Browse content similar to The End of the Beginning. Check below for episodes and series from the same categories and more!
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This programme contains adult humour and some strong language. | 0:00:02 | 0:00:05 | |
I helped Julia's dad off himself. I feel guilty having a secret from her. | 0:00:05 | 0:00:08 | |
-The truth. For once. -I was shagging her. | 0:00:08 | 0:00:10 | |
That makes ending this joke of a relationship much easier. | 0:00:10 | 0:00:13 | |
Shit! | 0:00:13 | 0:00:14 | |
-Is summat going on? -Yes! It's called work. | 0:00:14 | 0:00:16 | |
Like what your music producer does but instead of going "la-la-la-la", | 0:00:16 | 0:00:19 | |
I go "typety-type-type". | 0:00:19 | 0:00:20 | |
-What about the money? -What money? -In your drawer! | 0:00:20 | 0:00:23 | |
Where did it come from? | 0:00:23 | 0:00:24 | |
I'm a third part owner of an assisted suicide business. | 0:00:24 | 0:00:27 | |
That can't possible be legal. | 0:00:27 | 0:00:28 | |
We are totally screwed. | 0:00:28 | 0:00:29 | |
I'm going straight to the cop shop! | 0:00:29 | 0:00:31 | |
HE LAUGHS | 0:00:31 | 0:00:33 | |
# Baby, we're the chosen ones and living the dream | 0:00:34 | 0:00:37 | |
# Since I got a hold of fame and I shone it on me | 0:00:37 | 0:00:41 | |
# Yeah, I'm a better man | 0:00:41 | 0:00:42 | |
# This is the superstar luck machine. # | 0:00:42 | 0:00:47 | |
Julia? | 0:00:57 | 0:00:58 | |
Julia! | 0:00:58 | 0:00:59 | |
-Julia! -Er, wait. Er, sorry... | 0:00:59 | 0:01:01 | |
No, stop! I... | 0:01:01 | 0:01:02 | |
Julia! | 0:01:04 | 0:01:05 | |
You've got it all wrong! | 0:01:06 | 0:01:08 | |
I never slept with her. | 0:01:08 | 0:01:10 | |
You two are fucking repulsive, you know that? | 0:01:18 | 0:01:21 | |
I've never seen Debbie like this. Screaming, crying. | 0:01:28 | 0:01:31 | |
This morning, when I left, | 0:01:31 | 0:01:33 | |
she was like, "Don't leave me, Cozzo. I don't want to be alone." | 0:01:33 | 0:01:35 | |
This baby's making her mad. | 0:01:35 | 0:01:37 | |
I heard, when the foetus wees inside the womb, | 0:01:37 | 0:01:40 | |
the urine mixes with the mother's brain juices. | 0:01:40 | 0:01:42 | |
Screws with her mind. | 0:01:42 | 0:01:43 | |
That's hormones, you pillock, not foetus wee. | 0:01:43 | 0:01:46 | |
-Where d'you think hormones come from? -Oh. Good point. | 0:01:46 | 0:01:49 | |
Hiya, fellas. > | 0:01:49 | 0:01:50 | |
Cider, please, and refills for my mates. | 0:01:50 | 0:01:52 | |
Oh, someone's cheerful. Back with your lady? | 0:01:52 | 0:01:54 | |
She letting you do it in her bum yet? | 0:01:54 | 0:01:55 | |
Sadly, we're not back together, no. | 0:01:55 | 0:01:57 | |
-Never done it in the bum. What's it like? -Not good after a curry. | 0:01:57 | 0:01:59 | |
What do you think about the three of us going away for a holiday? | 0:01:59 | 0:02:02 | |
-What's the occasion? -Who cares? | 0:02:02 | 0:02:04 | |
Can we come back after Debs has had the baby? | 0:02:04 | 0:02:06 | |
Like, after it's out of her but before her tits have got small. | 0:02:06 | 0:02:08 | |
I need to get away, clear my mind for a bit. I thought, | 0:02:08 | 0:02:10 | |
"The business is doing well, let's splurge on a corporate retreat". | 0:02:10 | 0:02:13 | |
I know the perfect place! They do these overnights at the zoo | 0:02:13 | 0:02:16 | |
where you can cuddle a gorilla doped up on sedatives. | 0:02:16 | 0:02:18 | |
-That sounds brilliant! -I know. | 0:02:18 | 0:02:20 | |
I've also heard they're doing sleepovers | 0:02:20 | 0:02:22 | |
at an abandoned mental hospital in Mudchute. | 0:02:22 | 0:02:24 | |
There's no lights, you sleep on the floor, and all night long | 0:02:24 | 0:02:27 | |
they pipe in screams through the air vents. How's that sound? | 0:02:27 | 0:02:30 | |
I'd rather have my balls chewed on by a dog. | 0:02:30 | 0:02:32 | |
Come on! You'd sleep the night in a mental hospital, right? | 0:02:32 | 0:02:34 | |
-Don't know why I've waited till now! -Same(!) | 0:02:34 | 0:02:36 | |
Thank you. I mean, what? | 0:02:36 | 0:02:38 | |
I want to do something a bit more upmarket. | 0:02:38 | 0:02:40 | |
Like Longwood Heights Hotel. Beautiful scenery, great food. | 0:02:40 | 0:02:43 | |
-What do you say? -I'd love to, I really would. | 0:02:43 | 0:02:45 | |
It's just going to be a bit tricky with Debbie. | 0:02:45 | 0:02:47 | |
She's a total mental case. | 0:02:47 | 0:02:49 | |
In fact, I wish I could drop her off at the funny farm in Mudchute. | 0:02:49 | 0:02:52 | |
Hormones? | 0:02:52 | 0:02:53 | |
Foetus wee. | 0:02:53 | 0:02:55 | |
Debbie, I'm home! | 0:02:56 | 0:02:57 | |
Oh, shit. Debs? | 0:02:59 | 0:03:02 | |
What's the matter? | 0:03:02 | 0:03:04 | |
-I got a case. -A case of what? | 0:03:04 | 0:03:06 | |
They gave me a case, Cozzo! I'm going to be a detective! | 0:03:06 | 0:03:10 | |
