Browse content similar to Close Encounters. Check below for episodes and series from the same categories and more!
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This programme contains very strong language and some scenes of a sexual nature. | 0:00:02 | 0:00:05 | |
LOUD MUSIC: # ..bought a ticket to the West Coast | 0:00:05 | 0:00:07 | |
# Now he gives them a stand-up routine in LA... # | 0:00:07 | 0:00:09 | |
MUSIC DROWNS OUT DOORBELL | 0:00:09 | 0:00:12 | |
Excuse me... | 0:00:13 | 0:00:15 | |
Hello? | 0:00:17 | 0:00:18 | |
Excuse me. | 0:00:20 | 0:00:21 | |
MUSIC STOPS | 0:00:25 | 0:00:27 | |
Excuse me. Are you the homeowner? | 0:00:27 | 0:00:29 | |
-That depends. -Depends on what exactly? | 0:00:29 | 0:00:31 | |
On whether you're here to tell me I've won the pools or not. | 0:00:31 | 0:00:34 | |
Not quite. I'm looking for Mr Vincent Swan. | 0:00:34 | 0:00:38 | |
-Oh. -I take it that's you? | 0:00:38 | 0:00:41 | |
No, sorry. | 0:00:41 | 0:00:42 | |
And you are? | 0:00:42 | 0:00:44 | |
The gardener. | 0:00:44 | 0:00:45 | |
Well, if you could pass this on to Mr Swan and tell him that | 0:00:45 | 0:00:49 | |
Miss Barnes from Her Majesty's Inland Revenue stopped by | 0:00:49 | 0:00:52 | |
to discuss his tax affairs. | 0:00:52 | 0:00:54 | |
Will do. What's he done? | 0:00:54 | 0:00:56 | |
It's more what he's not done, really. As in pay any tax. | 0:00:57 | 0:01:01 | |
-Hm. -Do many people on this council estate have private gardeners? | 0:01:01 | 0:01:06 | |
No, I'm a luxury few can afford. | 0:01:06 | 0:01:09 | |
Tell Mr Swan I'll see him soon. | 0:01:10 | 0:01:12 | |
Oh, I will, sweetheart. | 0:01:12 | 0:01:14 | |
"Nothing is certain in life but death and taxes." | 0:01:20 | 0:01:23 | |
You know who said that? | 0:01:23 | 0:01:25 | |
Some fucking loser. | 0:01:25 | 0:01:26 | |
It's defeatist bullshit designed to make the feeble feel | 0:01:26 | 0:01:28 | |
better about their tragic lives. | 0:01:28 | 0:01:30 | |
Death and taxes? I plan on avoiding both. | 0:01:30 | 0:01:32 | |
# Got a call from an old friend | 0:01:39 | 0:01:41 | |
# We used to be real close | 0:01:41 | 0:01:43 | |
# Said he couldn't go on the American way... # | 0:01:46 | 0:01:50 | |
Mm. You look handsome. | 0:01:52 | 0:01:55 | |
And flammable. Have you got any cash? | 0:01:55 | 0:01:58 | |
-I need to pay for Robbie's school trip. -Wallet's in my pocket. | 0:01:58 | 0:02:01 | |
Jacket pocket. | 0:02:02 | 0:02:04 | |
It's all right, I think I've found what I've been missing. | 0:02:04 | 0:02:08 | |
Sam, I don't have time. | 0:02:08 | 0:02:10 | |
That's not what Mr Winky is telling me. | 0:02:10 | 0:02:12 | |
He seems very pleased to see me. | 0:02:12 | 0:02:15 | |
Oh, that's not fair. | 0:02:15 | 0:02:16 | |
I think it's more than fair, Vincent Swan. | 0:02:16 | 0:02:19 | |
It's been ages since we've had any fun together. | 0:02:19 | 0:02:21 | |
Oh, Jesus, that feels good. | 0:02:21 | 0:02:24 | |
All right, let me get out of these trousers, yeah? | 0:02:24 | 0:02:26 | |
No, no, no, you keep them on. | 0:02:26 | 0:02:28 | |
I want you like this, Mr Big Shot Salesman. In his suit... | 0:02:28 | 0:02:33 | |
Mm, let's close this deal, Vincent. | 0:02:33 | 0:02:36 | |
It's business time...I'm on my knees, | 0:02:36 | 0:02:39 | |
begging for all of your product... | 0:02:39 | 0:02:41 | |
That's it. Mm, close the deal. All over my fingers. | 0:02:41 | 0:02:46 | |
-That's it. -Oh! -There we go. | 0:02:46 | 0:02:50 | |
Mm. | 0:02:50 | 0:02:51 | |
Shit. | 0:02:53 | 0:02:55 | |
I'm going to have to change now. | 0:02:56 | 0:02:58 | |
Well, let that be a lesson to you. | 0:02:58 | 0:03:00 | |
And I swear I'll make you ruin every single pair of trousers in | 0:03:00 | 0:03:03 | |
that wardrobe until you give your family some proper attention. | 0:03:03 | 0:03:06 | |
'But Sam wasn't the only woman yanking my dick | 0:03:08 | 0:03:10 | |
'that particular morning.' | 0:03:10 | 0:03:12 | |
You've got to be shitting me. | 0:03:13 | 0:03:15 | |
He'll probably be here in five minutes. Come in, wait inside. | 0:03:26 | 0:03:29 | |
PHONE RINGS | 0:03:29 | 0:03:37 | |
Pick up the phone, shitheads. | 0:03:37 | 0:03:39 | |
-PHONE RINGS -He won't be long. | 0:03:39 | 0:03:41 | |
