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This programme contains some strong language. | 0:00:02 | 0:00:06 | |
So, I finally did it. | 0:00:14 | 0:00:15 | |
I finally went live on SpeedofLoveDirect.com. | 0:00:15 | 0:00:19 | |
No! I don't believe it. | 0:00:19 | 0:00:21 | |
After 57 weeks of talking about it, she finally does it. | 0:00:21 | 0:00:26 | |
It's not easy, writing about yourself. | 0:00:26 | 0:00:28 | |
Did you get your jugs out, did you use that topless photo like I suggested? | 0:00:28 | 0:00:31 | |
Yeah, I did that, I thought it would attract exactly the kind of man | 0:00:31 | 0:00:35 | |
I want to share and entrust my future with. | 0:00:35 | 0:00:37 | |
Hey, OK, right, so how many responses did you get? | 0:00:37 | 0:00:41 | |
I don't know. I haven't checked my e-mails yet. | 0:00:41 | 0:00:44 | |
I haven't, I haven't actually turned my phone on. | 0:00:44 | 0:00:47 | |
OK, why? | 0:00:47 | 0:00:49 | |
In case no one's replied. | 0:00:50 | 0:00:52 | |
Oh, come on! | 0:00:52 | 0:00:53 | |
You finally get the guts to put it up there. | 0:00:53 | 0:00:56 | |
You know, let's see how many matches you've got. | 0:00:56 | 0:00:59 | |
Hey come on, you, listen, you really are quite attractive. OK? | 0:00:59 | 0:01:04 | |
You've got the dirty blond thing going on which suggests casual sex. | 0:01:04 | 0:01:07 | |
And, you know, that photo that you wanted to use, | 0:01:07 | 0:01:10 | |
let me tell you, it was, it really was quite nice. | 0:01:10 | 0:01:14 | |
-Really? -Yeah. | 0:01:14 | 0:01:15 | |
OK. I'm on. | 0:01:21 | 0:01:23 | |
Well done! Woo! | 0:01:23 | 0:01:25 | |
Hey, hey, great! | 0:01:25 | 0:01:29 | |
Hey I tell you what, I'm sure you're going to get some responses. | 0:01:29 | 0:01:34 | |
There are a lot of unemployed men out there with nothing else to do. | 0:01:34 | 0:01:37 | |
You know, so... | 0:01:37 | 0:01:40 | |
Hey, armed robbery on the jewellery store. | 0:02:01 | 0:02:05 | |
I'll be getting the store's CCTV, | 0:02:05 | 0:02:07 | |
but eye witnesses say that a bike pulled up around there. | 0:02:07 | 0:02:12 | |
Oh, my God! | 0:02:12 | 0:02:13 | |
What's going on? | 0:02:13 | 0:02:15 | |
I've had 94 responses from Speed of Love Direct. | 0:02:15 | 0:02:18 | |
94 e-mails. | 0:02:18 | 0:02:20 | |
96, 98 on my god 100, 102, 104... | 0:02:20 | 0:02:24 | |
Yeah, yeah. Anyway, go on. | 0:02:24 | 0:02:26 | |
So, one thief went inside. | 0:02:26 | 0:02:28 | |
Helmeted, armed, threatened the staff at gun point. | 0:02:28 | 0:02:31 | |
Did the robbery, came out. Got on the bike. Bike zoomed off. | 0:02:31 | 0:02:35 | |
-What kind of bike? -We don't know yet. | 0:02:35 | 0:02:37 | |
A motorbike? | 0:02:37 | 0:02:38 | |
Yeah, a motorbike. Mind you, I'm only guessing, I might be wrong. | 0:02:38 | 0:02:42 | |
Maybe 21st century thieves are using push-bikes for armed robbery? | 0:02:42 | 0:02:45 | |
Armed robbery by Boris bike? | 0:02:45 | 0:02:47 | |
Huh? Yeah. What? | 0:02:47 | 0:02:49 | |
-Will you turn that thing off? -Sorry. | 0:02:49 | 0:02:52 | |
-Sorry. -Bike zoomed off, | 0:02:52 | 0:02:53 | |
nearly hit an old lady, who fainted, but I think she's going to be OK. | 0:02:53 | 0:02:57 | |
-Thanks, Naz. -Thank you. -Alright. | 0:02:57 | 0:02:59 | |
Do you like jewellery? You never seem to wear any. | 0:02:59 | 0:03:02 | |
Oh, that's nasty. | 0:03:09 | 0:03:12 | |
I'd have thought you like this stuff. | 0:03:12 | 0:03:14 | |
This looks like someone sneezed down your chest. | 0:03:14 | 0:03:17 | |
If someone gave me that, | 0:03:17 | 0:03:19 | |
-I would arrest them for bad taste. -I'd wear it. | 0:03:19 | 0:03:22 | |
You know your problem is that you have no sense of romance. | 0:03:22 | 0:03:25 | |
I do. | 0:03:25 | 0:03:27 | |
But this stuff is not romantic. | 0:03:28 | 0:03:31 | |
Diamonds, romantic. | 0:03:31 | 0:03:33 | |
No they're not. | 0:03:33 | 0:03:34 | |
Not unless you're Russian, or an Arab. | 0:03:34 | 0:03:36 | |
Wouldn't you like to have a diamond ring one day? | 0:03:36 | 0:03:38 | |
If it was from the right guy, hmm? | 0:03:38 | 0:03:41 | |
Yes and no. | 0:03:42 | 0:03:44 | |
Bloody hell. | 0:03:44 | 0:03:45 | |
I've got the owner outside, Joanna Poynter. | 0:04:29 | 0:04:31 | |
-Yeah? Well, send her in. -Sure. | 0:04:31 | 0:04:34 | |
-What's happened? -There's been a robbery, Miss Poynter. | 0:04:36 | 0:04:39 | |
I know that. What's been taken? | 0:04:39 | 0:04:41 | |
Miss Poynter, please don't touch anything. | 0:04:41 | 0:04:44 | |
Lucy, what did they take? What's missing? | 0:04:44 | 0:04:46 | |
Just The Sultan stone. BZ47569032. | 0:04:46 | 0:04:49 | |
Does my dad know yet? | 0:04:49 | 0:04:51 | |
Oh, shit. | 0:04:51 | 0:04:53 | |
Shit, shit, shit! Oh god! | 0:04:53 | 0:04:55 | |
Miss Poynter, what is the Sultan's stone? | 0:04:57 | 0:05:00 | |
It's the most expensive diamond we've ever held. | 0:05:00 | 0:05:02 | |
And how many millions is it worth? | 0:05:02 | 0:05:04 | |
It's worth £270,000. That's enough, isn't it? | 0:05:04 | 0:05:07 | |
We were holding it for a client. | 0:05:07 | 0:05:08 | |
I mean, We never normally hold stones worth that. | 0:05:08 | 0:05:11 | |
Right, so it's no accident that the thieves hit today? | 0:05:11 | 0:05:13 | |
What? I don't know. I don't know. | 0:05:13 | 0:05:15 | |
Please, Miss Poynter, if you calm down... | 0:05:15 | 0:05:18 | |
This could destroy the business! | 0:05:18 | 0:05:20 | |
How many people knew the diamond was here? | 0:05:20 | 0:05:23 | |
Erm, Lucy, me, the client, obviously, my parents. | 0:05:23 | 0:05:26 | |
Oh, God! Oh, shit. | 0:05:26 | 0:05:28 | |
Dad's here. He's going to kill me. | 0:05:28 | 0:05:31 | |
You run the business, don't you? | 0:05:31 | 0:05:32 | |
He set it up. He built it from nothing. | 0:05:32 | 0:05:34 | |
How long have you been running the business? | 0:05:34 | 0:05:36 | |
For two years. Since Dad had his heart attack. | 0:05:36 | 0:05:39 | |
Hey, Naz, keep him out of here. This is a crime scene. | 0:05:39 | 0:05:41 | |
We want to talk to Joanna, without him. | 0:05:41 | 0:05:44 | |
Sure. | 0:05:44 | 0:05:46 | |
Um, I'm afraid you can't come... | 0:05:46 | 0:05:49 | |
Well done, Naz. | 0:05:49 | 0:05:51 | |
What's going on here, Boo-boo? Who are these two? | 0:05:51 | 0:05:53 | |
They're police officers, there's been a robbery. | 0:05:53 | 0:05:55 | |
-What have you said to them? -Nothing. | 0:05:55 | 0:05:57 | |
Excuse us, we were in the process of taking Joanna's statement. | 0:05:57 | 0:06:00 | |
Why don't you take a statement from me instead? No comment. Goodbye. | 0:06:00 | 0:06:05 | |
You can pootle off now, ploddies. | 0:06:05 | 0:06:07 | |
We don't know if we want to report a robbery at this stage | 0:06:07 | 0:06:10 | |
and make the crime official. | 0:06:10 | 0:06:11 | |
If we need to make an insurance claim we'll get in touch, thank you so much. | 0:06:11 | 0:06:15 | |
Whether you like it or not, sir, this is a crime scene. | 0:06:15 | 0:06:17 | |
One of your staff was held at gunpoint. | 0:06:17 | 0:06:19 | |
She'll be all right. I'll give her the day off. | 0:06:19 | 0:06:21 | |
The thieves knew what they wanted, they also knew the codes to the safe. | 0:06:21 | 0:06:25 | |
Which, which means the insurance won't stand. | 0:06:25 | 0:06:27 | |
Please be quiet, Boo-boo. Go and wait in the car. | 0:06:27 | 0:06:30 | |
I'll take it from here. | 0:06:30 | 0:06:31 | |
And if they knew the codes to the safe, I have two words for you: | 0:06:36 | 0:06:40 | |
And I have two words for you as well. | 0:06:40 | 0:06:42 | |
Inside job. | 0:06:42 | 0:06:44 | |
Those are my two words. | 0:06:44 | 0:06:46 | |
-What were yours? -Work it out. | 0:06:47 | 0:06:49 | |
That's three words. | 0:06:49 | 0:06:51 | |
Very clever, Inspector! I can see you're going all the way. | 0:06:51 | 0:06:54 | |
But as I said, if we need to make a claim | 0:06:54 | 0:06:57 | |
and make the robbery official, we will do so. | 0:06:57 | 0:06:59 | |
Meanwhile, why don't you round up some hooligans or solve a murder in a country house? | 0:06:59 | 0:07:04 | |
