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SPECTACULAR SHOW MUSIC | 0:00:21 | 0:00:23 | |
APPLAUSE | 0:00:50 | 0:00:53 | |
Lorna, do you remember when I asked you to cancel the dancers? | 0:00:56 | 0:01:00 | |
Yes. | 0:01:00 | 0:01:02 | |
As we wanted a more modern, sophisticated, opening to the show? | 0:01:02 | 0:01:05 | |
Yes. | 0:01:05 | 0:01:07 | |
-You cancelled them, then? -Oh, yes. | 0:01:08 | 0:01:11 | |
-You made the call? -Yes. -Right. | 0:01:11 | 0:01:14 | |
-Might you be lying to me? -Yes. | 0:01:14 | 0:01:17 | |
Well, this is a good start. | 0:01:17 | 0:01:19 | |
-I don't think it is, Ingrid. -Please stop talking. | 0:01:19 | 0:01:21 | |
Ladies and gentlemen, welcome to Watson and Oliver. | 0:01:21 | 0:01:24 | |
-I'm Ingrid Oliver. -I'm Lorna Watson. -And this is our sketch show. | 0:01:24 | 0:01:28 | |
I definitely cancelled THEM. | 0:01:34 | 0:01:36 | |
97, 98, 99, | 0:01:42 | 0:01:44 | |
100. | 0:01:44 | 0:01:46 | |
Wills, | 0:01:47 | 0:01:49 | |
if you were to have your absolutely perfect day, | 0:01:49 | 0:01:52 | |
-what day would that be, do you think? -Cor. | 0:01:52 | 0:01:54 | |
Well, that's a tricky one. Um... | 0:01:54 | 0:01:57 | |
I'd start with breakfast in bed. | 0:01:57 | 0:01:59 | |
Oh, yum. | 0:01:59 | 0:02:02 | |
Then a visit to a factory... | 0:02:02 | 0:02:04 | |
..perhaps one that makes helicopter parts. | 0:02:07 | 0:02:11 | |
You'd get to see behind the scenes to see how the helicopter's made. | 0:02:11 | 0:02:15 | |
-Oh, fun. -Yah. And then in the evening, | 0:02:15 | 0:02:17 | |
I would definitely go and see an extremely long variety show | 0:02:17 | 0:02:21 | |
because, just like Granny, I do like extremely long variety shows. | 0:02:21 | 0:02:25 | |
-That sounds lovely. -Yah. | 0:02:25 | 0:02:27 | |
So, what would your perfect day be? | 0:02:27 | 0:02:30 | |
Well, I think it would be fun to go to a polo match | 0:02:30 | 0:02:32 | |
and support a very handsome man in one of the teams. | 0:02:32 | 0:02:35 | |
Oh, right. Who would that be? | 0:02:35 | 0:02:37 | |
You, silly! | 0:02:37 | 0:02:39 | |
Oh! Derr! | 0:02:39 | 0:02:41 | |
And then dinner out, I think. | 0:02:43 | 0:02:45 | |
Somewhere really posh | 0:02:45 | 0:02:47 | |
like Pizza Express. | 0:02:47 | 0:02:49 | |
Or Giraffe. | 0:02:50 | 0:02:51 | |
-Oh, what a lovely perfect day. -Yes. | 0:02:53 | 0:02:55 | |
Well, we can but dream. | 0:02:55 | 0:02:58 | |
-Night, Wills. -Oh, night, Kate. | 0:02:58 | 0:03:00 | |
Kate? | 0:03:06 | 0:03:07 | |
Yes, Wills? | 0:03:07 | 0:03:08 | |
It wouldn't be as perfect a day as our wedding day. | 0:03:08 | 0:03:12 | |
BOTH: Our wedding day! | 0:03:14 | 0:03:15 | |
-That was such a great day! -It was such a good day! | 0:03:15 | 0:03:18 | |
Remember when we came out onto the balcony at Buckingham Palace | 0:03:18 | 0:03:21 | |
and there was half a million people staring up at us | 0:03:21 | 0:03:24 | |
and I was like, "Wow." | 0:03:24 | 0:03:25 | |
Remember when I did the kiss but it wasn't long enough or something | 0:03:25 | 0:03:28 | |
and everyone was like, "Do another kiss!" | 0:03:28 | 0:03:31 | |
And we were really laughing, cos we were like, "Not again, guys!" | 0:03:31 | 0:03:34 | |
But then I did another kiss and everyone cheered. | 0:03:34 | 0:03:37 | |
Remember that tiny bridesmaid on the balcony in front of us | 0:03:37 | 0:03:40 | |
with her hands over her ears like she was bored, | 0:03:40 | 0:03:42 | |
though she couldn't be bored cos it was the most amazing wedding in the world! | 0:03:42 | 0:03:46 | |
Yah! Have a word! Remember when I drove you out of Buckingham Palace in Daddy's sports car | 0:03:46 | 0:03:51 | |
and the crowd loved it cos it was like something out of James Bond, and though I didn't want to show it, | 0:03:51 | 0:03:56 | |
I secretly felt a bit like James Bond. | 0:03:56 | 0:03:58 | |