No-one move, I'll get it. | 0:03:41 | 0:03:43 | |
Cachet Windows and Doors. How may I help you? | 0:03:45 | 0:03:48 | |
Carol, this is Vincent. Listen. Don't talk. | 0:03:48 | 0:03:50 | |
That woman is from the tax office, she's after me. | 0:03:50 | 0:03:53 | |
How'd you know that? Is this magic, like Paul Daniels? | 0:03:53 | 0:03:57 | |
Stop fucking talking. I'm over the road in the phone box. | 0:03:57 | 0:04:00 | |
Don't look. | 0:04:00 | 0:04:01 | |
Jesus Christ! | 0:04:01 | 0:04:03 | |
Oh, sorry, I'm very suggestible. | 0:04:03 | 0:04:05 | |
Look, I need you to calmly put the phone down and tell her | 0:04:05 | 0:04:08 | |
I do not work there and you have never heard of me. | 0:04:08 | 0:04:11 | |
I've never heard of Vincent Swan. | 0:04:14 | 0:04:16 | |
So, why did you just invite me in | 0:04:16 | 0:04:18 | |
and say he'd be along in five minutes? | 0:04:18 | 0:04:21 | |
I thought you said... | 0:04:21 | 0:04:23 | |
Winston... | 0:04:23 | 0:04:24 | |
Ston. | 0:04:24 | 0:04:25 | |
Winston Ston? | 0:04:25 | 0:04:27 | |
OK. | 0:04:28 | 0:04:30 | |
Neither of you gentlemen would happen to be Vincent Swan? | 0:04:30 | 0:04:34 | |
-No, sorry. -Well, is either of you the business owner? | 0:04:34 | 0:04:37 | |
No, I just work here in sales. | 0:04:37 | 0:04:39 | |
"Work" is debatable. He sits there and looks pretty. | 0:04:39 | 0:04:42 | |
-I'm the salesman. -Pointless comment. | 0:04:42 | 0:04:44 | |
If you'd like to speak to Tony Walsh he's the business owner, | 0:04:44 | 0:04:47 | |
-he's usually at the factory. -Do you have the address handy? | 0:04:47 | 0:04:50 | |
-Here's his card. -Thank you, for being more than just a pretty face. | 0:04:50 | 0:04:54 | |
Erm, thanks. | 0:04:54 | 0:04:56 | |
If you do happen to run into Mr Swan | 0:04:57 | 0:05:01 | |
please do let him know that I stopped by. | 0:05:01 | 0:05:04 | |
Will do... I mean, I would do... | 0:05:04 | 0:05:07 | |
if I could, but I can't. | 0:05:07 | 0:05:08 | |
Cos I don't even know him and he's never worked here. Bye. | 0:05:08 | 0:05:13 | |
Lavatory couldn't wait to grass you up. | 0:05:20 | 0:05:22 | |
Don't be a cock. I was trying to get her out of the showroom. | 0:05:22 | 0:05:25 | |
You and your student comrades might want to go and live in Russia | 0:05:25 | 0:05:28 | |
but, here, in the free West, we try not to inform on our pals. | 0:05:28 | 0:05:32 | |
Brian, will you just give it a rest for two minutes while I try | 0:05:32 | 0:05:34 | |
and figure out how to get this fucking bloodhound off my scent. | 0:05:34 | 0:05:37 | |
Here's an idea, why don't you pay your tax like the rest of us? | 0:05:37 | 0:05:40 | |
Because unlike you, I'm not a mug, mate. | 0:05:40 | 0:05:42 | |
Paying tax is like paying your TV licence fee - you only ever | 0:05:42 | 0:05:44 | |
-do it when they catch you. -Which she has done. | 0:05:44 | 0:05:46 | |
No, she's just knocked on my door. All I have to do is hide | 0:05:46 | 0:05:49 | |
under the sofa until she moves on to the next sap. | 0:05:49 | 0:05:51 | |
-Wouldn't it be easier to just pay them? -I can't, mate. | 0:05:51 | 0:05:53 | |
I conscientiously object to taxation. | 0:05:53 | 0:05:56 | |
On what grounds? | 0:05:56 | 0:05:57 | |
On the grounds that I tried it once and I didn't like it. | 0:05:57 | 0:06:00 | |
Luckily, it wasn't bad timing for an enforced sabbatical from | 0:06:03 | 0:06:06 | |
the business as I'd recently branched out | 0:06:06 | 0:06:08 | |
into movie distribution. | 0:06:08 | 0:06:09 | |
Can you believe people will pay 20 quid | 0:06:10 | 0:06:12 | |
a pop to get their own copy of this boggly-eyed little cunt? | 0:06:12 | 0:06:15 | |
THEME FROM ET This all started with a visit | 0:06:15 | 0:06:17 | |
from our friendly neighbourhood loan shark. | 0:06:17 | 0:06:20 | |
Ronnie Farrell had recently acquired some electrical goods and | 0:06:20 | 0:06:23 | |
needed a safe place to store them for a few weeks. | 0:06:23 | 0:06:25 | |
Stay in the van, I mean it. | 0:06:25 | 0:06:28 | |
'Just until the paperwork got sorted.' | 0:06:28 | 0:06:30 | |
Anyway, these goods turned out to be a batch of state of the art | 0:06:32 | 0:06:35 | |
