Browse content similar to Home Is the Hero. Check below for episodes and series from the same categories and more!
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# Oh, what happened to you, Whatever happened to me? | 0:00:02 | 0:00:05 | |
# What became of the people | 0:00:08 | 0:00:11 | |
# We used to be? | 0:00:11 | 0:00:15 | |
# Tomorrow's almost over, | 0:00:15 | 0:00:18 | |
# Today went by so fast, | 0:00:18 | 0:00:21 | |
# Is the only thing to look forward to... | 0:00:22 | 0:00:26 | |
# ..the past? # | 0:00:26 | 0:00:29 | |
-Thelma, please. -Ssh! | 0:00:42 | 0:00:45 | |
(Thelma...) | 0:00:45 | 0:00:46 | |
-(I want to talk to you!) -(Not here.) | 0:00:46 | 0:00:49 | |
-Why are you being so unreasonable? -I'm not being unreasonable. -Why are you in such a state? -I'm not! | 0:00:49 | 0:00:57 | |
You are. You've put Human Sexual Response under hobbies. | 0:00:57 | 0:01:03 | |
Don't you recognise the symptoms? It's shock, delayed shock at knowing Terry Collier is back in this town. | 0:01:05 | 0:01:13 | |
-Am I to blame for him coming back? -It seems funny that he comes out of the army just before we get married. | 0:01:13 | 0:01:21 | |
My fault. I asked the War Office to grant him a compassionate discharge to come and drag me from the altar. | 0:01:21 | 0:01:29 | |
That's what he'd like to do! | 0:01:29 | 0:01:31 | |
He's a different person. Five years is a long time. | 0:01:31 | 0:01:36 | |
Why did you two break your journey last night? | 0:01:36 | 0:01:39 | |
Halfway home, why get off the train? Because he was putting the doubts in! An intermission for second thoughts. | 0:01:39 | 0:01:47 | |
-ht -That's not the case.st You're being absurd.i | 0:01:47 | 0:01:51 | |
Why else get off at Doncaster at midnight? | 0:01:51 | 0:01:54 | |
We were seduced by distant sounds of merriment. "Ho, porter," we said, "what goes on?" | 0:01:54 | 0:02:01 | |
"Man, it's Mardi Gras. It's carnival time!" | 0:02:01 | 0:02:05 | |
Virgins with flowers in their hair. People swaying to jungle rhythms. | 0:02:05 | 0:02:11 | |
Couples copulating all along the Doncaster bypass! | 0:02:11 | 0:02:15 | |
To be in Doncaster at Mardi Gras is to have lived! | 0:02:15 | 0:02:20 | |
He's back. Terry Collier's back! | 0:02:23 | 0:02:26 | |
< Ssh! | 0:02:26 | 0:02:27 | |
Ow! | 0:02:49 | 0:02:50 | |
Aaagh! | 0:02:58 | 0:02:59 | |
What's up? | 0:03:00 | 0:03:02 | |
-Oh, God, God, God! -What have you done? | 0:03:02 | 0:03:06 | |
Just put my foot on the boiling bloody kettle! | 0:03:06 | 0:03:10 | |
What for? | 0:03:10 | 0:03:11 | |
-..What do you mean, what for?! -Why put your foot on a boiling kettle? What a daft thing to do. | 0:03:11 | 0:03:18 | |
Do you think I did it on purpose? Do you think I deliberately sustained first degree burns? | 0:03:18 | 0:03:25 | |
You gave me a shock. I thought you'd had an accident. | 0:03:25 | 0:03:30 | |
I HAVE had an accident! | 0:03:31 | 0:03:34 | |
-So, what do you want? -Milk, no sugar. -Round here, I meant. | 0:03:34 | 0:03:39 | |
I've come to bid you welcome on this your first day of freedom. | 0:03:39 | 0:03:44 | |
Oh, cheer up, man. Today's supposed to be a day of joy and celebration for your family and friends. | 0:03:44 | 0:03:52 | |