And remember when those planes did that formation | 0:03:58 | 0:04:00 | |
over our heads, and all I could think to say was, "perfect formation," | 0:04:00 | 0:04:04 | |
which is really lame, but I was totes overwhelmed by the half a million people staring at me! | 0:04:04 | 0:04:09 | |
Remember the next day, someone started a Facebook group | 0:04:09 | 0:04:11 | |
called the Pippa Middleton Arse Appreciation Society | 0:04:11 | 0:04:14 | |
and, like, 200,000 people signed up because her bottom looked so amazing in that dress? | 0:04:14 | 0:04:19 | |
Although not as amazing as you looked in your dress. | 0:04:27 | 0:04:31 | |
Your dress was really long. | 0:04:31 | 0:04:33 | |
-Lovely sleeves... -Goodnight, William. -Night, Kate. | 0:04:36 | 0:04:39 | |
-Customer, darlin. -Morning, darlin. -Morning, darlins. | 0:04:46 | 0:04:49 | |
-Ready for service, darlin! -Thanks, darlin. What can I get you darlins? | 0:04:49 | 0:04:52 | |
-Two sausage baps, darlin. -Two sausage baps, darlin. | 0:04:52 | 0:04:55 | |
-Full English, darlin. -And chips, darlin. | 0:04:55 | 0:04:57 | |
-I refilled the ketchup, darlin. -Ketchup on the side, darlins. £4.80, darlins. | 0:04:57 | 0:05:01 | |
-Keep the change, darlin. -Thanks, darlin. -No problem, darlin. | 0:05:01 | 0:05:04 | |
Two sausage baps, darlin, full English, darlin | 0:05:04 | 0:05:07 | |
-and chips, darlin! -I refilled the brown sauce, darlin. -Brown sauce on the side, darlins. | 0:05:07 | 0:05:11 | |
-Yes, darlin? -Ello, darlin. -What can I get, darlin? -What you got, darlin? | 0:05:11 | 0:05:15 | |
-Menu's there, darlin. -Up there, darlin? -Yes, darlin. | 0:05:15 | 0:05:18 | |
-I forgot me glasses, darlin. -What do you like, darlin? | 0:05:18 | 0:05:20 | |
-I refilled the mustard, darlin. -Thanks, Cath darlin. | 0:05:20 | 0:05:23 | |
We got full English darlin, vegetarian English darlin, | 0:05:23 | 0:05:26 | |
bacon and egg darlin, sausage and egg darlin, | 0:05:26 | 0:05:28 | |
sausage and bacon darlin, egg on its own darlin, fried egg darlin, | 0:05:28 | 0:05:31 | |
scrambled egg darlin, boiled egg darlin, poached egg darlin, | 0:05:31 | 0:05:35 | |
cheese omelette darlin, ham omelette darlin, mushroom omelette darlin, | 0:05:35 | 0:05:38 | |
beans on toast darlin, bacon on toast darlin, cheese on toast darlin, | 0:05:38 | 0:05:42 | |
toast with jam my darlin, toast with ham my darlin, | 0:05:42 | 0:05:45 | |
ham, egg and chips darlin, ham, egg and beans darlin, | 0:05:45 | 0:05:48 | |
ham, beans and chips darlin, chips, beans and bacon darlin, | 0:05:48 | 0:05:51 | |
chip butty darlin, bacon butty darlin, egg butty darlin, sausage butty darlin, | 0:05:51 | 0:05:55 | |
Panini darlin, baguette darlin, wholemeal darlin, white darlin, | 0:05:55 | 0:05:58 | |
ciabatta darlin, if you're that way inclined darlin | 0:05:58 | 0:06:01 | |
but it's not a best seller darlin | 0:06:01 | 0:06:02 | |
-Service, darlin! -Service, darlin! | 0:06:02 | 0:06:04 | |
And we got cornflakes. | 0:06:04 | 0:06:06 | |
I think I'll just have a cup of tea, darlin. | 0:06:12 | 0:06:14 | |
Coming, darlin! | 0:06:16 | 0:06:17 | |
Hello, I'm Colin Firth, | 0:06:20 | 0:06:22 | |
humble, humble, | 0:06:22 | 0:06:23 | |
and I done a D'Arcy. | 0:06:23 | 0:06:25 | |
-Veggie burger? -Yup! | 0:06:26 | 0:06:28 | |
The bus is late. | 0:06:31 | 0:06:33 | |
Yeah. It's really late. | 0:06:33 | 0:06:36 | |
Do you think we should walk? | 0:06:36 | 0:06:38 | |
Do YOU think we should walk? | 0:06:38 | 0:06:40 | |
I mean, we could walk. But we could also wait here. | 0:06:40 | 0:06:44 | |
Yeah, it's like a part of me wants to walk. | 0:06:44 | 0:06:47 | |
But another part of me wants to wait for the bus. | 0:06:47 | 0:06:49 | |
Totally. | 0:06:49 | 0:06:51 | |
BOTH: Hey, Stefan! | 0:06:55 | 0:06:57 | |
Oh. Hey. | 0:06:57 | 0:06:59 | |
Are you waiting for the bus? | 0:06:59 | 0:07:01 | |