If it is an inside job you're a suspect. | 0:07:04 | 0:07:07 | |
Quite right, well done, I did it, | 0:07:07 | 0:07:09 | |
even though I was playing golf up until 20 minutes ago. | 0:07:09 | 0:07:12 | |
I can see you're going to be a Super Chief-Intendant one of these days. | 0:07:12 | 0:07:16 | |
Actually, I do have a crime to report. | 0:07:16 | 0:07:18 | |
I'm parked on double yellow lines, so why don't you go and give me a ticket? | 0:07:18 | 0:07:22 | |
Now, get out of my shop. | 0:07:22 | 0:07:24 | |
Right, OK. | 0:07:25 | 0:07:27 | |
Oh my word, that is interesting. | 0:07:30 | 0:07:34 | |
It was a motorbike. | 0:07:34 | 0:07:36 | |
Georgina, it was a motorbike. | 0:07:36 | 0:07:38 | |
Which means that we can rule out the gang who's MO is the push bike. | 0:07:38 | 0:07:42 | |
Hmm, a Kawasaki Ninja. | 0:07:42 | 0:07:45 | |
Hmm, nice bike. I bet it's hot. | 0:07:45 | 0:07:47 | |
Hmm, I'll check it out. | 0:07:47 | 0:07:49 | |
Mind you, I think the Z1 was the sexier bike. | 0:07:49 | 0:07:52 | |
I don't know that one. | 0:07:52 | 0:07:53 | |
Oh, come on, it's a '70s design classic. | 0:07:53 | 0:07:55 | |
Let's not talk about motorbikes, let's talk about jewellery. | 0:07:55 | 0:07:58 | |
What do we know about the client who purchased the BZ47569032? | 0:07:58 | 0:08:03 | |
Nico Banna. Defending mid-fielder for City. | 0:08:03 | 0:08:06 | |
-He's been on the bench most weeks. -Not him, he can't squeeze for toffee. | 0:08:06 | 0:08:09 | |
-Exactly. -Let's not talk about football. | 0:08:09 | 0:08:11 | |
Let's talk about this crime. Is he a suspect? | 0:08:11 | 0:08:13 | |
-This theft is a bit low rent for Nico Banna, isn't it? -Yeah. | 0:08:13 | 0:08:16 | |
Nico earns 70 grand a week just sitting on the bench, chewing gum and thinking about sports cars. | 0:08:16 | 0:08:21 | |
No motive. | 0:08:21 | 0:08:23 | |
Hey, I just found all this mail for you from the police station. | 0:08:23 | 0:08:27 | |
Oh, cheers. | 0:08:27 | 0:08:28 | |
What's up? | 0:08:28 | 0:08:30 | |
I've had 615 responses from Speed of Love Direct. | 0:08:30 | 0:08:33 | |
Wow, so, you did use the topless shot. | 0:08:33 | 0:08:35 | |
How am I supposed to reply to all these? | 0:08:35 | 0:08:38 | |
-Just delete them. -My perfect man could be in here. | 0:08:38 | 0:08:40 | |
Just judge them by their faces. That's what everyone else does. | 0:08:40 | 0:08:43 | |
-So I've been told. -There you go, easy. | 0:08:43 | 0:08:46 | |
Bin anyone you don't fancy shagging after looking at their photo for a second. | 0:08:46 | 0:08:50 | |
-It's the only way you're gonna get through them. -OK. | 0:08:50 | 0:08:53 | |
So, who do we know had access to the safe combination numbers yesterday? | 0:09:02 | 0:09:08 | |
Right, there's Lucy the store manager, | 0:09:09 | 0:09:13 | |
Joanna, the boss who can't cope | 0:09:13 | 0:09:16 | |
and scary arse-hole Ron-daddy, the golfing twat. | 0:09:16 | 0:09:20 | |
Joanna said he knew the codes. | 0:09:21 | 0:09:23 | |
What? | 0:09:26 | 0:09:27 | |
What's that? | 0:09:27 | 0:09:28 | |
It's from my brother. | 0:09:29 | 0:09:31 | |
I did not know you had a brother. | 0:09:31 | 0:09:33 | |
He's getting married. Why's he invited me? | 0:09:33 | 0:09:36 | |
Probably because you're his brother? | 0:09:36 | 0:09:38 | |
Right, shall we go see these suspects? | 0:09:40 | 0:09:43 | |
-Let's do it. -Hmm. | 0:09:43 | 0:09:45 | |
Thanks Naz. | 0:09:45 | 0:09:46 | |
No worries. | 0:09:46 | 0:09:47 | |
Look, I'm finding this whole process quite stressful to be honest. | 0:09:52 | 0:09:55 | |
I haven't recovered from yesterday. | 0:09:55 | 0:09:57 | |
You weren't there during the robbery, were you? | 0:09:57 | 0:09:59 | |
I'm still responsible, aren't I? For staff welfare. For security. | 0:09:59 | 0:10:03 | |
It's OK, calm down, it's over now. | 0:10:03 | 0:10:05 | |
Sorry, we're just having a tough time at the moment. | 0:10:05 | 0:10:08 | |
Because of the robbery, or is there something else? | 0:10:08 | 0:10:11 | |
Yes, the robbery. | 0:10:11 | 0:10:13 | |
Well, it's, it's, it's tough anyway. | 0:10:13 | 0:10:17 | |
If you haven't done it for years, like Mum and Dad have. | 0:10:17 | 0:10:20 | |
I was a yoga teacher before. | 0:10:20 | 0:10:22 | |
Really? | 0:10:22 | 0:10:23 | |
I'm meant to be the responsible one. | 0:10:23 | 0:10:25 | |
How do you mean, the responsible one? | 0:10:25 | 0:10:27 | |
Oh, nothing, just compared to my brother. | 0:10:27 | 0:10:30 | |
Is he involved in the business too? | 0:10:30 | 0:10:32 | |
Josh? No. He's not really involved in anything. | 0:10:32 | 0:10:36 | |
Er, did he know about the diamond? Did he know it was here? | 0:10:36 | 0:10:38 | |
No, no. He keeps well out. | 0:10:38 | 0:10:40 | |
Dad won't let him near the business. Since he "wasted his education." | 0:10:40 | 0:10:45 | |
Families, eh? | 0:10:45 | 0:10:47 | |
Can you give us his address? We should go and talk to him. | 0:10:47 | 0:10:50 | |
Yeah. | 0:10:50 | 0:10:52 | |
Oh, hi, Mum, these are the two police officers investigating the robbery. | 0:10:52 | 0:10:56 | |
This is my mum, Patricia. | 0:10:56 | 0:10:58 | |
-DI Dixon. -DI Armstrong. | 0:10:58 | 0:10:59 | |
Well, hello. | 0:11:02 | 0:11:04 | |
Should you be talking to them without a lawyer? | 0:11:04 | 0:11:07 | |
Ah ha. | 0:11:07 | 0:11:09 | |
No, it's fine. | 0:11:09 | 0:11:11 | |
Well, I've got your dry cleaning here, darling. | 0:11:11 | 0:11:14 | |
I'll just put it behind the desk. | 0:11:14 | 0:11:15 | |
And when you've finished talking to these two, let's get to the club. | 0:11:15 | 0:11:18 | |
We do have a couple more questions for Joanna. | 0:11:18 | 0:11:20 | |
Well, then, I'll wait. | 0:11:20 | 0:11:22 | |
Um, do you know where your brother was at the time of the robbery? | 0:11:30 | 0:11:33 | |
No. Mum, where was Josh yesterday? | 0:11:33 | 0:11:35 | |
Er, what time was the robbery? | 0:11:35 | 0:11:38 | |
3.35pm. | 0:11:38 | 0:11:40 | |
I took him to see that new comedy film. | 0:11:40 | 0:11:43 | |
And then we went for a pizza. | 0:11:43 | 0:11:44 | |
Oh right, teenager. | 0:11:44 | 0:11:46 | |
He's 36. | 0:11:46 | 0:11:47 | |
Right, and, and was it just the diamond that was taken? | 0:11:49 | 0:11:53 | |
Nothing else? | 0:11:53 | 0:11:54 | |
Just BZ47569032. Here's the certificate. | 0:11:54 | 0:11:58 | |
We named it The Sultan Stone because that sounds better for the client. | 0:11:58 | 0:12:01 | |
The City player? | 0:12:01 | 0:12:02 | |
Yeah. It was going to be his wife's wedding ring. | 0:12:02 | 0:12:05 | |
It's a wonderful diamond, | 0:12:05 | 0:12:06 | |
it's a five carat, D flawless, heart-shaped cut. | 0:12:06 | 0:12:10 | |
We were going to make this ring for them. | 0:12:10 | 0:12:12 | |
What is it with footballers and bad taste? | 0:12:13 | 0:12:15 | |
More like the Sultan's knob ring! | 0:12:15 | 0:12:17 | |
So, the client brings you the nasty design and the stone | 0:12:19 | 0:12:22 | |
and you have to make it up for him? | 0:12:22 | 0:12:24 | |
We sourced the stone for him through our broker. | 0:12:24 | 0:12:28 | |
The ring is my design. | 0:12:28 | 0:12:29 | |
And what a gorgeous design it is too, | 0:12:31 | 0:12:34 | |
yeah, really beautiful. | 0:12:34 | 0:12:36 | |
I think that design is fresh | 0:12:36 | 0:12:39 | |
and chic and distinctive. | 0:12:39 | 0:12:41 | |
Yeah, chic, very fresh. | 0:12:41 | 0:12:44 | |
Please, forgive my partner's comments, | 0:12:44 | 0:12:47 | |
she has absolutely no taste at all. | 0:12:47 | 0:12:49 | |
Yes, I'm sorry. | 0:12:52 | 0:12:53 | |
personally, I've just never found diamonds very romantic. | 0:12:53 | 0:12:57 | |
It's a problem I have. | 0:12:57 | 0:12:58 | |
Diamonds are the very epitome of romance. | 0:12:58 | 0:13:01 | |
Nothing says I love you more than a diamond. | 0:13:01 | 0:13:05 | |
They're the ultimate luxury. | 0:13:05 | 0:13:07 | |
Who wants a coloured stone? | 0:13:07 | 0:13:09 | |
Only diamonds answer our two greatest fears in life. | 0:13:09 | 0:13:14 | |
Am I truly loved? And do I have financial security? | 0:13:14 | 0:13:18 | |
