Browse content similar to 2008. Check below for episodes and series from the same categories and more!
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This programme contains some strong language. | 0:00:02 | 0:00:07 | |
One eventful night in 1996, | 0:00:20 | 0:00:22 | |
comedy and rock'n'roll had an ill-advised fumble with devastating effects. | 0:00:22 | 0:00:28 | |
The resulting offspring would soon become famed for its acerbic wit, | 0:00:28 | 0:00:32 | |
musical know-how and celebrity-ish friends. | 0:00:32 | 0:00:36 | |
It soon became known as Never Mind The Buzzcocks. | 0:00:36 | 0:00:40 | |
Calm down, God, it's only a pop quiz! | 0:00:40 | 0:00:42 | |
Always the first in line to offer words of wisdom and compassion... | 0:00:42 | 0:00:46 | |
Come on, bell-end, do something! | 0:00:46 | 0:00:47 | |
..this show became an oracle for the world of entertainment. | 0:00:47 | 0:00:51 | |
I'm Simon Amstell, and if you think I'm a poor booking, | 0:00:51 | 0:00:53 | |
let's meet tonight's guests. | 0:00:53 | 0:00:55 | |
And when it comes to splits, spats | 0:00:55 | 0:00:57 | |
and guessing which member of a line-up used to be | 0:00:57 | 0:01:00 | |
the drummer in some band you barely remember, Buzzcocks has seen it all. | 0:01:00 | 0:01:04 | |
APPLAUSE | 0:01:04 | 0:01:06 | |
So join us, as we stumble down memory lane | 0:01:07 | 0:01:10 | |
and see a little bit of this... | 0:01:10 | 0:01:12 | |
that...and them. | 0:01:12 | 0:01:13 | |
You're watching What a Load of Buzzcocks 2008. | 0:01:13 | 0:01:19 | |
# Womaniser, woman, womaniser... # | 0:01:19 | 0:01:20 | |
A year that saw two of the country's top entertainers quietly | 0:01:20 | 0:01:23 | |
pop off for a sabbatical. | 0:01:23 | 0:01:25 | |
The BBC has apologised unreservedly for a broadcast on Radio 2 | 0:01:25 | 0:01:29 | |
which has drawn more than 10,000 complaints from the public. | 0:01:29 | 0:01:31 | |
Who made the decision to broadcast it? | 0:01:31 | 0:01:34 | |
Why did they conclude that it should be broadcast? | 0:01:34 | 0:01:36 | |
The BBC need to be transparent about all of those decisions | 0:01:36 | 0:01:39 | |
and explain its decision making process. | 0:01:39 | 0:01:41 | |
I believe that what I did was wrong | 0:01:41 | 0:01:43 | |
and I don't want to cause any more trouble. | 0:01:43 | 0:01:46 | |
Strange, really, when Brand appeared as a guest captain | 0:01:46 | 0:01:48 | |
on Buzzcocks in the same year, he was the epitome of the British gent. | 0:01:48 | 0:01:52 | |
God, I love you! We can do this damn quiz. It's only a quiz, isn't it? | 0:01:54 | 0:01:59 | |
Look at the word "quiz". | 0:01:59 | 0:02:00 | |
Nothing serious can happen as a result of a quiz. | 0:02:00 | 0:02:02 | |
"There was a quiz earlier and three men died." It's a quiz! | 0:02:02 | 0:02:06 | |
APPLAUSE | 0:02:06 | 0:02:08 | |
When Rachel and I discussed how to do this, | 0:02:08 | 0:02:10 | |
Rachel very much put the onus on me. | 0:02:10 | 0:02:12 | |
A man with no musical abilities or experience. | 0:02:12 | 0:02:16 | |
-She's just tapping on a table. -Similar to what she did in S Club. | 0:02:16 | 0:02:19 | |
-She's the best one! -She was the best one. | 0:02:19 | 0:02:23 | |
I would never have joined the S Club, were it not for her. | 0:02:23 | 0:02:27 | |
-You don't know what it was? -Yes, I do, it's like Scouts or Cubs... | 0:02:27 | 0:02:29 | |
LAUGHTER | 0:02:29 | 0:02:32 | |
-We must decide which one we believe was in Bis. -Yes. | 0:02:32 | 0:02:35 | |
-That is a simple matter... -Do you remember Bis? -Er, well, no. | 0:02:35 | 0:02:38 | |
As a matter of fact, I am completely oblivious to it. | 0:02:38 | 0:02:40 | |
You could say, ignorance is Bis! | 0:02:40 | 0:02:42 | |
LAUGHTER | 0:02:42 | 0:02:44 | |
Is it that one, that one or that one? | 0:02:44 | 0:02:46 | |
It could be any of them, they all seem damn nice. | 0:02:46 | 0:02:48 | |
Now, normally when I'm picking a woman, | 0:02:48 | 0:02:49 | |
I don't bother with this hullabaloo. | 0:02:49 | 0:02:51 | |
You can boil it down to a simple gesture. | 0:02:51 | 0:02:54 | |
But today we're on our best manners. I like that one, she's got a quiff. | 0:02:54 | 0:02:57 | |
That one looks cute and rosy. She's all sort of innocent. | 0:02:57 | 0:02:59 | |
That one's filth, I'd go for that one most likely. | 0:02:59 | 0:03:01 | |
LAUGHTER | 0:03:01 | 0:03:03 | |
The one with the bullet belt. Shotgun. Peow! Let's go! | 0:03:03 | 0:03:07 | |
And...breathe. | 0:03:10 | 0:03:12 | |