-Debbie, that's fantastic! -I know. I've been bugging the sergeant | 0:03:10 | 0:03:14 | |
for years and he finally gave me one as a test! | 0:03:14 | 0:03:16 | |
Good for you, sweetheart. Good for... Whoa, | 0:03:16 | 0:03:18 | |
careful you don't squash the baby. | 0:03:18 | 0:03:20 | |
-Are you happy for me? -Course I'm happy! | 0:03:20 | 0:03:22 | |
I was worried you would be in one of your usual mentally deranged, | 0:03:22 | 0:03:26 | |
schizzed-out moods, so that when I asked | 0:03:26 | 0:03:27 | |
if I could go away for the weekend with the boys | 0:03:27 | 0:03:29 | |
you would go all batshit crazy. | 0:03:29 | 0:03:31 | |
But you're not that way, which makes it... | 0:03:31 | 0:03:33 | |
-so much easier to ask. -I see! | 0:03:33 | 0:03:35 | |
So you're not really happy for me, you're just happy for yourself. | 0:03:35 | 0:03:38 | |
No, no. No, I'm happy for the both of us. | 0:03:38 | 0:03:41 | |
Can't I be happy for the both of us? | 0:03:41 | 0:03:43 | |
So? I can, right? I mean go away. | 0:03:43 | 0:03:46 | |
Course you can, Cozzo. | 0:03:47 | 0:03:49 | |
As a matter of fact, I'd like it. | 0:03:49 | 0:03:51 | |
It would give me a few hours not to have to look at your face. | 0:03:51 | 0:03:54 | |
See that? That's terrific. | 0:03:54 | 0:03:56 | |
You're the best, you really are. I'm so happy for the both of us. | 0:03:56 | 0:04:01 | |
# The brightest lights cast the darkest shadows | 0:04:01 | 0:04:06 | |
# And that's where I'll be found... # | 0:04:06 | 0:04:11 | |
Shit a dick! | 0:04:12 | 0:04:14 | |
Look at this place. It's gorgeous. | 0:04:14 | 0:04:16 | |
-What did I tell you? -I don't know. What? | 0:04:16 | 0:04:18 | |
That it's gorgeous. | 0:04:18 | 0:04:20 | |
Why do you have to take the credit for everything? | 0:04:20 | 0:04:22 | |
May I take your bag, sir? | 0:04:22 | 0:04:24 | |
Why? So you can rifle through my pants, | 0:04:24 | 0:04:26 | |
steal a pair of jeans, maybe a shirt? | 0:04:26 | 0:04:28 | |
I know your kind, mate. | 0:04:28 | 0:04:30 | |
I've been your kind. | 0:04:30 | 0:04:31 | |
I'm not interested in your clothes, sir. You're not my size. | 0:04:31 | 0:04:35 | |
That's true. There you go, little man. | 0:04:36 | 0:04:39 | |
Ooh, no, no, no, no, no. | 0:04:41 | 0:04:43 | |
No, here, here, you don't have to take that. | 0:04:43 | 0:04:45 | |
Probably a coffee maker included in the room, right, | 0:04:45 | 0:04:48 | |
a big-shot place like this? | 0:04:48 | 0:04:50 | |
Why the hell did you have to bring that thing along? | 0:04:50 | 0:04:52 | |
I can't keep it in the house any more! | 0:04:52 | 0:04:54 | |
Debs is a detective now. She can figure things out. | 0:04:54 | 0:04:56 | |
How long you been married, Debbie? | 0:05:00 | 0:05:02 | |
Oh, hi, Sarge. Five years next month. | 0:05:02 | 0:05:04 | |
I'm going on 20 this weekend. | 0:05:04 | 0:05:06 | |
-Congratulations! -Yeah. | 0:05:06 | 0:05:08 | |
I want to die. | 0:05:08 | 0:05:09 | |
How's the case coming? | 0:05:09 | 0:05:11 | |
All I've got to work with | 0:05:11 | 0:05:12 | |
is this distorted thumbprint they pulled off the old man's knob. | 0:05:12 | 0:05:15 | |
-How did they do that? -His doorknob. | 0:05:15 | 0:05:18 | |
Oh, right. | 0:05:18 | 0:05:19 | |
-It is distorted, though. -Mm. | 0:05:19 | 0:05:21 | |
I think it's a scar. Or not. I don't know. | 0:05:21 | 0:05:25 | |
I've got to be honest, Sarge, I don't think this is a murder case. | 0:05:25 | 0:05:28 | |
It's...just some old-aged pensioners committing suicide. | 0:05:28 | 0:05:33 | |
How I envy them. | 0:05:33 | 0:05:35 | |
Keep on it. | 0:05:35 | 0:05:36 | |
-HE CHUCKLES -Get this. | 0:05:40 | 0:05:42 | |
You push a button on your phone | 0:05:42 | 0:05:43 | |
and they send a girl straight to your room to have sex with you. | 0:05:43 | 0:05:46 | |
-No, they don't. -Yeah, they do. Look. | 0:05:46 | 0:05:48 | |
"In-room holistic massage." Holeistic! | 0:05:48 | 0:05:51 | |
Get it? Hole. You get it? Hole! | 0:05:51 | 0:05:54 | |
I get it, you twat. | 0:05:54 | 0:05:55 | |
But all that means is the entire body is treated as a single entity. | 0:05:55 | 0:05:59 | |
Yeah. A single entity they stick in their hole. | 0:05:59 | 0:06:01 | |
I wish I could get myself a massage. | 0:06:01 | 0:06:03 | |
So get one. | 0:06:03 | 0:06:04 | |
No way I'm going starkers in front of a stranger. | 0:06:04 | 0:06:06 | |
Why, cos you're fat? | 0:06:06 | 0:06:07 | |
It's cos I come down with a slight case of arthritis in my shoulder. | 0:06:07 | 0:06:10 | |
When I pull my shirt over my head, I get an enormous pain in my... | 0:06:10 | 0:06:13 | |
-Yes, because I'm fat! -Look, Cozzo, | 0:06:13 | 0:06:15 | |
we are miles from home. Out here, we can be anyone we want. | 0:06:15 | 0:06:18 | |
Look, I'm down this way. See you both at dinner. | 0:06:18 | 0:06:21 | |
