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CHEERING AND APPLAUSE | 0:00:19 | 0:00:24 | |
Hello! Hello! Good evening. | 0:00:24 | 0:00:31 | |
Welcome to Watson & Oliver, ladies and gentlemen. | 0:00:33 | 0:00:35 | |
I'm Ingrid Oliver. | 0:00:35 | 0:00:36 | |
Lorna? What's wrong? | 0:00:37 | 0:00:40 | |
I want you to have this. | 0:00:40 | 0:00:42 | |
Your favourite pot plant. | 0:00:42 | 0:00:43 | |
I got some pretty bad news, so I'm giving away all my possessions. | 0:00:43 | 0:00:46 | |
-All right. -What's going on? | 0:00:46 | 0:00:49 | |
-I'm dying, Ingrid! -What? | 0:00:49 | 0:00:51 | |
I've got the plague. All right? | 0:00:51 | 0:00:52 | |
Apparently you don't recover from that. I looked it up on NHS Direct. | 0:00:54 | 0:00:57 | |
I didn't even know the plague was a thing anymore. | 0:00:59 | 0:01:01 | |
No, neither did I. | 0:01:01 | 0:01:02 | |
But what with my luck, I've gone and caught it. | 0:01:02 | 0:01:05 | |
Awful. You poor thing. | 0:01:05 | 0:01:07 | |
-It's the way they tell you. -Yeah? -Don't get me wrong, | 0:01:07 | 0:01:09 | |
I really like my dentist but he was so matter-of-fact about it. | 0:01:09 | 0:01:13 | |
Your dentist? | 0:01:15 | 0:01:16 | |
He said, "You've got really bad plague all in your mouth, and all around your upper teeth." | 0:01:16 | 0:01:20 | |
And then he said, "Come back in two weeks." | 0:01:20 | 0:01:24 | |
And I probably won't be alive in two weeks, will I? | 0:01:24 | 0:01:26 | |
-He said plaque, Lorna. -What? -You've got plaque. | 0:01:26 | 0:01:30 | |
-Oh, so I'm not going to die then? -Not of plaque, no, no. | 0:01:30 | 0:01:34 | |
Well that's a relief. | 0:01:35 | 0:01:36 | |
Isn't it? Isn't it? | 0:01:36 | 0:01:38 | |
Oh no... I gave away all my possessions to a donkey sanctuary. | 0:01:38 | 0:01:42 | |
I'd better go and ask for it back now... Awkward. | 0:01:42 | 0:01:46 | |
Enjoy the show. | 0:01:48 | 0:01:49 | |
APPLAUSE | 0:01:49 | 0:01:50 | |
All stations, this is Tango One. I have eyeball. | 0:01:54 | 0:01:57 | |
Repeat, I have eyeball. Over. | 0:01:57 | 0:01:58 | |
Sorry, I...thought you were someone else. | 0:02:17 | 0:02:19 | |
I've nearly got him. All stations on standby. | 0:02:22 | 0:02:25 | |
Sarah! Sarah! | 0:02:25 | 0:02:27 | |
Oh, no. | 0:02:28 | 0:02:30 | |
Sarah! Sarah! Why are you ignoring me? | 0:02:30 | 0:02:33 | |
Ah, no wonder you can't hear me. | 0:02:34 | 0:02:36 | |
You've got your headphones in, silly! | 0:02:36 | 0:02:38 | |
This is Tango One. Position compromised. Repeat, position compromised. Dammit! | 0:02:40 | 0:02:44 | |
Right, now, just listen a minute, be honest. | 0:02:44 | 0:02:48 | |
I bought slippers for Jo, but they didn't have her size in her colour. | 0:02:48 | 0:02:51 | |
So I've gone for the purple, even though she wanted red. | 0:02:51 | 0:02:54 | |
She said tassels, I thought they were more important. | 0:02:54 | 0:02:56 | |
But now I'm looking at them, I'm thinking I don't even know if she likes purple. | 0:02:56 | 0:03:00 | |
-Liz. -Yeah? | 0:03:00 | 0:03:01 | |
-I'm at work. -In the park? | 0:03:01 | 0:03:04 | |
Think about it. | 0:03:04 | 0:03:05 | |
-Were you following that man? -Mm-hmm! -Is he a baddy then? | 0:03:05 | 0:03:08 | |
Yes he is and when I'm at work, you don't know me. | 0:03:08 | 0:03:10 | |
Remember? You don't know who I am. | 0:03:10 | 0:03:12 | |
Why do I always forget you work for MI5? | 0:03:12 | 0:03:15 | |
Sshhh! | 0:03:15 | 0:03:17 | |
Sorry. | 0:03:17 | 0:03:18 | |
Do you think I got the right slippers? | 0:03:21 | 0:03:22 | |
-Yeah, no, they're really nice actually. -Soft, aren't they? | 0:03:24 | 0:03:27 | |
RADIO FIZZES INTO ACTION | 0:03:27 | 0:03:28 | |
Oh, that's me. Better go. | 0:03:28 | 0:03:30 | |
See you at Jo's on Saturday? | 0:03:30 | 0:03:32 | |
Er, yeah, I'll see you there... Whoever you are(!) | 0:03:32 | 0:03:36 | |
Sarah? | 0:03:37 | 0:03:38 | |