Yeah. | 0:07:02 | 0:07:03 | |
Are you Crispin? | 0:07:03 | 0:07:05 | |
-Yes. -We met you that time with Abby? | 0:07:05 | 0:07:07 | |
-That time when she lost her coat? -And then she started crying? | 0:07:07 | 0:07:10 | |
And then we found it? | 0:07:10 | 0:07:12 | |
And then we all went home? | 0:07:12 | 0:07:14 | |
No, I don't remember. | 0:07:14 | 0:07:15 | |
Are you coming back to mine, then? | 0:07:18 | 0:07:20 | |
Yeah, all right. I'll call my mum. | 0:07:20 | 0:07:22 | |
It was Abby Wainwright. | 0:07:23 | 0:07:25 | |
As in blonde Abby? | 0:07:25 | 0:07:27 | |
She's best friends with Jen? | 0:07:27 | 0:07:28 | |
-Not Jen with the ponytail. -The other Jen. | 0:07:28 | 0:07:31 | |
Her dad works in music. | 0:07:31 | 0:07:33 | |
-He's really important. -Do you know her? | 0:07:33 | 0:07:35 | |
No. | 0:07:35 | 0:07:37 | |
BOTH: She's really nice. | 0:07:37 | 0:07:39 | |
Hi, Mum, it's me. | 0:07:39 | 0:07:40 | |
Yeah, I'm going to Crispin's. | 0:07:40 | 0:07:43 | |
Yeah, I'll see you later. | 0:07:43 | 0:07:44 | |
And you were with James. | 0:07:46 | 0:07:47 | |
No, he was with Tom. | 0:07:47 | 0:07:49 | |
What, Tom with the hair? | 0:07:49 | 0:07:51 | |
No, Tom in Year 10. | 0:07:51 | 0:07:52 | |
-The one who knows Cassie? -You're thinking of Ben. | 0:07:52 | 0:07:55 | |
The one who speaks French? | 0:07:55 | 0:07:57 | |
No, the one with the freckles. | 0:07:57 | 0:07:59 | |
The one who knows George? | 0:07:59 | 0:08:01 | |
No, he's best friends with Harry. | 0:08:01 | 0:08:02 | |
-Harry who Claire likes? -No, Claire likes Tom. | 0:08:02 | 0:08:05 | |
I thought Claire likes Harry? | 0:08:05 | 0:08:07 | |
Yeah, she used to like Harry. | 0:08:07 | 0:08:09 | |
But then she changed her mind. Now she likes Tom. | 0:08:09 | 0:08:11 | |
Really? | 0:08:11 | 0:08:13 | |
Literally. | 0:08:13 | 0:08:14 | |
That was our bus. | 0:08:18 | 0:08:20 | |
Yeah. | 0:08:21 | 0:08:22 | |
That was so our bus. | 0:08:22 | 0:08:24 | |
Morning. | 0:08:29 | 0:08:30 | |
BOTH: Hiya! | 0:08:30 | 0:08:32 | |
Morning. Richard Hall to see David Lane. | 0:08:35 | 0:08:38 | |
Good morning. How can we help you? | 0:08:38 | 0:08:40 | |
I've got a 10am meeting with David Lane? | 0:08:40 | 0:08:43 | |
I'm a bit late, actually. It's Richard Hall. | 0:08:43 | 0:08:46 | |
-Sign in, please. -Oh, right. | 0:08:46 | 0:08:49 | |
So you'll ring up? Let him know I'm here? | 0:08:57 | 0:09:01 | |
-David Lane, was it? -Yes. David Lane. | 0:09:01 | 0:09:03 | |
David Lane, David Lane, David Lane, David Lane, David Lane, David Lane, | 0:09:09 | 0:09:13 | |
-David Lane... -Oh! It's the one at the bottom. | 0:09:13 | 0:09:15 | |
David Lane, David Lane, David Lane? | 0:09:15 | 0:09:17 | |
David Lane, David Lane, David Lane... | 0:09:17 | 0:09:19 | |
-4029. -David Lane, David Lane... | 0:09:19 | 0:09:22 | |
Oh! Here he is. | 0:09:22 | 0:09:24 | |
David Lane. | 0:09:24 | 0:09:25 | |
Could you just try 4029 for me? | 0:09:28 | 0:09:30 | |
If that's what you want. | 0:09:30 | 0:09:32 | |
No! No answer. Sorry. | 0:09:52 | 0:09:54 | |
-I don't think you dialled the right extension number. -Yes, I did. | 0:09:54 | 0:09:57 | |
-No, I don't think you did. -Yes, she did. | 0:09:57 | 0:10:00 | |
No, she didn't. I saw her. | 0:10:00 | 0:10:01 | |
-No, you didn't. -Yes, I did. -No, you didn't. | 0:10:01 | 0:10:03 | |
I'm not criticising you personally, but you did dial the wrong number. | 0:10:03 | 0:10:07 | |
Are you saying I don't know how to dial an extension number? | 0:10:07 | 0:10:11 | |
No, but maybe if your nails weren't so long... | 0:10:11 | 0:10:14 | |
What's wrong with my nails? | 0:10:15 | 0:10:17 | |
Have you got a problem with her nails? | 0:10:17 | 0:10:20 | |
My nails have got absolutely nothing to do with this. | 0:10:20 | 0:10:23 | |
You're the one with the problem round here. Not her nails. | 0:10:23 | 0:10:26 | |
