Browse content similar to I'll Never Forget Whatshername. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
# Oh, what happened to you? | 0:00:01 | 0:00:04 | |
# Whatever happened to me? | 0:00:04 | 0:00:07 | |
# What became of the people | 0:00:07 | 0:00:11 | |
# We used to be? | 0:00:11 | 0:00:15 | |
# Tomorrow's almost over Today went by so fast | 0:00:15 | 0:00:21 | |
# Is the only thing to look forward to the past? # | 0:00:21 | 0:00:29 | |
Hello, is that Margaret? Margaret Bishop? | 0:00:29 | 0:00:32 | |
It is? It's Terry Collier here. | 0:00:32 | 0:00:35 | |
Collier. | 0:00:35 | 0:00:37 | |
We once went out with each other and I promised to ring you back. | 0:00:37 | 0:00:42 | |
When? | 0:00:42 | 0:00:44 | |
It was January... January 17th 1967. | 0:00:44 | 0:00:49 | |
Well I rang as soon as I could. | 0:00:49 | 0:00:52 | |
I was in the army for five years. I couldn't get a line in the jungle. | 0:00:52 | 0:00:57 | |
Collier. I was wondering if you'd like to go out one night... | 0:00:57 | 0:01:02 | |
You what? | 0:01:02 | 0:01:05 | |
Well, it wasn't me. | 0:01:05 | 0:01:08 | |
Well, I'm sorry. It was just a joke. I... | 0:01:08 | 0:01:12 | |
There's no need to take that attitude. | 0:01:12 | 0:01:15 | |
And you, madam. | 0:01:15 | 0:01:18 | |
Dear me! | 0:01:18 | 0:01:21 | |
Oh, is that Teresa Palmer? | 0:01:35 | 0:01:38 | |
Doesn't she? I'm an old friend. Do you know where I can get in touch with her? | 0:01:38 | 0:01:44 | |
Convent of the Sacred Heart?! | 0:01:44 | 0:01:48 | |
What is she? A nun or something? | 0:01:48 | 0:01:51 | |
She IS a nun! | 0:01:51 | 0:01:53 | |
Are you sure it's the same Teresa Palmer? Cos the one I knew was a right... | 0:01:53 | 0:02:00 | |
Oh, I'm sorry, Mrs Palmer. | 0:02:00 | 0:02:02 | |
No. no. No offence. Just a joke. | 0:02:02 | 0:02:06 | |
No, no. No message. | 0:02:06 | 0:02:09 | |
Hallelujah! | 0:02:10 | 0:02:13 | |
Morag Maclean. No, I know she's married. | 0:02:13 | 0:02:17 | |
Janice Armstrong. No, I'll get nowt there. | 0:02:17 | 0:02:22 | |
June...? | 0:02:22 | 0:02:24 | |
Oh, June! Hang on! Hang on! | 0:02:24 | 0:02:27 | |
June was busting out all over. | 0:02:27 | 0:02:30 | |
Is that June? | 0:02:36 | 0:02:39 | |
Oh, doesn't she? Who did SHE marry? | 0:02:39 | 0:02:42 | |
Never! Poor soul. | 0:02:42 | 0:02:46 | |
Who's speaking, please? | 0:02:46 | 0:02:49 | |
Really? | 0:02:49 | 0:02:51 | |
Well, it's Terry Collier. | 0:02:51 | 0:02:53 | |
I've been away for a few years. The army. | 0:02:53 | 0:02:57 | |
Military hospital most of the time. | 0:02:57 | 0:03:00 | |
No, I'm fine now. Fine. Fit as a fiddle. | 0:03:00 | 0:03:03 | |
Apart from... I never talk about it. | 0:03:03 | 0:03:08 | |
Collier. | 0:03:08 | 0:03:09 | |
Well...tallish. Hair, brownish. Eyes, blueish. | 0:03:09 | 0:03:15 | |
Physique, wiry. A steely glint to the eye. | 0:03:15 | 0:03:20 | |
A dangerous half smile plays on my lips. | 0:03:20 | 0:03:24 | |
What about the tattoo on your left buttock? | 0:03:24 | 0:03:27 | |
-Your wooden leg and the steel plate in your brain? -Shut up! I'm cracking it here. | 0:03:27 | 0:03:34 | |
I'm sorry. Are you still there? I can't remember your name... | 0:03:34 | 0:03:40 | |
Ah, Linda. Of course! Of course! | 0:03:40 | 0:03:43 | |
You're not married or anything? | 0:03:43 | 0:03:45 | |
-Who is it? -June Craig's sister. | 0:03:45 | 0:03:48 | |
So, er...Linda, what are you doing this weekend? | 0:03:48 | 0:03:53 | |
Perhaps we could get together and talk over old times. | 0:03:53 | 0:03:57 | |
