Browse content similar to 1996. Check below for episodes and series from the same categories and more!
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One eventful night in 1996, | 0:00:20 | 0:00:22 | |
comedy and rock & roll had an ill-advised fumble | 0:00:22 | 0:00:25 | |
with devastating effects. | 0:00:25 | 0:00:28 | |
The resulting offspring would soon become famed for its acerbic wit, | 0:00:28 | 0:00:32 | |
-musical know-how... -Yow! | 0:00:32 | 0:00:34 | |
-and celebrity...ish friends. -Woo! | 0:00:34 | 0:00:36 | |
It soon became known as Never Mind The Buzzcocks. | 0:00:36 | 0:00:39 | |
Calm down, God! It's only a pop quiz. | 0:00:39 | 0:00:42 | |
Always the first in line to offer words of wisdom and compassion... | 0:00:42 | 0:00:46 | |
Come on, bell-ends, do something. | 0:00:46 | 0:00:48 | |
..this show became an oracle for the world of entertainment. | 0:00:48 | 0:00:51 | |
I'm Simon Amstell, and if you think I'm a poor booking, | 0:00:51 | 0:00:53 | |
let's meet tonight's guests. | 0:00:53 | 0:00:54 | |
And when it comes to splits, spats... | 0:00:54 | 0:00:57 | |
-See you later. -Why? We're having fun(!) -I ain't. | 0:00:57 | 0:01:00 | |
..and identifying somebody from a line-up, Buzzcocks has seen it all. | 0:01:00 | 0:01:04 | |
So join us as we stumble down Memory Lane | 0:01:07 | 0:01:10 | |
and see a little bit of this, that and them. | 0:01:10 | 0:01:14 | |
You are watching What A Load of Buzzcocks, 1996. | 0:01:14 | 0:01:18 | |
# Yo, I'll tell you what I want... # | 0:01:18 | 0:01:20 | |
1996 was like one enormous party, | 0:01:20 | 0:01:23 | |
and by that, I mean it got drunk, started a fight, | 0:01:23 | 0:01:26 | |
wet itself and then threw up these five fresh-faced pop wannabes. | 0:01:26 | 0:01:31 | |
Yes, the Spice Girls, | 0:01:31 | 0:01:33 | |
who kept us entertained not only with their catchy melodies | 0:01:33 | 0:01:35 | |
but also their inspirational and empowering philosophical teachings. | 0:01:35 | 0:01:40 | |
-We got Girl Power in the house! -Spice Girls! -Woo-oo! | 0:01:40 | 0:01:43 | |
Elsewhere, it was a busy year for the original Spice Girl, Madonna. | 0:01:43 | 0:01:48 | |
After starring in Evita, she hit the headlines again | 0:01:48 | 0:01:51 | |
by squeezing out her biggest release of the year. | 0:01:51 | 0:01:53 | |
After one of showbusiness' most publicised pregnancies, | 0:01:53 | 0:01:56 | |
the pop star Madonna finally became a mother today. | 0:01:56 | 0:01:59 | |
She gave birth to a baby girl called Lourdes in hospital in Hollywood. | 0:01:59 | 0:02:02 | |
Please, please from the bottom of my heart, | 0:02:02 | 0:02:07 | |
stop sending baby gifts to my home. | 0:02:07 | 0:02:09 | |
# You are not alone... # | 0:02:09 | 0:02:11 | |
But first, one man who couldn't keep his hands off the headlines in '96 | 0:02:11 | 0:02:15 | |
was the late, lamented King of Pop, Michael Jackson. | 0:02:15 | 0:02:18 | |
For starters, his utterly convincing relationship with Lisa Marie Presley | 0:02:18 | 0:02:22 | |
came to a surprising end(!) | 0:02:22 | 0:02:24 | |
Apparently Jacko's said to be cut up, | 0:02:24 | 0:02:25 | |
but there again we knew that, didn't we? | 0:02:25 | 0:02:27 | |
Steady on, Nick! | 0:02:27 | 0:02:29 | |
But just as it seemed like his love life was slipping away | 0:02:29 | 0:02:31 | |
faster than his sunglasses, Michael miraculously found true love again, | 0:02:31 | 0:02:35 | |
in the shape of an adult female nurse called Debbie Rowe. | 0:02:35 | 0:02:39 | |
So, as Jacko was making the news, | 0:02:39 | 0:02:40 | |
Buzzcocks compassionately sought to shed light | 0:02:40 | 0:02:43 | |
on this multi-faceted character. | 0:02:43 | 0:02:45 | |
# Ho-oh-oh-oh-oh-oh! # | 0:02:45 | 0:02:49 | |
Michael Jackson recently split from Lisa Marie Presley | 0:02:49 | 0:02:51 | |
due to irreconcilable differences. | 0:02:51 | 0:02:53 | |
He wanted to have children and she wanted to call the police. | 0:02:53 | 0:02:56 | |
Michael Jackson complained that his waxwork at Madame Tussauds | 0:02:56 | 0:03:00 | |
looked nothing like him. | 0:03:00 | 0:03:01 | |
They hit back saying it still looked more like him than he did. | 0:03:01 | 0:03:05 | |
Michael Jackson was a big fan of Boyzone, | 0:03:05 | 0:03:07 | |
until he discovered it was a band and not a backstage area. | 0:03:07 | 0:03:10 | |
LAUGHTER AND APPLAUSE | 0:03:10 | 0:03:13 | |