Brand was one of many big-name guest captains during 2008's post-Bailey, pre-Fielding era. | 0:03:12 | 0:03:18 | |
Let's enjoy three of our favourites, starting with James Corden. | 0:03:18 | 0:03:22 | |
Germaine, are you enjoying James as your captain this evening? | 0:03:22 | 0:03:25 | |
He's known as a big sex guy, a big womaniser, these days. | 0:03:25 | 0:03:28 | |
Have you heard about James Corden's antics? | 0:03:28 | 0:03:31 | |
Frankly, no, and I very much doubt that it occurs within my age-group. | 0:03:31 | 0:03:35 | |
No, I think... | 0:03:35 | 0:03:37 | |
You don't know how wrong you are, missy! | 0:03:37 | 0:03:40 | |
LAUGHTER | 0:03:40 | 0:03:43 | |
-James, do your chat up line. -Oh, shut up! -Come on. -No! | 0:03:43 | 0:03:49 | |
It makes women melt, will Germaine melt? Here we go. | 0:03:49 | 0:03:53 | |
Oh, fuck off, no! | 0:03:54 | 0:03:55 | |
LAUGHTER | 0:03:55 | 0:03:57 | |
Go on, go for it. | 0:03:57 | 0:03:58 | |
AUDIENCE MEMBER: Do it! | 0:03:58 | 0:04:00 | |
You know what? I... I don't think you know how lovely you are. | 0:04:01 | 0:04:08 | |
-Well, you're quite wrong. I know exactly... -Shhhh... | 0:04:08 | 0:04:11 | |
LAUGHTER | 0:04:11 | 0:04:13 | |
-That's when you're supposed to melt, Germaine. -No, I'm not there yet. | 0:04:13 | 0:04:16 | |
-We're not at the melting phase yet. -Go on, go on. | 0:04:16 | 0:04:19 | |
I don't think you know how lovely you are | 0:04:19 | 0:04:21 | |
and I think you could do with someone around you | 0:04:21 | 0:04:23 | |
to tell you that every day and that may not be me | 0:04:23 | 0:04:26 | |
but I want you to find him. | 0:04:26 | 0:04:28 | |
LAUGHTER AND APPLAUSE | 0:04:30 | 0:04:35 | |
Next up, Stephen Fry with his unique take on the US hip-hop scene. | 0:04:35 | 0:04:39 | |
That was Akon with Smack That, but how did a pretzel land him | 0:04:41 | 0:04:44 | |
in trouble with the law at a 2007 New York gig? | 0:04:44 | 0:04:47 | |
-Do you know anything about Akon? -I fear I'm afraid I don't. | 0:04:47 | 0:04:51 | |
He seems to come with the standard uniform of the hippoty-hoppoty brigade, with the... | 0:04:51 | 0:04:57 | |
-He looks very hip-hop. -Yes, absolutely. | 0:04:57 | 0:05:00 | |
APPLAUSE AND LAUGHTER | 0:05:00 | 0:05:03 | |
Lots of shiny things | 0:05:03 | 0:05:05 | |
and rather less illustrious attitudes towards women, it seems. | 0:05:05 | 0:05:08 | |
The worst scenario we can posit is that he in some way inserted | 0:05:08 | 0:05:11 | |
it without asking permission of a lady. | 0:05:11 | 0:05:14 | |
That's possible, we all know about Mars bars and Marianne Faithfull. | 0:05:14 | 0:05:19 | |
So, there is a history in popular music of recto-vaginal insertion. | 0:05:19 | 0:05:26 | |
LAUGHTER | 0:05:26 | 0:05:29 | |
And finally, guest team captain Davina, | 0:05:29 | 0:05:32 | |
who turned up with a little surprise for our host. | 0:05:32 | 0:05:36 | |
-I feel that maybe our team has had enough... -OK, all right. | 0:05:36 | 0:05:40 | |
Enough abuse, and we feel and I feel... | 0:05:40 | 0:05:42 | |
-Why is it when you're single...? -..the need to maybe turn the tables on you | 0:05:42 | 0:05:46 | |
for a change and potentially show something a little bit embarrassing about you. | 0:05:46 | 0:05:50 | |
-Shall we have a look at that? -No! -Yes, let's have a look. | 0:05:50 | 0:05:53 | |
Simon next, Simon... | 0:05:53 | 0:05:56 | |
Darlings, possums or should I say Good Morning viewers. | 0:05:56 | 0:06:01 | |
Now I've been watching Good Morning for a long time now | 0:06:02 | 0:06:06 | |
and you know, my favourite bit, possums, my favourite bit, darlings, | 0:06:06 | 0:06:10 | |
is when Anne and Nick get together cheek-to-cheek | 0:06:10 | 0:06:13 | |
and they love each other darlings, don't they? | 0:06:13 | 0:06:16 | |
And there they are talking about a touch of love. | 0:06:16 | 0:06:19 | |
It's just so romantic, possums. Urgh! | 0:06:19 | 0:06:22 | |
LAUGHTER AND APPLAUSE | 0:06:23 | 0:06:26 | |
Thanks, Davina. | 0:06:32 | 0:06:33 | |
# American Boy | 0:06:37 | 0:06:39 | |
# Take me on a trip I'd like to go...# | 0:06:39 | 0:06:41 | |
2008 saw history in the making as Barack Obama was voted into the White House. | 0:06:41 | 0:06:46 | |
And back in the UK, the BBC sought the opinion of the one man | 0:06:46 | 0:06:49 | |
truly qualified to speak on the subject. | 0:06:49 | 0:06:52 | |
Dizzee Rascal, I mean, | 0:06:52 | 0:06:54 | |
specifically could you see this happening in Britain? | 0:06:54 | 0:06:56 | |
Yeah, in time. | 0:06:56 | 0:06:58 | |
-You're rather positive. -Yeah, man, why not, man? | 0:06:59 | 0:07:02 | |