-Terry. -Hang on, it's New York on the other line. | 0:03:57 | 0:04:01 | |
-What's the matter? -Before you sweep this lady off her feet with your dangerous smile | 0:04:01 | 0:04:09 | |
you ought to know last Sunday was Linda Craig's 12th birthday. | 0:04:09 | 0:04:14 | |
What?! | 0:04:14 | 0:04:16 | |
-Honestly? -Honestly. | 0:04:16 | 0:04:19 | |
I've already... What do I say? | 0:04:19 | 0:04:22 | |
New York needs you, or you're off to Paris to get your wooden leg French polished. | 0:04:22 | 0:04:28 | |
Hello, Linda. I really only rang up to say hello to the family | 0:04:28 | 0:04:33 | |
and to wish you a happy birthday. So... Pardon?! | 0:04:33 | 0:04:39 | |
-Are you sure she's only twelve? -Yes, definitely. | 0:04:41 | 0:04:45 | |
Must be these comprehensive schools. | 0:04:45 | 0:04:48 | |
-No luck? -Five married, three moved, one insult and a nun. -A nun? -Teresa Palmer. | 0:04:48 | 0:04:55 | |
-Hallelujah! -And she used to... | 0:04:55 | 0:04:58 | |
I know! I know! Frequently! | 0:04:58 | 0:05:01 | |
Using a 1967 address book can't help. | 0:05:01 | 0:05:04 | |
It's my only contact with the past. | 0:05:04 | 0:05:08 | |
My life stopped there. Cut off, thanks to someone not a million miles away. | 0:05:08 | 0:05:14 | |
-Five years. They'll be out of date. -Ten calls and not a nibble. | 0:05:14 | 0:05:19 | |
-Ingrid Wyebrew? -Married. -Maggie Bishop? -Married with child. -Nancy Ridley? | 0:05:19 | 0:05:25 | |
-Moved to Shrewsbury. -Where's Shrewsbury? -League Division Three. | 0:05:25 | 0:05:31 | |
Jocelyn James. You were keen on her. | 0:05:31 | 0:05:34 | |
Aye, she was a canny lass. She's married, lives near Berwick. Two kids. Husband's a corn merchant. | 0:05:34 | 0:05:42 | |
-Really. -Aye, our Audrey keeps in touch. | 0:05:42 | 0:05:45 | |
She says they seem very happy. Never short of millet. | 0:05:45 | 0:05:50 | |
-I know her sister's number. -OK. -You'll need change. -Why? | 0:05:50 | 0:05:54 | |
It's Melbourne 4211. | 0:05:54 | 0:05:57 | |
-Very amusing. Give us me book back. -No. Hang on! | 0:05:57 | 0:06:02 | |
Even if I do trace anybody we'll have nothing in common. | 0:06:02 | 0:06:06 | |
I've got no links with girls here. | 0:06:06 | 0:06:09 | |
Glenys Roberts. You took her to see the Sound of Music. | 0:06:09 | 0:06:13 | |
She left at the intermission - felt ill. | 0:06:13 | 0:06:17 | |
-And you didn't go with her? -What? Front-circle seats, 15 bob a time! | 0:06:17 | 0:06:22 | |
And I queued for them in the rain. | 0:06:22 | 0:06:25 | |
It's still showing. Take her to the second half. | 0:06:25 | 0:06:29 | |
She's not on the phone. | 0:06:29 | 0:06:32 | |
Most of those girls weren't on the phone. | 0:06:32 | 0:06:36 | |
I'm not traipsing the streets on spec, picking the key to box 13. | 0:06:36 | 0:06:41 | |
Time hasn't been kind to some girls here, | 0:06:41 | 0:06:45 | |
whereas fellas seem to keep younger. | 0:06:45 | 0:06:47 | |
I'm better looking than I was five years ago. Better hair and clothes. | 0:06:47 | 0:06:53 | |
True. True. | 0:06:53 | 0:06:55 | |
After you've adjusted you might be the same. | 0:06:55 | 0:07:00 | |
What's the matter with me clothes? | 0:07:00 | 0:07:03 | |
You look dated. If you meet a girl from five years ago she'll recognise you. | 0:07:03 | 0:07:09 | |
Time's stood still, appearance-wise. | 0:07:09 | 0:07:12 | |
I've been in the forces. You can't expect me to look like Jethro Tull. | 0:07:12 | 0:07:17 | |