I don't like your hair. You don't see me going on about it. | 0:10:26 | 0:10:30 | |
But you go on about her nails. Why are you obsessed with her nails? | 0:10:30 | 0:10:33 | |
-I suppose you want to know what they are? -No, I don't. | 0:10:33 | 0:10:37 | |
Number 397 Turquoise Tango by Chanel | 0:10:37 | 0:10:39 | |
with a coat of Givenchy lacquer if you must know. | 0:10:39 | 0:10:41 | |
Both of which I can tell you are high quality nail products. | 0:10:41 | 0:10:44 | |
You can't come in while I'm trying to do my job | 0:10:44 | 0:10:46 | |
and go on about my nails like that. | 0:10:46 | 0:10:48 | |
Ah, there you are, Richard. I thought maybe you'd got lost? | 0:10:48 | 0:10:51 | |
-David, I'm sorry about this. -Quite all right, sir. | 0:10:51 | 0:10:54 | |
-Everything all right, ladies? -BOTH: Hiya! | 0:10:54 | 0:10:56 | |
Nice nails, by the way. | 0:10:57 | 0:10:59 | |
Er, shall we? | 0:11:01 | 0:11:02 | |
Well, thanks very much for noticing, David. | 0:11:04 | 0:11:07 | |
What a gent. | 0:11:07 | 0:11:09 | |
SHE WHISTLES | 0:11:15 | 0:11:16 | |
There she is! | 0:11:16 | 0:11:18 | |
Off we go! | 0:11:19 | 0:11:20 | |
Oh, no. | 0:11:22 | 0:11:24 | |
Oh, no. | 0:11:24 | 0:11:25 | |
Someone's off. | 0:11:25 | 0:11:27 | |
Here she comes. | 0:11:27 | 0:11:28 | |
There she is. | 0:11:28 | 0:11:29 | |
Here I am. | 0:11:29 | 0:11:31 | |
Here we go. | 0:11:31 | 0:11:32 | |
Here it comes. | 0:11:32 | 0:11:33 | |
Morning Sunshine. | 0:11:38 | 0:11:39 | |
Don't you start. | 0:11:39 | 0:11:40 | |
-Who'll stop me? -Me, if I've anything to do with it. | 0:11:40 | 0:11:43 | |
-They all say that. -I hear different. | 0:11:43 | 0:11:45 | |
Same song, different tune. | 0:11:45 | 0:11:47 | |
No skin off my nose. | 0:11:47 | 0:11:48 | |
-Don't mind if I do. -If you'll pardon me French. -Oh! | 0:11:48 | 0:11:51 | |
Oh, dear. | 0:11:52 | 0:11:53 | |
What you doing in here, Pat? Playing hide and seek? | 0:11:53 | 0:11:56 | |
-That's right. -You're playing hide and seek, are you? | 0:11:56 | 0:11:59 | |
-I'm playing hide and seek. Are you? -There she goes. | 0:11:59 | 0:12:02 | |
-Off I go. -Here it comes. -There she is. | 0:12:02 | 0:12:05 | |
No, seriously, Pat, what are you doing in there? | 0:12:05 | 0:12:08 | |
I tried to escape, didn't I? | 0:12:08 | 0:12:11 | |
What, we not treating you right or something? | 0:12:13 | 0:12:16 | |
-Oh, here she goes. -Not to your usual standards, is it? | 0:12:16 | 0:12:19 | |
Room service could be better. | 0:12:19 | 0:12:21 | |
-Cheeky. -Tell me something I don't know. -Oh, she's off again. | 0:12:21 | 0:12:24 | |
-Here we go. -There she is. | 0:12:24 | 0:12:26 | |
-Here I am. -Off she goes. | 0:12:26 | 0:12:28 | |
Listen, Pat, I know it's tough in here | 0:12:30 | 0:12:32 | |
but you know, it's not all bad, is it? | 0:12:32 | 0:12:34 | |
I ain't got no friends. | 0:12:34 | 0:12:36 | |
What are you talking about? You've got... | 0:12:39 | 0:12:42 | |
I'm... | 0:12:42 | 0:12:43 | |
We have a laugh, don't we? | 0:12:44 | 0:12:46 | |
Yeah. Yeah... | 0:12:46 | 0:12:49 | |
Well, I could pop by later if you like. We could have a chat. | 0:12:49 | 0:12:52 | |
Thing is, I'm not supposed to talk to anyone | 0:12:52 | 0:12:55 | |
what with it being solitary and that. | 0:12:55 | 0:12:56 | |
Yeah, no, of course. | 0:12:56 | 0:12:58 | |
I might get in trouble. | 0:12:58 | 0:13:00 | |
Yeah, well, I'm pretty busy anyway, so er... | 0:13:01 | 0:13:04 | |
Got my appraisals coming up next week so I'd better knuckle down. | 0:13:04 | 0:13:08 | |
Yeah. Yeah. | 0:13:08 | 0:13:10 | |
Well...thanks for opening the door for a bit. | 0:13:14 | 0:13:17 | |
No problem, Pat. | 0:13:17 | 0:13:18 | |
Well, I'd better just... | 0:13:19 | 0:13:21 | |
Yeah. | 0:13:21 | 0:13:22 | |
Close her up, then. | 0:13:22 | 0:13:24 | |
In I go. | 0:13:26 | 0:13:27 | |
