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OK, one minute left. | 0:00:02 | 0:00:03 | |
One minute to put up the greatest dish of your life. | 0:00:03 | 0:00:07 | |
If it's not perfect, you've wasted your time... | 0:00:07 | 0:00:11 | |
and mine. | 0:00:11 | 0:00:12 | |
OK, plating up time, make it count. | 0:00:12 | 0:00:17 | |
Michael, let's see if you've done these prawns justice. | 0:00:17 | 0:00:21 | |
Prawn linguine. | 0:00:21 | 0:00:23 | |
-What are you watching? -Shh! -Come on! | 0:00:24 | 0:00:26 | |
What you've done with those prawns is a disgrace. | 0:00:30 | 0:00:32 | |
It's a disgrace to you, it's a disgrace to your family, | 0:00:32 | 0:00:36 | |
it's a disgrace to everybody you've ever met. | 0:00:36 | 0:00:38 | |
This is what you've been doing? | 0:00:38 | 0:00:40 | |
I've been slaving away and you two have been watching a cookery programme on the gourmet channel. | 0:00:40 | 0:00:44 | |
Hey. This isn't any old cookery programme. | 0:00:44 | 0:00:48 | |
This is Kitchen Maestro with Robert Randall. | 0:00:48 | 0:00:52 | |
Alison, let's see if your sea-bass died in vain. | 0:00:52 | 0:00:58 | |
I didn't even know he was still cooking. | 0:00:58 | 0:01:00 | |
Yeah, he's staging a comeback. He's opening a new restaurant next month. | 0:01:00 | 0:01:03 | |
Building up publicity by appointing an unknown amateur as his new sous chef. | 0:01:03 | 0:01:07 | |
-And this is the audition? -Mm-hm. | 0:01:07 | 0:01:09 | |
Each episode, they cook a dish - worst one gets eliminated. | 0:01:09 | 0:01:12 | |
Last man or woman left standing gets a new job in his restaurant. | 0:01:12 | 0:01:15 | |
-Who's the scary lady? -Oh, that's his second in command. | 0:01:15 | 0:01:18 | |
-She's been around for ever. -Yeah. | 0:01:18 | 0:01:20 | |
It's not slapping me round the cheeks | 0:01:20 | 0:01:22 | |
and putting its tongue down my throat, like Alison's sea-bass. | 0:01:22 | 0:01:25 | |
Compared to that sea-bass, this dish is a cross-eyed homeless boy... | 0:01:25 | 0:01:30 | |
As much of a tool now as when he was famous, I see. | 0:01:30 | 0:01:32 | |
Right, I need you to sign off on our last case report - | 0:01:32 | 0:01:36 | |
which I wrote, again. | 0:01:36 | 0:01:37 | |
And I appreciate it. Again. But you really do need to get out more. | 0:01:37 | 0:01:41 | |
-I get out plenty. -Yeah! -I do! | 0:01:41 | 0:01:45 | |
-TV: -'One of you is going home. | 0:01:45 | 0:01:48 | |
-'Alison's the winner hands-down.' -Thank you very much. | 0:01:48 | 0:01:50 | |
Head and shoulders above the rest. Michael, you're going home. | 0:01:50 | 0:01:54 | |
Can you sign the report please?! | 0:01:54 | 0:01:56 | |
'You've got the rest of your career and the rest of your life...' | 0:01:56 | 0:01:59 | |
-Have I offended you in some way? -I have a social life. | 0:01:59 | 0:02:02 | |
Look, I didn't mean to upset you, I'm genuinely concerned about you. | 0:02:04 | 0:02:08 | |
All you do is work, work, work. | 0:02:08 | 0:02:10 | |
Yeah, well, I don't need your pity. | 0:02:10 | 0:02:13 | |
I'm fine. As a matter of fact, I'm going to a party tonight. | 0:02:13 | 0:02:16 | |
And I'm going to be back late. | 0:02:16 | 0:02:18 | |
-Hey, enjoy yourself! -Very late. | 0:02:18 | 0:02:21 | |
-PHONE RINGS -Hello? | 0:03:08 | 0:03:10 | |
-Hey. How was the party? -It was good, thanks. | 0:03:22 | 0:03:27 | |
Yeah? Couldn't have been that good, you answered after the first ring. | 0:03:27 | 0:03:30 | |
Well, it's a murder. That's what I do when there's been a murder. | 0:03:30 | 0:03:33 | |
How did you know it was murder before you answered the phone? | 0:03:33 | 0:03:37 | |
Busted! | 0:03:37 | 0:03:38 | |
Hey, Naz. | 0:03:40 | 0:03:42 | |
Hey. Victim's mid-20s, was found hanging from there. | 0:03:42 | 0:03:46 | |
Hey... Isn't this the girl who came top of the cooking contest? | 0:03:49 | 0:03:54 | |
-Alison Clarke? -Oh, yeah, poor thing. | 0:03:54 | 0:03:57 | |
Yeah. It's the pretty ones that will really get to you. | 0:03:57 | 0:04:01 | |
-We also found this. -Ooh! "Over-done". | 0:04:01 | 0:04:06 | |
Short and sweet eh? | 0:04:06 | 0:04:08 | |
-Plus... -Jesus Christ, Naz! What are you doing? | 0:04:08 | 0:04:12 | |
It's only tomato sauce, | 0:04:12 | 0:04:14 | |
-so you can actually taste it. -Yeah? | 0:04:14 | 0:04:16 | |
I say tomato sauce but it's more of a homemade passata. | 0:04:16 | 0:04:19 | |
Mmmm, good one, too. | 0:04:19 | 0:04:21 | |
-That IS good. -Yeah, it's the oregano. | 0:04:21 | 0:04:24 | |
Oregano! That's what I'm tasting. | 0:04:24 | 0:04:26 | |
-Why are people so afraid of oregano? -I dunno. -Anyway... | 0:04:26 | 0:04:30 | |
It looks like she had a blow to the back of the head - | 0:04:30 | 0:04:33 | |
that actually killed her, then she was placed like that after. | 0:04:33 | 0:04:38 | |
Who called it in? | 0:04:38 | 0:04:40 | |
Oh, her husband. He came back early from a business trip. He's next door. | 0:04:40 | 0:04:43 | |
Mr Clarke? | 0:04:48 | 0:04:50 | |
-Yeah. -I'm, er, DI Dixon, this is... | 0:04:52 | 0:04:56 | |
DI Armstrong. | 0:04:56 | 0:04:57 | |
I know this is a very difficult time, | 0:04:58 | 0:05:00 | |
um, we'd just like to ask you | 0:05:00 | 0:05:01 | |
a few questions about your wife... if that's all right. | 0:05:01 | 0:05:04 | |
So you came home early from a business trip, is that right? | 0:05:06 | 0:05:10 | |
She texted saying that she had done well in the competition. | 0:05:10 | 0:05:13 | |
I just wanted to come home and hug her and tell her how proud I was. | 0:05:14 | 0:05:18 | |
The food at the hotel was awful. | 0:05:20 | 0:05:22 | |
I missed Ali's spaghetti a vongole. | 0:05:25 | 0:05:27 | |
She loved to feed me. | 0:05:29 | 0:05:31 | |
HE SOBS Clearly. | 0:05:31 | 0:05:34 | |
Um, can you think of anyone who may have wanted to hurt Alison? | 0:05:35 | 0:05:40 | |
No. She was an angel. | 0:05:40 | 0:05:43 | |
My little lamb. | 0:05:43 | 0:05:45 | |
Oh, God... | 0:05:45 | 0:05:47 | |
Her lamb with candied chestnuts! I'll never eat it again! | 0:05:48 | 0:05:53 | |
HE SOBS | 0:05:53 | 0:05:57 | |
OK, where were we? | 0:06:04 | 0:06:07 | |
Well, Alison Clarke had no money worries, no shady past. | 0:06:07 | 0:06:10 | |
The only thing I could find was her cooking blog - "Ready Or Gnocchi". | 0:06:10 | 0:06:14 | |
Oh, God, I hate blogs. | 0:06:14 | 0:06:16 | |
Why does every man, woman and child need to broadcast | 0:06:16 | 0:06:19 | |
their half-arsed boring opinions to the whole world? | 0:06:19 | 0:06:22 | |
Hey, remind me to tweet about this later. | 0:06:22 | 0:06:25 | |
It's not surprising she was the front runner in the competition. | 0:06:25 | 0:06:29 | |
-Judging from these blogs she was a hell of a chef. -You think it's about cooking? | 0:06:29 | 0:06:33 | |
Robert Randall may be a has-been celebrity chef, | 0:06:33 | 0:06:36 | |
but he's still a celebrity chef. | 0:06:36 | 0:06:37 | |
And this is a hell of a prize for an amateur to win. | 0:06:37 | 0:06:40 | |
Maybe somebody just didn't want Alison in the competition. | 0:06:40 | 0:06:43 | |
-Hello...! -Look, can we just focus on the case, for one minute... | 0:06:44 | 0:06:47 | |
-Hold this, will you? -OK. -Do your belt up. | 0:06:47 | 0:06:50 | |
OK, there are eight people left in the competition. | 0:06:50 | 0:06:52 | |
-We need to check them out... -Watch this. A little trick a friend of mine taught me. | 0:06:52 | 0:06:56 | |
What? What! Argh! | 0:06:56 | 0:06:57 | |
Great. | 0:06:59 | 0:07:01 | |
I am so sorry, DI Armstrong, police. What's your name? | 0:07:05 | 0:07:07 | |
Beth. Call me Beth. | 0:07:07 | 0:07:10 | |
OK, Beth, well, look, I am so sorry. | 0:07:10 | 0:07:12 | |
Sometimes I get so wrapped up, you know, | 0:07:12 | 0:07:14 | |
taking the bad guys off the streets... | 0:07:14 | 0:07:17 | |
We've been involved in a stakeout, | 0:07:17 | 0:07:19 | |
and sometimes innocent, attractive people like yourself get caught in the middle. | 0:07:19 | 0:07:24 | |