video recorders and camcorders. | 0:06:35 | 0:06:37 | |
Which was handy because as well as crushed dreams, the music industry | 0:06:37 | 0:06:40 | |
had given Lavender a basic knowledge of recording equipment so when | 0:06:40 | 0:06:44 | |
I got hold of an illegal VHS of the biggest movie on the fucking planet, | 0:06:44 | 0:06:48 | |
we set up our own dubbing suite and entered the pirate video business. | 0:06:48 | 0:06:52 | |
Piss off, will ya! Turn that bloody thing off! | 0:06:52 | 0:06:56 | |
God, the little boy's sick now. | 0:06:58 | 0:07:01 | |
And the alien. | 0:07:01 | 0:07:02 | |
And talking of illegal aliens, meet Brendan, our Irish fitter. | 0:07:03 | 0:07:07 | |
'It turns out I wasn't the only Cachet boy looking to branch | 0:07:13 | 0:07:15 | |
'out into showbusiness.' | 0:07:15 | 0:07:17 | |
Martin, you've been to university, you can work a camera, can't you? | 0:07:17 | 0:07:22 | |
I need some photos done. | 0:07:22 | 0:07:23 | |
Yes, I can work a camera, Brendan, not because I've been to university. | 0:07:23 | 0:07:26 | |
You just press the button on top. | 0:07:26 | 0:07:28 | |
Will you take the fucking pics or not? | 0:07:28 | 0:07:31 | |
Yeah, yeah. Seeing as you're asking so nicely. What are we shooting? | 0:07:31 | 0:07:34 | |
Donna, get your arse in here! | 0:07:34 | 0:07:36 | |
I need somebody to take some topless shots of Donna for this | 0:07:38 | 0:07:40 | |
Page 3 competition they're running in The Sun. | 0:07:40 | 0:07:42 | |
500 quid first prize. | 0:07:42 | 0:07:44 | |
Obviously, I'd do it if I weren't her Da. | 0:07:44 | 0:07:46 | |
-Jesus, Brendan. How old is she? -16. | 0:07:46 | 0:07:49 | |
It was my birthday on Sunday. | 0:07:49 | 0:07:51 | |
Many happy returns, love. | 0:07:51 | 0:07:53 | |
Was it a toss up between getting some roller boots | 0:07:53 | 0:07:55 | |
or getting some tit shots done? | 0:07:55 | 0:07:57 | |
No, she got her roller boots, too. | 0:07:57 | 0:07:59 | |
Right. I want no part in this. | 0:07:59 | 0:08:02 | |
Typical. I suppose Comrade Lenin didn't approve of tits? | 0:08:02 | 0:08:06 | |
I wouldn't know, I'm not a communist. | 0:08:06 | 0:08:08 | |
-I just think Page 3 is degrading to women. -Course you do. | 0:08:08 | 0:08:11 | |
That's the problem with these Trotsky types, Brendan. | 0:08:11 | 0:08:13 | |
Dare to show a bit of entrepreneurial spirit | 0:08:13 | 0:08:16 | |
and they want to piss all over your dreams | 0:08:16 | 0:08:18 | |
-from their lofty moral high ground. -It's not political. | 0:08:18 | 0:08:20 | |
I just don't particularly want to see Donna's or anyone's tits | 0:08:20 | 0:08:23 | |
splashed across my newspaper. | 0:08:23 | 0:08:24 | |
Careful with that smart mouth of yours, boy. | 0:08:24 | 0:08:27 | |
-I'll take the pictures, Brendan. -Cheers. Here's the camera. | 0:08:27 | 0:08:30 | |
If you'd like to just follow me upstairs, Donna. | 0:08:30 | 0:08:33 | |
I'll be back in an hour, love. | 0:08:33 | 0:08:34 | |
Don't be late cos I've got majorettes at six. | 0:08:34 | 0:08:36 | |
HE GRUNTS APPROVAL | 0:08:36 | 0:08:38 | |
There's something wrong with you. | 0:08:40 | 0:08:42 | |
Come on, loosen up a bit. Try and look a little less...dead eyed? | 0:08:45 | 0:08:50 | |
It doesn't matter. | 0:08:50 | 0:08:51 | |
I just want to get this over with and get my 500 quick. | 0:08:51 | 0:08:53 | |
Well, if you want to be in with a chance of winning the money | 0:08:53 | 0:08:56 | |
we've got to get a shot that doesn't look like it should come | 0:08:56 | 0:08:58 | |
-with a ransom note. -Are you saying I might not get paid for this? | 0:08:58 | 0:09:01 | |
It's a competition. Only the winner gets paid. | 0:09:01 | 0:09:03 | |
-It's not Reader's Wives. -I don't know what that is. | 0:09:03 | 0:09:06 | |
No, of course you don't. | 0:09:06 | 0:09:08 | |
It's an erotic magazine where consenting adults | 0:09:08 | 0:09:11 | |
send in nude photos. | 0:09:11 | 0:09:13 | |
A grot mag? | 0:09:13 | 0:09:14 | |
Yes. | 0:09:14 | 0:09:15 | |
And they get paid? | 0:09:15 | 0:09:17 | |
Yeah. 25 quid a shot... I've...someone... I've heard... | 0:09:17 | 0:09:21 | |
Lavender told me. | 0:09:21 | 0:09:23 | |
Well, let's just do that, then. | 0:09:23 | 0:09:24 | |