We've got some of Britain's premier Jacko impersonators, | 0:03:17 | 0:03:20 | |
but which four earn a living dressing up as the little boys' best friend. | 0:03:20 | 0:03:24 | |
You're looking for the one who isn't a real fake Michael Jackson. | 0:03:24 | 0:03:28 | |
So... | 0:03:30 | 0:03:32 | |
LAUGHTER | 0:03:32 | 0:03:34 | |
Is it Number One, Jackson Five? | 0:03:34 | 0:03:37 | |
Is it Number Two, Jackson Under-Five? | 0:03:37 | 0:03:41 | |
Number Three, Latoya Jackson? | 0:03:41 | 0:03:43 | |
Is it Number Four, | 0:03:43 | 0:03:44 | |
Bloke Who's Apparently Never Even Seen A Picture of Michael Jackson? | 0:03:44 | 0:03:48 | |
Or is it Number Five, Glenda Jackson? | 0:03:49 | 0:03:52 | |
Number Four looks like a Jewish Michael Jackson. | 0:03:54 | 0:03:57 | |
He does a little bit, doesn't he? | 0:03:59 | 0:04:01 | |
Michael Jackson, Schmichael Jackson! | 0:04:01 | 0:04:03 | |
I heard recently that Michael Jackson is reforming, so... | 0:04:03 | 0:04:08 | |
LAUGHTER | 0:04:08 | 0:04:10 | |
1996 really was a busy year for Jacko. | 0:04:10 | 0:04:13 | |
If I say the words, "Michael Jackson," "children" | 0:04:13 | 0:04:16 | |
and "misbehaving," I think you know what I'm talking about. | 0:04:16 | 0:04:19 | |
The lead singer of the pop group Pulp, Jarvis Cocker, | 0:04:20 | 0:04:23 | |
has strenuously denied allegations that he attacked three children | 0:04:23 | 0:04:27 | |
performing with Michael Jackson at last night's BRIT Awards ceremony. | 0:04:27 | 0:04:31 | |
A statement from Michael Jackson said he was... | 0:04:31 | 0:04:33 | |
I found it very distasteful the way that he was putting himself across | 0:04:41 | 0:04:45 | |
as some kind of, like, Jesus Christ figure, you know. | 0:04:45 | 0:04:49 | |
And with Jarvis released with no charges, | 0:04:49 | 0:04:51 | |
both he and Jacko's lives soon returned to normality. | 0:04:51 | 0:04:54 | |
Jarvis Cocker made headlines at the BRIT Awards | 0:04:54 | 0:04:56 | |
with the famous arse on stage, | 0:04:56 | 0:04:58 | |
or Michael Jackson as he's popularly known. | 0:04:58 | 0:05:00 | |
Jarvis may look like a wimp but he's no coward. | 0:05:00 | 0:05:02 | |
Anyone who drops his trousers | 0:05:02 | 0:05:03 | |
and waves his skinny white arse at Michael Jackson | 0:05:03 | 0:05:05 | |
is a braver man than I am. | 0:05:05 | 0:05:06 | |
LAUGHTER AND APPLAUSE | 0:05:06 | 0:05:09 | |
You ever seen pictures of Michael Jackson | 0:05:13 | 0:05:14 | |
with that little Indian kid who was his friend? | 0:05:14 | 0:05:16 | |
This is absolutely true, this kid who he befriended on tour, | 0:05:16 | 0:05:19 | |
and the kid is called Omar Bhatti, right? | 0:05:19 | 0:05:23 | |
-As in, "Oh, my...!" -Yeah, yeah. | 0:05:23 | 0:05:25 | |
So with Michael a constant source of concern, a very worried | 0:05:28 | 0:05:31 | |
Simon Amstell invited those closest to Jacko onto the show. | 0:05:31 | 0:05:35 | |
This first image here, which is marvellous. | 0:05:35 | 0:05:37 | |
It's if Michael Jackson went to the plastic surgeon, | 0:05:37 | 0:05:39 | |
this is kind of the chart they showed... | 0:05:39 | 0:05:41 | |
Don't mention Michael Jackson! What are you doing, Phill? | 0:05:41 | 0:05:44 | |
-We don't mention Michael Jackson. -Do we not? -No, no, no. | 0:05:44 | 0:05:47 | |
David Gest's best friend, Michael Jackson?! | 0:05:47 | 0:05:49 | |
You've got to be nice to him. | 0:05:49 | 0:05:51 | |
Aww, be nice to the baby-dangling freak(!) | 0:05:51 | 0:05:54 | |
LAUGHTER AND APPLAUSE | 0:05:54 | 0:05:57 | |
Oops. Sorry, sorry, it just slipped out. Sorry. | 0:06:02 | 0:06:06 | |
-Friends since childhood, yes? -Yes. | 0:06:08 | 0:06:10 | |
And you never thought to say to him, "Mike, you look fine?" | 0:06:10 | 0:06:14 | |
-I actually did. -You did? -I did. | 0:06:15 | 0:06:17 | |
Did you say, "Look, let's leave the face, I'll buy you a new hat?" | 0:06:17 | 0:06:20 | |
-You did. -I did. -And what did he say? | 0:06:22 | 0:06:25 | |
BILL MAKES RIDICULOUS HIGH-PITCHED NOISES | 0:06:25 | 0:06:27 | |
-I'm a big fan of Michael Jackson. -Not any more. -Why not? | 0:06:32 | 0:06:35 | |
-Cos you put him down. -No, I didn't. It was that big man. -Woo! | 0:06:35 | 0:06:38 | |
That's right, you put him down. I got to remember who's on the list | 0:06:38 | 0:06:41 | |
-and who's off. -Whoa! -That's right. | 0:06:41 | 0:06:44 | |
CHEERING AND APPLAUSE | 0:06:44 | 0:06:46 | |