Let me give you my number... | 0:07:24 | 0:07:26 | |
For the insurance. Yeah? | 0:07:26 | 0:07:28 | |
Let me give you mine... | 0:07:28 | 0:07:30 | |
Screw the insurance. | 0:07:35 | 0:07:37 | |
-Call me yourself. -OK. | 0:07:37 | 0:07:38 | |
-I'll do that, Beth. -Goodbye, DI Armstrong. | 0:07:39 | 0:07:43 | |
Goodbye. | 0:07:43 | 0:07:44 | |
You are unbelievable. | 0:07:47 | 0:07:49 | |
I know. | 0:07:49 | 0:07:50 | |
-Not a compliment! -Don't care. | 0:07:50 | 0:07:52 | |
Hey, what you doing? | 0:07:52 | 0:07:53 | |
I've got to go home to change, you start interviewing everybody. | 0:07:53 | 0:07:56 | |
So I'll drive you home. | 0:07:56 | 0:07:58 | |
I would rather not get in the car with you again today, thank you. | 0:07:58 | 0:08:01 | |
Hold it up... Up! | 0:08:07 | 0:08:09 | |
We can't wait any longer for Alison Clarke. Let's start the baking round. | 0:08:09 | 0:08:14 | |
Off, off, off, off. OK, everyone, pay attention... | 0:08:14 | 0:08:17 | |
Police! There'll be no baking today. | 0:08:17 | 0:08:21 | |
Neither will there be any poaching, | 0:08:21 | 0:08:22 | |
frying, grilling, searing or broiling - | 0:08:22 | 0:08:26 | |
whatever the hell that is. | 0:08:26 | 0:08:28 | |
One of your contestants - Alison Clarke - died last night. | 0:08:28 | 0:08:34 | |
Oh, my God. She's really dead? | 0:08:36 | 0:08:39 | |
I'm afraid so. | 0:08:39 | 0:08:40 | |
Well, that's not really our problem, is it? We're on a schedule here. | 0:08:40 | 0:08:45 | |
Oh, wow, that's very sensitive of you. | 0:08:45 | 0:08:49 | |
Well, what she meant was, we have a TV show to make... | 0:08:49 | 0:08:52 | |
I get it! | 0:08:52 | 0:08:53 | |
I was looking forward to the baking round, too. | 0:08:55 | 0:08:58 | |
Pastry is a real challenge... | 0:08:58 | 0:09:02 | |
separates the chefs from the cooks. | 0:09:02 | 0:09:04 | |
But a woman has died, a very attractive woman, | 0:09:06 | 0:09:10 | |
and she leaves behind a very unhappy and obese husband, | 0:09:10 | 0:09:14 | |
whom she enjoyed over-feeding | 0:09:14 | 0:09:16 | |
and who will now struggle to do so well again, | 0:09:16 | 0:09:18 | |
so it's very sad all round. | 0:09:18 | 0:09:20 | |
OK, let's start with every one of you telling me where you were last night. | 0:09:22 | 0:09:28 | |
Look, this is ridiculous, you can't just waltz in here | 0:09:28 | 0:09:32 | |
-and wave your badge around... -Let's start with you! | 0:09:32 | 0:09:34 | |
Where were you last night? | 0:09:34 | 0:09:36 | |
-Oh, so I'm a suspect now? -Just answer the question. | 0:09:36 | 0:09:40 | |
-Unless you've got something to hide? -We were working on a cheese souffle recipe, all night. | 0:09:41 | 0:09:47 | |
Sue and I were in my training kitchen, | 0:09:47 | 0:09:49 | |
attempting a six-cheese souffle. | 0:09:49 | 0:09:51 | |
Let me get this straight, Sue. | 0:09:54 | 0:09:56 | |
You were making... | 0:09:57 | 0:10:00 | |
a Sue-fley? | 0:10:00 | 0:10:02 | |
And before you were head chef, you were a... | 0:10:05 | 0:10:08 | |
-..sous chef. -Yes. | 0:10:10 | 0:10:13 | |
No, no, it's just that you were, your name is... | 0:10:14 | 0:10:18 | |
Your name is Sue... | 0:10:18 | 0:10:21 | |
And, um... | 0:10:21 | 0:10:22 | |
You know what? Forget it, it's fine. | 0:10:22 | 0:10:25 | |
We have a television show to make | 0:10:25 | 0:10:28 | |
and it has to be transmitted later today. | 0:10:28 | 0:10:30 | |
Yeah, but this is a police matter. And it takes precedence. | 0:10:30 | 0:10:33 | |
So let's all try and be grown-up and professional about this. | 0:10:33 | 0:10:37 | |
Mmm. | 0:10:45 | 0:10:47 | |
-HE LAUGHS -Thanks. -Dad, what... | 0:10:53 | 0:10:57 | |
-What are you doing here? -I can't pop round and visit my own daughter? | 0:10:57 | 0:11:00 | |
No, of course... Of course you can. | 0:11:00 | 0:11:02 | |
-Good. You well? -Yep. Yeah. | 0:11:06 | 0:11:09 | |
-You? -Oh, can't complain. | 0:11:09 | 0:11:13 | |
I'm actually just in the middle of a case. | 0:11:14 | 0:11:16 | |
My day, even in the middle of a quadruple murder, | 0:11:16 | 0:11:19 | |
we'd still find time for tea and biscuits. | 0:11:19 | 0:11:22 | |
I really do have to go. | 0:11:22 | 0:11:23 | |
Well, um, what about catching up tonight over dinner? | 0:11:23 | 0:11:27 | |
OK. Yeah. | 0:11:27 | 0:11:29 | |
Um, how about here, seven-ish? | 0:11:29 | 0:11:31 | |
-Perfect. -MOBILE PHONE BEEPS | 0:11:31 | 0:11:34 | |
-Sorry. -I'll leave you to it. -OK. Oh, I'll see you later. | 0:11:34 | 0:11:39 | |
Hey. | 0:11:43 | 0:11:46 | |
-What's going on? -Time to prepare. | 0:11:49 | 0:11:52 | |
Competition continues this afternoon. You're joining it. | 0:11:52 | 0:11:56 | |
-I'm... Wait, what? -I've narrowed down the suspects | 0:11:56 | 0:11:59 | |
but I believe they'll only open up to you if they think that you're one of them. | 0:11:59 | 0:12:03 | |
I was speaking to Robert Randall, who owes me a favour. | 0:12:03 | 0:12:05 | |
I helped him a couple of years ago when someone was pinching his cheese. | 0:12:05 | 0:12:08 | |
-Mm. -Now, he says it's fine for you to enter the next round, but | 0:12:08 | 0:12:11 | |
-he's been told to treat you like any other contestant. -You need to be convincing enough | 0:12:11 | 0:12:15 | |
so that the others don't become suspicious. Can you cook? | 0:12:15 | 0:12:18 | |
-Yeah. -Good. | 0:12:18 | 0:12:20 | |
But I can show you a couple of tricks that'll make you great. | 0:12:20 | 0:12:25 | |
Come on, come on. | 0:12:28 | 0:12:29 | |
Check your smokes, check your smokes, come on. Ah! | 0:12:29 | 0:12:32 | |
-Green pepper. -Yes. | 0:12:32 | 0:12:35 | |
-That's good. -Woo! Woo-hoo! Go! -Woo! | 0:12:35 | 0:12:39 | |
-Orange pepper. -Yes! | 0:12:39 | 0:12:42 | |
Agh! | 0:12:51 | 0:12:53 | |
Voila! | 0:12:55 | 0:12:56 | |
SHE SIGHS This is ridiculous. | 0:12:59 | 0:13:01 | |
I mean, first this morning gets postponed, now we're late getting started. | 0:13:01 | 0:13:05 | |
I heard someone died. | 0:13:07 | 0:13:09 | |
-Who are you, anyway? -I'm Georgina. | 0:13:09 | 0:13:11 | |
Cooking in the next round. | 0:13:14 | 0:13:16 | |
Next round? How? You weren't in the first round. | 0:13:16 | 0:13:19 | |
-I was on the reserve list. -I had to do two weeks of nights | 0:13:19 | 0:13:22 | |
and one month double shifts to get through to this contest | 0:13:22 | 0:13:25 | |
and you're on some bloody reserve list that I've never heard of. | 0:13:25 | 0:13:28 | |
-I bet you're delighted Alison croaked. -And you aren't? | 0:13:28 | 0:13:31 | |
And what is that supposed to mean? | 0:13:31 | 0:13:34 | |
You asked her for a pigeon and fennel recipe | 0:13:34 | 0:13:36 | |
and when she turned you down, y-y-you went crazy. | 0:13:36 | 0:13:40 | |
-I'd hardly say I went crazy, Marcus! -You screamed at her. | 0:13:40 | 0:13:43 | |
NO, I DID NOT! | 0:13:43 | 0:13:45 | |
-Wow. -Yeah. | 0:13:50 | 0:13:52 | |
-Charlotte's kind of short-tempered. -So... | 0:13:52 | 0:13:55 | |
-her and Alison had a row? -Yeah. | 0:13:55 | 0:13:58 | |
Charlotte was screaming and shoving her, | 0:13:58 | 0:14:00 | |
saying Alison thought she was better than everyone else. | 0:14:00 | 0:14:03 | |
-She told her she deserved to be brought down a peg or two. -Really? | 0:14:03 | 0:14:07 | |
Mm-hm. | 0:14:07 | 0:14:08 | |
What's his story? | 0:14:10 | 0:14:12 | |
Stefan? He never talks... | 0:14:12 | 0:14:15 | |
to anyone. | 0:14:15 | 0:14:17 | |
I mean, we want to win but he really, really, really wants to win. | 0:14:17 | 0:14:23 | |
He's obsessed. | 0:14:24 | 0:14:26 | |
You know... | 0:14:29 | 0:14:30 | |
Charlotte said she was angry because Alison wouldn't share a recipe, | 0:14:32 | 0:14:36 | |
but I think she was just jealous because Alison's pretty. | 0:14:36 | 0:14:39 | |
Like you. | 0:14:41 | 0:14:43 | |
Oh... | 0:14:43 | 0:14:45 | |
Thank you. | 0:14:45 | 0:14:46 | |
HE SNIFFS HER | 0:14:49 | 0:14:52 | |
Oh.... | 0:14:53 | 0:14:55 | |