Yeah all right, then, but don't tell your dad. | 0:09:27 | 0:09:30 | |
That's better. | 0:09:30 | 0:09:31 | |
'Meanwhile, hiding from the tax Nazi gave me the chance | 0:09:31 | 0:09:34 | |
'to score some brownie points with Sam and the kids.' | 0:09:34 | 0:09:36 | |
Hands up who thinks I'm the best daddy in the world? | 0:09:36 | 0:09:39 | |
-Well, hands up who wants the day off school? -Yep! -That's better. | 0:09:42 | 0:09:47 | |
Right. The Swans are having a family day out. | 0:09:47 | 0:09:50 | |
I see they're thinking up new ways to make Page 3 even creepier. | 0:09:51 | 0:09:54 | |
There's the latest. | 0:09:56 | 0:09:57 | |
"Cute little Karen Clarke was a topless beauty at an early age | 0:09:57 | 0:10:00 | |
"but she's a big girl now all right, and every inch a lady." | 0:10:00 | 0:10:04 | |
She sure is. What's wrong with that? | 0:10:04 | 0:10:06 | |
Just everything possible, I suppose. | 0:10:06 | 0:10:08 | |
They've even lined up her two-year-old self | 0:10:08 | 0:10:10 | |
so she's looking directly at her 19-year-old breasts. | 0:10:10 | 0:10:13 | |
-Do you honestly think that's all right? -Course. | 0:10:13 | 0:10:15 | |
Look at little Karen there, | 0:10:15 | 0:10:16 | |
she looks pleased as punch she turned into such a stunner. | 0:10:16 | 0:10:19 | |
Oh, hello, love. Just head upstairs, get yourself ready. | 0:10:19 | 0:10:23 | |
Don't call me love. | 0:10:23 | 0:10:24 | |
-What are you up to? -None of your beeswax. | 0:10:26 | 0:10:29 | |
All right. Maybe I'd better ask Brendan when I see him. | 0:10:29 | 0:10:31 | |
All right. I'm just helping Donna make a little bit | 0:10:31 | 0:10:34 | |
of extra pocket money. | 0:10:34 | 0:10:35 | |
If she's going to immortalise her bangers on celluloid, | 0:10:35 | 0:10:37 | |
she might as well get some mullah doing it - her words not mine, | 0:10:37 | 0:10:41 | |
before you start labelling me "sexist." | 0:10:41 | 0:10:43 | |
Hello, Brian. Are we OK to leave the car out the front? | 0:10:43 | 0:10:46 | |
No, the warden round here's a Nazi. | 0:10:46 | 0:10:48 | |
Just swing it round the back of the showroom. | 0:10:48 | 0:10:50 | |
Who was that? | 0:10:52 | 0:10:53 | |
Those gentlemen are local artistes who've expressed an interest | 0:10:53 | 0:10:57 | |
in honing their nude, still-life photography techniques. | 0:10:57 | 0:11:01 | |
They look like the sort of men we were warned not to speak to | 0:11:01 | 0:11:03 | |
on the way home from school. | 0:11:03 | 0:11:04 | |
As they're paying 200 quid for an hour's studio time, | 0:11:04 | 0:11:07 | |
me and Donna are more than happy to speak to them. | 0:11:07 | 0:11:09 | |
You just stay down here staring disapprovingly at tits. | 0:11:09 | 0:11:13 | |
'Now her genies were out the bottle, Donna wanted quick, easy money and | 0:11:13 | 0:11:17 | |
'Fitzpatrick was precisely the kind of degenerate to help her find it. | 0:11:17 | 0:11:20 | |
'Elsewhere, the Swan family Beano was underway and nothing says | 0:11:20 | 0:11:23 | |
'quality time like a visit to the spot where it all began.' | 0:11:23 | 0:11:27 | |
It's so creepy down here. | 0:11:27 | 0:11:28 | |
-We're not lost, are we, Vincent? -No-one's lost. We're nearly there. | 0:11:28 | 0:11:32 | |
-Do you know what that is, kids? -What are we looking at? | 0:11:35 | 0:11:38 | |
More boring trees. | 0:11:38 | 0:11:40 | |
No, that's the spot where you were conceived. | 0:11:40 | 0:11:42 | |
-Jesus, Vincent. -Right up against that big tree. | 0:11:42 | 0:11:45 | |
-You actually think this is all right? -Urgh. | 0:11:45 | 0:11:47 | |
-I want to go back to school. -What's conceived mean? | 0:11:47 | 0:11:50 | |
You're going to have to do much better than this, Vincent. | 0:11:50 | 0:11:52 | |
OK. | 0:11:54 | 0:11:55 | |
'Fitzpatrick's photography class was soon exploring all the classical | 0:12:00 | 0:12:04 | |
'poses - naughty school girl, sexy tennis player, slutty nurse. | 0:12:04 | 0:12:09 | |
'And while a picture paints a thousand words, | 0:12:09 | 0:12:11 | |
-'turns out a video was gold dust.' -Do you ever record these sessions? | 0:12:11 | 0:12:14 | |
-Come on, mate, don't take the piss. -How much? | 0:12:14 | 0:12:18 | |
-Another £200. -Each. | 0:12:18 | 0:12:20 | |