Which hole does the entity go in, again? | 0:06:21 | 0:06:23 | |
HE CHUCKLES | 0:06:23 | 0:06:24 | |
GENTLE PIANO MUSIC PLAYS | 0:06:46 | 0:06:48 | |
HE SIGHS | 0:06:51 | 0:06:52 | |
What? | 0:06:52 | 0:06:53 | |
Julia liked bread. | 0:06:53 | 0:06:55 | |
-Oh! Would you stop thinking about her? -I can't. | 0:06:55 | 0:06:58 | |
She was just so beautiful. | 0:06:58 | 0:07:00 | |
-I bet she still is. -Not helping. | 0:07:00 | 0:07:02 | |
Look, just pretend her face was horribly burned in a fire. | 0:07:02 | 0:07:05 | |
-That should make you feel better. -Yeah, great, all better(!) | 0:07:05 | 0:07:08 | |
-There you go! -Good evening. | 0:07:08 | 0:07:11 | |
I need no introduction. | 0:07:11 | 0:07:13 | |
Commence. | 0:07:13 | 0:07:14 | |
PIANO PLAYS "RULE BRITANNIA" | 0:07:14 | 0:07:16 | |
# In tropical climes there are certain times of day | 0:07:20 | 0:07:23 | |
# When all the citizens retire | 0:07:23 | 0:07:26 | |
# To tear their clothes off and perspire... # | 0:07:26 | 0:07:28 | |
What a ponce! | 0:07:28 | 0:07:30 | |
Don't you recognise him? | 0:07:30 | 0:07:31 | |
It's Nigel Banks from Rogue Irish Detective. | 0:07:31 | 0:07:35 | |
O'Flaherty from the '80s cop show? | 0:07:35 | 0:07:37 | |
-No way! -It is! | 0:07:37 | 0:07:39 | |
# Oh, the natives grieve when the white men... # | 0:07:39 | 0:07:41 | |
Imagine him saying | 0:07:41 | 0:07:42 | |
"D'ya be wanting a knuckle supper, boyo?" | 0:07:42 | 0:07:45 | |
-God, it is him! -Yes! | 0:07:47 | 0:07:48 | |
# "Papalakapapalaka boo" That's natives. | 0:07:48 | 0:07:51 | |
# Digadigadigadigadigadiga doo That's bollocks... # | 0:07:51 | 0:07:54 | |
I didn't realise he was gay. | 0:07:54 | 0:07:55 | |
He's not gay. Shut the fuck up. | 0:07:55 | 0:07:59 | |
That man inspired me. | 0:07:59 | 0:08:00 | |
To what, have sex with men? | 0:08:00 | 0:08:02 | |
Shut up! | 0:08:02 | 0:08:03 | |
# Hindus and Argentines sleep firmly from twelve to one | 0:08:03 | 0:08:06 | |
# But Englishmen detest a siesta | 0:08:06 | 0:08:10 | |
# In the Philippines... | 0:08:10 | 0:08:11 | |
# They have lovely screens to protect you from the glare | 0:08:11 | 0:08:14 | |
# In the Malay states they have hats like plates | 0:08:14 | 0:08:16 | |
# Which the Englishmen won't wear | 0:08:16 | 0:08:18 | |
# At twelve noon, the natives swoon... # | 0:08:18 | 0:08:20 | |
-Oh, shit! -What's wrong? | 0:08:20 | 0:08:22 | |
It's Lucie. | 0:08:22 | 0:08:24 | |
# Go out in the midday sun... # | 0:08:24 | 0:08:26 | |
Is that the bloke she left you for? | 0:08:26 | 0:08:28 | |
Or was it her music producer? | 0:08:28 | 0:08:29 | |
Wow! Talk about trading up. | 0:08:29 | 0:08:31 | |
-You're not helping. -I'm not trying to help. | 0:08:31 | 0:08:33 | |
No, it's true. | 0:08:33 | 0:08:34 | |
She said I was going nowhere and she was right. I am nowhere. | 0:08:34 | 0:08:38 | |
What are you talking about? | 0:08:38 | 0:08:39 | |
You're a professional illegal euthanist. | 0:08:39 | 0:08:41 | |
That's huge! I say, go get her. | 0:08:41 | 0:08:43 | |
What's the point? | 0:08:43 | 0:08:45 | |
Well, getting over Julia. | 0:08:45 | 0:08:46 | |
What better way than to dip your wick in a bird who's rejected you? | 0:08:46 | 0:08:50 | |
Throw your success in her face. | 0:08:50 | 0:08:52 | |
And then your tiny knob. | 0:08:52 | 0:08:54 | |
I can't just muscle in on a girl. It's not the kind of guy I am. | 0:08:54 | 0:08:57 | |
Which is exactly why you should do it. | 0:08:57 | 0:08:59 | |
We're miles from home, remember? | 0:08:59 | 0:09:01 | |
We can be anyone we want. Hm? | 0:09:01 | 0:09:04 | |
# Even caribous lie around and snooze | 0:09:04 | 0:09:07 | |
# For there's nothing else to do | 0:09:07 | 0:09:08 | |
# In Bengal, to move at all | 0:09:08 | 0:09:10 | |
# It's seldom if ever done | 0:09:10 | 0:09:11 | |
# But mad dogs and Englishmen | 0:09:11 | 0:09:14 | |
# Go out in the midday, out in the midday, out in the midday | 0:09:14 | 0:09:16 | |
# Out in the midday Out in the midday | 0:09:16 | 0:09:19 | |
# Out in the midday Out in the midday sun! # | 0:09:19 | 0:09:22 | |
Excuse me. | 0:09:31 | 0:09:33 | |
Thank you. | 0:09:36 | 0:09:38 | |
Well, here's another one I wrote. | 0:09:38 | 0:09:40 | |
Yes! | 0:09:40 | 0:09:41 | |
# Eeeeh... # | 0:09:43 | 0:09:45 | |
MURMURING | 0:09:45 | 0:09:47 | |
I don't care if it's never been done before, | 0:09:49 | 0:09:52 | |
get the women prepped for surgery. | 0:09:52 | 0:09:54 | |
Once I save her unborn triplets, then I'll save her! | 0:09:54 | 0:09:56 | |
Scott? | 0:09:56 | 0:09:57 | |
Putting you on hold. | 0:09:57 | 0:09:59 | |
-Yes? -Lucie? | 0:09:59 | 0:10:01 | |
Oh, my God! I didn't even... Let me get rid of this. | 0:10:02 | 0:10:05 | |
New plan - stabilise the patient for 12 hours then call me back. | 0:10:05 | 0:10:09 | |