OK, who's in charge here? | 0:15:01 | 0:15:03 | |
Clive Wilkinson, how can we help you? | 0:15:09 | 0:15:12 | |
E-mail, LAN, wireless connectivity, setting up a router, software. | 0:15:12 | 0:15:16 | |
-Whoa, whoa, whoa. You're in charge here? -Yeah. | 0:15:16 | 0:15:20 | |
OK. Well, I'm a detective. | 0:15:20 | 0:15:23 | |
I'm here to ask questions about this guy, Marcus Porter. | 0:15:25 | 0:15:28 | |
-I believe he works here. -Oh, yeah, he does. What's he done, then? | 0:15:28 | 0:15:32 | |
Cos I wouldn't be surprised, he's quite a one, is Marcus. | 0:15:32 | 0:15:36 | |
Keeps himself to himself. He's a real nerd. | 0:15:36 | 0:15:39 | |
Right... | 0:15:41 | 0:15:43 | |
Er, well, he's a suspect in a murder investigation so... | 0:15:43 | 0:15:47 | |
Well, I'm not surprised. Not surprised at all. | 0:15:47 | 0:15:51 | |
In fact, I wouldn't be surprised if it involved cannibalism as well, | 0:15:51 | 0:15:55 | |
simmering of body parts, | 0:15:55 | 0:15:56 | |
living out his sordid fantasies about eating human flesh. | 0:15:56 | 0:16:00 | |
Wait a minute, Jesus Christ... | 0:16:00 | 0:16:02 | |
-He...he actually told you about these fantasies? -No, no, no, but... | 0:16:03 | 0:16:07 | |
he was obsessed with food, was Marcus. And weird. | 0:16:07 | 0:16:12 | |
Weird as my uncle Nigel, I tell you. This man's really weird. | 0:16:12 | 0:16:15 | |
We were on holiday, we were up this hill. | 0:16:15 | 0:16:17 | |
-We were running down and I fall over and this sheep... -OK, Clive. Clive. | 0:16:17 | 0:16:21 | |
This is going to be a lot easier for all of us | 0:16:21 | 0:16:23 | |
-if you just stick to the point and to the realm of reality, OK? -OK, sorry. | 0:16:23 | 0:16:28 | |
Jesus. OK, is there anything else you know about Marcus Porter that might actually help? | 0:16:28 | 0:16:33 | |
Well, I guess the simplest thing to do would be check his computer, | 0:16:33 | 0:16:37 | |
you know, read his e-mail, see what websites he's been visiting. | 0:16:37 | 0:16:41 | |
OK, that's a good idea, let's do it. | 0:16:41 | 0:16:44 | |
Well, I mean, I can get into a lot of trouble for that, you know. Privacy laws and all. | 0:16:44 | 0:16:49 | |
-What are you saying, Clive? -Well, I mean, why should I help YOU? | 0:16:49 | 0:16:54 | |
SIRENS BLARE | 0:16:56 | 0:16:57 | |
This is so cool. | 0:16:57 | 0:17:00 | |
CHATTERING | 0:17:05 | 0:17:08 | |
What a bunch, eh? | 0:17:13 | 0:17:15 | |
Aren't you hot? | 0:17:19 | 0:17:20 | |
I'm just thinking, cos it's quite stuffy in here and I'm sure | 0:17:22 | 0:17:25 | |
if you took your coat off, you'd be a bit more...more comfortable. | 0:17:25 | 0:17:28 | |
OK, enough gossip and plaiting each other's hair! | 0:17:28 | 0:17:32 | |
Let's make some food. | 0:17:32 | 0:17:33 | |
-CAMERAMAN: -Speed. | 0:17:33 | 0:17:35 | |
-Rolling, yes? -Rolling. | 0:17:35 | 0:17:38 | |
Contestants... | 0:17:42 | 0:17:45 | |
welcome to the second round of Kitchen Maestro. | 0:17:45 | 0:17:49 | |
You are all one step closer to becoming the sous chef | 0:17:50 | 0:17:55 | |
in my brand-new restaurant. | 0:17:55 | 0:17:57 | |
The baking round will have to wait, | 0:17:57 | 0:17:59 | |
cos Sue and I have cooked up something really rather special. | 0:17:59 | 0:18:03 | |
Today, I want you... | 0:18:03 | 0:18:07 | |
to replicate my signature dish. | 0:18:07 | 0:18:10 | |
We have made Robert's world-famous lobster veronique. | 0:18:18 | 0:18:23 | |
His luxurious spin on a classic, served with braised fennel. | 0:18:25 | 0:18:30 | |
OK. Gather round! | 0:18:30 | 0:18:33 | |
All of you... | 0:18:33 | 0:18:35 | |
remember, taste. | 0:18:35 | 0:18:37 | |
Try. Savour every flavour. | 0:18:37 | 0:18:43 | |
Begin. | 0:18:43 | 0:18:45 | |
Think about the combination of flavours, how unusual, how unique. | 0:18:48 | 0:18:53 | |
-See? -RETCHING | 0:18:53 | 0:18:56 | |
Chef Randall... | 0:18:56 | 0:18:58 | |
Chef Randall, I think there's something wrong with it. | 0:18:59 | 0:19:03 | |
Something wrong? | 0:19:03 | 0:19:05 | |
Oh, right, excuse me, sorry. How many Michelin stars do you have? | 0:19:08 | 0:19:12 | |
None! You spit out my food? | 0:19:12 | 0:19:15 | |
-I cook for kings. -I'm pretty sure. | 0:19:17 | 0:19:19 | |
That's what I'm saying, seriously, please try it. | 0:19:19 | 0:19:22 | |
You pony riding child. | 0:19:26 | 0:19:28 | |
HE CLEARS HIS THROAT | 0:19:31 | 0:19:33 | |
Sugar instead of salt. | 0:19:45 | 0:19:47 | |
Sugar! | 0:19:52 | 0:19:54 | |
Instead of salt. | 0:19:56 | 0:19:58 | |
My fault, chef, I'm sorry, it won't happen again. | 0:20:02 | 0:20:04 | |
That's OK. Accidents happen. | 0:20:08 | 0:20:11 | |
We can cut that bit. Cut that bit, yes? | 0:20:11 | 0:20:14 | |
Mm-hm. | 0:20:14 | 0:20:17 | |
-CAMERAMAN: -Still rolling. | 0:20:17 | 0:20:18 | |
-FRENCH ACCENT: -Lobster veronique. | 0:20:23 | 0:20:25 | |
Cook, cook! Begin. Allons-y! | 0:20:25 | 0:20:30 | |
-There's a lot of porn. -What, in the office? | 0:20:32 | 0:20:34 | |
-Yeah, well, you can download it to your mobile. -Really? | 0:20:34 | 0:20:37 | |
Yeah, I can show you how actually. | 0:20:37 | 0:20:40 | |
-Focus. -Sorry. -What other websites? | 0:20:40 | 0:20:43 | |
There's a cooking blog here, Ready Or Gnocchi. | 0:20:43 | 0:20:46 | |
Oh, that's Alison Clarke's. | 0:20:46 | 0:20:48 | |
Er... | 0:20:48 | 0:20:50 | |
Looks like he posted on the comments section under a pseudonym. | 0:20:50 | 0:20:55 | |
-Posted a lot. -OK, print it all out for me. | 0:20:55 | 0:20:58 | |
Like sucking on a tramp's sock. | 0:21:08 | 0:21:10 | |
-FORK CLATTERS -OK, last dish of the day. | 0:21:10 | 0:21:15 | |
And let's hope you haven't murdered the fennel like Ian. | 0:21:15 | 0:21:18 | |
What's fennel ever done to you, Ian? Huh? | 0:21:18 | 0:21:21 | |
Your mother run away with a piece of fennel when you were a child? | 0:21:21 | 0:21:24 | |
OK... | 0:21:27 | 0:21:29 | |
Good luck. | 0:21:31 | 0:21:33 | |
-I've tasted worse. -FORK CLATTERS | 0:21:47 | 0:21:50 | |
Can't remember when, but I have tasted worse. | 0:21:50 | 0:21:53 | |
OK... | 0:21:53 | 0:21:55 | |
The best lobster veronique of today is... | 0:21:57 | 0:22:01 | |
..Stefan. Good job. | 0:22:12 | 0:22:14 | |
Ian, you're going home. | 0:22:16 | 0:22:18 | |
And I hope the next time you hear the word fennel, | 0:22:18 | 0:22:21 | |
you cry yourself to sleep like a big failure baby! | 0:22:21 | 0:22:25 | |
But... | 0:22:27 | 0:22:29 | |
as a consolation... | 0:22:29 | 0:22:31 | |
at least you get this. | 0:22:31 | 0:22:34 | |
A replica of the Randall utility belt. | 0:22:36 | 0:22:39 | |
Six salts and spices | 0:22:39 | 0:22:42 | |
for instant flavour to lift any meal. | 0:22:42 | 0:22:45 | |
I never leave home without mine. | 0:22:45 | 0:22:48 | |
-IAN STIFLES SOBS -The rest of you... | 0:22:48 | 0:22:51 | |
I'll see you tomorrow, where you will continue the fight to be | 0:22:53 | 0:22:57 | |
my new sous chef and for the title of... | 0:22:57 | 0:23:02 | |
Kitchen Maestro. | 0:23:02 | 0:23:04 | |
DRAMATIC DRUM BEAT | 0:23:04 | 0:23:07 | |
-Cameraman: -And break. -That's as long as I can hold that. | 0:23:07 | 0:23:09 | |
It's as long as I can hold that, look! | 0:23:09 | 0:23:12 | |
Standing there like an idiot! | 0:23:12 | 0:23:15 | |
Oh! Come on, man, mind where you're going! | 0:23:20 | 0:23:25 | |
Oh, Jesus... | 0:23:25 | 0:23:27 | |
-Oh, God, did you see what that freak did? -Mm-hm. | 0:23:27 | 0:23:30 | |
OK. | 0:23:30 | 0:23:32 | |
Marcus Porter was obsessed by Alison Clarke's blog. | 0:23:32 | 0:23:37 | |
Kept on sending her weird, freaky food-fixated messages. | 0:23:37 | 0:23:41 | |
LOUDLY: If you'll take a look at this, madam... | 0:23:43 | 0:23:45 | |
-(Read that.) -"I want to be your risotto. | 0:23:45 | 0:23:49 | |
"Beat the starch out of me and slather me in Parmesan," Jesus. | 0:23:49 | 0:23:53 | |
Yeah. The sick bastard. | 0:23:53 | 0:23:55 | |
It's the food stalker, definitely. | 0:23:57 | 0:23:59 | |
