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This programme contains very strong language and some scenes of a sexual nature. | 0:00:02 | 0:00:05 | |
I can't hold it in. I really need to go, Dad. | 0:00:05 | 0:00:07 | |
-I'll pull over. -No, I don't want to go in the bushes. | 0:00:07 | 0:00:10 | |
We're miles away from a pub, so you're going to have to. | 0:00:10 | 0:00:13 | |
-Please, Dad! -All right, try and take your mind off it. | 0:00:13 | 0:00:15 | |
-Ask me a question. -Like what? | 0:00:15 | 0:00:17 | |
-Anything you want. -OK. | 0:00:17 | 0:00:19 | |
How do you sleep at night? | 0:00:19 | 0:00:20 | |
What is that supposed to mean? | 0:00:21 | 0:00:23 | |
Mark Wilson's dad asked me. He said you rip people off, | 0:00:23 | 0:00:26 | |
selling them expensive windows and getting them in debt. | 0:00:26 | 0:00:29 | |
Well, the next time you see him, | 0:00:29 | 0:00:31 | |
tell him your old dad sleeps just fine | 0:00:31 | 0:00:32 | |
and he can go fuck himself, the jealous prick. | 0:00:32 | 0:00:35 | |
Really? Excellent. | 0:00:35 | 0:00:37 | |
Actually, don't say that, all right? | 0:00:37 | 0:00:39 | |
Is it true, though? Do you get people in debt? | 0:00:39 | 0:00:41 | |
Look, Rob, I sell windows - | 0:00:41 | 0:00:44 | |
and a lot of fucking windows, I might add - | 0:00:44 | 0:00:46 | |
to people all over our town. | 0:00:46 | 0:00:48 | |
I don't put a gun to their head. They want to buy from me. | 0:00:48 | 0:00:52 | |
Can they always afford it? Probably not, but as far as I know | 0:00:52 | 0:00:55 | |
it's not illegal to sell things to people just cos they're too stupid | 0:00:55 | 0:00:58 | |
to know if they can afford them. | 0:00:58 | 0:00:59 | |
I think that is illegal. I saw it on World in Action. | 0:00:59 | 0:01:02 | |
-Really? -Yeah. | 0:01:04 | 0:01:06 | |
Dad, I've got to go now! | 0:01:06 | 0:01:07 | |
All right, let me pull over. | 0:01:07 | 0:01:09 | |
What's here? Why are you stopping here? | 0:01:09 | 0:01:11 | |
-Just nip in that hedge. -But it's a poo. | 0:01:13 | 0:01:15 | |
No-one's coming, Rob, they're not going to see you. | 0:01:15 | 0:01:18 | |
What about wiping my bum? | 0:01:18 | 0:01:19 | |
Here you go. | 0:01:21 | 0:01:22 | |
Dad, what are these? | 0:01:25 | 0:01:28 | |
Better than Andrex. | 0:01:28 | 0:01:29 | |
# Set the world right | 0:01:32 | 0:01:34 | |
# Find us a dream that don't ask no questions... # | 0:01:35 | 0:01:39 | |
I'm arriving at base now, Gremlin, | 0:01:42 | 0:01:45 | |
but if you could keep an eye on that traffic for me | 0:01:45 | 0:01:47 | |
it'd be much appreciated. Over. | 0:01:47 | 0:01:49 | |
'There's a Kojak with a Kodak on the A13 flyover.' | 0:01:49 | 0:01:52 | |
Thanks, Gremlin. I've got some earwiggers on the horizon | 0:01:52 | 0:01:55 | |
so I'm out for now, good buddy. | 0:01:55 | 0:01:56 | |
'Roger-rodge. 10-10.' | 0:01:56 | 0:01:59 | |
Here he is. Smokey and the Bum Bandit. | 0:01:59 | 0:02:02 | |
Morning, Rubber Ducky. | 0:02:02 | 0:02:03 | |
Yep, very good. | 0:02:03 | 0:02:04 | |
OK, let's do this properly - who or what is a Gremlin? | 0:02:04 | 0:02:07 | |
He's a mate. | 0:02:07 | 0:02:09 | |
And his name's actually Gremlin? | 0:02:09 | 0:02:11 | |
No, that's his handle. It's like a CB nickname. | 0:02:11 | 0:02:14 | |
And your handle is...? | 0:02:14 | 0:02:16 | |
Nice try, but save your breath, I'm not embarrassed about this. | 0:02:16 | 0:02:19 | |
Good for you. And your handle is...? | 0:02:19 | 0:02:22 | |
Widow Maker. | 0:02:24 | 0:02:25 | |
That is superb. | 0:02:27 | 0:02:28 | |
HE CHUCKLES | 0:02:28 | 0:02:30 | |
-So is this a new CB radio? -Obviously. | 0:02:30 | 0:02:32 | |
Treated myself to a rig for the car - Tri-Star, dual bandwidth, | 0:02:32 | 0:02:36 | |
48 channels, complete with mag-mounted DV27 antennae. | 0:02:36 | 0:02:40 | |
Basically it's a monster. | 0:02:40 | 0:02:42 | |
You said that like we're supposed to give a shit. | 0:02:42 | 0:02:44 | |
Yeah, well, you should. Pretty soon you'll be wondering | 0:02:44 | 0:02:47 | |
how you ever lived without one of these babies. | 0:02:47 | 0:02:49 | |
Other than for pretending you're in the Dukes of Hazzard | 0:02:49 | 0:02:52 | |
I'm struggling to think of a single use for it. | 0:02:52 | 0:02:54 | |
Pre-ordering a prossie to murder at the next truck stop? | 0:02:54 | 0:02:56 | |
Two uses. | 0:02:56 | 0:02:58 | |
Yeah, yeah. Laugh it up, Luddites. | 0:02:58 | 0:03:00 | |
Aw, don't be like that, Widow Maker! | 0:03:00 | 0:03:02 | |
Come on! | 0:03:02 | 0:03:03 | |
'He was right about one thing - | 0:03:03 | 0:03:05 | |
'we couldn't live without one of those babies.' | 0:03:05 | 0:03:07 | |
So we got a cheap rig, secretly installed it in Walshy's office | 0:03:07 | 0:03:09 | |
and roped in Carol, | 0:03:09 | 0:03:11 | |
who as well as being Britain's lousiest receptionist | 0:03:11 | 0:03:13 | |