The gift of a diamond answers both of those, | 0:13:18 | 0:13:21 | |
yes and yes. | 0:13:21 | 0:13:24 | |
So, tell us about the broker? Did he know the diamond was here? | 0:13:24 | 0:13:27 | |
Yes. | 0:13:27 | 0:13:28 | |
And what's his name? | 0:13:28 | 0:13:29 | |
Thomas De Hoyzen. He's a great friend of Dad's. | 0:13:29 | 0:13:33 | |
Ja, I was very fucking upset to hear about this. | 0:13:33 | 0:13:36 | |
Ron is a long time friend of mine. | 0:13:36 | 0:13:38 | |
We've been on holiday together many times. | 0:13:38 | 0:13:41 | |
Can I get you a whiskey, my friend? | 0:13:41 | 0:13:43 | |
Er, er, I won't. I'm on duty. | 0:13:43 | 0:13:45 | |
Sit down. | 0:13:45 | 0:13:47 | |
And I'm fine, thank you. | 0:13:47 | 0:13:48 | |
So, how was Ron's business doing? Was it struggling at all? | 0:13:52 | 0:13:56 | |
Oh, you let your assistant ask the questions? | 0:13:56 | 0:14:00 | |
No, no, I'm not his assistant | 0:14:00 | 0:14:03 | |
No, No, she's, er, she's, she's not my assistant. | 0:14:03 | 0:14:06 | |
And I know it might seem that way but, er... | 0:14:06 | 0:14:08 | |
I'm a Detective Inspector. | 0:14:08 | 0:14:09 | |
Oh, you're a police woman? | 0:14:09 | 0:14:12 | |
You could arrest me? | 0:14:14 | 0:14:15 | |
Actually, I could, I could arrest you. | 0:14:15 | 0:14:17 | |
Nice. Then you take me to a cell and abuse me. | 0:14:17 | 0:14:21 | |
You're a lucky man, you drive around with this lady all day, huh? | 0:14:24 | 0:14:28 | |
Yeah, it's er, it's not that much fun, actually. | 0:14:28 | 0:14:32 | |
Here we are. All of us on my boat. | 0:14:32 | 0:14:36 | |
This is 2008, that's my daughter, Abi. | 0:14:36 | 0:14:40 | |
She's a great athlete and a smart business lady. | 0:14:40 | 0:14:43 | |
I'm very proud of her. | 0:14:43 | 0:14:44 | |
She is as wonderful as her brothers now. | 0:14:44 | 0:14:46 | |
Ron, Pat, the wife. | 0:14:46 | 0:14:48 | |
Joanna, his daughter. | 0:14:49 | 0:14:51 | |
Oh. | 0:14:51 | 0:14:53 | |
Ron's business is good. People always want his jewellery. | 0:14:53 | 0:14:56 | |
He has taste, ja? | 0:14:56 | 0:14:58 | |
He has a little hiccup when he gives the business to his girl. | 0:14:58 | 0:15:01 | |
She's a woman. She's not that smart. | 0:15:01 | 0:15:03 | |
But he runs it again now, really. | 0:15:03 | 0:15:06 | |
He tells her what to do. | 0:15:06 | 0:15:08 | |
He will always do well because people always want luxury. | 0:15:08 | 0:15:12 | |
And you guys con them into it, don't you? | 0:15:12 | 0:15:15 | |
What's that? | 0:15:15 | 0:15:16 | |
I'm just saying, your whole concept of luxury is a con. That's all. | 0:15:16 | 0:15:19 | |
It's a lie, isn't it? Diamonds aren't really rare or exclusive. | 0:15:19 | 0:15:23 | |
That's an illusion created by your industry. | 0:15:23 | 0:15:25 | |
You control their availability, hiding tonnes of them in vaults, | 0:15:25 | 0:15:28 | |
manufacturing their scarcity to increase their value. | 0:15:28 | 0:15:31 | |
It's one of the greatest cons of the 20th century. | 0:15:31 | 0:15:33 | |
Actually, diamonds are common as muck. | 0:15:33 | 0:15:37 | |
Oh, lordy, you're a very angry lady. I see what you mean, she's no fun. | 0:15:37 | 0:15:41 | |
Have you been very unlucky in love sweetheart, ja? | 0:15:41 | 0:15:44 | |
I think you must have been. | 0:15:44 | 0:15:45 | |
No. | 0:15:45 | 0:15:47 | |
In fact, I have just had 615 e-mails from men who are interested... | 0:15:47 | 0:15:51 | |
You don't know what you're saying, lady. You are ten years out of date. | 0:15:53 | 0:15:57 | |
Once, we suppressed the availability of rocks, yes. | 0:15:57 | 0:16:00 | |
but now with China booming, there aren't enough diamonds. | 0:16:00 | 0:16:03 | |
I can sell them all day. The thing you are most wrong about, | 0:16:03 | 0:16:06 | |
is that diamonds are not romantic, | 0:16:06 | 0:16:09 | |
they are very romantic. | 0:16:09 | 0:16:11 | |
Are you telling me you don't find this romantic? | 0:16:13 | 0:16:16 | |
I bet this is making you hot right now, yeah? | 0:16:16 | 0:16:19 | |
Stop it. | 0:16:19 | 0:16:21 | |
Mr De Hoyzen, Mr De Hoyzen, it's really, it's not romantic. | 0:16:21 | 0:16:26 | |
This is how I seduced my wife. | 0:16:28 | 0:16:31 | |
By showing her many diamonds. | 0:16:31 | 0:16:32 | |
Er, where were you yesterday afternoon? | 0:16:34 | 0:16:37 | |
Are you suggesting I may have stolen the diamond I sold to them? | 0:16:37 | 0:16:40 | |
No, I'm merely asking where you were yesterday afternoon. | 0:16:40 | 0:16:43 | |
I was in Antwerp buying these diamonds. | 0:16:43 | 0:16:46 | |
And about 2,000 people can vouch for that. | 0:16:46 | 0:16:49 | |
Now this interview is over? | 0:16:49 | 0:16:50 | |
If you'll excuse me I'm trying to acquire a chalet in Verbier. | 0:16:50 | 0:16:53 | |
Well, er, good luck with that. | 0:16:55 | 0:16:58 | |
-You really don't find diamonds romantic? -No. | 0:17:03 | 0:17:05 | |
But you're a woman, for God's sake! | 0:17:05 | 0:17:07 | |
Some nasty piece of over-priced carbon | 0:17:07 | 0:17:09 | |
dug out of the earth in a conflict zone, shipped over by people like De Hoyzen. | 0:17:09 | 0:17:13 | |
I guess I can't think of anything less romantic | 0:17:13 | 0:17:15 | |
than having to spend that kind of money to prove you love somebody. | 0:17:15 | 0:17:19 | |
I don't believe you. | 0:17:19 | 0:17:20 | |
Like Pat said, they're the ultimate luxury. | 0:17:20 | 0:17:23 | |
They say I love you long time, | 0:17:23 | 0:17:25 | |
plus if the relationship goes tits up, you can always cash them in. | 0:17:25 | 0:17:28 | |
Oh, insurance. Yeah, cos that's always romantic. | 0:17:28 | 0:17:31 | |
Do you know what else is meant to be romantic and isn't? | 0:17:31 | 0:17:34 | |
Venice. | 0:17:34 | 0:17:35 | |
Have you ever been to Venice? | 0:17:35 | 0:17:37 | |
-No. -It's horrendous. It's smelly. | 0:17:37 | 0:17:40 | |
It's packed with tourists and Italians. | 0:17:40 | 0:17:42 | |
Now, Italians they are supposed to be romantic. | 0:17:42 | 0:17:45 | |
Well, they're not, why does everyone think that? | 0:17:45 | 0:17:47 | |
They're like me. They smell nice. They dress well. | 0:17:47 | 0:17:50 | |
They know how to listen to women. | 0:17:50 | 0:17:52 | |
There is nothing Italian about you, | 0:17:52 | 0:17:54 | |
and you should take that as a compliment. | 0:17:54 | 0:17:56 | |
Trust me, I know, I used to go out with one. | 0:17:56 | 0:17:59 | |
All he used to do was talk about his car, and worry about his clothes. | 0:17:59 | 0:18:02 | |
It was him who took me to Venice. I was looking forward to it. | 0:18:02 | 0:18:06 | |
The San Marco, moonlit walks on the Rialto. | 0:18:06 | 0:18:09 | |
The weight of romantic expectation was impossible to bear. | 0:18:09 | 0:18:12 | |
He spent the entire time trying on trousers in Gucci. | 0:18:12 | 0:18:15 | |
And then I discovered he'd taken more photos of his car than of me. | 0:18:15 | 0:18:19 | |
I know you don't listen to women, Jack. | 0:18:20 | 0:18:24 | |
Jack? | 0:18:24 | 0:18:25 | |
Jack! | 0:18:27 | 0:18:29 | |
Sorry, what? | 0:18:29 | 0:18:31 | |
What did I just say? | 0:18:31 | 0:18:33 | |
I do actually listen to women, apart from when they're being very, very boring. | 0:18:33 | 0:18:37 | |
Sorry, I should've made that clear. I listen to women, | 0:18:37 | 0:18:39 | |
apart from when they're being really, really boring, | 0:18:39 | 0:18:42 | |
at which point I stop listening to them. | 0:18:42 | 0:18:44 | |
Honestly, your rant about Italians just went on and on and on. | 0:18:44 | 0:18:48 | |
It should have come with an interval. | 0:18:48 | 0:18:50 | |
I could've gone out and got an ice cream | 0:18:50 | 0:18:52 | |
and come back for the second half. | 0:18:52 | 0:18:54 | |
I'm really sorry that your romance with the Italian didn't work out. | 0:18:54 | 0:18:58 | |
But maybe one out of the 50,000 texts that you received is the one! | 0:18:58 | 0:19:04 | |
-MAN COUGHS -What's all the ruckus? | 0:19:58 | 0:20:00 | |
-Josh Poynter? -That's my name. | 0:20:02 | 0:20:05 | |
This is DI Dixon. I'm DI Armstrong. | 0:20:05 | 0:20:08 | |
