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Good evening, I'm the Head of the BBC. | 0:00:02 | 0:00:03 | |
Due to some viewer complaints about swearing, I'd like to reassure you | 0:00:03 | 0:00:06 | |
than any offensive language in tonight's show has been substituted. | 0:00:06 | 0:00:10 | |
For example, some people find "bloody" offensive. | 0:00:10 | 0:00:14 | |
So, instead, we'd say "ruddy". | 0:00:14 | 0:00:16 | |
This is something we, the BBC, | 0:00:16 | 0:00:18 | |
must do to appease all those self-righteous duckheads. | 0:00:18 | 0:00:22 | |
The fact that we have to make these funking substitutions | 0:00:22 | 0:00:25 | |
is a steaming pile of bullfrog | 0:00:25 | 0:00:27 | |
and to me, personally, it's a giant pain in the aerosol. | 0:00:27 | 0:00:31 | |
After all, you only have to visit a pub or football terrace | 0:00:31 | 0:00:35 | |
to hear any Tom, Duck or Harry say, | 0:00:35 | 0:00:37 | |
"Funk this, funk that!" | 0:00:37 | 0:00:39 | |
"Kick him the bollards!" | 0:00:39 | 0:00:41 | |
Or, "The referee is a complete and utter tossed salad." | 0:00:41 | 0:00:45 | |
But, of course, here at the BBC, | 0:00:45 | 0:00:47 | |
the last thing we want to do is get on anyone's tittle-tattles. | 0:00:47 | 0:00:50 | |
Even if they are a whining fudgewit. | 0:00:50 | 0:00:54 | |
Now, duck off, you annoying winkers, and enjoy the trucking show. | 0:00:54 | 0:00:58 | |
Our kingdoms will become entwined | 0:01:21 | 0:01:25 | |
as our bodies may be in lust. | 0:01:25 | 0:01:27 | |
You bring out the dragon in me, Ingabord. | 0:01:27 | 0:01:31 | |
Then let us see how this troublesome beast... | 0:01:31 | 0:01:35 | |
may be tamed. | 0:01:35 | 0:01:36 | |
Cut. | 0:01:40 | 0:01:41 | |
OK, we're going to do the naked part now, so bring out the body doubles. | 0:01:41 | 0:01:45 | |
Right, how do you want me to start off, on me back or on all fours? | 0:01:52 | 0:01:57 | |
Who's that? | 0:01:58 | 0:02:00 | |
That's your body double. Mick. | 0:02:00 | 0:02:02 | |
I'm just going to line up the next shot. | 0:02:02 | 0:02:04 | |
-You're my body double? -Yes, love. | 0:02:05 | 0:02:08 | |
You are joking. | 0:02:08 | 0:02:10 | |
-Well, it's good news for you. -How's that? | 0:02:10 | 0:02:12 | |
Well, everyone will see my smokin' hot bod and assume it's yours. | 0:02:12 | 0:02:16 | |
Where's the director gone? Robert? | 0:02:16 | 0:02:18 | |
What's the problem, Amelia? | 0:02:18 | 0:02:20 | |
I'm Amelia. | 0:02:20 | 0:02:22 | |
You just look so alike. | 0:02:23 | 0:02:25 | |
I'm absolutely outraged that you would choose THAT as my body double. | 0:02:25 | 0:02:29 | |
-You're just jealous. -I'm not jealous. | 0:02:29 | 0:02:31 | |
Please, Amelia, calm down. | 0:02:31 | 0:02:33 | |
Look, I know there's an elephant in the room.... | 0:02:33 | 0:02:36 | |
-Don't call her that, not to her face. -How dare you! | 0:02:36 | 0:02:39 | |
The elephant in the room is that your double is a lot younger. | 0:02:39 | 0:02:42 | |
And...thinner. | 0:02:42 | 0:02:45 | |
-And I got a better rack. -No, you haven't. | 0:02:45 | 0:02:48 | |
You look like a gorilla, you're all covered in body hair. | 0:02:48 | 0:02:51 | |
Make-up actually stuck all this on me, to make me look more like you. | 0:02:51 | 0:02:54 | |
Right, that's it, I'll just do the nude scene myself, OK? | 0:02:54 | 0:02:57 | |
-What? -It's just...nudity's a big part of the show. | 0:03:00 | 0:03:04 | |
What else are nerds are going to knock one out to? | 0:03:04 | 0:03:07 | |
They can knock one out to me! | 0:03:07 | 0:03:09 | |
-Ah... -What? | 0:03:09 | 0:03:11 | |
Mm... | 0:03:11 | 0:03:13 | |
With the best will in the world it would be quite a struggle. | 0:03:13 | 0:03:15 | |
How dare you! | 0:03:15 | 0:03:17 | |
Amelia, we need to do a take. Places, everyone. | 0:03:17 | 0:03:20 | |
Right, let's keep this nice and professional, mate, yeah? | 0:03:20 | 0:03:23 | |
No getting over-excited. | 0:03:23 | 0:03:24 | |
HE GROANS | 0:03:24 | 0:03:26 | |
And...action! | 0:03:28 | 0:03:30 | |
Let's see how this troublesome beast may be tamed. | 0:03:30 | 0:03:33 | |
Oh, that's nice. | 0:03:35 | 0:03:37 | |
MOANING AND GROANING | 0:03:37 | 0:03:38 | |
Cut! | 0:03:38 | 0:03:40 | |