had a genuine talent for mimicry. | 0:03:13 | 0:03:15 | |
Breaker breakers, this is the Sexy Elf. | 0:03:15 | 0:03:18 | |
Any takers? | 0:03:18 | 0:03:19 | |
Is that all right? | 0:03:19 | 0:03:20 | |
Now, your average CB enthusiast is male, lives with his mum and | 0:03:20 | 0:03:23 | |
is about as likely to drive a truck as he is to have lost his cherry. | 0:03:23 | 0:03:26 | |
As soon as the Elf hit the airwaves, | 0:03:26 | 0:03:28 | |
they were practically rutting one another for her attention. | 0:03:28 | 0:03:31 | |
-'10-2, Sexy Elf, this is Wheelnut reading you wall-to-wall.' -Wheelnut! | 0:03:31 | 0:03:34 | |
'Where've you been all my life, Sexy Elf? | 0:03:34 | 0:03:36 | |
'This is The Beastmaster sending out 3s and 8s.' | 0:03:36 | 0:03:38 | |
-STATIC -'Fancy an eyeball, Elf?' | 0:03:38 | 0:03:40 | |
-STATIC -'Hey, Elf, ignore these prairie dogs, | 0:03:40 | 0:03:42 | |
'let's knock it up 10 for a one-to-one.' | 0:03:42 | 0:03:44 | |
-STATIC -'I've got no trousers on.' | 0:03:44 | 0:03:45 | |
Eventually she hooked the big one. | 0:03:45 | 0:03:47 | |
STATIC | 0:03:47 | 0:03:48 | |
'Afternoon, Elf, this is the Widow Maker. What's your 10-20?' | 0:03:48 | 0:03:51 | |
10-20... Location. | 0:03:51 | 0:03:53 | |
Hi, Widow Maker. I'm approaching Chelmsford town centre, on a bus. | 0:03:53 | 0:03:58 | |
-'You're on a bus?' -Fuck me. | 0:03:58 | 0:04:00 | |
It's called improvising. | 0:04:00 | 0:04:02 | |
I'm driving a bus. | 0:04:03 | 0:04:05 | |
'A bus driver. You sound like my kind of sexy elf.' | 0:04:05 | 0:04:08 | |
And you sound dangerous, Widow Maker. | 0:04:08 | 0:04:10 | |
'Really?' | 0:04:10 | 0:04:12 | |
As in mysterious. Not like a rapist. | 0:04:12 | 0:04:15 | |
'After an hour of some fairly horrific flirting, | 0:04:15 | 0:04:17 | |
'the Widow Maker finally worked up the bottle to ask the Elf on a date.' | 0:04:17 | 0:04:20 | |
'Tri-Star, 48 channels. Dual bandwidth.' | 0:04:20 | 0:04:24 | |
Ooh! Impressive kit. | 0:04:24 | 0:04:26 | |
I'd love to see it. | 0:04:26 | 0:04:27 | |
'And after that maybe I'll show you my CB radio too.' | 0:04:27 | 0:04:30 | |
SHE LAUGHS | 0:04:30 | 0:04:31 | |
I'll show you mine if you show me yours. | 0:04:31 | 0:04:34 | |
'I'm up for an eyeball if you are?' | 0:04:34 | 0:04:36 | |
-Eyeball? -Eyeball... | 0:04:36 | 0:04:38 | |
That's a meet-up. Jackpot. | 0:04:38 | 0:04:40 | |
That's a relief. I thought I was going to have to flash my chuff. | 0:04:40 | 0:04:44 | |
Yeah, why not, Widow Maker? | 0:04:44 | 0:04:46 | |
'They fixed up to meet later that night at Thorndon Country Park.' | 0:04:46 | 0:04:50 | |
This is The Widow Maker. | 0:04:50 | 0:04:51 | |
I'm 10-8 at the 10-20. I think I can see you, Sexy Elf. | 0:04:51 | 0:04:55 | |
Widow Maker, meet the Sexy Elf. | 0:05:04 | 0:05:06 | |
Fancy seeing you here, good buddy. | 0:05:06 | 0:05:08 | |
THEY LAUGH | 0:05:08 | 0:05:09 | |
'Now we'd lit the fuse, | 0:05:09 | 0:05:11 | |
'it was time to stand back and watch the fireworks.' | 0:05:11 | 0:05:13 | |
You cunts! | 0:05:13 | 0:05:15 | |
'Only Fitzpatrick didn't explode - it was far worse than that.' | 0:05:16 | 0:05:19 | |
HE SOBS | 0:05:19 | 0:05:22 | |
Oh, God! | 0:05:29 | 0:05:30 | |
Look at me. | 0:05:30 | 0:05:32 | |
'It turns out that Fitzpatrick's home life was a living hell.' | 0:05:32 | 0:05:35 | |
He'd married his childhood sweetheart, Maureen, when he was 18 | 0:05:35 | 0:05:38 | |
but over the years she'd put on a tonne of weight | 0:05:38 | 0:05:40 | |
due to an underactive thyroid gland. | 0:05:40 | 0:05:42 | |
This, combined with the realisation that she had to live with | 0:05:42 | 0:05:45 | |
Fitzpatrick for the rest of her miserable life had made her | 0:05:45 | 0:05:47 | |
clinically depressed and, lately, even physically abusive. | 0:05:47 | 0:05:50 | |
Why don't you just do everyone a big favour, yeah, and fuck off?! | 0:05:50 | 0:05:54 | |
Go on, fuck off! | 0:05:54 | 0:05:57 | |
-Go on, fuck off down to the shed, you little sad bastard. -Maureen! | 0:05:57 | 0:06:00 | |
-The neighbours! -Your jumper's shit! | 0:06:00 | 0:06:03 | |
DOOR SLAMS | 0:06:03 | 0:06:04 | |
The closest thing he had to a social life was us | 0:06:06 | 0:06:09 | |
and the complete tools he befriended on CB radio. | 0:06:09 | 0:06:12 | |
Breaker breaker, this is the Widow Maker. | 0:06:12 | 0:06:15 | |
I can't leave her. I'm all she's got. | 0:06:15 | 0:06:18 | |
Man, that's rough. | 0:06:18 | 0:06:20 | |
I feel terrible now, Brian. | 0:06:22 | 0:06:24 | |
Can I give you a hand job at least, to say sorry? | 0:06:25 | 0:06:28 | |
Jesus, Carol. | 0:06:28 | 0:06:29 | |
No, you're all right. | 0:06:29 | 0:06:31 | |
'Now it was awkward and weird. To be perfectly honest with you, | 0:06:31 | 0:06:34 | |
'I'd actually forgotten he was married. | 0:06:34 | 0:06:35 | |