Well, I'm sorry, officer. I've told you everything I know. | 0:23:59 | 0:24:03 | |
OK, well, I'm just going to take this lobster for, er, forensic analysis. | 0:24:03 | 0:24:10 | |
Thank you. | 0:24:10 | 0:24:11 | |
Pigs. | 0:24:14 | 0:24:16 | |
Marcus, right? | 0:24:18 | 0:24:20 | |
I'm Georgina. | 0:24:20 | 0:24:22 | |
Quite a day, huh? | 0:24:22 | 0:24:24 | |
I suppose so. | 0:24:25 | 0:24:27 | |
I don't suppose you fancy grabbing a drink? | 0:24:30 | 0:24:32 | |
What, us? The, the two of us? | 0:24:34 | 0:24:37 | |
Yeah. Why not? | 0:24:37 | 0:24:40 | |
Uh, yeah. | 0:24:40 | 0:24:41 | |
Yeah, yeah, that'd be... that would be really great! | 0:24:41 | 0:24:44 | |
-KEYS CLATTER -Oh, God, sorry. | 0:24:44 | 0:24:46 | |
I'm probably going to need those, being my house keys and all! | 0:24:46 | 0:24:49 | |
HE GROANS | 0:24:50 | 0:24:53 | |
Crikey, that's really heavy. | 0:24:53 | 0:24:55 | |
-I'll give you a hand. -OK. | 0:24:55 | 0:24:57 | |
-Oh. -Maybe it was stuck. | 0:24:59 | 0:25:01 | |
Oh, thank you. Thanks. | 0:25:01 | 0:25:04 | |
The doctor says that it's muscular atrophy or something, | 0:25:05 | 0:25:08 | |
yeah, but it doesn't really matter. | 0:25:08 | 0:25:11 | |
So, where do you want to go? | 0:25:11 | 0:25:13 | |
Actually, I've just remembered, | 0:25:13 | 0:25:16 | |
there's somewhere I'm supposed to be, so... | 0:25:16 | 0:25:18 | |
Yeah, it's... | 0:25:21 | 0:25:23 | |
It's fine, it's fine. | 0:25:23 | 0:25:25 | |
Marcus isn't our killer. I spoke to his GP. | 0:25:25 | 0:25:29 | |
-Apparently he has diagnosed muscular atrophy. -Mm. | 0:25:29 | 0:25:32 | |
-He wasn't strong enough to lift Alison. He didn't do it. -Damn. | 0:25:32 | 0:25:36 | |
Nine times out of ten, it's the weird stalker guy. | 0:25:36 | 0:25:39 | |
So that leaves us with Charlotte and Stefan. Charlotte had a grudge, | 0:25:39 | 0:25:42 | |
something about a recipe Alison wouldn't give her. And she's got a temper. | 0:25:42 | 0:25:46 | |
-I could definitely see her flipping. -What about Stefan? -Stefan's odd. You know, intense. And sweaty. | 0:25:46 | 0:25:51 | |
Yeah, I could imagine him doing it. But these are just my first impressions. | 0:25:51 | 0:25:55 | |
-It doesn't mean anything without evidence. -OK. | 0:25:55 | 0:25:58 | |
Let's pick it up with those two tomorrow. | 0:25:58 | 0:26:00 | |
I've got a hot date tonight, so er... | 0:26:00 | 0:26:03 | |
-I'm not going to get much sleep, if you know what I mean. -I always know what you mean. | 0:26:03 | 0:26:07 | |
You sure it's just you and your dad tonight? | 0:26:07 | 0:26:09 | |
Cos it looks like an all-you-can-eat buffet in here. | 0:26:09 | 0:26:12 | |
Well, I thought I could use the practice. | 0:26:12 | 0:26:15 | |
MOBILE VIBRATES Oh, who could this be? | 0:26:15 | 0:26:19 | |
Ooh, it's Beth! | 0:26:19 | 0:26:21 | |
Oh, shit! Shit. | 0:26:21 | 0:26:23 | |
I forgot to book the restaurant. I'm such a tit! | 0:26:23 | 0:26:26 | |
Oh, God... | 0:26:26 | 0:26:27 | |
Hey! Hey, blue eyes... | 0:26:27 | 0:26:31 | |
Oh, they're brown. | 0:26:31 | 0:26:32 | |
Well, look, I'll, I'll take a better look at them tonight. | 0:26:32 | 0:26:36 | |
Er, yeah, listen, I-I booked the Wolseley Restaurant in town tonight, | 0:26:37 | 0:26:43 | |
but I-I was thinking, hey, why don't you come round to mine | 0:26:43 | 0:26:48 | |
and I'll cook you a delicious, home-cooked meal? | 0:26:48 | 0:26:52 | |
Yeah, I cook. Oh, God, yeah. HE CHUCKLES | 0:26:52 | 0:26:56 | |
All right, well, look, I'll text you my address, OK, | 0:26:56 | 0:26:59 | |
and shall we say... eight, eight thirty? | 0:26:59 | 0:27:03 | |
OK, look forward to it. | 0:27:03 | 0:27:06 | |
Yeah. Bye. Bye. | 0:27:06 | 0:27:08 | |
God, she's great. | 0:27:08 | 0:27:11 | |
So look, can I take some of this food? | 0:27:11 | 0:27:13 | |
I thought you promised her a delicious home-cooked meal. | 0:27:13 | 0:27:16 | |
Yeah, it is home-cooked. You're home, you cooked it. | 0:27:16 | 0:27:19 | |
MUSIC: "I'm Gonna Love You Just A Little Bit More Baby" by Barry White | 0:27:19 | 0:27:22 | |
-You liked it? -It was amazing. | 0:27:22 | 0:27:26 | |
Yeah, it was amazing. | 0:27:26 | 0:27:28 | |
-Damn, she's good. -Hmm? | 0:27:28 | 0:27:31 | |
Sorry, the lamb was good. Tasty. | 0:27:32 | 0:27:35 | |
Oh, God rest her delicious, lamb-y soul. | 0:27:35 | 0:27:40 | |
THEY LAUGH | 0:27:40 | 0:27:41 | |
How do you even make something like that? | 0:27:41 | 0:27:43 | |
Er, that's a good question. Erm... | 0:27:45 | 0:27:49 | |
Well, you know what they say about chefs? | 0:27:51 | 0:27:54 | |
They never, NEVER reveal their secrets. | 0:27:54 | 0:27:57 | |
That's magicians. | 0:27:57 | 0:27:59 | |
Is it? THEY LAUGH | 0:27:59 | 0:28:01 | |
Right! I'm just, I'm just, I'm just worried that if I tell you, | 0:28:01 | 0:28:06 | |
then it's going to ruin the... the effect. | 0:28:06 | 0:28:09 | |
That's still magicians. | 0:28:09 | 0:28:11 | |
-Yeah? -Stop being shy! | 0:28:11 | 0:28:14 | |
-I want to know how you did it. -Well, OK, OK, er... | 0:28:14 | 0:28:18 | |
Well, you take your lamb, er... | 0:28:18 | 0:28:21 | |
You know, there's, there's a lot of different factors, | 0:28:22 | 0:28:25 | |
-a lot of different ingredients. -Mm. -Um... | 0:28:25 | 0:28:28 | |
-There's, there the lamb... -Yeah. -Which is the chief component. Erm... | 0:28:28 | 0:28:33 | |
The lamb is slow-cooked at 120 degrees to melt the fat. | 0:28:33 | 0:28:38 | |
And...and then you put, er, butter | 0:28:38 | 0:28:42 | |
on there to crisp up the rosemary | 0:28:42 | 0:28:45 | |
and the garlic, you di... | 0:28:45 | 0:28:47 | |
You didn't, didn't really need to know that now, did you? | 0:28:47 | 0:28:51 | |
The way you talk about food is so sexy. | 0:28:51 | 0:28:54 | |
-Yeah? -Mm. | 0:28:54 | 0:28:57 | |
Well, so is your face. | 0:28:57 | 0:28:58 | |
You know, they say food and sex go hand in hand. | 0:28:58 | 0:29:03 | |
-Do they? -Mm-hm. | 0:29:05 | 0:29:08 | |
# Sweeter and sweeter | 0:29:08 | 0:29:11 | |
# Your tender words of love keep calling | 0:29:11 | 0:29:14 | |
# Eager and eager, yeah... # | 0:29:14 | 0:29:18 | |
Marcus Porter we can eliminate. | 0:29:18 | 0:29:20 | |
-So we're down to these two. -So what do your instincts say? | 0:29:21 | 0:29:24 | |
Well, he's very intense. | 0:29:24 | 0:29:27 | |
But she's very aggressive. | 0:29:28 | 0:29:30 | |
What do your instincts say? | 0:29:31 | 0:29:33 | |
SHE SIGHS | 0:29:39 | 0:29:41 | |
Well, he kept his coat on the entire time. He must have been boiling. | 0:29:41 | 0:29:45 | |
-Well, that's a bit weird. -It is weird. | 0:29:46 | 0:29:49 | |
# Deeper and deeper | 0:29:50 | 0:29:52 | |
# In love with you I'm falling... # | 0:29:52 | 0:29:55 | |
Mmm. Let me, let me get rid of this jacket, sorry. | 0:29:55 | 0:30:00 | |
Why does your coat smell of chicken? | 0:30:00 | 0:30:03 | |
-It's not...chicken. -Yeah. Chicken. | 0:30:03 | 0:30:06 | |
God, that's weird. | 0:30:06 | 0:30:09 | |
When he left, his coat looked... | 0:30:09 | 0:30:12 | |
Stefan! | 0:30:15 | 0:30:16 | |
-Stefan! -What? | 0:30:18 | 0:30:20 | |
I've had guys call me the wrong name in bed before, | 0:30:22 | 0:30:24 | |
but Stefan is a first. | 0:30:24 | 0:30:26 | |
No. No, no, no, no, the case I'm working on at the moment. | 0:30:26 | 0:30:30 | |
Oh... | 0:30:30 | 0:30:32 | |
Beth, Beth, please, can you stay here? Don't go anywhere. | 0:30:35 | 0:30:40 | |
I've just got to go for a bit. But I'll be back! | 0:30:40 | 0:30:44 | |
Yep, I will be. I promise! | 0:30:44 | 0:30:46 | |
SHE SIGHS | 0:30:49 | 0:30:51 | |
-Stefan was cheating. -Yeah, I know. | 0:30:52 | 0:30:54 | |
Well, his coat looked smaller after the round. | 0:30:54 | 0:30:56 | |
He must've been hiding stuff inside it, that's why he wouldn't take it off. | 0:30:56 | 0:31:00 | |
-His coffee was actually chicken stock. -OK, so he was smuggling pre-prepared food into the contest. | 0:31:00 | 0:31:05 | |