Ooh! You know... | 0:06:48 | 0:06:50 | |
-How many children have you personally got, Jermaine Jackson? -Seven. | 0:06:51 | 0:06:55 | |
Now, I read a thing recently. Tell me if this is correct or incorrect. | 0:06:55 | 0:06:59 | |
-Let's hear this, go ahead. -You had two children with your second wife. | 0:06:59 | 0:07:04 | |
They are called Jaafar and Jermajesty. | 0:07:04 | 0:07:06 | |
Your second wife had previously had two children with your brother Randy. | 0:07:06 | 0:07:11 | |
-That's true. -Was that a bit awkward? | 0:07:11 | 0:07:13 | |
If you call it that, yes. | 0:07:15 | 0:07:16 | |
If I was one of your kids, let's say I was Jermajesty... | 0:07:16 | 0:07:19 | |
Yes. | 0:07:19 | 0:07:21 | |
And that would be fun for me, | 0:07:21 | 0:07:22 | |
erm, my half-brothers are also my cousins. | 0:07:22 | 0:07:27 | |
Which is fine. | 0:07:27 | 0:07:28 | |
What about Michael? Has he ever done anything weird? | 0:07:31 | 0:07:34 | |
LAUGHTER AND APPLAUSE | 0:07:34 | 0:07:36 | |
Can I ask an important question, Jermaine? | 0:07:43 | 0:07:45 | |
What's Michael's favourite panel show? | 0:07:45 | 0:07:47 | |
It's not this one. | 0:07:47 | 0:07:49 | |
LAUGHTER AND APPLAUSE | 0:07:49 | 0:07:51 | |
Back to 1996. And Mark Lamarr has the final word. | 0:07:53 | 0:07:57 | |
In 1983, Michael Jackson invented moonwalking, | 0:07:57 | 0:07:59 | |
where you clenched your buttocks and walked cautiously backwards. | 0:07:59 | 0:08:02 | |
It was inspired by the way his male staff leave the room. | 0:08:02 | 0:08:05 | |
Buzzcocks is unique, | 0:08:12 | 0:08:14 | |
in that it unites a selection of big names, stars of the past and plenty | 0:08:14 | 0:08:19 | |
of emerging talent, some of whom are still yet to actually emerge. | 0:08:19 | 0:08:23 | |
In fact, why don't we turn this into a bit of a quickfire quiz? | 0:08:23 | 0:08:26 | |
See how many of the following | 0:08:26 | 0:08:28 | |
panellists from 1996 you can identify. | 0:08:28 | 0:08:31 | |
OK, let's set this to a random song from that era... | 0:08:31 | 0:08:33 | |
MUSIC: "Charmless Man" by Blur | 0:08:33 | 0:08:35 | |
Ooh, think I recognise this one. Off you go. | 0:08:35 | 0:08:37 | |
Ah, still friends with her. | 0:08:37 | 0:08:39 | |
Yeah. No, me neither. | 0:08:39 | 0:08:42 | |
Yeah. | 0:08:42 | 0:08:43 | |
No. | 0:08:43 | 0:08:44 | |
Yeah. | 0:08:44 | 0:08:46 | |
Yeah. Yep. No. | 0:08:46 | 0:08:50 | |
Yeah. Er, yes. | 0:08:50 | 0:08:55 | |
And in a by-no-means cynical ploy to keep you watching, | 0:08:55 | 0:08:58 | |
I'll give you those answers later in the show. | 0:08:58 | 0:09:01 | |
But for now sit back and enjoy some of the more well-known panellists | 0:09:01 | 0:09:05 | |
from the class of '96. | 0:09:05 | 0:09:06 | |
Can I ask you to keep still a bit, cos the movement is scaring me? | 0:09:06 | 0:09:09 | |
It's a kind of Mexican wobble I get going. | 0:09:11 | 0:09:14 | |
# Tik-a-tik-a-tik-a-tik-a... | 0:09:14 | 0:09:17 | |
BOTH: # Der-ner-ne-e-er... | 0:09:17 | 0:09:21 | |
BOTH: # Der-ner-ne-e-er... | 0:09:21 | 0:09:26 | |
# Bow-now-na-na | 0:09:26 | 0:09:28 | |
# Bah-ba-ba-bah | 0:09:28 | 0:09:30 | |
# Bow-now-na-na | 0:09:30 | 0:09:31 | |
# Bah-ba-ba-bah | 0:09:31 | 0:09:34 | |
# Bow-now-na-na | 0:09:34 | 0:09:35 | |
# Bah-ba-ba-bah! # | 0:09:35 | 0:09:37 | |
Yeah, I've got it now! | 0:09:37 | 0:09:38 | |
Jonathan, d'you know what the answer is? | 0:09:38 | 0:09:42 | |
Well, can I have a couple of minutes? | 0:09:42 | 0:09:43 | |
Because I tell you for one, I know the tune. | 0:09:43 | 0:09:46 | |
I'm working through the rest of it to hit the lyrical bit that gives me the words. | 0:09:46 | 0:09:49 | |
That is sort of the point of this game. | 0:09:49 | 0:09:51 | |
I've never seen it done live before! | 0:09:52 | 0:09:54 | |
Cos the live version is always slightly different | 0:09:54 | 0:09:56 | |
from the album track! It's thrown me a bit. | 0:09:56 | 0:09:58 | |
LAUGHTER AND APPLAUSE | 0:09:58 | 0:10:00 | |
All right, I'm going to hand that one over. | 0:10:03 | 0:10:05 | |
-Er, is it Pet Shop Boys, West End Girls? -It is Pet Shop Boys. | 0:10:05 | 0:10:08 | |
I want to hear that again. | 0:10:08 | 0:10:10 | |
MUSIC: "West End Girls by Pet Shop Boys | 0:10:10 | 0:10:12 | |
-Oh, now... -BAH-BA-BA-BAH! | 0:10:16 | 0:10:19 | |
In this round, we want one member of each side to describe | 0:10:27 | 0:10:29 | |
three songs to their team-mates in just one sentence. | 0:10:29 | 0:10:32 | |
