Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
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Morning. | 0:00:17 | 0:00:18 | |
Here, what you reading then? | 0:00:19 | 0:00:21 | |
Advanced Forensic Toxicology II. | 0:00:21 | 0:00:25 | |
I hear it's not as good as the first one. | 0:00:25 | 0:00:27 | |
HE CHUCKLES | 0:00:27 | 0:00:30 | |
"You're going to say it's not as good as the first one". | 0:00:30 | 0:00:34 | |
OK, that is quite impressive | 0:00:35 | 0:00:37 | |
and just a wee bit creepy. | 0:00:37 | 0:00:39 | |
What do you read this stuff for anyway? | 0:00:39 | 0:00:41 | |
Isn't it a bit boring? | 0:00:41 | 0:00:43 | |
I'm reading this stuff because it's my job. | 0:00:43 | 0:00:45 | |
No, it's not. We're detectives. | 0:00:45 | 0:00:47 | |
We have a whole department to do forensics. | 0:00:47 | 0:00:50 | |
-Thanks, Tony. -I mean, for example, | 0:00:50 | 0:00:52 | |
does Tony need to know how a toaster works to make toast? | 0:00:52 | 0:00:56 | |
Electricity's passed through a nichrome filament, | 0:00:56 | 0:00:58 | |
and the metal gets hot because of friction on the electrons, | 0:00:58 | 0:01:01 | |
thus turning bread into toast. | 0:01:01 | 0:01:03 | |
-I did not know that. -Right...right. | 0:01:03 | 0:01:06 | |
I think you'd find it all really interesting. | 0:01:06 | 0:01:08 | |
Yeah, but nobody poisons anybody any more, do they? | 0:01:08 | 0:01:11 | |
Graham Young poisoned at least 70 people between 1962 and 1971, | 0:01:11 | 0:01:16 | |
using thallium and aconite. | 0:01:16 | 0:01:17 | |
Richard Kuklinski claims to have killed over 100 people | 0:01:17 | 0:01:21 | |
using cyanide in the '80s. | 0:01:21 | 0:01:24 | |
-Ooh! -What's he doing here? | 0:01:26 | 0:01:28 | |
As much as I enjoy awkward family tension, | 0:01:28 | 0:01:31 | |
I'm getting out of here. | 0:01:31 | 0:01:33 | |
Mind if I just take..? | 0:01:34 | 0:01:36 | |
Hiya, George. | 0:01:38 | 0:01:40 | |
Here to see if you can jeopardise another one of my cases? | 0:01:41 | 0:01:44 | |
It was a mistake. | 0:01:44 | 0:01:46 | |
I can pop over to the station if you want, get one of my case files. | 0:01:46 | 0:01:49 | |
See if there's a victim in there you want to tap up for an alarm system. | 0:01:49 | 0:01:52 | |
I'm sorry, I really am. I... | 0:01:52 | 0:01:55 | |
..I haven't been thinking straight recently, cos... | 0:01:57 | 0:02:01 | |
the thing is... | 0:02:01 | 0:02:02 | |
..your mum and I are getting divorced. | 0:02:06 | 0:02:07 | |
Hello! | 0:02:17 | 0:02:18 | |
It's to show you how much I still love you. | 0:02:21 | 0:02:26 | |
PHONE BLEEPS | 0:02:26 | 0:02:29 | |
I have to go. | 0:02:34 | 0:02:36 | |
-TONY: -What do you mean, you don't know? | 0:02:38 | 0:02:40 | |
Well, we haven't got a case at the moment... | 0:02:40 | 0:02:42 | |
Ooh! Nice teddy! | 0:02:42 | 0:02:44 | |
What's this? | 0:02:44 | 0:02:45 | |
Suspicious death at Parkwood Manor school. | 0:02:45 | 0:02:48 | |
Hang on, school? | 0:02:50 | 0:02:53 | |
Oh, God! That means having to deal with kids! | 0:02:53 | 0:02:56 | |
Have you, er...have you tried these? | 0:02:56 | 0:02:59 | |
What's that? | 0:02:59 | 0:03:01 | |
Allergy pills. | 0:03:01 | 0:03:02 | |
TONY CHUCKLES | 0:03:02 | 0:03:04 | |
Hey, are you OK? You haven't said anything for the whole journey. | 0:04:04 | 0:04:08 | |
Just... I'm in shock, I think. | 0:04:09 | 0:04:13 | |
I mean, what are they going to do? | 0:04:14 | 0:04:16 | |
Mum's not going to have anyone to watch telly with. | 0:04:16 | 0:04:19 | |
Dad's not going to have anyone to ignore him. | 0:04:19 | 0:04:21 | |
Well, let's not get bogged down in the details. | 0:04:21 | 0:04:24 | |
The important thing is, | 0:04:24 | 0:04:25 | |
your mum and dad are divorcing each other, not you. OK? | 0:04:25 | 0:04:29 | |
Yeah. | 0:04:29 | 0:04:30 | |
I suppose a lot of marriages do stay together for the sake of the kids. | 0:04:32 | 0:04:36 | |
Anyway, marriage is really overrated. | 0:04:36 | 0:04:38 | |
Come on, I mean, why get married | 0:04:38 | 0:04:42 | |
when you can just find a woman you hate and buy her a house? | 0:04:42 | 0:04:45 | |
HE GIGGLES | 0:04:45 | 0:04:48 | |
OK, the jokes aren't helping. OK. | 0:04:48 | 0:04:51 | |
There's only one thing I hate more than children. | 0:05:01 | 0:05:04 | |
What? | 0:05:04 | 0:05:05 | |
LOTS of children. | 0:05:05 | 0:05:07 | |
Thank you. | 0:05:14 | 0:05:15 | |
I don't remember the mothers at my primary school looking like that. | 0:05:22 | 0:05:25 | |
Look at them, they're dressed to kill. | 0:05:25 | 0:05:28 | |
They're probably all on their way to work. | 0:05:28 | 0:05:30 | |
Really, as what? | 0:05:30 | 0:05:32 | |
It's an aspirational school. | 0:05:32 | 0:05:33 | |
It's probably full of aspirational mothers. | 0:05:33 | 0:05:35 | |
Yeah, and cougars and MILFs and ladies that lunch! | 0:05:35 | 0:05:39 | |
That is RIDICULOUSLY sexist and patronising. | 0:05:39 | 0:05:41 | |
Well, let's find out. | 0:05:41 | 0:05:42 | |
Excuse me, ladies. Got a couple of questions for you. | 0:05:44 | 0:05:47 | |
Can I have a show of hands | 0:05:47 | 0:05:49 | |
for those of you that are going to work today? | 0:05:49 | 0:05:52 | |
OK. And can I have a show of hands for those of you | 0:05:52 | 0:05:55 | |
that have got a table booked for lunch? | 0:05:55 | 0:05:57 | |
Thank you. That's all. | 0:05:58 | 0:06:01 | |
Stabbed in the neck with a knitting needle. | 0:06:06 | 0:06:08 | |
The headmaster was sitting at his desk, | 0:06:08 | 0:06:11 | |
talking to the person on the other side, | 0:06:11 | 0:06:13 | |
when he turns to his right, | 0:06:13 | 0:06:15 | |
perhaps to pick up that file over there. | 0:06:15 | 0:06:18 | |
Someone plunged a knitting needle into his neck. | 0:06:18 | 0:06:22 | |
Oh, my God! | 0:06:22 | 0:06:23 | |
HE SCREAMS AND SPLUTTERS | 0:06:23 | 0:06:27 | |
Wow. | 0:06:36 | 0:06:38 | |
Too much? | 0:06:39 | 0:06:41 | |
Strong start, but you lost me towards the end. | 0:06:41 | 0:06:43 | |
Oh...I sensed that. | 0:06:43 | 0:06:45 | |
So, we're looking for a homicidal granny, right? | 0:06:45 | 0:06:49 | |
Have you ever heard of Knit And Natter? | 0:06:50 | 0:06:52 | |
No. What the hell's that? | 0:06:52 | 0:06:54 | |
People get together in groups and they chat and they knit. | 0:06:54 | 0:06:57 | |
-That's a thing? -Celebrities do it, so apparently, it's cool. | 0:06:57 | 0:07:01 | |
I thought it was grannies who want to punish relatives for not visiting. | 0:07:01 | 0:07:04 | |
Julia Roberts does it. Madonna does it. | 0:07:04 | 0:07:06 | |
Like I said, we're looking for a homicidal granny. | 0:07:06 | 0:07:08 | |
It's not your average knitting needle, though. | 0:07:09 | 0:07:12 | |
-Hmm? -That's a hand-crafted Art Viva, | 0:07:12 | 0:07:15 | |
fashioned from sustainable Tasmanian Oak. | 0:07:15 | 0:07:19 | |
Right. | 0:07:19 | 0:07:20 | |
So we're looking for a female killer. | 0:07:22 | 0:07:23 | |
Yeah? How do you know that? | 0:07:23 | 0:07:25 | |
Come on, they used a designer knitting needle. | 0:07:25 | 0:07:28 | |
Hmm, a sexist theory. | 0:07:28 | 0:07:31 | |
That's plausible. | 0:07:31 | 0:07:33 | |
Wow, look at these entry requirements! | 0:07:33 | 0:07:36 | |
Catchment areas, sibling policy. | 0:07:36 | 0:07:39 | |
God, it's easier to get into Parliament than this place. | 0:07:39 | 0:07:42 | |
Well, Parkwood Manor's the best primary school in the area. | 0:07:42 | 0:07:46 | |
Where the Police Commissioner is sending his kids? | 0:07:46 | 0:07:48 | |
Where he WISHES he could. | 0:07:48 | 0:07:49 | |
How do you know this stuff? | 0:07:49 | 0:07:51 | |
Well, I read the paper. | 0:07:51 | 0:07:52 | |
And, if I do decide to have children one day, | 0:07:52 | 0:07:54 | |
it'd be irresponsible not to know a bit about it. | 0:07:54 | 0:07:57 | |
-You want kids? -Well, eventually. One day. | 0:07:57 | 0:08:00 | |
-Why? Don't you? -No, I can't do it. | 0:08:00 | 0:08:03 | |
I'm sorry. I didn't know. | 0:08:05 | 0:08:07 | |
Oh, no, I'm not infertile! I'm firing live rounds! | 0:08:07 | 0:08:10 | |
No, I just...I just can't do it. | 0:08:10 | 0:08:13 | |
I mean, the little bastards never leave you alone, do they? | 0:08:13 | 0:08:16 | |
All right, children, | 0:08:16 | 0:08:18 | |
I'm sure you're all just a little bit frightened | 0:08:18 | 0:08:21 | |
and wondering what all of these police officers | 0:08:21 | 0:08:23 | |
are doing at your school. | 0:08:23 | 0:08:24 | |