Can we come in? | 0:20:10 | 0:20:12 | |
Sure. | 0:20:12 | 0:20:13 | |
Sure. Would you like a cup of tea? | 0:20:13 | 0:20:16 | |
No, I'm fine, thank you. | 0:20:18 | 0:20:21 | |
VIDEO GAME PLAYS | 0:20:21 | 0:20:24 | |
Josh, erm... | 0:20:25 | 0:20:26 | |
..do you realise that these drugs are illegal? | 0:20:28 | 0:20:31 | |
-HE CHUCKLES -Yes! | 0:20:31 | 0:20:35 | |
-Oh, do you want a toke? -Er, no, Josh, he doesn't. | 0:20:35 | 0:20:37 | |
I certainly don't either, thank you. | 0:20:37 | 0:20:39 | |
Because we are police detectives, here investigating a crime. | 0:20:39 | 0:20:44 | |
Detectives... | 0:20:44 | 0:20:46 | |
What you working on at the moment? | 0:20:46 | 0:20:48 | |
Er, a robbery at your family's jewellery store. HE CLEARS THROAT | 0:20:48 | 0:20:52 | |
No shit? | 0:20:52 | 0:20:53 | |
Dad'll lose his bananas. | 0:20:54 | 0:20:56 | |
You two are going to catch them, though, yeah? | 0:20:58 | 0:21:01 | |
Well, we're, we're going to... | 0:21:01 | 0:21:03 | |
we're going to endeavour to do that, yeah. | 0:21:03 | 0:21:05 | |
JACK CLEARS THROAT | 0:21:07 | 0:21:09 | |
BUBBLING | 0:21:09 | 0:21:11 | |
(Pst.) | 0:21:12 | 0:21:13 | |
I don't think he was involved. | 0:21:14 | 0:21:17 | |
Let's go. If I stay here any longer, I'm going to want to order pizza. | 0:21:17 | 0:21:21 | |
Hey, I got half a packet of crisps in my car. | 0:21:21 | 0:21:24 | |
Hey. Listen... | 0:21:24 | 0:21:26 | |
If you need any help, you just ask. | 0:21:27 | 0:21:31 | |
You know? I'm doing an accountancy course starting next week. | 0:21:31 | 0:21:36 | |
And I'm going to definitely do that this time. | 0:21:36 | 0:21:39 | |
But, you know... | 0:21:39 | 0:21:42 | |
I'm free till then. | 0:21:42 | 0:21:43 | |
JACK CHUCKLES | 0:21:43 | 0:21:46 | |
JACK WEARILY EXHALES | 0:22:01 | 0:22:03 | |
I definitely want him to do my accounts. | 0:22:03 | 0:22:05 | |
THEY LAUGH | 0:22:09 | 0:22:11 | |
LAUGHTER BECOMES HYSTERICAL | 0:22:26 | 0:22:29 | |
I don't believe this! | 0:22:35 | 0:22:36 | |
Is there absolutely nothing left on this wedding list? | 0:22:36 | 0:22:39 | |
Why didn't you give me my invite earlier? | 0:22:39 | 0:22:41 | |
The only thing that they've got on here is a rosewood sleigh bed. | 0:22:41 | 0:22:46 | |
Price - 3,444 quid! | 0:22:46 | 0:22:49 | |
-Well, he is your brother. Come on. -JACK SIGHS | 0:22:49 | 0:22:53 | |
-Why don't you get on with him? -I do get on with him. | 0:22:53 | 0:22:55 | |
-You didn't even know he was getting married. -Yeah, because I wasn't given my post! | 0:22:55 | 0:22:59 | |
Why did he send it to the police station in the first place? | 0:22:59 | 0:23:02 | |
-Doesn't he know where his own brother lives? -Guys. That robbery case you're working. | 0:23:02 | 0:23:06 | |
Still trying to find out who the insider was. | 0:23:06 | 0:23:08 | |
-Somebody gave the safe combination to the thieves. -Hello! | 0:23:08 | 0:23:11 | |
Here we go, toilet brush holder. | 0:23:11 | 0:23:14 | |
-Bingo! -You can't give him a toilet brush holder as a wedding present. | 0:23:14 | 0:23:17 | |
Why not? I'd have thought you'd find that romantic. | 0:23:17 | 0:23:20 | |
You know, I bet you it was the Mullan boys. | 0:23:20 | 0:23:22 | |
Yeah, they carried out a spate of motorcycle robberies | 0:23:22 | 0:23:25 | |
five years back. Two-man teams. Always inside job. | 0:23:25 | 0:23:28 | |
-That's the same MO as our robbery. -That's right. | 0:23:28 | 0:23:31 | |
-We knew they were guilty, but didn't have enough evidence for court. -How did you know they were guilty? | 0:23:31 | 0:23:36 | |
We had their place bugged. | 0:23:36 | 0:23:37 | |
They were doing a robbery-a-month back then. Why not bug them again? | 0:23:37 | 0:23:40 | |
I mean, if they've got this diamond TB45678910, | 0:23:40 | 0:23:43 | |
-you might hear them talk about shifting it. -We'd need a warrant. | 0:23:44 | 0:23:47 | |
Ah, we didn't have a warrant back then. | 0:23:47 | 0:23:49 | |
You can't go bugging people's houses without a warrant. How's that legal? | 0:23:49 | 0:23:53 | |
It's not legal. | 0:23:53 | 0:23:56 | |
Look, George, you can't use it in court. | 0:23:56 | 0:23:58 | |
But you might find out whether they did it or not, | 0:23:58 | 0:24:02 | |
do you know what I mean? | 0:24:02 | 0:24:03 | |
-And you might get a little whisper on the insider. -Where do these Mullan boys hang out? | 0:24:03 | 0:24:07 | |
They kept moving about. And that was five years ago. | 0:24:07 | 0:24:10 | |
They do have a cousin that owns a metal-cutting business | 0:24:10 | 0:24:13 | |
down at the Honeycombe trading estate. | 0:24:13 | 0:24:16 | |
This is the bike being stolen for the robbery. | 0:24:23 | 0:24:26 | |
So they'd have needed a serious saw to cut through that chain, | 0:24:26 | 0:24:30 | |
-wouldn't they, Col? -Don't know. I didn't steal the bike. | 0:24:30 | 0:24:33 | |
Where does Sean Mullan live? Tell us and we'll leave you alone. | 0:24:33 | 0:24:36 | |
Don't know him. Have you tried the phone book? | 0:24:36 | 0:24:38 | |
We just want an address, that's all. | 0:24:38 | 0:24:41 | |
Then we'll be on our way. | 0:24:41 | 0:24:43 | |
Unless you want your flourishing business to get a visit | 0:24:43 | 0:24:46 | |
from the tax inspector this year. | 0:24:46 | 0:24:48 | |
You want a visit from the tax inspector, Col? | 0:24:48 | 0:24:50 | |
Hey. Come on. They'll never know it was you. | 0:24:53 | 0:24:56 | |
Sean might have a crash service garage. | 0:24:58 | 0:25:01 | |
Near the bus depot. I can't remember. | 0:25:01 | 0:25:04 | |
-Thanks. -Thank you. | 0:25:07 | 0:25:09 | |
Will you stop asking about him? | 0:25:14 | 0:25:16 | |
We're here to check on the Mullan gang. | 0:25:16 | 0:25:18 | |
He's a paediatric surgeon, OK? | 0:25:21 | 0:25:23 | |
Now you know what he does, can we please shut up about him? | 0:25:23 | 0:25:26 | |
Your brother saves the lives of little children? | 0:25:26 | 0:25:29 | |
I don't know. Sometimes. | 0:25:29 | 0:25:31 | |
He's a paediatric plastic surgeon. Probably. | 0:25:31 | 0:25:35 | |
Anyway, don't be too in awe of him, | 0:25:36 | 0:25:38 | |
because he totally sells out with the private work. | 0:25:38 | 0:25:42 | |
So he's rich as well? | 0:25:42 | 0:25:44 | |
Wow, that is by far the best profile I've heard all week. | 0:25:45 | 0:25:48 | |
-Why don't you get on with him again? -Because he's an arsehole, all right? I told you. | 0:25:52 | 0:25:56 | |
He always has been an arsehole. | 0:25:56 | 0:25:58 | |
Just because he saves children's lives does not mean | 0:25:58 | 0:26:01 | |
he is not also an arsehole! | 0:26:01 | 0:26:03 | |
HE SIGHS | 0:26:05 | 0:26:06 | |
MOTORBIKE ENGINE REVS | 0:26:08 | 0:26:10 | |
Oh, hello. | 0:26:10 | 0:26:13 | |
Let's go and check it out. | 0:26:28 | 0:26:31 | |
I think it's a similar kind of lock up there. | 0:26:47 | 0:26:49 | |
Yeah, let's try the front door. | 0:26:49 | 0:26:52 | |
Oh, come on, Jack. | 0:26:54 | 0:26:56 | |
(Hey. Hey, I want to put the bug in the base of the phone. OK?) | 0:27:24 | 0:27:28 | |
(There's a laptop.) | 0:27:31 | 0:27:33 | |
Oh, there's a USB stick in it. | 0:27:33 | 0:27:35 | |
My God! | 0:27:35 | 0:27:37 | |
This is all their flight receipts. Paris, Rotterdam... | 0:27:37 | 0:27:39 | |
-God, I need a piss! -Hotel bookings... | 0:27:39 | 0:27:42 | |
God, the whole of their last year's on here, Jack. | 0:27:43 | 0:27:45 | |
Should I take it? Jack! | 0:27:45 | 0:27:48 | |
Jack? | 0:27:51 | 0:27:52 | |
JACK GROANS | 0:27:54 | 0:27:57 | |
Jack! Where are you? | 0:27:57 | 0:28:00 | |
-TRICKLING -Jack? -Ssssh! Will you go away?! | 0:28:00 | 0:28:03 | |
-My God, you cannot do that now. -It was the last blackcurrant I had! | 0:28:03 | 0:28:07 | |
It's like being a detective with a six-year-old. | 0:28:08 | 0:28:11 | |
MOTORBIKE PULLS UP OUTSIDE | 0:28:11 | 0:28:13 | |
Shit! | 0:28:13 | 0:28:14 | |
-It's him, he's here. -I've got to put the phone base back together! | 0:28:17 | 0:28:20 | |
Have you got the bug in? | 0:28:20 | 0:28:21 | |
-Oh, God. -God, hurry up Jack! | 0:28:23 | 0:28:25 | |
Shit. | 0:28:25 | 0:28:27 | |