Shit, really. You're both in? | 0:12:21 | 0:12:25 | |
-Donna? -Yeah. | 0:12:26 | 0:12:28 | |
All right wait here. | 0:12:29 | 0:12:31 | |
All right, look, it's got auto focus so all you need to do | 0:12:31 | 0:12:34 | |
is point and shoot. | 0:12:34 | 0:12:35 | |
And then making copies is pretty easy. You just put the master copy | 0:12:35 | 0:12:37 | |
into one machine, press play. Then take a blank tape and | 0:12:37 | 0:12:41 | |
put it into the other machine and press play and record. | 0:12:41 | 0:12:44 | |
There you go. That's it. | 0:12:44 | 0:12:45 | |
If you film it and run off a couple of copies, | 0:12:45 | 0:12:48 | |
there's a 20 in it for you. | 0:12:48 | 0:12:50 | |
Hm, let me see. | 0:12:50 | 0:12:52 | |
My dignity and self respect versus £20, that is a tough one. | 0:12:52 | 0:12:58 | |
Come on, Donna doesn't give a shit. | 0:12:58 | 0:13:00 | |
It's all tasteful Page 3 stuff. | 0:13:00 | 0:13:03 | |
Yeah, Page 3 isn't really tasteful, though, is it? | 0:13:03 | 0:13:05 | |
Oh, your KGB pal is back for more info. | 0:13:05 | 0:13:07 | |
Tell you what, try and resist the urge to grass this time. | 0:13:07 | 0:13:10 | |
Hello. Miss Barnes. Don't tell me? | 0:13:14 | 0:13:17 | |
You liked our windows so much you're back for a free quote? | 0:13:17 | 0:13:20 | |
Unfortunately, I'm here on official business, though you could | 0:13:20 | 0:13:23 | |
sell me anything with those puppy dog eyes of yours. | 0:13:23 | 0:13:26 | |
Any sign of your colleague Vincent Swan? | 0:13:27 | 0:13:30 | |
I don't think I have a colleague called Vincent Swan. | 0:13:30 | 0:13:32 | |
Nice, very good. | 0:13:32 | 0:13:34 | |
The problem is our investigators have evidence that Mr Swan | 0:13:34 | 0:13:38 | |
has been an employee of Cachet Windows for the last eight months. | 0:13:38 | 0:13:41 | |
And yet no-one who works here seems to remember him. | 0:13:41 | 0:13:44 | |
Isn't that strange... | 0:13:46 | 0:13:47 | |
..pretty face? | 0:13:48 | 0:13:50 | |
That is strange but, like I said, I can't really help you... | 0:13:51 | 0:13:56 | |
The thing is Mr... | 0:13:56 | 0:13:57 | |
Call me Martin. | 0:13:57 | 0:13:59 | |
Thing is, Martin, we could continue this charade for weeks until | 0:14:00 | 0:14:05 | |
I eventually catch him, | 0:14:05 | 0:14:07 | |
or we could investigate other avenues | 0:14:07 | 0:14:11 | |
for making all of this unpleasantness disappear. | 0:14:11 | 0:14:15 | |
I'm sorry, other avenues? | 0:14:15 | 0:14:17 | |
Let's just say I'm more inclined to believe an individual when | 0:14:18 | 0:14:23 | |
they're trying to be accommodating. | 0:14:23 | 0:14:25 | |
Right now, I can see great potential | 0:14:25 | 0:14:28 | |
for how accommodating you might be to me. | 0:14:28 | 0:14:30 | |
Oh, my goodness. Is that the time? I must fly. | 0:14:32 | 0:14:35 | |
Tell Mr Swan I'll be back tomorrow. | 0:14:36 | 0:14:38 | |
-They look evil. -Dad, I'm scared. | 0:14:44 | 0:14:47 | |
It's freezing, Vincent, can't we just eat these in the car? | 0:14:47 | 0:14:50 | |
Don't be daft. Look around. | 0:14:50 | 0:14:52 | |
This beats any al-fresco dining experience on the planet. | 0:14:52 | 0:14:54 | |
Is al-fresco Italian for bleak and terrifying? | 0:14:54 | 0:14:57 | |
Oh! | 0:14:57 | 0:14:58 | |
THEY LAUGH | 0:14:58 | 0:14:59 | |
All right, look, we're not going to let a couple of seagulls | 0:14:59 | 0:15:02 | |
ruin our moment. | 0:15:02 | 0:15:03 | |
They're predators, they won't attack if an alpha stares them down. | 0:15:03 | 0:15:06 | |
I'll bog them out, you finish your dinner. | 0:15:06 | 0:15:08 | |
Right, you thieving little bastards, stay away from my family. | 0:15:08 | 0:15:11 | |
Really? | 0:15:11 | 0:15:13 | |
VINCENT SQUAWKS MENACINGLY | 0:15:13 | 0:15:16 | |
He's obviously practised this before. | 0:15:16 | 0:15:18 | |
All right, maybe we've all had about as much Vincent time | 0:15:19 | 0:15:22 | |
as we can handle. | 0:15:22 | 0:15:23 | |
-Whoa! -Mum! -Right. Car. We're getting in the car this instant. | 0:15:23 | 0:15:28 | |
-Right, your dad can do better than this. -What are you doing? | 0:15:28 | 0:15:31 | |
Run! | 0:15:33 | 0:15:34 | |
What I really wanted to show you was this creation. | 0:15:37 | 0:15:40 | |