But there's nothing to worry about. Is there, DI Jack? | 0:08:24 | 0:08:28 | |
That's right, DI Georgie. | 0:08:28 | 0:08:30 | |
Yeah, we're just here to investigate | 0:08:30 | 0:08:32 | |
the brutal murder of their headmaster. | 0:08:32 | 0:08:34 | |
-How brutal? -Well, pretty gruesome, actually. | 0:08:34 | 0:08:37 | |
Yeah, he got a knitting needle straight in the neck. | 0:08:37 | 0:08:39 | |
Straight through flesh, muscle and sinew, | 0:08:39 | 0:08:42 | |
straight into the carotid artery. | 0:08:42 | 0:08:45 | |
That's enough, I think, DI Jack. | 0:08:45 | 0:08:46 | |
But it wasn't the needle that got him, it was the blood. | 0:08:46 | 0:08:49 | |
Yeah, he choked on his own blood. | 0:08:49 | 0:08:52 | |
Stop it, you're scaring them! | 0:08:52 | 0:08:54 | |
Oh, right, sorry. But there's no need to worry. | 0:08:54 | 0:08:57 | |
The killer will be going to prison for a very long time. | 0:08:57 | 0:09:00 | |
Well, why don't you just shoot 'em? | 0:09:00 | 0:09:02 | |
CLASS GIGGLES | 0:09:02 | 0:09:04 | |
Yeah, I like where you come from kid, but... | 0:09:04 | 0:09:06 | |
HE LAUGHS SMUGLY ..nowadays there's, you know, | 0:09:06 | 0:09:09 | |
there's due process and courts and stuff. | 0:09:09 | 0:09:12 | |
-Is it because you don't have a gun? -Listen, I can get a gun | 0:09:12 | 0:09:15 | |
-any time I want. -Bet you can't. | 0:09:15 | 0:09:17 | |
Listen buddy, I could come back here | 0:09:17 | 0:09:20 | |
with enough firepower to take over a small African country, OK? | 0:09:20 | 0:09:24 | |
-Rubbish! -For God's sake, stop! | 0:09:24 | 0:09:27 | |
Sorry. | 0:09:30 | 0:09:31 | |
Children, when I was a little girl, | 0:09:35 | 0:09:37 | |
-my daddy was a policeman. -SHE CHOKES BACK TEARS | 0:09:37 | 0:09:40 | |
And, well...he carried a truncheon, not a gun. | 0:09:40 | 0:09:44 | |
But, my daddy always used to say, "Don't worry, | 0:09:44 | 0:09:47 | |
"the police always get their man, or woman, in the end." | 0:09:47 | 0:09:50 | |
OK, this is boring. Who wants to talk about guns?! | 0:09:50 | 0:09:53 | |
-CLASS: -Yeah!! | 0:09:53 | 0:09:55 | |
Who wants to talk about all the big, bad guns that I can get hold of? | 0:09:55 | 0:09:57 | |
-CLASS: -Yeah!! -Come on! | 0:09:57 | 0:10:00 | |
Listen. What's this? | 0:10:03 | 0:10:05 | |
-Miss, Miss! He's not allowed to do that. -I know. | 0:10:05 | 0:10:08 | |
Miss, are you going to give him a detention? | 0:10:08 | 0:10:11 | |
-What's your name? -Chloe. | 0:10:11 | 0:10:14 | |
Chloe... | 0:10:14 | 0:10:15 | |
..that's not a bad idea. | 0:10:17 | 0:10:19 | |
You load it, and then, boooffff! | 0:10:20 | 0:10:22 | |
I think everyone's heard enough, haven't they, DI Jack?! | 0:10:22 | 0:10:25 | |
All right, everyone back to your seats. | 0:10:25 | 0:10:27 | |
Miss, Miss! | 0:10:29 | 0:10:30 | |
They closed by accident. | 0:10:30 | 0:10:33 | |
Arresting kids now? HE CHUCKLES | 0:10:33 | 0:10:35 | |
So who was the last person to have an appointment with the headmaster? | 0:10:35 | 0:10:39 | |
I think that would have been one of the nursery mothers. | 0:10:39 | 0:10:41 | |
Brian...Mr Chaps was planning to spend the week | 0:10:41 | 0:10:44 | |
telling them which of their children | 0:10:44 | 0:10:47 | |
had made it through to the infant classes | 0:10:47 | 0:10:49 | |
Wait, so there are some children who don't? | 0:10:49 | 0:10:52 | |
Oh, I'm afraid so. | 0:10:52 | 0:10:53 | |
And their mothers are always absolutely devastated. | 0:10:53 | 0:10:56 | |
But there are other schools in the area, right? | 0:10:56 | 0:10:58 | |
This is a very prestigious school, detective. | 0:10:58 | 0:11:02 | |
Our reception curriculum offers a broad training | 0:11:02 | 0:11:04 | |
in all fields of education. | 0:11:04 | 0:11:05 | |
We are the only primary school | 0:11:05 | 0:11:07 | |
to offer classes in Taekwondo, for example. | 0:11:07 | 0:11:09 | |
Great(!) Nothing like teaching five year olds to hit stuff. | 0:11:09 | 0:11:13 | |
That's a possible motive though. | 0:11:13 | 0:11:15 | |
The headmaster rejects a child, mummy gets angry. | 0:11:15 | 0:11:17 | |
Which children were rejected today? | 0:11:17 | 0:11:19 | |
I don't know. Mr Chaps wouldn't tell anyone else | 0:11:19 | 0:11:22 | |
until he'd informed the poor mother first. | 0:11:22 | 0:11:24 | |
And who were the mums who saw the headmaster this morning? | 0:11:24 | 0:11:28 | |
Hi, I'm Davina Hall. I understand you want to talk to me? | 0:11:31 | 0:11:35 | |
Please. Take a seat. | 0:11:35 | 0:11:37 | |
Mrs Hall, can you tell us what happened | 0:11:44 | 0:11:47 | |
when you saw the headmaster this morning? | 0:11:47 | 0:11:50 | |
I went in, we shared an oolong, | 0:11:50 | 0:11:53 | |
Brian did say that little Tungsten had come top of the assessment. | 0:11:53 | 0:11:58 | |
By quite some way, apparently. | 0:11:58 | 0:11:59 | |
And that's all? | 0:11:59 | 0:12:01 | |
He told me my son had been given a place at the school and then I left. | 0:12:01 | 0:12:05 | |
-SHE SNIFFLES -I can't believe it! | 0:12:06 | 0:12:10 | |
I can't believe he's dead! | 0:12:11 | 0:12:12 | |
I'm sorry. You must have been very fond... | 0:12:12 | 0:12:15 | |
I don't give a toss about the headmaster! | 0:12:15 | 0:12:17 | |
Oh...right. | 0:12:17 | 0:12:18 | |
We only got a verbal acceptance. | 0:12:18 | 0:12:20 | |
And now we have to go through | 0:12:20 | 0:12:21 | |
this whole bloody selection process again! | 0:12:21 | 0:12:23 | |
We talked over an oolong and Mr Chaps told me | 0:12:25 | 0:12:27 | |
my daughter had got a place in the school. | 0:12:27 | 0:12:31 | |
And do you know which children were rejected? | 0:12:31 | 0:12:34 | |
No, I don't. But... | 0:12:34 | 0:12:35 | |
I did see Davina Hall burst into tears | 0:12:35 | 0:12:38 | |
and run into the lavatory. | 0:12:38 | 0:12:40 | |
She locked herself in one of the cubicles. | 0:12:40 | 0:12:43 | |
The whole thing was most unsightly. | 0:12:43 | 0:12:45 | |
Tears! Slamming doors! | 0:12:45 | 0:12:47 | |
-In front of all the other mothers! -And how long... | 0:12:47 | 0:12:50 | |
I mean, when my first husband died, I simply said | 0:12:50 | 0:12:53 | |
"That's that, Charles", | 0:12:53 | 0:12:55 | |
and then I kissed what was left of his hand... | 0:12:55 | 0:12:57 | |
he'd been in a fire, you see. | 0:12:57 | 0:12:59 | |
And then I bloody well got on with things, you know? | 0:12:59 | 0:13:03 | |
Mrs Presley-Nairn, how long was Mrs Hall in the cubicle? | 0:13:03 | 0:13:05 | |
I think she stayed about an hour. | 0:13:05 | 0:13:08 | |
And I think she may have been knitting. | 0:13:08 | 0:13:11 | |
Knitting? | 0:13:11 | 0:13:13 | |
I heard a sort of furious clackety-click | 0:13:13 | 0:13:15 | |
coming from behind the door. | 0:13:15 | 0:13:18 | |
I went in to comfort her. I persuaded her to come out. | 0:13:18 | 0:13:21 | |
But when she finally did, | 0:13:21 | 0:13:22 | |
all she talked about was going back to see Brian. | 0:13:22 | 0:13:24 | |
-I tried to stop her. -How did you try to stop her? | 0:13:24 | 0:13:28 | |
I don't know. I grabbed her handbag, I think. | 0:13:28 | 0:13:31 | |
But she threw me against the sink | 0:13:31 | 0:13:33 | |
and she stormed back in there anyway. | 0:13:33 | 0:13:34 | |
And this was the last time anyone saw the headmaster alive? | 0:13:34 | 0:13:38 | |
I think so. | 0:13:38 | 0:13:39 | |
Well, thank you, very much. | 0:13:40 | 0:13:42 | |
Yes. Thank you. | 0:13:42 | 0:13:45 | |
SHE GIGGLES | 0:13:53 | 0:13:55 | |
What? | 0:13:55 | 0:13:57 | |
-MIMICS BREATHY VOICE -"Yes. Thank you." | 0:13:57 | 0:14:00 | |
I do NOT talk like that! | 0:14:00 | 0:14:02 | |
Mrs Hall, why did you lie to us? | 0:14:02 | 0:14:04 | |
He told me Tungsten wasn't getting a place, I was upset. | 0:14:04 | 0:14:07 | |
But I swear on Tungsten's life, I didn't kill him! | 0:14:07 | 0:14:11 | |
Yeah? | 0:14:11 | 0:14:12 | |
Because we're hearing you had both motive and opportunity. | 0:14:12 | 0:14:16 | |
You were the last person to see the headmaster alive. | 0:14:16 | 0:14:19 | |
Mrs Hall, can you pass me your bag, please? | 0:14:19 | 0:14:21 | |
Where's the other needle? | 0:14:30 | 0:14:32 | |
I don't know. | 0:14:32 | 0:14:33 | |
Um, I must have lost it. | 0:14:33 | 0:14:35 | |
Or left it in the bathroom or something? | 0:14:35 | 0:14:38 | |
Sure you did(!) | 0:14:38 | 0:14:40 | |
Or maybe you plunged it into the neck of Brian Chaps! | 0:14:40 | 0:14:44 | |