-And shareholders of the Newcastle breweries. -Joy and celebration(?) | 0:03:52 | 0:03:57 | |
My mam and dad aren't even home. Five years I've been gone. | 0:03:57 | 0:04:03 | |
Five years of toil, solitude and self-sacrifice. And what happens? | 0:04:03 | 0:04:08 | |
I get back to a cold house and a packet of frozen cod balls in the fridge. | 0:04:08 | 0:04:15 | |
-Not even a note? -They know I'm allergic to fish. -Not fish and chips, you're not. -That's different. | 0:04:15 | 0:04:22 | |
Ring Audrey. She'll know where they are. | 0:04:22 | 0:04:26 | |
The bed's not aired, this milk's probably sour, no paper, wireless needs a new battery... | 0:04:26 | 0:04:33 | |
I've a good mind to sign on again. | 0:04:33 | 0:04:35 | |
-It's not like your folks to be away. -I didn't sleep a wink. | 0:04:35 | 0:04:40 | |
I sat by the window and watched the dawn come up. | 0:04:40 | 0:04:44 | |
You know, Bob, | 0:04:46 | 0:04:48 | |
watching the dawn come up, watching the sun rise above the terraced houses and the brewery, | 0:04:48 | 0:04:55 | |
over the glue works and the tower of the lead factory... | 0:04:55 | 0:05:00 | |
Well, it must be one of the most ugly sights in this world. | 0:05:00 | 0:05:06 | |
You were lucky to see that much! | 0:05:06 | 0:05:08 | |
It made me wonder why I came back. | 0:05:08 | 0:05:11 | |
I started feeling homesick for the army! I started thinking, you know, about all the places and the lads. | 0:05:11 | 0:05:19 | |
I'd been with them a long time. | 0:05:19 | 0:05:21 | |
We've been through a lot together. | 0:05:21 | 0:05:24 | |
Hughie McLaren... We joined up together. Next beds for five years. | 0:05:24 | 0:05:29 | |
Wasn't there talk?! | 0:05:29 | 0:05:32 | |
You wouldn't understand friendship forged in combat. | 0:05:32 | 0:05:36 | |
Combat?! | 0:05:36 | 0:05:38 | |
Taffy Lewis... Was with him in Germany on the night he brained a lieutenant with a hock bottle. | 0:05:38 | 0:05:45 | |
Combat(!) | 0:05:45 | 0:05:46 | |
Two years in the glasshouse they gave him. | 0:05:46 | 0:05:50 | |
He met up with Clarky there. And Chippy was sent up soon after. | 0:05:50 | 0:05:55 | |
-A nice set(!) -What's THAT supposed to mean? | 0:05:55 | 0:05:59 | |
Sounds more like prison than the forces. | 0:05:59 | 0:06:03 | |
-Good lads, them. -Known as the dirty dozen(!) | 0:06:03 | 0:06:07 | |
I'd trust Taffy Lewis with my life. | 0:06:07 | 0:06:11 | |
Not my wallet, but certainly my life. | 0:06:14 | 0:06:17 | |
Well, all that's behind you now. It's time to make plans, forge ahead and build a future. | 0:06:17 | 0:06:24 | |
Some of us have done that while some of us were serving Queen and country keeping these shores safe, | 0:06:24 | 0:06:31 | |
so that some of us COULD forge ahead and build a future. | 0:06:31 | 0:06:36 | |
Pardon? | 0:06:36 | 0:06:38 | |
Well, YOU'VE done all right. Got a mortgage and a car. Got premium bonds? I bet Thelma's got some, | 0:06:38 | 0:06:46 | |
-stuffed away for a rainy day. -You've never liked Thelma. -She doesn't like ME. | 0:06:46 | 0:06:52 | |
You've always resented her... God, I can see my life turning into a tennis match, | 0:06:52 | 0:06:59 | |
with you and Thelma serving for advantages over each other. | 0:06:59 | 0:07:04 | |
I'll be the ball, bashed from one to the other. | 0:07:04 | 0:07:08 | |