Wow, he really wanted to win. | 0:31:05 | 0:31:06 | |
Maybe enough to kill his main competitor. | 0:31:06 | 0:31:08 | |
-Right, I'll see you at his place. -Yeah, I'll see you there. | 0:31:08 | 0:31:12 | |
Oh, shit. | 0:31:15 | 0:31:17 | |
Maier? Maier! | 0:31:19 | 0:31:22 | |
SMOKE ALARM BEEPS Maier? Maier? | 0:31:22 | 0:31:26 | |
GEORGINA COUGHS Jesus! | 0:31:26 | 0:31:29 | |
Argh! Woo. | 0:31:31 | 0:31:33 | |
Woo! | 0:31:35 | 0:31:36 | |
I don't know much about cooking, but that looks pretty burnt to me. | 0:31:36 | 0:31:41 | |
And I think I know why. | 0:31:41 | 0:31:42 | |
Oh, no. | 0:31:44 | 0:31:46 | |
He was stabbed with this knife. A Japanese sushi knife. | 0:31:54 | 0:31:58 | |
-Yeah, well, the question is why would someone want to make sashimi out of Stefan? -Hmm. | 0:31:59 | 0:32:06 | |
-Tell me about the writing. -Oh. | 0:32:06 | 0:32:08 | |
Pesto. Not bad, either. | 0:32:11 | 0:32:13 | |
Could've done with a little less Parmesan, | 0:32:13 | 0:32:16 | |
but hey, it's just a tasting. | 0:32:16 | 0:32:17 | |
So I've just been on to the hospital that Charlotte Devins works at. | 0:32:19 | 0:32:22 | |
She was on a night shift, according to the duty nurse, | 0:32:22 | 0:32:24 | |
so we've gone from having three suspects to having none. | 0:32:24 | 0:32:27 | |
Maybe it was a different killer. | 0:32:27 | 0:32:29 | |
I mean, we know that Stefan was cheating. | 0:32:29 | 0:32:31 | |
Maybe someone else found out. | 0:32:31 | 0:32:33 | |
So Stefan kills Alison and then someone kills Stefan? | 0:32:33 | 0:32:38 | |
Yeah, it makes a lot less sense when you say it out loud. | 0:32:38 | 0:32:41 | |
OK, let's pick it up from here tomorrow. | 0:32:41 | 0:32:44 | |
I should be having sex right now. | 0:32:45 | 0:32:47 | |
So should I. | 0:32:47 | 0:32:49 | |
Yeah, you got a date too? | 0:32:49 | 0:32:51 | |
Oh, no. I always think I should be having sex. | 0:32:51 | 0:32:53 | |
SHE SIGHS | 0:32:59 | 0:33:01 | |
Oh, thanks, Dad(!) | 0:33:03 | 0:33:06 | |
MUSIC: "Get Ur Freak On" by Missy Elliott | 0:33:22 | 0:33:25 | |
# Missy be puttin' it down I'm the hottest round | 0:33:31 | 0:33:34 | |
# I'll tell y'all Ya'll can't stop me now | 0:33:34 | 0:33:38 | |
# Listen to me now I'm lastin' 20 rounds | 0:33:38 | 0:33:40 | |
# And if you want me, people then come and get me now | 0:33:40 | 0:33:42 | |
# Is you with me now? Then biggie biggie bounce | 0:33:42 | 0:33:45 | |
# I know you dig the way I sw-sw-switch my style | 0:33:45 | 0:33:48 | |
# Get your freak on Get your freak on | 0:33:48 | 0:33:50 | |
# Get your freak on Get your freak on | 0:33:50 | 0:33:53 | |
# Get your freak on Get your freak on | 0:33:53 | 0:33:56 | |
# Get your, get your, get your Get your freak on | 0:33:56 | 0:33:59 | |
# Get your freak on Get your freak on | 0:33:59 | 0:34:01 | |
# Get your freak on Get your freak on | 0:34:01 | 0:34:04 | |
# Get your freak on Get your freak on | 0:34:04 | 0:34:07 | |
# Get your, get your, get your Get your freak on | 0:34:07 | 0:34:09 | |
# Is that your chick?! # | 0:34:09 | 0:34:11 | |
KNOCK ON DOOR Yeah, all right, all right. | 0:34:11 | 0:34:14 | |
-Hey, you're early. -I know. I couldn't sleep. | 0:34:16 | 0:34:18 | |
I was thinking about the case and baking. All night. | 0:34:18 | 0:34:21 | |
OK. | 0:34:23 | 0:34:24 | |
OK. So we have croissants, | 0:34:28 | 0:34:31 | |
chocolate chip muffins. | 0:34:31 | 0:34:33 | |
I had to make six batches of these just to get the consistency perfect. | 0:34:33 | 0:34:36 | |
It's all about the flour-to-egg ratio, it has to be exact. Here... | 0:34:36 | 0:34:41 | |
try one of these. | 0:34:41 | 0:34:42 | |
You're not actually in this competition. | 0:34:42 | 0:34:45 | |
-You do remember that, right? -Oh, yeah. | 0:34:45 | 0:34:47 | |
-I'm a professional detective, why would you question that? -Um... | 0:34:47 | 0:34:51 | |
I think you're becoming a tiny bit obsessed by this. | 0:34:51 | 0:34:55 | |
You know we talked about you getting a life? | 0:34:55 | 0:34:57 | |
Police work and cooking is all I need. | 0:34:57 | 0:34:59 | |
-You're going to become a spinster! -You need cats to be a spinster. | 0:34:59 | 0:35:02 | |
-Not necessarily. -You can't be a spinster at my age. | 0:35:02 | 0:35:05 | |
-No, spinsterism is not age-specific. -Oh. | 0:35:05 | 0:35:09 | |
-Hi. Sorry to interrupt. -Beth! -Hey. | 0:35:09 | 0:35:12 | |
-Beth, Georgina, Georgina, Beth. -Hi, Georgina. -Hi. | 0:35:12 | 0:35:16 | |
Oh, wow, these look amazing. | 0:35:16 | 0:35:19 | |
Yeah, help yourself. | 0:35:19 | 0:35:21 | |
-Mmm! Have these got almonds in? -Yes, they do. Thank you for noticing. | 0:35:22 | 0:35:27 | |
Yes, thank you for noticing all my hard work. | 0:35:27 | 0:35:30 | |
-Yeah, I made them especially for you. -Aw, you're amazing. | 0:35:30 | 0:35:34 | |
-Isn't he amazing? -He's all right. | 0:35:34 | 0:35:37 | |
Well, nice to meet you. | 0:35:37 | 0:35:39 | |
And catch some bad guys. See you. | 0:35:39 | 0:35:43 | |
See you later. | 0:35:43 | 0:35:45 | |
You see? | 0:35:49 | 0:35:50 | |
Your cooking, my looks - killer combination! | 0:35:50 | 0:35:54 | |
You're like my culinary Cyrano de Bergerac. | 0:35:54 | 0:35:57 | |
Only you...you don't have the big hooter, obviously. | 0:35:57 | 0:36:01 | |
We need to take another look at Robert Randall. | 0:36:01 | 0:36:04 | |
-But he's got an alibi. -Randall's been Sue's boss for 30 years | 0:36:04 | 0:36:08 | |
-so she has to cover for him. -That's a stretch, isn't it? | 0:36:08 | 0:36:10 | |
Yesterday we had to try one of Randall's signature dishes. | 0:36:10 | 0:36:13 | |
It had been made with sugar instead of salt. Sue took the blame and Randall let her off. | 0:36:13 | 0:36:17 | |
He'd never do that unless it was his mistake and Sue was covering for him. | 0:36:17 | 0:36:20 | |
A wild hypothesis based on flimsy evidence - I'll buy that. | 0:36:20 | 0:36:24 | |
So, I did some digging. I ran Sue's credit cards | 0:36:24 | 0:36:27 | |
and found that she'd made a purchase on the other side of town from Randall's test kitchen at 10pm, | 0:36:27 | 0:36:31 | |
-so there's no way she could've been with him all night. -OK. | 0:36:31 | 0:36:34 | |
Let's go take a run at them. | 0:36:34 | 0:36:36 | |
I forgot. | 0:36:36 | 0:36:37 | |
I popped home briefly and then I came back to the kitchen. | 0:36:37 | 0:36:40 | |
I wasn't gone long. Must've slipped my mind. | 0:36:40 | 0:36:44 | |
Really? | 0:36:44 | 0:36:45 | |
So, Chef Randall, you want to tell us what you were doing that night? | 0:36:45 | 0:36:50 | |
-Cooking. We already told you. -Right. | 0:36:50 | 0:36:54 | |
Venison tortellini. | 0:36:54 | 0:36:55 | |
-Right. -It's cheese souffle, we were making cheese souffle. | 0:36:55 | 0:36:58 | |
Yes, you told us the other day. I remembered. Chef Randall didn't. | 0:36:59 | 0:37:04 | |
Two people in my competition are dead. | 0:37:04 | 0:37:06 | |
I'm not exactly thinking clearly. | 0:37:06 | 0:37:09 | |
Were you thinking clearly when you killed Alison Clarke and Stefan Maier? | 0:37:09 | 0:37:12 | |
Why would he kill people in his own competition? | 0:37:12 | 0:37:15 | |
It's terrible publicity. | 0:37:17 | 0:37:18 | |
Right. We can't find a motive. | 0:37:18 | 0:37:21 | |
But you were lying about your alibi. | 0:37:21 | 0:37:24 | |
You tell us why you're lying and we will eliminate you as suspects. | 0:37:24 | 0:37:28 | |
-We have a competition to get back to. -Yes. | 0:37:28 | 0:37:31 | |
Either arrest us or let us go. | 0:37:31 | 0:37:34 | |
OK. Fine, go. We'll talk to you again. | 0:37:35 | 0:37:38 | |
Thank you. | 0:37:41 | 0:37:42 | |
OK, we need to run down where they were | 0:37:44 | 0:37:47 | |
that night and the night that Stefan died. | 0:37:47 | 0:37:49 | |
We need to see if there are any more cracks in their alibi | 0:37:49 | 0:37:52 | |
-and why they're lying. -Definitely. | 0:37:52 | 0:37:55 | |
We should get right on that in a few hours. | 0:37:55 | 0:37:57 | |