-Because he didn't give your son a place in this school. -No! | 0:14:44 | 0:14:47 | |
Davina Hall... | 0:14:47 | 0:14:49 | |
..you're under arrest for the murder of Brian Chaps. | 0:14:50 | 0:14:54 | |
Hey, hey! | 0:14:59 | 0:15:00 | |
I heard you guys had a hell of a morning! | 0:15:00 | 0:15:03 | |
Yeah, from crime scene to arrest in under four hours! | 0:15:03 | 0:15:07 | |
Just call me Jack Flash! | 0:15:07 | 0:15:09 | |
Yeah, plenty of women already do, mate. | 0:15:09 | 0:15:11 | |
Yeah, actually, he's being sarcastic, | 0:15:11 | 0:15:13 | |
I am known as a very considerate and satisfying lover. | 0:15:13 | 0:15:16 | |
By way of reward, | 0:15:16 | 0:15:19 | |
these two... | 0:15:19 | 0:15:20 | |
..are on the house. | 0:15:22 | 0:15:23 | |
It's always on the house. | 0:15:23 | 0:15:25 | |
Today, they're ESPECIALLY on the house. | 0:15:25 | 0:15:26 | |
It can't be ESPECIALLY on the house, | 0:15:26 | 0:15:28 | |
like you can't have somebody EXTREMELY dead. | 0:15:28 | 0:15:30 | |
All right, I'm starting a new cocktail menu | 0:15:30 | 0:15:32 | |
just to drum up some trade. | 0:15:32 | 0:15:34 | |
These are called Tony's Surprise. | 0:15:34 | 0:15:36 | |
HE COUGHS Is it called Tony's Surprise | 0:15:36 | 0:15:39 | |
because it's totally undrinkable? | 0:15:39 | 0:15:40 | |
You, you taste it, Georgina. I trust your judgement. | 0:15:40 | 0:15:43 | |
It's a bit early for me. | 0:15:43 | 0:15:45 | |
Come on, you guys should be celebrating! | 0:15:45 | 0:15:47 | |
The word from the Chancellor's Office | 0:15:47 | 0:15:49 | |
is that your case might make the Bailey. | 0:15:49 | 0:15:51 | |
-Really? -Yeah! Go on, have a drink! You deserve it. | 0:15:52 | 0:15:55 | |
Yeah, come on, after your morning. | 0:15:55 | 0:15:57 | |
She's just found out her parents are getting divorced. | 0:15:57 | 0:16:00 | |
-Oh, I'm sorry. That must be painful. -Not as painful as Tony's Surprise. | 0:16:00 | 0:16:03 | |
Look, that's work in progress. | 0:16:03 | 0:16:05 | |
-Seriously, this should be weaponised. -Shut it! | 0:16:05 | 0:16:07 | |
We're taking a case to the Old Bailey! | 0:16:07 | 0:16:11 | |
-Oh, that's yummy! -Yeah! -We need to prepare. | 0:16:11 | 0:16:14 | |
Write our testimony, write a report for the CPS... | 0:16:14 | 0:16:17 | |
What? Are you serious? | 0:16:17 | 0:16:18 | |
I've never done that when I went to the Old Bailey. | 0:16:18 | 0:16:21 | |
This is the Central Criminal Court. The Hanging Court. | 0:16:21 | 0:16:24 | |
This is not something I intend on being casual about. | 0:16:24 | 0:16:26 | |
You know what, we should go shopping. | 0:16:26 | 0:16:29 | |
What for? | 0:16:29 | 0:16:31 | |
-BOTH: New clothes. -What's wrong with my clothes? | 0:16:31 | 0:16:34 | |
You get a guilty verdict at the Old Bailey, | 0:16:34 | 0:16:36 | |
you're on the front of every newspaper in the country. | 0:16:36 | 0:16:39 | |
That's right. | 0:16:39 | 0:16:41 | |
Looking good is one thing, but at the Bailey, | 0:16:44 | 0:16:46 | |
it's the barristers you've got to watch out for. | 0:16:46 | 0:16:48 | |
Once you're in the box, they'll tear you to pieces. | 0:16:48 | 0:16:50 | |
Not if I talk about the case clearly and succinctly. | 0:16:50 | 0:16:53 | |
Please, they don't want to talk about the case! | 0:16:53 | 0:16:55 | |
They're not going to want to talk about my private life. | 0:16:55 | 0:16:57 | |
Sure they are! | 0:16:57 | 0:16:58 | |
Hey, what's the difference between a hedgehog | 0:16:58 | 0:17:00 | |
-and two barristers in a taxi? -I don't know. | 0:17:00 | 0:17:03 | |
The hedgehog has the pricks on the outside. | 0:17:03 | 0:17:06 | |
Believe, me you need to be prepared. | 0:17:06 | 0:17:08 | |
-DI Dixon, are you married? -No. | 0:17:08 | 0:17:10 | |
-Living with someone? -No. | 0:17:10 | 0:17:12 | |
Off condom? | 0:17:12 | 0:17:13 | |
WHAT is "off condom"? | 0:17:14 | 0:17:15 | |
The milestone in any relationship | 0:17:15 | 0:17:17 | |
when you both agree to have a complete sexual health screening. | 0:17:17 | 0:17:20 | |
-Milestone? -Yeah, it's a big step. | 0:17:20 | 0:17:22 | |
The modern equivalent of getting engaged. | 0:17:22 | 0:17:25 | |
For God's sake! | 0:17:25 | 0:17:28 | |
And if you want to get out of the relationship, | 0:17:28 | 0:17:30 | |
you can always say you've got something. | 0:17:30 | 0:17:32 | |
I usually go for warts. That seems to work. | 0:17:32 | 0:17:35 | |
So, you're not married, you've no boyfriend. | 0:17:35 | 0:17:37 | |
You're a lone, frigid woman, probably lesbian... | 0:17:37 | 0:17:40 | |
No, no, no, I object to this line of questioning! | 0:17:40 | 0:17:42 | |
You can't object, you're a witness! | 0:17:42 | 0:17:44 | |
Then the CPS barrister objects. | 0:17:44 | 0:17:45 | |
-No, he doesn't. -It's a she, and she does. | 0:17:45 | 0:17:47 | |
Well, the judge overrules | 0:17:47 | 0:17:49 | |
and directs you to answer the question! | 0:17:49 | 0:17:51 | |
Are you a sad, lonely, desperate, frigid woman who hates mothers? | 0:17:51 | 0:17:55 | |
I don't even know if I want children. | 0:17:55 | 0:17:57 | |
I might decide to put my career first. | 0:17:57 | 0:17:59 | |
Well, you can lie to yourself, DI Dixon. | 0:17:59 | 0:18:01 | |
But please do not lie to this court. | 0:18:01 | 0:18:03 | |
-When was the last time you had sex? -What?! | 0:18:03 | 0:18:05 | |
Answer the question, when was the last time you had sex? | 0:18:05 | 0:18:07 | |
-Wh... -Sustained! | 0:18:07 | 0:18:09 | |
But I didn't say anything! | 0:18:09 | 0:18:10 | |
What? You don't like it. | 0:18:18 | 0:18:21 | |
No. No. You...er...you look OK. | 0:18:21 | 0:18:24 | |
Do you really think I'm frigid? | 0:18:24 | 0:18:27 | |
What? | 0:18:27 | 0:18:28 | |
No, no, no, not frigid. | 0:18:28 | 0:18:31 | |
A little chilly, perhaps. | 0:18:31 | 0:18:33 | |
-But in a hot way. -A hot chilli? | 0:18:33 | 0:18:35 | |
Exactly. | 0:18:35 | 0:18:37 | |
-Looks good. -Yeah? | 0:18:38 | 0:18:40 | |
Assuming there are going to be female jurors, | 0:18:40 | 0:18:42 | |
do you think I should make it obvious that I dress to the right? | 0:18:42 | 0:18:45 | |
I thought you dressed to the left. | 0:18:45 | 0:18:48 | |
You noticed? | 0:18:49 | 0:18:50 | |
Oh, my God, Jack! That's it! | 0:18:52 | 0:18:54 | |
I assume we're not still talking about which way I hang. | 0:18:55 | 0:18:59 | |
We have to go. | 0:18:59 | 0:19:00 | |
Go, where? | 0:19:01 | 0:19:02 | |
I don't know much about knitting, | 0:19:02 | 0:19:05 | |
but I do know that you cast off from the left or the right. | 0:19:05 | 0:19:08 | |
And looking at this... | 0:19:10 | 0:19:11 | |
..I'm pretty sure Mrs Hall casts off from the left. | 0:19:13 | 0:19:16 | |
Right, so what does that mean? | 0:19:16 | 0:19:18 | |
She's left-handed. | 0:19:20 | 0:19:21 | |
And Naz told us he was stabbed from the right. | 0:19:22 | 0:19:27 | |
Oh, shit! We've arrested the wrong person! | 0:19:27 | 0:19:30 | |
I hate to point the finger, but this is your fault. | 0:19:30 | 0:19:33 | |
-My fault? How is it my fault? -Well, you're the forensics nerd. | 0:19:33 | 0:19:36 | |
You always bang on about facts and evidence. | 0:19:36 | 0:19:38 | |
You should've known we arrested the wrong person. | 0:19:38 | 0:19:40 | |
-You remember being there too, right? -Hey, don't try and blame me! | 0:19:40 | 0:19:43 | |
I'm impetuous. That's what makes me a good detective. | 0:19:43 | 0:19:46 | |
-Who also arrested the wrong person! -Because you let me. | 0:19:46 | 0:19:49 | |
-Can we forget about pointing the finger... -At you! | 0:19:51 | 0:19:53 | |
..and just concentrate on fixing this mess before the IPCC... | 0:19:53 | 0:19:56 | |
-Hi, DI Georgie. -I'll leave you to it. | 0:19:56 | 0:20:01 | |
-Are you going to arrest me again? -I didn't arrest you. | 0:20:02 | 0:20:06 | |
That was just DI Jack being very, very silly. | 0:20:06 | 0:20:08 | |
Don't worry. I deserved it. | 0:20:08 | 0:20:10 | |
Because my parents are getting a divorce | 0:20:10 | 0:20:12 | |
and it's my fault for being so difficult. | 0:20:12 | 0:20:14 | |
I'm sorry to hear that. Of course it's not your fault. | 0:20:16 | 0:20:20 | |
Maybe they're not going to get divorced, anyway. | 0:20:20 | 0:20:24 | |
I'm sure they still love each other, really. | 0:20:24 | 0:20:25 | |
That's denial. My therapist says there's three stages. | 0:20:25 | 0:20:28 | |
Denial's the first. | 0:20:28 | 0:20:30 | |