I might as well plan for divorce now. No point in wasting time. | 0:07:08 | 0:07:13 | |
-Mental cruelty, you'd come under. -It certainly won't be adultery. | 0:07:13 | 0:07:19 | |
She can have the house, it's only fair. I'm off to do some decorating. | 0:07:23 | 0:07:28 | |
Why? If she's getting the house, she can hang her own wallpaper. | 0:07:28 | 0:07:34 | |
You'd be what's referred to as a "just cause and impediment". | 0:07:34 | 0:07:39 | |
I'm an ex-soldier trying to get back into society - | 0:07:39 | 0:07:43 | |
a society that obviously doesn't want me! | 0:07:43 | 0:07:47 | |
Oh! | 0:07:47 | 0:07:48 | |
-Now what's the matter? -My foot, my foot. -Hey... | 0:07:48 | 0:07:53 | |
Why don't you go up to your Audrey's, man, | 0:07:53 | 0:07:57 | |
and when she says, "Where have YOU come from?", you can say, | 0:07:57 | 0:08:02 | |
"Hotfoot from our house!" | 0:08:02 | 0:08:04 | |
-Hello, Terry! -Hello, Stan! | 0:08:07 | 0:08:10 | |
-Haven't seen YOU for a long time. On leave, are you? -Finished. Got back last night. -Get away. | 0:08:10 | 0:08:17 | |
-You're looking fit. -I'm full of cold. -You'll feel it here. That wind goes through you. | 0:08:17 | 0:08:24 | |
-You were in t'tropics, weren't you? -More or less. -Off to see your Audrey? -Aye. Cup o' tea. | 0:08:24 | 0:08:31 | |
-You'll be having a few bevvies this week. -No doubt. -It'll be grand. | 0:08:31 | 0:08:36 | |
The welcome mat. Home is the hero! The big hello. | 0:08:36 | 0:08:41 | |
-Good God, it's you! -Is that all you can say? | 0:08:43 | 0:08:47 | |
-After five years? -Wipe your feet. | 0:08:47 | 0:08:50 | |
-Home is the hero(!) Where's my mam and dad? -At Uncle Norman's funeral. | 0:08:53 | 0:08:59 | |
-Who? -Uncle Norman. -Eh? | 0:08:59 | 0:09:02 | |
-In Carlisle. -..Oh, aye. How is he? | 0:09:02 | 0:09:05 | |
How d'you expect him to be at his own funeral?! | 0:09:05 | 0:09:09 | |
Sorry... Well, he had a good innings. How old was he? Eighty? | 0:09:09 | 0:09:14 | |
Ninety-four. | 0:09:14 | 0:09:16 | |
-When will they be back? -They'll be at your auntie's for a day or two. | 0:09:16 | 0:09:21 | |
-She's 90, you know. -Hardly worth them coming home, is it? -What a thing to say! | 0:09:21 | 0:09:28 | |
Sorry. I'm not in the best frame of mind. I didn't get back till six. | 0:09:28 | 0:09:33 | |
The house is like ice, no hot-water bottle, and I'm full of cold. | 0:09:33 | 0:09:38 | |
-Don't give it to the baby. -What baby? -We had another one six months ago. -What make? -A girl. Emma Fleur. | 0:09:38 | 0:09:46 | |
-Fleur?! -Mm. | 0:09:46 | 0:09:48 | |
F-L-E-U-R. Like in The Forsyte Saga. It means flower in French. I wrote and told you. | 0:09:48 | 0:09:55 | |
-The mail didn't always get to the places I've been. -You were in Devizes! | 0:09:57 | 0:10:03 | |
Officially. | 0:10:04 | 0:10:06 | |
Could I stay here till the folks get back? I feel awful. The damp's playing THIS up. | 0:10:07 | 0:10:14 | |
-What? Your leg? -I never talk about it. -Can't you stay at Bob's? -SHE wouldn't let me. | 0:10:14 | 0:10:21 | |
-His mother? -No, Thelma, the fiancee. Wouldn't hear of it. | 0:10:21 | 0:10:25 | |
It's awful at home. It's empty. No food. And the TV never gets a decent picture. | 0:10:25 | 0:10:32 | |