Lucie! Hey, how's it going? | 0:10:09 | 0:10:11 | |
You're a doctor now? Since when? | 0:10:11 | 0:10:13 | |
Since Oxford's experimental accelerated degree programme. | 0:10:13 | 0:10:17 | |
They identify individuals with an aptitude | 0:10:17 | 0:10:19 | |
and then give them an entire med school education in two weeks. | 0:10:19 | 0:10:22 | |
It's like Hogwarts, only the pump you full of drugs so you learn faster. | 0:10:22 | 0:10:25 | |
-That's incredible. -Yet credible. I'm Scott. | 0:10:25 | 0:10:28 | |
Eddie. Nice to meet you, mate. | 0:10:28 | 0:10:30 | |
Wait, weren't you part of that Afghan relief team I was on? | 0:10:30 | 0:10:33 | |
When we brought antibiotics to Kandahar Province | 0:10:33 | 0:10:36 | |
and cured that whole village of cholera? | 0:10:36 | 0:10:37 | |
No, um... I'm a music producer. | 0:10:37 | 0:10:40 | |
Oh. Well, that's important too. | 0:10:40 | 0:10:42 | |
I can't believe it, this is Scott? | 0:10:42 | 0:10:45 | |
She made you sound like such a loser! | 0:10:45 | 0:10:47 | |
Hah! | 0:10:47 | 0:10:48 | |
-No, I didn't actually say... -No, no, no, it fine. | 0:10:48 | 0:10:50 | |
I was a loser. | 0:10:50 | 0:10:51 | |
You know, I had this amazing, spectacular girl and I blew it. | 0:10:51 | 0:10:56 | |
My loss, your gain, and good on ya. | 0:10:56 | 0:10:59 | |
Oh, no. Let me get these. | 0:11:00 | 0:11:01 | |
For old times' sake. | 0:11:01 | 0:11:03 | |
-My God. -What? | 0:11:03 | 0:11:05 | |
Oh, this. Yeah, you'll be surprised how much of my business is cash only. | 0:11:05 | 0:11:09 | |
Anyway, this should take care of a couple of rounds. | 0:11:09 | 0:11:11 | |
-Enjoy the rest of your evening. -Wait. | 0:11:11 | 0:11:13 | |
You, um... You want to join us? | 0:11:13 | 0:11:16 | |
Oh, no, no, no, no, no. I couldn't. | 0:11:16 | 0:11:18 | |
Come on, man, I insist. | 0:11:18 | 0:11:19 | |
I'm yours till 10 tomorrow. | 0:11:19 | 0:11:21 | |
-MAN FARTS -Mr Banks? | 0:11:28 | 0:11:30 | |
Yeah? | 0:11:30 | 0:11:32 | |
I really enjoyed your performance. | 0:11:32 | 0:11:34 | |
Oh, that's sweet.. | 0:11:34 | 0:11:35 | |
Now piss off. | 0:11:35 | 0:11:36 | |
I, um, I'm Joey. | 0:11:38 | 0:11:40 | |
I've been a fan of yours for years, but I didn't realise you could sing. | 0:11:40 | 0:11:43 | |
And I had no idea you wrote Hey Jude. | 0:11:43 | 0:11:46 | |
That was brilliant. | 0:11:46 | 0:11:47 | |
I couldn't give two farts in a splash | 0:11:47 | 0:11:49 | |
what you thought of my performance. | 0:11:49 | 0:11:51 | |
Oh! | 0:11:51 | 0:11:52 | |
And if you came here looking for O'Flaherty's autograph | 0:11:52 | 0:11:55 | |
I hope you've got a big dick... | 0:11:55 | 0:11:58 | |
cos I'd like you to go fuck yourself. | 0:11:58 | 0:12:00 | |
HE SWIGS BOTTLE | 0:12:00 | 0:12:02 | |
Ah, for fuck's sake. | 0:12:04 | 0:12:07 | |
I loved you since I was nine. | 0:12:07 | 0:12:09 | |
I had your poster on my bedroom wall. | 0:12:10 | 0:12:12 | |
I used to play Rogue Irish Detective with my brother. | 0:12:12 | 0:12:15 | |
He'd run out the house and I'd chase him | 0:12:15 | 0:12:17 | |
and throw rocks at his head until he fell down. | 0:12:17 | 0:12:20 | |
You were my hero. | 0:12:20 | 0:12:22 | |
Get my bag. | 0:12:25 | 0:12:26 | |
I'm going upstairs for a drink. | 0:12:26 | 0:12:28 | |
And at that moment you know | 0:12:33 | 0:12:35 | |
that whether that little girl lives or dies is entirely up to you. | 0:12:35 | 0:12:39 | |
You're holding her heart in your hand. | 0:12:39 | 0:12:41 | |
Literally, cos you know, you're holding her heart in your hand. | 0:12:41 | 0:12:45 | |
It's really profound. | 0:12:45 | 0:12:46 | |
But I'm sorry, I interrupted your story | 0:12:47 | 0:12:50 | |
about doing flaming sambuca shots with Maroon 5. | 0:12:50 | 0:12:52 | |
Oh, no, that's all right. Yours was better. | 0:12:52 | 0:12:55 | |
-Anyway, she made it. -Oh, crap. | 0:12:55 | 0:12:57 | |
I could go on like this all night, but I... | 0:12:57 | 0:12:59 | |
I got to hit the sack, I'm playing golf in the morning. | 0:12:59 | 0:13:02 | |
Well, it's only half-ten. | 0:13:02 | 0:13:03 | |
Yeah, and I've got 6am tee time so I need my sleep. | 0:13:03 | 0:13:05 | |
Got to get that handicap down, don't you? | 0:13:05 | 0:13:08 | |
Boy, do you ever. | 0:13:08 | 0:13:10 | |
Well, OK. | 0:13:10 | 0:13:11 | |
Oh, no. No, no, stay. Catch up, you're having fun. | 0:13:11 | 0:13:15 | |
Night, babe. So good meeting you, Doctor. | 0:13:15 | 0:13:17 | |
You too, music producer. | 0:13:17 | 0:13:19 | |
Can you believe him? For golf? | 0:13:23 | 0:13:25 | |
I was selfish too once. But somehow, | 0:13:25 | 0:13:28 | |
-during my time in the Afghan desert... -Buy me a drink. | 0:13:28 | 0:13:30 | |
Whisky for the lady, keep them coming. | 0:13:30 | 0:13:32 | |