But parents can't just go getting divorced | 0:20:30 | 0:20:33 | |
and expect their kids to be fine with it! That's hardly fair! | 0:20:33 | 0:20:36 | |
-The second's anger. -Of course I'm angry! | 0:20:36 | 0:20:39 | |
That...your parents are splitting up. | 0:20:39 | 0:20:41 | |
The third's called acceptance. | 0:20:41 | 0:20:44 | |
Like I've accepted it's all my fault. | 0:20:44 | 0:20:47 | |
Although, my mum also said she wanted to, | 0:20:47 | 0:20:49 | |
"Explore the boundaries of her womanhood." | 0:20:49 | 0:20:51 | |
So that could've had something to do with it. | 0:20:51 | 0:20:53 | |
Right. | 0:20:53 | 0:20:54 | |
I have to go, sorry. | 0:20:57 | 0:20:59 | |
Obviously we can't say this officially, | 0:21:11 | 0:21:14 | |
but we are, really, really, really sorry. | 0:21:14 | 0:21:15 | |
Really sorry. | 0:21:15 | 0:21:17 | |
About arresting you. | 0:21:17 | 0:21:19 | |
Personally, I haven't been having the best day. | 0:21:19 | 0:21:22 | |
I think maybe I haven't been thinking as clearly as I could have. | 0:21:22 | 0:21:27 | |
I don't know who framed me, but what I do know is, | 0:21:27 | 0:21:31 | |
I will be suing you and your department, | 0:21:31 | 0:21:33 | |
unless you make amends for the trauma I've suffered! | 0:21:33 | 0:21:36 | |
-Hold on. -Look, excuse me, | 0:21:36 | 0:21:38 | |
what if we could find your son a place at Parkwood Manor? | 0:21:38 | 0:21:43 | |
But the headmaster turned him down. | 0:21:45 | 0:21:47 | |
Yes, but, erm, if, you know, | 0:21:47 | 0:21:50 | |
if we manage to keep the details of this investigation | 0:21:50 | 0:21:54 | |
out of the press, | 0:21:54 | 0:21:56 | |
maybe the school would show their generosity? | 0:21:56 | 0:22:00 | |
Then you have yourself a deal. | 0:22:02 | 0:22:03 | |
PHONE BLEEPS | 0:22:08 | 0:22:11 | |
Could this day get any worse? | 0:22:11 | 0:22:13 | |
Oh, things are looking up! | 0:22:13 | 0:22:15 | |
Naz says he's got something for us. | 0:22:15 | 0:22:18 | |
Right, what do you notice? | 0:22:20 | 0:22:24 | |
You're holding hands with a dead man. | 0:22:24 | 0:22:26 | |
Look at his fingers. | 0:22:26 | 0:22:27 | |
He's had a manicure. | 0:22:30 | 0:22:31 | |
Mmm-hmm. And a pedicure. | 0:22:31 | 0:22:35 | |
And... | 0:22:35 | 0:22:36 | |
Oh, Jesus! | 0:22:39 | 0:22:41 | |
Teeth capped and bleached. | 0:22:41 | 0:22:43 | |
He's also had a tummy tuck, | 0:22:44 | 0:22:46 | |
a neck lift, hair implants. | 0:22:46 | 0:22:49 | |
This is about the most bling corpse I've ever had in my fridge! | 0:22:49 | 0:22:53 | |
-So he was vain. -AND minted. | 0:22:53 | 0:22:55 | |
None of these procedures are cheap, you know. | 0:22:55 | 0:22:58 | |
-This is high-end. -Good point. | 0:22:58 | 0:23:00 | |
How did a headmaster afford all this? | 0:23:00 | 0:23:03 | |
Dinner at Sketch. Lunch at the Manoir. | 0:23:03 | 0:23:07 | |
Cocktails at The Grill?! | 0:23:07 | 0:23:09 | |
Jesus! | 0:23:09 | 0:23:10 | |
Between the lifestyle and the cosmetic procedures, | 0:23:10 | 0:23:14 | |
looks like Mr Chaps liked to live beyond his means. | 0:23:14 | 0:23:16 | |
What exactly do you want to know? | 0:23:16 | 0:23:19 | |
Well, let's start with how a school secretary | 0:23:19 | 0:23:21 | |
can afford shoes which retail at £700? | 0:23:21 | 0:23:23 | |
Yeah, what's going on? | 0:23:25 | 0:23:28 | |
OK, I admit, | 0:23:29 | 0:23:31 | |
we may have made a teeny, tiny...inducement to Mr Chaps, | 0:23:31 | 0:23:36 | |
to encourage him, so our child could get into school. | 0:23:36 | 0:23:39 | |
-OK, so you bribed the headmaster? -It wasn't a bribe! | 0:23:39 | 0:23:42 | |
Just a...small token of appreciation. | 0:23:42 | 0:23:45 | |
What sort of token? | 0:23:45 | 0:23:47 | |
We bought him a season's corporate hospitality at Chelsea. | 0:23:47 | 0:23:51 | |
Everyone else was doing it! I didn't want to be left behind. | 0:23:54 | 0:23:56 | |
So I guess you couldn't grease the wheels | 0:23:56 | 0:23:59 | |
by giving him a few of these candles, huh? | 0:23:59 | 0:24:01 | |
Jesus, that's expensive! | 0:24:03 | 0:24:04 | |
Those are hand-crafted scents. | 0:24:04 | 0:24:06 | |
Smells like old feet. | 0:24:06 | 0:24:09 | |
So, Mrs Kyoto, how did you bribe Brian Chaps? | 0:24:09 | 0:24:12 | |
All I did was pay for his Ocado deliveries. | 0:24:12 | 0:24:15 | |
And pay for his weekly reflexology. | 0:24:15 | 0:24:17 | |
'I had no choice.' | 0:24:17 | 0:24:19 | |
Especially as our Hugh isn't exactly blessed in the thinking department. | 0:24:19 | 0:24:24 | |
He's an adorable child, but quite monumentally stupid. | 0:24:24 | 0:24:28 | |
So we bought Chaps this swanky new laptop | 0:24:28 | 0:24:31 | |
with all the dongles and gadgets we could find. | 0:24:31 | 0:24:35 | |
Well, maybe you resented paying all that money | 0:24:35 | 0:24:37 | |
just for a place at a school. | 0:24:37 | 0:24:39 | |
Well, what good would that do me? | 0:24:39 | 0:24:41 | |
I mean, why bribe a man and then kill him? | 0:24:41 | 0:24:44 | |
Surely if I resented it, it would be the other way round, wouldn't it? | 0:24:44 | 0:24:47 | |
Besides, I'm a Buddhist. | 0:24:47 | 0:24:48 | |
Really? | 0:24:48 | 0:24:50 | |
I don't believe violence ever solved anything. | 0:24:50 | 0:24:52 | |
FLY BUZZES | 0:24:52 | 0:24:54 | |
SHE SWATS FLY | 0:24:54 | 0:24:56 | |
Do I look like I can afford to bribe anyone? | 0:24:56 | 0:24:59 | |
Unlike the rest of them, I have to work for a living. | 0:24:59 | 0:25:02 | |
Are these rosary peas? | 0:25:05 | 0:25:07 | |
No, Calabar beans. | 0:25:07 | 0:25:09 | |
So is selling organic jewellery your only form of income? | 0:25:17 | 0:25:20 | |
Apart from my herbal perfumes and mascaras. | 0:25:20 | 0:25:23 | |
SHE SNIFFS | 0:25:25 | 0:25:27 | |
You're welcome to check, if you like. | 0:25:27 | 0:25:29 | |
We will. | 0:25:29 | 0:25:30 | |
It must be tough, being a single mum. | 0:25:30 | 0:25:32 | |
I get by. | 0:25:32 | 0:25:34 | |
-Clearly. -While the other mums are spending their time | 0:25:34 | 0:25:37 | |
making themselves look like supermodels, | 0:25:37 | 0:25:40 | |
I'm providing for my son. | 0:25:40 | 0:25:42 | |
Well, fortunately for you, you look fantastic. | 0:25:42 | 0:25:44 | |
So, all the other parents have to pay Mr Chaps | 0:25:47 | 0:25:51 | |
because it's the only way they can get their children into the school. | 0:25:51 | 0:25:54 | |
Are we supposed to believe | 0:25:54 | 0:25:55 | |
that you're the sole person that doesn't have to? | 0:25:55 | 0:25:58 | |
My son's genuinely gifted. | 0:25:58 | 0:26:00 | |
I didn't have to bribe anyone. | 0:26:00 | 0:26:03 | |
Come on! All mothers say their kids are child prodigies, don't they? | 0:26:03 | 0:26:07 | |
SHE SNORTS | 0:26:07 | 0:26:10 | |
So, if you have three kids, | 0:26:12 | 0:26:14 | |
that's the total cost before tax | 0:26:14 | 0:26:16 | |
of sending them to private school by the time they're 18. | 0:26:16 | 0:26:19 | |
Wow. | 0:26:19 | 0:26:21 | |
Do you prefer pop, jazz or classical music? | 0:26:21 | 0:26:24 | |
I'm easy. | 0:26:24 | 0:26:26 | |
My little John can play all three at once. | 0:26:26 | 0:26:29 | |
HE CRACKS HIS KNUCKLES | 0:26:34 | 0:26:35 | |
HE PLAYS A TUNE | 0:26:37 | 0:26:40 | |
HE RUNS ALONG KEYS | 0:26:47 | 0:26:50 | |
Well...I think we've seen enough. | 0:26:51 | 0:26:54 | |
-Thank you. -I'm staying. | 0:26:54 | 0:26:57 | |
Thinking of phoning your dad? | 0:27:19 | 0:27:21 | |
If I knew what to say. | 0:27:22 | 0:27:23 | |
Hey, well at least we've got a motive now. | 0:27:25 | 0:27:28 | |
Bribery and corruption. | 0:27:28 | 0:27:30 | |
All for a bunch of infants! | 0:27:30 | 0:27:32 | |
Maybe one of the mums decided | 0:27:32 | 0:27:34 | |
she couldn't make the pay off any more | 0:27:34 | 0:27:36 | |
and decided that murder was the budget option. | 0:27:36 | 0:27:40 | |
So now we need opportunity. | 0:27:40 | 0:27:42 | |
Well, to put Davina in the frame, whoever it was must have known | 0:27:42 | 0:27:46 | |
that her son had been rejected from the school. | 0:27:46 | 0:27:48 | |
And had the chance to take a needle from Davina's bag. | 0:27:48 | 0:27:51 | |
Which narrows it down to three. | 0:27:51 | 0:27:53 | |
Phoebe, Camilla and Saatchi. | 0:27:53 | 0:27:55 | |
But there were four mums at the school that day. | 0:27:55 | 0:27:58 | |
-Well, Sarah isn't a suspect, is she? -Isn't she? | 0:27:58 | 0:28:01 | |
Hey, you met her son, he got in on merit. | 0:28:01 | 0:28:04 | |