I'll see you later, trouble. | 0:13:31 | 0:13:33 | |
Not if I see you first. | 0:13:33 | 0:13:35 | |
Don't go changing! | 0:13:35 | 0:13:36 | |
Missing you already! | 0:13:36 | 0:13:38 | |
Oh...classic Pat. | 0:13:39 | 0:13:42 | |
Hello, I'm Colin Firth | 0:13:49 | 0:13:51 | |
and I done a Mamma Mia. | 0:13:51 | 0:13:54 | |
Oh I'm so dreadfully sorry. | 0:13:54 | 0:13:56 | |
Humble, humble. | 0:13:56 | 0:13:57 | |
PARLOUR MUSIC | 0:13:59 | 0:14:02 | |
Right. | 0:14:02 | 0:14:04 | |
Whaddya doing, Susan? Whaddya doing? | 0:14:04 | 0:14:06 | |
MACHINE BEEPS | 0:14:09 | 0:14:11 | |
Good after... Good morn... Hello. | 0:14:11 | 0:14:14 | |
This is Blakely Manor. | 0:14:14 | 0:14:16 | |
Opening hours are Monday, sorry, Tuesday to Saturday, sorry, Sunday | 0:14:16 | 0:14:22 | |
and admission is £4.60 for the house | 0:14:22 | 0:14:25 | |
and £2 for the garden. | 0:14:25 | 0:14:27 | |
Children are, er... | 0:14:28 | 0:14:31 | |
Children, children... | 0:14:31 | 0:14:34 | |
Whaddya doing, Susan? Children, | 0:14:34 | 0:14:36 | |
children, children, children, children, children! | 0:14:36 | 0:14:38 | |
MACHINE BEEPS | 0:14:42 | 0:14:44 | |
Hello. This is Blakely Manor. | 0:14:44 | 0:14:46 | |
The museum is open Monday... sorry, Tuesday! | 0:14:46 | 0:14:49 | |
It's Tuesday! Tuesday, Tuesday. | 0:14:49 | 0:14:51 | |
It's Tuesday, Susan! Come on. | 0:14:51 | 0:14:53 | |
MACHINE BEEPS | 0:14:56 | 0:14:58 | |
Good morn... Hello. | 0:14:58 | 0:14:59 | |
This is Blakely Manor. | 0:14:59 | 0:15:01 | |
Opening hours are Monday, sorry, Tuesday to Sunday | 0:15:01 | 0:15:06 | |
and admission is £2... | 0:15:06 | 0:15:08 | |
sorry, £4, sorry, £4.60 for the house... | 0:15:08 | 0:15:11 | |
Garden! No, house! Oh... | 0:15:11 | 0:15:14 | |
Whaddya doing, Susan? Whaddya doing? | 0:15:14 | 0:15:16 | |
MACHINE BEEPS | 0:15:24 | 0:15:26 | |
We're closed. | 0:15:28 | 0:15:30 | |
I see you're adding to my guests' book, Miss Braithwaite. | 0:15:42 | 0:15:45 | |
I do hope you passed an agreeable few days in our superior room. | 0:15:45 | 0:15:48 | |
I like to put clean, respectable people at the front of the house. | 0:15:48 | 0:15:52 | |
Not only is the vista so pleasant | 0:15:52 | 0:15:53 | |
but with that picture window, I shouldn't want passers-by glancing up | 0:15:53 | 0:15:57 | |
and seeing any untoward shenanigans taking place! | 0:15:57 | 0:16:00 | |
Do you know, we had a young girl in there last week. | 0:16:00 | 0:16:02 | |
Slip of a thing she was. Seemed decent enough. | 0:16:02 | 0:16:05 | |
She was spied breast feeding up there, from the street! | 0:16:05 | 0:16:09 | |
Bold as brass, in full view! | 0:16:09 | 0:16:11 | |
Ugh, giving suckle to the infant, if you please! | 0:16:11 | 0:16:14 | |
Animal, it was, Miss Braithwaite, animal! | 0:16:14 | 0:16:17 | |
I says to her, "What are you? Some sort of baboon?" | 0:16:17 | 0:16:21 | |
I couldn't have been more shocked if the King himself came into the room, | 0:16:21 | 0:16:24 | |
whipping his naked buttocks and singing Two Little Girls in Blue. | 0:16:24 | 0:16:29 | |
So I sent young Sally to fetch the constable | 0:16:29 | 0:16:31 | |
and do you know what he says? | 0:16:31 | 0:16:32 | |
He says it's trivial. | 0:16:32 | 0:16:34 | |
Trivial, he says. | 0:16:34 | 0:16:35 | |
She'll get five, maybe six months at the most | 0:16:35 | 0:16:38 | |
and she'll probably spend all of that on parole. | 0:16:38 | 0:16:41 | |
But I shall always remember you, Miss Braithwaite. | 0:16:41 | 0:16:43 | |
Your Bible readings about respect and tolerance of others | 0:16:43 | 0:16:46 | |
always such a refreshing tonic. | 0:16:46 | 0:16:48 | |
You should see some of the muck we get through these doors. | 0:16:48 | 0:16:51 | |
Some of the things I find in rooms once the guests have gone. | 0:16:51 | 0:16:54 | |
Racy literature of all sorts. | 0:16:54 | 0:16:56 | |