They can't use any of the words in the title, | 0:10:32 | 0:10:34 | |
or name or describe the artist. | 0:10:34 | 0:10:37 | |
Oh, right. | 0:10:37 | 0:10:39 | |
The first song. | 0:10:39 | 0:10:41 | |
I require you to strike Bob... | 0:10:41 | 0:10:45 | |
utilising a drummer's wand. | 0:10:45 | 0:10:48 | |
-Hit Me With Your Rhythm Stick? -Yeah. | 0:10:53 | 0:10:56 | |
Pink. Spotty. Rubber. Twat. | 0:10:58 | 0:11:01 | |
Mr Blobby. | 0:11:01 | 0:11:03 | |
I don't know, I think this is difficult, but I think all... | 0:11:11 | 0:11:15 | |
-I know it is. -You're the quizmaster, what do you care? | 0:11:15 | 0:11:18 | |
You're the Richard Whiteley of this show, you can do as you please. | 0:11:18 | 0:11:22 | |
LAUGHTER AND APPLAUSE | 0:11:22 | 0:11:24 | |
I'm not coming back till you take that back! | 0:11:28 | 0:11:31 | |
I take it back! | 0:11:31 | 0:11:32 | |
LAUGHTER AND APPLAUSE | 0:11:32 | 0:11:35 | |
-I tell you what's even sadder is that I know Richard Whiteley. -Really? | 0:11:40 | 0:11:43 | |
-Yeah. -I bet he's your dad. | 0:11:43 | 0:11:46 | |
Well, I can't carry on now, can I, | 0:11:52 | 0:11:54 | |
with that thought running through my head? | 0:11:54 | 0:11:56 | |
Do a word and I'll do an end-of-round in Countdown. | 0:11:56 | 0:11:59 | |
OK, breakfast. | 0:11:59 | 0:12:01 | |
Breakfast, right well, that's er, got me going for the day. So... | 0:12:01 | 0:12:05 | |
# Da-da-da-da-da-da-da-da-a-a... | 0:12:09 | 0:12:12 | |
# Da-da-da-da-da-a-a-a. # | 0:12:12 | 0:12:15 | |
It's a '70s song, was it a theme tune to something? | 0:12:19 | 0:12:23 | |
It's like watching Columbo deduce, isn't it? | 0:12:23 | 0:12:26 | |
Can we get him a coat and a cigar? | 0:12:26 | 0:12:28 | |
COLUMBO IMPRESSION: I think it's, er, '70s? Is it from the '70s? | 0:12:28 | 0:12:31 | |
-It's the theme tune to a detective series. -No! | 0:12:31 | 0:12:34 | |
We could have had Po from the Teletubbies for another tenner! | 0:12:35 | 0:12:39 | |
-I'm going to pass it over. -Go on, you say it. You got it. -It was Fame. -By? | 0:12:42 | 0:12:45 | |
-By Irene Cara. -By Irene Cara, well done. | 0:12:45 | 0:12:48 | |
APPLAUSE | 0:12:48 | 0:12:51 | |
Can I just say, this is so scary, | 0:12:51 | 0:12:55 | |
I'm going to have my gay card taken away for not knowing that! | 0:12:55 | 0:12:57 | |
I mean that's so frightening! | 0:12:57 | 0:12:59 | |
I'm going to be disqualified! Gay bars will go, | 0:12:59 | 0:13:02 | |
"No! You got that wrong on Never Mind The Buzzcocks! | 0:13:02 | 0:13:04 | |
-"Get out of town!" -What's the exam like when you get your card? | 0:13:04 | 0:13:07 | |
-It's very tough. -Is it an oral? | 0:13:07 | 0:13:09 | |
The battle for Britpop supremacy was still raging in '96 | 0:13:15 | 0:13:19 | |
and, well, my memory's a little hazy. | 0:13:19 | 0:13:22 | |
I'm pretty sure these guys were involved in some ways. | 0:13:22 | 0:13:24 | |
The rock band Oasis have cancelled the remainder of their American tour, | 0:13:24 | 0:13:28 | |
blaming what they call "internal differences." | 0:13:28 | 0:13:30 | |
The band's record company refused to deny rumours | 0:13:30 | 0:13:33 | |
that it could mean Oasis is about to split up. | 0:13:33 | 0:13:36 | |
-Is that Liam? -'Yeah.' | 0:13:36 | 0:13:37 | |
Hello, Liam. It's Jeremy Vine from Newsnight here. How are you doing? | 0:13:37 | 0:13:40 | |
-'I'm -BLEEP -sound, how are you?' -Not bad. Are you coming out? | 0:13:40 | 0:13:43 | |
-'Am I -BLEEP? -It's raining, mate.' | 0:13:43 | 0:13:46 | |
The nation found itself gripped with Euro 96 fever, | 0:13:46 | 0:13:49 | |
when football finally came home. | 0:13:49 | 0:13:52 | |
Should I presume we won? | 0:13:52 | 0:13:55 | |
Meanwhile, the country took another hit | 0:13:55 | 0:13:57 | |
as Charles and Diana called it a day. | 0:13:57 | 0:13:59 | |
The 15-year marriage of the Prince and Princess of Wales | 0:13:59 | 0:14:02 | |
came to a formal end this morning, with the granting | 0:14:02 | 0:14:04 | |
of a decree absolute at Somerset House in London. | 0:14:04 | 0:14:07 | |
Elsewhere, the British movie scene received a shot in the arm | 0:14:07 | 0:14:09 | |
with the release of Danny Boyle's seminal hit, Trainspotting. | 0:14:09 | 0:14:13 | |
'Choose life. Choose a job. Choose a career...' | 0:14:13 | 0:14:16 | |
But whilst heroin was still destroying lives, | 0:14:16 | 0:14:19 | |