'And not solely because he'd barely uttered a word about Thyroid in the year I'd known him. | 0:06:35 | 0:06:40 | |
'It was more down to the fact that whenever | 0:06:40 | 0:06:42 | |
'I laid on treats for the team, he went at it like a man possessed.' | 0:06:42 | 0:06:46 | |
Oh, yeah! Oh, Mummy. | 0:06:46 | 0:06:49 | |
'Frankly it was off-putting for the rest of us' | 0:06:49 | 0:06:51 | |
That's top quality. | 0:06:51 | 0:06:53 | |
HE GRUNTS | 0:06:53 | 0:06:54 | |
Oh, I'm going to sell even more fucking windows next week. | 0:06:54 | 0:06:57 | |
'Anyway, after the CB awkwardness, | 0:06:58 | 0:07:00 | |
'I had to placate Fitzpatrick in the only way I knew how. | 0:07:00 | 0:07:03 | |
'Only this time he was exiled to conduct his nasty business | 0:07:03 | 0:07:05 | |
'behind closed doors. | 0:07:05 | 0:07:07 | |
'In this instance, Walshy's office door.' | 0:07:07 | 0:07:10 | |
That's it. | 0:07:10 | 0:07:11 | |
'It still sounded like someone was mating a gorilla upstairs, but that | 0:07:11 | 0:07:14 | |
'was a vast improvement on actually seeing his ratty little sex face.' | 0:07:14 | 0:07:18 | |
Yeah, oh, woman. Big Brian needs woman. Oh, yeah! | 0:07:18 | 0:07:22 | |
'Unfortunately this venue change for Fitzpatrick's depravity | 0:07:22 | 0:07:25 | |
'didn't go unnoticed.' | 0:07:25 | 0:07:26 | |
Vincent, you cunt! | 0:07:28 | 0:07:30 | |
-You're not going to... -Get up here! | 0:07:30 | 0:07:32 | |
Just excuse me one minute. | 0:07:34 | 0:07:37 | |
You disgusting pig, Vincent! | 0:07:39 | 0:07:41 | |
I've got a meeting in 20 minutes. | 0:07:41 | 0:07:42 | |
I've got a bum stain on my desk and a rubber Johnny in my fucking bin! | 0:07:42 | 0:07:47 | |
'Much like the derriere that left its mark on Walshy's desk, | 0:07:47 | 0:07:49 | |
'I didn't mind taking a pounding for the sake of Fitzpatrick's morale.' | 0:07:49 | 0:07:52 | |
Whose bum is this, for Christ's sake? | 0:07:52 | 0:07:55 | |
Morning, homo sapiens. Emphasis on the homo. | 0:07:56 | 0:07:59 | |
So unnecessary. | 0:07:59 | 0:08:01 | |
'Pretty soon Fitzpatrick was back to his cocky, old unpleasant self.' | 0:08:01 | 0:08:04 | |
Now that's what you call man management. | 0:08:04 | 0:08:07 | |
'And seeing as I'd already taken a bollocking for the misuse | 0:08:07 | 0:08:10 | |
'of Walshy's office, I figured I might as well commit the crime.' | 0:08:10 | 0:08:12 | |
Come here, you. | 0:08:14 | 0:08:16 | |
I do hope you're going to brush your teeth | 0:08:22 | 0:08:24 | |
before you teach my second born. | 0:08:24 | 0:08:27 | |
You're unbelievable. Do you talk like that to Sam? | 0:08:27 | 0:08:29 | |
OK, let's get one thing straight. You don't mention her name. | 0:08:29 | 0:08:32 | |
What, so you can make jokes about me teaching Robbie, | 0:08:32 | 0:08:34 | |
but she's off limits? | 0:08:34 | 0:08:35 | |
It's only been 20 seconds since my dick was inside you. | 0:08:35 | 0:08:38 | |
It's too soon. Don't make a big fucking deal about it. | 0:08:38 | 0:08:41 | |
Oh, so when is it acceptable to mention her, then? | 0:08:41 | 0:08:43 | |
I need some guidelines. | 0:08:43 | 0:08:45 | |
Half an hour after a shag? | 0:08:45 | 0:08:47 | |
Ten minutes after a blowie? | 0:08:47 | 0:08:49 | |
Five for fingering? | 0:08:49 | 0:08:51 | |
OK. I'm sorry for being touchy. | 0:08:51 | 0:08:53 | |
Just...don't mention fingering. You know it turns me on. | 0:08:55 | 0:08:58 | |
No, we can't, I'm late enough. | 0:09:01 | 0:09:03 | |
I've still got to prepare the classroom, and floss my teeth. | 0:09:03 | 0:09:06 | |
Oh. Hello, Miss Lyndsey. | 0:09:09 | 0:09:11 | |
Oh, hi, Mrs Swan. | 0:09:11 | 0:09:12 | |
Shouldn't you be somewhere else? | 0:09:12 | 0:09:14 | |
Sports day training this afternoon, so I get a long lunch. | 0:09:14 | 0:09:18 | |
Having said that, I'd better dash. | 0:09:18 | 0:09:20 | |
Bye. | 0:09:20 | 0:09:21 | |
Hello, gorgeous. What a lovely surprise. | 0:09:25 | 0:09:28 | |
I want a word with you. Upstairs. Now. | 0:09:28 | 0:09:30 | |
Yeah? | 0:09:30 | 0:09:32 | |
What's she doing here? | 0:09:38 | 0:09:39 | |
Getting her hair cut. What do you think? | 0:09:39 | 0:09:42 | |
She wanted to speak to someone about windows. | 0:09:42 | 0:09:44 | |
-On her lunch break? -It certainly beats dragging the whole class | 0:09:44 | 0:09:47 | |
down here during lesson time. | 0:09:47 | 0:09:49 | |
Don't get fucking smart with me, Vincent. | 0:09:49 | 0:09:51 | |
I've already had Boring Anne from next door take great fucking pleasure | 0:09:51 | 0:09:54 | |
in telling me how she saw you two driving through town together. | 0:09:54 | 0:09:56 | |
And now this. You'd better not be screwing our son's schoolteacher. | 0:09:56 | 0:10:00 | |
Jesus, Sam, calm down. I didn't even know you were being serious. | 0:10:00 | 0:10:03 | |
Of course I'm not fucking Robbie's teacher. | 0:10:03 | 0:10:05 | |