First time for everything. Everything just takes time, man. | 0:07:02 | 0:07:05 | |
If you believe you can achieve, innit? | 0:07:05 | 0:07:07 | |
Why don't you run for office? | 0:07:07 | 0:07:09 | |
See, that's a very good idea, I might have to do that one day. | 0:07:09 | 0:07:11 | |
Still, Dizzee Rascal for Prime Minister, yeah? What's happening? | 0:07:11 | 0:07:16 | |
Hey, Smithster! | 0:07:16 | 0:07:18 | |
The year saw Gavin & Stacey at the peak of its popularity, | 0:07:18 | 0:07:21 | |
with the show scooping awards across the board. | 0:07:21 | 0:07:24 | |
Smith? | 0:07:24 | 0:07:25 | |
-Hi, Matt Horne. -Hi. | 0:07:25 | 0:07:26 | |
Matt Horne, if you don't know, is from the multi-award winning Gavin & Stacey. | 0:07:26 | 0:07:30 | |
-How many awards did it win at the Comedy Awards? -Three. | 0:07:30 | 0:07:32 | |
Three are very, very good. | 0:07:32 | 0:07:34 | |
-Now, how many of those were for you personally. -None. -Ah. | 0:07:34 | 0:07:38 | |
Matt Horne as you probably know is famous for doing a straight | 0:07:38 | 0:07:40 | |
face and a slight sigh after Catherine Tate sketches. Er... | 0:07:40 | 0:07:45 | |
No, it's sort of a despondent look that I've copied from Martin. | 0:07:45 | 0:07:48 | |
Oh, go on. | 0:07:48 | 0:07:49 | |
That's basically it. Martin's the master. | 0:07:52 | 0:07:55 | |
Martin, why don't you show us your one? | 0:07:55 | 0:07:58 | |
LAUGHTER | 0:07:58 | 0:08:01 | |
I have an idea, what if you were both in a sitcom together? | 0:08:01 | 0:08:04 | |
Just sighing at each other. | 0:08:04 | 0:08:07 | |
You start, Matt. Go on. | 0:08:07 | 0:08:09 | |
LAUGHTER AND APPLAUSE | 0:08:13 | 0:08:16 | |
# Should I give up...? # | 0:08:21 | 0:08:23 | |
2008 saw Adele pick up the Critics' Choice Award at the BRITs | 0:08:23 | 0:08:27 | |
as her debut album 19 went four times platinum. | 0:08:27 | 0:08:31 | |
Buzzcocks was quick to get its hands on this exciting new talent | 0:08:31 | 0:08:34 | |
and she soon showed us why she'd become one of the greatest voices of a generation. | 0:08:34 | 0:08:40 | |
# Eh-eh, eh-eh-eh-eh | 0:08:40 | 0:08:42 | |
# Eh-eh, eh-eh Eh-eh-eh-eh | 0:08:42 | 0:08:45 | |
-# Dirty dog, dirty dog -Eh-eh, eh-eh-eh-eh. | 0:08:45 | 0:08:47 | |
# Eh-eh, eh-eh-eh-eh. # | 0:08:47 | 0:08:50 | |
What's happened to your lovely voice, Adele? | 0:08:50 | 0:08:54 | |
-That's how it goes. -Come on, no... -You don't know what it is. | 0:08:54 | 0:08:57 | |
-We can't do it. -You, it seems, don't really sing in real life. | 0:08:57 | 0:09:01 | |
LAUGHTER | 0:09:01 | 0:09:02 | |
-What happened? -You're like that Chinese kid at the Olympics... | 0:09:02 | 0:09:05 | |
-I can't pretend I'm an instrument. -Who's the real Adele? | 0:09:05 | 0:09:08 | |
-I don't know, who do you think? -Is it the same guy who did Milli Vanilli? | 0:09:08 | 0:09:11 | |
LAUGHTER | 0:09:11 | 0:09:13 | |
# Doo-doo-doo-doo Woo-woo-woo-woo... # | 0:09:13 | 0:09:17 | |
That's a bit racist. | 0:09:17 | 0:09:19 | |
# Dun-dun-dun-der-re-re-re-row | 0:09:20 | 0:09:24 | |
# Dun-dun-der-re-re-re-row | 0:09:24 | 0:09:27 | |
# Dun-dun-der-re-re-re-row. # | 0:09:27 | 0:09:30 | |
I do know it. I know the band. | 0:09:30 | 0:09:33 | |
-Who is it? -Girls Aloud? -Yes. | 0:09:33 | 0:09:36 | |
I don't know the song. It's really pretty though, isn't it? | 0:09:36 | 0:09:39 | |
As the case is often with songs, | 0:09:39 | 0:09:40 | |
Mark Ronson has made that song better than it could ever be. | 0:09:40 | 0:09:44 | |
# I can't speak French, so I let the funky music...# | 0:09:44 | 0:09:46 | |
Yes, the answer was Girls Aloud, who prove that you don't need to | 0:09:46 | 0:09:49 | |
speak French to have one of the hits of the year. | 0:09:49 | 0:09:53 | |
# So I let the funky music do the talking, oh, oh, oh. # | 0:09:53 | 0:09:58 | |
# I kissed a girl and I liked it... # | 0:09:58 | 0:10:00 | |
2008 also witnessed Katy Perry kiss a girl | 0:10:00 | 0:10:03 | |
and get her first taste of number one success. | 0:10:03 | 0:10:07 | |
# I kissed a girl, just to try it | 0:10:07 | 0:10:09 | |
# I hope my boyfriend don't mind it. # | 0:10:09 | 0:10:12 | |
# You've got me begging you for mercy... # | 0:10:12 | 0:10:15 | |
And chart sensation Duffy denied being a novelty, retro act. | 0:10:15 | 0:10:19 | |
Although, to be fair, Motown had only just arrived in Wales. | 0:10:19 | 0:10:23 | |
Anyway, back to Adele to hear her thoughts | 0:10:23 | 0:10:26 | |
on one of her main pop rivals. | 0:10:26 | 0:10:28 | |