"Comely Debutante Post", | 0:16:56 | 0:16:58 | |
"Leg and Wrist", | 0:16:58 | 0:17:00 | |
"Ankle Bone Fun"? Oh... | 0:17:00 | 0:17:02 | |
I know who left them. They are banned for this life and the next | 0:17:03 | 0:17:07 | |
but you, Miss Braithwaite, are welcome. Put it this way. | 0:17:07 | 0:17:09 | |
If the King himself were a-hammering on my bedroom door, | 0:17:09 | 0:17:12 | |
the contours of his pert bottom shimmering in the moonlight, | 0:17:12 | 0:17:15 | |
I shouldn't let him in. But you are welcome! | 0:17:15 | 0:17:18 | |
Goodbye! | 0:17:19 | 0:17:21 | |
Thank you. | 0:17:21 | 0:17:22 | |
DOOR CLOSES | 0:17:22 | 0:17:24 | |
Boring old cow. | 0:17:24 | 0:17:26 | |
This week on Who Do You Think We Think You Are? | 0:17:27 | 0:17:31 | |
international pop star Enrique Iglesias | 0:17:31 | 0:17:33 | |
is retracing his family roots. | 0:17:33 | 0:17:36 | |
He begins his journey with an emotional reunion with his father, | 0:17:39 | 0:17:43 | |
the world-famous singer Julio Iglesias, | 0:17:43 | 0:17:47 | |
who he hasn't seen in over a decade. | 0:17:47 | 0:17:49 | |
So, are you excited about seeing your father after such a long time? | 0:17:52 | 0:17:57 | |
-Well, I.... -Hello! Ola! | 0:17:57 | 0:17:58 | |
I am Julio Iglesias. Ola, nice to meet you. | 0:17:58 | 0:18:01 | |
Ola! Sorry I am late. | 0:18:01 | 0:18:03 | |
There was a stewardess at the airport that needed taking care of | 0:18:03 | 0:18:06 | |
if you know what I mean. | 0:18:06 | 0:18:08 | |
O-la! Who is thees? | 0:18:08 | 0:18:11 | |
You are bery, bery beautiful | 0:18:13 | 0:18:15 | |
and I want to make lub to you immediately. | 0:18:15 | 0:18:18 | |
OK! Let's do thees! | 0:18:18 | 0:18:19 | |
What happened to your mole? | 0:18:23 | 0:18:24 | |
Oh, I had it removed in 2003. | 0:18:24 | 0:18:26 | |
Did you see his mole? | 0:18:26 | 0:18:28 | |
Me and his mother, we would laugh about his mole all the time, | 0:18:28 | 0:18:31 | |
it was such a funny little mole. | 0:18:31 | 0:18:33 | |
Right, let's get started, shall we? | 0:18:33 | 0:18:35 | |
So, what's it like | 0:18:39 | 0:18:40 | |
having two such successful recording artists in one family? | 0:18:40 | 0:18:44 | |
-Well, sometimes... -I don't know about that. | 0:18:44 | 0:18:47 | |
All I do know is that I, Julio Iglesias, | 0:18:47 | 0:18:49 | |
am number one best-selling Spanish singer of all time. | 0:18:49 | 0:18:52 | |
Enrique, he has a little way to go before he reaches my level. | 0:18:52 | 0:18:55 | |
-You are only what? -Number two. | 0:18:55 | 0:18:58 | |
There you go, you see, | 0:18:58 | 0:18:59 | |
he is only the number two best-selling Spanish singer. | 0:18:59 | 0:19:02 | |
Yes, but number two is nearly number one, so... | 0:19:02 | 0:19:05 | |
Yes, but it is not number one. I am number one. You are number two. | 0:19:05 | 0:19:08 | |
-I know I am number two. -Number two is not number one. | 0:19:08 | 0:19:10 | |
-I know. Number two is number two. -Number one is number one | 0:19:10 | 0:19:13 | |
so how can you be number one when you are number two? | 0:19:13 | 0:19:16 | |
What was it like growing up with such a famous father? | 0:19:16 | 0:19:19 | |
-Well, some... -Let's put it this way, he never brought girlfriends home | 0:19:19 | 0:19:23 | |
to meet me, if you know what I mean. | 0:19:23 | 0:19:25 | |
He would sleep with them. | 0:19:25 | 0:19:26 | |
I did not sleep with them! | 0:19:26 | 0:19:28 | |
OK, so I slept with them. | 0:19:28 | 0:19:30 | |
I am Julio Iglesias. I have slept with over 3,000 women. | 0:19:30 | 0:19:34 | |
-It's what I do. -What about my mother, huh? | 0:19:34 | 0:19:36 | |
I slept with her too. | 0:19:36 | 0:19:38 | |
She was number 1,248. | 0:19:38 | 0:19:41 | |
Good times. | 0:19:43 | 0:19:44 | |
Unbelievable. | 0:19:44 | 0:19:46 | |
-Que? -I used to want to be just like you, Papa. | 0:19:46 | 0:19:49 | |