What did I just say? | 0:03:38 | 0:03:41 | |
That man you're looking for, he's up that tree. | 0:03:41 | 0:03:43 | |
Oh, right. | 0:03:43 | 0:03:45 | |
GUNSHOT | 0:03:47 | 0:03:48 | |
Thanks! Got him. | 0:03:49 | 0:03:52 | |
Righty-ho then, there's your key, Mr Cooper. | 0:04:02 | 0:04:05 | |
It's a modern airy room with a sea view and a window that fully opens. | 0:04:05 | 0:04:08 | |
The room's furnished with a high-backed chair and twill rug, | 0:04:08 | 0:04:11 | |
a la mode, that I believe you'll find most agreeable. | 0:04:11 | 0:04:14 | |
I see you favour the Brylcreem, Mr Cooper. | 0:04:15 | 0:04:18 | |
Best stay away from my antimacassars unless you fancy paying a fine | 0:04:18 | 0:04:21 | |
and I don't suppose you do, Mr Cooper, I don't suppose you do. | 0:04:21 | 0:04:24 | |
Now, I like my guests to be back at Lyndhurst by ten of a night time | 0:04:25 | 0:04:28 | |
and not a second later mind, as that's when I put the chain on | 0:04:28 | 0:04:31 | |
and I shouldn't be inclined to open the door if the King himself | 0:04:31 | 0:04:34 | |
were a-hammering till dawn in a damp, clinging vest, | 0:04:34 | 0:04:37 | |
and naked from the waist down. | 0:04:37 | 0:04:39 | |
If you're a mucky pup, I should say, I won't have no lady friends on the premises | 0:04:39 | 0:04:42 | |
after I've turned the lights down in the parlour. | 0:04:42 | 0:04:44 | |
There were a Scotch fella here last Whitsun, caught him | 0:04:44 | 0:04:47 | |
tip-toeing down the stairs with a lady of very loose virtue! | 0:04:47 | 0:04:49 | |
He tried to claim she was his sister, so he did, | 0:04:49 | 0:04:52 | |
but I knew different. | 0:04:52 | 0:04:53 | |
I'd seen this brazen hussy before. | 0:04:53 | 0:04:55 | |
Excuse the language, Mr Cooper, but her drawers have been up and down | 0:04:55 | 0:04:58 | |
more times than the King himself doing press-ups, shirtless, | 0:04:58 | 0:05:01 | |
on Empire Day before a dawn ride on his best stallion! | 0:05:01 | 0:05:05 | |
I waited for Caledonian to sit down to his bacon and eggs | 0:05:05 | 0:05:08 | |
and then I sent young Sally to fetch the constable. | 0:05:08 | 0:05:10 | |
"Run, pell mell!", says I. | 0:05:10 | 0:05:12 | |
When the constable arrived, you should've seen | 0:05:12 | 0:05:15 | |
the consternation on the Scotch fella's face! | 0:05:15 | 0:05:17 | |
Eyes as wide as if the King himself had shimmied into the parlour | 0:05:17 | 0:05:21 | |
wearing a pair of my bloomers and rubbing Chinese teak oil into his very own nipples. | 0:05:21 | 0:05:25 | |
So, young McTavish was apprehended on the spot | 0:05:26 | 0:05:29 | |
and sent to the Antipodes for seven years' hard labour. | 0:05:29 | 0:05:31 | |
But here's the fun of it, Mr Cooper, when I arrived back at Lyndhurst, | 0:05:31 | 0:05:35 | |
who should be helping himself to the Scotch fella's bacon? | 0:05:35 | 0:05:38 | |
Why, the constable! | 0:05:38 | 0:05:39 | |
A bit of levity for you there, Mr Cooper, | 0:05:42 | 0:05:44 | |
but I believe I've made myself clear. | 0:05:44 | 0:05:47 | |
No sluts, got it?! | 0:05:47 | 0:05:49 | |
Excuse me. | 0:05:52 | 0:05:54 | |
Right, so are there any questions before we go through the agenda? | 0:05:54 | 0:05:58 | |
Yes, Holly? | 0:05:58 | 0:05:59 | |
Actually, Simon, there was one thing. | 0:05:59 | 0:06:01 | |
Where does the company stand on texting during a staff meeting? | 0:06:01 | 0:06:05 | |
Well, we certainly wouldn't encourage it. | 0:06:05 | 0:06:09 | |
That's what I thought. | 0:06:09 | 0:06:10 | |
-If there's nothing else... -Simon? -Yes. | 0:06:10 | 0:06:12 | |
Simon, I was wondering where does the company stand on | 0:06:12 | 0:06:15 | |
staff members who carry around a packet of cigarettes | 0:06:15 | 0:06:17 | |
everywhere so that it looks like they've just come back | 0:06:17 | 0:06:20 | |
from a fag break when actually they've just been chatting | 0:06:20 | 0:06:22 | |