it was fast being overtaken by an even more destructive force. | 0:14:19 | 0:14:24 | |
Motivating. | 0:14:25 | 0:14:27 | |
Here we go! Here we go! | 0:14:27 | 0:14:30 | |
Turn around, turn around! | 0:14:30 | 0:14:32 | |
Wonder what happened to those two pint-sized pop stars? | 0:14:32 | 0:14:35 | |
1996 was also an eventful time in the charts. | 0:14:35 | 0:14:39 | |
Here's one of the year's biggest hits | 0:14:39 | 0:14:41 | |
via the medium of the ever-popular Intros round, as performed | 0:14:41 | 0:14:45 | |
by Phill Jupitus and St Etienne lead singer, Sarah "The Crack" Cracknell. | 0:14:45 | 0:14:49 | |
BOTH: BOOM! Jink-a-jink-a-jink-jink. | 0:14:49 | 0:14:51 | |
BOTH: BOOM! Jink-a-jink-a-jink-jink. | 0:14:51 | 0:14:53 | |
-BOTH: BOOM! BOTH: BOOM! -Hey-hey-hey! | 0:14:53 | 0:14:56 | |
-BOTH: BOOM! -Ah! Now we're on the right road. | 0:14:56 | 0:15:00 | |
-Boom! Jink-a-jink-jink! Boom! -Hey-hey-hey! | 0:15:00 | 0:15:03 | |
# I'm the trouble starter | 0:15:03 | 0:15:05 | |
# Drunken instigator. # | 0:15:05 | 0:15:06 | |
Here are some more 1996-based chart highlights. | 0:15:06 | 0:15:10 | |
# Return of the mack... # | 0:15:10 | 0:15:11 | |
Leicester's finest law-abiding citizen Mark Morrison | 0:15:11 | 0:15:16 | |
brought us Return Of The Mack. | 0:15:16 | 0:15:17 | |
# You know that I'm your man... # | 0:15:17 | 0:15:19 | |
# It's like rain... # | 0:15:19 | 0:15:23 | |
Globally recognised icon of angst Alanis Morissette | 0:15:23 | 0:15:26 | |
explained irony to anyone that would listen. | 0:15:26 | 0:15:29 | |
# Oh-whoa-oh-whoa-oh | 0:15:30 | 0:15:32 | |
# Mysterious girl... # | 0:15:32 | 0:15:34 | |
And people used to say, "Hey, who's this new guy? | 0:15:34 | 0:15:37 | |
"I'd like to see more of him on my TV!" | 0:15:37 | 0:15:39 | |
Now, THAT's ironic. | 0:15:39 | 0:15:41 | |
Peter Andre used to go out with Claire from Steps. | 0:15:41 | 0:15:43 | |
They say he wooed her by miming songs under her balcony. | 0:15:43 | 0:15:47 | |
At the height of his fame, | 0:15:48 | 0:15:49 | |
Peter Andre switched on the lights in Oxford Street, | 0:15:49 | 0:15:51 | |
something he still does every morning, just before he starts pushing the Hoover around Sock Shop. | 0:15:51 | 0:15:56 | |
Since the show's conception in '96, | 0:16:01 | 0:16:03 | |
hosts and captains have come and gone on Never Mind The Buzzcocks. | 0:16:03 | 0:16:07 | |
But one brave, fearless man has remained a constant throughout. | 0:16:07 | 0:16:12 | |
Phill Jupitus, music aficionado, bon vivant and team captain, | 0:16:12 | 0:16:17 | |
we salute you. | 0:16:17 | 0:16:18 | |
Our first team captain is a comedian | 0:16:18 | 0:16:20 | |
who's done more stand-up gigs than he's had hot dinners. | 0:16:20 | 0:16:22 | |
Well, maybe not. He's Phill Jupitus. | 0:16:22 | 0:16:24 | |
Here are five facts about Phill. | 0:16:26 | 0:16:28 | |
One, he's particularly good at singing intros to pop songs. | 0:16:28 | 0:16:32 | |
Don't jump on me! Don't jump on me! | 0:16:32 | 0:16:34 | |
One, two, three, four! | 0:16:34 | 0:16:36 | |
BOTH: # La-la-la, la-la-la-la-la-la | 0:16:36 | 0:16:40 | |
# La-la-la, la-la-la-la-la-la! # | 0:16:40 | 0:16:43 | |
Two, he can be a silver-tongued Lothario. | 0:16:43 | 0:16:46 | |
Just stop thinking about me in that way and get on with the quiz. | 0:16:46 | 0:16:49 | |
-I can't help it. -He likes 'em funny, Dale. -I do. | 0:16:49 | 0:16:52 | |
I like the bigger fuller figure. | 0:16:54 | 0:16:56 | |
I always think there should be a veranda over the toy shop, and he fits the bill. | 0:16:56 | 0:17:00 | |
What did you have for breakfast this morning, and use the voice. | 0:17:00 | 0:17:03 | |
What voice?! | 0:17:03 | 0:17:05 | |
Cottage cheese! | 0:17:06 | 0:17:08 | |
Just a spoonful, mind! | 0:17:10 | 0:17:12 | |
Ride me, ride me. | 0:17:15 | 0:17:16 | |
And if you thought that was flirty... | 0:17:21 | 0:17:24 | |
Three, a delicate soul, Phill can be a little bit sensitive. | 0:17:28 | 0:17:31 | |
While you're thinking, I should tell you | 0:17:31 | 0:17:33 | |
that they were famed for their extremely energetic live shows. | 0:17:33 | 0:17:36 | |
OK, so it can't be Number Four, then. | 0:17:36 | 0:17:38 | |
I didn't mean to do that to you, yeah? Sorry. | 0:17:40 | 0:17:44 | |
Phill! No, Phill! | 0:17:44 | 0:17:46 | |
APPLAUSE | 0:17:46 | 0:17:49 | |
Phill! | 0:17:55 | 0:17:56 | |