Tell us who you hate most out of Lily Allen, Kate Nash and Duffy? | 0:10:28 | 0:10:31 | |
-Lily Allen, Kate Nash and Duffy? -Mm. -Erm... | 0:10:31 | 0:10:35 | |
Why do you hate Duffy so much? Why is it? Is it you don't trust her? | 0:10:35 | 0:10:39 | |
I don't hate Duffy but I'm Welsh as well | 0:10:39 | 0:10:42 | |
and I wish people would know that. | 0:10:42 | 0:10:44 | |
And also you feel in interviews she comes across as a bit fake, yeah? | 0:10:44 | 0:10:47 | |
-Why are you doing this? -You think, what? | 0:10:47 | 0:10:49 | |
-You think she's older than she's saying she is? -No, no, no. | 0:10:49 | 0:10:52 | |
A lying bitch? | 0:10:52 | 0:10:54 | |
-I love Lily Allen. -You like Lily Allen? -I love Lily Allen. | 0:10:54 | 0:10:58 | |
Yeah, but you hate Duffy, now why would you hate Duffy so much? | 0:10:58 | 0:11:01 | |
LAUGHTER | 0:11:01 | 0:11:02 | |
-Mark Ronson, you've done so well and well done. -Thanks. | 0:11:02 | 0:11:06 | |
Not in the show, I mean in your life. You've done really well, no? | 0:11:06 | 0:11:09 | |
APPLAUSE | 0:11:09 | 0:11:11 | |
And then, that sister of yours, | 0:11:11 | 0:11:13 | |
all she had to do was get off with Lindsay Lohan | 0:11:13 | 0:11:15 | |
and now she's more famous than you could ever be! | 0:11:15 | 0:11:17 | |
LAUGHTER | 0:11:17 | 0:11:20 | |
-Are you pissed off? -I think Lindsay Lohan is a really talented actress. | 0:11:20 | 0:11:24 | |
What? | 0:11:24 | 0:11:26 | |
LAUGHTER | 0:11:26 | 0:11:28 | |
I think she's lovely but she's not an actress. | 0:11:28 | 0:11:30 | |
Adele, how can you have a go at Sam Ronson's girlfriend like this? | 0:11:30 | 0:11:35 | |
I like her but she's not an actress. I like her. | 0:11:35 | 0:11:37 | |
But you know her career is "actress"? | 0:11:37 | 0:11:40 | |
And singing, and she has a leggings company. | 0:11:40 | 0:11:43 | |
A leggings company?! Well, we all love her leggings! | 0:11:43 | 0:11:46 | |
-That's true. -How do you feel about this, Mark? | 0:11:46 | 0:11:48 | |
Do you think you'll work with Adele again after this? | 0:11:48 | 0:11:50 | |
I'm going to be in a lot of trouble when this comes out. | 0:11:50 | 0:11:52 | |
I like Lindsay and I think her and Sam are great. | 0:11:52 | 0:11:54 | |
If you found out Duffy was bisexual, would you hate her even more? | 0:11:54 | 0:11:57 | |
I don't hate her anyway, you do! Ha-ha! | 0:11:57 | 0:12:00 | |
LAUGHTER | 0:12:00 | 0:12:02 | |
I'm really enjoying you now, Adele. You've turned into my Aunt Sybil. | 0:12:02 | 0:12:06 | |
# When I grow up I wanna be famous... # | 0:12:10 | 0:12:12 | |
Over the years, Buzzcocks has attracted guests from all over the world. | 0:12:12 | 0:12:17 | |
And 2008 saw a deluge of A-listers from across the Atlantic. | 0:12:17 | 0:12:21 | |
First up, bespectacled, meat-dodging megastar, Moby. | 0:12:22 | 0:12:26 | |
-Moby, I looked on the internet. -Oh, I don't like where this is going. | 0:12:26 | 0:12:29 | |
-Why not? -This is going to end wrong. | 0:12:29 | 0:12:31 | |
I looked on the internet and for someone so successful, | 0:12:31 | 0:12:34 | |
I was surprised to see a lot of bitterness towards Moby, a lot of player-haters. | 0:12:34 | 0:12:38 | |
-Oh, people hate me. -Now why is that? | 0:12:38 | 0:12:41 | |
I have no idea. I think it's because I'm annoying. | 0:12:41 | 0:12:44 | |
LAUGHTER | 0:12:44 | 0:12:46 | |
Like, something about me inspires great antipathy | 0:12:46 | 0:12:49 | |
-and wrath in other people. -Yeah, I think people hate you and don't know why. | 0:12:49 | 0:12:52 | |
In the same way that people love Dale Winton | 0:12:52 | 0:12:54 | |
and it's a mystery why, what he's done! | 0:12:54 | 0:12:59 | |
I have the hair of a 1970s Lego man. It doesn't move or anything. | 0:12:59 | 0:13:05 | |
-It's just... -Can I say something? | 0:13:05 | 0:13:08 | |
So, imagine we were doing this show and one of us, say, had no legs. | 0:13:08 | 0:13:12 | |
And you were complaining about, say, your trousers. | 0:13:12 | 0:13:16 | |
So, the person with no legs would be sitting over here, like, | 0:13:16 | 0:13:18 | |
"I'm sorry you have bad trousers..." | 0:13:18 | 0:13:21 | |
APPLAUSE AND LAUGHTER | 0:13:21 | 0:13:23 | |
You understand. You're complaining about your hair. | 0:13:29 | 0:13:31 | |
God hates me and stole my hair. | 0:13:31 | 0:13:34 | |
By the way, we have been asked to do a best of compilation show | 0:13:35 | 0:13:38 | |
for next week and I don't know if we've got anything suitable. | 0:13:38 | 0:13:41 | |
So I thought what we could do is we could create some moments | 0:13:41 | 0:13:44 | |