And then all of a sudden, you smash your fist through the car window | 0:13:34 | 0:13:38 | |
and you grab the bloke by the hair, and you start bashing his face | 0:13:38 | 0:13:40 | |
against the steering wheel, "Tell me where the money is | 0:13:40 | 0:13:44 | |
-"or I'll..." -TOGETHER: -"Knock yer bollocks in." | 0:13:44 | 0:13:46 | |
Yes! | 0:13:46 | 0:13:47 | |
-I hated that. -Oh, I know, it was incredible! | 0:13:50 | 0:13:53 | |
-Will you do your catchphrase? -Oh, no, no, no. | 0:13:53 | 0:13:56 | |
Oh, please! | 0:13:56 | 0:13:57 | |
I swore I'd never say those words again. | 0:13:57 | 0:14:00 | |
Oh, come on! | 0:14:00 | 0:14:02 | |
D'ya be wanting a knuckle supper, boyo? | 0:14:02 | 0:14:06 | |
Did you know... | 0:14:08 | 0:14:10 | |
I was an actor once. | 0:14:10 | 0:14:11 | |
-Yeah! I know, my and my... -A real fuckin' actor. | 0:14:11 | 0:14:14 | |
I played King Lear at the National, Richard III at the RSC, Hamlet. | 0:14:15 | 0:14:20 | |
-Sorry, I'm not familiar with those. -But fame... | 0:14:20 | 0:14:22 | |
..success... | 0:14:24 | 0:14:25 | |
Those are dandelion seeds on the wind. | 0:14:26 | 0:14:29 | |
What's important is love. | 0:14:31 | 0:14:34 | |
True love. | 0:14:34 | 0:14:35 | |
Finding someone to grow old with. | 0:14:36 | 0:14:38 | |
And I've cocked that up as well. | 0:14:39 | 0:14:41 | |
Five marriages. | 0:14:42 | 0:14:44 | |
Five divorces. | 0:14:44 | 0:14:46 | |
And all that's left is a hopeless, lonely old lovey in a shiny tuxedo. | 0:14:46 | 0:14:51 | |
Joey. | 0:14:52 | 0:14:54 | |
I'm done with this life. | 0:14:56 | 0:14:57 | |
What are you talking about, you're done? | 0:14:57 | 0:14:59 | |
You've just started. | 0:14:59 | 0:15:01 | |
I think about it constantly. | 0:15:01 | 0:15:03 | |
Standing on the Tube platform. | 0:15:03 | 0:15:06 | |
Take a step, gone. | 0:15:06 | 0:15:08 | |
And the London Eye, | 0:15:09 | 0:15:10 | |
open the hatch, gone. | 0:15:10 | 0:15:12 | |
At the butcher's. | 0:15:14 | 0:15:16 | |
Head into the meat slicer... | 0:15:16 | 0:15:18 | |
gone. | 0:15:18 | 0:15:20 | |
The only thing that's stopping me... | 0:15:20 | 0:15:22 | |
it would hurt. | 0:15:22 | 0:15:24 | |
It doesn't have to, you know. | 0:15:25 | 0:15:27 | |
You haven't been with anyone since me? Really? | 0:15:31 | 0:15:35 | |
Well, I've had my chances, | 0:15:35 | 0:15:37 | |
but it's like every time I feel the blood rush to my penis, | 0:15:37 | 0:15:40 | |
I think that's blood that could be used | 0:15:40 | 0:15:42 | |
to save the life of a Ugandan boy with AIDS. | 0:15:42 | 0:15:44 | |
Wow. You're so... | 0:15:44 | 0:15:47 | |
full of shit. | 0:15:47 | 0:15:48 | |
-What? -Experimental accelerated degree? | 0:15:48 | 0:15:51 | |
Prenatal heart surgery? | 0:15:51 | 0:15:52 | |
A favourite scalpel named Helena Bonham Carver? | 0:15:52 | 0:15:55 | |
Yeah, I sensed that might be a step too far. | 0:15:55 | 0:15:57 | |
You must really want to get up in my knickers. | 0:15:57 | 0:15:59 | |
No, no, I, just... You know, I... | 0:15:59 | 0:16:01 | |
Yeah, OK, maybe I do. | 0:16:03 | 0:16:04 | |
-Scott. -What now? | 0:16:08 | 0:16:10 | |
It's important. | 0:16:10 | 0:16:11 | |
I have a tongue...in my mouth. | 0:16:11 | 0:16:14 | |
We all do. | 0:16:14 | 0:16:15 | |
I have two, now go away. | 0:16:15 | 0:16:17 | |
It's a matter of life or death. | 0:16:17 | 0:16:19 | |
All right, Lucie? | 0:16:19 | 0:16:20 | |
Ooh, life or death. | 0:16:20 | 0:16:22 | |
Go ahead, Doctor, shall I meet you in your room? | 0:16:22 | 0:16:25 | |
Yes, right, um, here. | 0:16:25 | 0:16:27 | |
I'll be up in five minutes. | 0:16:27 | 0:16:28 | |
-See you later. -No! | 0:16:29 | 0:16:31 | |
Yeah. | 0:16:38 | 0:16:40 | |
-HE FARTS -Oh, God. | 0:16:40 | 0:16:42 | |
KNOCK AT DOOR | 0:16:42 | 0:16:44 | |
Oh, I can't do this. | 0:16:44 | 0:16:45 | |
I'm sorry, I... | 0:16:47 | 0:16:48 | |
But the McFlurry of death is right in the boot of the car. | 0:16:48 | 0:16:51 | |
I don't care if it's tied round your waist like a tutu. | 0:16:51 | 0:16:53 | |
We are not helping Nigel Banks kill himself. | 0:16:53 | 0:16:55 | |
-Wait, Nigel, that old nelly from the telly? -He is not a nelly. | 0:16:55 | 0:16:59 | |
He's a sad old man whose best years are behind him | 0:16:59 | 0:17:01 | |
and he's looking forward decent way out. | 0:17:01 | 0:17:03 | |
What's that smell? | 0:17:03 | 0:17:05 | |
So he's not ill, then? | 0:17:05 | 0:17:06 | |
Exactly! He's not ill, | 0:17:06 | 0:17:08 | |
so we are staying well, well out of it. | 0:17:08 | 0:17:10 | |
He's ill! He's plenty ill. | 0:17:10 | 0:17:12 | |
He's got a sickness of the soul. | 0:17:12 | 0:17:14 | |
-Who are you, Lord Byron? -He's got nothing to live for. | 0:17:14 | 0:17:17 | |
He's in terrible pain. Isn't that what we try to help people avoid? | 0:17:17 | 0:17:20 | |
Fellas, can we wrap this up? Cos I got a masseuse coming. | 0:17:20 | 0:17:23 | |