That...was...stunning. | 0:03:43 | 0:03:45 | |
Thank you. | 0:03:45 | 0:03:47 | |
Right, that's it. | 0:03:47 | 0:03:49 | |
I'm walking off the set. You can find someone else to play my role. | 0:03:49 | 0:03:53 | |
Good luck finishing the series without me. | 0:03:53 | 0:03:55 | |
What do I do now? | 0:03:57 | 0:03:59 | |
Will you consider taking on Amelia's role as Ingabord? | 0:04:00 | 0:04:04 | |
Yes. | 0:04:04 | 0:04:06 | |
But I would need a clause in my contract. | 0:04:06 | 0:04:08 | |
What's that? | 0:04:08 | 0:04:09 | |
I want to be nude at all times. | 0:04:09 | 0:04:11 | |
Sure! | 0:04:11 | 0:04:14 | |
-Let's go for a take. -Right. | 0:04:14 | 0:04:17 | |
Good evening and welcome to What's She Cross About? | 0:04:20 | 0:04:24 | |
The game show that tests how much you really know about your partner. | 0:04:24 | 0:04:27 | |
Playing tonight are a couple who've just celebrated | 0:04:27 | 0:04:30 | |
their 20th wedding anniversary - Julie and Peter Evans! | 0:04:30 | 0:04:33 | |
-Welcome to the show. -Hello. -Hi. | 0:04:40 | 0:04:43 | |
So, Peter, you've got one minute to guess what your wife Julie | 0:04:45 | 0:04:48 | |
-is cross about. -She's not. -I am. | 0:04:48 | 0:04:51 | |
For everyone at home and our studio audience, | 0:04:51 | 0:04:54 | |
here's what Julie is cross about. | 0:04:54 | 0:04:56 | |
Right, peter, what's she cross about? | 0:04:58 | 0:05:01 | |
Is it that time I broke wind in front of your mother? | 0:05:01 | 0:05:03 | |
I thought that was her. | 0:05:03 | 0:05:05 | |
Is this about Megan from work? | 0:05:05 | 0:05:06 | |
-Who's Megan? -Nobody. | 0:05:06 | 0:05:08 | |
30 seconds. | 0:05:08 | 0:05:10 | |
-Is it something around the house? -Oh, it might be. | 0:05:10 | 0:05:12 | |
Is it that time I dropped your toothbrush down the toilet? | 0:05:12 | 0:05:15 | |
-What? When was that? -I didn't. -Time's running out, | 0:05:15 | 0:05:18 | |
we're going to have to hurry you. What is she cross about? | 0:05:18 | 0:05:20 | |
-Um...my internet search history? -Don't know your password. | 0:05:20 | 0:05:23 | |
Oh, thank God for that. | 0:05:23 | 0:05:25 | |
Ten seconds. What's she cross about? | 0:05:25 | 0:05:27 | |
Too much time in the pub! | 0:05:27 | 0:05:28 | |
Too little time in the pub! | 0:05:28 | 0:05:30 | |
Telling you to vote Leave! | 0:05:30 | 0:05:32 | |
Peeing in the sink! | 0:05:32 | 0:05:34 | |
GONG AND KLAXON | 0:05:34 | 0:05:36 | |
Time's up. Julie, please put Peter out of his misery. | 0:05:36 | 0:05:39 | |
What are you cross about? | 0:05:39 | 0:05:41 | |
He left a wet towel on the floor. | 0:05:42 | 0:05:45 | |
When was that? | 0:05:45 | 0:05:47 | |
2012. | 0:05:47 | 0:05:48 | |
-Well, why didn't you tell me then? -I shouldn't have to! | 0:05:50 | 0:05:52 | |
So, no points there, I'm afraid. | 0:05:52 | 0:05:55 | |
Time now to turn the tables as we play... | 0:05:55 | 0:05:58 | |
What's He Cross About? | 0:05:58 | 0:06:00 | |
For our viewers at home, let's see what Peter is cross about. | 0:06:00 | 0:06:03 | |
OK, Julie, one minute on the clock. | 0:06:07 | 0:06:09 | |
What's he cross about? | 0:06:09 | 0:06:10 | |
-Football. -BELL DINGS | 0:06:12 | 0:06:14 | |
Correct! See you after the break. | 0:06:14 | 0:06:17 | |
APPLAUSE | 0:06:17 | 0:06:19 | |
-KNOCK ON DOOR -Come in. | 0:06:28 | 0:06:30 | |
DOORKNOB RATTLES | 0:06:30 | 0:06:32 | |
Ah, Mr Ballcock, it's you. | 0:06:34 | 0:06:37 | |
Your knob's a bit stiff! | 0:06:37 | 0:06:39 | |
HE LAUGHS | 0:06:39 | 0:06:42 | |
That's quite enough of that. | 0:06:42 | 0:06:43 | |
Now, I've had a number of complaints from female members of staff | 0:06:43 | 0:06:48 | |
who you've made very uncomfortable with your lewd comments, | 0:06:48 | 0:06:51 | |
and I won't have it in my factory. | 0:06:51 | 0:06:52 | |
Where will you have it, then? | 0:06:52 | 0:06:53 | |
HE LAUGHS | 0:06:53 | 0:06:55 | |
I've had dozens of women in this office... | 0:06:55 | 0:06:57 | |
I bet you have, you dirty old man! HE LAUGHS | 0:06:57 | 0:07:00 | |
..so you'd better change your ways or you'll be facing | 0:07:00 | 0:07:02 | |
a sexual harassment tribunal. | 0:07:02 | 0:07:04 | |
Sexual? Corr! Harassment? Phwoar! | 0:07:04 | 0:07:07 | |