Take a week to adjust, get some decent gear, then ring round. | 0:07:17 | 0:07:24 | |
-When I get a "yes" I'll have long hair. -Tried them all? -And these. | 0:07:24 | 0:07:29 | |
1965, 1966... Have you got all your diaries? | 0:07:29 | 0:07:33 | |
The Sunday Times might run them. "Terry Collier. Diaries Volume One. | 0:07:33 | 0:07:39 | |
"The artist's formative years. | 0:07:39 | 0:07:42 | |
"His struggle from Park Secondary Modern to Ellison's Electrics." | 0:07:42 | 0:07:47 | |
You never can tell. They'll give somebody in the future a whole clue as to a way of life. | 0:07:47 | 0:07:53 | |
Oh, definitely! | 0:07:53 | 0:07:56 | |
They capture the turbulence of the mid-sixties, the excitement of our lifestyle. | 0:07:56 | 0:08:02 | |
March 5th - | 0:08:02 | 0:08:04 | |
"Had to walk home. Had a puncture near the lead factory. Got soaked. | 0:08:04 | 0:08:10 | |
"Met Sheila. She's leaving me for a welder at Swan Hunter's." Riveting! | 0:08:10 | 0:08:16 | |
"Couldn't care less. Made tea, watched Come Dancing. | 0:08:18 | 0:08:22 | |
"I've got a cold coming on." | 0:08:22 | 0:08:25 | |
What times to have been alive in(!) | 0:08:25 | 0:08:28 | |
I did have a cold an' all. I was in bed for a week. | 0:08:28 | 0:08:32 | |
Look! September 27th 1967. Blackpool illuminations. | 0:08:32 | 0:08:37 | |
Supporters' Club outing. You weren't on that. | 0:08:37 | 0:08:41 | |
-Wasn't I? -No, you had an abscess. | 0:08:41 | 0:08:44 | |
That's right, from learning to play the harmonica. | 0:08:44 | 0:08:48 | |
We stopped at Kendal for a pint. George Murray fell off the pier. | 0:08:48 | 0:08:53 | |
Got the back seat in the coach... Hello! | 0:08:53 | 0:08:57 | |
-What? -I've given this girl two stars. | 0:08:57 | 0:09:00 | |
-Who? -There's just a number in eyebrow pencil and two stars! -Nothing to get excited about. | 0:09:00 | 0:09:07 | |
-Depends how many stars you had in your system. -Seven. It was seven. | 0:09:07 | 0:09:14 | |
That was the British standard. | 0:09:14 | 0:09:16 | |
One, kissing with mouth closed. Two, with mouth open. Three, upstairs outside... | 0:09:16 | 0:09:23 | |
British Standard! I wasn't governed by that. My system had three stars. | 0:09:23 | 0:09:29 | |
-And you got two of them. -In a bus! | 0:09:29 | 0:09:31 | |
Ring her up! | 0:09:31 | 0:09:34 | |
Naa! | 0:09:34 | 0:09:36 | |
-After five years! -It's worth a try. | 0:09:36 | 0:09:39 | |
I might later on when I've supped a few more. | 0:09:39 | 0:09:43 | |
-When the alcohol's stirred my loins. Another? -No. I've got to be off. | 0:09:43 | 0:09:48 | |
-Off! Off where? -I'm due at Thelma's. I told you. | 0:09:48 | 0:09:53 | |
She's possessive! | 0:09:53 | 0:09:55 | |
-She's not. -You're leaving me, in other words? -In other words, yes. | 0:09:55 | 0:10:01 | |
You're leaving me alone, | 0:10:01 | 0:10:03 | |
with useless addresses and unobtainable numbers. | 0:10:03 | 0:10:07 | |
-Ring up "two stars". -What's the point? | 0:10:07 | 0:10:11 | |
She must have been a right slag if she gave you two stars in a coach from Blackpool. | 0:10:11 | 0:10:18 | |
-She'll never remember me. -How could she forget? | 0:10:18 | 0:10:22 | |
The lights and the candyfloss and Reg Dixon at his organ. | 0:10:22 | 0:10:27 | |
Coming home - passion across the Pennines. | 0:10:27 | 0:10:31 | |
-Course she'll remember! Good luck. -Cheers! | 0:10:31 | 0:10:35 | |
Another pint of special, love, please. | 0:10:38 | 0:10:41 | |
-Don't we know each other from a few years back? -I don't think so, pet. | 0:10:44 | 0:10:50 | |