-Nice one. -Ooh, look at you! -Thanks. | 0:17:23 | 0:17:25 | |
It's murder, you stupid git. | 0:17:25 | 0:17:27 | |
It's mercy, you cold-hearted bastard. | 0:17:27 | 0:17:29 | |
OK! Enough! Sit down! | 0:17:29 | 0:17:31 | |
As my father used to say to me, | 0:17:32 | 0:17:35 | |
at times like this the individual | 0:17:35 | 0:17:37 | |
must bend to the will of the majority. | 0:17:37 | 0:17:39 | |
You two have put me in an extremely difficult position. | 0:17:39 | 0:17:43 | |
But after careful consideration, | 0:17:43 | 0:17:45 | |
I Cozzo, am prepared to cast the deciding vote. | 0:17:45 | 0:17:49 | |
There's not going to be any vote. | 0:17:49 | 0:17:51 | |
Thank God, cos I didn't know where I was going with that. | 0:17:51 | 0:17:53 | |
Only one of us is medically competent to administer the Pemrutox - me. | 0:17:53 | 0:17:56 | |
And I'm not going to do it. It's wrong and it's immoral. | 0:17:56 | 0:17:59 | |
Now, if you'll excuse me, I'm off to have meaningless sex with my ex. | 0:17:59 | 0:18:03 | |
I mean, how often do you get the chance to help kill someone | 0:18:06 | 0:18:09 | |
that means so much to you? | 0:18:09 | 0:18:10 | |
Feel for you, Joey. | 0:18:10 | 0:18:12 | |
Er, Mr Costigan? | 0:18:12 | 0:18:14 | |
I'm Ryh Ming. | 0:18:14 | 0:18:16 | |
Leave now. | 0:18:16 | 0:18:17 | |
Wait. Wait. | 0:18:28 | 0:18:30 | |
Why? | 0:18:30 | 0:18:31 | |
-Do you want to do it? -No. | 0:18:31 | 0:18:33 | |
I'm... I'm afraid I'm doing this for a bad reason. | 0:18:33 | 0:18:36 | |
What? | 0:18:36 | 0:18:37 | |
What could possibly be a bad reason to have sex? | 0:18:37 | 0:18:40 | |
-DOOR OPENS -Thank you, I just... | 0:18:40 | 0:18:41 | |
Bloody hell! | 0:18:41 | 0:18:42 | |
Eddie! Hiya. | 0:18:42 | 0:18:44 | |
Oh, crap! | 0:18:44 | 0:18:45 | |
Hello, Doctor. | 0:18:45 | 0:18:46 | |
Ring if you need anything else. | 0:18:46 | 0:18:48 | |
What are you doing here? | 0:18:48 | 0:18:49 | |
When I realised I'd left my mobile in your handbag, | 0:18:49 | 0:18:52 | |
Find My iPhone said it was here, which never made no sense. | 0:18:52 | 0:18:54 | |
Till now. | 0:18:54 | 0:18:55 | |
Eddie, listen. | 0:18:55 | 0:18:57 | |
Really, I'm seeing this through your eyes and it definitely | 0:18:57 | 0:19:00 | |
looks like something's happening, but the only thing that's happening | 0:19:00 | 0:19:03 | |
is that nothing is happening. | 0:19:03 | 0:19:04 | |
So you two aren't, say, five seconds from shagging? | 0:19:04 | 0:19:07 | |
We were never shagging. | 0:19:07 | 0:19:08 | |
Your genitals are touching in a shag position. | 0:19:08 | 0:19:12 | |
Yes, fair, but right when you came in, | 0:19:12 | 0:19:14 | |
-I was telling Lucie how I didn't want to do it. -He was. Swear to God. | 0:19:14 | 0:19:17 | |
Why not? | 0:19:17 | 0:19:20 | |
Er... I'm not sure. Repeat the question? | 0:19:20 | 0:19:22 | |
Why don't you want to shag my girlfriend? | 0:19:22 | 0:19:25 | |
-What, you think she's ugly? -Yeah, d'you think I'm ugly? | 0:19:25 | 0:19:28 | |
SPLUTTERING: No, no, you're extremely... | 0:19:28 | 0:19:31 | |
Look, could you get off me? You're kind of colouring my response. | 0:19:31 | 0:19:34 | |
Look, look, Lucie is great. | 0:19:34 | 0:19:37 | |
You are just...wow! | 0:19:37 | 0:19:38 | |
Great! But there's this other girl in my life, Julia, | 0:19:38 | 0:19:42 | |
and we really had something and now she won't even talk to me. | 0:19:42 | 0:19:46 | |
So, you were just using me to get over Julia? | 0:19:46 | 0:19:48 | |
-Right! -You don't really want Lucie at all? | 0:19:48 | 0:19:50 | |
Exactly! Oh, this is so much easier to explain. | 0:19:50 | 0:19:53 | |
HE CHOKES | 0:19:53 | 0:19:54 | |
Can't believe you just... | 0:19:54 | 0:19:56 | |
Who punches someone in the neck? | 0:19:56 | 0:19:58 | |
Mmmm! | 0:20:00 | 0:20:02 | |
You're amazing. | 0:20:05 | 0:20:07 | |
Thank you. | 0:20:07 | 0:20:09 | |
Should've done this years ago. It feels... | 0:20:09 | 0:20:12 | |
just so... | 0:20:12 | 0:20:14 | |
Is everything OK? | 0:20:25 | 0:20:26 | |
-Everything's fine. -Too hard? | 0:20:26 | 0:20:29 | |
In a way. | 0:20:29 | 0:20:30 | |
Susan Boyle before the makeover, Susan Boyle before the makeover. | 0:20:31 | 0:20:34 | |
Susan Boyle after the makeover. | 0:20:34 | 0:20:36 | |
Let me try something different. | 0:20:36 | 0:20:39 | |
-HE SHRIEKS -A million times worse! | 0:20:39 | 0:20:41 | |
I'm married. I can't. I... | 0:20:41 | 0:20:43 | |
Please don't. | 0:20:43 | 0:20:45 | |
Get back! Get back! Get back! | 0:20:45 | 0:20:47 | |
Are you sure you want to do this? | 0:20:51 | 0:20:53 | |
Yeah, don't worry about me. | 0:20:53 | 0:20:55 | |
Once you've done the old Aer Lingus to Angela Lansbury, | 0:20:55 | 0:20:58 | |
you know, you're no longer afraid of dying. | 0:20:58 | 0:21:00 | |