You can't stop here, not with that cold. We could all go down with it. | 0:10:32 | 0:10:39 | |
-Wayne's very chesty. -Who's Wayne? | 0:10:39 | 0:10:42 | |
-Terry, he's your godson. -Oh, THAT Wayne. I thought you'd got married again. | 0:10:42 | 0:10:49 | |
-You owe him for four birthdays, four Christmasses and a christening. I'll take premium bonds. -What a welcome(!) | 0:10:49 | 0:10:58 | |
Do you want a cup of tea? There are some cream crackers on the table. | 0:10:58 | 0:11:02 | |
I didn't expect a champagne buffet with the mayor and a march past. | 0:11:02 | 0:11:08 | |
But, after five years serving your country, you expect more than a cream cracker! | 0:11:08 | 0:11:15 | |
-Sugar? -"Wipe your feet." "Don't sneeze." -Don't sit there. They're just ironed. | 0:11:15 | 0:11:21 | |
Oh, God. | 0:11:21 | 0:11:24 | |
Terry...? Terry? | 0:11:30 | 0:11:32 | |
..Is that you? | 0:11:32 | 0:11:35 | |
Just tying a shoelace. | 0:11:35 | 0:11:37 | |
What shoelace? | 0:11:37 | 0:11:39 | |
No, the tongue got tangled with the toe and heel. | 0:11:42 | 0:11:47 | |
-How are you? -Come to see the house? -No, no, I was just passing. | 0:11:47 | 0:11:51 | |
I didn't know it was your house. | 0:11:51 | 0:11:54 | |
Is this your house? | 0:11:56 | 0:11:58 | |
-Coincidence, eh? -Aye. | 0:12:00 | 0:12:03 | |
There she is. | 0:12:03 | 0:12:05 | |
-'Ey, it's a canny little house. -We haven't got a name for it yet. -You'll need one... | 0:12:07 | 0:12:14 | |
or you'll never find it again! | 0:12:14 | 0:12:16 | |
They're all the same, aren't they? | 0:12:16 | 0:12:19 | |
-Rows of them. -No, they're not. They're quite different. | 0:12:19 | 0:12:24 | |
Our living room's 16 by 12. They're 15 by 13 down there. | 0:12:24 | 0:12:29 | |
He must be blind. | 0:12:30 | 0:12:32 | |
Underfloor heating. We've gone all-electric, with plenty of points. They're well made, aren't they? | 0:12:35 | 0:12:42 | |
-Is this wall plumb? -What? Of course it is! | 0:12:47 | 0:12:51 | |
-What makes you think it isn't? -I've got an instinct for these things. | 0:12:51 | 0:12:56 | |
-There's a nasty crack in that plaster. -Where? That's settlement. | 0:12:56 | 0:13:01 | |
Bound to be a few teething troubles. Like having a new car. | 0:13:01 | 0:13:06 | |
-Having trouble with that an' all? -No! | 0:13:06 | 0:13:09 | |
Apart from the starter motor. | 0:13:09 | 0:13:11 | |
-Fifteen. I only make it fifteen. -What?! | 0:13:11 | 0:13:15 | |
-Fifteen, definitely. -It depends on your shoe size. You've got large feet. | 0:13:15 | 0:13:21 | |
What the hell is that? The guillotine? | 0:13:25 | 0:13:29 | |
I admit that is something that needs fixing. | 0:13:30 | 0:13:34 | |
-I've broken my finger. -Not if you can wiggle... | 0:13:34 | 0:13:38 | |
-Get off! -Have you noticed the windows? | 0:13:38 | 0:13:42 | |
-Bags of light. It's a feature of these houses. -It means you're overlooked, being so cramped. | 0:13:42 | 0:13:50 | |
-There's no privacy. -Compared to where we grew up, | 0:13:50 | 0:13:54 | |
this is Woburn Abbey! | 0:13:54 | 0:13:56 | |
When we kids sneezed, next door said "Bless you!" | 0:13:56 | 0:14:01 | |
But them houses had some character. These estates are depressing. | 0:14:01 | 0:14:06 | |