If I find out you're lying to me... | 0:10:05 | 0:10:06 | |
I'm not lying to you, baby. | 0:10:06 | 0:10:08 | |
Look, I gave her a lift home from the musical. One time. | 0:10:08 | 0:10:11 | |
She started telling me about how her mum wanted a new conservatory, | 0:10:11 | 0:10:13 | |
I said pop in. That was it. I was chasing a lead. | 0:10:13 | 0:10:16 | |
Well, just fucking think about how it looks before you start | 0:10:18 | 0:10:21 | |
gallivanting around town with our son's pretty, young teacher. | 0:10:21 | 0:10:24 | |
Miss Lyndsey, pretty? | 0:10:24 | 0:10:26 | |
I hadn't noticed. | 0:10:26 | 0:10:28 | |
You're such an arsehole. | 0:10:28 | 0:10:29 | |
Come here. | 0:10:29 | 0:10:31 | |
PHONE RINGS | 0:10:31 | 0:10:32 | |
One sec. | 0:10:32 | 0:10:33 | |
Yeah. | 0:10:34 | 0:10:36 | |
'Vince, some bird's on the line. | 0:10:36 | 0:10:37 | |
'Says she's the editor of the local paper. She wants to talk to you.' | 0:10:37 | 0:10:40 | |
You'd better stick her through. | 0:10:40 | 0:10:42 | |
Vincent Swan speaking. | 0:10:42 | 0:10:44 | |
'Hello, Mr Swan?' | 0:10:44 | 0:10:45 | |
Please, call me Vincent. | 0:10:45 | 0:10:46 | |
'Now guess which handsome silver-tongued devil | 0:10:46 | 0:10:48 | |
'has just been shortlisted for a prestigious business award? | 0:10:48 | 0:10:51 | |
'That's the editor of the Essex Chronicle on the phone | 0:10:51 | 0:10:54 | |
'giving me the good news. | 0:10:54 | 0:10:55 | |
'In their infinite wisdom, her readers have nominated yours truly | 0:10:55 | 0:10:58 | |
'as their Entrepreneur of the Year.' | 0:10:58 | 0:11:00 | |
I've always taken great pride in my rapport with my clients but this... | 0:11:00 | 0:11:04 | |
Well, it's an honour. | 0:11:04 | 0:11:06 | |
'I think you should try and attend the awards ceremony | 0:11:06 | 0:11:08 | |
'later this month. Seats are £100 a head...' | 0:11:08 | 0:11:10 | |
Well, I think we'll take a whole table, then, shall we? | 0:11:10 | 0:11:13 | |
CHEERING | 0:11:13 | 0:11:14 | |
'I wanted the whole team there to witness my finest hour. | 0:11:14 | 0:11:16 | |
'I even invited Fitzpatrick's miserable wife.' | 0:11:16 | 0:11:19 | |
And bring Thyroid. She could do with a night out. | 0:11:19 | 0:11:21 | |
-Do you mean Maureen? -Oh, yeah, sorry, Maureen. | 0:11:22 | 0:11:25 | |
'This palatial abode is the house that Vincent Swan paid for. | 0:11:26 | 0:11:30 | |
'Unfortunately, it belongs to Walshy. | 0:11:30 | 0:11:32 | |
'Ironically the more money I make for him, the less time | 0:11:32 | 0:11:35 | |
'he spends doing any actual work.' | 0:11:35 | 0:11:37 | |
Walshy, my old mucker. | 0:11:37 | 0:11:39 | |
This can't be good fucking news. | 0:11:39 | 0:11:41 | |
'Tony was his usual bountiful self.' | 0:11:41 | 0:11:43 | |
-Bollocks. -The publicity alone will be worth it. | 0:11:43 | 0:11:45 | |
Do me a favour, the publicity's free. | 0:11:45 | 0:11:48 | |
You've already delivered me that. | 0:11:48 | 0:11:49 | |
What you're asking is will I shell out 800 quid on a steak dinner | 0:11:49 | 0:11:53 | |
to watch you being an unbearably smug wanker? | 0:11:53 | 0:11:56 | |
Errr... No. | 0:11:56 | 0:11:58 | |
Well, if that's your attitude | 0:11:58 | 0:11:59 | |
I'll pay for a table myself, you tight prick. | 0:11:59 | 0:12:02 | |
Close the gate on your way out. | 0:12:04 | 0:12:06 | |
'I spent the next few weeks making sure that as many people as possible | 0:12:06 | 0:12:09 | |
'knew about my impending glory.' | 0:12:09 | 0:12:11 | |
I even laid out another 500 quid on this understated advertorial. | 0:12:15 | 0:12:19 | |
You have a lovely day. | 0:12:19 | 0:12:20 | |
No, no, the pleasure's all mine. | 0:12:20 | 0:12:22 | |
All right, ta. | 0:12:22 | 0:12:23 | |
You look like the cat that got the cream sucked out of his balls. | 0:12:25 | 0:12:28 | |
That was the editor of The Chronicle. | 0:12:28 | 0:12:30 | |
She said it wouldn't be a terrible idea if I started preparing a speech. | 0:12:30 | 0:12:33 | |
How about, "Dear mentals in charge of voting, | 0:12:33 | 0:12:36 | |
"thank you for collectively losing your minds." | 0:12:36 | 0:12:40 | |
It sounds like you're a shoe-in, boss. | 0:12:40 | 0:12:42 | |
It certainly fucking does. | 0:12:42 | 0:12:43 | |
'My big night arrived - the Essex Prestige Awards dinner. | 0:12:48 | 0:12:51 | |
'Although looking at my fellow attendees, you'd have thought | 0:12:51 | 0:12:53 | |
'I'd wandered into a convention for the Boring and Ugly Society. | 0:12:53 | 0:12:56 | |
'Everywhere you looked there were horrors - | 0:12:56 | 0:12:58 | |
'fat, sweaty messes of men with bad hair, bad suits | 0:12:58 | 0:13:01 | |
'and tired-looking wives. | 0:13:01 | 0:13:03 | |
'With one notable exception. | 0:13:03 | 0:13:04 | |
'Sam looked absolutely stunning, | 0:13:11 | 0:13:13 | |
'like a Hollywood film star from the '50s. | 0:13:13 | 0:13:16 | |