Tribunal? Don't know what it means, but PHWOAR! | 0:07:07 | 0:07:11 | |
Control yourself, Mr Ballcock! One more lewd comment from you | 0:07:11 | 0:07:14 | |
and I'll be forced to take serious action! | 0:07:14 | 0:07:17 | |
Tea lady! | 0:07:17 | 0:07:18 | |
Oh, yes, come in, Miss Jugs. | 0:07:18 | 0:07:21 | |
Mr Stern, your knob's a bit stiff. | 0:07:27 | 0:07:29 | |
I've got a fresh pot of tea, | 0:07:32 | 0:07:34 | |
-would you like me to give it to you right now? -Oh...! | 0:07:34 | 0:07:37 | |
Yes, I'd like you to give it to me right here on the desk. | 0:07:37 | 0:07:40 | |
Hm-hm-hm! | 0:07:40 | 0:07:41 | |
Mr Ballcock, would you like me to give you one? | 0:07:41 | 0:07:44 | |
Ahhhhh...! | 0:07:44 | 0:07:46 | |
Yes, he'll have a cup of tea. | 0:07:46 | 0:07:47 | |
How do you take it? | 0:07:47 | 0:07:49 | |
Ahhhhh...! | 0:07:49 | 0:07:51 | |
You're very quiet today, Mr Ballcock. | 0:07:51 | 0:07:53 | |
Are you feeling yourself? | 0:07:53 | 0:07:55 | |
Ho! Mmmm! | 0:07:55 | 0:07:57 | |
Control yourself, Mr Ballcock. | 0:07:57 | 0:07:59 | |
I said, are you feeling yourself today? | 0:07:59 | 0:08:01 | |
After seeing you, I'll be feeling myself later! | 0:08:03 | 0:08:06 | |
HE LAUGHS | 0:08:06 | 0:08:07 | |
-LAUGHING: -Saucy! | 0:08:07 | 0:08:09 | |
-Mr Ballcock! -I can't help meself! | 0:08:09 | 0:08:11 | |
Would you like to see my buns? | 0:08:11 | 0:08:13 | |
Oh, I've seen 'em already! | 0:08:13 | 0:08:14 | |
HE LAUGHS | 0:08:14 | 0:08:16 | |
-LAUGHING: -Saucy! | 0:08:16 | 0:08:18 | |
Sorry there's no cream on them. | 0:08:18 | 0:08:20 | |
Oh, I'll squirt some cream on 'em later! | 0:08:20 | 0:08:22 | |
HE LAUGHS | 0:08:22 | 0:08:23 | |
-LAUGHING: -Saucy! | 0:08:23 | 0:08:25 | |
Please, Miss Jugs! We've had complaints about you, too. | 0:08:25 | 0:08:29 | |
I'm trying to reform Mr Ballcock and you're making it harder. | 0:08:29 | 0:08:32 | |
It's hard enough already! | 0:08:32 | 0:08:33 | |
HE LAUGHS | 0:08:33 | 0:08:35 | |
-LAUGHING: -Saucy! | 0:08:35 | 0:08:37 | |
Please, Miss Jugs, I'm not sure you're grasping this. | 0:08:37 | 0:08:39 | |
Grasping! | 0:08:39 | 0:08:40 | |
-LAUGHING: -Saucy! | 0:08:40 | 0:08:42 | |
-Here's the bottom line. -Bottom! | 0:08:42 | 0:08:44 | |
HE LAUGHS | 0:08:44 | 0:08:45 | |
If this doesn't stop I'll be pulling you both off the factory floor! | 0:08:45 | 0:08:48 | |
Pulling you off! | 0:08:48 | 0:08:49 | |
-LAUGHING: -Saucy! -You'll get the sack! | 0:08:49 | 0:08:52 | |
Oh, ball sack, nut sack, testicle sack, d'you get it? | 0:08:52 | 0:08:55 | |
Not as often as I'd like to get it! | 0:08:55 | 0:08:57 | |
-LAUGHING: -Saucy! | 0:08:57 | 0:08:59 | |
Quite, the both of you! | 0:08:59 | 0:09:00 | |
I just want this factory to be a place where women can work without | 0:09:00 | 0:09:04 | |
having to deal with smutty remarks from the male members of staff. | 0:09:04 | 0:09:07 | |
BOTH: Male members! | 0:09:07 | 0:09:09 | |
THEY LAUGH | 0:09:09 | 0:09:10 | |
-LAUGHING: -Saucy! | 0:09:10 | 0:09:12 | |
I'm doing this for you, love! | 0:09:12 | 0:09:14 | |
Did you just call me "love"? | 0:09:17 | 0:09:18 | |
Yes. | 0:09:21 | 0:09:22 | |
Mr Stern... | 0:09:22 | 0:09:25 | |
..I'm appalled at your sexism. | 0:09:26 | 0:09:29 | |
I thought we'd moved on from a patriarchal society | 0:09:29 | 0:09:32 | |
that denigrates women. | 0:09:32 | 0:09:34 | |
As a feminist myself, | 0:09:35 | 0:09:37 | |
I find it deeply offensive | 0:09:37 | 0:09:39 | |
that you'd use a patronising and archaic term such as "love" | 0:09:39 | 0:09:43 | |
to describe this crackin' bit of crumpet. | 0:09:43 | 0:09:45 | |
I apologise unreservedly. | 0:09:47 | 0:09:49 | |
I'd appreciate it if you'd keep this close to your chest. | 0:09:49 | 0:09:52 | |
Well, I'd love to keep it close to her chest! | 0:09:52 | 0:09:54 | |
-LAUGHING: -Saucy! | 0:09:54 | 0:09:56 | |
-Breast! -Oh! | 0:09:56 | 0:09:58 | |
Ladies' bits! | 0:09:58 | 0:09:59 | |
-Men's willies! -Oh! | 0:09:59 | 0:10:01 | |
-LAUGHING: -Saucy! | 0:10:04 | 0:10:06 | |
Opera boyband Il Prima Donnas return with their brand-new album, | 0:10:06 | 0:10:11 | |
Songs Off Of Children's Telly. | 0:10:11 | 0:10:15 | |