-HE CHUCKLES -OK. | 0:21:00 | 0:21:02 | |
-NIGEL: -Go on. Stick it in me. | 0:21:07 | 0:21:10 | |
Don't be shy, I can take it. | 0:21:10 | 0:21:12 | |
-JOEY: -I've never done this before. -Ah, you're doing great. | 0:21:12 | 0:21:14 | |
Don't you worry about me. | 0:21:14 | 0:21:16 | |
It doesn't hurt at all. | 0:21:16 | 0:21:18 | |
Now push. Go on! | 0:21:18 | 0:21:20 | |
Joey! Joey! | 0:21:20 | 0:21:21 | |
Joey! Can I borrow Joey for a moment, please? | 0:21:21 | 0:21:24 | |
-Can you come back later? -Are you having gay sex with Nigel? | 0:21:26 | 0:21:29 | |
What?! No. | 0:21:29 | 0:21:30 | |
Then what are you...? Is that rubbing alcohol? | 0:21:30 | 0:21:33 | |
Yes. | 0:21:33 | 0:21:34 | |
Yes! It's for the gay sex. | 0:21:34 | 0:21:36 | |
It's for the gay sex. It's for the gay sex. | 0:21:36 | 0:21:39 | |
Oh, my God. You tried to do it yourself? | 0:21:39 | 0:21:41 | |
I thought it was easy, but these veins are tricky buggers. | 0:21:41 | 0:21:44 | |
We are not putting down a healthy human being. It's wrong. | 0:21:44 | 0:21:47 | |
Who is this lanky prick and what is he on about? | 0:21:47 | 0:21:49 | |
I cheated on Debbie with the masseuse. | 0:21:50 | 0:21:52 | |
-Oh, Christ! -We were going along, tame as you please, | 0:21:52 | 0:21:55 | |
when all of a sudden, Corporal Costigan snapped to attention. | 0:21:55 | 0:21:59 | |
I've never seen him like this. | 0:21:59 | 0:22:01 | |
I just ran up four flights of stairs and he's still... | 0:22:01 | 0:22:03 | |
eyes front. | 0:22:03 | 0:22:04 | |
Eye front! | 0:22:04 | 0:22:05 | |
You think you cheated on Debbie because your this when like this? | 0:22:05 | 0:22:08 | |
Are you mad? Get out! I'm dealing with something important here! | 0:22:08 | 0:22:11 | |
This is important. | 0:22:11 | 0:22:13 | |
You aren't married so you can't understand. | 0:22:13 | 0:22:15 | |
But on a special morning nearly five years ago, | 0:22:15 | 0:22:18 | |
I swore a sacred vow to Debbie | 0:22:18 | 0:22:20 | |
to love and cherish her, forsaking all of this. | 0:22:20 | 0:22:22 | |
And now she's carrying my child a boy, please, God. | 0:22:22 | 0:22:26 | |
So, for my todger to be... | 0:22:26 | 0:22:28 | |
pointing at some Oriental finger wizard, | 0:22:28 | 0:22:31 | |
I just hope I haven't ruined the one thing in my life I ever got right. | 0:22:31 | 0:22:35 | |
Oh... | 0:22:39 | 0:22:40 | |
Well... | 0:22:40 | 0:22:41 | |
Good night, all. | 0:22:42 | 0:22:43 | |
Wait. Wait, wait. What about killing yourself? | 0:22:43 | 0:22:46 | |
Yeah, I think I might push that back a bit, | 0:22:46 | 0:22:49 | |
because if this hairy pig in a diaper can find love, well, | 0:22:49 | 0:22:53 | |
maybe there's hope for me after all. | 0:22:53 | 0:22:55 | |
Thank you. That is so sweet. | 0:22:55 | 0:22:57 | |
And as for you, Joseph, | 0:22:57 | 0:22:59 | |
thee'll will be wanting a knuckle supper, boyo! | 0:22:59 | 0:23:02 | |
DOOR OPENS | 0:23:10 | 0:23:12 | |
Oh, Debbie. | 0:23:12 | 0:23:13 | |
-Thank God you're here. -Hey! | 0:23:13 | 0:23:16 | |
Did you have a good time? | 0:23:16 | 0:23:17 | |
Don't ever let me go away again. | 0:23:17 | 0:23:19 | |
You were only gone for a night! | 0:23:19 | 0:23:21 | |
It only takes a night. | 0:23:21 | 0:23:23 | |
-It only takes a night for what? -I promise, | 0:23:24 | 0:23:27 | |
I'll never leave you again, Debbie. | 0:23:27 | 0:23:28 | |
Who was it, Cozzo? | 0:23:28 | 0:23:30 | |
Some floozy at the bar? | 0:23:30 | 0:23:31 | |
Was it a prostitute? | 0:23:32 | 0:23:34 | |
It's the guys' fault. | 0:23:34 | 0:23:35 | |
They begged me to get a massage. I didn't mean to pop a chub. | 0:23:35 | 0:23:38 | |
-Pop a what? -A stiffie, a boner, a sconge, a jimber. | 0:23:38 | 0:23:41 | |
It just happened. I didn't know what to do. | 0:23:41 | 0:23:43 | |
-So, you had sex with her? -Sex? Are you mad? | 0:23:43 | 0:23:46 | |
I kicked her straight out. But the damage was done. | 0:23:46 | 0:23:49 | |
I failed you, Debs. | 0:23:49 | 0:23:50 | |
I'm so, so sorry. | 0:23:50 | 0:23:53 | |
HE SOBS | 0:23:53 | 0:23:55 | |
I do forgive you, Cozzo. | 0:23:57 | 0:24:00 | |
But only if you've learnt your lesson. | 0:24:00 | 0:24:02 | |
I've learned it. I've learned it, Debbie. | 0:24:02 | 0:24:04 | |
I swear to God, I've learned it. | 0:24:04 | 0:24:06 | |
I... I just want to be sure, what... | 0:24:06 | 0:24:09 | |
what was it I learned exactly? | 0:24:09 | 0:24:10 | |
That you're to think about me for once | 0:24:10 | 0:24:12 | |
instead of always thinking about yourself. | 0:24:12 | 0:24:15 | |
What's that got to do with my throbbing gristle? | 0:24:15 | 0:24:17 | |
Did you learn it? | 0:24:17 | 0:24:18 | |
Yes, definitely. I learned it completely. Absolutely. | 0:24:18 | 0:24:21 | |
As a matter of fact, | 0:24:21 | 0:24:23 | |