'A film star who'd accidently been dropped off at a two-star hotel function room somewhere in Essex.' | 0:13:16 | 0:13:21 | |
Sensational, isn't she? | 0:13:23 | 0:13:24 | |
I get a boner just knowing every man in here would crawl naked | 0:13:24 | 0:13:27 | |
over broken glass smeared in leopard shit to sniff the sweaty nutsack | 0:13:27 | 0:13:30 | |
of the man who takes her to bed every night. | 0:13:30 | 0:13:32 | |
Ah, Vincent Swan. | 0:13:33 | 0:13:34 | |
Who did you pay off at The Chronicle to get an invite? | 0:13:34 | 0:13:37 | |
No-one, as you'll find out later. | 0:13:37 | 0:13:38 | |
Have you met my gorgeous wife Sam? | 0:13:38 | 0:13:41 | |
My pleasure. I'm looking, but I don't see the white stick? | 0:13:41 | 0:13:44 | |
THEY CHUCKLE | 0:13:44 | 0:13:45 | |
Yeah, well, my sight came back a year after we were married | 0:13:45 | 0:13:48 | |
but by then it was too late. | 0:13:48 | 0:13:50 | |
So how do you boys know each other? | 0:13:51 | 0:13:52 | |
Old golfing buddies. | 0:13:52 | 0:13:54 | |
Vincent applied for a job with me but it wasn't a good fit. | 0:13:54 | 0:13:56 | |
A bit like that suit. | 0:13:56 | 0:13:58 | |
Must be hard being between children's and grown-up sizes, eh? | 0:13:58 | 0:14:01 | |
Well, it was a pleasure meeting you, Sam. | 0:14:01 | 0:14:02 | |
If you ever need a job, give me a call. | 0:14:02 | 0:14:05 | |
We're always on the lookout for the right type of people at Millman Young. | 0:14:05 | 0:14:08 | |
And who's this beauty? | 0:14:08 | 0:14:10 | |
I take it you paid her to be your escort for the night? | 0:14:10 | 0:14:13 | |
Very good. No, this is my wife, Belinda. | 0:14:13 | 0:14:15 | |
Belinda. Lovely to meet you. | 0:14:15 | 0:14:17 | |
And here's my card. | 0:14:17 | 0:14:19 | |
If you ever need a man that isn't three inches shorter than average | 0:14:19 | 0:14:22 | |
in every department, give me a call. | 0:14:22 | 0:14:24 | |
See you later, little prick. | 0:14:24 | 0:14:25 | |
-Vincent! -Sometimes you gotta call a little prick a little prick. | 0:14:27 | 0:14:30 | |
Do you want to go and join the others? I'll be over in a minute. | 0:14:30 | 0:14:32 | |
Yeah. | 0:14:32 | 0:14:34 | |
Hi, Carol. | 0:14:34 | 0:14:35 | |
Ah, Mr Mayor. Vincent Swan, Cachet Windows. | 0:14:36 | 0:14:39 | |
Now I do hope Grandad hasn't been boring the tits off you... | 0:14:39 | 0:14:42 | |
So, what did you do before you joined Cachet, Martin? | 0:14:42 | 0:14:46 | |
I was in bands. Do you know Paul Young? | 0:14:46 | 0:14:49 | |
Sorry, not really. | 0:14:49 | 0:14:51 | |
Neither does he any more. | 0:14:51 | 0:14:52 | |
He got dumped from his band before they had a number one hit. | 0:14:52 | 0:14:55 | |
I wasn't dumped. I left. To get a proper job. | 0:14:55 | 0:14:58 | |
And now you work for Tony? | 0:14:58 | 0:15:01 | |
No, it's fine. Performing to millions on Top Of The Pops | 0:15:01 | 0:15:04 | |
didn't really appeal to me. I much prefer the high-octane thrill | 0:15:04 | 0:15:07 | |
of an awards dinner in a Ramada hotel on the edge of Chelmsford. | 0:15:07 | 0:15:11 | |
I don't meet many ex-musicians. | 0:15:11 | 0:15:13 | |
Technically he's not an ex, he's a failed musician. | 0:15:13 | 0:15:16 | |
He can still play an instrument, it's just no-one wants him to. | 0:15:16 | 0:15:19 | |
And technically you're a bell-end, aren't you? | 0:15:19 | 0:15:21 | |
Right, does anyone apart from Fitzpatrick want a drink? | 0:15:21 | 0:15:24 | |
I'm just going to the bar. | 0:15:24 | 0:15:26 | |
I'm all right, thanks, love. | 0:15:26 | 0:15:27 | |
Can I have a snakebite, please? | 0:15:27 | 0:15:29 | |
Classy. Thy... Maureen? | 0:15:29 | 0:15:31 | |
A double. | 0:15:31 | 0:15:32 | |
A double of... | 0:15:32 | 0:15:34 | |
Of...anything that will take the edge off. | 0:15:34 | 0:15:36 | |
Righty-ho. Sam? | 0:15:36 | 0:15:37 | |
No, I'm good, thanks. | 0:15:37 | 0:15:39 | |
I'll have a pint, please, Lavatory. | 0:15:40 | 0:15:42 | |
Good to know. You can get it yourself. | 0:15:42 | 0:15:43 | |
Come on, if you're going. | 0:15:43 | 0:15:45 | |
I'm going, but just so that you're clear, | 0:15:45 | 0:15:47 | |
I'm definitely not bringing you back a pint. | 0:15:47 | 0:15:50 | |
Don't be a dick! | 0:15:50 | 0:15:51 | |
So, Maureen, How did you and Brian meet? | 0:15:51 | 0:15:53 | |
I can't remember. | 0:15:53 | 0:15:55 | |
Really? Well, I remember exactly the day I met Vincent. | 0:15:55 | 0:15:58 | |
It was nine months before Nat was born. | 0:15:58 | 0:16:01 | |
Really, it was! | 0:16:01 | 0:16:03 | |
I think you call that a hole in one. | 0:16:03 | 0:16:04 | |
I don't know how you find the time to raise kids and teach. | 0:16:04 | 0:16:08 | |
Oh, I'm not a teacher. | 0:16:08 | 0:16:09 | |
Oh, sorry. | 0:16:09 | 0:16:11 | |
I could've sworn Brian said you were your son's teacher. | 0:16:11 | 0:16:14 | |
My mistake. Must've been talking about another Vincent. | 0:16:14 | 0:16:17 | |