with Maria on main reception about how Claire from accounts has | 0:06:22 | 0:06:25 | |
let herself go since the twins, and if she doesn't stop stuffing her face she'll lose her husband? | 0:06:25 | 0:06:30 | |
That's...quite specific. | 0:06:33 | 0:06:35 | |
Where does the company stand on staff stealing from the stationery cupboard | 0:06:35 | 0:06:38 | |
so they can sell them at market on a Saturday? | 0:06:38 | 0:06:40 | |
I... | 0:06:40 | 0:06:42 | |
Speaking of stealing, Simon, where does the company stand | 0:06:42 | 0:06:44 | |
on staff who steal their colleagues' boyfriends? | 0:06:44 | 0:06:46 | |
Oh, that's right, I remember... | 0:06:46 | 0:06:49 | |
He doesn't give a monkey's! | 0:06:49 | 0:06:52 | |
Ladies, could we get back to the staff meeting? | 0:08:11 | 0:08:14 | |
We do have quite a lot to get through. | 0:08:14 | 0:08:15 | |
Yes, Simon. | 0:08:15 | 0:08:17 | |
No problem, Simon. | 0:08:17 | 0:08:18 | |
Right, so...the first point of discussion on the agenda today is staff parking. | 0:08:18 | 0:08:24 | |
As you are aware, there are limited spaces | 0:08:24 | 0:08:27 | |
at the front of the building. | 0:08:27 | 0:08:28 | |
And we've applied to the council to extend the car park | 0:08:28 | 0:08:31 | |
all the way up to Latchmere Road. | 0:08:31 | 0:08:34 | |
Unfortunately, the person who deals with these requests... | 0:08:34 | 0:08:36 | |
Are you ready to order? | 0:08:45 | 0:08:47 | |
Aye, pet. Um, I'll have the butternut squash risotto. | 0:08:47 | 0:08:51 | |
OK. One butternut squash. | 0:08:51 | 0:08:52 | |
So...got a war to go to? | 0:08:53 | 0:08:56 | |
You what? | 0:08:56 | 0:08:57 | |
Oh, shine a light! | 0:09:00 | 0:09:03 | |
Hey, I'm Candy. | 0:09:05 | 0:09:08 | |
And I'm April. | 0:09:08 | 0:09:10 | |
BOTH: And we're Hugh Hefner's new girlfriends! | 0:09:10 | 0:09:13 | |
Yay! | 0:09:13 | 0:09:15 | |
Today we're doing a photo shoot. | 0:09:19 | 0:09:22 | |
It's for the front cover of the sports babe edition so... | 0:09:22 | 0:09:25 | |
it's kind of a big deal. | 0:09:25 | 0:09:26 | |
Who wants to play a round of golf? | 0:09:28 | 0:09:30 | |
How do I look? | 0:09:32 | 0:09:33 | |
Look at me and my bouncing boobs! | 0:09:36 | 0:09:39 | |
Ah-ha-ha-ha-ha-ha. | 0:09:42 | 0:09:45 | |
Oh, look what I found. Tit-tees. | 0:09:45 | 0:09:48 | |
Look what I can do! | 0:09:48 | 0:09:52 | |
PHOTOGRAPHER: Beautiful! | 0:09:52 | 0:09:54 | |
BUGGY HORN TOOTS | 0:09:57 | 0:09:59 | |
Oh, Hef's coming. | 0:09:59 | 0:10:02 | |
-Yay! Hef's here! -Love you, puffin! -Love you, puffin! | 0:10:02 | 0:10:06 | |
HUGH: How are my two favourite golfing partners? | 0:10:06 | 0:10:09 | |
BOTH: Ha-ha-ha, you're so funny, Hef! | 0:10:09 | 0:10:12 | |
So which one of you two lucky ladies wants to help papa with his wood? | 0:10:12 | 0:10:18 | |
Papa wants to practise his follow through. | 0:10:20 | 0:10:24 | |
I'll see one of you in the club house for a hole in one! | 0:10:25 | 0:10:29 | |
Right, well I did it after his asthma attack, so it's definitely your turn. | 0:10:33 | 0:10:38 | |
No, cos I did it after his prostate replacement, so... | 0:10:38 | 0:10:42 | |
But I did it after his triple bypass surgery, so... | 0:10:42 | 0:10:45 | |
Well, I did it during his triple bypass surgery, so... | 0:10:45 | 0:10:48 | |
Well, I did it when he was diagnosed with kidney failure | 0:10:48 | 0:10:51 | |
and had to be hooked up to a dialysis machine, so... | 0:10:51 | 0:10:54 | |
Well, I did it after his stroke when he lost all feeling in the | 0:10:54 | 0:10:57 | |
left-hand side of his body and could only see out of one eye, so... | 0:10:57 | 0:11:01 | |
Well, I can't do it because I promised to Skype a friend of mine | 0:11:01 | 0:11:04 | |
who's fighting for our country in Afghanistan, so... | 0:11:04 | 0:11:07 | |
Well, I can't do it either! | 0:11:07 | 0:11:09 | |
Why not? | 0:11:09 | 0:11:10 | |
Because I have a head trauma! | 0:11:10 | 0:11:13 | |