tonight that look like they would be suitable for a "best of". | 0:13:44 | 0:13:47 | |
If you could put that you could put that on, Moby, and do a funny face. | 0:13:47 | 0:13:51 | |
-I got it. -And then a little dance or something? | 0:13:51 | 0:13:54 | |
-A little dance? What sort of a dance? Here? -Like a little... | 0:13:54 | 0:13:58 | |
-Stand up here? -There you go. | 0:14:01 | 0:14:04 | |
CHEERING | 0:14:04 | 0:14:06 | |
Yep, that's the sort of thing we needed, yep. | 0:14:18 | 0:14:21 | |
Next big US star of '08, former Destiny's Child songstress Kelly Rowland. | 0:14:21 | 0:14:25 | |
What about Kelly Rowland as a guest on the show tonight? | 0:14:25 | 0:14:28 | |
-An actual, bloody celebrity! -I know! -It's all I've ever wanted. | 0:14:28 | 0:14:31 | |
-You are famous. -No, no, no. | 0:14:33 | 0:14:35 | |
I heard the ratings here are very high, that makes you famous. | 0:14:35 | 0:14:38 | |
Oh, that's what they told you to get you here? | 0:14:38 | 0:14:40 | |
No, they said this guy is really funny. He may take the... | 0:14:42 | 0:14:46 | |
-Is it take the piss at you? -Oh, I've never done that. | 0:14:46 | 0:14:49 | |
Or is it taking the piss? | 0:14:51 | 0:14:54 | |
APPLAUSE | 0:14:54 | 0:14:56 | |
-They said you were really cool. -Oh, that's good. Good. | 0:14:56 | 0:14:59 | |
-Overall, you know. -So go on, so Beyonce, what happened to her? | 0:14:59 | 0:15:04 | |
-She is back in New York City. -Why, can I ask? -What? | 0:15:04 | 0:15:07 | |
I don't want to cause a rift between you, | 0:15:07 | 0:15:09 | |
but why isn't she here supporting you? | 0:15:09 | 0:15:11 | |
She knows how important quizzes are to you, right? | 0:15:11 | 0:15:14 | |
Next time she's on Mock The Week, mm-mm-mm! | 0:15:15 | 0:15:18 | |
You're looking very nipply, Kelly. | 0:15:18 | 0:15:21 | |
LAUGHTER | 0:15:21 | 0:15:22 | |
-You too, Phill, you too. Lovely. -Thank you. | 0:15:25 | 0:15:28 | |
Nothing wrong with nipples. Stop judging the nipples! | 0:15:28 | 0:15:31 | |
Go ahead, let's sing some songs. | 0:15:31 | 0:15:33 | |
# Ba-da, ba-da, ba-da, ba-baaaaaa! | 0:15:33 | 0:15:39 | |
-# Ba-da-bam -Be-be-be-be-be-be | 0:15:39 | 0:15:43 | |
-# Ba-da-bam -Be-be-be-be-be | 0:15:43 | 0:15:45 | |
-# Ba-da-bam -Be-be-be-be-be-be. # | 0:15:45 | 0:15:48 | |
-OK, you have to get it by now! -Kelly, I feel you're not giving enough. | 0:15:48 | 0:15:51 | |
If you do this well, you could launch yourself as a solo artist. | 0:15:51 | 0:15:54 | |
This British humour, I'm still getting used to. | 0:15:56 | 0:15:59 | |
And completing the American trilogy, Michael Ball wannabe, Josh Groban. | 0:15:59 | 0:16:05 | |
-# Bm-tsh, bm-tsh -Niaw-niaw-niaw-niaw, yeah! | 0:16:05 | 0:16:07 | |
# Niaw-niaw-niaw-niaw-niaw | 0:16:07 | 0:16:09 | |
# Niaw-niaw-niaw-niaw-niaw | 0:16:09 | 0:16:12 | |
# Niaw-niaw-niaw-niaw-niaw! | 0:16:12 | 0:16:15 | |
# Dugu-dugu-dugu-dugu-dugu! # | 0:16:15 | 0:16:18 | |
CHEERING AND APPLAUSE | 0:16:18 | 0:16:20 | |
First of all, I'd like to say what a brilliant rendition that was. | 0:16:25 | 0:16:28 | |
-That was absolutely fantastic. -Thank you. | 0:16:28 | 0:16:30 | |
It was so good I am little bit embarrassed now, | 0:16:30 | 0:16:32 | |
-I don't know what it was. -Do you want it again? -Don't we all? | 0:16:32 | 0:16:35 | |
-Let's have it again. -Would you like it done in a different way? | 0:16:35 | 0:16:37 | |
Please, reggae. | 0:16:37 | 0:16:39 | |
LAUGHTER | 0:16:39 | 0:16:41 | |
Reggae from Josh Groban and Omid. | 0:16:41 | 0:16:43 | |
# Du-du-du-ts-ts | 0:16:43 | 0:16:44 | |
# Du-du-du-ts-ts | 0:16:44 | 0:16:47 | |
# Du-du-du-du-du-du, man! | 0:16:47 | 0:16:49 | |
# Du-du-du-du-du-du... # | 0:16:49 | 0:16:50 | |
APPLAUSE AND LAUGHTER | 0:16:50 | 0:16:53 | |
# Du-du-du-du | 0:16:53 | 0:16:55 | |
# Du-nu-nu | 0:16:55 | 0:16:56 | |
# Du-nu-nu, du-nu-nu | 0:16:56 | 0:16:58 | |
# Du-nu-nu-nu-nu! | 0:16:58 | 0:17:00 | |
# Du-du-du Pasta joint! # | 0:17:00 | 0:17:02 | |
APPLAUSE AND LAUGHTER | 0:17:02 | 0:17:04 | |
Can we just carry on in different styles? | 0:17:11 | 0:17:13 | |
What other genres can you do, Josh? | 0:17:13 | 0:17:16 | |
-We could do a calypso-jazz scat version? MARTIN: -Please. | 0:17:16 | 0:17:19 | |
# Ba-pa-ts ba-pa-ts | 0:17:19 | 0:17:21 | |
# Ga-ga-ga-ga-goo-goo Ga-ga-ga-ga-goo-goo | 0:17:21 | 0:17:23 | |
# Squee-da-ba Dwee-da-ba-doo-doo | 0:17:23 | 0:17:26 | |
# Da-da-da-da-da-da | 0:17:26 | 0:17:29 | |
# Da-da-da-da-da-da | 0:17:29 | 0:17:31 | |
# Scoobady-scoobady-scooooooo! # | 0:17:31 | 0:17:34 | |
CHEERING AND APPLAUSE | 0:17:34 | 0:17:37 | |