So there's no motive. | 0:28:04 | 0:28:05 | |
Is it your detective brain you're thinking with now, | 0:28:05 | 0:28:08 | |
or another part of your body? | 0:28:08 | 0:28:09 | |
All right, OK, she's attractive. | 0:28:09 | 0:28:12 | |
I'll give her that. | 0:28:12 | 0:28:13 | |
But, listen, she had nothing to do with this murder. | 0:28:13 | 0:28:17 | |
Otherwise, I wouldn't be going out to dinner with her this evening. | 0:28:17 | 0:28:21 | |
You what!? She's a suspect in an ongoing murder investigation! | 0:28:21 | 0:28:25 | |
Whoa, whoa, whoa! It's just dinner! | 0:28:25 | 0:28:27 | |
And she's asked me. | 0:28:27 | 0:28:29 | |
That is so UNBELIEVABLY unprofessional! | 0:28:29 | 0:28:32 | |
OK, let's take a look at this. | 0:28:32 | 0:28:33 | |
Tonight, I'm going to be having dinner with a beautiful woman, | 0:28:33 | 0:28:36 | |
while you're going to be sitting at home | 0:28:36 | 0:28:38 | |
reading your big book of poisons. | 0:28:38 | 0:28:40 | |
I think I'd rather be unprofessional. | 0:28:40 | 0:28:42 | |
Sorry to interrupt you guys, | 0:28:46 | 0:28:48 | |
but this is just to finish off your meal. | 0:28:48 | 0:28:51 | |
-Wow! -I call this the Chuckle Brothers, | 0:28:51 | 0:28:54 | |
cos you can't have one without the other. | 0:28:54 | 0:28:56 | |
Right, OK. Well, ladies first. | 0:28:56 | 0:28:58 | |
Thank you. | 0:28:58 | 0:29:00 | |
-Oops! -SHE GIGGLES | 0:29:00 | 0:29:03 | |
Not bad at all. | 0:29:11 | 0:29:13 | |
I'm glad you like it. That's a tenner each. | 0:29:13 | 0:29:16 | |
-What? -Cash. | 0:29:16 | 0:29:18 | |
He's a very, very sensitive man. | 0:29:19 | 0:29:23 | |
-Here... -Ooh! -..have a try. | 0:29:23 | 0:29:25 | |
Mmm! Wow, what's that smell? | 0:29:28 | 0:29:31 | |
Oh, it's one of my homeopathic perfumes. | 0:29:31 | 0:29:34 | |
Oh, really? | 0:29:34 | 0:29:35 | |
-HE SPLUTTERS -Well, I'm glad you like it. | 0:29:35 | 0:29:38 | |
Yeah, it's really nice. | 0:29:38 | 0:29:39 | |
I call it Concupiscent. | 0:29:39 | 0:29:43 | |
Con...concupiscent? | 0:29:43 | 0:29:44 | |
-It's Latin. -Ah, Latin, yeah, spicy people. | 0:29:44 | 0:29:48 | |
The birthplace of the samba. | 0:29:48 | 0:29:50 | |
Muy, muy caliente! | 0:29:50 | 0:29:53 | |
-SHE GIGGLES -Not Latino, Latin. | 0:29:53 | 0:29:57 | |
-As in, Ancient Rome. -Oh, right, yeah. | 0:29:57 | 0:30:00 | |
It's Latin for 'desirable'. | 0:30:00 | 0:30:02 | |
-Mmmm! -My boy came up with the idea. | 0:30:02 | 0:30:05 | |
Oh, right. | 0:30:05 | 0:30:07 | |
You know, | 0:30:09 | 0:30:11 | |
I've had men interested in me before. | 0:30:11 | 0:30:14 | |
-Yeah. -But as soon as they find out I'm a single mum, | 0:30:14 | 0:30:16 | |
it's like they just can't get away fast enough. | 0:30:16 | 0:30:20 | |
Really? Not me. | 0:30:20 | 0:30:21 | |
I love children. | 0:30:22 | 0:30:24 | |
I love everything about them. | 0:30:24 | 0:30:26 | |
The way they run around constantly, | 0:30:26 | 0:30:28 | |
like they're on drugs or something. | 0:30:28 | 0:30:30 | |
They way they cry all the time for absolutely no reason. | 0:30:30 | 0:30:35 | |
The way they eat at restaurants, | 0:30:35 | 0:30:37 | |
really noisily, with absolutely no regard for other patrons. | 0:30:37 | 0:30:42 | |
Yeah. You've got to love them, haven't you? | 0:30:42 | 0:30:45 | |
-You haven't yet been blessed? -No. No, I haven't. | 0:30:45 | 0:30:50 | |
But, you know, the idea of having a little version of myself | 0:30:50 | 0:30:55 | |
who relies on me for every need | 0:30:55 | 0:30:57 | |
and will one day resent and ignore me is... | 0:30:57 | 0:31:01 | |
you know, just too, too precious. | 0:31:01 | 0:31:04 | |
You're a lovely man, Jack. | 0:31:28 | 0:31:30 | |
And I've had a lovely evening. | 0:31:33 | 0:31:35 | |
So have I. | 0:31:35 | 0:31:36 | |
Only I have to go and relieve the baby-sitter. | 0:31:38 | 0:31:42 | |
Huh? | 0:31:42 | 0:31:44 | |
-But I do hope we can do this again. -Me too. | 0:31:44 | 0:31:48 | |
And in the meantime... | 0:31:48 | 0:31:49 | |
Oh, yeah. Right. | 0:31:55 | 0:31:56 | |
Just a little something for you to think about tonight. | 0:31:59 | 0:32:03 | |
Don't be afraid to splash it all about. | 0:32:03 | 0:32:07 | |
Yeah, I'll...splash it around. | 0:32:07 | 0:32:09 | |
There's plenty more where that came from. | 0:32:09 | 0:32:12 | |
Mmmm! | 0:32:12 | 0:32:15 | |
HE SNIFFS | 0:32:18 | 0:32:22 | |
BOTTLE SMASHES Oh, oh! | 0:32:25 | 0:32:27 | |
Oh, shit! God! | 0:32:27 | 0:32:30 | |
Bloody hell. | 0:32:34 | 0:32:36 | |
We need to check everybody's financials and do a background... | 0:32:40 | 0:32:43 | |
Hi, Jack! | 0:32:43 | 0:32:45 | |
Hey! | 0:32:45 | 0:32:46 | |
The way she's looking at you... | 0:32:53 | 0:32:56 | |
Yeah, I know! HE SNIGGERS | 0:32:56 | 0:32:59 | |
-Huh! -What? | 0:32:59 | 0:33:01 | |
-Huh! -What! | 0:33:03 | 0:33:06 | |
She's always looking at you like that. | 0:33:06 | 0:33:08 | |
It's pupil dilation. | 0:33:08 | 0:33:09 | |
What's that? Some sort of punishment for students? | 0:33:09 | 0:33:12 | |
She's dilating her pupils at you. | 0:33:12 | 0:33:14 | |
-That's what makes her eyes so compelling. -You what? | 0:33:14 | 0:33:17 | |
Psychologists call it 'bedroom eyes' or 'the Mona Lisa effect'. | 0:33:17 | 0:33:20 | |
Mona Lisa? | 0:33:20 | 0:33:22 | |
Mmm, it's not the smile that makes the portrait so intriguing, | 0:33:22 | 0:33:24 | |
it's her dilated left pupil. | 0:33:24 | 0:33:26 | |
Oh, God! Don't tell me you've done a course in this shit? | 0:33:26 | 0:33:29 | |
Understanding human body language | 0:33:29 | 0:33:31 | |
is an integral part of human psychology. | 0:33:31 | 0:33:33 | |
Well, does it mean she wants to shag me, or what? | 0:33:33 | 0:33:35 | |
I thought it was all shit? | 0:33:35 | 0:33:37 | |
Yes or no? | 0:33:37 | 0:33:39 | |
-Yes. -Great! | 0:33:39 | 0:33:41 | |
The weird thing is... | 0:33:41 | 0:33:44 | |
you haven't been doing bedroom eyes back at her. | 0:33:44 | 0:33:46 | |
-Don't be ridiculous! Of course I have! -But you haven't. | 0:33:46 | 0:33:49 | |
Yeah, but I fancy her, so why aren't they dilating? | 0:33:49 | 0:33:51 | |
How should I know? It's your subconscious, not mine. | 0:33:51 | 0:33:54 | |
She's going to think I'm rejecting her. | 0:33:54 | 0:33:56 | |
Well, you are. Non-verbally. | 0:33:56 | 0:33:58 | |
Well, how do I change that? | 0:33:58 | 0:34:00 | |
The thing is, if you find her attractive, | 0:34:00 | 0:34:02 | |
it should just happen naturally. | 0:34:02 | 0:34:04 | |
Oh, look. It's those mothers we interviewed. | 0:34:04 | 0:34:07 | |
MOTHERS BICKER | 0:34:07 | 0:34:09 | |
Apparently, they knit together. | 0:34:09 | 0:34:11 | |
-Knit And Natter. -Knit And Natter, eh? | 0:34:11 | 0:34:13 | |
Some of that natter might be worth listening to, what do you reckon? | 0:34:13 | 0:34:16 | |
Hmm! | 0:34:16 | 0:34:18 | |
Now that the police have released Davina, | 0:34:20 | 0:34:22 | |
we've really got to stick together, girls. | 0:34:22 | 0:34:25 | |
-They'll come after us next. -So, mum's the word. | 0:34:25 | 0:34:27 | |
Or who knows what kind of harassment we'll have to put up with. | 0:34:27 | 0:34:30 | |
Well, they've already started poking their noses into my candles. | 0:34:30 | 0:34:34 | |
And my greenhouse. | 0:34:34 | 0:34:35 | |
I seem to have dropped a stitch. | 0:34:45 | 0:34:49 | |
Are you spying on us? | 0:34:49 | 0:34:51 | |
Spying? Don't be absurd. | 0:34:51 | 0:34:53 | |
I'm knitting an egg cosy for my mother. | 0:34:53 | 0:34:55 | |
You got a problem with that? | 0:34:55 | 0:34:57 | |
Because if you are spying on us without a warrant, | 0:34:57 | 0:35:00 | |
I'll complain to your commissioner. | 0:35:00 | 0:35:02 | |
Yeah? | 0:35:02 | 0:35:03 | |
Well, you complain all you want. | 0:35:06 | 0:35:08 | |
A man has been murdered and you three are suspects. | 0:35:08 | 0:35:12 | |
And I owe it to him and his family to see that justice is done. | 0:35:12 | 0:35:15 | |
Now, if you'll excuse me. | 0:35:15 | 0:35:17 | |
DISHES CLATTERS | 0:35:20 | 0:35:23 | |
-How was Knit And Natter? -Dead end. | 0:35:39 | 0:35:41 | |
How are the financials looking? | 0:35:41 | 0:35:44 | |
Well, bribery is certainly expensive. | 0:35:44 | 0:35:47 | |
Uh-hum, we've been looking at their accounts | 0:35:47 | 0:35:51 | |
-and they're all having financial difficulties. -Yeah? | 0:35:51 | 0:35:54 | |
Saatchi Kyoto has had to scale back on her children's music lessons. | 0:35:55 | 0:35:59 | |