The thought of you all getting up at the same time, eating the same low calorie cereal, | 0:14:06 | 0:14:13 | |
coming home at half-six, and having it off the same two nights a week. | 0:14:13 | 0:14:18 | |
We haven't had a chance to personalise it yet. Once everybody chooses their curtains and that... | 0:14:20 | 0:14:28 | |
Got flair, has Thelma. We're having mauve and seaweed green. | 0:14:28 | 0:14:33 | |
At least THAT'S unusual. | 0:14:33 | 0:14:36 | |
-We wanted yellow, but next door's having that. -Exactly! You've said it all. It just seems sad to me | 0:14:36 | 0:14:43 | |
that the only way to tell the difference between you all is by the colour of your curtains. | 0:14:43 | 0:14:51 | |
So? | 0:14:51 | 0:14:52 | |
What's wrong with a little modest progress? | 0:14:52 | 0:14:56 | |
I've worked hard for five years and this is what I have to show for it. | 0:14:56 | 0:15:02 | |
It might not be much, but it means a lot to me. | 0:15:02 | 0:15:06 | |
As for YOUR lifestyle - | 0:15:06 | 0:15:08 | |
you're homeless, jobless, car-less and single. | 0:15:08 | 0:15:12 | |
What does that amount to? A bachelor pedestrian. | 0:15:12 | 0:15:16 | |
I'm sorry, kid. | 0:15:18 | 0:15:21 | |
That wasn't a nice thing to say. | 0:15:21 | 0:15:24 | |
It's stupid, anyway. Why should all this appeal to you, eh? | 0:15:24 | 0:15:29 | |
Being lumbered with a house and a wife isn't your scene. | 0:15:29 | 0:15:33 | |
Can you see YOU married? | 0:15:33 | 0:15:36 | |
-With all those birds out there? -I -was always the one falling in love, not you. | 0:15:36 | 0:15:43 | |
You're a born bachelor, aren't you? | 0:15:43 | 0:15:46 | |
You're right. | 0:15:46 | 0:15:48 | |
-Naturally independent. -True. -There you are. | 0:15:48 | 0:15:52 | |
-Only one problem. -What? | 0:15:52 | 0:15:55 | |
I'm married. | 0:15:56 | 0:15:58 | |
Pardon? | 0:16:03 | 0:16:04 | |
I'm married! | 0:16:04 | 0:16:06 | |
I am a married man. | 0:16:06 | 0:16:09 | |
Well, say something! | 0:16:11 | 0:16:14 | |
Haven't you got anything to say? | 0:16:14 | 0:16:16 | |
..Got a bottle opener? | 0:16:20 | 0:16:22 | |
What for? | 0:16:24 | 0:16:26 | |
..I need a drink. | 0:16:26 | 0:16:29 | |
Right. Now, start at the beginning. I want it all. | 0:16:40 | 0:16:44 | |
This is the story of my marriage, not the serial on Woman's Hour. | 0:16:44 | 0:16:50 | |
It's the story of the century, mate. It's so unreal. It's like me getting a life peerage. | 0:16:50 | 0:16:57 | |
Or Hartlepool winning promotion. | 0:16:57 | 0:17:01 | |
Why don't you invite all your mates round, eh? | 0:17:01 | 0:17:05 | |
I'll give an illustrated talk, | 0:17:05 | 0:17:07 | |
and you can pee yourselves at my misfortune. | 0:17:07 | 0:17:12 | |
Misfortune? | 0:17:14 | 0:17:15 | |
-The wounds are deep. The scars have not yet healed. -I didn't realise. -I've just learnt to live with it. | 0:17:15 | 0:17:24 | |
Forget it. Don't talk about it. | 0:17:24 | 0:17:26 | |
If it hurts, you don't have to tell it all, | 0:17:26 | 0:17:30 | |
just the recorded highlights. | 0:17:30 | 0:17:32 | |
..You can't wait, can you? | 0:17:32 | 0:17:36 | |
I'm sorry. | 0:17:36 | 0:17:38 | |
During the course of my military career, | 0:17:40 | 0:17:44 | |
two things have left an imprint on me for life. | 0:17:44 | 0:17:48 | |
-The leg? -Apart from that. | 0:17:48 | 0:17:50 | |