A few hours? What's wrong with now? | 0:37:57 | 0:38:00 | |
I think maybe at the contest I might pick up a few clues about the case. | 0:38:00 | 0:38:04 | |
-That sort of thing. -Or you might cook Chef Randall, our chief suspect, | 0:38:04 | 0:38:08 | |
something that he loves because you're insanely competitive. | 0:38:08 | 0:38:12 | |
-I'll let you eat whatever I cook. -Done. | 0:38:12 | 0:38:14 | |
HE EXHALES SHARPLY | 0:38:18 | 0:38:20 | |
We tasted Sue's dessert earlier on and that set the standard to beat. | 0:38:20 | 0:38:25 | |
And remember, while I am tasting the bitterness of dark chocolate, | 0:38:25 | 0:38:30 | |
one of you will be tasting the bitterness... | 0:38:30 | 0:38:33 | |
..of defeat. | 0:38:36 | 0:38:37 | |
He must think those up. | 0:38:41 | 0:38:43 | |
Huh? He must think those up while he's at home, | 0:38:43 | 0:38:46 | |
mean things to say about food. | 0:38:46 | 0:38:48 | |
-It's like you don't care. -No, I do. I want this more than anything. | 0:38:51 | 0:38:54 | |
If that's creme anglaise, then I'm an old Chinese obstetrician. | 0:38:54 | 0:38:58 | |
Embarrassing! | 0:38:58 | 0:38:59 | |
In fact, I need something to take the taste out of my mouth. | 0:38:59 | 0:39:02 | |
Coffee me. | 0:39:02 | 0:39:04 | |
Get me my damn espresso! | 0:39:11 | 0:39:14 | |
CROCKERY RATTLES | 0:39:14 | 0:39:16 | |
It's like swimming through treacle! | 0:39:16 | 0:39:19 | |
Next up... | 0:39:26 | 0:39:28 | |
Now, I'm hoping for something, anything, just something I can eat. | 0:39:29 | 0:39:33 | |
Presentation - first-class. | 0:39:35 | 0:39:38 | |
Do you know what, please, just tell me what you think. | 0:39:48 | 0:39:51 | |
I actually can't take it. Do you like it? | 0:39:51 | 0:39:54 | |
You don't... I put cinnamon in, which I know is controversial. | 0:39:54 | 0:39:59 | |
There's too much cinnamon isn't there? I knew it, I knew it! | 0:40:00 | 0:40:03 | |
Stupid, stupid, stupid! | 0:40:03 | 0:40:04 | |
This dish... | 0:40:04 | 0:40:06 | |
HE SPLUTTERS | 0:40:06 | 0:40:07 | |
-Chef! Chef! -Oh, my God! | 0:40:07 | 0:40:10 | |
-What the hell did you put in that? -Cinnamon. | 0:40:10 | 0:40:14 | |
Cinnamon!? | 0:40:14 | 0:40:15 | |
'Deadly delicious!' | 0:40:15 | 0:40:18 | |
-Will you stop doing headlines? -Pastries to die for! | 0:40:18 | 0:40:21 | |
I didn't kill Robert Randall. | 0:40:21 | 0:40:24 | |
No, she didn't. | 0:40:24 | 0:40:26 | |
Oh, Naz, thank God! What the hell's going on? | 0:40:26 | 0:40:29 | |
Randall's in hospital. | 0:40:29 | 0:40:30 | |
They've flushed out his system and he's going to live. | 0:40:30 | 0:40:33 | |
SHE SIGHS | 0:40:33 | 0:40:34 | |
And it wasn't my fault? | 0:40:34 | 0:40:36 | |
Hey, I tasted your tarte au citron. It was a-maz-ing! | 0:40:36 | 0:40:41 | |
Just the right hint of lemon. How did you get the base so buttery? | 0:40:41 | 0:40:44 | |
-Well Tony told me ... -Hey, | 0:40:44 | 0:40:46 | |
I never thought I'd say this, but can we talk about the case, please? | 0:40:46 | 0:40:49 | |
Sure, Jack. We've been testing all the food Randall was trying. | 0:40:49 | 0:40:55 | |
And we've got a positive result. | 0:40:55 | 0:40:57 | |
We found a nasty bacteria, a strain of botulism. | 0:40:57 | 0:41:00 | |
Cheers, Tony. | 0:41:00 | 0:41:02 | |
-Oh, right. So, it was an accident? -Oh, no. | 0:41:02 | 0:41:04 | |
A strain that virulent has to be artificially introduced. | 0:41:04 | 0:41:08 | |
Especially when it's found in espresso. | 0:41:08 | 0:41:10 | |
It was in the coffee? | 0:41:10 | 0:41:12 | |
Yep. | 0:41:12 | 0:41:13 | |
BOTH: Sue! | 0:41:15 | 0:41:16 | |
Sue tried to kill me? | 0:41:16 | 0:41:18 | |
She brought the cup straight to you. Nobody else touched it. We both saw. | 0:41:19 | 0:41:24 | |
Sue?! | 0:41:24 | 0:41:25 | |
-I can't ... -We would have found out a lot sooner | 0:41:26 | 0:41:29 | |
if you hadn't provided false alibis for each other. | 0:41:29 | 0:41:33 | |
I can't believe that! | 0:41:33 | 0:41:34 | |
The thing is the night that Alison died, | 0:41:36 | 0:41:40 | |
I was with another woman | 0:41:40 | 0:41:43 | |
and I didn't want my wife finding out. | 0:41:43 | 0:41:45 | |
So you pretended that you were with Sue, | 0:41:45 | 0:41:48 | |
even though you had no idea where she was? | 0:41:48 | 0:41:51 | |
We chefs tend to stick together. | 0:41:51 | 0:41:53 | |
I thought she was stepping in to help me out. | 0:41:53 | 0:41:55 | |
I had no idea she was covering her own tracks. | 0:41:55 | 0:41:58 | |
-Well, we can't prove that at the moment. -She's not under arrest? | 0:41:59 | 0:42:03 | |
The case against Sue is circumstantial. | 0:42:03 | 0:42:05 | |
The bacteria could have occurred naturally. | 0:42:05 | 0:42:07 | |
Or been introduced into the cup itself earlier. | 0:42:07 | 0:42:10 | |
We'll find something on her. | 0:42:10 | 0:42:11 | |
I just can't believe she killed those poor people. | 0:42:13 | 0:42:17 | |
I mean, I barely knew them. | 0:42:17 | 0:42:20 | |
But those poor, young people. | 0:42:20 | 0:42:22 | |
I mean, Stefan. Intense boy. | 0:42:22 | 0:42:26 | |
Alison... | 0:42:26 | 0:42:27 | |
I mean, so talented and so beautiful. | 0:42:27 | 0:42:31 | |
And her blog was something else, it really was. | 0:42:31 | 0:42:35 | |
But she wasn't above using a bread maker. | 0:42:35 | 0:42:37 | |
So she kept her feet on the ground, or so it seems. | 0:42:37 | 0:42:41 | |
-Hello, Mr Randall. -Hello. | 0:42:41 | 0:42:43 | |
Er, Robert, there was one thing. | 0:42:45 | 0:42:48 | |
Right before all this happened. You said, "This dish is..." | 0:42:48 | 0:42:51 | |
when you tasted my lemon tart. What was that last word? | 0:42:51 | 0:42:55 | |
-Promising. -Promising? | 0:42:57 | 0:42:59 | |
For an amateur. | 0:42:59 | 0:43:01 | |
Right. Thank you. | 0:43:01 | 0:43:04 | |
Get well. | 0:43:04 | 0:43:06 | |
So, we'll try and trace Sue's whereabouts | 0:43:09 | 0:43:13 | |
on the nights Stefan and Alison died. | 0:43:13 | 0:43:16 | |
Review all the CCTV footage and re-canvas all the witnesses. | 0:43:16 | 0:43:19 | |
-Sounds like a plan? -Yeah. | 0:43:19 | 0:43:21 | |
Hey, what's the matter. | 0:43:23 | 0:43:25 | |
-I don't know. It just seems... -What? | 0:43:25 | 0:43:27 | |
It seems like we're missing something. | 0:43:28 | 0:43:30 | |
You know, we still don't know how all the murders are related. | 0:43:30 | 0:43:33 | |
There has to be something. | 0:43:33 | 0:43:35 | |
Hey, no! | 0:43:40 | 0:43:41 | |
-Never take case files home with you. -Why? | 0:43:41 | 0:43:44 | |
Because it's depressing and unhealthy. | 0:43:44 | 0:43:47 | |
And sometimes, when you leave them lying around, | 0:43:47 | 0:43:50 | |
the girl that you're seeing opens them up | 0:43:50 | 0:43:52 | |
and you discover that she's morbidly aroused by crime scene photos | 0:43:52 | 0:43:56 | |
and then you've got to break up with her, but only after you've done | 0:43:56 | 0:43:59 | |
some weird shit that you'd really rather not talk about. | 0:43:59 | 0:44:01 | |
Or...something along those lines. | 0:44:03 | 0:44:06 | |
Hey, look. Relax. We know who did it. | 0:44:08 | 0:44:11 | |
By the end of the week, we'll have enough evidence to arrest her. | 0:44:11 | 0:44:16 | |
Here, something for you. | 0:44:16 | 0:44:18 | |
Randall's utility belt! | 0:44:18 | 0:44:21 | |
Yeah, the paramedic got it off Randall in the ambulance. | 0:44:21 | 0:44:23 | |
-Don't worry, he'll never know it's missing. -Thanks. | 0:44:23 | 0:44:27 | |
Hey, listen. | 0:44:27 | 0:44:29 | |
I won't tell anyone about it as long as you keep cooking for Beth. | 0:44:29 | 0:44:33 | |
You do know that is crazy, don't you? | 0:44:33 | 0:44:35 | |
What if you get married one day? | 0:44:35 | 0:44:37 | |
You can't have me dropping off your Sunday lunch | 0:44:37 | 0:44:39 | |
through the back window. | 0:44:39 | 0:44:40 | |
She's going to find out you're a chauvinist liar | 0:44:40 | 0:44:42 | |
who has never cooked for her. | 0:44:42 | 0:44:44 | |