I'm afraid I really don't know, and it was brilliant | 0:17:39 | 0:17:41 | |
-and I still don't know. -I'm going to have to tell you what it was. | 0:17:41 | 0:17:44 | |
It was The Libertines with Don't Look Back Into The Sun. | 0:17:44 | 0:17:46 | |
All I'm asking is that you look into camera five now | 0:17:46 | 0:17:49 | |
and say to sons thinking about buying their mothers Josh Groban albums, | 0:17:49 | 0:17:54 | |
say, "Don't do it, just talk to your mother | 0:17:54 | 0:17:56 | |
"and let her know that you're a good person too." | 0:17:56 | 0:17:59 | |
Sons and daughters of England... | 0:18:00 | 0:18:03 | |
..I urge you not to purchase my record. | 0:18:05 | 0:18:07 | |
Do something nice, make a card, buy a puppy for her. | 0:18:09 | 0:18:12 | |
LAUGHTER | 0:18:12 | 0:18:14 | |
Chocolates. There are really so many things that you can do | 0:18:14 | 0:18:17 | |
to make your mother happy than buy a Josh Groban CD. | 0:18:17 | 0:18:20 | |
So please, from Josh Groban, stay away. | 0:18:20 | 0:18:24 | |
APPLAUSE AND LAUGHTER | 0:18:24 | 0:18:26 | |
Only a handful of people can be considered Buzzcocks royalty. | 0:18:32 | 0:18:36 | |
The most recent addition to the family is Noel Fielding, | 0:18:36 | 0:18:39 | |
a team captain who possessed a meandering mind, | 0:18:39 | 0:18:42 | |
a winning smile and a truly unique fashion sense. | 0:18:42 | 0:18:46 | |
I'm just looking forward to showing off my cape. | 0:18:46 | 0:18:49 | |
I look like your mad auntie. | 0:18:49 | 0:18:51 | |
I look like I should be riding ET around in a basket. | 0:18:51 | 0:18:53 | |
Never in my life have I looked more like a paedophile. | 0:18:55 | 0:18:58 | |
LAUGHTER | 0:18:58 | 0:19:01 | |
Here are five fascinating facts about Noel. | 0:19:01 | 0:19:04 | |
One, he isn't afraid to seek answers to some of life's big questions. | 0:19:04 | 0:19:09 | |
A metal detector is made out of metal. That's always confused me. | 0:19:09 | 0:19:13 | |
-Good point. -They just detect themselves? | 0:19:13 | 0:19:15 | |
Yeah, they just beep, they're constantly beeping. | 0:19:15 | 0:19:18 | |
-MIMICS MACHINE BEEPING -"Me again. | 0:19:18 | 0:19:20 | |
"That was me, sorry! | 0:19:20 | 0:19:23 | |
"I can't help it, I'm mainly metal." | 0:19:23 | 0:19:26 | |
Two, Noel can give as good as he gets. | 0:19:28 | 0:19:32 | |
Is there anything you banned from the Boosh tour? Jokes or...? | 0:19:32 | 0:19:37 | |
LAUGHTER | 0:19:37 | 0:19:39 | |
Catchphrases. | 0:19:46 | 0:19:47 | |
LAUGHTER | 0:19:47 | 0:19:49 | |
Three, Noel's got a hidden talent up his sleeve. | 0:19:55 | 0:19:58 | |
We could actually do an act where you are my ventriloquist dummy. | 0:19:58 | 0:20:02 | |
Come on, sit here. | 0:20:02 | 0:20:04 | |
OK. | 0:20:05 | 0:20:07 | |
You've got to speak, you fucking idiot! | 0:20:12 | 0:20:14 | |
Oh, I thought you were a genuine ventriloquist. I see! | 0:20:14 | 0:20:18 | |
Where do you think my hand is? | 0:20:18 | 0:20:21 | |
What you're saying is, I just speak and you just sit there. | 0:20:21 | 0:20:24 | |
Well, that's the benefit of having a real person | 0:20:24 | 0:20:27 | |
instead of having a puppet. Right, after three... | 0:20:27 | 0:20:31 | |
I don't think it's number five. | 0:20:31 | 0:20:33 | |
She doesn't seem very interested in the proceedings | 0:20:33 | 0:20:36 | |
and she was just looking away into the distance. | 0:20:36 | 0:20:40 | |
Thinking about a former lover from many years ago. | 0:20:40 | 0:20:43 | |
Four, showbiz anecdotes, Noel's got a few. | 0:20:45 | 0:20:48 | |
This is a true story, I'm going to namedrop like an idiot now, | 0:20:48 | 0:20:51 | |
but Bono actually rang me up once, right? | 0:20:51 | 0:20:53 | |
I don't know how he got my number, and I stupidly, | 0:20:53 | 0:20:56 | |
obviously thought it was one of my mates mucking about. | 0:20:56 | 0:20:59 | |
So I was like, "Yeah, whatever." I went... And basically, it was him. | 0:20:59 | 0:21:03 | |
I went to him, "That's not even a good Irish accent, you dick!" | 0:21:03 | 0:21:07 | |
LAUGHTER | 0:21:07 | 0:21:09 | |
And five, Noel has a secret identity. | 0:21:10 | 0:21:14 | |
I'm Mouse-cat. | 0:21:14 | 0:21:16 | |
Mouse-cat, he chases himself! | 0:21:16 | 0:21:18 | |
LAUGHTER | 0:21:18 | 0:21:20 | |
Mouse-cat, he's awkward in social situations. | 0:21:20 | 0:21:24 | |
Mouse-cat, he's looking at stuff and saying it aloud. | 0:21:24 | 0:21:26 | |
Looking up there and he noticed he's stopped, | 0:21:26 | 0:21:29 | |