# Oh! Byker Grove! | 0:10:15 | 0:10:18 | |
# Oh, Byker, Byker | 0:10:18 | 0:10:20 | |
# Byker Grove. # | 0:10:20 | 0:10:24 | |
Opera lovers everywhere will adore the Iggle Piggle concerto | 0:10:24 | 0:10:28 | |
from the operetta In The Night Garden. | 0:10:28 | 0:10:31 | |
# Yes, my name is Iggle Piggle | 0:10:31 | 0:10:35 | |
# Iggle Piggle-wiggle-niggle-piggle | 0:10:35 | 0:10:39 | |
# Yes, my name is Iggle Piggle | 0:10:39 | 0:10:43 | |
# Iggle Piggle-niggle-wiggle-woo. # | 0:10:43 | 0:10:48 | |
Experience a once-in-a-lifetime operatic duet. Together at last - | 0:10:49 | 0:10:55 | |
Il Prima Donnas and Katherine Jenkins. | 0:10:55 | 0:10:59 | |
# Ch-Ch-ChuckleVision | 0:10:59 | 0:11:01 | |
# Ch-ChuckleVision | 0:11:01 | 0:11:03 | |
# Ch-Ch-ChuckleVision Ch-Ch-ChuckleVision | 0:11:03 | 0:11:07 | |
# Ch-Ch-ChuckleVision Ch-Ch-ChuckleVision | 0:11:07 | 0:11:10 | |
# Ch-Ch-ChuckleVision Ch-Ch-ChuckleVision. # | 0:11:10 | 0:11:13 | |
Il Prima Donnas' Songs Off Of Children's Telly, | 0:11:13 | 0:11:17 | |
available now, by the mince in service stations. | 0:11:17 | 0:11:22 | |
# Bob the builder | 0:11:22 | 0:11:25 | |
# Can we fix it? | 0:11:25 | 0:11:28 | |
# Bob the builder | 0:11:28 | 0:11:30 | |
# Yes, we can. # | 0:11:30 | 0:11:34 | |
Can you remember, like... | 0:11:37 | 0:11:39 | |
What? | 0:11:39 | 0:11:40 | |
Like, back in the day. | 0:11:40 | 0:11:41 | |
When? | 0:11:41 | 0:11:43 | |
Like, back in the DAY. | 0:11:43 | 0:11:45 | |
What was that game we was always playin'? | 0:11:45 | 0:11:47 | |
Game? What game? | 0:11:47 | 0:11:48 | |
You know, back in the day, that game we was always playin' | 0:11:48 | 0:11:51 | |
where we was, like, tryin' to find things. | 0:11:51 | 0:11:53 | |
-Oh, like hide and seek? -Nah, nah, nah, back in the day, you know, | 0:11:53 | 0:11:57 | |
we'd be, like, | 0:11:57 | 0:11:58 | |
looking for them things in the garden and all over the streets. | 0:11:58 | 0:12:01 | |
-Oh, you mean, like, looking for eggs at Easter? -No! | 0:12:01 | 0:12:05 | |
Like, back in the day, you know, and we'd be, like, | 0:12:05 | 0:12:08 | |
you'd be on your phone and you was tryin' | 0:12:08 | 0:12:10 | |
to collect them little monsters. | 0:12:10 | 0:12:12 | |
-Oh, Pokemon Go. -Pokemon Go! That's it. | 0:12:12 | 0:12:14 | |
-Back in the day. -Yeah, but, I mean, I wouldn't say that was, like, | 0:12:14 | 0:12:18 | |
-back in the day, that was, like, last week, innit? -Yeah, last week, | 0:12:18 | 0:12:21 | |
like, well back in the day. | 0:12:21 | 0:12:22 | |
D'you remember back in the day what a ball ache it was to watch a movie? | 0:12:24 | 0:12:27 | |
Oh, what, like, goin' down Blockbusters an', like, get a DVD? | 0:12:27 | 0:12:31 | |
No, I'm talking, like, back in the DAY. | 0:12:31 | 0:12:33 | |
Oh, when you had to wait ages for, like, a movie to come out | 0:12:33 | 0:12:36 | |
an' watch it on the TV? | 0:12:36 | 0:12:37 | |
Nah, nah, nah, nah, I'm talkin', like, back in the DAY! | 0:12:37 | 0:12:40 | |
You know, when you be, like, sittin' on a bus, | 0:12:40 | 0:12:42 | |
you'd have to get your phone out your pocket and press play. | 0:12:42 | 0:12:45 | |
What you mean, like... watchin' a movie on your phone? | 0:12:45 | 0:12:48 | |
Yeah, that's it, you got it. | 0:12:48 | 0:12:50 | |
But that ain't back in the day, that was, like, this mornin'. | 0:12:50 | 0:12:52 | |
Yeah, this mornin', back in the day. | 0:12:52 | 0:12:55 | |
Well back in the day. | 0:12:55 | 0:12:57 | |
D'you remember, like, back in the day when was just chillin' | 0:12:57 | 0:13:00 | |
-and chattin' an' that. -What, at my mum's house? -Nah, I'm talkin', like, | 0:13:00 | 0:13:03 | |
-back-back-back-back-back-back-back in the day. -Oh, in the playground. | 0:13:03 | 0:13:06 | |
Nah, nah, I'm talkin' back in the DAY! | 0:13:06 | 0:13:08 | |
You know, when we was, like, sittin' on this sofa, | 0:13:08 | 0:13:11 | |
but it was made of wood. | 0:13:11 | 0:13:13 | |
-D'you mean this bench? -Yeah! That's it. | 0:13:16 | 0:13:19 | |
I've got, like, this memory of us sittin' on this bench, | 0:13:19 | 0:13:23 | |
talkin' about Pokemon Go. | 0:13:23 | 0:13:25 | |
No, that ain't back in the day, though, is it? That is NOW! | 0:13:25 | 0:13:29 | |
-Yeah! -"Back in the day" is a long time ago! | 0:13:29 | 0:13:32 | |