Are you sure? | 0:10:50 | 0:10:52 | |
Terry Collier. I've been away in the forces. | 0:10:52 | 0:10:56 | |
A secret mission - | 0:10:56 | 0:10:59 | |
Vietnam. | 0:10:59 | 0:11:01 | |
North Vietnam. | 0:11:02 | 0:11:04 | |
I've never been to Vietnam. Been to Mallorca. | 0:11:04 | 0:11:08 | |
Maybe we went to school together. | 0:11:08 | 0:11:12 | |
No. I think I'd have remembered someone of...your build. | 0:11:12 | 0:11:18 | |
By, that's an asset, isn't it? | 0:11:24 | 0:11:27 | |
-Pardon, sir? -That's an asset since I was here last. | 0:11:27 | 0:11:31 | |
Eee, look at that! Look at that! | 0:11:31 | 0:11:33 | |
She's a big lass. I could fancy her. Don't you? | 0:11:33 | 0:11:38 | |
Yes, I married her. | 0:11:38 | 0:11:40 | |
Hello, Pam. It's Thelma here. How are you? | 0:11:42 | 0:11:47 | |
Yes, he's fine. He's here now. He sends his love. Yes I will. | 0:11:47 | 0:11:52 | |
Are you still going out with Morris? | 0:11:52 | 0:11:55 | |
Oh, you're not? | 0:11:55 | 0:11:57 | |
Did he? DID he? | 0:11:58 | 0:12:01 | |
You're well out of it, pet. | 0:12:01 | 0:12:03 | |
I'm ringing because a friend of Bob's has just come back from abroad. | 0:12:03 | 0:12:09 | |
It would be nice if the four of us went out. | 0:12:09 | 0:12:12 | |
Terry. Terry Collier. | 0:12:12 | 0:12:15 | |
Oh, you remember him, do you? | 0:12:15 | 0:12:20 | |
Never mind. It was just a thought. | 0:12:20 | 0:12:23 | |
I'll come round and have a coffee sometime, shall I? Right. Bye. | 0:12:23 | 0:12:28 | |
-You tried. Sit down. -I'm not keen on fixing up my friends with Terry. | 0:12:28 | 0:12:34 | |
He can be a bit coarse. | 0:12:34 | 0:12:37 | |
He'll just have to fend for himself. He'll be phoning "two stars" by now. | 0:12:37 | 0:12:43 | |
-Who's this? -Oh, just a number in eyebrow pencil. | 0:12:43 | 0:12:47 | |
-Two stars? -When we were kids we had this adolescent sexual scale. | 0:12:47 | 0:12:53 | |
One star, kissing with your mouth closed. Two, with your mouth open. | 0:12:53 | 0:12:58 | |
Three was upstairs outside... | 0:12:58 | 0:13:01 | |
Upstairs outside! | 0:13:01 | 0:13:04 | |
What does that mean? On the bedroom windowsill? | 0:13:04 | 0:13:08 | |
-Don't be naive, pet. -Four was with ladder and five was without? | 0:13:08 | 0:13:13 | |
-No...dearest. Four... -I know what four stars was. | 0:13:13 | 0:13:17 | |
And five, six and seven. | 0:13:17 | 0:13:20 | |
It was what you complained about never getting. | 0:13:20 | 0:13:24 | |
You all lied anyway, you boys. | 0:13:24 | 0:13:27 | |
Subtract three and you got a true picture. | 0:13:27 | 0:13:30 | |
There's only three stars in Terry's system. | 0:13:30 | 0:13:34 | |
He never had our finesse. | 0:13:34 | 0:13:36 | |
Nor did the girls he went out with. | 0:13:36 | 0:13:39 | |
PHONE RINGS Excuse me, pet. | 0:13:39 | 0:13:43 | |
Hello. | 0:13:46 | 0:13:47 | |
Yes, this is 21717. | 0:13:47 | 0:13:51 | |
I'm sorry? | 0:13:51 | 0:13:54 | |
Some mad man says do I remember Blackpool illuminations, 1967? | 0:13:54 | 0:13:59 | |
I'll get you for this, Collier! | 0:14:04 | 0:14:07 | |
You've got a nerve coming here! Don't you feel a sense of embarrassment? | 0:14:07 | 0:14:13 | |
Just a sense of having had too many. | 0:14:13 | 0:14:16 | |
Working up courage to ring numbers from the past. | 0:14:16 | 0:14:20 | |
Come on, Bob, man. I only did it for a joke. | 0:14:20 | 0:14:24 | |
I thought you'd have a laugh over your cocoa. | 0:14:24 | 0:14:28 | |