-Jack! Done? -Done! | 0:28:29 | 0:28:31 | |
HE GROANS | 0:28:43 | 0:28:45 | |
TELEVISION PLAYS LOUDLY | 0:29:13 | 0:29:16 | |
HE MOUTHS | 0:29:19 | 0:29:21 | |
TELEVISION CONTINUES TO PLAY LOUDLY | 0:29:36 | 0:29:39 | |
SHE MOUTHS | 0:29:45 | 0:29:48 | |
Come on, get in! | 0:30:11 | 0:30:12 | |
I suppose you found that romantic. | 0:30:17 | 0:30:20 | |
Huh? | 0:30:20 | 0:30:21 | |
-You know what I did get? -What? | 0:30:21 | 0:30:24 | |
Ta-dah! | 0:30:25 | 0:30:27 | |
Please don't tell me you were stupid enough to steal that from the house. | 0:30:28 | 0:30:32 | |
What? Yeah. | 0:30:32 | 0:30:34 | |
This could hold proof of where they were on the day of the robbery. | 0:30:34 | 0:30:37 | |
Yeah, but they will also instantly realise that it's missing, | 0:30:37 | 0:30:41 | |
realise that someone's been in the house, that someone's on to them. | 0:30:41 | 0:30:44 | |
No, they might not. | 0:30:44 | 0:30:46 | |
Oh, God. Let's get it to Naz ASAP, before they realise it's missing. | 0:30:46 | 0:30:51 | |
PHONE RINGS | 0:30:51 | 0:30:53 | |
-Hello? -'Beryl, hello!' | 0:30:54 | 0:30:57 | |
Hello. | 0:30:59 | 0:31:00 | |
-'You there, Beryl?' -Yes. Hello, Mark. | 0:31:01 | 0:31:05 | |
'Yeah, it's me. Where are you?' | 0:31:05 | 0:31:07 | |
I'm in the car, hands-free, with my partner. | 0:31:07 | 0:31:10 | |
LAUGHTER What do you want? | 0:31:10 | 0:31:12 | |
'You've got your hands free with your partner?' | 0:31:12 | 0:31:15 | |
Look, I'm working. What do you want? | 0:31:15 | 0:31:17 | |
-'Look, I need to ask you something.' -Yeah, go on. | 0:31:17 | 0:31:19 | |
'No, no, no, in person. Where can I meet you today?' | 0:31:19 | 0:31:22 | |
Er... | 0:31:22 | 0:31:25 | |
-'Hello?' -Um... | 0:31:25 | 0:31:27 | |
HE CHUCKLES BITTERLY | 0:31:29 | 0:31:32 | |
He sounded quite funny on the phone. | 0:31:35 | 0:31:37 | |
Well, he's not funny. All right? He's not funny, he's just rude. | 0:31:37 | 0:31:40 | |
Unlike you(!) | 0:31:40 | 0:31:42 | |
And why is he always late? I mean, he said 1.30. | 0:31:42 | 0:31:46 | |
-HE SIGHS I don't want to see him. -Then why did you agree to meet him? | 0:31:46 | 0:31:49 | |
Because he's my brother and because he's getting married. | 0:31:49 | 0:31:52 | |
Now you can ask him whether or not he wants that fancy bed | 0:31:52 | 0:31:55 | |
-or a toilet brush for a present, eh? -THEY LAUGH | 0:31:55 | 0:31:58 | |
Just, just don't be over-impressed, all right? | 0:32:01 | 0:32:04 | |
Just because he's rich and saves children's lives. | 0:32:04 | 0:32:08 | |
-I won't be. -Don't be taken in. | 0:32:08 | 0:32:11 | |
Beneath that sensitive, successful exterior, | 0:32:11 | 0:32:14 | |
he's actually a massive twat. | 0:32:14 | 0:32:16 | |
Oh, hi, Mark. Hey. | 0:32:16 | 0:32:18 | |
-So good to see you! -Yeah, yeah... | 0:32:18 | 0:32:22 | |
Hey, listen, er, congratulations on the wedding. | 0:32:22 | 0:32:26 | |
Thanks, matey, thanks. I hope you like Sadie. | 0:32:26 | 0:32:29 | |
I'm sure you will. She can't wait to meet you. | 0:32:29 | 0:32:31 | |
Er, sorry I'm late. Surgery overran. | 0:32:31 | 0:32:33 | |
Difficult operation with a one-day-old child whose life | 0:32:33 | 0:32:36 | |
-was a bit touch-and-go for twenty minutes. -Oh... | 0:32:36 | 0:32:39 | |
Is this a friend of yours? | 0:32:39 | 0:32:41 | |
Er, yeah, sorry. Let me introduce you. This is my partner, Georgina. | 0:32:41 | 0:32:45 | |
-Hi. -Hello. -Hello. | 0:32:45 | 0:32:47 | |
-You have to clear up my brother's cock-ups, do you? -Yeah! | 0:32:47 | 0:32:50 | |
-THEY LAUGH -Yeah. | 0:32:50 | 0:32:52 | |
Oh, hang on. | 0:32:54 | 0:32:55 | |
-I'm sorry? -Can I just say, as a professional, that you have... | 0:33:02 | 0:33:06 | |
..you have an imperfection that's fabulous, | 0:33:07 | 0:33:10 | |
that makes your face incredibly beautiful. | 0:33:10 | 0:33:13 | |
-Have I? -What imperfection? That's just her face. | 0:33:13 | 0:33:16 | |
You have one ear lobe that's just ever so slightly longer | 0:33:16 | 0:33:19 | |
than the other, and it breaks up an otherwise perfect symmetry. It's lovely. | 0:33:19 | 0:33:23 | |
-I think I'm going to be sick. -Never let anyone tell you it needs correcting. -I won't. | 0:33:23 | 0:33:27 | |
I see a lot of faces and... | 0:33:27 | 0:33:29 | |
Yeah, you also see a lot of flabby tits and testicular tumours. | 0:33:29 | 0:33:32 | |
-MARK SIGHS -Don't resent my private work, Beryl. | 0:33:32 | 0:33:35 | |
I know it's ethically debatable, but it's going to give my lovely wife | 0:33:35 | 0:33:38 | |
a very happy life. | 0:33:38 | 0:33:40 | |
And I still manage to perform 2% of this country's paediatric spina bifida operations. | 0:33:40 | 0:33:45 | |
-Wow. -Wow, amazing(!) Yeah. I save lives too, you know. | 0:33:45 | 0:33:48 | |
Really? You've stopped being a policeman? | 0:33:48 | 0:33:52 | |
OK, I'm not a policeman, all right. I'm a Detective Inspector. | 0:33:52 | 0:33:56 | |
And what we do is very important. | 0:33:56 | 0:33:58 | |
-Yes, yes. And dangerous as well. -It is dangerous, actually. | 0:33:58 | 0:34:01 | |
-It's not so much dangerous... -No, no, no, sorry, sorry, it is very dangerous. | 0:34:01 | 0:34:05 | |
Yeah, more dangerous than standing around in some antiseptic room | 0:34:05 | 0:34:09 | |
counting your cheques while the nurse does the really hard work. | 0:34:09 | 0:34:12 | |
Oh, shit. The secret's out(!) | 0:34:12 | 0:34:14 | |
I'm just having a push, Beryl. Don't rise to it. | 0:34:14 | 0:34:17 | |
OK, can you stop calling me Beryl? | 0:34:17 | 0:34:19 | |
It's boring. And why are you here, you dickhead? | 0:34:19 | 0:34:22 | |
What do you want? | 0:34:22 | 0:34:24 | |
Will you be my best man? | 0:34:29 | 0:34:32 | |
Oh, Jack! | 0:34:33 | 0:34:36 | |
Why are we watching Mrs Poynter? | 0:34:39 | 0:34:41 | |
Do you really think she might have done the robbery? | 0:34:41 | 0:34:44 | |
And more importantly, what am I going to say in my best man speech? | 0:34:44 | 0:34:47 | |
HE GROANS | 0:34:47 | 0:34:49 | |
You'll be great. Everyone always loves the best man. | 0:34:49 | 0:34:52 | |
You can lose the ring, shag a bridesmaid, | 0:34:52 | 0:34:54 | |
turn up with Mark, naked and hungover. Everyone will still think you've done a great job. | 0:34:54 | 0:34:58 | |
No, no, George, I can't do that. | 0:34:58 | 0:34:59 | |
That'll just confirm what everybody's always thought about me, that I can't be trusted. | 0:34:59 | 0:35:04 | |
If I do this, I've got to do it right. | 0:35:04 | 0:35:06 | |
Oh, fuck's sake! | 0:35:09 | 0:35:11 | |
-Never mind. -Stupid game! | 0:35:11 | 0:35:13 | |
HE SIGHS | 0:35:13 | 0:35:16 | |
You could always tell funny stories about growing up with Mark. | 0:35:16 | 0:35:20 | |
You've got to be joking. You've no idea what it was like. | 0:35:20 | 0:35:23 | |
Nothing I ever did was as good as Mark. | 0:35:23 | 0:35:26 | |
"Ooh, Mark's learned to play the trumpet. | 0:35:26 | 0:35:28 | |
"Look at Mark's watercolour of a bowl of fruit. Isn't it marvellous? | 0:35:28 | 0:35:32 | |
"Mark's Captain of the football team - again! | 0:35:32 | 0:35:35 | |
"Isn't Mark's girlfriend beautiful? Isn't Mark splendid?" | 0:35:35 | 0:35:38 | |
Mark this, Mark that, Mark, Mark, Mark, Mark, Mark. | 0:35:38 | 0:35:41 | |
What I never heard was, | 0:35:41 | 0:35:42 | |
"Oh, dear, Mark's hit Jack with a garden spade. | 0:35:42 | 0:35:46 | |
"Mark has stolen all of Jack's Action Men. | 0:35:46 | 0:35:49 | |
"Mark set fire to Jack's bed - again. | 0:35:49 | 0:35:51 | |
"Mark is a psychotic little shit who should be put away!" | 0:35:51 | 0:35:55 | |
Well, maybe just a few jokes, then. And thank the vicar. | 0:35:59 | 0:36:02 | |
The only reason I was glad Mark was so clever | 0:36:02 | 0:36:05 | |
was that it meant he fucked off to college sooner. | 0:36:05 | 0:36:08 | |
All that's in the past though, Jack, isn't it? | 0:36:08 | 0:36:12 | |
Come on. | 0:36:12 | 0:36:14 | |
-Your ball's over there somewhere. -Oh... | 0:36:15 | 0:36:18 | |
Yeah. | 0:36:18 | 0:36:20 | |
I'll catch up with Pat Poynter. | 0:36:20 | 0:36:23 | |