MUSIC: "Me Olvide De Vivir" by Julio Iglesias | 0:15:40 | 0:15:42 | |
Would you like mine? | 0:15:50 | 0:15:52 | |
We have to go on this! | 0:15:53 | 0:15:55 | |
Go. Let's go, let's go. | 0:15:56 | 0:15:58 | |
COINS FALL | 0:16:09 | 0:16:11 | |
ALARM BLARES | 0:16:11 | 0:16:12 | |
Let's go, let's go, run, run! | 0:16:12 | 0:16:14 | |
Thank you. | 0:16:17 | 0:16:19 | |
-They really needed that. -I enjoyed it. | 0:16:20 | 0:16:23 | |
Good. So, are you heading back in tomorrow? | 0:16:23 | 0:16:25 | |
No, I thought we could all go up to London. | 0:16:26 | 0:16:30 | |
We can't keep them off school another day. | 0:16:30 | 0:16:32 | |
Besides, it's Robbie's school trip tomorrow and | 0:16:32 | 0:16:35 | |
I said you might chaperone him, if you were around. | 0:16:35 | 0:16:37 | |
Where are they going? | 0:16:37 | 0:16:39 | |
Is that a yes? | 0:16:39 | 0:16:40 | |
I'm thinking about it. | 0:16:40 | 0:16:42 | |
Right, well, it's Joseph And His Amazing Technicolour Dreamcoat | 0:16:42 | 0:16:45 | |
in Basildon Civic Centre. | 0:16:45 | 0:16:47 | |
You're going have to make me spunk in a few more pairs of trousers | 0:16:47 | 0:16:50 | |
-before I agree to that. -Well, that can be arranged. | 0:16:50 | 0:16:54 | |
You two are disgusting. | 0:16:56 | 0:16:57 | |
'We weren't the only ones having a productive day.' | 0:16:59 | 0:17:02 | |
Right. I'll run off a few copies. | 0:17:02 | 0:17:05 | |
'Brian, can you tell them to hurry up, please.' | 0:17:13 | 0:17:16 | |
Bollocks. Erm...blank tape. | 0:17:16 | 0:17:17 | |
Bollocks. | 0:17:21 | 0:17:22 | |
Erm... | 0:17:22 | 0:17:23 | |
'The next day, after Sam had persuaded me several times over, | 0:17:26 | 0:17:30 | |
'I agreed to take Robbie on his school trip.' | 0:17:30 | 0:17:32 | |
Right, wait here, I'll be back in a minute. | 0:17:32 | 0:17:35 | |
'But before that my other demanding children required some attention.' | 0:17:37 | 0:17:40 | |
-Morning, arseholes. -All right? -Right, I haven't got long, | 0:17:40 | 0:17:43 | |
I've got to get on a coach with 35 snotty-nosed teenagers | 0:17:43 | 0:17:46 | |
in half an hour. Ah, sweetheart. Some coffee and some toast, please. | 0:17:46 | 0:17:50 | |
There we are. | 0:17:50 | 0:17:51 | |
Thanks for doing these. | 0:17:51 | 0:17:53 | |
You're welcome. | 0:17:53 | 0:17:55 | |
Shut the lid, will ya? That fucking thing gives me the creeps. | 0:17:55 | 0:17:59 | |
You're happy to sit in a room full of sex offenders taking tit pics | 0:17:59 | 0:18:02 | |
of a teenager but lovable old ET gives you the creeps? | 0:18:02 | 0:18:04 | |
That was business. This is different, innit? | 0:18:04 | 0:18:07 | |
-I just don't trust his kind. -His kind? | 0:18:08 | 0:18:10 | |
What, special effects puppets? | 0:18:10 | 0:18:12 | |
You know what I mean. Fucking aliens. What is their game? | 0:18:12 | 0:18:16 | |
I'm not sure they exist, let alone have a game. | 0:18:16 | 0:18:18 | |
If they want me to be less suspicious, | 0:18:18 | 0:18:20 | |
stop shining blinding white lights in my face. | 0:18:20 | 0:18:23 | |
And speak through your mouths, don't send messages directly to my brain. | 0:18:23 | 0:18:27 | |
That's fucking freaky. | 0:18:27 | 0:18:28 | |
Most of these concerns appear to be based on | 0:18:28 | 0:18:30 | |
Close Encounters Of The Third Kind. | 0:18:30 | 0:18:31 | |
Speaking of close encounters, | 0:18:31 | 0:18:33 | |
did our friendly neighbourhood tax inspector pay a visit? | 0:18:33 | 0:18:35 | |
Yes, she did, and the good news is I might have found | 0:18:35 | 0:18:38 | |
a way to get her off your back. | 0:18:38 | 0:18:40 | |
The bad news is I think it involves me sleeping with her. | 0:18:40 | 0:18:42 | |
It sounds like disastrous news. For her. | 0:18:42 | 0:18:45 | |
A bit of, erm, good old-fashioned sexual harassment. The sly minx. | 0:18:45 | 0:18:49 | |
So, look, what's next? | 0:18:49 | 0:18:50 | |
I don't feel comfortable asking you to sleep with her. | 0:18:50 | 0:18:53 | |
Although I'm definitely going to insist he does exactly that. | 0:18:53 | 0:18:56 | |
'Lavender wasn't the only one | 0:18:56 | 0:18:57 | |
'holding the shitty end of the stick.' | 0:18:57 | 0:18:59 | |