Actually, you know what? | 0:16:19 | 0:16:20 | |
I think I do fancy that drink after all. Excuse me. | 0:16:20 | 0:16:23 | |
Still here? | 0:16:27 | 0:16:29 | |
Hello. Hello? Mate, sorry, could I? | 0:16:29 | 0:16:33 | |
-Two pints of lager, please. -Yeah. | 0:16:33 | 0:16:35 | |
Mate, come on, he's literally just got here. | 0:16:35 | 0:16:36 | |
There's got to be some semblance of an order? | 0:16:36 | 0:16:39 | |
Hi, could I get a pint of lager and a glass of red wine, please? | 0:16:39 | 0:16:42 | |
-Make it a large one. -Cool. | 0:16:42 | 0:16:43 | |
Just taking the piss now. | 0:16:43 | 0:16:45 | |
Cheers. | 0:16:45 | 0:16:47 | |
Oh, hi, Sam. | 0:16:47 | 0:16:49 | |
Yeah, sorry, I'll get these. | 0:16:49 | 0:16:51 | |
Yeah, I know you will. | 0:16:51 | 0:16:52 | |
I'm just making sure we get served before last orders. | 0:16:52 | 0:16:54 | |
Yeah, good call. | 0:16:54 | 0:16:55 | |
Turns out I've got the bar presence of the invisible man. | 0:16:55 | 0:16:57 | |
So this must seem a far cry from hanging out with pop stars. | 0:16:59 | 0:17:02 | |
I was in the band of an "about to pop" star. | 0:17:02 | 0:17:04 | |
It wasn't really that glamourous. | 0:17:04 | 0:17:06 | |
You must miss it, though? | 0:17:06 | 0:17:07 | |
Yeah, a bit, especially on nights like this. | 0:17:07 | 0:17:10 | |
There was a stage I was playing to a room this size, | 0:17:10 | 0:17:13 | |
now I'm making small talk with Fitzpatrick and Thyroid... | 0:17:13 | 0:17:15 | |
Sorry, Maureen. | 0:17:15 | 0:17:17 | |
Thyroid? | 0:17:18 | 0:17:19 | |
She had a thyroid problem, it affected her weight. | 0:17:20 | 0:17:23 | |
Sorry, that sounded mean. | 0:17:23 | 0:17:24 | |
Yeah, that's quite mean. | 0:17:24 | 0:17:26 | |
But no need to apologise. | 0:17:27 | 0:17:28 | |
I can't stand the rude, fat bitch. | 0:17:28 | 0:17:31 | |
She is a charmer, isn't she? Why, what's she said to upset you? | 0:17:31 | 0:17:34 | |
Nothing I can't handle. | 0:17:35 | 0:17:36 | |
Ladies and gentlemen, please return to your tables. | 0:17:36 | 0:17:39 | |
Dinner will be served in five minutes. | 0:17:39 | 0:17:40 | |
Right, well, better get back, then, before Thyroid swipes our starters. | 0:17:40 | 0:17:44 | |
HE LAUGHS | 0:17:44 | 0:17:45 | |
Shouldn't you be sitting next to Vincent? | 0:17:55 | 0:17:56 | |
Oh, sorry. I could always move Thyroid back if you'd rather? | 0:17:56 | 0:17:59 | |
-Nah. More wine? -Yeah, please. | 0:17:59 | 0:18:02 | |
I think there's been a mix-up. You're supposed to be over here. | 0:18:02 | 0:18:05 | |
I'm all right where I am, thank you very much. | 0:18:05 | 0:18:07 | |
Babe, I want you over here, next to me. | 0:18:07 | 0:18:08 | |
And I want you to be less of a shitbag husband | 0:18:08 | 0:18:10 | |
but we can't always have what we want in life, can we? | 0:18:10 | 0:18:13 | |
Right. | 0:18:15 | 0:18:16 | |
So, Maureen, it looks like you're my neighbour tonight. | 0:18:17 | 0:18:20 | |
So where's Brian been hiding you this past year, eh? | 0:18:20 | 0:18:22 | |
He's ashamed of my size, so he pretends I don't exist. | 0:18:22 | 0:18:25 | |
And I'm disappointed with his choice of profession and sexual impotence, | 0:18:25 | 0:18:28 | |
so it swings both ways, doesn't it? | 0:18:28 | 0:18:32 | |
Please, Maureen. | 0:18:32 | 0:18:33 | |
Right, who wants some bubbly? | 0:18:33 | 0:18:35 | |
Oh, yeah, before we get stuck in | 0:18:35 | 0:18:37 | |
can we just establish how we're splitting the bill? | 0:18:37 | 0:18:39 | |
I'm not really a champagne drinker, so I might as well get my own. | 0:18:39 | 0:18:42 | |
It's all right, Scrooge McFuck, this is my treat, | 0:18:42 | 0:18:44 | |
a thank you to everyone who made it all possible - and you. | 0:18:44 | 0:18:47 | |
Excuse me, sweetheart, who do I have to suck off around here to get | 0:18:47 | 0:18:50 | |
a bottle of your finest champagne? | 0:18:50 | 0:18:52 | |
Oh, and a snakebite, please. | 0:18:52 | 0:18:54 | |
Ta. | 0:18:54 | 0:18:55 | |
'Thyroid continued to be the life and soul of the evening.' | 0:18:56 | 0:18:59 | |
Even though we couldn't have kids | 0:18:59 | 0:19:01 | |
I always knew Brian would be a very disappointing father. | 0:19:01 | 0:19:05 | |
MUSIC: Enola Gay by OMD | 0:19:05 | 0:19:07 | |
Excuse me. | 0:19:09 | 0:19:10 | |
That is overdone. All right? Take it away. | 0:19:10 | 0:19:13 | |
I want to eat it, not re-sole my shoe with it. | 0:19:13 | 0:19:15 | |
Don't take this the wrong way, Carol, but you remind me of a dog. | 0:19:18 | 0:19:22 | |
'Eventually I excused myself from the feast of fun | 0:19:26 | 0:19:28 | |
'and went to prepare for my acceptance speech.' | 0:19:28 | 0:19:30 | |
Thank you for this unexpected honour... | 0:19:30 | 0:19:32 | |
HE SNORTS | 0:19:32 | 0:19:34 | |
'I hadn't actually prepared a speech, | 0:19:37 | 0:19:38 | |