Four, Phill has cultivated a unique sartorial style. | 0:17:58 | 0:18:02 | |
By the way, I haven't been in for a while | 0:18:02 | 0:18:04 | |
but say hello to the Ugly Shirt Shop for me! | 0:18:04 | 0:18:06 | |
We look like the worst circus in the world, don't we? | 0:18:06 | 0:18:10 | |
Five, he can be easily distracted, but then again, | 0:18:11 | 0:18:14 | |
he does have a lot on his plate. | 0:18:14 | 0:18:16 | |
I want to know what Number Two | 0:18:16 | 0:18:17 | |
and Number Five are doing after the show. | 0:18:17 | 0:18:20 | |
-Which one would you want a bite of? -Two is a big bun but Five's got egg. | 0:18:25 | 0:18:29 | |
Go, ladies! Go, ladies! Go, ladies! | 0:18:38 | 0:18:41 | |
Don't let him wobble about on the end. We'll all tip up. | 0:18:41 | 0:18:44 | |
It should be a beautiful, gorgeous supermodel slapping him. | 0:18:46 | 0:18:49 | |
It's just a ropey old fat bloke in a suit. | 0:18:49 | 0:18:52 | |
I'm so sorry! | 0:18:57 | 0:19:00 | |
A gig's a gig. | 0:19:02 | 0:19:03 | |
So there you have it - Phill Jupitus - team captain 1996-2013. | 0:19:05 | 0:19:13 | |
Hang on, he's not dead. | 0:19:13 | 0:19:15 | |
-You're my big cuddly teddy bear. -OK. | 0:19:18 | 0:19:19 | |
Tricky, tricky. Tricky! | 0:19:20 | 0:19:23 | |
On a very unlucky Friday the 13th of February 1996, the nation | 0:19:26 | 0:19:31 | |
mourned as an earth-shattering announcement was made. | 0:19:31 | 0:19:34 | |
One which would change the world irreversibly. | 0:19:34 | 0:19:37 | |
The pop group Take That have confirmed they are to split up. | 0:19:37 | 0:19:41 | |
-Well, not quite irreversibly. -Unfortunately, the rumours are true. | 0:19:41 | 0:19:45 | |
How Deep Is Your Love is going to be our last single together. | 0:19:45 | 0:19:48 | |
We've decided that the time is right. | 0:19:48 | 0:19:50 | |
We've done all that we can do as Take That. | 0:19:50 | 0:19:52 | |
From today, there's no more! | 0:19:52 | 0:19:55 | |
For millions of fans, life as we knew it was over. | 0:19:55 | 0:19:59 | |
-Some of us even needed grief counselling. -I was gutted. | 0:19:59 | 0:20:03 | |
Really upset and I think they should have done another tour. | 0:20:03 | 0:20:06 | |
Other fans have started fasting and said they won't eat anything | 0:20:06 | 0:20:09 | |
until the group get back together. | 0:20:09 | 0:20:11 | |
I've been trying to keep the tears back | 0:20:11 | 0:20:13 | |
but I just can't hold them back. | 0:20:13 | 0:20:15 | |
I've seemed to put them before everything else | 0:20:15 | 0:20:18 | |
and I've realised, at my age, it's quite sad really. | 0:20:18 | 0:20:21 | |
I suppose now we can get on with things. | 0:20:21 | 0:20:24 | |
Buzzcocks was there like a sympathetic friend to provide | 0:20:24 | 0:20:28 | |
a shoulder to cry on and nurse us all through these tough times. | 0:20:28 | 0:20:31 | |
Actress Paula Hamilton and the fulfilment of every | 0:20:32 | 0:20:35 | |
red-blooded male's fantasy - pushing Take That into a reservoir. | 0:20:35 | 0:20:38 | |
Amazingly the video does have a happy ending because | 0:20:38 | 0:20:41 | |
Take That split up immediately afterwards. | 0:20:41 | 0:20:43 | |
Take That once shocked their fans by dropping their trousers and mooning. | 0:20:43 | 0:20:47 | |
Already the cracks had started to appear. | 0:20:47 | 0:20:49 | |
-I know what happens after that bit. -What? | 0:20:50 | 0:20:52 | |
Satan's dressed as George Michael at the bottom and he catches Gary | 0:20:52 | 0:20:55 | |
and Mark follows. | 0:20:55 | 0:20:57 | |
Mark and Gary say, "Help us with our solo careers." | 0:20:57 | 0:20:59 | |
George gives Gary a song but doesn't tell him Andrew Ridgeley wrote it. | 0:20:59 | 0:21:04 | |
The he farts and Mark Owen goes, "I'm sorted for a career as well!" | 0:21:04 | 0:21:09 | |
That's what happened. | 0:21:09 | 0:21:12 | |
I'll have maximum points. | 0:21:13 | 0:21:15 | |
Always the talent spotter, Buzzcocks identified the band's | 0:21:15 | 0:21:18 | |
breakout star and was quick to book him on the show. | 0:21:18 | 0:21:20 | |
He's now a successful solo artist | 0:21:20 | 0:21:22 | |
and we've been asked not to mention his boy-band past. | 0:21:22 | 0:21:25 | |
He can take almost anything, but he can't take that! | 0:21:25 | 0:21:28 | |
# Da da da, da-da da-da da-da da | 0:21:30 | 0:21:33 | |
# Da da da, da-da da-da da-da da | 0:21:33 | 0:21:38 | |
# Da da-da-da | 0:21:38 | 0:21:39 | |
# Diddle-iddle iddle-iddle iddle-iddle la! # | 0:21:39 | 0:21:43 | |
No! I'm not accepting it. | 0:21:45 | 0:21:47 | |