What?! No, you don't! | 0:11:13 | 0:11:15 | |
CRASH | 0:11:23 | 0:11:24 | |
Damn it! | 0:11:26 | 0:11:28 | |
Fore! | 0:11:28 | 0:11:30 | |
Uh! Well, I'm passing out! | 0:11:32 | 0:11:35 | |
No, Sergeant, we need results and we need them now. | 0:11:37 | 0:11:40 | |
I'll be back at the station in half an hour. | 0:11:40 | 0:11:42 | |
Right Clare, what have we got? I need to get an image out there, ASAP, alert the press. | 0:11:42 | 0:11:46 | |
Hopefully someone will recognise her. A husband, neighbour. | 0:11:46 | 0:11:49 | |
Yes, well, it wasn't easy piecing together the jaw from just | 0:11:49 | 0:11:52 | |
those few bone fragments. | 0:11:52 | 0:11:54 | |
The temporal line was damaged, | 0:11:54 | 0:11:56 | |
the entire orbital plate was absent, as was any cartilage. | 0:11:56 | 0:11:59 | |
However, I think I've managed to construct the face of the victim. | 0:11:59 | 0:12:04 | |
Tina Turner? | 0:12:12 | 0:12:13 | |
Yes. | 0:12:13 | 0:12:14 | |
Sorry, you're saying the mystery body found in the canal | 0:12:14 | 0:12:17 | |
just outside Uxbridge is the American singer, Tina Turner? | 0:12:17 | 0:12:21 | |
Well, it certainly appears that way, Inspector. | 0:12:21 | 0:12:23 | |
Clare. This...this is ridiculous. | 0:12:23 | 0:12:26 | |
Isn't it? I mean, what's she ever done to anyone? | 0:12:26 | 0:12:29 | |
Is there a problem? | 0:12:31 | 0:12:32 | |
Well, yes, actually there is, Clare. | 0:12:32 | 0:12:34 | |
Firstly, I'd say it was doubtful that Ms Turner has spent any time | 0:12:34 | 0:12:38 | |
in the Uxbridge area. | 0:12:38 | 0:12:40 | |
Secondly, and here's the clincher, | 0:12:40 | 0:12:42 | |
I'm fairly certain that Tina Turner is still alive. | 0:12:42 | 0:12:47 | |
Well, you might want to check that. | 0:12:47 | 0:12:49 | |
In fact, this wouldn't be the first time, would it? | 0:12:49 | 0:12:52 | |
What do you mean? | 0:12:52 | 0:12:53 | |
Well. Those remains we found in Epping Forest last summer? | 0:12:53 | 0:12:56 | |
Yes? | 0:12:56 | 0:12:57 | |
According to your handiwork... | 0:12:57 | 0:12:59 | |
Princess Anne. | 0:12:59 | 0:13:01 | |
Look, I can only work with the materials provided, Inspector. | 0:13:02 | 0:13:07 | |
If the bones do form the facial structure of the Princess Royal or indeed irreverent funny man, | 0:13:07 | 0:13:11 | |
Billy Connolly, there's nothing I can do about it. | 0:13:11 | 0:13:14 | |
I'm just saying, you're a tiny bit obsessed with celebrities | 0:13:14 | 0:13:17 | |
and perhaps it's because you didn't get that job at Madame Tussauds. | 0:13:17 | 0:13:21 | |
Now, if you'll excuse me, I've got someone coming from Time Team | 0:13:23 | 0:13:27 | |
at two, expecting a facial reconstruction | 0:13:27 | 0:13:30 | |
of early Stone Age Man and I don't want to keep them waiting. | 0:13:30 | 0:13:34 | |
Heston Blumenthal?! | 0:13:35 | 0:13:38 | |
Good day, Inspector! | 0:13:38 | 0:13:40 | |
Catherine, do you think we will get into Brigadier Burnham's biannual ball without invitations? | 0:13:50 | 0:13:54 | |
We have to, Lucy. | 0:13:54 | 0:13:56 | |
Mr Bridgewater and Sir Thomas will be there... | 0:13:56 | 0:13:58 | |
And they will be drunk. | 0:13:58 | 0:14:00 | |
Oh, good grief! | 0:14:00 | 0:14:02 | |
Thank you. | 0:14:02 | 0:14:03 | |
Good evening, ladies. Might I see your invitations? | 0:14:03 | 0:14:06 | |
Oh, yes. Certainly you might. | 0:14:06 | 0:14:09 | |
Oh, how odd. I seem to be momentarily dispossessed of my invitation... Lucy? | 0:14:09 | 0:14:14 | |
Unfortunately, Catherine, I too am without my invitation. | 0:14:14 | 0:14:17 | |
Oh, I remember me now. I forgot it. | 0:14:17 | 0:14:21 | |
Aren't we silly things, Lucy? Forgetting to bring our invitations. | 0:14:22 | 0:14:25 | |
Oh yes, we are so silly. | 0:14:25 | 0:14:27 | |
-So very silly. -The silliest of sillies, aren't we, Catherine? | 0:14:27 | 0:14:31 | |