'but after a quick session with my favourite aide-memoire, | 0:19:38 | 0:19:41 | |
'I felt certain I could find the words.' | 0:19:41 | 0:19:43 | |
Ladies and gentlemen, | 0:19:46 | 0:19:47 | |
can you give a warm welcome to your host for the awards this evening, | 0:19:47 | 0:19:51 | |
managing editor of The Essex Chronicle, Miss Sharon Webb. | 0:19:51 | 0:19:55 | |
APPLAUSE | 0:19:55 | 0:19:57 | |
Good evening. | 0:20:02 | 0:20:03 | |
Or should I say, good year, for what a year it's been for | 0:20:03 | 0:20:07 | |
the companies and business leaders of Essex gathered here tonight. | 0:20:07 | 0:20:12 | |
Without further ado we're moving straight onto | 0:20:12 | 0:20:14 | |
tonight's opening category, Entrepreneur of the Year, | 0:20:14 | 0:20:18 | |
sponsored by Mr Rossi's Ice Cream of Southend-on-Sea. | 0:20:18 | 0:20:22 | |
Mucho grazie, Mr Rossi. | 0:20:22 | 0:20:23 | |
CHEERING | 0:20:23 | 0:20:25 | |
Now, the first winner of this award is someone who's taken | 0:20:25 | 0:20:27 | |
a fledgling sales team in southwest Essex and recorded record profits | 0:20:27 | 0:20:32 | |
in their business's first year of trading, | 0:20:32 | 0:20:35 | |
a man whose employees have described as an inspirational leader, | 0:20:35 | 0:20:40 | |
his clients have called him impressive, | 0:20:40 | 0:20:44 | |
trustworthy and charming. | 0:20:44 | 0:20:46 | |
Ladies and gentleman, please give a huge congratulations | 0:20:46 | 0:20:50 | |
to the winner of the Essex Prestige Awards' | 0:20:50 | 0:20:54 | |
first ever Entrepreneur of the Year, | 0:20:54 | 0:20:56 | |
Mr Andrew Davies of Millman Young Publishing. | 0:20:56 | 0:21:00 | |
Sorry, Sharon, it looks like someone's had a bit too much sauce with their steak. | 0:21:12 | 0:21:16 | |
Has anyone lost a child? He's on stage if you'd like to collect him. | 0:21:16 | 0:21:20 | |
Sorry, who are you? | 0:21:20 | 0:21:21 | |
Vincent Swan. Entrepreneur of the year. Keep up. | 0:21:21 | 0:21:23 | |
I think there's been a mix-up. | 0:21:23 | 0:21:24 | |
This is our Entrepreneur of the Year - Mr Andrew Davies, | 0:21:24 | 0:21:27 | |
from Millman Young Publishing. | 0:21:27 | 0:21:29 | |
Please leave the stage. | 0:21:29 | 0:21:30 | |
I think someone had a bit too much icing sugar on their profiteroles. | 0:21:30 | 0:21:33 | |
Let's keep this dignified. | 0:21:33 | 0:21:35 | |
ANDREW LAUGHS | 0:21:36 | 0:21:38 | |
Well, that's the magic of live television, I guess! | 0:21:38 | 0:21:41 | |
Maybe next year we don't give a table to Alcoholics Anonymous. | 0:21:41 | 0:21:44 | |
LAUGHTER | 0:21:44 | 0:21:46 | |
I'd just like to say I'm very honoured | 0:21:46 | 0:21:48 | |
and appreciative of this award. I'd like to start by thanking... | 0:21:48 | 0:21:51 | |
BRIAN LAUGHS | 0:21:51 | 0:21:53 | |
What's so fucking funny, Brian? | 0:21:58 | 0:22:01 | |
That... That went better than how I imagined. | 0:22:01 | 0:22:04 | |
What went better? | 0:22:04 | 0:22:06 | |
I'm really sorry, Vincent. | 0:22:06 | 0:22:07 | |
I didn't think he'd take it this far. | 0:22:07 | 0:22:09 | |
Wait. You had something to do with this? | 0:22:10 | 0:22:12 | |
Vincent Swan, meet Sharon Webb. | 0:22:15 | 0:22:17 | |
-"SHARON" VOICE: -Hello, Vincent. | 0:22:20 | 0:22:21 | |
You cunts. | 0:22:21 | 0:22:22 | |
Who's the king of pranks now, then, eh? | 0:22:25 | 0:22:28 | |
You were never up for an award, you silly tosser. | 0:22:28 | 0:22:30 | |
Do you know how much I've spunked on this table | 0:22:30 | 0:22:33 | |
and that fucking advertorial? | 0:22:33 | 0:22:34 | |
Yeah, well, if you play with the big boys, them's the stakes. | 0:22:34 | 0:22:37 | |
HE LAUGHS | 0:22:37 | 0:22:39 | |
For the record, I had no idea about this, mate. | 0:22:39 | 0:22:41 | |
Never mind, Vincent, at least we had a nice steak out of it. | 0:22:42 | 0:22:45 | |
Cor blimey! If I'd known it was going to be this entertaining | 0:22:45 | 0:22:48 | |
I'd have paid for dinner myself. | 0:22:48 | 0:22:50 | |
Shut up, you wally! | 0:22:50 | 0:22:51 | |
You're fired. | 0:22:51 | 0:22:53 | |
All right, let's call a truce on the pranks now, shall we? | 0:22:53 | 0:22:57 | |
No, read my lips. You're fucking sacked. | 0:22:57 | 0:22:59 | |
Whatever you say, boss(!) | 0:22:59 | 0:23:01 | |
Walshy will finish up with you next week. | 0:23:01 | 0:23:03 | |
It'll be minus whatever the fuck I've laid out feeding you and Little Miss Sunshine over there. | 0:23:03 | 0:23:07 | |
Seriously? | 0:23:09 | 0:23:11 | |
All right, so you can... | 0:23:11 | 0:23:12 | |
You can dish it out but you can't take it? Is that what this is? | 0:23:12 | 0:23:15 | |
Walshy, he can't sack me for that. Tell him. | 0:23:16 | 0:23:19 | |
Yeah, look, maybe we should all calm down | 0:23:19 | 0:23:21 | |
and pick this up in the morning, eh? | 0:23:21 | 0:23:22 | |
No, you make a decision right now, Tony. It's me or him. | 0:23:22 | 0:23:25 | |