You cannot be just like me. I am unique. | 0:19:49 | 0:19:52 | |
A one-off. I am Julio Iglesias. | 0:19:52 | 0:19:54 | |
You know what? | 0:19:54 | 0:19:56 | |
I don't think I want to be your son any more. | 0:19:56 | 0:19:58 | |
Can you stop filming, please? | 0:19:58 | 0:20:00 | |
Enrique! Wait! Por favor! | 0:20:00 | 0:20:02 | |
It is still me. | 0:20:02 | 0:20:03 | |
The father who held you when you were little | 0:20:03 | 0:20:06 | |
and sang ballads into your face. | 0:20:06 | 0:20:07 | |
I am done with all the women, OK? | 0:20:07 | 0:20:10 | |
There, I said it. | 0:20:10 | 0:20:12 | |
You, you are my son | 0:20:12 | 0:20:14 | |
and I lub you bery, bery, bery much. | 0:20:14 | 0:20:17 | |
I lub you too, Papa. | 0:20:18 | 0:20:20 | |
RINGTONE: MEXICAN HAT DANCE | 0:20:23 | 0:20:26 | |
It is Anna Kournikova, my fiancee. | 0:20:26 | 0:20:29 | |
Oh, you should speak with her, Papa. | 0:20:29 | 0:20:32 | |
Oh, I wouldn't know what to say. | 0:20:32 | 0:20:34 | |
Please, it would mean so much to me. | 0:20:34 | 0:20:36 | |
Ola, Anna Kournikova? | 0:20:40 | 0:20:42 | |
No, Anna Kournikova. He is number two. I am number one. | 0:20:45 | 0:20:49 | |
There is a bery, bery big difference. | 0:20:49 | 0:20:51 | |
OK, so I see you later on in my villa in Valencia | 0:20:52 | 0:20:56 | |
for some va-va boom. Adios! | 0:20:56 | 0:20:59 | |
Que? | 0:21:07 | 0:21:09 | |
-Oh, help! -Help! -Help! | 0:21:17 | 0:21:19 | |
Oh, mercy! I have fallen! | 0:21:19 | 0:21:22 | |
Woe is me! I too have fallen! | 0:21:22 | 0:21:24 | |
-Oh! -Oh! -Oh! | 0:21:27 | 0:21:28 | |
-Oh! -Oh! | 0:21:31 | 0:21:32 | |
-Help us! -Help me! Oh! | 0:21:32 | 0:21:36 | |
-Oh! -Oh! | 0:21:36 | 0:21:38 | |
Miss Rutherford? Miss Steeps? | 0:21:39 | 0:21:41 | |
Oh, Mr Bridgewater! Sir Thomas! | 0:21:41 | 0:21:44 | |
How unexpected. | 0:21:44 | 0:21:46 | |
I see you have fallen? | 0:21:46 | 0:21:47 | |
-Indeed. -Indeed. | 0:21:47 | 0:21:49 | |
Indeed. | 0:21:49 | 0:21:50 | |
Indeed. | 0:21:50 | 0:21:52 | |
We are such silly things, aren't we, Lucy? | 0:21:52 | 0:21:54 | |
Oh yes, so very silly! | 0:21:54 | 0:21:56 | |
I wager we are quite simply | 0:21:56 | 0:21:57 | |
the silliest sausages this side of Sissinghurst. | 0:21:57 | 0:22:00 | |
THEY GIGGLE MANIACALLY | 0:22:01 | 0:22:05 | |
-Ooh! -Ooh! -Ooh! -Ooh... | 0:22:07 | 0:22:10 | |
Are you hurt? | 0:22:10 | 0:22:12 | |
Mr Bridgewater, I fear I may have twisted my little lady ankle. | 0:22:12 | 0:22:15 | |
And I fear that I too may have twisted my little lady ankle. | 0:22:15 | 0:22:20 | |
Perhaps if you would be so kind as to give us your most | 0:22:20 | 0:22:22 | |
expert of opinions on the matter? | 0:22:22 | 0:22:25 | |
Oh, Mr Bridgewater! | 0:22:33 | 0:22:34 | |
Sir Thomas? | 0:22:36 | 0:22:37 | |
Well, that all seems fine to me. | 0:22:39 | 0:22:42 | |
Are you certain? | 0:22:42 | 0:22:44 | |
Oh! | 0:22:44 | 0:22:45 | |
Get us out of here! | 0:22:45 | 0:22:47 | |
Well, we must away to London. | 0:22:47 | 0:22:49 | |
Good day to you both. | 0:22:49 | 0:22:51 | |
-Oh! -Oh! | 0:22:51 | 0:22:52 | |
Oh Catherine, what are we to do? | 0:22:52 | 0:22:55 | |
We live some ten miles hence. | 0:22:55 | 0:22:57 | |
I do not know, Lucy, I am sure. | 0:22:57 | 0:22:59 | |
Oh, would that there were some lodging close by | 0:22:59 | 0:23:02 | |
in which we could seek shelter from this cursed storm. | 0:23:02 | 0:23:04 | |
Yes, would that there were somewhere close by. | 0:23:08 | 0:23:11 | |
Well...Coldwell Manor is but a mile down the road. | 0:23:12 | 0:23:16 | |
You would be most welcome to rest there until you are recovered. | 0:23:16 | 0:23:20 | |
-Mr Bridgewater! Sir Thomas, you are too kind! -Too kind! -Too, too kind! | 0:23:20 | 0:23:24 | |
Oh! | 0:23:26 | 0:23:27 | |
Oh, Mr Bridgewater! | 0:23:33 | 0:23:35 | |
Ooh! | 0:23:50 | 0:23:52 | |
Oh! Ooh! | 0:23:52 | 0:23:53 | |