That I can live with. No... | 0:17:50 | 0:17:53 | |
The first was when I got mortal in Hamburg and got my buttock tattoed. | 0:17:53 | 0:17:58 | |
The second... | 0:18:02 | 0:18:04 | |
was a rainy afternoon in November '69 | 0:18:04 | 0:18:08 | |
when Uta Paungarten, spinster of the parish of Gladbachenei, | 0:18:08 | 0:18:13 | |
got married. | 0:18:13 | 0:18:15 | |
Incredible. | 0:18:17 | 0:18:19 | |
-Was she...? -Funnily enough, no. | 0:18:21 | 0:18:24 | |
..Rich dad? | 0:18:24 | 0:18:27 | |
Not especially. A few pfennigs put aside. Not much. | 0:18:27 | 0:18:31 | |
Love?! | 0:18:35 | 0:18:36 | |
Always your last alternative(!) She's not in the club, not loaded, so it's love. | 0:18:36 | 0:18:43 | |
Sorry, mate. I'm just going on what I know of you. Your priorities were always firmly worked out - | 0:18:44 | 0:18:52 | |
do you or don't you, darling? | 0:18:52 | 0:18:54 | |
If she did, you weren't fussy. You'd have had a frog if it had stopped hopping. | 0:18:54 | 0:19:01 | |
I'm not denying I put it about a bit. | 0:19:05 | 0:19:09 | |
But I am capable of deeper emotions than 'wham, bam, thank you, ma'am'. | 0:19:09 | 0:19:14 | |
I'm not the person you used to know. I know now there's more to life than the physical. | 0:19:14 | 0:19:22 | |
There's more to people than looks. I've changed. | 0:19:22 | 0:19:26 | |
So...sex didn't come into it? | 0:19:26 | 0:19:30 | |
Of course it did! I haven't changed all that much. | 0:19:30 | 0:19:34 | |
We had no idea. It wasn't in the local rag. Your parents never said. | 0:19:36 | 0:19:41 | |
They were against it. You know how my dad is about Germans. He won't even sit in our Audrey's Volkswagen. | 0:19:41 | 0:19:49 | |
-What went wrong? -What went right(?) | 0:19:51 | 0:19:54 | |
I suppose it came down to communication. No point of contact. | 0:19:54 | 0:19:59 | |
You can't spend all your time in bed. | 0:19:59 | 0:20:02 | |
-You had nothing else in common? -Difficult to say. | 0:20:02 | 0:20:07 | |
She didn't speak English. | 0:20:07 | 0:20:10 | |
And I certainly wasn't going to learn German! | 0:20:10 | 0:20:14 | |
Perhaps a child would have helped. | 0:20:16 | 0:20:19 | |
Or an interpreter. | 0:20:21 | 0:20:23 | |
Poor Terry. I never thought I'd hear me saying that. | 0:20:25 | 0:20:29 | |
-I -never thought I'd hear you saying that. | 0:20:29 | 0:20:33 | |
-I AM human. I do have some compassion. -Even for Terry? -For anyone who's suffered. | 0:20:33 | 0:20:39 | |
Is there no chance...? | 0:20:39 | 0:20:42 | |
No, it's irrevoc... Irrev... Definite. | 0:20:42 | 0:20:46 | |
It's a risk marrying a foreigner. They're so physical, the Germans. | 0:20:47 | 0:20:52 | |
Yes, he said their relationship was physical. | 0:20:52 | 0:20:56 | |
-Oh, you've been into all that? -We touched on it. He opened his heart. | 0:20:56 | 0:21:01 | |
-Is he still very upset? -He's only just learnt to live with the pain. -Poor Terry. | 0:21:01 | 0:21:08 | |
-And he's had no comfort coming home. -Poor, poor boy. | 0:21:08 | 0:21:11 | |
I think he should stay with me. | 0:21:11 | 0:21:14 | |
Certainly not! | 0:21:14 | 0:21:16 | |
He needs a shoulder to lean on, a helping hand. | 0:21:16 | 0:21:20 | |
Not YOUR shoulder. | 0:21:20 | 0:21:23 | |