Well? | 0:23:27 | 0:23:28 | |
Sorry, Brian. This isn't down to me. | 0:23:30 | 0:23:33 | |
Unbelievable. | 0:23:33 | 0:23:34 | |
It was only a joke. | 0:23:37 | 0:23:38 | |
Right. Come on, Sam. | 0:23:38 | 0:23:40 | |
Sam, tell him it was a joke. | 0:23:40 | 0:23:42 | |
I didn't know he was going to go on the stage. | 0:23:42 | 0:23:45 | |
They didn't even call his name out. | 0:23:45 | 0:23:47 | |
Ah, Mr Swan! It's Miss Barnes from the tax office. | 0:23:51 | 0:23:54 | |
-Not now. -Congratulations on your meteoric rise from gardener to | 0:23:54 | 0:23:58 | |
award-nominated sales superstar. | 0:23:58 | 0:24:00 | |
-Not now! -The funny thing is, I'd completely given up the ghost | 0:24:00 | 0:24:03 | |
until this shameful piece of self-promotion landed in my lap. | 0:24:03 | 0:24:06 | |
Vincent, who is this? What's she talking about? | 0:24:06 | 0:24:09 | |
Why don't you save me the Lieutenant Columbo bollocks | 0:24:09 | 0:24:11 | |
-and do what you've come to do. -I would be delighted. | 0:24:11 | 0:24:14 | |
Vincent Swan, I have here a demand for unpaid tax | 0:24:14 | 0:24:16 | |
for the last 12 months. | 0:24:16 | 0:24:18 | |
Given that you were kind enough to publish details of your sales performance, we've estimated | 0:24:18 | 0:24:22 | |
that you currently owe us £50,000 in unpaid tax and fines. | 0:24:22 | 0:24:27 | |
You will find details in this document. | 0:24:27 | 0:24:29 | |
Have a wonderful evening. | 0:24:31 | 0:24:32 | |
-Another secret you were hoping I'd never find out about. -Fucking hell. | 0:24:35 | 0:24:39 | |
Don't walk away from me, Vincent. | 0:24:39 | 0:24:41 | |
Vincent! | 0:24:42 | 0:24:44 | |
Are you going to say anything? | 0:24:50 | 0:24:51 | |
I'll sort it. | 0:24:51 | 0:24:53 | |
How? How does it get sorted, Vincent? Eh? | 0:24:53 | 0:24:56 | |
Are you going to find 50 grand down the back of the sofa? | 0:24:56 | 0:24:59 | |
Like I always do - on my own. | 0:24:59 | 0:25:01 | |
This isn't a game, Vincent. | 0:25:01 | 0:25:02 | |
It's not another one of your showroom pranks. | 0:25:02 | 0:25:05 | |
It's £50,000. | 0:25:05 | 0:25:07 | |
We could lose our house, everything. | 0:25:07 | 0:25:09 | |
Will you slow down? | 0:25:09 | 0:25:11 | |
I don't remember you being so concerned about my tax affairs | 0:25:11 | 0:25:15 | |
while you were out fucking spending all over the place. | 0:25:15 | 0:25:17 | |
Fucking hell, that is pathetic, even for a scumbag like you. | 0:25:17 | 0:25:21 | |
OK, will you stop speaking to me like I'm some sort of a cunt, please? | 0:25:21 | 0:25:25 | |
Well, it's hard not to, Vincent, | 0:25:25 | 0:25:26 | |
when you behave like such a fucking cunt all the time. | 0:25:26 | 0:25:28 | |
There's a line, Sam, that's all I'm saying, all right? | 0:25:28 | 0:25:31 | |
There's only so much I can take. | 0:25:31 | 0:25:33 | |
A line you crossed by fucking our son's schoolteacher. | 0:25:34 | 0:25:36 | |
Fucking hell! | 0:25:36 | 0:25:38 | |
She wanted a conservatory. | 0:25:39 | 0:25:41 | |
We've been through this. Nothing happened. | 0:25:41 | 0:25:44 | |
I just wish you had the fucking bollocks to admit it. | 0:25:50 | 0:25:53 | |
I mean, I've always known you were a fucking piece of shit, | 0:25:53 | 0:25:56 | |
but what's Robbie going to think, eh? | 0:25:56 | 0:25:58 | |
What kind of father does that make you? | 0:25:58 | 0:26:00 | |
All right, fine. | 0:26:04 | 0:26:06 | |
I am sleeping with her. | 0:26:06 | 0:26:07 | |
Is that better? | 0:26:08 | 0:26:10 | |
Why? | 0:26:14 | 0:26:15 | |
Why would you do that to us, Vincent? | 0:26:17 | 0:26:19 | |
Just go inside, Sam. I can't do this tonight. | 0:26:21 | 0:26:24 | |
You fucking piece of shit. | 0:26:26 | 0:26:28 | |
You fucking useless, fucking cunt! | 0:26:28 | 0:26:31 | |
SHE SOBS | 0:26:31 | 0:26:33 | |
Just go inside. | 0:26:33 | 0:26:34 | |
Where are you going to fucking go, eh? | 0:26:34 | 0:26:36 | |
You go back to that fucking whore tonight, | 0:26:39 | 0:26:41 | |
don't you ever come back here, Vincent. | 0:26:41 | 0:26:43 | |
Fuck you. | 0:26:46 | 0:26:47 | |
MUSIC: Waiting For A Girl Like You by Foreigner | 0:26:52 | 0:26:56 | |
SHE SOBS | 0:27:05 | 0:27:07 | |
# So long | 0:27:11 | 0:27:15 | |
# I've been looking too hard I've been waiting too long | 0:27:15 | 0:27:20 | |
# Sometimes I don't know what I will find | 0:27:20 | 0:27:25 | |
# I only know it's a matter of time | 0:27:25 | 0:27:29 | |
# When you love someone | 0:27:29 | 0:27:31 | |
# When you love someone | 0:27:34 | 0:27:36 | |
# It feels so right, so warm and true | 0:27:39 | 0:27:43 | |
# I need to know if you feel it too | 0:27:43 | 0:27:48 | |
# Maybe I'm wrong | 0:27:50 | 0:27:52 | |
# Won't you tell me if I'm coming on too strong? | 0:27:53 | 0:27:57 | |
# This heart of mine has been hurt before... # | 0:27:57 | 0:28:00 |