When I'm old and you even think about putting me in a home, | 0:18:59 | 0:19:01 | |
reflect back on this day, young Robbie. | 0:19:01 | 0:19:03 | |
These are the sacrifices. | 0:19:03 | 0:19:05 | |
Morning, girls. | 0:19:05 | 0:19:07 | |
Is that your teacher? | 0:19:07 | 0:19:08 | |
Yeah. Please don't embarrass me today, Dad. | 0:19:08 | 0:19:11 | |
-I wouldn't dream of it, I'll be on my best behaviour, son. -OK. | 0:19:11 | 0:19:14 | |
Morning, Miss Lyndsey. | 0:19:17 | 0:19:19 | |
No need to run, Robbie. There's plenty of spaces left. | 0:19:19 | 0:19:21 | |
-Vincent Swan, Robbie's dad. -Oh, hi. Thanks for coming. | 0:19:21 | 0:19:24 | |
Your wife wasn't sure if you could make it. | 0:19:24 | 0:19:26 | |
Wouldn't miss it for the world. | 0:19:26 | 0:19:27 | |
In my day, it was always the naughty boys that sat | 0:19:27 | 0:19:29 | |
at the back of the bus. | 0:19:29 | 0:19:31 | |
Well, it still is, although it's not only the boys | 0:19:31 | 0:19:33 | |
-that get up to no good. -Certainly not in my experience. | 0:19:33 | 0:19:36 | |
Now, where would you like me, Miss Lyndsey? | 0:19:36 | 0:19:38 | |
I think up front where I can keep my eye on you. | 0:19:38 | 0:19:40 | |
Dad, saved you a seat. Dad. Dad! | 0:20:01 | 0:20:06 | |
Oh, no. Quick, there's paper towels out in the toilets. Go out there. | 0:20:07 | 0:20:11 | |
-I should go with her, really. -Nah, she's all right. | 0:20:11 | 0:20:13 | |
It's just through the door. | 0:20:13 | 0:20:15 | |
Malteser? | 0:20:17 | 0:20:18 | |
Thanks. | 0:20:20 | 0:20:21 | |
Right, Robbie, you're going to need to walk home on your own. | 0:20:25 | 0:20:28 | |
What? I thought you were taking me? | 0:20:28 | 0:20:30 | |
I gotta get back to work, mate. | 0:20:30 | 0:20:32 | |
-OK. -I'll see ya. -See ya. | 0:20:32 | 0:20:34 | |
Need a lift anywhere, Miss? | 0:20:39 | 0:20:40 | |
Yeah, all right. | 0:20:42 | 0:20:43 | |
Can I let you into a secret? | 0:20:52 | 0:20:54 | |
I hate musicals. | 0:20:54 | 0:20:55 | |
And I hate kids, so we're a pair of martyrs. | 0:20:55 | 0:20:58 | |
Before you rush to judge, I'd just sat through | 0:21:01 | 0:21:03 | |
three hours of Andrew fucking Lloyd Webber. I deserve a treat. | 0:21:03 | 0:21:06 | |
'Later that evening, Lavender was taking one for the team. | 0:21:13 | 0:21:16 | |
'As abuses of power go, it was hardly Watergate, | 0:21:16 | 0:21:18 | |
'but he was still terrified it might end with a deep throat.' | 0:21:18 | 0:21:21 | |
We're not that dissimilar, really, are we, Martin? | 0:21:21 | 0:21:24 | |
We both get paid to go door to door, | 0:21:24 | 0:21:26 | |
asking people if they'll hand over cash they don't want to. | 0:21:26 | 0:21:29 | |
Not exactly. Our customers get a great product for their money. | 0:21:29 | 0:21:32 | |
Our precision-engineered windows and doors are... | 0:21:32 | 0:21:35 | |
Fucking hell I'm starting to sound like Vince... Winston. | 0:21:35 | 0:21:38 | |
Oh, yeah, good old Winston Ston. | 0:21:38 | 0:21:42 | |
Come on, we're outside of business hours now, | 0:21:42 | 0:21:46 | |
you don't have to keep the guard up. | 0:21:46 | 0:21:48 | |
Frankly, it's weird enough we're doing this anyway. | 0:21:48 | 0:21:51 | |
This isn't that weird. | 0:21:51 | 0:21:53 | |
I'm not usually this impulsive, there was just something | 0:21:53 | 0:21:58 | |
about you that made me throw caution to the wind. | 0:21:58 | 0:22:01 | |
Possibly the pretty face? | 0:22:01 | 0:22:03 | |
Possibly. | 0:22:03 | 0:22:05 | |
Another drink? | 0:22:05 | 0:22:06 | |
No, thank you, I think I'd better be going actually. | 0:22:06 | 0:22:12 | |
I've already crossed enough lines tonight | 0:22:12 | 0:22:15 | |
to lose my job several times over. | 0:22:15 | 0:22:17 | |
OK, I'll walk you to your car. | 0:22:18 | 0:22:21 | |
The thing is, though, Martin, once you've crossed the line... | 0:22:28 | 0:22:32 | |
..you might as well make damn sure it's worth it. | 0:22:38 | 0:22:41 | |
# Relax, don't do it | 0:22:41 | 0:22:42 | |
# When you want to go to it... # | 0:22:42 | 0:22:44 | |
'That was one thing at least that the tax office and I | 0:22:44 | 0:22:47 | |
'could agree on.' | 0:22:47 | 0:22:48 | |