The two of you discussing physical things and the old days when you were both free. | 0:21:23 | 0:21:29 | |
-Where's all the compassion gone? -It hasn't. | 0:21:29 | 0:21:33 | |
I just don't think you and he should be going into the perils of marriage. | 0:21:33 | 0:21:38 | |
It's much better if he stays at my place. | 0:21:38 | 0:21:41 | |
-No! -It's perfect. In these situations, a man needs a woman's sympathy. -Your parents are away. | 0:21:41 | 0:21:49 | |
-Well, there'll be plenty of room. -You've never let ME stay, never! I'm always making dawn departures. | 0:21:49 | 0:21:56 | |
I'm always losing sleep and risking the Breathalyser. | 0:22:00 | 0:22:04 | |
YOU can't stay because of our situation, because of the neighbours. | 0:22:04 | 0:22:09 | |
Terry would be a guest, not a lover. | 0:22:09 | 0:22:12 | |
-Give him half a chance... -I won't give him half a chance! -I'm not saying you will. | 0:22:12 | 0:22:19 | |
But, on a Friday night after he's had a skinful, he can't take no for an answer. | 0:22:19 | 0:22:26 | |
He gets the red mist. | 0:22:26 | 0:22:29 | |
-I can handle Terry. -That's what he'll be hoping. | 0:22:29 | 0:22:33 | |
You and I being engaged won't stop him chancing his arm | 0:22:33 | 0:22:38 | |
or laying siege at your bedroom door. | 0:22:38 | 0:22:42 | |
I am making an effort to get to know Terry. That WAS what you wanted. | 0:22:42 | 0:22:46 | |
This morning you said I was unreasonable. Well, now I'm trying to be a friend to YOUR friend. | 0:22:46 | 0:22:54 | |
I want you to be a friend to my friend. I don't want my friend getting too friendly. | 0:22:54 | 0:23:00 | |
I'm glad we can all be friends. I'm very touched by Thelma's offer. | 0:23:00 | 0:23:05 | |
And surprised. | 0:23:05 | 0:23:08 | |
Well, one sniff of personal tragedy and women want to mother you. | 0:23:08 | 0:23:13 | |
Being mothered by Thelma could open a new chapter in our relationship. | 0:23:13 | 0:23:19 | |
That's why I put my foot down. | 0:23:19 | 0:23:22 | |
-You what?! Don't you want me to be a friend of Thelma's? -Of course I do. | 0:23:22 | 0:23:28 | |
Oh, I can't have you staying there, man. | 0:23:28 | 0:23:32 | |
You don't trust me, do you? | 0:23:32 | 0:23:34 | |
-I am your best mate, and you don't trust me! -I do! | 0:23:34 | 0:23:39 | |
You think, in the middle of the night, I'll be... | 0:23:39 | 0:23:43 | |
-Laying siege. -At her bedroom door. | 0:23:43 | 0:23:46 | |
No... Good God, if I can't trust my best friend, who CAN I trust? | 0:23:46 | 0:23:51 | |
It's the neighbours, man. What would they think? | 0:23:51 | 0:23:55 | |
It's OK if it's me. I always stay when her mother's away. | 0:23:55 | 0:24:00 | |
But not a stranger. They're very small-minded, you know. | 0:24:00 | 0:24:05 | |
Aye. Still, it's a pity. Nice little house, Thelma's. | 0:24:05 | 0:24:09 | |
I'll just have to make do with my own cold, empty, freezing house. | 0:24:09 | 0:24:15 | |
No food. No hot-water bottle. Best not to stay with relatives cos if I get another dose of malaria... | 0:24:15 | 0:24:23 | |
Still, I can see why you don't want me to stay in the comfort of Thelma's home. | 0:24:25 | 0:24:32 | |
And why you didn't tell me until AFTER I'd helped with the shelves. | 0:24:32 | 0:24:38 | |