It don't mean now, innit?! | 0:13:32 | 0:13:35 | |
All right, I got it. | 0:13:35 | 0:13:37 | |
D'you remember back in the day when you told me | 0:13:41 | 0:13:44 | |
-what back in the day meant? -Oh, shut up! | 0:13:44 | 0:13:47 | |
APPLAUSE | 0:13:47 | 0:13:49 | |
Time now for round two - What's Different About her? | 0:13:49 | 0:13:54 | |
And for the viewers at home... | 0:13:54 | 0:13:56 | |
let's see what's different about Julie. | 0:13:56 | 0:13:59 | |
OK, Peter. | 0:14:00 | 0:14:01 | |
You've got 30 seconds, and your time starts...now! | 0:14:03 | 0:14:08 | |
-What's different about her? -You've lost weight. -No. | 0:14:08 | 0:14:11 | |
-You've put on weight. -No! | 0:14:11 | 0:14:12 | |
No, you don't look like you have. | 0:14:12 | 0:14:14 | |
-Your rash has gone. -What rash? | 0:14:14 | 0:14:16 | |
Um... Er... | 0:14:16 | 0:14:18 | |
-You've finally had your teeth fixed. -No! | 0:14:18 | 0:14:20 | |
-Is it something to do with hair? -You're getting warmer. | 0:14:20 | 0:14:23 | |
-You've waxed your moustache. -No. | 0:14:23 | 0:14:25 | |
-You've shaved your ears? -No! | 0:14:25 | 0:14:27 | |
GONG AND KLAXON | 0:14:27 | 0:14:29 | |
Time's up. | 0:14:29 | 0:14:30 | |
Julie, tell us, what is different about you? | 0:14:30 | 0:14:33 | |
I've gone blonde! | 0:14:34 | 0:14:37 | |
Oh, yeah, yeah, yeah, of course. I was going to say that, yeah. | 0:14:37 | 0:14:40 | |
-What were you before? -Brunette! -Yeah, brunette! | 0:14:40 | 0:14:43 | |
I knew that, I knew that. | 0:14:43 | 0:14:45 | |
Julie, now it's your turn to play! | 0:14:45 | 0:14:48 | |
For the viewers at home, let's see what's different about Peter. | 0:14:51 | 0:14:55 | |
OK, Julie, 30 seconds on the clock. What's different about Peter? | 0:14:58 | 0:15:01 | |
-He's shaved. -BELL DINGS | 0:15:03 | 0:15:05 | |
Correct! See you after the break. | 0:15:05 | 0:15:07 | |
FOG HORN | 0:15:11 | 0:15:13 | |
COUGHING | 0:15:13 | 0:15:15 | |
Ladies and gentlemen, please welcome | 0:15:15 | 0:15:19 | |
your entertainment for this evening - Miss Gina Ferrari! | 0:15:19 | 0:15:24 | |
CHEERING AND APPLAUSE | 0:15:24 | 0:15:27 | |
Thank you! Thank you all, ladies and gentlemen, and good evening. | 0:15:31 | 0:15:34 | |
It's a very special night tonight because I've been told | 0:15:34 | 0:15:38 | |
we've got a big, hotshot manager in the audience. | 0:15:38 | 0:15:40 | |
A big round of applause, please, for Mick Waterhouse! | 0:15:40 | 0:15:44 | |
"No pressure, Gina! Just your last chance at the big time." | 0:15:50 | 0:15:53 | |
OK. | 0:15:53 | 0:15:54 | |
# When you're alone and life is making you lonely | 0:15:59 | 0:16:02 | |
# You can always go... # | 0:16:02 | 0:16:03 | |
Just to say, Mick, sorry - | 0:16:03 | 0:16:05 | |
there's nothing wrong with working on cruise ships. | 0:16:05 | 0:16:08 | |
Some of the most talented entertainers work on cruise ships. | 0:16:08 | 0:16:11 | |
I'm just ready for a change. | 0:16:11 | 0:16:13 | |
# When you're alone and life is making you... # | 0:16:17 | 0:16:21 | |
Sorry, when I say "change", I mean, I am happy where I am. | 0:16:21 | 0:16:24 | |
Although I would pack this in at the drop of a hat | 0:16:24 | 0:16:27 | |
if I was offered a record deal. | 0:16:27 | 0:16:29 | |
I'd steal a lifeboat if I had to! | 0:16:29 | 0:16:31 | |
"Oh, come on, Gina, you're supposed to be singing, not prattling on." | 0:16:31 | 0:16:36 | |
OK, here we go. | 0:16:36 | 0:16:38 | |
# When you're alone and life is making you lonely... # | 0:16:39 | 0:16:42 | |
Oh, I meant to say, I've already got a big online fan base. | 0:16:42 | 0:16:45 | |
326 followers on Twitter. | 0:16:45 | 0:16:48 | |
If all them of them bought an album, tenner an album, you do the maths. | 0:16:48 | 0:16:52 | |
# When you're alone and life... # | 0:16:55 | 0:16:56 | |
Just over three grand. I did it in my head, see? | 0:16:56 | 0:17:00 | |
Not just a pretty face. | 0:17:00 | 0:17:01 | |
Got a business mind, too. | 0:17:01 | 0:17:03 | |
I want to be like Beyonce, running me own empire - | 0:17:03 | 0:17:06 | |
clothing range, perfume, leisurewear. | 0:17:06 | 0:17:08 | |
# When you're alone and life is making you... # | 0:17:10 | 0:17:13 | |
I mean, I'm not getting ahead of meself here, Mick. | 0:17:13 | 0:17:15 | |