Phoebe Fitzgerald has been buying cut-price unlicensed Botox online. | 0:35:59 | 0:36:03 | |
OK, hey, hey, here we go, how's that? | 0:36:03 | 0:36:07 | |
No. | 0:36:07 | 0:36:09 | |
Oh? OK, hang on a second, hang on a second. | 0:36:09 | 0:36:13 | |
OK, there we go, yeah. | 0:36:13 | 0:36:15 | |
What's he doing? | 0:36:15 | 0:36:18 | |
Trying to make his pupils dilate. | 0:36:18 | 0:36:20 | |
-Yeah. -Oh. | 0:36:20 | 0:36:22 | |
How they looking? Yeah? | 0:36:22 | 0:36:24 | |
No, it's not working. What are you thinking about? | 0:36:24 | 0:36:27 | |
OK, naked woman, right, and she's... Come here. | 0:36:27 | 0:36:33 | |
And she's, and she's... | 0:36:37 | 0:36:39 | |
Yeah? | 0:36:42 | 0:36:43 | |
Ugh. | 0:36:43 | 0:36:46 | |
Anyway, Camilla has put a villa in Tuscany on the market. | 0:36:46 | 0:36:51 | |
None of our three suspects are as rich as they are pretending to be. | 0:36:51 | 0:36:55 | |
OK. Well, er, why don't we run with this till around 4.00-ish | 0:36:55 | 0:37:00 | |
and then break, huh? | 0:37:00 | 0:37:01 | |
-What are we doing at 4.00-ish? -Er, well, I'm meeting up with Sarah. | 0:37:01 | 0:37:05 | |
We're taking little John to the playground. | 0:37:05 | 0:37:07 | |
So you're taking her child with you on a date? | 0:37:08 | 0:37:11 | |
Yeah, cos if I connect with him, right? | 0:37:11 | 0:37:13 | |
I mean, really connect with him on an emotional and, | 0:37:13 | 0:37:16 | |
and a spiritual level, | 0:37:16 | 0:37:19 | |
I'll get to have sex with his mum. | 0:37:19 | 0:37:21 | |
We've stalled so badly on this case | 0:37:24 | 0:37:26 | |
it feels like we're moving backwards. | 0:37:26 | 0:37:28 | |
Yeah, well, let's work it out tomorrow. | 0:37:28 | 0:37:31 | |
In the meantime, phone your dad. | 0:37:31 | 0:37:34 | |
Hey, don't just think about it, call him. I'm off to see Sarah. | 0:37:34 | 0:37:38 | |
-I'll drop you on the way. -Oh, my God! | 0:37:38 | 0:37:41 | |
What? | 0:37:41 | 0:37:43 | |
Your pupils have finally dilated. | 0:37:43 | 0:37:46 | |
-Really? -They're huge, almost myodriatic. | 0:37:46 | 0:37:49 | |
-Oh, right, great. -Not really. | 0:37:49 | 0:37:52 | |
Why are they suddenly dilating now, at the mention of Sarah's name? | 0:37:52 | 0:37:55 | |
Oh, I don't know. I'm a bloke. | 0:37:55 | 0:37:56 | |
Maybe my subconscious is a bit slow on the uptake. | 0:37:56 | 0:37:58 | |
You've taken something, haven't you? | 0:37:58 | 0:38:01 | |
Of course I haven't taken anything! | 0:38:01 | 0:38:03 | |
Honestly? | 0:38:03 | 0:38:05 | |
Look, I like her, but not that much. | 0:38:05 | 0:38:08 | |
Besides, I really don't think | 0:38:08 | 0:38:10 | |
whether or not my pupils are dilated is going to make any difference. | 0:38:10 | 0:38:13 | |
Oh? | 0:38:13 | 0:38:15 | |
If you haven't taken anything then maybe somebody gave you something | 0:38:15 | 0:38:18 | |
that made your pupils contract and it's just worn off. | 0:38:18 | 0:38:21 | |
Oh, come on why would somebody drug me to stop my pupils dilating? | 0:38:21 | 0:38:24 | |
That's just a by-product, a symptom. | 0:38:24 | 0:38:27 | |
I think somebody's trying to poison you. | 0:38:27 | 0:38:29 | |
Oh, God, here we go! | 0:38:29 | 0:38:31 | |
-Aconitum. -Aca what? | 0:38:31 | 0:38:32 | |
One tiny drop can contract your pupils for up to 36 hours. | 0:38:32 | 0:38:35 | |
-Yeah, where does it come from? -It can be found in herbaceous perennials. | 0:38:35 | 0:38:38 | |
Like Monkshood or Blue Rocket, any of the buttercup family. | 0:38:38 | 0:38:41 | |
In fact, any of the plants that can be found in Mrs Presley-Nairn's bloody greenhouse. | 0:38:41 | 0:38:45 | |
-Oh, for God's sake! -We have to go and talk to her. -No! | 0:38:45 | 0:38:48 | |
You are not ruining my evening just | 0:38:48 | 0:38:49 | |
because you've read too many books on toxicology! | 0:38:49 | 0:38:52 | |
We'll talk to her tomorrow! | 0:38:52 | 0:38:53 | |
Jesus. | 0:38:55 | 0:38:57 | |
-Oh! Oh, I'm so sorry. -Oh, no, really. | 0:38:57 | 0:39:01 | |
I feel terrible. | 0:39:01 | 0:39:02 | |
-Don't worry about it. -Hold on a minute. | 0:39:02 | 0:39:04 | |
-It's fine. It's fine. -There we are. | 0:39:04 | 0:39:06 | |
No really. It's, no, really. Please...it's... | 0:39:06 | 0:39:08 | |
really, will you please stop! | 0:39:08 | 0:39:11 | |
I'm a policeman, not a five year old! | 0:39:11 | 0:39:13 | |
Well, I am sorry. | 0:39:15 | 0:39:17 | |
Thank you. | 0:39:18 | 0:39:19 | |
Rude. | 0:39:21 | 0:39:23 | |
-Yeah. -Hey. Hi. | 0:39:26 | 0:39:30 | |
# You see this guy | 0:39:33 | 0:39:35 | |
Don't shoot me! | 0:39:35 | 0:39:37 | |
# This guy's in love with you | 0:39:39 | 0:39:43 | |
# Yes, I'm in love | 0:39:45 | 0:39:49 | |
# Who looks at you the way I do? | 0:39:50 | 0:39:55 | |
# When you smile I can tell | 0:39:57 | 0:40:01 | |
# We know each other very well | 0:40:01 | 0:40:06 | |
# How can I show you | 0:40:08 | 0:40:14 | |
# I'm glad I got to know you cos... # | 0:40:14 | 0:40:19 | |
He says he wants to give you a present and a big, big kiss | 0:40:27 | 0:40:30 | |
cos you're the bestest, funnest man ever. | 0:40:30 | 0:40:34 | |
Oh, right, bestest, funnest? | 0:40:34 | 0:40:36 | |
Oh, thank you very much. | 0:40:37 | 0:40:41 | |
Thank you. | 0:40:42 | 0:40:44 | |
He actually said you were avuncular with an infectious joie de vivre. | 0:40:45 | 0:40:51 | |
Cute. | 0:40:51 | 0:40:52 | |
-But I thought I'd paraphrase. -Yeah. | 0:40:52 | 0:40:54 | |
Sorry to be going. But this really was wonderful. | 0:40:54 | 0:40:58 | |
Yeah. | 0:40:58 | 0:41:00 | |
And we'll do it again. Soon. | 0:41:00 | 0:41:03 | |
-Please. -Next time...without any clothes. | 0:41:03 | 0:41:08 | |
Not, not here though. Yeah. | 0:41:10 | 0:41:14 | |
-SHE GIGGLES -Silly. | 0:41:14 | 0:41:16 | |
HE COUGHS | 0:41:16 | 0:41:17 | |
-Say bye-bye. -Bye. | 0:41:24 | 0:41:26 | |
Bye. | 0:41:26 | 0:41:28 | |
# If not, I'll just die... # | 0:41:28 | 0:41:34 | |
So you think I'm poisoning you? | 0:41:36 | 0:41:38 | |
No, she does. I think she's mental. | 0:41:38 | 0:41:41 | |
So, I poisoned your friend, | 0:41:41 | 0:41:43 | |
but without enough poison to do anything? | 0:41:43 | 0:41:45 | |
Except for making my pupils dilate, which if you're guilty of, | 0:41:45 | 0:41:48 | |
then congratulations on committing the most pointless crime ever. | 0:41:48 | 0:41:52 | |
You expect us to believe that you don't know that all of these plants contain poison. | 0:41:52 | 0:41:55 | |
Well, of course they do. They're members of the buttercup family. | 0:41:55 | 0:41:59 | |
And you've never tried to extract a tincture of Aconitum from any them? | 0:41:59 | 0:42:02 | |
No. | 0:42:02 | 0:42:03 | |
Because if you want we can easily get a warrant for forensics | 0:42:03 | 0:42:06 | |
to come in here and they will tear your garden apart. | 0:42:06 | 0:42:08 | |
Won't they? Jack? | 0:42:08 | 0:42:11 | |
Jack? | 0:42:11 | 0:42:12 | |
HE MUMBLES | 0:42:12 | 0:42:14 | |
Oh, my God, muscular paralysis, | 0:42:16 | 0:42:18 | |
that's the first sign of a lethal dose of botulinum toxin. | 0:42:18 | 0:42:22 | |
The main ingredient in Botox. | 0:42:22 | 0:42:23 | |
The stuff your friend Phoebe Fitzgerald orders online. | 0:42:23 | 0:42:26 | |
Oh, God, OK, it was her. Oh, my God, Jack! | 0:42:26 | 0:42:28 | |
I'll call an ambulance. | 0:42:28 | 0:42:30 | |
No, there's no time. OK, botulinum toxin, botulinum toxin, charcoal. | 0:42:30 | 0:42:33 | |
Charcoal! Horticultural charcoal! | 0:42:33 | 0:42:35 | |
OK, crush up some horticultural charcoal and, | 0:42:35 | 0:42:37 | |
and stick it in, stick it in some water. | 0:42:37 | 0:42:39 | |
And bring it over with that funnel, that funnel! | 0:42:39 | 0:42:43 | |
All right, hang on, Jack. Come on hurry up, hurry up! | 0:42:43 | 0:42:47 | |
All right, come on! OK, OK. | 0:42:48 | 0:42:52 | |
All right, all right, you need to swallow, Jack. | 0:42:52 | 0:42:54 | |
Oh, come on, come on, you've got to swallow it, Jack! | 0:42:54 | 0:42:57 | |
You've got to get it down you. Come on, come on, Jack. | 0:42:57 | 0:43:00 | |
All right, all right, OK, that's it, that's it, OK... OK. | 0:43:00 | 0:43:04 | |
HE SNORTS | 0:43:11 | 0:43:13 | |
Oh, God. | 0:43:21 | 0:43:23 | |
How long have I been out for? | 0:43:26 | 0:43:29 | |
24 hours. | 0:43:29 | 0:43:30 | |
Apparently, you're going to live. | 0:43:34 | 0:43:38 | |
-Thanks. -Anytime. | 0:43:40 | 0:43:42 | |