Right, can we go now? | 0:36:31 | 0:36:33 | |
I don't think we've learned anything by following her all day. | 0:36:34 | 0:36:38 | |
Except that she likes to play golf for four hours. | 0:36:38 | 0:36:41 | |
This has been one of the worst days of my life. | 0:36:41 | 0:36:43 | |
-MOBILE BEEPS -Oh, no! | 0:36:43 | 0:36:46 | |
-What? -God, it's Paul, who I'm meeting next Tuesday night, | 0:36:46 | 0:36:49 | |
wanting to rearrange for Thursday. But I can't do Thursday | 0:36:49 | 0:36:52 | |
-cos I'm meeting Steve, who I met yesterday. -Right. | 0:36:52 | 0:36:55 | |
I really do want to see Steve, so I don't want to rearrange. | 0:36:55 | 0:36:58 | |
Paul's better looking, Steve's got a slightly distracting mole, | 0:36:58 | 0:37:01 | |
but, you know, he's funny. | 0:37:01 | 0:37:02 | |
And I still haven't found a night for Keith. | 0:37:02 | 0:37:05 | |
I'm really struggling with the name Keith, though. I don't like it. It's very difficult, all this. | 0:37:05 | 0:37:09 | |
Why don't you sort out your diary and see them all on one night? | 0:37:09 | 0:37:13 | |
I've been through this. | 0:37:15 | 0:37:17 | |
It was synched with one of the Mullan gangs' phones, | 0:37:17 | 0:37:20 | |
-so it has all their contact info on it. -Idiots. -Mm-hm. | 0:37:20 | 0:37:25 | |
A lot of low-level crime contacts that we're already aware of. | 0:37:25 | 0:37:29 | |
But it did also have the phone numbers of all three | 0:37:29 | 0:37:32 | |
of the Poynter's jewellery stores. | 0:37:32 | 0:37:34 | |
Interesting. So do we have the phone records? Did the gang call in? | 0:37:34 | 0:37:38 | |
No. | 0:37:38 | 0:37:39 | |
It was the other way round. | 0:37:39 | 0:37:41 | |
Someone has contacted Sean Mullan five times in the last two weeks from the Hampton store phone. | 0:37:41 | 0:37:46 | |
-Maybe it was an insurance job after all. -You'd think. | 0:37:47 | 0:37:49 | |
But I got the Ponyter's jewellery store accounts through Companies House. | 0:37:49 | 0:37:54 | |
They have made a 50 grand profit in the last few years. | 0:37:54 | 0:37:57 | |
There's no financial crisis they're trying to escape. | 0:37:57 | 0:38:00 | |
This tells us that the Mullan gang knew somebody | 0:38:00 | 0:38:03 | |
-at the Poynter's stores. -Mm. | 0:38:03 | 0:38:05 | |
That's enough for me to bring someone in and squeeze their nuts. | 0:38:05 | 0:38:08 | |
-Let's find out who's been phoning them. -Well, you guys had better bring some proper muscle with you. | 0:38:08 | 0:38:13 | |
Cos this Mullan crew, they're the real deal. | 0:38:13 | 0:38:15 | |
They'll be packing. | 0:38:15 | 0:38:17 | |
At the drop of a hat, they will rock and roll. | 0:38:17 | 0:38:20 | |
Do you know what I mean? | 0:38:20 | 0:38:23 | |
# Swagger so cold, cold Swagger so cold | 0:38:23 | 0:38:26 | |
# Swagger so cold, cold Swagger so cold | 0:38:26 | 0:38:29 | |
# Swagger so cold, cold Swagger so cold | 0:38:29 | 0:38:33 | |
# Swagger so cold, cold Swagger so cold | 0:38:33 | 0:38:36 | |
# Swagger so cold, cold Swagger so cold | 0:38:36 | 0:38:39 | |
# Swagger so cold, cold Swagger so cold | 0:38:39 | 0:38:42 | |
# Swagger so cold Head to the toes | 0:38:42 | 0:38:45 | |
# Swagger so, swagger so Swagger so cold | 0:38:45 | 0:38:48 | |
# In my swagger mode Brand-new flow | 0:38:48 | 0:38:51 | |
# Swagger so, swagger so Swagger so cold | 0:38:51 | 0:38:55 | |
# Swagger so cold Head to the toe | 0:38:55 | 0:38:58 | |
# Love the way I walk and the way I wear my clothes... # | 0:38:58 | 0:39:02 | |
Post! | 0:39:09 | 0:39:10 | |
KNOCKS ON DOOR Post! | 0:39:15 | 0:39:17 | |
-Police. Can you step outside, please? -No, not now. | 0:39:19 | 0:39:22 | |
-Yes, now. It's the police. -No shit. Not now. | 0:39:23 | 0:39:26 | |
-Fuck off. -Hey, fella, what's happening? -We're going in! | 0:39:29 | 0:39:33 | |
-Stop! Police! -Don't move! -Police! -Don't move! | 0:39:33 | 0:39:37 | |
-Stay where you are! -Get off! | 0:39:37 | 0:39:39 | |
Go, go, go! Move! Move! | 0:39:43 | 0:39:47 | |
Stop! | 0:39:47 | 0:39:49 | |
Let's go! | 0:39:57 | 0:39:59 | |
Stop or I'll shoot! | 0:39:59 | 0:40:01 | |
Son of a bitch! | 0:40:06 | 0:40:07 | |
Sit down! | 0:40:07 | 0:40:10 | |
Well done. You two are real heroes. I'm a cop. | 0:40:10 | 0:40:13 | |
-You've just blown my cover. -There is no way you're a cop, | 0:40:13 | 0:40:16 | |
-you got any proof? -He's undercover. | 0:40:16 | 0:40:18 | |
Yeah, well, that's what he says. How do we know? | 0:40:18 | 0:40:21 | |
He won't have ID, will he? If he's undercover. | 0:40:21 | 0:40:23 | |
She's right. And I swear to God, | 0:40:23 | 0:40:25 | |
if you two skid marks don't get me out of these cuffs right now, | 0:40:25 | 0:40:28 | |
I'm going to rip both your arms out your sockets and spank your arse with them! | 0:40:28 | 0:40:32 | |
That's fair enough. Fair enough. | 0:40:32 | 0:40:34 | |
Well, man... | 0:40:34 | 0:40:37 | |
you are the best undercover cop that I have ever seen. | 0:40:37 | 0:40:40 | |
You look like a real scumbag. | 0:40:40 | 0:40:43 | |
Ten months I've spent earning their trust! | 0:40:43 | 0:40:46 | |
Now yous turn up and they're gone! | 0:40:46 | 0:40:48 | |
HE SNARLS AND BANGS ON WALL | 0:40:49 | 0:40:53 | |
Erm, excuse me? Er, those tattoos, are they pretend ones? | 0:40:54 | 0:40:59 | |
-Because... -They're real and they hurt | 0:40:59 | 0:41:01 | |
and the only reason I got them done was to infiltrate the gang. | 0:41:01 | 0:41:04 | |
That's one of a French prostitute in a beret. | 0:41:04 | 0:41:07 | |
That's a Nazi Swastika. | 0:41:07 | 0:41:09 | |
Do you think I like having them on me? | 0:41:09 | 0:41:12 | |
I can't wait to name you two in the report. | 0:41:12 | 0:41:15 | |
Would it be possible for you to tell us whether the gang | 0:41:15 | 0:41:18 | |
robbed the Poynter's jewellery store on the third? | 0:41:18 | 0:41:21 | |
Yeah, they did it. I'm the one who opened the safe. | 0:41:21 | 0:41:24 | |
It was you? | 0:41:24 | 0:41:25 | |
That's how I finally won their trust. It was an induction. | 0:41:25 | 0:41:28 | |
-I passed! -And you already had the combination numbers? | 0:41:28 | 0:41:32 | |
Yeah, it was an inside job. Sean gave me the numbers. | 0:41:32 | 0:41:35 | |
-He's the one on the bike. -Do you know who the insider was? | 0:41:35 | 0:41:38 | |
Sean talked to him. Called him The Owner. Which was probably a code. | 0:41:38 | 0:41:42 | |
Maybe it was the owner? You hear any names? | 0:41:42 | 0:41:45 | |
Do you know what happened to BZ47569032? | 0:41:47 | 0:41:51 | |
The diamond. | 0:41:51 | 0:41:53 | |
Sean took it to Rotterdam and sold it. | 0:41:53 | 0:41:55 | |
I don't know what he did with the cash. | 0:41:55 | 0:41:57 | |
Right. Hey, listen, erm, really sorry about, you know, messing up | 0:41:58 | 0:42:04 | |
your undercover, er, tattoo...thing. | 0:42:04 | 0:42:08 | |
Hey, but on the bright side, | 0:42:08 | 0:42:10 | |
at least you can shave off that silly goatee! | 0:42:10 | 0:42:12 | |
What's wrong with this? I've had this for years! | 0:42:12 | 0:42:14 | |
There you go. | 0:42:21 | 0:42:23 | |
-You haven't got a red? -Er, no, sorry. | 0:42:23 | 0:42:26 | |
If I'd known you were coming I would have gone to, er, Fortnum's | 0:42:26 | 0:42:29 | |
and got you a bottle of Chateau de Whatsit. | 0:42:29 | 0:42:31 | |
-But, erm... I've got a beer, if you want it. -No, no. | 0:42:31 | 0:42:34 | |
-It's fine, this is nice. -OK. | 0:42:34 | 0:42:37 | |
I'm on-call anyway, so shouldn't have more than a couple of glasses. | 0:42:37 | 0:42:41 | |
I'm so glad you're doing this, Beryl. | 0:42:41 | 0:42:43 | |
Oh, no, listen, I'm really honoured. | 0:42:43 | 0:42:45 | |
And, er, I was a bit surprised cos I haven't seen you in a while. | 0:42:45 | 0:42:48 | |
-Are you sure? -That reminds me. If you want to bring someone, then do. Obviously. | 0:42:48 | 0:42:53 | |
-Are you seeing anyone at the moment? -Er, no. | 0:42:53 | 0:42:55 | |
No. What about that woman you work with that you fancy? | 0:42:55 | 0:42:59 | |
-I don't fancy her, Mark. -Invite her if you want. I would. | 0:42:59 | 0:43:02 | |