I just know that deep down in my heart I've got something special. | 0:17:15 | 0:17:18 | |
# When you're alone and life is making you lonely... # | 0:17:21 | 0:17:23 | |
It came across a bit arrogant, that, didn't it? "Something special." | 0:17:23 | 0:17:26 | |
But those aren't my words. Those are the words of the Whitby Gazette. | 0:17:26 | 0:17:30 | |
Gave me two stars. | 0:17:30 | 0:17:32 | |
# When you're alone and life is... # | 0:17:35 | 0:17:36 | |
..out of three, not five. | 0:17:36 | 0:17:38 | |
That wouldn't be so good. | 0:17:38 | 0:17:39 | |
# When you're alone and life is making you lonely | 0:17:42 | 0:17:45 | |
# You can... # | 0:17:45 | 0:17:46 | |
Actually, the reviewer was a bit of an arsehole. | 0:17:46 | 0:17:49 | |
I mean, he used the word "flawless". How is that not three stars? | 0:17:49 | 0:17:53 | |
# When you're alone and life is making you lonely... # | 0:17:54 | 0:17:56 | |
But when I see an arsehole I call him an arsehole. | 0:17:56 | 0:17:59 | |
But don't think you couldn't trust me to headline the Royal Variety - | 0:17:59 | 0:18:02 | |
you could. No way I'd say "arsehole" in front of the Queen! | 0:18:02 | 0:18:04 | |
# When you're alone and life is making you lonely | 0:18:06 | 0:18:09 | |
# You can always go... # | 0:18:09 | 0:18:11 | |
Oh, that's it. He's off. Seen enough, have you? | 0:18:11 | 0:18:14 | |
"Too old, Gina!" Well, good! | 0:18:14 | 0:18:17 | |
Because I don't need you, anyway! That's right, go on, walk out! | 0:18:17 | 0:18:21 | |
Screw you, you...arsehole! | 0:18:21 | 0:18:23 | |
Sorry, what was that? | 0:18:25 | 0:18:27 | |
You're just going to the toilet? OK. | 0:18:29 | 0:18:31 | |
Sorry. | 0:18:31 | 0:18:33 | |
Well, I take that back. OK, we'll wait for you. | 0:18:33 | 0:18:36 | |
-MUSIC STARTS -Wait! | 0:18:41 | 0:18:43 | |
MUSIC STOPS | 0:18:43 | 0:18:44 | |
Welcome back to Middle-class Jeremy Kyle. | 0:18:48 | 0:18:52 | |
Now it's time to meet a vicar | 0:18:52 | 0:18:55 | |
with the parishioner from hell. | 0:18:55 | 0:18:58 | |
Please welcome to the show Reverend Stevens. | 0:18:58 | 0:19:01 | |
So, Rev, tell us about this sickening turn of events. | 0:19:07 | 0:19:12 | |
Well, after Sunday service there's a rota | 0:19:12 | 0:19:15 | |
where one of the ladies of the parish bakes a cake, | 0:19:15 | 0:19:19 | |
which we all enjoy with coffee. | 0:19:19 | 0:19:21 | |
We take great pride in our baked cakes at St Christopher's. | 0:19:21 | 0:19:26 | |
Last week it was Meredith's turn and I'm pretty sure she brought a cake | 0:19:26 | 0:19:30 | |
from a supermarket and pretended that she baked it herself. | 0:19:30 | 0:19:33 | |
Despicable! | 0:19:33 | 0:19:35 | |
Let's bring out the evil hag! | 0:19:35 | 0:19:38 | |
BOOING | 0:19:38 | 0:19:42 | |
All right, let's not judge this turd of a woman just yet. | 0:19:42 | 0:19:46 | |
So, Meredith... | 0:19:47 | 0:19:49 | |
..tell us your side of the story. | 0:19:51 | 0:19:54 | |
I don't know why Reverend Stevens would say that. I did bake the cake. | 0:19:54 | 0:19:59 | |
Well, I ate five slices of it and I'm pretty sure it came from Tesco. | 0:19:59 | 0:20:03 | |
Well, earlier today, we sent Meredith here | 0:20:03 | 0:20:08 | |
for a lie detector test. | 0:20:08 | 0:20:11 | |
She was kicking and screaming but we strapped her into it anyway. | 0:20:11 | 0:20:15 | |
And the results are in. We asked Meredith, "Was the cake from Tesco?" | 0:20:15 | 0:20:21 | |
She answered, "No." | 0:20:21 | 0:20:24 | |
Our lie detector said... | 0:20:24 | 0:20:26 | |
TENSE MUSIC PLAYS | 0:20:26 | 0:20:29 | |
..she was lying. | 0:20:34 | 0:20:36 | |
AUDIENCE GASP | 0:20:36 | 0:20:37 | |
It was from the Tesco Finest range. | 0:20:37 | 0:20:40 | |
-God forgives you. -He might, but I don't! | 0:20:42 | 0:20:45 | |
OK, Meredith, I think we all know how this goes. | 0:20:45 | 0:20:49 | |
First, you pull off a shop-bought cake as your own. | 0:20:49 | 0:20:52 | |
Next thing we know, you're burning down the church, stripping naked, | 0:20:52 | 0:20:56 | |
covering yourself in goat's blood and praising the dark lord himself. | 0:20:56 | 0:21:01 | |
Praise be to Satan! | 0:21:01 | 0:21:02 | |