Whoa. Whoa. | 0:23:56 | 0:23:58 | |
-Need a ride? -No, thank you, George. | 0:23:59 | 0:24:01 | |
These gentlemen have kindly offered to es... | 0:24:01 | 0:24:04 | |
-Oh! -Oh! | 0:24:04 | 0:24:07 | |
HORSE NEIGHS | 0:24:07 | 0:24:09 | |
I tell you what. | 0:24:11 | 0:24:13 | |
They want it. | 0:24:13 | 0:24:14 | |
Yes, well, they love the chase. | 0:24:14 | 0:24:17 | |
Hello, I'm Colin Firth | 0:24:25 | 0:24:27 | |
and I done a King's Speech | 0:24:27 | 0:24:28 | |
and I done a BAFTA and then I done an Oscar. | 0:24:28 | 0:24:31 | |
Pretty pleased with myself, actually. Humble, humble. | 0:24:31 | 0:24:34 | |
GUITAR MUSIC: Not unlike "Hero" by Enrique Iglesias | 0:24:34 | 0:24:37 | |
Ooh, yeah. | 0:24:40 | 0:24:42 | |
You will always be my hero. | 0:24:45 | 0:24:48 | |
# Father when I look at you | 0:24:50 | 0:24:52 | |
# I see the man I want to be | 0:24:52 | 0:24:56 | |
# You still have all your own hair | 0:24:56 | 0:25:01 | |
# Even though you're 73 | 0:25:01 | 0:25:05 | |
# When I was a little boy | 0:25:05 | 0:25:09 | |
# I would cry at home with Mum | 0:25:09 | 0:25:13 | |
# When you went away on tour | 0:25:13 | 0:25:17 | |
# Did you miss your tiny son? | 0:25:17 | 0:25:20 | |
# Not really, I was too busy | 0:25:22 | 0:25:25 | |
# Dancing and making lub | 0:25:25 | 0:25:29 | |
# Signing autographs on ladies' boobies | 0:25:29 | 0:25:33 | |
# Hosting cocktail parties in my hot tub. | 0:25:33 | 0:25:35 | |
# Playing Spanish guitar, eating paella | 0:25:37 | 0:25:40 | |
# Sipping cava in the hotel bar | 0:25:40 | 0:25:44 | |
# There's no time to think about your son | 0:25:44 | 0:25:47 | |
# When you're numero o-one! | 0:25:47 | 0:25:51 | |
# And Papa did you ever dream | 0:25:52 | 0:25:55 | |
# That one day I would win awards | 0:25:55 | 0:26:00 | |
# For my multi-lingual love songs | 0:26:00 | 0:26:03 | |
# Using the same three basic chords | 0:26:03 | 0:26:08 | |
# Have you listened to my albums? | 0:26:08 | 0:26:12 | |
# Watched me sing on MTV? | 0:26:12 | 0:26:16 | |
# Now I'm friends with Ricky Martin | 0:26:16 | 0:26:19 | |
# Father, are you proud of me? | 0:26:19 | 0:26:23 | |
# Not really, I've been too busy | 0:26:24 | 0:26:28 | |
-# Titillating other people's wives -Loving all the ladies | 0:26:28 | 0:26:32 | |
# Playing castanets on a private jet | 0:26:32 | 0:26:35 | |
-# Eating tapas off a lady's thighs -Sexy ladies everywhere | 0:26:35 | 0:26:39 | |
# Yes you've been on a roll | 0:26:39 | 0:26:41 | |
# Since you got rid of your mole | 0:26:41 | 0:26:43 | |
-# But you'll never be as sexy as I -So don't even try | 0:26:43 | 0:26:47 | |
# All the ladies in the world agree | 0:26:47 | 0:26:50 | |
# Julio is the Daddy! | 0:26:50 | 0:26:53 | |
# Everybody in the world can see | 0:26:55 | 0:27:00 | |
# Julio is the Daddy. # | 0:27:00 | 0:27:04 | |
Te amo, Papa. | 0:27:07 | 0:27:08 | |
Papa? | 0:27:12 | 0:27:13 | |
Que? | 0:27:13 | 0:27:15 | |
END THEME MUSIC | 0:27:16 | 0:27:18 | |
You're saying the mystery body found in the canal outside Uxbridge | 0:27:18 | 0:27:22 | |
is the American singer Tina Turner? | 0:27:22 | 0:27:24 | |
It certainly appears that way, inspector. | 0:27:24 | 0:27:26 | |
Eyes as wide as if the King himself had shimmied into the parlour | 0:27:26 | 0:27:30 | |
wearing a pair of my bloomers | 0:27:30 | 0:27:31 | |
and rubbing Chinese teak oil into his very own nipples. | 0:27:31 | 0:27:34 | |
Yee-agh! | 0:27:34 | 0:27:36 | |
Yah! | 0:27:36 | 0:27:38 | |
I do declare we are such silly sillies | 0:27:38 | 0:27:40 | |
that we should feel quite at home on the Isles of Scilly! | 0:27:40 | 0:27:43 | |
We don't use the computers, Carol, | 0:27:43 | 0:27:45 | |
because it's not safe for our nails. | 0:27:45 | 0:27:48 | |
Really? | 0:27:48 | 0:27:50 | |
Balls, please! | 0:27:50 | 0:27:52 | |
Subtitles by Red Bee Media Ltd | 0:28:16 | 0:28:19 |