Thelma did say it was a joke? | 0:14:30 | 0:14:33 | |
Thelma's attitude was strange. She went pale and developed a twitch in her left ear. | 0:14:33 | 0:14:40 | |
I had to give her some sal volatile. | 0:14:40 | 0:14:43 | |
Was that wise on top of cocoa? | 0:14:43 | 0:14:46 | |
She doesn't think she was on that trip, | 0:14:46 | 0:14:50 | |
-but with the passing of time... -And eight gins. | 0:14:50 | 0:14:54 | |
How did you know? She WAS there. That proves it. | 0:14:54 | 0:14:58 | |
-Oh, God! -Don't take on like that! | 0:14:58 | 0:15:01 | |
You're the skeleton in my bride-to-be's cupboard. | 0:15:01 | 0:15:05 | |
I'm not that thin. Wiry, but no skeleton. | 0:15:05 | 0:15:09 | |
You don't care. No shame or regrets about driving a wedge between us. | 0:15:09 | 0:15:15 | |
-A wedge couldn't prise you apart. -Betrayed by the two people closest to me in the world. | 0:15:15 | 0:15:22 | |
On the back seat of a bus. | 0:15:22 | 0:15:25 | |
-Course you weren't. -Two stars. I can't live with that. | 0:15:25 | 0:15:29 | |
You know I exaggerate. It was probably one. | 0:15:29 | 0:15:33 | |
On a three-star scale? One's still a 33% success rate. | 0:15:33 | 0:15:38 | |
Bob, it was years ago. We were children. | 0:15:38 | 0:15:42 | |
Children carried away by drinks and the singsong. | 0:15:42 | 0:15:46 | |
Children get very emotional after 14 pints and "The Blaydon Races". | 0:15:46 | 0:15:51 | |
Thirty-three per cent. | 0:15:51 | 0:15:54 | |
We weren't as bad as the others. We kept a sense of dignity and modesty. | 0:15:54 | 0:15:59 | |
Eileen Hogg was in the luggage rack... | 0:15:59 | 0:16:03 | |
with the accordionist. | 0:16:03 | 0:16:05 | |
And meanwhile I was sick in bed. You took advantage of my abscess. | 0:16:05 | 0:16:11 | |
I didn't take advantage at all. You weren't going out with Thelma then. | 0:16:11 | 0:16:17 | |
You haven't always been with her. | 0:16:17 | 0:16:20 | |
..It just seems that way. | 0:16:20 | 0:16:22 | |
It was years ago. It was kids, not grown-ups. | 0:16:24 | 0:16:28 | |
Juveniles not sophisticated adults like what we are now. | 0:16:28 | 0:16:32 | |
-It was still a shock. -Do you want the sal volatile? | 0:16:32 | 0:16:37 | |
I'm vulnerable to things like this. I'm too soft. | 0:16:37 | 0:16:41 | |
Too trusting. Too loving. | 0:16:41 | 0:16:44 | |
God preserve us! What are these? Been looking at your diaries? | 0:16:44 | 0:16:50 | |
Yes. Looking for some note I might have made hinting at my suspicions. | 0:16:50 | 0:16:55 | |
-How trusting! -It was justified. | 0:16:55 | 0:16:57 | |
There's a note I made at the time. | 0:16:57 | 0:17:01 | |
"Terry came round wearing his new hipsters and a smug face. | 0:17:01 | 0:17:06 | |
-"He knows something." -It'll never stand up in court. | 0:17:06 | 0:17:12 | |
I'll never get on a bus again without shudders of doubt. | 0:17:12 | 0:17:16 | |
That's a bad thing - shudders of doubt. | 0:17:16 | 0:17:20 | |
She could have told me sometime after we were engaged, | 0:17:20 | 0:17:24 | |
or, better still, just after it happened. | 0:17:24 | 0:17:28 | |
She could have told me. I'd have understood and been forgiving and adult about it. | 0:17:28 | 0:17:34 | |
I'd have gone to your house | 0:17:34 | 0:17:37 | |
kicked your head in and all would've been forgiven. | 0:17:37 | 0:17:41 | |
If only everyone could be that reasonable. | 0:17:41 | 0:17:45 | |
-Let's have a look. -Get off! It's private, isn't it? | 0:17:45 | 0:17:50 | |
It's a record of my thoughts. It's personal. | 0:17:50 | 0:17:54 | |