there goes a red bus just driving by and a load went off at the same time. | 0:21:29 | 0:21:32 | |
Here comes Mouse-cat, he's got his dungarees on, they're his favourite ones, | 0:21:32 | 0:21:35 | |
not his work ones, the ones he wears out for social occasions. | 0:21:35 | 0:21:39 | |
How come when men do the washing up, they always leave one | 0:21:39 | 0:21:42 | |
thing at the end? Just noticing stuff, Mouse-cat. | 0:21:42 | 0:21:46 | |
Noticing stuff from his own life, Mouse-cat. | 0:21:46 | 0:21:49 | |
-His life's like... -One! | 0:21:49 | 0:21:51 | |
LAUGHTER AND APPLAUSE | 0:21:53 | 0:21:55 | |
# One love, for the mother's pride | 0:22:01 | 0:22:03 | |
# One love... # | 0:22:03 | 0:22:05 | |
After sales of over 30 million records worldwide, | 0:22:05 | 0:22:08 | |
boyband Blue sadly split in 2005. | 0:22:08 | 0:22:12 | |
But by 2008, things were starting to look up. | 0:22:12 | 0:22:16 | |
Simon Webb finally succeeded in begging ITV bosses, | 0:22:16 | 0:22:19 | |
"I'm a celebrity, get me into I'm a Celebrity... Get Me Out of Here!" | 0:22:19 | 0:22:22 | |
-Ahhh, you -BLEEP! -Did it get you? | 0:22:22 | 0:22:26 | |
While Duncan James was adding reading | 0:22:26 | 0:22:28 | |
and looking to his already impressive skillset. | 0:22:28 | 0:22:31 | |
We have news of another lucky "Locko" winner. | 0:22:31 | 0:22:34 | |
# I fought my heart, girl... # | 0:22:34 | 0:22:35 | |
But it was Antony and Lee who really hit the big-time in '08 as both | 0:22:35 | 0:22:40 | |
made unforgettable appearances on Buzzcocks. | 0:22:40 | 0:22:43 | |
Let's start with the thinking man's Dane Bowers, | 0:22:43 | 0:22:46 | |
and Simon Amstell's personal favourite, Antony Costa. | 0:22:46 | 0:22:49 | |
-Antony, it is lovely to have you here. -Thanks, Si. | 0:22:49 | 0:22:52 | |
-I'm a big fan of Blue. -No, you're not. | 0:22:52 | 0:22:54 | |
I tried my best, I had a good go there. | 0:22:56 | 0:22:59 | |
I think tonight it'll be good to set the record straight | 0:22:59 | 0:23:02 | |
-on Antony's part in the band... -Yes. | 0:23:02 | 0:23:03 | |
It was generally assumed in the past that Lee and Simon were the talent | 0:23:03 | 0:23:08 | |
and Duncan was quite good-looking, and Antony had a PlayStation. | 0:23:08 | 0:23:12 | |
LAUGHTER | 0:23:12 | 0:23:15 | |
-You're my favourite. -No, I'm not. | 0:23:15 | 0:23:18 | |
It was always Lee, Si. | 0:23:18 | 0:23:20 | |
No, I don't think I liked any of you. | 0:23:20 | 0:23:23 | |
-LAUGHTER -Exactly! | 0:23:23 | 0:23:25 | |
No, no, no. | 0:23:25 | 0:23:27 | |
MUSIC: "Signed, Sealed, Delivered, I'm Yours" by Blue, ft Stevie Wonder | 0:23:27 | 0:23:30 | |
# Here I am, baby! # | 0:23:30 | 0:23:32 | |
It looks like he's thinking, "These extras are getting a bit close." | 0:23:34 | 0:23:37 | |
I can imagine Stevie was thinking, "I've always liked this song | 0:23:37 | 0:23:40 | |
"but there's always been something missing. | 0:23:40 | 0:23:42 | |
"A boyband pretending to be my friend, I think is what..." | 0:23:42 | 0:23:45 | |
LAUGHTER | 0:23:45 | 0:23:47 | |
So he liked the music of Blue, why wouldn't he? Of course he did. | 0:23:48 | 0:23:52 | |
-Like a sort of a guide band. -Yeah. | 0:23:52 | 0:23:54 | |
I'm sure he must get sick of people coming up to him | 0:23:58 | 0:24:00 | |
and saying, "Didn't you do that song with Blue?" | 0:24:00 | 0:24:02 | |
LAUGHTER | 0:24:02 | 0:24:03 | |
"Are you that bloke out of Blue?" | 0:24:05 | 0:24:07 | |
LAUGHTER | 0:24:07 | 0:24:09 | |
By the way, I have some news. | 0:24:13 | 0:24:15 | |
Antony Costa... | 0:24:15 | 0:24:17 | |
is doing a UK tour this year. | 0:24:17 | 0:24:19 | |
I've got the press release. | 0:24:19 | 0:24:22 | |
"An evening with Antony Costa will include | 0:24:22 | 0:24:25 | |
"songs from Blue, Blood Brothers and a medley of '60s Motown. | 0:24:25 | 0:24:29 | |
"The show will also include..." This is the exciting bit. | 0:24:29 | 0:24:33 | |
"..a question and answer session from the audience." | 0:24:33 | 0:24:36 | |
It's now time for Q and A, with Antony Costa. | 0:24:36 | 0:24:39 | |
Has anyone on the panel got any questions for Antony? | 0:24:51 | 0:24:54 | |
-I've got one, Simon. Antony, what's your favourite cheese? -Brie. | 0:24:54 | 0:25:00 | |
-Thank you, Antony. -OK, that's the end of Q and A with Antony Costa. | 0:25:00 | 0:25:04 | |
LAUGHTER | 0:25:04 | 0:25:06 | |
-You're so out of order. -What do you mean, out of order? -You are. | 0:25:08 | 0:25:12 | |
I just promoted your fucking tour! | 0:25:12 | 0:25:15 | |