Barlow was never going to be THE solo star. | 0:21:47 | 0:21:49 | |
-It was always going to be this guy. -Sean's first guest is Mark Owen. | 0:21:49 | 0:21:53 | |
Ex of Take That and pop's cuddliest boy-next-door. | 0:21:53 | 0:21:55 | |
# Clementine, yah, yah, yah... # | 0:21:55 | 0:22:00 | |
Take That once agreed to do a national | 0:22:00 | 0:22:02 | |
tour on behalf of the Family Planning Association to | 0:22:02 | 0:22:04 | |
promote safe sex, but they pulled out at the last minute. | 0:22:04 | 0:22:06 | |
# Do-do do do do do-do do-do do... # | 0:22:09 | 0:22:13 | |
# Do-do do do do do-do... # | 0:22:16 | 0:22:17 | |
Looks like Adolf Hitler's gone funky. | 0:22:17 | 0:22:19 | |
-GERMAN ACCENT: -Morning, people. | 0:22:19 | 0:22:22 | |
# Another one bites the dust... # | 0:22:24 | 0:22:26 | |
That was such a treat when you said, "Everybody!" | 0:22:28 | 0:22:30 | |
This isn't Wembley, you know. | 0:22:32 | 0:22:33 | |
It's the biggest audience I've played in front of for two years. | 0:22:34 | 0:22:37 | |
To be honest, I don't remember the Eagles but apparently, | 0:22:41 | 0:22:43 | |
they were a massive five-piece band that all went solo and flopped. | 0:22:43 | 0:22:49 | |
-I have no idea what you're talking about. -Not like me, obviously. | 0:22:51 | 0:22:54 | |
They couldn't dance! You're much better than them, Mark. | 0:22:54 | 0:22:59 | |
-I was. -Not "was", you still are. It's not over! | 0:22:59 | 0:23:03 | |
It's not fair. | 0:23:03 | 0:23:04 | |
He misses Howard. | 0:23:06 | 0:23:08 | |
# Da-da da-da da da... # | 0:23:11 | 0:23:15 | |
But despite his burgeoning solo career, | 0:23:15 | 0:23:18 | |
Mark Owen found time to make regular appearances on the show. | 0:23:18 | 0:23:22 | |
By 2001, he was really letting his hair down. | 0:23:22 | 0:23:25 | |
HE SHOUTS LYRICS INAUDIBLY | 0:23:25 | 0:23:29 | |
There's highlights on the left side, more lights on the right side, | 0:23:34 | 0:23:37 | |
in the middle, there's Westlife. | 0:23:37 | 0:23:39 | |
CHEERING | 0:23:41 | 0:23:44 | |
The British obsession with Take That was to | 0:23:44 | 0:23:46 | |
extend beyond 1996 and as the years went by, | 0:23:46 | 0:23:49 | |
one former band member got a lasting taste of solo success. | 0:23:49 | 0:23:54 | |
Buzzcocks was quick to recognise this feat. | 0:23:54 | 0:23:56 | |
Robbie Williams claims he had sex with Geri Halliwell | 0:23:56 | 0:23:58 | |
and the neighbours still remember hearing the cries of | 0:23:58 | 0:24:00 | |
"Oh, Robbie, you're the best lover in the world." Although they | 0:24:00 | 0:24:03 | |
couldn't hear what Geri was saying. | 0:24:03 | 0:24:04 | |
In 2001, Robbie released a tribute album of classic covers called | 0:24:07 | 0:24:10 | |
Swing When You're Winning which I quite enjoyed. | 0:24:10 | 0:24:12 | |
I say "enjoyed". I tolerated it. | 0:24:12 | 0:24:14 | |
I say I "tolerated" it. | 0:24:14 | 0:24:15 | |
The only time I ever heard it, I ran face-first into a propeller. | 0:24:15 | 0:24:18 | |
Before showering under the outlet pipe of the dysentery clinic. | 0:24:20 | 0:24:23 | |
Then I superglued my tongue to a condemned meat lorry | 0:24:24 | 0:24:28 | |
and I was dragged through the high street of Nettletown. | 0:24:28 | 0:24:31 | |
This during the great dock leaf shortage... | 0:24:31 | 0:24:34 | |
..to my bath where I sat tossing in various unearthed electrical appliances. | 0:24:36 | 0:24:40 | |
And with my back to the taps. | 0:24:40 | 0:24:42 | |
Although, to be fair, having said that, | 0:24:46 | 0:24:48 | |
I thought Angels was shit as well. | 0:24:48 | 0:24:50 | |
Last week, I wanted to berate you, the Great British public, | 0:24:52 | 0:24:55 | |
for voting Angels the best single for the last 25 years. | 0:24:55 | 0:24:58 | |
I've done a quick list of other songs that maybe should have | 0:24:58 | 0:25:01 | |
been considered. | 0:25:01 | 0:25:02 | |
Number 1 - Ghost Town by The Specials. That's a better song | 0:25:02 | 0:25:06 | |
than Angels. | 0:25:06 | 0:25:08 | |
Number 2 - every single other song recorded in the last 25 years. | 0:25:08 | 0:25:12 | |
Including karaoke versions of Angels. | 0:25:12 | 0:25:16 | |
Even in more recent years with new Buzzcocks personnel, | 0:25:18 | 0:25:21 | |
Take That continued to be a fascinating conversation topic. | 0:25:21 | 0:25:24 | |