I do declare we are such silly sillies that we should feel quite at home on the Isles of Scilly! | 0:14:31 | 0:14:36 | |
May I ask for your names? | 0:14:46 | 0:14:48 | |
Our names? Oh yes, your list, your list of names. | 0:14:48 | 0:14:53 | |
Oh! Look yonder! | 0:14:53 | 0:14:56 | |
Your names? | 0:14:58 | 0:15:00 | |
Lady Fortescue, my name is Lady Fortescue. | 0:15:00 | 0:15:02 | |
Thank you. And yours? | 0:15:02 | 0:15:03 | |
Baron Friedrich von Gluckhausen. | 0:15:05 | 0:15:08 | |
Guten abend. | 0:15:08 | 0:15:11 | |
Ladies, may I ask you to step aside? | 0:15:12 | 0:15:15 | |
Oh, Mr Bridgewater? | 0:15:15 | 0:15:18 | |
-Sir Thomas? -Oh, Sir Thomas! | 0:15:18 | 0:15:20 | |
Mr Bridgewater, it is me, Miss Steeps and Miss Rutherford. | 0:15:20 | 0:15:24 | |
Mr Bridgewater! | 0:15:24 | 0:15:25 | |
Sir Thomas! | 0:15:25 | 0:15:27 | |
-Mr Bridgewater! -Sir Thomas! | 0:15:27 | 0:15:29 | |
MR BRIDGEWATER! | 0:15:29 | 0:15:32 | |
SIR THOMAS! | 0:15:32 | 0:15:37 | |
Oh, they do not appear to hear us. Never mind. | 0:15:39 | 0:15:41 | |
Ladies, your names are not on the list | 0:15:41 | 0:15:43 | |
so I shall have to insist that you take your leave. | 0:15:43 | 0:15:45 | |
Oh yes, quite right. | 0:15:45 | 0:15:46 | |
With immediate effect. | 0:15:50 | 0:15:52 | |
Oh yes, off we go. | 0:15:52 | 0:15:54 | |
Goodbye. | 0:15:54 | 0:15:55 | |
Go away! | 0:15:56 | 0:15:58 | |
All right. | 0:15:59 | 0:16:00 | |
Rude. | 0:16:00 | 0:16:02 | |
Plan B. | 0:16:05 | 0:16:06 | |
-Help! -Help! Somebody help us! | 0:16:12 | 0:16:15 | |
Good Lord! | 0:16:15 | 0:16:17 | |
For God's sake, run. | 0:16:17 | 0:16:19 | |
-Help! -Help! | 0:16:20 | 0:16:24 | |
Good morning. | 0:16:29 | 0:16:31 | |
BOTH: Hiya. | 0:16:31 | 0:16:32 | |
And this is obviously main reception. Waiting area for guests. | 0:16:35 | 0:16:37 | |
Toilets are over there. I think that's about it. | 0:16:37 | 0:16:39 | |
Morning, ladies. | 0:16:39 | 0:16:40 | |
BOTH: Hiya. | 0:16:40 | 0:16:42 | |
This is Jo. She's just joined the marketing team upstairs. | 0:16:43 | 0:16:46 | |
Nice to meet you. | 0:16:46 | 0:16:47 | |
BOTH: Hiya. | 0:16:47 | 0:16:49 | |
Oh, that must be the stationery order that no-one told me arrived. | 0:16:49 | 0:16:53 | |
The phones have been playing up again, have they? | 0:16:53 | 0:16:55 | |
That's right, Carol, they have. | 0:16:55 | 0:16:56 | |
Yes, of course they have. | 0:16:56 | 0:16:58 | |
Anyway, if you've got any admin queries just ask the girls here, | 0:16:58 | 0:17:01 | |
I'm sure they'll be able to help. | 0:17:01 | 0:17:02 | |
Actually, Carol, | 0:17:02 | 0:17:03 | |
we might be a bit too busy seeing as how this is main reception. | 0:17:03 | 0:17:07 | |
Oh, I'm sure you will be, Francine. | 0:17:07 | 0:17:11 | |
I'm just saying if Jo has ever got any quick questions, you know. | 0:17:11 | 0:17:13 | |
-About what, Carol? -Well you know, admin questions. That kind of thing. | 0:17:13 | 0:17:16 | |
As I said, Carol, it does get quite busy here on main reception. | 0:17:16 | 0:17:21 | |
Yes, of course it does. | 0:17:21 | 0:17:22 | |
Which is presumably why you fail to carry out the jobs I give you which would make my life easier. | 0:17:22 | 0:17:27 | |
I'm just saying, if Jo has a question about the computers, | 0:17:27 | 0:17:30 | |
I'm sure you wouldn't mind... | 0:17:30 | 0:17:31 | |
We don't use computers, Carol. | 0:17:31 | 0:17:33 | |
Health and safety. | 0:17:33 | 0:17:35 | |
What do you mean health and safety? | 0:17:35 | 0:17:36 | |
We don't use the computers, Carol, because it's not safe for our nails. | 0:17:36 | 0:17:43 | |
You don't keep nails in this kind of condition by tapping away | 0:17:43 | 0:17:45 | |
at a computer every day, Carol. | 0:17:45 | 0:17:47 | |
They'd get chipped, Carol! | 0:17:47 | 0:17:49 | |
They'd be ruined, Carol. | 0:17:49 | 0:17:50 | |
And if you've a problem with that, Carol, then that's your problem, Carol, all right? | 0:17:50 | 0:17:54 | |