I really believe that what we need here is forgiveness. | 0:21:02 | 0:21:06 | |
Shut up, Reverend! | 0:21:06 | 0:21:07 | |
Or I'll get Steve here to smack you on the bottom | 0:21:07 | 0:21:10 | |
with one of your own hymn books. | 0:21:10 | 0:21:12 | |
Well, if that is God's will... | 0:21:12 | 0:21:15 | |
Shut your face! Right, this is what needs to happen - | 0:21:15 | 0:21:18 | |
YOU need to bake your own cakes! It's not hard. | 0:21:18 | 0:21:21 | |
Eggs, flour... | 0:21:21 | 0:21:23 | |
Just watch Bake Off. And you... | 0:21:25 | 0:21:27 | |
need to stop flirting with Steve. It'll get you nowhere. | 0:21:27 | 0:21:31 | |
He's bi-curious, at best. | 0:21:31 | 0:21:33 | |
Now get off my show | 0:21:33 | 0:21:35 | |
before I bake a cake and shove it up both of your arses! | 0:21:35 | 0:21:39 | |
If you'd like to be a guest on the show, just call the number below. | 0:21:40 | 0:21:43 | |
Goodbye! | 0:21:43 | 0:21:45 | |
APPLAUSE | 0:21:45 | 0:21:47 | |
Look at him. | 0:21:52 | 0:21:54 | |
Look at him. | 0:21:55 | 0:21:57 | |
That's my hubby, that is. | 0:21:58 | 0:22:00 | |
Hot, ain't he? | 0:22:00 | 0:22:01 | |
He should be in list of Top Ten Hottest Guys In World. | 0:22:03 | 0:22:07 | |
And I'm the luckiest girl alive. | 0:22:07 | 0:22:09 | |
Feel like I've won Lottery every day. | 0:22:11 | 0:22:13 | |
I wake up and I see him lying next to me naked. | 0:22:13 | 0:22:18 | |
And I say "Ooh, yeah, please, I'll have a portion of that!" | 0:22:18 | 0:22:22 | |
Ticks every box. Great conversation - tick. | 0:22:25 | 0:22:29 | |
Hot bod - double tick. | 0:22:29 | 0:22:32 | |
Smashing sense of humour - triple tick. | 0:22:32 | 0:22:34 | |
I only have to look at him and I know what he's thinking. | 0:22:37 | 0:22:40 | |
Just that lickle look and I roll with laughter. | 0:22:40 | 0:22:43 | |
Look, he's doing it now - look. | 0:22:43 | 0:22:45 | |
Stop it, you. | 0:22:46 | 0:22:47 | |
If you start me off, I won't stop. | 0:22:53 | 0:22:55 | |
Tough at times being with such an Adonis. | 0:22:57 | 0:23:00 | |
As you can imagine, when we go out I have to fight off womenfolk. | 0:23:00 | 0:23:05 | |
Holidays are worst, though, | 0:23:06 | 0:23:08 | |
when he's on beach in only his Speedos... | 0:23:08 | 0:23:11 | |
..giving the ladies a glimpse of his lickle wrinkly ball bag. | 0:23:12 | 0:23:15 | |
And all senoritas, they gather round to have a gawp, | 0:23:17 | 0:23:20 | |
they're like flies round shit. | 0:23:20 | 0:23:22 | |
"Who is he? Is he an actor? | 0:23:22 | 0:23:25 | |
"A model?" they ask. And I say, "No. | 0:23:25 | 0:23:27 | |
"That's my husband, Clive Stoat." | 0:23:29 | 0:23:31 | |
"Is he... Is he a model and pop star in films?" and I say, "No." | 0:23:33 | 0:23:37 | |
Actually, my Clive's currently unemployed | 0:23:39 | 0:23:41 | |
on account of his gangrene. | 0:23:41 | 0:23:42 | |
Not everyone gets to meet the perfect man. | 0:23:44 | 0:23:47 | |
Sometimes I think of all girls he could've had if he'd wanted. | 0:23:48 | 0:23:51 | |
Nicole Scherkinger. | 0:23:51 | 0:23:53 | |
No. | 0:23:54 | 0:23:55 | |
Angelina Jolly. | 0:23:56 | 0:23:58 | |
In your dreams, love. | 0:23:59 | 0:24:01 | |
Ry-anna, jog on. | 0:24:01 | 0:24:03 | |
Because Clive picked me - Bertha Stoat. | 0:24:06 | 0:24:10 | |
And he's made me happiest girl in world. | 0:24:11 | 0:24:14 | |
Ain't ya? | 0:24:16 | 0:24:17 | |
Right, come on, sexy. | 0:24:19 | 0:24:22 | |
Let's hoist you onto toilet. | 0:24:22 | 0:24:26 | |
We all have dreams as children | 0:24:27 | 0:24:29 | |
but very few of us get to see those dreams come true. | 0:24:29 | 0:24:32 | |
Trudi Funt loved playing with her dolls so much | 0:24:32 | 0:24:35 | |
she actually changed her name to Barbie. | 0:24:35 | 0:24:37 | |
This is the story of Barbie Funt. | 0:24:37 | 0:24:40 | |
I used to play with Barbie when I were a little, | 0:24:43 | 0:24:45 | |
up to the age of about, er, 27. | 0:24:45 | 0:24:48 | |
And, er, I always hoped that one day I'd grow up to be Barbie | 0:24:49 | 0:24:53 | |
and now I have - | 0:24:53 | 0:24:54 | |
a beautiful, real-life princess. | 0:24:54 | 0:24:56 | |
But this Barbie's dream hasn't come cheap. | 0:24:59 | 0:25:02 | |
Well, this were five grand. | 0:25:02 | 0:25:04 | |