I want to glance at the addresses, not read it. | 0:17:54 | 0:17:58 | |
It'd betray those girls' confidence. | 0:17:58 | 0:18:01 | |
-They don't want to fall into your grubby grasp. I've got integrity. -Howay, man! | 0:18:01 | 0:18:08 | |
They'll all be the same as mine anyway. | 0:18:08 | 0:18:12 | |
Yes. There they all are. | 0:18:12 | 0:18:15 | |
Same old tired names. | 0:18:15 | 0:18:18 | |
Dear me! | 0:18:18 | 0:18:20 | |
Hell's teeth! | 0:18:21 | 0:18:23 | |
What is it? I mean, who is it? | 0:18:23 | 0:18:26 | |
-How many stars in your system? -I told you, seven. | 0:18:26 | 0:18:30 | |
You've given Wendy Thwaites eight! | 0:18:30 | 0:18:33 | |
Let's have a look at that! | 0:18:33 | 0:18:36 | |
One, two, three, four, five, six... seven, eight! | 0:18:36 | 0:18:40 | |
Must mean you got all the way there and went back to the start. "One more time Ferris!" | 0:18:40 | 0:18:46 | |
No, it didn't mean that. I know what it means now. | 0:18:46 | 0:18:51 | |
You gave yourself a bonus point? "E" for effort! | 0:18:51 | 0:18:56 | |
Please. She was...the first. | 0:18:56 | 0:19:00 | |
That's why I gave her another star. | 0:19:00 | 0:19:03 | |
I see. Like a commemorative medal? | 0:19:03 | 0:19:06 | |
Don't joke about it. | 0:19:06 | 0:19:09 | |
-It was a long time ago but she meant something. -Wendy Thwaites? | 0:19:09 | 0:19:15 | |
-Yes. -Are you sure? -It wasn't such a common occurrence you'd forget it. | 0:19:15 | 0:19:20 | |
No, I meant Wendy? I didn't think anybody... | 0:19:20 | 0:19:23 | |
I did! | 0:19:23 | 0:19:26 | |
That staggers me, that really does! | 0:19:26 | 0:19:30 | |
Wendy Thwaites...I mean she had such a repressed upbringing. | 0:19:30 | 0:19:35 | |
Her mother used to hand out leaflets about the end of the world. | 0:19:35 | 0:19:41 | |
Her father supported Sunderland so it was hardly a house of merriment. | 0:19:41 | 0:19:46 | |
I suppose she was expressing her rebellion. | 0:19:46 | 0:19:50 | |
I thought her only expression was ballroom dancing. All she wanted was a Gay Gordon. | 0:19:50 | 0:19:56 | |
-I rather caught her off guard. -What happened? | 0:19:56 | 0:20:00 | |
I picked her up after a competition. | 0:20:00 | 0:20:03 | |
-She won, so she was all radiant and elated with success. -Success? | 0:20:03 | 0:20:08 | |
She'd become the 1966 Co-operative Society regional subdivision pasa doble champion. | 0:20:08 | 0:20:16 | |
My God! Tomorrow, the world! | 0:20:16 | 0:20:18 | |
Next was the northeast eliminators. | 0:20:18 | 0:20:21 | |
That would turn a young girl's head. Too much too soon. | 0:20:21 | 0:20:26 | |
Aye! I suppose it did turn her head. | 0:20:26 | 0:20:29 | |
Flushed with victory and Babycham and the sash and cup, | 0:20:29 | 0:20:33 | |
-the rhythm of Ernie Blenkinsop's Afro-Cubans. -A star was born! | 0:20:33 | 0:20:39 | |
She came home with me. Mother was away. I don't think she really knew where she was. | 0:20:39 | 0:20:45 | |
Her mind was on the quarterfinals and the pasa doble. | 0:20:45 | 0:20:50 | |
It was all very fumbling. Those dresses! | 0:20:51 | 0:20:55 | |
-Hand sewn. -Satin bodice. -Fetching(!) | 0:20:55 | 0:20:58 | |
I didn't know much. I'd had a few in the ballroom's Kontiki lounge. | 0:20:58 | 0:21:03 | |
Things were a bit blurred. | 0:21:03 | 0:21:05 | |
But it happened all right. When I woke up my bed was full of sequins. | 0:21:05 | 0:21:11 | |
Wendy Thwaites! Who would have thought it? | 0:21:12 | 0:21:17 | |