Jealous of our nails or something, Carol? | 0:17:54 | 0:17:56 | |
Or do you just hate nails in general, Carol? Is that it? | 0:17:56 | 0:17:59 | |
As always, you've been incredibly helpful. | 0:17:59 | 0:18:02 | |
Jo, could you grab the stationery for me? | 0:18:02 | 0:18:04 | |
Certainly, Carol. Right then. | 0:18:04 | 0:18:07 | |
I'll just...grab this. | 0:18:07 | 0:18:10 | |
So if I need anything, I'll ask and you'll do it. All right? | 0:18:14 | 0:18:18 | |
Oh, my God, were those...? | 0:18:23 | 0:18:24 | |
Banana bonanza. | 0:18:24 | 0:18:26 | |
Limited edition. | 0:18:26 | 0:18:28 | |
Only three bottles in existence. | 0:18:28 | 0:18:32 | |
Call the salon, tell them it's an emergency. | 0:18:32 | 0:18:36 | |
No operations today then? | 0:18:42 | 0:18:44 | |
What? | 0:18:44 | 0:18:46 | |
Oh, bum bags! | 0:18:48 | 0:18:50 | |
Emma, this is Bob. He lives next door. | 0:18:52 | 0:18:55 | |
Oh, hi! I'm so glad you could make it. | 0:18:55 | 0:18:58 | |
Welcome to the neighbourhood. | 0:18:58 | 0:18:59 | |
Oh, thank you very much, you shouldn't have. | 0:18:59 | 0:19:01 | |
Emma, you've run out of ice. | 0:19:01 | 0:19:03 | |
Oh, Mel, this is...sorry, I didn't catch your name. | 0:19:03 | 0:19:06 | |
-Bob. -Bob. This is Mel. | 0:19:06 | 0:19:07 | |
Nice to meet you, Bob. Ice? | 0:19:07 | 0:19:09 | |
Oh, yeah. Bottom freezer drawer. | 0:19:09 | 0:19:11 | |
So, how are you settling in? | 0:19:11 | 0:19:13 | |
Oh, yeah, good, you know. | 0:19:13 | 0:19:14 | |
I've still a few boxes to unpack but everyone's been so friendly round here. It's great. | 0:19:14 | 0:19:18 | |
Can I tempt either of you to a sausage roll? | 0:19:18 | 0:19:20 | |
Erm, Nick, this is...erm... Sorry, I've forgotten your name. | 0:19:20 | 0:19:24 | |
Bob. Nice to meet you. | 0:19:24 | 0:19:26 | |
Nice to meet you, Bob. | 0:19:26 | 0:19:28 | |
So, Rob, how long have you lived here? | 0:19:28 | 0:19:30 | |
-It's Bob. -Of course it is, sorry. | 0:19:30 | 0:19:33 | |
Me and the wife have been here three years. | 0:19:33 | 0:19:35 | |
Oh, veterans then. | 0:19:35 | 0:19:36 | |
-Em, people want to know where to put coats? -Just pop them in my bedroom. | 0:19:36 | 0:19:39 | |
Oh, Tom, have you met my new neighbour? | 0:19:39 | 0:19:41 | |
This is Bahhh... | 0:19:41 | 0:19:44 | |
This is Behhhh... | 0:19:44 | 0:19:46 | |
This is Brrrr... | 0:19:46 | 0:19:48 | |
Bob. It's Bob. | 0:19:48 | 0:19:49 | |
Wow, that really isn't going in. | 0:19:49 | 0:19:52 | |
Nice to meet you, Bob. | 0:19:52 | 0:19:54 | |
Tom's a marine biologist. Now, are you all right for a drink, Babs? | 0:19:54 | 0:19:58 | |
-Bob. -BOB! Bob, Bob, Bob, Bob. You're name is Bob. | 0:19:58 | 0:20:02 | |
My neighbour Bob. Got it! Sorry, I'm so rubbish with names. | 0:20:02 | 0:20:07 | |
Right, Bob, let's introduce you to the rest of the party, shall we? | 0:20:07 | 0:20:11 | |
Everyone, I'd like you to meet my new neighbour. | 0:20:12 | 0:20:14 | |
This is Ali, Tim, Hannah, Charlie, Katie, Lucius, Leopold, | 0:20:14 | 0:20:18 | |
Horatio, Heraldo, John-James, John-Jo, John-Ross, | 0:20:18 | 0:20:21 | |
John-Thomas, Delicia, Daneka, Tameka, Tamara, Vladislav, | 0:20:21 | 0:20:25 | |
Aristophanes, Thaddeus, Concepcion, Xerxes and Winston. | 0:20:25 | 0:20:29 | |
Everyone, this is... | 0:20:29 | 0:20:31 | |
I want to say Boobs? | 0:20:34 | 0:20:36 | |
Bob! It's Bob! | 0:20:36 | 0:20:39 | |
You stupid, thoughtless, idiot woman! | 0:20:39 | 0:20:42 | |
It's B.O.B. It's Bob! | 0:20:42 | 0:20:46 | |
To be fair, it is a really unusual name. | 0:20:49 | 0:20:52 | |
The great hall of the Capulets where Romeo first lays eyes on Juliet. | 0:20:54 | 0:21:02 | |
Moving along to where we last left off. Bea, could you be Tybalt? | 0:21:02 | 0:21:05 | |
And, Fee, could you read Capulet? | 0:21:05 | 0:21:08 | |
Uncle, this is a Montague, our foe. A villain that is hither come in spite. | 0:21:10 | 0:21:16 | |