Oh, God, I haven't woken up feeling this terrible | 0:43:44 | 0:43:49 | |
since my best mate Dan's stag do. | 0:43:49 | 0:43:52 | |
Mind you, that time I was wearing a leather miniskirt | 0:43:53 | 0:43:56 | |
and my head was shaved. | 0:43:56 | 0:43:58 | |
That's a nice image. | 0:43:59 | 0:44:01 | |
Yeah, well, Dan came off worse, let me tell you, his scrotum ... | 0:44:01 | 0:44:06 | |
OK, so do you want to hear my theory? Feel up to it? | 0:44:06 | 0:44:09 | |
Yeah, go on. | 0:44:09 | 0:44:10 | |
Camilla tried to poison you. | 0:44:12 | 0:44:13 | |
And when that didn't work, Phoebe tried in the school corridor. | 0:44:13 | 0:44:17 | |
-What, they're working as a team? -They had to be. | 0:44:17 | 0:44:19 | |
I think they got fed up with paying the bribes and worked together | 0:44:19 | 0:44:22 | |
to kill Brian Chaps and frame Davina for the murder. | 0:44:22 | 0:44:25 | |
When Davina was freed, their only choice was to go for you. | 0:44:25 | 0:44:28 | |
Yeah, well, you can see why they chose me. | 0:44:28 | 0:44:31 | |
Yeah, I'm the bigger threat. Senior detective. Dangerously handsome. | 0:44:31 | 0:44:37 | |
Or they just think you're a dick. | 0:44:37 | 0:44:39 | |
Hey, don't be jealous, I'm sure they would have killed you second. | 0:44:39 | 0:44:43 | |
I'm not jealous! | 0:44:43 | 0:44:45 | |
It's kind of insulting, though. They didn't chose you first. | 0:44:45 | 0:44:48 | |
I can't help feeling that Saatchi must be involved too. | 0:44:48 | 0:44:51 | |
The three of them are too much in cahoots for her not to be. | 0:44:51 | 0:44:54 | |
And ricin would be the perfect method. | 0:44:54 | 0:44:56 | |
Ricin? | 0:44:56 | 0:44:57 | |
A poison easily obtained from any of the castor beans | 0:44:57 | 0:45:00 | |
she uses to make her soaps and candles and other crap. | 0:45:00 | 0:45:03 | |
How do you get somebody to drink ricin? | 0:45:03 | 0:45:05 | |
You don't drink it, you grind it into a fine powder, | 0:45:05 | 0:45:07 | |
and then dust it on everyday items. | 0:45:07 | 0:45:10 | |
Yeah, well, remind me not to open any get-well cards. | 0:45:10 | 0:45:14 | |
No, Jack, I'm serious, if she's involved, | 0:45:14 | 0:45:16 | |
you need to be really careful. | 0:45:16 | 0:45:18 | |
Ricin is deadly and it can be concealed anywhere. | 0:45:18 | 0:45:21 | |
30 years they were together, 30 years! | 0:45:21 | 0:45:24 | |
I can't imagine how Dad must feel. | 0:45:24 | 0:45:26 | |
I keep wanting to talk to him on the phone but I don't know what to say. | 0:45:26 | 0:45:29 | |
I thought if Jack and I could solve this case, | 0:45:31 | 0:45:34 | |
then we'd take it to the Old Bailey | 0:45:34 | 0:45:35 | |
and he'd have something to feel happy about, you know, or proud of. | 0:45:35 | 0:45:38 | |
But Jack's so... Argh! | 0:45:38 | 0:45:40 | |
Wait a minute, wait a minute, | 0:45:40 | 0:45:41 | |
is this about your parents splitting up or about you and Jack? | 0:45:41 | 0:45:44 | |
He's such a slacker, | 0:45:46 | 0:45:47 | |
you know, always looking for ways to cut corners or knock off early. | 0:45:47 | 0:45:51 | |
If he spent half the time chasing criminals | 0:45:51 | 0:45:54 | |
that he spends chasing women... | 0:45:54 | 0:45:55 | |
That's why we're making mistakes. | 0:45:55 | 0:45:57 | |
No, that's why you make a good team. You and Jack complement each other. | 0:45:57 | 0:46:01 | |
You two are like Luis Bunuel's perfect martini. | 0:46:01 | 0:46:08 | |
-Luis who's what now? -The Spanish surrealist filmmaker. | 0:46:08 | 0:46:10 | |
Oh, of course, Luis Bunuel! | 0:46:10 | 0:46:13 | |
I found his recipe when I was researching all the cocktails. | 0:46:13 | 0:46:16 | |
You see, you're the gin, the ice and the olives. | 0:46:16 | 0:46:20 | |
So what's Jack, the vermouth? | 0:46:20 | 0:46:23 | |
No, no, no, no, Jack is the je ne sais quoi. | 0:46:23 | 0:46:26 | |
Why can't I be the je ne sais quoi? | 0:46:26 | 0:46:29 | |
Because you don't know what it is, do you? | 0:46:29 | 0:46:31 | |
Je ne sais pas. | 0:46:31 | 0:46:34 | |
HE CHUCKLES | 0:46:34 | 0:46:35 | |
You see, the final element of Bunuel's martini | 0:46:35 | 0:46:41 | |
was a single beam of light. | 0:46:41 | 0:46:45 | |
He's the mystery ingredient that pulls it all together, | 0:46:47 | 0:46:52 | |
the other half to the whole. | 0:46:52 | 0:46:53 | |
Yeah, the arse-whole. | 0:46:54 | 0:46:57 | |
HE LAUGHS | 0:46:57 | 0:46:59 | |
Educational pathfinder. | 0:47:16 | 0:47:17 | |
How sweet. | 0:47:19 | 0:47:21 | |
SHE INHALES DEEPLY | 0:47:21 | 0:47:23 | |
SHE CHOKES | 0:47:29 | 0:47:32 | |
We'll have to wait for the tox report, | 0:47:36 | 0:47:38 | |
but I'm pretty certain it's ricin poisoning. | 0:47:38 | 0:47:41 | |
Ricin? She knew about the bribery. She could testify. | 0:47:41 | 0:47:46 | |
Not any more. | 0:47:47 | 0:47:49 | |
Smile. | 0:47:50 | 0:47:51 | |
Hey, Sarah, hey, yeah, it's me. | 0:47:53 | 0:47:56 | |
It's...it's Jack. Yeah. | 0:47:56 | 0:48:00 | |
Anyway, listen, I was, I was just ringing to tell you that | 0:48:00 | 0:48:03 | |
Camilla, Phoebe and Saatchi have been arrested. | 0:48:03 | 0:48:06 | |
Yeah, well, you know, it's all in a day's work, babe. | 0:48:06 | 0:48:08 | |
-Hi. -Hi, DI Georgie. | 0:48:11 | 0:48:15 | |
Chloe, isn't it? | 0:48:15 | 0:48:17 | |
I probably should have told you earlier, but... | 0:48:19 | 0:48:23 | |
-my parents are getting divorced too. -Really? | 0:48:23 | 0:48:25 | |
Uh-hum. You do know it's going to be OK, don't you? | 0:48:25 | 0:48:30 | |
Are you basing this on anything | 0:48:30 | 0:48:32 | |
or just trying to make me feel better? | 0:48:32 | 0:48:34 | |
I'm saying it because it's true. | 0:48:35 | 0:48:36 | |
My parents are divorcing each other, they are not divorcing me. | 0:48:38 | 0:48:42 | |
They'll always be proud of me | 0:48:42 | 0:48:44 | |
just like I'm sure your parents will always be proud of you. | 0:48:44 | 0:48:47 | |
Do you really think so? | 0:48:47 | 0:48:48 | |
I'm a police officer. We're not allowed to lie. | 0:48:48 | 0:48:51 | |
We get court-martialled and shot. | 0:48:51 | 0:48:53 | |
-That's soldiers. -Clever clogs. | 0:48:53 | 0:48:56 | |
What do you think? My first day at the Old Bailey. | 0:49:06 | 0:49:10 | |
Yeah, it's all right. | 0:49:12 | 0:49:14 | |
What's wrong? | 0:49:16 | 0:49:17 | |
I'm just thinking, haven't we been here before? | 0:49:17 | 0:49:21 | |
I know, I was just thinking the same thing. | 0:49:21 | 0:49:25 | |
Look, all the evidence fits. | 0:49:25 | 0:49:26 | |
They all had means, motive and opportunity | 0:49:26 | 0:49:29 | |
but three poisoners, all at once? | 0:49:29 | 0:49:31 | |
And two different MOs? | 0:49:31 | 0:49:33 | |
Someone definitely tried to poison you. | 0:49:33 | 0:49:35 | |
Maybe it was someone close. | 0:49:37 | 0:49:39 | |
Not this again. | 0:49:39 | 0:49:41 | |
You had dinner with her, she must have had opportunity. | 0:49:41 | 0:49:44 | |
Look, Sarah didn't touch my food, OK, I'd have noticed if she did. | 0:49:44 | 0:49:48 | |
Maybe it wasn't in the food. | 0:49:48 | 0:49:50 | |
The only other thing was, | 0:49:50 | 0:49:51 | |
she was wearing this really strong home-made perfume, Concupis... | 0:49:51 | 0:49:58 | |
-Concupiscent. -That's it. | 0:49:58 | 0:50:00 | |
She gave me a whole bottle of the stuff after our first date. | 0:50:02 | 0:50:05 | |
-And you didn't think that was weird? -No, I just thought it was kinky. | 0:50:05 | 0:50:09 | |
But then on our second date, | 0:50:09 | 0:50:11 | |
when she touched my face, her glove stank of the stuff. | 0:50:11 | 0:50:14 | |
Oh, my God, it was the perfume that was poisoned. | 0:50:14 | 0:50:20 | |
-She tried to kill me! -It does look that way. | 0:50:20 | 0:50:23 | |
OK, OK, look, setting aside why the hell she would want to poison me, | 0:50:23 | 0:50:28 | |
why would she want to kill the headmaster? | 0:50:28 | 0:50:32 | |
Sarah doesn't have any money. | 0:50:32 | 0:50:34 | |
No-one gets their kid into that school for free. | 0:50:36 | 0:50:39 | |
Maybe... | 0:50:39 | 0:50:42 | |
Maybe he was demanding payment in another way? | 0:50:42 | 0:50:45 | |
Sex with Brian Chaps, eugh! | 0:50:48 | 0:50:55 | |
Calibar bracelet. | 0:50:55 | 0:50:58 | |
Rosary pea earrings. | 0:50:59 | 0:51:01 | |
I bet your mascara even has a touch of belladonna in, doesn't it? | 0:51:03 | 0:51:07 | |
-To make your pupils dilate. -What's belladonna? | 0:51:07 | 0:51:10 | |