Er...no. I, er, I don't want to invite her. | 0:43:02 | 0:43:05 | |
Great. Now I want to talk about umbrellas, in case it rains. | 0:43:05 | 0:43:09 | |
-Can you get 100 for me? -100? Wow. | 0:43:09 | 0:43:11 | |
-BEEPER GOES OFF -Shit, that's the hospital. | 0:43:11 | 0:43:14 | |
Some two-year-old's put their hands in boiling water. | 0:43:16 | 0:43:20 | |
-HE SIGHS -I'd better go in. | 0:43:20 | 0:43:23 | |
We'll pick this up again next week, yeah. Thanks, Beryl. | 0:43:29 | 0:43:31 | |
-Better go save lives, yeah. Brollies, don't forget, bro! -Yeah, consider it done. Yeah. | 0:43:31 | 0:43:36 | |
Well, if Mr tattooed, shouty, angry undercover cop man is right | 0:43:47 | 0:43:52 | |
about the owner bringing in the job, it's got to be Ron, hasn't it? | 0:43:52 | 0:43:55 | |
Or it could be Pat. But why would Ron or Pat want to steal from their own business | 0:43:55 | 0:43:59 | |
and destroy something they've spent years building up? | 0:43:59 | 0:44:02 | |
Are you sure he's in? | 0:44:09 | 0:44:12 | |
He's definitely in. | 0:44:12 | 0:44:14 | |
What's that? | 0:44:19 | 0:44:22 | |
This chart is going to help me keep on top of my dating. | 0:44:22 | 0:44:24 | |
Oh, yeah? | 0:44:24 | 0:44:26 | |
Blue is for a first date. | 0:44:27 | 0:44:28 | |
Blue with a tick is a first date that went well. | 0:44:28 | 0:44:31 | |
Red indicates a second date. | 0:44:31 | 0:44:32 | |
Red with a cross, second date didn't go so well, can cut him loose. | 0:44:32 | 0:44:36 | |
Then we get into yellow for a third date. That's next month. | 0:44:36 | 0:44:40 | |
I think I'm going to do fourth dates in purple. | 0:44:40 | 0:44:42 | |
Do you know what's really annoying about this whole thing? | 0:44:42 | 0:44:45 | |
Your stationery bill? | 0:44:45 | 0:44:46 | |
There were two guys on the site that I liked the look of. | 0:44:47 | 0:44:51 | |
So I nudged them. Said I liked their profiles. | 0:44:51 | 0:44:54 | |
And neither of them have replied to me. | 0:44:54 | 0:44:56 | |
OK, let me get this straight, | 0:44:57 | 0:45:00 | |
you have 4,000 replies to your profile and you're pissed off | 0:45:00 | 0:45:04 | |
because two men you nudged didn't get back to you? | 0:45:04 | 0:45:07 | |
Yeah! | 0:45:14 | 0:45:16 | |
Oh, hello. Who's this? | 0:45:18 | 0:45:22 | |
Hey, Naz, can you run a number plate for me? | 0:45:31 | 0:45:34 | |
Yeah, Lima, Mike, one, one, Yankee, Kilo, Romeo. | 0:45:34 | 0:45:38 | |
(Hello!) | 0:45:38 | 0:45:41 | |
Really? | 0:45:41 | 0:45:44 | |
Interesting. Thanks, Naz. | 0:45:44 | 0:45:46 | |
That's probably Abi de Hoyzen, | 0:45:46 | 0:45:49 | |
because THAT is Abi de Hoyzen's car. | 0:45:49 | 0:45:51 | |
-Thomas de Hoyzen's daughter? -Bingo. | 0:45:51 | 0:45:54 | |
What's she doing here? | 0:45:54 | 0:45:56 | |
Oh, shit! | 0:46:06 | 0:46:08 | |
Are you sure they won't be able to see us? | 0:46:15 | 0:46:17 | |
No, just keep your head down. It should be OK. | 0:46:17 | 0:46:21 | |
Ruddy hell. | 0:46:29 | 0:46:31 | |
Oi! | 0:46:31 | 0:46:32 | |
Oh, no. | 0:46:32 | 0:46:35 | |
What on earth are you doing?! | 0:46:35 | 0:46:37 | |
You have absolutely no right to come here. | 0:46:44 | 0:46:46 | |
You are a suspect in a violent robbery. | 0:46:46 | 0:46:49 | |
Does Thomas know you're fondling his daughter on a Friday evening? | 0:46:49 | 0:46:53 | |
-It's none of his business. -Leave it to me, Abi. | 0:46:53 | 0:46:55 | |
Do you think he'd sell me diamonds if he did? | 0:46:55 | 0:46:57 | |
Actually... I wouldn't put it past him. | 0:46:57 | 0:46:59 | |
My relationship with Abigail has nothing to do with the crime | 0:46:59 | 0:47:02 | |
you're investigating. | 0:47:02 | 0:47:04 | |
Why don't you just leave us alone?! We haven't done anything wrong. | 0:47:04 | 0:47:07 | |
Abi, leave it to me, will you? Go and wait in the kitchen, please. | 0:47:07 | 0:47:10 | |
I've done nothing wrong. Nothing illegal. | 0:47:12 | 0:47:15 | |
I think you can go now. Good night. | 0:47:15 | 0:47:17 | |
-Does your wife know about this? -She does know, yes. | 0:47:17 | 0:47:20 | |
But I've made her a very generous financial settlement | 0:47:20 | 0:47:23 | |
with which she is very happy. Go and check with her. | 0:47:23 | 0:47:26 | |
Now I really don't want to talk to you any more. | 0:47:26 | 0:47:29 | |
-Got to get back to some buttock fondling? -Yeah. Good night. | 0:47:29 | 0:47:32 | |
HE SOBS | 0:47:34 | 0:47:36 | |
With my own daughter?! | 0:47:38 | 0:47:41 | |
For years. | 0:47:42 | 0:47:43 | |
Thanks for letting me do that. | 0:47:50 | 0:47:51 | |
Hey, no, I enjoyed it. So what are you thinking? | 0:47:51 | 0:47:54 | |
Who did it? Maybe we should talk to Joanna again? | 0:47:54 | 0:47:58 | |
I mean, she said she hated running the business. | 0:47:58 | 0:48:01 | |
Yeah, but I don't think she's got it in her to destroy Daddy's business. | 0:48:01 | 0:48:04 | |
She's too under his spell. | 0:48:04 | 0:48:06 | |
Yeah, she was a yoga teacher for God's sake. What about Ron? | 0:48:06 | 0:48:10 | |
Maybe. Why? What's the motive? It's not like he needs the money. | 0:48:10 | 0:48:13 | |
-Same goes for Joanna. -Josh? He needs the money. | 0:48:13 | 0:48:17 | |
Yeah, but you met him. | 0:48:17 | 0:48:19 | |
Unless that was the world's greatest hustle, | 0:48:19 | 0:48:21 | |
I doubt he could organise his own breakfast, let alone this. | 0:48:21 | 0:48:24 | |
Maybe it's not about money? | 0:48:25 | 0:48:27 | |
I mean, you know, we're assuming it's about money | 0:48:27 | 0:48:30 | |
because it was a diamond that was stolen. | 0:48:30 | 0:48:33 | |
So what's it about, then? | 0:48:33 | 0:48:34 | |
Well, why do people commit crimes? Money, ideology, or revenge. | 0:48:34 | 0:48:39 | |
We've just discovered that Ron was having an affair for years. | 0:48:39 | 0:48:43 | |
He says that Pat's cool about it. But maybe she isn't? | 0:48:43 | 0:48:47 | |
But you were angry, weren't you, Pat? | 0:48:47 | 0:48:50 | |
He'd given you a big fat cheque to pay for your silence. | 0:48:50 | 0:48:53 | |
For keeping your divorce out of the courts. | 0:48:53 | 0:48:56 | |
But inside you were in pain. | 0:48:56 | 0:48:58 | |
And you yearned to pay him back. | 0:48:58 | 0:48:59 | |
You'd given him 30 years of your life. | 0:48:59 | 0:49:01 | |
But he broke your heart with that young girl. | 0:49:01 | 0:49:05 | |
That is just ridiculous. | 0:49:05 | 0:49:08 | |
Didn't he deserve to be punished? | 0:49:08 | 0:49:10 | |
Didn't he deserve to lose his beloved business? | 0:49:10 | 0:49:13 | |
I mean, wasn't that the best possible revenge? | 0:49:13 | 0:49:15 | |
I don't know what you're talking about. | 0:49:15 | 0:49:18 | |
Pat...if we were to look into it, would we discover that you | 0:49:18 | 0:49:24 | |
were in the shop every time the gang were called? | 0:49:24 | 0:49:27 | |
Yes, he does. He deserves to lose the business. | 0:49:30 | 0:49:34 | |
I knew this would bankrupt him. The insurance is null and void | 0:49:34 | 0:49:38 | |
and he wouldn't be able to pay back the cost of the diamond. | 0:49:38 | 0:49:41 | |
-But that's not why I did it. -Mum?! | 0:49:41 | 0:49:43 | |
Oh, he had countless affairs. I knew all about them. | 0:49:43 | 0:49:45 | |
They never hurt me. | 0:49:45 | 0:49:47 | |
But what did hurt me, darling, is what he's doing to you. | 0:49:47 | 0:49:51 | |
He's ruining your life. I did it for you. | 0:49:51 | 0:49:54 | |
-What?! -You hate running the business. It's killing you. | 0:49:54 | 0:49:58 | |
But you never could say no to your father. | 0:49:58 | 0:50:00 | |
This was my way to set you free. | 0:50:00 | 0:50:03 | |
And yes, it was also my way to get my revenge on that lying, | 0:50:03 | 0:50:08 | |
loveless bastard. | 0:50:08 | 0:50:10 | |
How do you know the Mullan gang? They're hardly regulars around here. | 0:50:10 | 0:50:13 | |
How do you know a robbery gang? | 0:50:13 | 0:50:15 | |
Josh's pot dealer put me on to them. | 0:50:15 | 0:50:18 | |
My only real regret, darling, is that we weren't a better example | 0:50:18 | 0:50:22 | |
of what love and parenting can be. | 0:50:22 | 0:50:26 | |
