:26 | |
At this rate, our theatre will be built before we find our Juliet. | 0:22:26 | 0:22:30 | |
But you've got your bloody Juliet. Me! | 0:22:30 | 0:22:33 | |
Except, oh, that's right, once an actor who plays women reaches a certain age, | 0:22:33 | 0:22:37 | |
the roles dry up. | 0:22:37 | 0:22:39 | |
My dear Condell, Juliet be but a maid of 13. | 0:22:40 | 0:22:44 | |
And Romeo be 14, yet no doubt Burbage here will be playing him. | 0:22:44 | 0:22:49 | |
Oh, yes, it's all right for actors who play men. | 0:22:49 | 0:22:52 | |
They can be geriatric and still get romantic leads. | 0:22:52 | 0:22:54 | |
But we actors who play women are tossed away | 0:22:54 | 0:22:57 | |
in favour of younger actors who play women. | 0:22:57 | 0:23:00 | |
Enough of this carping. | 0:23:00 | 0:23:01 | |
We've a play to cast and a theatre to build. | 0:23:01 | 0:23:03 | |
Speaking of which, Will, have you your four pounds investment? | 0:23:03 | 0:23:06 | |
At any moment, Burbage. | 0:23:06 | 0:23:08 | |
I expect news of my investment on the hour. | 0:23:08 | 0:23:10 | |
Mr Shakespeare, we just got a note from the Board of Trade. | 0:23:10 | 0:23:13 | |
Ah, brilliant! | 0:23:13 | 0:23:14 | |
Not brilliant. I'm ruined. | 0:23:14 | 0:23:17 | |
My investment was in twice-poxed sailors. | 0:23:17 | 0:23:20 | |
Your ignorance condemns you, sirrah. | 0:23:20 | 0:23:23 | |
Syphilis sive morbus Gallicus | 0:23:23 | 0:23:25 | |
is but the recently coined term for the French disease, | 0:23:25 | 0:23:28 | |
but since the name be conjured by the poet and astronomer Hieronymus Fracastorius | 0:23:28 | 0:23:33 | |
in his Latin lyrical verse cycle, | 0:23:33 | 0:23:36 | |
an oikish country bum-snot like you knows not of it. | 0:23:36 | 0:23:40 | |
I'm sorry, Burbage. I'm broke, and cannot invest in your theatre. | 0:23:40 | 0:23:43 | |
Oh, I think your problems are a little more urgent than that, sirrah. | 0:23:43 | 0:23:47 | |
I would have my pound back, and if it be not in monies, then let it be in flesh! | 0:23:47 | 0:23:52 | |
But I...I have no monies. | 0:23:54 | 0:23:55 | |
Then these officers of the law will keep you safe | 0:23:55 | 0:23:58 | |
until a court of law orders that my debt be paid! | 0:23:58 | 0:24:01 | |
But, Greene, a pound of flesh cut from a man means certain death. | 0:24:01 | 0:24:06 | |
Hmm...yes. | 0:24:06 | 0:24:08 | |
I'll get a lawyer! I'll fight this case! | 0:24:09 | 0:24:11 | |
Your case is hopeless, sirrah! | 0:24:11 | 0:24:13 | |
I have my signed bond. | 0:24:13 | 0:24:15 | |
There is not a man in London who will represent you. | 0:24:15 | 0:24:19 | |
Take him away. | 0:24:19 | 0:24:21 | |
All rise for His Honour Sir Robert Roberts, judge presiding. | 0:24:22 | 0:24:26 | |
Be seated. | 0:24:26 | 0:24:28 | |
Who will speak for the prosecution? | 0:24:30 | 0:24:33 | |
I, my lord, will prosecute. | 0:24:33 | 0:24:36 | |
Being a Cambridge graduate, I am of course a qualified lawyer. | 0:24:36 | 0:24:41 | |
And who will speak for the defence? | 0:24:41 | 0:24:43 | |
I fear none, my lord, for this case is so hopeless | 0:24:43 | 0:24:47 | |
that there be not a single man in London who will speak for this wretch. | 0:24:47 | 0:24:50 | |
-DEEP VOICE: -Not so, sir. | 0:24:50 | 0:24:52 | |
I am a man...and a lawyer. | 0:24:53 | 0:24:56 | |
And I will defend this wronged man. | 0:24:56 | 0:24:59 | |
You, sirrah, who are you? | 0:24:59 | 0:25:01 | |
I am Cuthbert Capulet, your honour. | 0:25:01 | 0:25:03 | |
Do you wish to argue that Master Greene should not take his bond? | 0:25:03 | 0:25:07 | |
Go for it, good Kate. | 0:25:07 | 0:25:09 | |
Nail him with some brilliant Latin stuff. | 0:25:09 | 0:25:11 | |
On the contrary, my lord, | 0:25:12 | 0:25:14 | |
if Mr Greene wishes to cut a pound of flesh from my client then he must, | 0:25:14 | 0:25:18 | |
for 'tis his legal right. | 0:25:18 | 0:25:20 | |
-What?! -Master Greene, | 0:25:20 | 0:25:21 | |
you may extract your bond. | 0:25:21 | 0:25:23 | |
Oh, how sweet | 0:25:23 | 0:25:27 | |
will be this unkindest cut of all. | 0:25:27 | 0:25:32 | |