Fair play, fair play. | 0:25:15 | 0:25:17 | |
# If it's wrong to do what's right | 0:25:17 | 0:25:20 | |
# I'm prepared to testify... # | 0:25:20 | 0:25:23 | |
Next up, Blue's answer to Martin Luther King. | 0:25:23 | 0:25:26 | |
The band's inspirational leader and spokesman, Mr Lee Ryan. | 0:25:26 | 0:25:30 | |
-It's all about the look, isn't it? -Yeah, right. -Teach me... | 0:25:32 | 0:25:34 | |
-Start with the point. -Right. | 0:25:34 | 0:25:37 | |
You've got to do it with the down look, and then point. | 0:25:37 | 0:25:40 | |
-You look down, then up, and then point? -Do it, do it. | 0:25:40 | 0:25:43 | |
LAUGHTER | 0:25:43 | 0:25:45 | |
-Lee, you're holding back on us. -I'm not. | 0:25:45 | 0:25:47 | |
Are you trying to tell me that you're not the man who gave us this? | 0:25:47 | 0:25:50 | |
HE MIMES TO BACKING TRACK # Oh-oh-oh-oh-oh! # | 0:25:50 | 0:25:57 | |
Do the point, do the point! | 0:25:57 | 0:25:59 | |
Oh, you missed the "YEAH!" | 0:25:59 | 0:26:01 | |
Am I right in thinking all the Blue boys have had babies? | 0:26:01 | 0:26:05 | |
-You're the last one to have a baby? -Mm-hm. | 0:26:05 | 0:26:07 | |
And they all left the mothers of their children, right? | 0:26:07 | 0:26:10 | |
LAUGHTER | 0:26:10 | 0:26:12 | |
You're staying with yours though, right? | 0:26:15 | 0:26:18 | |
Oi, oi, oi, watch it, I'll slap ya! | 0:26:18 | 0:26:20 | |
Don't, slap the others for leaving those mothers! | 0:26:20 | 0:26:24 | |
Lee, Blue haven't ruled out a reunion, have they? | 0:26:24 | 0:26:27 | |
Er, I'm under contract not to say anything. | 0:26:27 | 0:26:31 | |
You're not under contract to do anything. | 0:26:31 | 0:26:32 | |
LAUGHTER | 0:26:32 | 0:26:34 | |
Oh, I love you. | 0:26:37 | 0:26:39 | |
-We can't rule out a Blue reunion tonight? -Tonight? | 0:26:39 | 0:26:41 | |
No, I'm doing other stuff. I've got plenty of other things. | 0:26:41 | 0:26:43 | |
Course, would Duncan do it? | 0:26:43 | 0:26:45 | |
Or is he too busy oranging up his face for ITV? | 0:26:45 | 0:26:48 | |
What a vain, preening little shit he is, no? | 0:26:48 | 0:26:51 | |
You know Lee is now an actor, of course. | 0:26:53 | 0:26:56 | |
LAUGHTER | 0:26:56 | 0:26:59 | |
-The latest film is called The Heavy. -The Heavy, yeah. | 0:26:59 | 0:27:01 | |
-When's it coming out? -It's coming out in the first quarter of the year. | 0:27:01 | 0:27:05 | |
You're being quite vague about the date, but it will definitely come out? | 0:27:05 | 0:27:08 | |
LAUGHTER Yeah, yeah. | 0:27:08 | 0:27:10 | |
It's going to come out. Eventually. | 0:27:10 | 0:27:12 | |
And in an actual... | 0:27:12 | 0:27:14 | |
-In a cinema? -Yeah, in a cinema. | 0:27:14 | 0:27:16 | |
Let's just be clear to people, we don't want people to be disappointed if they go to the cinema. | 0:27:16 | 0:27:20 | |
Is it just going to be on DVD? | 0:27:20 | 0:27:22 | |
LAUGHTER | 0:27:22 | 0:27:24 | |
-DVD's fine. -Even if it's just on the TV, it's still a film. | 0:27:27 | 0:27:31 | |
Or even if, worst case scenario, | 0:27:31 | 0:27:33 | |
you go around to the director's house and you all watch it together with popcorn. It's still... | 0:27:33 | 0:27:37 | |
You've still made a film and you've still had the camera on you! | 0:27:37 | 0:27:41 | |
It's a wonderful achievement, and now Lee has made a film | 0:27:41 | 0:27:44 | |
specifically for the internet, and we're very pleased. | 0:27:44 | 0:27:47 | |
We're very pleased. It's definitely a film and it's not... | 0:27:48 | 0:27:51 | |
It's not a text message, is it? | 0:27:51 | 0:27:53 | |
So that's that. 2008 on a Buzzcocks plate, | 0:28:01 | 0:28:06 | |
and there's just time to wrap things up with a quick game of What Is My Name? | 0:28:06 | 0:28:10 | |
They call her Kate Nash, | 0:28:10 | 0:28:12 | |
that's Germaine Greer, | 0:28:12 | 0:28:14 | |
Hollywood's Dominic Cooper and TV's Matthew Wright. | 0:28:14 | 0:28:17 | |
They call him Grimmy, The Klaxons' Jamie Reynolds, | 0:28:17 | 0:28:21 | |
comedian David O'Doherty and Skins star Mitch Hewer. | 0:28:21 | 0:28:24 | |
They call him funny man, Tony Law, Feeder's Grant Nicholas, | 0:28:24 | 0:28:27 | |
Mette Lindberg from The Asteroids Galaxy Tour, and that was Mouse-cat. | 0:28:27 | 0:28:32 | |
They call me Alex James. That was 2008, What A Load Of Buzzcocks. | 0:28:32 | 0:28:37 | |
# Yo-o-ou | 0:28:37 | 0:28:40 | |
# Your sex is on fire | 0:28:42 | 0:28:46 | |
# Consumed | 0:28:50 | 0:28:52 | |
# With what's to transpire... # | 0:28:54 | 0:28:58 | |
Subtitles by Red Bee Media Ltd | 0:28:59 | 0:29:03 |