Well... | 0:50:27 | 0:50:28 | |
Dessert, coffee? | 0:50:30 | 0:50:32 | |
There's no pudding, Pat. | 0:50:32 | 0:50:34 | |
You're under arrest for planning an armed robbery. | 0:50:34 | 0:50:37 | |
As long as Joanna doesn't have to go back to the curse of those loveless shops, | 0:50:37 | 0:50:41 | |
you can charge me with what you like. | 0:50:41 | 0:50:43 | |
Round of golf? | 0:51:22 | 0:51:23 | |
Kick your arse. | 0:51:25 | 0:51:26 | |
I'll never forget the moment I met Sadie. | 0:51:27 | 0:51:30 | |
When I was in Beirut last year I went to | 0:51:30 | 0:51:32 | |
the Medecins Sans Frontieres party at the Zephirine hotel. | 0:51:32 | 0:51:35 | |
They do a party once a year for surgeons who've helped them. | 0:51:35 | 0:51:38 | |
You know, I don't normally go. | 0:51:38 | 0:51:39 | |
I just prefer to do my one month of voluntary work and slip away. | 0:51:39 | 0:51:44 | |
But for some reason, I went this year. | 0:51:44 | 0:51:47 | |
What was it that made me go, I wonder? | 0:51:47 | 0:51:49 | |
-Beirut is an incredible city. Have you been? -No. I'd love to go. | 0:51:50 | 0:51:53 | |
You should go sometime. It's very beautiful, despite the bombings. | 0:51:53 | 0:51:58 | |
And the war has given the place this... | 0:51:58 | 0:52:01 | |
this incredible sexual tension. | 0:52:01 | 0:52:04 | |
It's palpable. You feel it's a place where anything can happen. | 0:52:04 | 0:52:07 | |
And the bar's on the roof of the hotel. | 0:52:07 | 0:52:09 | |
And I remember, I bought a drink and I turned... | 0:52:09 | 0:52:13 | |
and this extraordinary woman came out of the night towards me. | 0:52:13 | 0:52:17 | |
And I knew, I just knew instantly that we'd be together for ever. | 0:52:17 | 0:52:20 | |
Oh, my God! | 0:52:20 | 0:52:22 | |
She came and stood at the bar. We started talking. | 0:52:22 | 0:52:24 | |
I discovered she worked for the Red Cross. | 0:52:24 | 0:52:26 | |
-And we ended up in bed that night. The rest is history. -Wow. | 0:52:26 | 0:52:30 | |
Right, so you er, pulled a nurse at a conference? Great. | 0:52:30 | 0:52:35 | |
How are you getting on with the jobs? DJ happy? | 0:52:35 | 0:52:37 | |
You know when to go and pick up the ring? | 0:52:37 | 0:52:39 | |
Yeah, everything's sorted. I should know. | 0:52:39 | 0:52:41 | |
I've spent the last two days on the phone fixing everything for you. | 0:52:41 | 0:52:45 | |
The only thing I don't know what to do with is your best man's speech. | 0:52:45 | 0:52:50 | |
I mean, apart from calling you a knob jockey, of course. | 0:52:50 | 0:52:53 | |
No, seriously, you're going to have to give me some numbers of mates | 0:52:53 | 0:52:57 | |
-because I need some stories. -You're not serious? | 0:52:57 | 0:52:59 | |
Yeah! I mean, what am I going to say? | 0:52:59 | 0:53:01 | |
I haven't seen you for like... | 0:53:01 | 0:53:02 | |
Mate, mate, you don't have to do a speech. | 0:53:02 | 0:53:05 | |
My other best man will do that. | 0:53:05 | 0:53:08 | |
What? | 0:53:08 | 0:53:10 | |
My best mate Jimmy will do the speech, obviously. | 0:53:10 | 0:53:12 | |
Shit, sorry, maybe I haven't been clear. I've got two best men - you and Jimmy. | 0:53:12 | 0:53:16 | |
Oh. | 0:53:18 | 0:53:19 | |
Right, OK. Er... | 0:53:22 | 0:53:24 | |
And do you mind me asking where Jimmy is? | 0:53:24 | 0:53:28 | |
Jimmy's on holiday in Thailand, so he can't organise anything. | 0:53:28 | 0:53:31 | |
That's why I thought I'd ask you too. | 0:53:31 | 0:53:32 | |
Plus Mum wanted you there. | 0:53:32 | 0:53:34 | |
Right, OK, so, as usual, my job is just to follow you around, | 0:53:34 | 0:53:40 | |
doing whatever you say. | 0:53:40 | 0:53:42 | |
Oh, don't get all humpty about it, Beryl. I thought you'd be pleased! | 0:53:43 | 0:53:46 | |
Don't call me Beryl! All right?! | 0:53:46 | 0:53:50 | |
-Oh, come on, don't go and sulk in your room. I need... -Get off me! | 0:53:50 | 0:53:53 | |
Shit. Beryl, what are you... | 0:53:57 | 0:54:00 | |
Bitch! | 0:54:02 | 0:54:03 | |
Hey, hold on guys, guys, what you, what you doing? | 0:54:06 | 0:54:10 | |
Stop! | 0:54:10 | 0:54:11 | |
If you don't stop, if you don't stop, I'll chuck you out! | 0:54:11 | 0:54:14 | |
Stop it now! | 0:54:14 | 0:54:15 | |
Right now! | 0:54:15 | 0:54:17 | |
I don't want to be your best man! I quit. | 0:54:17 | 0:54:20 | |
Fine. Don't be best man. See if I care. | 0:54:20 | 0:54:22 | |
In fact, don't come! You're disinvited! | 0:54:22 | 0:54:24 | |
You know what?! I don't want to come to your wedding. | 0:54:24 | 0:54:27 | |
I don't want to come to your wedding and I hope it rains. | 0:54:27 | 0:54:29 | |
-See if I care. -No, you see if I care. | 0:54:29 | 0:54:32 | |
-No, you! -No, you! | 0:54:32 | 0:54:33 | |
No, you! | 0:54:33 | 0:54:34 | |
SHE WHISTLES | 0:54:34 | 0:54:35 | |
Shut up, both of you! This is absolutely pathetic. | 0:54:35 | 0:54:39 | |
Mark, it was unfair of you to ask Jack to be your best man without explaining the role properly. | 0:54:39 | 0:54:43 | |
And unfair of you to ask him to do all your shitty jobs for you. | 0:54:43 | 0:54:46 | |
-You are an arsehole, like he said. -Yeah! | 0:54:46 | 0:54:50 | |
Jack, stop being so touchy and sensitive, and just be thankful | 0:54:50 | 0:54:53 | |
for the fact that your brother has found somebody to love | 0:54:53 | 0:54:56 | |
-and stop being envious of that. -That's right! | 0:54:56 | 0:54:59 | |
Now, shake hands, go on. You're brothers, shake hands. | 0:54:59 | 0:55:03 | |
All right, get out! Both of you. | 0:55:05 | 0:55:08 | |
I'm charging you for this, both of you. Out! Out! Out! | 0:55:08 | 0:55:11 | |
-He started it! -Yeah, yeah. | 0:55:11 | 0:55:14 | |
I should go after him. | 0:55:14 | 0:55:16 | |
Hey, how are things going with Speed of Love Direct? | 0:55:37 | 0:55:40 | |
How many dates have you got this month? | 0:55:40 | 0:55:43 | |
I've stopped doing it. Taken down my profile. | 0:55:43 | 0:55:47 | |
Yeah? Why? | 0:55:47 | 0:55:48 | |
I couldn't cope with the admin. | 0:55:48 | 0:55:50 | |
Plus, I'm already lumbered with one annoying man. | 0:55:50 | 0:55:52 | |
I didn't need a website giving me 5,000 more. | 0:55:52 | 0:55:55 | |
Do you think I should go to my brother's wedding? | 0:55:59 | 0:56:02 | |
Hmm. Of course you should. Your mum would love it. | 0:56:02 | 0:56:06 | |
And so would Mark, although he won't show it. | 0:56:06 | 0:56:09 | |
You want to come with me? As my plus one? I'd like that. | 0:56:09 | 0:56:14 | |
I'd love to. Thank you. | 0:56:16 | 0:56:18 | |
Great. | 0:56:18 | 0:56:20 | |
I already asked Danielle, but she's away. | 0:56:24 | 0:56:27 | |
There was nobody else, so, thanks, it really helps out. | 0:56:27 | 0:56:30 | |
What? | 0:56:30 | 0:56:31 | |
Hang on, if you want me to come with you, you have to ask me first. | 0:56:31 | 0:56:34 | |
I'm not going to be your last-resort date. | 0:56:34 | 0:56:36 | |
Oh, come on, don't be like that. Just pretend I asked you first. | 0:56:36 | 0:56:39 | |
You dick! | 0:56:39 | 0:56:41 | |
OK, sorry, look, it was, it was a joke, it was a bad joke. | 0:56:41 | 0:56:45 | |
I'm asking you first, you're first. Definitely. | 0:56:45 | 0:56:49 | |
I'm not coming now. | 0:56:49 | 0:56:50 | |
Hey, you didn't think I was asking you in a romantic way, did you? | 0:56:50 | 0:56:56 | |
No. | 0:56:56 | 0:56:57 | |
Well, what's your problem, then? | 0:56:57 | 0:57:00 | |
It's just a really horrible way to invite somebody. | 0:57:00 | 0:57:03 | |
By telling them they're second choice. | 0:57:03 | 0:57:05 | |
You're more like fifth, actually. | 0:57:05 | 0:57:07 | |
I'm so fed up of working with you. | 0:57:10 | 0:57:12 | |
-Yeah, well, why don't you apply for a transfer? -I might. | 0:57:12 | 0:57:15 | |
Great. I'll help you fill in the forms. | 0:57:17 | 0:57:19 | |
I'll even lie and give you a glowing reference. | 0:57:19 | 0:57:23 | |
Come on, come to the wedding! | 0:57:23 | 0:57:26 | |
Hey, Mark would love it if you go. | 0:57:26 | 0:57:28 | |
I've already said, I'm not coming. Ask your sixth choice. | 0:57:28 | 0:57:31 | |
Subtitles by Red Bee Media Ltd | 0:58:01 | 0:58:04 |