You never said anything about it. | 0:21:17 | 0:21:20 | |
Out of respect for her and the good name of ballroom dancing. | 0:21:20 | 0:21:25 | |
She was distraught, thinking of giving up. | 0:21:25 | 0:21:29 | |
-She'd only just started! -I meant the dancing, not... | 0:21:29 | 0:21:33 | |
I was going to say! | 0:21:33 | 0:21:35 | |
You might have given us a hint. Keeping quiet like that. | 0:21:35 | 0:21:40 | |
We're not all like you, shouting sexual conquests from the roof tops. | 0:21:40 | 0:21:45 | |
You'd take out ads on the telly. | 0:21:45 | 0:21:47 | |
That is unkind! The reason for this depressing situation is my LACK of sexual conquest. | 0:21:47 | 0:21:54 | |
Wendy Thwaites. Where are you? I need you. | 0:21:54 | 0:21:58 | |
She's still around - with the Aida Bistle formation team. | 0:21:58 | 0:22:02 | |
You should join. You might twirl your way into her affections. | 0:22:02 | 0:22:07 | |
Jackie Norris was a fair-looking girl. | 0:22:07 | 0:22:11 | |
Jackie Norris. She had some form. | 0:22:11 | 0:22:14 | |
-Did you go out with her long? -Once or twice. | 0:22:14 | 0:22:18 | |
-I think I did. -Ring her. -What's the use? | 0:22:18 | 0:22:22 | |
It's a futile exercise. | 0:22:22 | 0:22:24 | |
Anyway, who needs it? No sweat. | 0:22:24 | 0:22:27 | |
She didn't half have a pair! | 0:22:27 | 0:22:29 | |
Where's the phone? | 0:22:29 | 0:22:32 | |
Hang on a minute. I'll do it. | 0:22:33 | 0:22:36 | |
-You? -Your success rate's a bit low. Rang ten, won none. Look and learn. | 0:22:36 | 0:22:41 | |
Go on then, Casanova(!) | 0:22:41 | 0:22:44 | |
Her brother was Les Norris, the cyclist and potholer. | 0:22:45 | 0:22:49 | |
-That's right. Tall boy with a stoop. -The potholing. | 0:22:49 | 0:22:54 | |
It's ringing. | 0:22:54 | 0:22:56 | |
Or the cycling. | 0:22:56 | 0:22:59 | |
Oh, hello. Is Jackie there, please? | 0:22:59 | 0:23:01 | |
Yes, of course it is. How could I ever forget that husky sexy voice. | 0:23:01 | 0:23:07 | |
Ha! Ha! | 0:23:07 | 0:23:09 | |
Oh, this is Terry. Terry Collier. | 0:23:09 | 0:23:12 | |
I don't expect you'll remember me. | 0:23:12 | 0:23:15 | |
That's right - of Bob-and-Terry fame. | 0:23:15 | 0:23:21 | |
Ha! Ha! You do remember? | 0:23:21 | 0:23:24 | |
-How could she forget? -I have. | 0:23:24 | 0:23:27 | |
I've been abroad actually, in the army. | 0:23:27 | 0:23:31 | |
I'm not able to disclose where - Official Secrets Act. | 0:23:31 | 0:23:35 | |
Let me ask you three questions. Are you married? | 0:23:35 | 0:23:39 | |
Engaged? | 0:23:39 | 0:23:42 | |
Are you free to go out one night? | 0:23:42 | 0:23:44 | |
I'll ring tomorrow. | 0:23:46 | 0:23:48 | |
I'LL look forward to it, Jackie. Bye. | 0:23:48 | 0:23:53 | |
Great pullers are born, not made. | 0:23:55 | 0:23:58 | |
-She's late. -That'll be the traffic. | 0:24:00 | 0:24:03 | |
Her own car, that's a change from the old days. She'll drive YOU home. | 0:24:03 | 0:24:08 | |
That's a thought. I might have to fight her off. She won't get three stars on the first date. | 0:24:08 | 0:24:15 | |
Didn't her brother cycle down potholes or something? | 0:24:15 | 0:24:20 | |
-Something like that. -DOORBELL | 0:24:20 | 0:24:23 | |
Let her in! Before his knees collapse(!) | 0:24:23 | 0:24:28 | |
-I still can't remember her. -I've got a vivid impression of her, | 0:24:28 | 0:24:33 | |
it just stops at her throat. | 0:24:33 | 0:24:35 | |
There you are, Jackie. Do you remember those two? | 0:24:36 | 0:24:41 | |
-The dynamic duo. -How could I ever forget? | 0:24:41 | 0:24:44 | |