Maybe. In the meantime, I want as much sex with her as possible. | 0:44:44 | 0:44:49 | |
-This is Sue Goretti. -Aye. I recognise her from the telly. | 0:44:51 | 0:44:56 | |
Why? Is she the killer? | 0:44:56 | 0:44:59 | |
Well, she's our chief suspect. | 0:45:00 | 0:45:02 | |
Leo! I can't find the socket for the... | 0:45:02 | 0:45:05 | |
George! | 0:45:06 | 0:45:08 | |
-What are you doing here? -Me? I'm just... | 0:45:10 | 0:45:13 | |
He's helping me with a new security system. | 0:45:13 | 0:45:15 | |
After what happened with Alison, you can't be too careful. | 0:45:15 | 0:45:18 | |
-Hang on, hang on! -I knew it! I knew the minute | 0:45:20 | 0:45:23 | |
you just turned up at my flat that you wanted something! | 0:45:23 | 0:45:26 | |
George, I'm just trying to make a living. | 0:45:26 | 0:45:28 | |
By ambulance chasing my cases?! | 0:45:28 | 0:45:31 | |
You went through my case files and you knew that the husband | 0:45:31 | 0:45:34 | |
of a murder victim would be the perfect customer for you. | 0:45:34 | 0:45:37 | |
You cannot go around using private confidential police information. | 0:45:37 | 0:45:40 | |
If this got out, it could ruin my career! | 0:45:40 | 0:45:42 | |
-Well, that's not going to happen. -How do you know that? | 0:45:42 | 0:45:45 | |
Jack, do me a favour, talk some sense into her, would you? | 0:45:45 | 0:45:49 | |
Actually, er... | 0:45:50 | 0:45:52 | |
I'm with my partner on this one. | 0:45:52 | 0:45:54 | |
Are you serious? | 0:45:54 | 0:45:56 | |
Yeah. Afraid so, mate. | 0:45:56 | 0:45:58 | |
Oh, I see! | 0:46:02 | 0:46:04 | |
Thank you. | 0:46:08 | 0:46:10 | |
That's OK. | 0:46:11 | 0:46:13 | |
Weren't we supposed to meet at Tony's? | 0:46:25 | 0:46:27 | |
I thought I'd drop off some pastries for Beth. | 0:46:27 | 0:46:29 | |
-She is here, right? -Yeah, but... -She appreciates my cooking, Jack. | 0:46:29 | 0:46:33 | |
It's the least I could do. | 0:46:33 | 0:46:34 | |
Right? Did you, did you get any sleep last night? | 0:46:34 | 0:46:37 | |
No, but I'm fine. I'm totally fine. | 0:46:37 | 0:46:39 | |
Yeah? You're drinking coffee now. How much have you had this morning? | 0:46:39 | 0:46:42 | |
Some, but I didn't feel like sleeping and so I cooked | 0:46:42 | 0:46:45 | |
and I drank coffee, but I'm fine. | 0:46:45 | 0:46:47 | |
Really? This is the second night in a row that you haven't slept. | 0:46:47 | 0:46:50 | |
And you're practically doing star jumps in my kitchen. | 0:46:50 | 0:46:54 | |
Er, these look ni... | 0:46:54 | 0:46:55 | |
Can you just come and stand here! You're making me nervous. | 0:46:55 | 0:46:59 | |
Yeah. | 0:46:59 | 0:47:01 | |
Jesus! | 0:47:01 | 0:47:03 | |
So, did you make all these by hand? | 0:47:03 | 0:47:05 | |
Of course. No chef worth their salt would use a bread maker. | 0:47:05 | 0:47:08 | |
Bread maker? | 0:47:10 | 0:47:11 | |
Hold on. | 0:47:12 | 0:47:14 | |
What's Alison Clarke's blog called again? | 0:47:15 | 0:47:17 | |
Ready Or Gnocchi. Why? | 0:47:17 | 0:47:19 | |
-What are you thinking? -I'm thinking I may have just solved the crime. | 0:47:19 | 0:47:22 | |
No more coffee, all right? | 0:47:24 | 0:47:27 | |
Thank you for coming everyone. | 0:47:30 | 0:47:32 | |
This hopefully won't take long. | 0:47:32 | 0:47:35 | |
It's been a traumatic few days. | 0:47:35 | 0:47:38 | |
Sadly, the trauma isn't over yet. Almost, but not quite. | 0:47:38 | 0:47:42 | |
In the immortal words of Jon Bon Jovi, "Whoa, we're halfway there." | 0:47:42 | 0:47:47 | |
You know this whole thing has been about food. | 0:47:50 | 0:47:53 | |
Which is why, I've taken the liberty, | 0:47:53 | 0:47:55 | |
of preparing a bowl of risotto for you all. | 0:47:55 | 0:47:58 | |
If you'll excuse me. | 0:47:58 | 0:48:00 | |
Huh! | 0:48:00 | 0:48:02 | |
OK. | 0:48:04 | 0:48:07 | |
Voila! | 0:48:07 | 0:48:09 | |
Please, enjoy. | 0:48:09 | 0:48:12 | |
You made this yourself? | 0:48:12 | 0:48:15 | |
I made it from some stuff I had left in my fridge. | 0:48:15 | 0:48:18 | |
Some old sausages and a jar of weird shit | 0:48:18 | 0:48:20 | |
I got in Berlin a few years ago. | 0:48:20 | 0:48:22 | |
That's right, help yourselves. Don't be shy. | 0:48:25 | 0:48:28 | |
-You made this? -Uh-huh. | 0:48:29 | 0:48:33 | |
-But it's absolutely sensational! -Oh, come on! | 0:48:33 | 0:48:37 | |
No, really. It is. | 0:48:37 | 0:48:38 | |
Hey, you think that's good? You should try my toad in the hole. | 0:48:38 | 0:48:43 | |
Maybe it's so good, because I used some of Chef Randall's | 0:48:43 | 0:48:48 | |
speciality salt in it. | 0:48:48 | 0:48:50 | |
In fact, I used quite a lot. | 0:48:50 | 0:48:53 | |
Hmm, I think you'll find it's not commercially available yet. | 0:48:53 | 0:48:56 | |
Mm-hm, I know. That's why I used the salt from your utility belt. | 0:48:58 | 0:49:01 | |
-My salt? -Mm-hm. | 0:49:01 | 0:49:04 | |
-My personal salt? -That's right. -From my utility belt? | 0:49:04 | 0:49:08 | |
Yep. What's wrong, Chef Randall? | 0:49:08 | 0:49:11 | |
-I thought you liked it. -I need to go to hospital. | 0:49:11 | 0:49:13 | |
-Could somebody call me an ambulance, please? -Why? | 0:49:13 | 0:49:16 | |
That salt has a bacteria in it. | 0:49:17 | 0:49:21 | |
It's a strain of botulism. | 0:49:22 | 0:49:24 | |
We need to go and get treatment immediately, | 0:49:24 | 0:49:26 | |
-otherwise we're all going to die. -Chef Randall. | 0:49:26 | 0:49:29 | |
How do you know that it's got bacteria in it? | 0:49:29 | 0:49:31 | |
Because I put it in there, OK! | 0:49:31 | 0:49:33 | |
-Oh? -Oh, God! | 0:49:33 | 0:49:36 | |
-I need to go to hospital! I need to... -Chef Randall, It's OK! | 0:49:36 | 0:49:39 | |
It's OK, I lied! | 0:49:39 | 0:49:41 | |
I didn't put your salt in the risotto. | 0:49:41 | 0:49:43 | |
It's OK! | 0:49:43 | 0:49:46 | |
I feel all hot and sweaty. I can't breathe. | 0:49:46 | 0:49:49 | |
I know, I know. | 0:49:49 | 0:49:50 | |
It's amazing the tricks your mind plays on you. | 0:49:50 | 0:49:53 | |
I mean, take me for instance. I used to think Coldplay were good. | 0:49:53 | 0:49:57 | |
I mean, how is that possible? | 0:49:57 | 0:49:59 | |
It was all to divert suspicion from the first murder - Alison. | 0:49:59 | 0:50:02 | |
That's why you infected yourself. | 0:50:02 | 0:50:05 | |
That's why you murdered Stefan. He was doing well in the contest. | 0:50:05 | 0:50:08 | |
You needed to make sure it looked like that was the killer's motive. | 0:50:08 | 0:50:11 | |
I feel a wee bit better now. | 0:50:14 | 0:50:15 | |
-How did you know it was me? -When you talked about Alison, | 0:50:20 | 0:50:23 | |
you talked about her bread maker. She never mentioned it on her blog. | 0:50:23 | 0:50:27 | |
And no chef worth their salt would ever admit to using one. | 0:50:27 | 0:50:31 | |
You knew she had one, because you'd been in her kitchen. | 0:50:32 | 0:50:35 | |
Then it was just a matter of making a killer risotto | 0:50:35 | 0:50:37 | |
and forcing a confession. | 0:50:37 | 0:50:39 | |
You didn't go there intending to kill Alison. | 0:50:40 | 0:50:43 | |
The blow to the back of the head suggests it was spur of the moment. | 0:50:43 | 0:50:46 | |
So what happened, Randall? | 0:50:46 | 0:50:48 | |
I went to her house, | 0:50:48 | 0:50:51 | |
to tell her how fantastic her meal had been. | 0:50:51 | 0:50:54 | |
That she was a certainty to win the competition. | 0:50:54 | 0:50:57 | |
And then, just as one chef to another, I asked her for her recipe. | 0:50:57 | 0:51:01 | |
And she refused. | 0:51:01 | 0:51:04 | |
In fact, she laughed in my face. | 0:51:04 | 0:51:07 | |
She said I was a has-been. | 0:51:07 | 0:51:09 | |
That she'd only entered the competition | 0:51:09 | 0:51:11 | |
to write about it on her blog. | 0:51:11 | 0:51:13 | |
That my recipes were from the 1980s, | 0:51:13 | 0:51:16 | |
that she had no intention of working for me, | 0:51:16 | 0:51:20 | |
that I was a joke. She laughed at me! | 0:51:20 | 0:51:23 | |