Please, Master Greene. The quality of mercy is not strained. | 0:25:32 | 0:25:36 | |
It droppeth as the gentle rain from heaven upon the earth beneath. | 0:25:36 | 0:25:40 | |
Not even iambic pentameter can save you now! | 0:25:40 | 0:25:44 | |
Tarry a little. | 0:25:44 | 0:25:46 | |
There is something else. | 0:25:46 | 0:25:47 | |
This bond doth give thee here no jot of blood. | 0:25:48 | 0:25:53 | |
I beg your pardon? | 0:25:53 | 0:25:55 | |
Take then thy bond. | 0:25:55 | 0:25:57 | |
Take thou thy pound of flesh, but in the cutting it, | 0:25:57 | 0:26:00 | |
if thou doth shed one drop of Christian blood... | 0:26:00 | 0:26:04 | |
No blood?! How can I avoid it? | 0:26:04 | 0:26:05 | |
Exactly, sirrah. | 0:26:05 | 0:26:07 | |
If you must take your flesh, you must needs also steal blood, | 0:26:07 | 0:26:10 | |
and thus would my client die. | 0:26:10 | 0:26:13 | |
Well, I must say, this does alter things a bit. | 0:26:13 | 0:26:16 | |
Will you still take your bond, Master Greene? | 0:26:16 | 0:26:19 | |
I shall be happy enough to try you straight'way after for murder. | 0:26:19 | 0:26:22 | |
But, my lord, this Capulet's argument is utterly spurious! | 0:26:22 | 0:26:26 | |
Why, flesh contains blood! | 0:26:26 | 0:26:28 | |
Flesh be not flesh without it. You do not visit the butcher and say, | 0:26:28 | 0:26:32 | |
"A pound of beef, and don't forget to leave the blood in," do you? | 0:26:32 | 0:26:35 | |
Actually, that's very true. Master Greene is entirely and absolutely right. | 0:26:35 | 0:26:39 | |
Your whole pound-of-flesh argument is in fact wafer-thin rubbish! | 0:26:39 | 0:26:43 | |
I'm sorry, Mr Shakespeare, you're going to have to let him carve a steak off. | 0:26:43 | 0:26:47 | |
But I'll die! | 0:26:47 | 0:26:48 | |
Hmm. Sorry. Right, lunch recess. | 0:26:48 | 0:26:51 | |
A moment, Mr Greene! | 0:26:57 | 0:26:59 | |
Your honour, may I approach the bench? | 0:27:00 | 0:27:02 | |
Come. | 0:27:02 | 0:27:04 | |
-NORMAL VOICE: -Just wanted to say, nice gown. | 0:27:04 | 0:27:07 | |
Really loving it. | 0:27:07 | 0:27:08 | |
-SOFT VOICE: -Thanks so much. I thought it might make me look a bit full, round and plumpish. | 0:27:08 | 0:27:12 | |
So, a salad-eater who thinks a perfectly nice gown makes him look fat. | 0:27:12 | 0:27:16 | |
Or should I say, makes HER look fat? | 0:27:16 | 0:27:18 | |
You're a girl! | 0:27:18 | 0:27:20 | |
It's true! | 0:27:20 | 0:27:21 | |
Ever since I first came to London as a young girl, | 0:27:22 | 0:27:25 | |
I've known that it's a man's world. | 0:27:25 | 0:27:27 | |
And to prosper I must needs become one. | 0:27:27 | 0:27:30 | |
Please, do not expose me. | 0:27:30 | 0:27:33 | |
Don't worry, I get it. I really do. | 0:27:33 | 0:27:34 | |
Just let my client walk and your secret's safe. | 0:27:34 | 0:27:37 | |
Case dismissed! | 0:27:40 | 0:27:41 | |
-What?! -Costs awarded against the plaintiff. | 0:27:41 | 0:27:45 | |
-Set at... -I need four quid. | 0:27:45 | 0:27:46 | |
..four pounds! | 0:27:46 | 0:27:47 | |
-I love your shoes. -Thanks, Judge Robert. | 0:27:47 | 0:27:50 | |
Please... | 0:27:50 | 0:27:51 | |
call me Bob. | 0:27:51 | 0:27:53 | |
Kate saved my sweet white country arsington and no mistake. | 0:27:58 | 0:28:02 | |
If the judge hadn't turned out to be another woman, | 0:28:02 | 0:28:05 | |
I'd be a couple of giblets short of a playwright. | 0:28:05 | 0:28:08 | |
Yeah, well, it's lucky you didn't have to rely on | 0:28:08 | 0:28:10 | |
her stupid pound-of-flesh argument. | 0:28:10 | 0:28:12 | |
It's bloody obvious flesh contains blood. | 0:28:12 | 0:28:15 | |
If the end of one of your play's hinged on such a half-baked notion, | 0:28:15 | 0:28:20 | |
all would boo and jeer and call thee a total wankington. | 0:28:20 | 0:28:25 | |
Hmm, yes. | 0:28:26 | 0:28:27 | |
Absolutely. | 0:28:27 | 0:28:28 | |
Although it might work. | 0:28:28 | 0:28:30 | |
You know, if I buried it in a lot of iambic pentameter. | 0:28:30 | 0:28:34 | |
Well, it's your call, love. | 0:28:34 | 0:28:36 | |
You're the genius. | 0:28:36 | 0:28:38 | |
Yes, Wife. I absolutely am. | 0:28:38 | 0:28:40 |