how about I take you upstairs and give you a massage? | 0:24:23 | 0:24:25 | |
-I'd like that. -And then you could give me one too. | 0:24:25 | 0:24:28 | |
Or not. | 0:24:28 | 0:24:30 | |
You know, it just depends. | 0:24:30 | 0:24:32 | |
I'll give you one this time. | 0:24:32 | 0:24:34 | |
-Julia. -Oh, shit. | 0:24:38 | 0:24:40 | |
I need to talk to you. | 0:24:40 | 0:24:41 | |
Look, Scott, you can apologise all you want. | 0:24:41 | 0:24:44 | |
I'm not here to apologise or beg for forgiveness, | 0:24:44 | 0:24:46 | |
or for you to come back. | 0:24:46 | 0:24:47 | |
I know I'm leaving here without you and there's nothing I can do. | 0:24:47 | 0:24:50 | |
-Then what do you want? -I need to tell you the truth. | 0:24:50 | 0:24:53 | |
I know the truth. I saw you coming out of that girl's apartment. | 0:24:53 | 0:24:56 | |
The truth about your father. | 0:24:56 | 0:24:58 | |
What would you know about my father? | 0:24:59 | 0:25:01 | |
When he was dying, he... | 0:25:02 | 0:25:04 | |
He wasn't just... | 0:25:05 | 0:25:07 | |
We became friends and... | 0:25:08 | 0:25:10 | |
..he was in pain and... | 0:25:12 | 0:25:14 | |
he didn't want to pass that pain onto the people that he loved, onto you, | 0:25:14 | 0:25:18 | |
so... | 0:25:18 | 0:25:20 | |
the whole thing was his idea. He... | 0:25:20 | 0:25:23 | |
He asked me to... | 0:25:23 | 0:25:26 | |
to help him. | 0:25:26 | 0:25:27 | |
To... | 0:25:29 | 0:25:30 | |
You didn't...? | 0:25:33 | 0:25:34 | |
I was with him all the way to the end and... | 0:25:34 | 0:25:37 | |
it was sad and amazing and... | 0:25:37 | 0:25:40 | |
We laughed and cried together and when he died, | 0:25:40 | 0:25:44 | |
it was peaceful and with dignity, | 0:25:44 | 0:25:46 | |
you know, exactly the way that he wanted to go. | 0:25:46 | 0:25:49 | |
Oh, my God. | 0:25:49 | 0:25:51 | |
And I've been helping other people go the same way ever since. | 0:25:52 | 0:25:56 | |
Uh... | 0:25:56 | 0:25:57 | |
Julia, I...I never slept with that girl. | 0:26:04 | 0:26:07 | |
That's not why I was there. | 0:26:07 | 0:26:09 | |
It's celebration time, people. | 0:26:22 | 0:26:24 | |
Debs here's got her first case. | 0:26:24 | 0:26:26 | |
Oh, wow! That's brilliant! | 0:26:26 | 0:26:27 | |
-What is it? -I wish I could tell you, | 0:26:27 | 0:26:29 | |
-but it's classified. -She won't even tell me, | 0:26:29 | 0:26:31 | |
-and I slip her the hard eight inches. -Six at the most. | 0:26:31 | 0:26:34 | |
-Oh, but she will tell you that. -Get a drink inside her, | 0:26:34 | 0:26:36 | |
-she'll spill the beans. -I'm sorry, I don't drink any more. | 0:26:36 | 0:26:39 | |
Causes retardation in the baby. | 0:26:39 | 0:26:40 | |
Didn't stop my mum when I was inside her. | 0:26:40 | 0:26:42 | |
Who wants to field that one? | 0:26:42 | 0:26:44 | |
DOOR OPENS | 0:26:44 | 0:26:45 | |
Um... Excuse me. | 0:26:48 | 0:26:50 | |
-Hi. -Hi. | 0:26:53 | 0:26:55 | |
Hi. | 0:26:55 | 0:26:57 | |
Hi! | 0:26:57 | 0:26:58 | |
Really was...peaceful? | 0:27:03 | 0:27:05 | |
Extremely. | 0:27:05 | 0:27:06 | |
Thank you. | 0:27:09 | 0:27:11 | |
So, um, does anyone else know? | 0:27:13 | 0:27:15 | |
Um, just, er, my brother, Joey, and my mate, Cozzo. | 0:27:15 | 0:27:20 | |
And now you. | 0:27:20 | 0:27:21 | |
Do you want to meet...? | 0:27:23 | 0:27:24 | |
Yeah. | 0:27:27 | 0:27:28 | |
Um, everybody, this is Julia. | 0:27:30 | 0:27:32 | |
Julia, this is, er... Well, this is everybody. | 0:27:32 | 0:27:34 | |
Hey, look at that! The lovebirds are back together. | 0:27:34 | 0:27:37 | |
Drinks for everybody! | 0:27:37 | 0:27:39 | |
CHEERING | 0:27:39 | 0:27:40 | |
No, I mean, just for this table here. | 0:27:40 | 0:27:42 | |
-JOEY: -Game of darts? -Let's go. | 0:27:42 | 0:27:44 | |
-I'm gonna to kill you. -You're not allowed to kill anybody. | 0:27:44 | 0:27:47 | |
You want to play? | 0:27:47 | 0:27:48 | |
I'd love to. | 0:27:48 | 0:27:49 | |
I love you too. | 0:27:49 | 0:27:51 | |
I mean, um, wait, what did you say? | 0:27:51 | 0:27:53 | |
Uh... | 0:27:53 | 0:27:55 | |
Um... | 0:27:55 | 0:27:56 | |
D... | 0:27:56 | 0:27:58 | |
-She's beautiful. -Oh, yeah. | 0:27:59 | 0:28:01 | |
Oh...! | 0:28:17 | 0:28:18 | |
# Everybody seems to have it better than me | 0:28:21 | 0:28:24 | |
# So I'm getting hold of fame and I'll shine it on me | 0:28:24 | 0:28:27 | |
# I'll be a better man | 0:28:27 | 0:28:29 | |
# This is the superstar luck machine | 0:28:29 | 0:28:33 | |
# And all the things in the dark Yeah, baby, they won't matter | 0:28:33 | 0:28:38 | |
# Baby, we're the chosen ones We're living the dream | 0:28:38 | 0:28:41 | |
# Since I got a hold of fame and I shone it on me | 0:28:41 | 0:28:44 | |
# Yeah, I'm a better man | 0:28:44 | 0:28:46 | |
# This is the superstar luck machine. # | 0:28:46 | 0:28:48 | |
Subtitles by Red Bee Media Ltd | 0:28:48 | 0:28:50 |