Shall we have a look at the clip? | 0:25:24 | 0:25:27 | |
Look at Mark Owen. I love how forceful he's trying to be there. | 0:25:27 | 0:25:30 | |
-When you hear him talk, it's that... -HIGH-PITCH BABBLING | 0:25:30 | 0:25:35 | |
We think they got offered a gig at Glastonbury | 0:25:37 | 0:25:41 | |
but it was two months after the festival. | 0:25:41 | 0:25:44 | |
They're looking for the main stage. | 0:25:44 | 0:25:47 | |
-MANCHESTER ACCENT: -It's round here somewhere. We're headlining. | 0:25:48 | 0:25:51 | |
Can we have a look at Robbie? | 0:25:53 | 0:25:55 | |
There's a bit where Robbie's standing on the wing of a plane. | 0:25:55 | 0:25:59 | |
I like to imagine the pilot went, Robbie, | 0:25:59 | 0:26:02 | |
I've left my wallet on the plane. | 0:26:02 | 0:26:04 | |
Pop out and get that. Yeah, just down the end. Rrrr! | 0:26:05 | 0:26:09 | |
Back to the band's early days. | 0:26:12 | 0:26:15 | |
Over to Jupitus and Lamarr for the final word. | 0:26:15 | 0:26:18 | |
This is an image that confuses me cos I don't know | 0:26:18 | 0:26:21 | |
if I'm hungry or gay. | 0:26:21 | 0:26:22 | |
I wonder if that's the only time Gary Barlow's had a big | 0:26:22 | 0:26:26 | |
number two on his chest. | 0:26:26 | 0:26:28 | |
Despite the demise of Take That, | 0:26:28 | 0:26:30 | |
Gary Barlow still lives off his enormous royalties. | 0:26:30 | 0:26:32 | |
While Jason Orange lives off the A423 in a hollowed-out tree. | 0:26:32 | 0:26:35 | |
Time now to take a look back at the first ever episode of Buzzcocks. | 0:26:41 | 0:26:45 | |
And a game that would go on to define the show. | 0:26:45 | 0:26:48 | |
Our next round is the ID Parade in which | 0:26:48 | 0:26:50 | |
we ask the teams to pick famous pop faces from the past out of a line-up. | 0:26:50 | 0:26:53 | |
If you ever lay awake at night wondering whatever happened | 0:26:53 | 0:26:56 | |
to mid-'80s keyboard wizard Paul Hardcastle of N-N-Nineteen | 0:26:56 | 0:26:59 | |
fame, from now on, you can sleep easy cos he's here with us tonight. | 0:26:59 | 0:27:02 | |
Here to remind the audience is Paul as he was in 1985. | 0:27:02 | 0:27:07 | |
MUSIC: "Nineteen" by Paul Hardcastle | 0:27:07 | 0:27:12 | |
That was then but what about now? | 0:27:20 | 0:27:22 | |
Five suspects but only one of them | 0:27:22 | 0:27:24 | |
sold billions of Vietnam-based records. | 0:27:24 | 0:27:26 | |
For two points, which one is the real Paul Hardcastle? | 0:27:26 | 0:27:30 | |
-I think it's Number Two. -Why's that? | 0:27:30 | 0:27:33 | |
Cos that's Paul Hardcastle. | 0:27:33 | 0:27:35 | |
That's why. | 0:27:38 | 0:27:40 | |
Let's see. Would the real Paul Hardcastle step forward? | 0:27:40 | 0:27:43 | |
Paul now lives in America | 0:27:49 | 0:27:50 | |
where he recently sold over a million records | 0:27:50 | 0:27:53 | |
and what a car boot sale that was! | 0:27:53 | 0:27:55 | |
OK, back to our faces of '96 quiz. Let's see how you did. | 0:27:59 | 0:28:03 | |
In order of appearance, you saw Alan Davies - easy one to start. | 0:28:03 | 0:28:06 | |
Cathy Dennis, Martin Chambers from the Pretenders, | 0:28:06 | 0:28:09 | |
Andy McCluskey from OMD. | 0:28:09 | 0:28:11 | |
David McAlmont, Shovell, M-People. Nick Heyward, Haircut 100. | 0:28:11 | 0:28:15 | |
Martin Rossiter, lead singer of Gene. | 0:28:15 | 0:28:18 | |
Jo Whiley, hasn't really changed. | 0:28:18 | 0:28:19 | |
Marcella Detroit, Shakespeare's Sister. Richie from Let Loose. | 0:28:19 | 0:28:23 | |
Richard Fairbrass, Right Said Fred. | 0:28:23 | 0:28:24 | |
Glenn Tilbrook, Squeeze and Neil Hannon, The Divine Comedy. | 0:28:24 | 0:28:28 | |
We can all sleep easy now. | 0:28:28 | 0:28:30 | |
There it is. | 0:28:31 | 0:28:32 | |
A roundup of 1996 through the prism that is Never Mind The Buzzcocks. | 0:28:32 | 0:28:37 | |
I'm Alex James and we're going to play you out with the Fugees | 0:28:37 | 0:28:40 | |
and the biggest selling single of that year. | 0:28:40 | 0:28:42 | |
Thank you and good night. | 0:28:42 | 0:28:44 | |
# Singing my life with his words | 0:28:44 | 0:28:49 | |
# Killing me softly with his song | 0:28:49 | 0:28:52 | |
# Killing me softly | 0:28:52 | 0:28:56 | |
# With his song | 0:28:56 | 0:28:58 | |
# Telling my whole life | 0:28:58 | 0:29:01 | |
# With his words | 0:29:01 | 0:29:03 | |
# Killing me softly | 0:29:03 | 0:29:09 | |
# With his song... # | 0:29:09 | 0:29:11 |