Where are you going? | 0:24:38 | 0:24:40 | |
Oh, I'll wander down to the bus terminal cafe, get a cup of Oxo. | 0:24:40 | 0:24:45 | |
If I stand next to the tea urn, I might get a bit of warmth. | 0:24:45 | 0:24:50 | |
I've got it! You can stay HERE. | 0:24:50 | 0:24:53 | |
Here?! | 0:24:53 | 0:24:55 | |
It's the obvious place. It's centrally heated, | 0:24:55 | 0:24:58 | |
-there's tea in the kitchen, there's a wireless AND there's a bed. -Where? | 0:24:58 | 0:25:03 | |
-Give me a hand with this. -Eh? | 0:25:03 | 0:25:06 | |
Get the other end. | 0:25:06 | 0:25:09 | |
I often stay here, trying to get this place together. | 0:25:10 | 0:25:15 | |
I often come round here at night-time, you know... | 0:25:17 | 0:25:22 | |
Do a bit of decorating... Thelma comes sometimes and gives me a hand. | 0:25:22 | 0:25:27 | |
I see(!) | 0:25:27 | 0:25:29 | |
A bit of pre-marital decorating, is it? | 0:25:29 | 0:25:33 | |
Well, I can't at her place. | 0:25:33 | 0:25:35 | |
I mean... | 0:25:35 | 0:25:37 | |
I know, I know. The neighbours. | 0:25:37 | 0:25:40 | |
-Well, it seems very comfy, I will say THAT. -It'll be our spare bed. | 0:25:40 | 0:25:46 | |
Stay. I can't let you go limping off. You look knackered. | 0:25:46 | 0:25:50 | |
I am. I am. | 0:25:50 | 0:25:52 | |
Bob, you're on. | 0:25:52 | 0:25:55 | |
-Good lad. I'll get some blankets. -Champion. | 0:25:55 | 0:25:58 | |
I'll come round in the morning and bring you some eggs and a paper. | 0:26:02 | 0:26:07 | |
-That's good of you, mate. -Least I could do. | 0:26:07 | 0:26:11 | |
-Hey, Bob. -Yeah? | 0:26:11 | 0:26:13 | |
You didn't trust me, did you? | 0:26:13 | 0:26:16 | |
..No, I bloody didn't. | 0:26:16 | 0:26:19 | |
Bob? | 0:26:32 | 0:26:33 | |
Oh, darling, | 0:26:33 | 0:26:35 | |
you've finished the shelves. They're lovely! You must have worked so hard. | 0:26:35 | 0:26:41 | |
And I just bitch on and be unreasonable. | 0:26:41 | 0:26:44 | |
Sorry. | 0:26:44 | 0:26:46 | |
I'll stay if you like. Do you want me to? You do, don't you? | 0:26:46 | 0:26:51 | |
Don't you want me to stay? | 0:26:51 | 0:26:54 | |
You don't, do you? Well, DO you or DON'T you? | 0:26:54 | 0:26:58 | |
It's all right. I'll stay. | 0:26:58 | 0:27:01 | |
D'you know, pet, I'm not sure about that seaweed green now. | 0:27:05 | 0:27:10 | |
Don't wake up. | 0:27:17 | 0:27:19 | |
God bless. | 0:27:19 | 0:27:21 | |
Darling? | 0:27:47 | 0:27:49 | |
Are you awake? | 0:27:49 | 0:27:51 | |
This little piggy went to market... | 0:28:01 | 0:28:04 | |
This little piggy stayed at home... | 0:28:08 | 0:28:11 | |
Bo-ob? | 0:28:19 | 0:28:22 | |
Bo-ob? | 0:28:24 | 0:28:26 | |
Yes? | 0:28:26 | 0:28:27 | |
-Bob? -What are YOU doing here? | 0:28:29 | 0:28:32 | |
-What are you doing THERE? -Hullo, Thelma... | 0:28:32 | 0:28:36 | |
Oh...! | 0:28:36 | 0:28:38 | |
Oh, it's a conspiracy! | 0:28:38 | 0:28:40 | |
I'm going to have a nervous breakdown! | 0:28:40 | 0:28:44 | |
-You'd stop at nothing, you! -What have I done? | 0:28:44 | 0:28:48 | |
I didn't know anything until three little piggies galloped up my spine! | 0:28:48 | 0:28:53 | |
You devious b...! | 0:28:55 | 0:28:57 | |
I told you to watch that hatch. | 0:28:57 | 0:28:59 | |
Subtitles by Sharman Watt, Intelfax, for BBC Subtitling/1995 | 0:29:29 | 0:29:33 |