To scorn at our solemnity this night. | 0:21:16 | 0:21:19 | |
Young Romeo, is it? | 0:21:19 | 0:21:21 | |
'Tis he, that villain, Romeo. | 0:21:21 | 0:21:22 | |
OK. Let's hold it there. | 0:21:22 | 0:21:24 | |
Umm... So what does Tybalt think about the presence | 0:21:24 | 0:21:27 | |
of a Montague in the house of Capulet? Bea? | 0:21:27 | 0:21:30 | |
I don't know. | 0:21:30 | 0:21:31 | |
Well, think about it. | 0:21:31 | 0:21:33 | |
I think he thinks it's nice. | 0:21:34 | 0:21:36 | |
Are you sure? | 0:21:36 | 0:21:38 | |
He thinks it's really nice? | 0:21:38 | 0:21:40 | |
What word did he just use to refer to Romeo? | 0:21:40 | 0:21:44 | |
Um... | 0:21:44 | 0:21:46 | |
Anyone? Yes, Fee? | 0:21:46 | 0:21:48 | |
Is it "nice"? | 0:21:48 | 0:21:49 | |
No, he calls him a villain, doesn't he? "That villain, Romeo." | 0:21:49 | 0:21:53 | |
So what does he think about Romeo being at the feast then? | 0:21:53 | 0:21:57 | |
Bea? | 0:21:57 | 0:21:58 | |
He doesn't think it's nice. | 0:21:58 | 0:22:00 | |
That's right. | 0:22:00 | 0:22:01 | |
In fact, he goes on to say, "When such a villain is a guest: | 0:22:01 | 0:22:04 | |
"I'll not endure him." | 0:22:04 | 0:22:06 | |
-BOTH: -Really? | 0:22:06 | 0:22:08 | |
Good. So what does this tell us about Tybalt? | 0:22:10 | 0:22:15 | |
What do we think of him? Hmm! Yes? | 0:22:15 | 0:22:19 | |
Nice? | 0:22:19 | 0:22:20 | |
No. Come on. Yes? | 0:22:20 | 0:22:23 | |
-BOTH: -Not nice? | 0:22:23 | 0:22:25 | |
Yes, but try using different words. Bea? | 0:22:25 | 0:22:28 | |
The opposite of nice? | 0:22:28 | 0:22:30 | |
Yes and what's the opposite of nice? Fee? | 0:22:30 | 0:22:32 | |
Not nice? | 0:22:32 | 0:22:33 | |
-Yes, but give me another word for that. -Really? | 0:22:33 | 0:22:36 | |
Really what? | 0:22:36 | 0:22:38 | |
Really not nice. | 0:22:38 | 0:22:40 | |
OK, let's try using some different adjectives. How about vociferous? | 0:22:40 | 0:22:47 | |
Yes? | 0:22:47 | 0:22:48 | |
What does that mean? | 0:22:48 | 0:22:49 | |
It means...well, he's strident, isn't he? Yes? | 0:22:49 | 0:22:53 | |
What does that mean? | 0:22:53 | 0:22:55 | |
It means a quarrelsome character. Yes? | 0:22:55 | 0:22:58 | |
What does that mean? | 0:22:58 | 0:23:00 | |
He can't hide his disapproval, his hatred. He's brassy. | 0:23:00 | 0:23:03 | |
What does that mean? | 0:23:03 | 0:23:05 | |
-It means he's aggressive. He's got a temper. He's boisterous and argumentative. -What does that mean? | 0:23:05 | 0:23:09 | |
It means he personifies hatred. He's proud and unchangeable. | 0:23:09 | 0:23:14 | |
Yes? | 0:23:15 | 0:23:16 | |
-ALL: -What does that mean? | 0:23:16 | 0:23:17 | |
It means he's not very nice, OK? | 0:23:17 | 0:23:20 | |
-ALL: -Really? Is he not very nice? | 0:23:21 | 0:23:23 | |
No, he's really, really not very nice. OK? | 0:23:23 | 0:23:27 | |
-ALL: -Totally. | 0:23:27 | 0:23:29 | |
BELL RINGS | 0:23:29 | 0:23:31 | |
Oh, thank God. | 0:23:31 | 0:23:33 | |
PHONE RINGS | 0:23:41 | 0:23:43 | |
Yes, Lord Sugar. | 0:23:44 | 0:23:46 | |
Lord Sugar will... | 0:23:48 | 0:23:50 | |
Lord Sugar... | 0:23:51 | 0:23:52 | |
I'm so sorry, I'm so sorry. I've forgotten my line. | 0:23:55 | 0:23:58 | |
Cut! | 0:23:58 | 0:23:59 | |
I know it. I'm so sorry. | 0:23:59 | 0:24:01 | |
It's, "Lord Sugar will see you now." | 0:24:01 | 0:24:03 | |
-Lord Sugar will see you now. -Yeah. | 0:24:03 | 0:24:05 | |
-Lord Sugar will see you now. -OK. We'll go again. Positions everyone, please. | 0:24:05 | 0:24:08 | |
Lord Sugar will see you now. | 0:24:08 | 0:24:10 | |
Action! | 0:24:10 | 0:24:12 | |
PHONE RINGS | 0:24:12 | 0:24:13 | |
Yes, Lord Sugar. | 0:24:15 | 0:24:18 | |
You can all go on holiday. | 0:24:19 | 0:24:21 | |
Cut! | 0:24:23 | 0:24:25 | |
What did I say? I'm so sorry. | 0:24:25 | 0:24:26 | |
-Yeah. Going again. -What's my line again? | 0:24:26 | 0:24:28 | |
-It's, "Lord Sugar will see you now." -Lord Sugar won't see you now. | 0:24:28 | 0:24:32 | |