And you don't take no for an answer, do you? | 0:51:23 | 0:51:25 | |
So you hit her. You hit her hard. | 0:51:25 | 0:51:27 | |
And when you realised that she was dead, | 0:51:27 | 0:51:30 | |
you panicked, didn't you? | 0:51:30 | 0:51:32 | |
You wrote a message on the wall in tomato sauce | 0:51:32 | 0:51:34 | |
so it looked like the crime was about the contest. | 0:51:34 | 0:51:36 | |
As for Stefan, who knows why you chose him. | 0:51:36 | 0:51:40 | |
Maybe because he was weird. I'd have chosen him too. | 0:51:40 | 0:51:43 | |
It was easy enough to frame Sue. | 0:51:43 | 0:51:45 | |
All you had to do was slip a bit of salt into your espresso | 0:51:45 | 0:51:50 | |
before you drink it. | 0:51:50 | 0:51:51 | |
Chef Randall... | 0:51:53 | 0:51:55 | |
Your goose is cooked and served. | 0:51:55 | 0:51:59 | |
Nice! | 0:52:00 | 0:52:03 | |
What's wrong? | 0:52:07 | 0:52:10 | |
I think I'm just having a massive coffee comedown. | 0:52:10 | 0:52:13 | |
Well, do you mind doing it later? | 0:52:13 | 0:52:15 | |
I've got a home-made breakfast and a woman waiting for me. | 0:52:15 | 0:52:19 | |
Oh, shit. | 0:52:19 | 0:52:20 | |
-Oh shit, shit, shit! -What, what, what? | 0:52:22 | 0:52:26 | |
The croissants I made this morning! | 0:52:26 | 0:52:28 | |
I used the salt from Randall's utility belt! | 0:52:28 | 0:52:30 | |
-The one you gave me. -Oh, my God, Beth! Come on, let's go! | 0:52:30 | 0:52:34 | |
SIRENS WAIL | 0:52:36 | 0:52:39 | |
Come on, pick up, pick up, pick up! | 0:52:42 | 0:52:45 | |
MOBILE PHONE BUZZES | 0:52:45 | 0:52:47 | |
-Shit! -Look, maybe she's not up yet. | 0:52:50 | 0:52:52 | |
Or maybe she's writhing around in agony from your poison pastry! | 0:52:52 | 0:52:55 | |
What!? Oh, you are joking! | 0:53:07 | 0:53:11 | |
Screw this! | 0:53:11 | 0:53:13 | |
-What are you doing? -Well, I'm not getting a 99, am I!? | 0:53:13 | 0:53:17 | |
Beth! Beth? Beth? | 0:53:17 | 0:53:22 | |
Oh, my God, Beth. | 0:53:24 | 0:53:26 | |
No, no, please! | 0:53:26 | 0:53:28 | |
Oh, my God. Oh, my God. | 0:53:28 | 0:53:31 | |
THEY SCREAM | 0:53:31 | 0:53:33 | |
-What are you doing?! -Why didn't you answer me? | 0:53:33 | 0:53:36 | |
I was doing my relaxation exercises. | 0:53:36 | 0:53:39 | |
OK, did you eat any of the croissants? | 0:53:39 | 0:53:41 | |
What? Oh, yeah. Mmm, delicious. As always. | 0:53:41 | 0:53:43 | |
-Right come on. -What? -We've got to go to the hospital. | 0:53:43 | 0:53:46 | |
-I'll explain, come on! -Did you eat anything? | 0:53:46 | 0:53:48 | |
-Yes, she ate a croissant. -Can someone tell me | 0:53:48 | 0:53:51 | |
what the hell is going on? | 0:53:51 | 0:53:52 | |
-The croissant you ate was poisoned. -What?! | 0:53:52 | 0:53:55 | |
I made the croissant, all the food Jack says he's cooked for you. | 0:53:55 | 0:53:58 | |
He passed it off as his own. | 0:53:58 | 0:53:59 | |
The salt I used happens to contain a nasty strain of bacteria, | 0:53:59 | 0:54:03 | |
which I must point out I had no idea about... | 0:54:03 | 0:54:06 | |
OK, so you didn't cook anything? | 0:54:06 | 0:54:09 | |
I'll explain later. Can we first just save your life, please? | 0:54:10 | 0:54:14 | |
-Wait, wait, wait. I didn't eat the croissant. -You what? | 0:54:14 | 0:54:17 | |
-I threw it away. -You threw it away? | 0:54:17 | 0:54:20 | |
And then I put the crumbs on the plate | 0:54:20 | 0:54:22 | |
to make it look like I'd eaten it. | 0:54:22 | 0:54:25 | |
I don't understand. | 0:54:28 | 0:54:29 | |
OK, er... | 0:54:29 | 0:54:31 | |
Truth is, I don't really like your food, Jack. | 0:54:31 | 0:54:36 | |
-Or rather -YOUR -food. Sorry. | 0:54:36 | 0:54:38 | |
I just said I liked it so you would want to sleep with me. | 0:54:40 | 0:54:44 | |
But Beth, with an arse like yours, I'd have slept with you anyway. | 0:54:45 | 0:54:50 | |
-Oh! -Come here! | 0:54:50 | 0:54:53 | |
Don't be silly. | 0:54:53 | 0:54:55 | |
Hang on, hang on, hang on. | 0:54:55 | 0:54:58 | |
So...so you didn't like my food? | 0:54:58 | 0:54:59 | |
That's just personal taste. | 0:54:59 | 0:55:01 | |
It's not you, it's me. | 0:55:01 | 0:55:04 | |
That's fine. It's fine. I just... | 0:55:04 | 0:55:07 | |
I think I thought we made a connection, you know. | 0:55:07 | 0:55:10 | |
-It seems I was wrong. -Oh, God. Please don't cry. | 0:55:10 | 0:55:13 | |
I'm sorry! | 0:55:13 | 0:55:14 | |
I haven't slept in a really long time | 0:55:14 | 0:55:16 | |
and I'm having a very serious coffee come down. | 0:55:16 | 0:55:19 | |
I think this is goodbye. | 0:55:22 | 0:55:24 | |
OK? | 0:55:25 | 0:55:26 | |
I'd better just go and... | 0:55:30 | 0:55:32 | |
Georgina? Georgina! | 0:55:32 | 0:55:34 | |
KNOCK ON DOOR | 0:55:47 | 0:55:49 | |
Coming! | 0:55:50 | 0:55:52 | |
Hey. | 0:55:54 | 0:55:56 | |
Hurry up, will you? I'm parked on a double yellow. | 0:55:56 | 0:55:59 | |
-Wow, you look different. -Thanks, I was going for different. | 0:56:03 | 0:56:06 | |
You were right, | 0:56:06 | 0:56:08 | |
I need to get a life outside work. | 0:56:08 | 0:56:10 | |
By the way, could you possibly rustle up | 0:56:12 | 0:56:14 | |
one of those lasagnes for me? | 0:56:14 | 0:56:17 | |
No, I'm done cooking for you so that you can get your end away. Out! | 0:56:17 | 0:56:20 | |
I'll get a takeout! | 0:56:20 | 0:56:22 | |
-Keys! -Sorry? -I think I feel like driving today. | 0:56:25 | 0:56:30 | |
Whoa, whoa, whoa. I'm not comfortable with other people | 0:56:30 | 0:56:32 | |
-driving the Golden Lady. -I promise I'll treat her exactly as you would. | 0:56:32 | 0:56:35 | |
OK, but listen. None of that fancy police driving, OK? | 0:56:35 | 0:56:40 | |
Why am I letting you do this? | 0:56:46 | 0:56:48 | |
Whoa! | 0:56:48 | 0:56:50 | |
So, you and Beth. | 0:56:50 | 0:56:53 | |
-How's that all going? -Er, it's over. | 0:56:53 | 0:56:58 | |
-Three shags and then out. -What? | 0:56:58 | 0:57:00 | |
-After all that? -Yep. | 0:57:00 | 0:57:02 | |
I mean, she was pretty and she was kind of fun, | 0:57:03 | 0:57:06 | |
but at the end of the day she lied to me. | 0:57:06 | 0:57:08 | |
She lied about enjoying my food and I cannot be with a woman who lies. | 0:57:08 | 0:57:13 | |
It wasn't even your food. It was my food. | 0:57:13 | 0:57:17 | |
OK, so you're going to break up with her for being a liar, | 0:57:17 | 0:57:21 | |
-even though you're a bigger liar? -Yeah, basically. | 0:57:21 | 0:57:24 | |
-What? -Nothing. | 0:57:25 | 0:57:28 | |
You're just funny. | 0:57:28 | 0:57:29 | |
Thanks. | 0:57:32 | 0:57:34 | |
I think? | 0:57:34 | 0:57:36 | |
Ooh? | 0:57:36 | 0:57:39 | |
Whoa, whoa, whoa! | 0:57:39 | 0:57:41 | |
Whoa! | 0:57:41 | 0:57:43 | |
What the hell are you doing? | 0:57:43 | 0:57:45 | |
What did you do that for?! | 0:57:46 | 0:57:48 | |
Oh, right. | 0:57:50 | 0:57:52 | |
OK, I get it. So that's why you wanted to drive my car. | 0:57:52 | 0:57:56 | |
How do I look? | 0:57:56 | 0:57:59 | |
Yeah, do-able. | 0:57:59 | 0:58:01 | |
Good enough. | 0:58:01 | 0:58:02 | |
You're paying for that by the way! | 0:58:08 | 0:58:09 | |
We're just here to investigate the brutal murder of their headmaster. | 0:58:24 | 0:58:28 | |
This is a prestigious school, detective. | 0:58:28 | 0:58:30 | |
-Headmaster rejects a child, Mum gets angry... -Are you spying on us? | 0:58:30 | 0:58:33 | |
I'm knitting an egg cosy for my mother. You got a problem with that? | 0:58:33 | 0:58:36 | |
-Your mum and I are getting divorced. -'Marriage is really over-rated.' | 0:58:36 | 0:58:39 | |
I mean, why get married when you can just find a woman you hate | 0:58:39 | 0:58:43 | |
-and buy her a house? -She is a suspect in an on-going murder investigation! | 0:58:43 | 0:58:46 | |
Woah, whoa! It's just dinner. | 0:58:46 | 0:58:48 | |
-Miss, are you going to give him a detention? -That's not a bad idea. | 0:58:48 | 0:58:52 | |
Someone's trying to poison you. | 0:58:52 | 0:58:53 | |
Oh, my God, Jack! Jack! | 0:58:53 | 0:58:54 | |
Subtitles by Red Bee Media Ltd | 0:59:21 | 0:59:24 |