Forget him? | 0:24:44 | 0:24:47 | |
Hello, Terry love, how are you? | 0:24:48 | 0:24:51 | |
It's marvellous to see you again. And you, Bob. | 0:24:53 | 0:24:56 | |
Thelma told me you're engaged. Congratulations! | 0:24:56 | 0:25:00 | |
-There's... -Why'd you join the army? To forget me? | 0:25:00 | 0:25:04 | |
Jackie... | 0:25:04 | 0:25:06 | |
Don't interrupt, Bob. It's obviously an occasion for Jackie to see Terry. | 0:25:06 | 0:25:11 | |
You ringing brought it all back. I looked up my diaries and letters. | 0:25:11 | 0:25:17 | |
-Look what I found. -Oh. -Just look at those clothes! | 0:25:17 | 0:25:22 | |
-September 27th 1967. -At least! | 0:25:22 | 0:25:25 | |
-Twenty-seventh? -September. -Well, sit down, Jackie. That's all in the past. Sherry? | 0:25:25 | 0:25:32 | |
-I was in Blackpool. -So was I, on an outing. | 0:25:32 | 0:25:36 | |
-Spanish or Cyprus? -Supporters' Club. You pretended you were ill. | 0:25:36 | 0:25:41 | |
-I was ill. I was. I had an abscess. -An abscess? | 0:25:41 | 0:25:46 | |
We sneaked off to the country. It was very romantic. | 0:25:46 | 0:25:51 | |
Abscess made the heart grow fonder? | 0:25:51 | 0:25:54 | |
That's very witty, Bob. | 0:25:54 | 0:25:57 | |
-Did he take his harmonica? -He didn't play it! | 0:25:57 | 0:26:01 | |
There's vodka or... | 0:26:01 | 0:26:04 | |
Your memory has got confused over the years. | 0:26:04 | 0:26:07 | |
-There's beer. -Terry isn't Terry. He's Bob. | 0:26:07 | 0:26:11 | |
-Terry over here's Terry. That, the object of your nostalgic affection, is Bob. -Is it? | 0:26:11 | 0:26:18 | |
I always got them confused. What's in a name? | 0:26:18 | 0:26:22 | |
-That's MY Bob, even though he's deceitful and sneaks off to the Cheviots with Jackie Norris. -Thelma! | 0:26:24 | 0:26:31 | |
Thelma, it wasn't the passion of a lifetime. | 0:26:31 | 0:26:35 | |
It was just a snog on a rainy day in Wooler. | 0:26:35 | 0:26:38 | |
-Yes, now, there's port or stout. -He was never serious about me. | 0:26:38 | 0:26:43 | |
Too hung up on Wendy Thwaites. | 0:26:43 | 0:26:46 | |
-Wendy Thwaites? -Don't look at me. | 0:26:48 | 0:26:51 | |
It was nice, to cut out like that, | 0:26:58 | 0:27:01 | |
leaving me with the Wendy Thwaites revelation. Thanks a bunch. | 0:27:01 | 0:27:06 | |
Don't come whining to me. | 0:27:06 | 0:27:08 | |
Always the innocent. Too trusting! You've been putting it about more than anyone. | 0:27:08 | 0:27:15 | |
I have always been faithful to Thelma, | 0:27:15 | 0:27:18 | |
in principle. | 0:27:18 | 0:27:20 | |
In principle. You've made an art of infidelity. | 0:27:20 | 0:27:24 | |
Now your past's catching up. I wish mine would. | 0:27:24 | 0:27:28 | |
-Is it Terry Collier? -Yes. | 0:27:29 | 0:27:33 | |
-It's Glenys. Glenys Roberts. -Glenys! | 0:27:33 | 0:27:37 | |
I haven't seen you since the Sound of Music. | 0:27:37 | 0:27:41 | |
Of course. You feeling better? | 0:27:41 | 0:27:44 | |
Yes, thanks. I heard you were back. | 0:27:47 | 0:27:49 | |
-Would you like a... -No, I work here. | 0:27:49 | 0:27:52 | |
Perhaps later? | 0:27:52 | 0:27:54 | |
Certainly. Certainly. We could talk over old times. | 0:27:54 | 0:28:00 | |
-Happy days! -Weren't they just? -Such fond memories. | 0:28:00 | 0:28:04 | |
-Bob! -Glenys! -Bob, how wonderful to see you! | 0:28:04 | 0:28:09 | |
I'll swing for him. | 0:28:12 | 0:28:14 | |
I will! I'll bloody swing for him! | 0:28:14 | 0:28:17 | |
Intelfax Subtitles by Kate Shaw for BBC Subtitling, 1995 | 0:28:43 | 0:28:47 |