No, no, Lord Sugar WILL see you now. | 0:24:32 | 0:24:34 | |
Oh, Lord Sugar WILL see you now? | 0:24:34 | 0:24:37 | |
Yeah. Got it? | 0:24:37 | 0:24:38 | |
Yes. Yes. That makes more sense. | 0:24:38 | 0:24:41 | |
Of course he will. | 0:24:41 | 0:24:42 | |
Great. | 0:24:42 | 0:24:43 | |
Lord Sugar will see you now. | 0:24:43 | 0:24:45 | |
-Lord Sugar will see you now. -Action! | 0:24:45 | 0:24:48 | |
PHONE RINGS | 0:24:48 | 0:24:49 | |
Yes, Lord Sugar. | 0:24:52 | 0:24:53 | |
Two for a pound, lovely cabbages! | 0:24:55 | 0:24:58 | |
How was that? | 0:25:01 | 0:25:03 | |
Hiya. | 0:25:08 | 0:25:09 | |
Oh, hello. | 0:25:09 | 0:25:10 | |
You, er, getting married today then, are you? | 0:25:10 | 0:25:13 | |
What? | 0:25:13 | 0:25:14 | |
Oh, my God! What time is it? | 0:25:16 | 0:25:19 | |
Five past two. | 0:25:19 | 0:25:21 | |
Poo balls! | 0:25:21 | 0:25:22 | |
-Your white wine, Miss Graf. -Danke. | 0:25:29 | 0:25:32 | |
Steffi? | 0:25:32 | 0:25:35 | |
Steffi Graf? | 0:25:35 | 0:25:37 | |
Boris. Boris Becker. | 0:25:37 | 0:25:39 | |
Yes, sir? What can I get for you? | 0:25:39 | 0:25:42 | |
Ein whisky, bitte. Mit eis. | 0:25:42 | 0:25:44 | |
Very good, sir. | 0:25:44 | 0:25:45 | |
Boris, wie geht's? | 0:25:45 | 0:25:47 | |
Gut, gut danke, und dir? | 0:25:47 | 0:25:49 | |
Danke, gut, ja. | 0:25:49 | 0:25:51 | |
Und... Andre Agassi? | 0:25:51 | 0:25:55 | |
Ja. Erm...ist mein mann. | 0:25:55 | 0:25:57 | |
Und du? Bist du noch mit...erm...mit...erm...mit... | 0:26:01 | 0:26:05 | |
-Barbara. -Barbara! | 0:26:05 | 0:26:08 | |
Nein, ich hatte sex in einem restaurant und ja, | 0:26:08 | 0:26:13 | |
das war nicht so gut. | 0:26:13 | 0:26:14 | |
Hast du babies? | 0:26:17 | 0:26:18 | |
Ja, ja, ich habe zwei babies. | 0:26:18 | 0:26:20 | |
Zwei babies. | 0:26:20 | 0:26:21 | |
Ja. Und du...babies? | 0:26:21 | 0:26:23 | |
-Drei. -Drei? | 0:26:23 | 0:26:24 | |
Zwei mit meiner ex, Barbara und dann | 0:26:26 | 0:26:30 | |
hatte ich sex in einem restaurant... | 0:26:30 | 0:26:32 | |
..ein, zwei...ja...drei in total. | 0:26:34 | 0:26:37 | |
Ah, wunderbar. | 0:26:37 | 0:26:38 | |
Wow, Steffi deine muskeln! | 0:26:40 | 0:26:42 | |
Ich mache cross training und pilates. | 0:26:42 | 0:26:47 | |
Und deine haare ist...so blonde. | 0:26:47 | 0:26:50 | |
Boris, bitte. | 0:26:50 | 0:26:51 | |
Und deine lippen, sie sind so gros und super sexy. | 0:26:51 | 0:26:55 | |
Boris, nein! | 0:26:55 | 0:26:56 | |
Ach, komm, Steffi! Es war so gut. | 0:26:56 | 0:26:58 | |
Ich kann nicht! | 0:26:58 | 0:26:59 | |
Agassi ist ein dummkopf! | 0:26:59 | 0:27:01 | |
-Boris, schtop! -Aber ich liebe dich! | 0:27:01 | 0:27:04 | |
Oh, Boris! | 0:27:04 | 0:27:06 | |
MUSIC: "Wind Of Change" by Scorpions | 0:27:06 | 0:27:09 | |
# Follow the Moskva | 0:27:21 | 0:27:25 | |
# Down to Gorky Park | 0:27:25 | 0:27:28 | |
# Listening to the wind of change | 0:27:28 | 0:27:34 | |
# An August summer night | 0:27:34 | 0:27:39 | |
# Soldiers passing by | 0:27:39 | 0:27:42 | |
# Listening to the wind of change... # | 0:27:42 | 0:27:48 | |
Boris...nein! | 0:27:51 | 0:27:54 | |
Ich liebe Agassi. | 0:27:54 | 0:27:56 | |
Was? Aber... | 0:27:56 | 0:27:58 | |
Auf wiedersehen, Boris. | 0:27:58 | 0:28:00 | |
Scheisse! | 0:28:05 | 0:28:07 | |
Can I get you anything else, Mr Becker? | 0:28:07 | 0:28:09 | |
Ja. New balls, please! | 0:28:09 | 0:28:11 | |
PHONE RINGS | 0:28:13 | 0:28:14 | |
Yes, Lord Sugar. | 0:28:18 | 0:28:19 | |
Lord Sugar will... | 0:28:21 | 0:28:23 | |
SHE BARKS MADLY | 0:28:23 | 0:28:27 | |
CUT! | 0:28:27 | 0:28:28 | |
Woof. Woof. | 0:28:28 | 0:28:30 | |
Pat's told me all about you. | 0:28:31 | 0:28:33 | |
Oh, has she now? | 0:28:33 | 0:28:34 | |
This is just ridiculous. | 0:28:34 | 0:28:36 | |
It's not ridiculous. This is our first child we're having. | 0:28:36 | 0:28:38 | |
You have it then! | 0:28:38 | 0:28:40 | |
Subtitles by Red Bee Media Ltd | 0:28:53 | 0:28:56 |