These were two grand. These were a grand each. | 0:25:04 | 0:25:08 | |
This were ten grand. | 0:25:08 | 0:25:09 | |
Still saving up for this one. | 0:25:09 | 0:25:11 | |
Did cost a lot but I were dead lucky cos, er, | 0:25:12 | 0:25:15 | |
me nan got hit by a truck. | 0:25:15 | 0:25:17 | |
She left me all the money. | 0:25:18 | 0:25:19 | |
Thank you, Nanna. | 0:25:19 | 0:25:21 | |
I know she's looking down on me now right proud, thinking, "Nice tit." | 0:25:22 | 0:25:26 | |
Barbie Funt's obsession has made it hard for her to form relationships, | 0:25:28 | 0:25:32 | |
but she finally found a soul mate in local electrician Darren. | 0:25:32 | 0:25:35 | |
This is my dream man - Ken. | 0:25:35 | 0:25:37 | |
Darren. | 0:25:37 | 0:25:38 | |
If anything, he's more of a Barbie fan than I am. | 0:25:40 | 0:25:43 | |
I don't think that's possible, my love. | 0:25:43 | 0:25:46 | |
So I sold his motorbike and all his mum's furniture | 0:25:46 | 0:25:49 | |
and look what it paid for - | 0:25:49 | 0:25:51 | |
17 separate procedures. | 0:25:51 | 0:25:53 | |
And a lot of arse ache from the lads at work. | 0:25:53 | 0:25:56 | |
I made him have it all done - | 0:25:57 | 0:25:58 | |
teeth, highlights, liposuction, buttock lift, | 0:25:58 | 0:26:03 | |
breast reduction, nipple relocation. | 0:26:03 | 0:26:06 | |
But the one thing I love about a Ken doll | 0:26:07 | 0:26:10 | |
is that he's smooth as a runway down there. | 0:26:10 | 0:26:13 | |
Totally hairless. But he wouldn't do it. | 0:26:13 | 0:26:15 | |
So when Ken were asleep I immacced his privates. | 0:26:17 | 0:26:21 | |
She left it on too long. Hurt like buggery. Went red raw. | 0:26:21 | 0:26:25 | |
Having found her Ken, | 0:26:26 | 0:26:27 | |
this Barbie is now ready to live happily ever after. | 0:26:27 | 0:26:30 | |
And we're gonna get married. | 0:26:30 | 0:26:32 | |
Are we? | 0:26:32 | 0:26:33 | |
Yeah. It's gonna be the Barbie dream wedding. | 0:26:33 | 0:26:36 | |
We're gonna have a life-size princess carriage | 0:26:36 | 0:26:39 | |
pulled by four pink ponies. | 0:26:39 | 0:26:41 | |
You can't get pink ponies. | 0:26:41 | 0:26:43 | |
Just spray 'em, Ken. Use the paint left over from your van. | 0:26:43 | 0:26:46 | |
I'll be in a diamond-encrusted princess dress with a diamond tiara. | 0:26:47 | 0:26:51 | |
He'll be in a diamond encrusted thong. | 0:26:51 | 0:26:53 | |
You what? | 0:26:53 | 0:26:56 | |
Best thing is, just like the real Barbie and Ken, | 0:26:56 | 0:26:59 | |
we're gonna be together forever and ever and ever and ever and ever. | 0:26:59 | 0:27:03 | |
And one day we'll have a little Barbie running round. | 0:27:03 | 0:27:06 | |
Well, what if we have a boy? | 0:27:06 | 0:27:08 | |
Well, these days there's procedures for that. | 0:27:08 | 0:27:10 | |
Welcome back. Time now for our quickfire round - | 0:27:15 | 0:27:19 | |
What Do You Love About Him? | 0:27:19 | 0:27:21 | |
Julie, you're first up, you have just ten seconds | 0:27:24 | 0:27:27 | |
to list all the things you love about Peter, as many as you can. | 0:27:27 | 0:27:31 | |
Your time starts now. | 0:27:31 | 0:27:33 | |
Er, well, we have a laugh together. | 0:27:33 | 0:27:35 | |
He's good round the house. | 0:27:35 | 0:27:37 | |
He always sends me for a curry on a Friday night, um, looks after me. | 0:27:37 | 0:27:42 | |
He's good with the kids, er, works hard, | 0:27:42 | 0:27:45 | |
we've been together for so long, he knows me better than anybody. | 0:27:45 | 0:27:47 | |
GONG RINGS | 0:27:47 | 0:27:49 | |
Seven things! | 0:27:49 | 0:27:52 | |
Let's see if Peter can do any better. | 0:27:54 | 0:27:56 | |
OK, Peter, you've got ten seconds and seven to beat. | 0:27:58 | 0:28:02 | |
What do you love about Julie? | 0:28:02 | 0:28:04 | |
Your time starts now. | 0:28:04 | 0:28:06 | |
Um... | 0:28:07 | 0:28:10 | |
Um... Um... | 0:28:10 | 0:28:12 | |
Um... | 0:28:12 | 0:28:14 | |
Her tits! | 0:28:16 | 0:28:17 | |
GONG RINGS | 0:28:17 | 0:28:19 | |
So, Peter managed one. | 0:28:22 | 0:28:25 | |
Technically it's two. | 0:28:26 | 0:28:27 | |
# Forget all your troubles | 0:28:29 | 0:28:31 | |
# Forget all your cares and go down... # | 0:28:31 | 0:28:33 | |
Sorry, I forgot to say the toilets on G Deck are blocked. | 0:28:33 | 0:28:36 |