Otherwise known as deadly nightshade. | 0:51:10 | 0:51:13 | |
And this bottle of Concu, Concu ... | 0:51:13 | 0:51:15 | |
-Concupiscent. -Yeah, whatever! Has that got Aconitum in it? | 0:51:15 | 0:51:18 | |
Or was that just for me? Hmm? | 0:51:18 | 0:51:20 | |
We're going to test all your products for toxins, Sarah, | 0:51:20 | 0:51:23 | |
then we're going to run them against the toxins in Jack's bloodstream. | 0:51:23 | 0:51:27 | |
-Yuh. -You will be going to prison. | 0:51:27 | 0:51:30 | |
I just have one question for you. | 0:51:35 | 0:51:37 | |
Yeah. Did you ever really fancy me? | 0:51:37 | 0:51:38 | |
That's not my question. My question is, why kill him? | 0:51:38 | 0:51:42 | |
I didn't have any choice. | 0:51:42 | 0:51:45 | |
Even though my son's a prodigy, that bastard headmaster refused to have | 0:51:45 | 0:51:48 | |
little John in his reception class unless I agreed to sleep with him. | 0:51:48 | 0:51:52 | |
Well, I couldn't blow little John's chances. | 0:51:54 | 0:51:57 | |
-So you blew something else. -It was just once. | 0:51:57 | 0:52:00 | |
Six pathetic minutes in his office, and I thought that would be it. | 0:52:00 | 0:52:04 | |
But Brian had other ideas. | 0:52:04 | 0:52:07 | |
He expected me to keep sleeping with him, | 0:52:07 | 0:52:09 | |
otherwise he'd exclude little John and give his place to some kid | 0:52:09 | 0:52:12 | |
with a mummy who had a debenture at Wimbledon. | 0:52:12 | 0:52:15 | |
So you killed him and then you framed Davina by stealing | 0:52:15 | 0:52:17 | |
her knitting needle while pretending to comfort her? | 0:52:17 | 0:52:20 | |
But then once we released Davina, | 0:52:20 | 0:52:23 | |
you needed another tactic, didn't you? | 0:52:23 | 0:52:25 | |
So you implicated the other mothers. | 0:52:25 | 0:52:26 | |
I knew I could sell the idea to a young detective like you, | 0:52:26 | 0:52:30 | |
gagging for something to bring to the Old Bailey. | 0:52:30 | 0:52:32 | |
But as soon as you hit on me, you became the problem. | 0:52:33 | 0:52:38 | |
I knew you'd find out in the end. | 0:52:38 | 0:52:41 | |
Why didn't you just give him the brush off? | 0:52:41 | 0:52:43 | |
Because if I'd rejected Jack that would have been | 0:52:43 | 0:52:45 | |
even more suspicious, wouldn't it? | 0:52:45 | 0:52:47 | |
Oh, come on, he's bloody gorgeous, what sane woman wouldn't want him? | 0:52:47 | 0:52:52 | |
Me, for one. | 0:52:52 | 0:52:55 | |
It's a compelling case, put that to a lenient judge, | 0:52:55 | 0:52:59 | |
he may go easy on you. | 0:52:59 | 0:53:01 | |
I'm so sorry, Jack. | 0:53:03 | 0:53:06 | |
I was attracted to you, | 0:53:06 | 0:53:09 | |
really attracted to you and I probably always will be. | 0:53:09 | 0:53:15 | |
So before you arrest me, | 0:53:16 | 0:53:19 | |
won't you at least give me a kiss goodbye? | 0:53:19 | 0:53:24 | |
No! Wait! Stop! Give me that! | 0:53:26 | 0:53:29 | |
Oleander. It's got Oleander in it. | 0:53:29 | 0:53:30 | |
Will you please stop trying to kill my partner! | 0:53:30 | 0:53:32 | |
-Was that another poison? -Yep! | 0:53:32 | 0:53:35 | |
Jesus! | 0:53:35 | 0:53:36 | |
Except you're not wearing a protective layer of lip salve. | 0:53:36 | 0:53:39 | |
Whereas you are, aren't you, Sarah? | 0:53:39 | 0:53:42 | |
-And now, the finishing touch. -Yeah, what's that? | 0:53:47 | 0:53:53 | |
Ahhhh! | 0:53:53 | 0:53:54 | |
-I don't get it. -What do you mean? | 0:53:56 | 0:53:58 | |
Well, what is that? Some sort of heat-emitting pen? | 0:53:58 | 0:54:00 | |
No, mate, it's a torch. | 0:54:00 | 0:54:03 | |
Well, what do you need a torch for? | 0:54:03 | 0:54:04 | |
I mean, I can see the drink, | 0:54:04 | 0:54:06 | |
I don't need you pointing some poxy torch at it. | 0:54:06 | 0:54:08 | |
Well, it's supposed to recreate the effect of sunlight, | 0:54:08 | 0:54:11 | |
you know, provoke reverie and amazement. | 0:54:11 | 0:54:12 | |
The only thing that provokes in me is annoyance, | 0:54:12 | 0:54:15 | |
you're twatting about with some torch while I'm waiting for my drink. | 0:54:15 | 0:54:19 | |
I love the lighty thing, I think it makes it more yummy. | 0:54:19 | 0:54:21 | |
No, no, no, that's not the point, it's like Tom Cruise | 0:54:21 | 0:54:24 | |
and that er, that, that other bloke in...in Cocktail. | 0:54:24 | 0:54:27 | |
Bryan Brown. | 0:54:27 | 0:54:28 | |
Yeah, the Australian geezer. | 0:54:28 | 0:54:30 | |
Anyway, you know they are busy mixing cocktails, | 0:54:30 | 0:54:32 | |
everyone's standing around, shouting and carrying on, | 0:54:32 | 0:54:36 | |
but I tell you what, if that was me, in that bar, I'd be pissed off. | 0:54:36 | 0:54:39 | |
-Why? -Because, while they're flipping it over their shoulder | 0:54:39 | 0:54:42 | |
and fannying about, I've got my tongue hanging out, | 0:54:42 | 0:54:44 | |
I'd be like, "Excuse me, mate, I'm paying you to make me | 0:54:44 | 0:54:47 | |
"a Bloody Mary, not dick about with a cocktail shaker." | 0:54:47 | 0:54:49 | |
Now can I drink this, please?! | 0:54:49 | 0:54:51 | |
Georgie, that's on the house, babe. | 0:54:51 | 0:54:53 | |
-Thanks, Tony. -Pleasure. | 0:54:53 | 0:54:55 | |
Mmm, mate, that is delish! | 0:54:57 | 0:55:00 | |
-Do you like it? -Yeah. -15 quid. | 0:55:00 | 0:55:03 | |
-What!? -Cash. | 0:55:03 | 0:55:04 | |
-Hey, what happened to on the house? -You keep talking, it'll be 20. | 0:55:04 | 0:55:07 | |
All right. | 0:55:07 | 0:55:09 | |
DOOR OPENS | 0:55:09 | 0:55:11 | |
There you go. | 0:55:11 | 0:55:12 | |
Oh, oh, shall I leave you to it? | 0:55:14 | 0:55:16 | |
No, it's fine. | 0:55:16 | 0:55:18 | |
Hi, George. How are you doing? | 0:55:18 | 0:55:19 | |
Dad. | 0:55:19 | 0:55:21 | |
I have something to tell you. | 0:55:21 | 0:55:23 | |
Jack and I are taking a case to the Old Bailey. | 0:55:26 | 0:55:29 | |
Oh, sweetheart, that's fantastic. | 0:55:29 | 0:55:33 | |
THEY LAUGH | 0:55:33 | 0:55:34 | |
I thought it would cheer you up. | 0:55:34 | 0:55:37 | |
I haven't really known what to say. | 0:55:37 | 0:55:39 | |
Sweetheart, I'm fine. | 0:55:39 | 0:55:40 | |
I knew you'd say that. | 0:55:40 | 0:55:42 | |
Honestly. I even went speed dating last week, it's bloody brilliant! | 0:55:42 | 0:55:46 | |
Have you any idea, how well a man my age, with his own hair, | 0:55:46 | 0:55:50 | |
-can actually do? -You hound! | 0:55:50 | 0:55:53 | |
-So come on then, Jackie boy, where's the woman in your life? -Don't. | 0:55:53 | 0:55:58 | |
My perfect woman has just turned out to be | 0:55:58 | 0:56:01 | |
a cold-hearted, manipulative bitch, who wanted to kill me. | 0:56:01 | 0:56:05 | |
Since when...? Sarah was your perfect woman? | 0:56:05 | 0:56:08 | |
Yeah, pretty much. Well, apart from the kid, of course. | 0:56:08 | 0:56:14 | |
And the home-made jewellery and that homeopathy. | 0:56:14 | 0:56:17 | |
In fact, she was a bit of a hippy really, wasn't she? | 0:56:17 | 0:56:20 | |
Well, maybe she wasn't my perfect woman. | 0:56:20 | 0:56:23 | |
Anyway, I'll leave you to it. | 0:56:23 | 0:56:24 | |
Oh, Jack, here's that book you asked me to get for you. | 0:56:24 | 0:56:27 | |
Oh, yeah. Oh, right yeah, thanks. | 0:56:27 | 0:56:29 | |
Wait, wait, wait not so fast! | 0:56:29 | 0:56:31 | |
Advanced Forensic Toxicology. I'm rubbing off on you. | 0:56:34 | 0:56:38 | |
Hey, listen, I am not a nerd, like you, OK. | 0:56:38 | 0:56:41 | |
It's just next time someone tries to poison me, I want to know about it. | 0:56:41 | 0:56:45 | |
Hey! The second one's a real page-turner, baby! | 0:56:45 | 0:56:48 | |
Yeah, you'd know. | 0:56:48 | 0:56:50 | |
Here you go. Cheers, guys, on the house. | 0:56:50 | 0:56:53 | |
I'm so not ready to talk about your love life. | 0:56:55 | 0:56:57 | |
Ditto! | 0:56:57 | 0:57:00 | |
Armed robbery on the jewellery store. | 0:57:06 | 0:57:08 | |
It's our most expensive diamond. | 0:57:08 | 0:57:10 | |
The thieves knew what they wanted, | 0:57:10 | 0:57:12 | |
they also knew the codes to the safe. | 0:57:12 | 0:57:14 | |
I've had 615 responses from Speed of Love Direct. | 0:57:14 | 0:57:17 | |
Wow, so you did use the topless shot. | 0:57:17 | 0:57:19 | |
It's from my brother. He's getting married. | 0:57:19 | 0:57:21 | |
Will you be my best man? | 0:57:21 | 0:57:23 | |
Ah, Jack! | 0:57:23 | 0:57:25 | |
-Why don't you get on with him again? -Because he's an arsehole, all right? | 0:57:25 | 0:57:28 | |
Don't move! | 0:57:28 | 0:57:30 | |
Subtitles by Red Bee Media Ltd | 0:57:42 | 0:57:45 |