# Relax, don't do it | 0:22:49 | 0:22:51 | |
# When you want to suck it, do it | 0:22:51 | 0:22:53 | |
# Relax, don't do it | 0:22:53 | 0:22:55 | |
# When you wanna come... # | 0:22:56 | 0:22:58 | |
SHE GROANS | 0:22:58 | 0:23:00 | |
I'm going to need you to put your fingers inside me. | 0:23:00 | 0:23:05 | |
-What, here? -Well, obviously here. | 0:23:05 | 0:23:08 | |
But, I mean, it's quite public. | 0:23:08 | 0:23:10 | |
Just do it. Oh! | 0:23:10 | 0:23:14 | |
Now... | 0:23:16 | 0:23:17 | |
..Martin, tell me | 0:23:18 | 0:23:21 | |
-your National Insurance number. -What? | 0:23:21 | 0:23:24 | |
Your National Insurance number. Give it to me. | 0:23:24 | 0:23:29 | |
And keep on doing that. Oh... | 0:23:29 | 0:23:31 | |
-Erm, it's NCW... -Oh! | 0:23:31 | 0:23:35 | |
-..21, 55... -Oh! -..764... -Mm! | 0:23:35 | 0:23:40 | |
-I think. -Now, slowly... | 0:23:40 | 0:23:44 | |
..your tax code. Sing it out. | 0:23:46 | 0:23:50 | |
-It's 5, 7... -Mm... | 0:23:50 | 0:23:52 | |
7...3...M...1. | 0:23:52 | 0:23:57 | |
Oh, yeah, emergency tax code. Yes, I'm almost there. | 0:23:57 | 0:24:03 | |
Taxable income... | 0:24:04 | 0:24:07 | |
for the last...tax year. | 0:24:07 | 0:24:09 | |
-Seven thousand... -Oh! -..eight hundred big ones. | 0:24:11 | 0:24:16 | |
SHE GROANS | 0:24:16 | 0:24:17 | |
Oh, Martin. | 0:24:17 | 0:24:19 | |
SHE SILENCES SCREAM | 0:24:21 | 0:24:23 | |
THEY SIGH WITH RELIEF | 0:24:25 | 0:24:29 | |
That is fucked up. She didn't want to screw you? | 0:24:34 | 0:24:37 | |
Nope. After that she said goodnight, | 0:24:37 | 0:24:39 | |
shook my hand and told me she wouldn't be around any more. | 0:24:39 | 0:24:42 | |
She did leave this fucking great bite mark on my shoulder | 0:24:42 | 0:24:45 | |
-as a memento, though. -Ouch. Might need a rabies shot for that, mate. | 0:24:45 | 0:24:48 | |
Don't push your luck, mate. I've basically whored myself | 0:24:48 | 0:24:50 | |
-to clear the coast for you. -You know I'd do the same for you, mate. | 0:24:50 | 0:24:53 | |
Here. A token of my appreciation. | 0:24:53 | 0:24:55 | |
Quite literally the wages of sin. But I'll take it. Cheers. | 0:24:55 | 0:24:58 | |
-How long, chef? -Five minutes. Where are the kids? | 0:24:58 | 0:25:01 | |
Inside watching ET. | 0:25:01 | 0:25:02 | |
MUM! MUM! TITS! | 0:25:02 | 0:25:06 | |
-'Like this?' -'Yeah, hold it like that. Squeeze them together.' | 0:25:06 | 0:25:09 | |
Right, turn this off! Kids, go upstairs. Go on! | 0:25:09 | 0:25:12 | |
I want a word with your father. | 0:25:12 | 0:25:13 | |
'Can I shift this leg now? I've got pins and needles.' | 0:25:13 | 0:25:16 | |
Will you turn this fucking thing off? | 0:25:16 | 0:25:19 | |
I seriously had no idea how Donna's twin peaks ended up in Spielberg's | 0:25:19 | 0:25:22 | |
second act but I was pretty fucking certain who was to blame. | 0:25:22 | 0:25:25 | |
I can explain. | 0:25:25 | 0:25:27 | |
Right, you're going to get out there and recall every fucking copy | 0:25:27 | 0:25:30 | |
I've sold before someone else's kids discover ET stands for | 0:25:30 | 0:25:33 | |
-Extra Titties. -Straight away. I'll take care of it. | 0:25:33 | 0:25:35 | |
Shit, boys, you'd better look at this. | 0:25:35 | 0:25:38 | |
'However, someone in the West Essex area | 0:25:38 | 0:25:41 | |
'has been selling pirated copies | 0:25:41 | 0:25:43 | |
'on poorly branded VHS tapes like these.' | 0:25:43 | 0:25:46 | |
You've got to be fucking kidding me. | 0:25:46 | 0:25:48 | |
'Universal Pictures are offering a £1,000 reward for | 0:25:48 | 0:25:50 | |
'information leading to an arrest. | 0:25:50 | 0:25:52 | |
'Now, these pirate recordings do not only feature the lovable alien, | 0:25:52 | 0:25:56 | |
'there's also a rather bizarre intermission featuring | 0:25:56 | 0:25:59 | |
'a conventionally pretty young lady. | 0:25:59 | 0:26:02 | |
'Maybe you know the young lady involved, | 0:26:02 | 0:26:04 | |
'or maybe you recognise the room where she's modelling...' | 0:26:04 | 0:26:07 | |
Holy Mother of God! | 0:26:07 | 0:26:09 | |
PHONE RINGS | 0:26:09 | 0:26:10 | |
Hello? Stanford 4163. | 0:26:12 | 0:26:14 | |
Sorry, he's out, Walshy. | 0:26:15 | 0:26:18 | |
You'll have to calm down, I can't understand a word you're saying. | 0:26:18 | 0:26:21 | |
'Walshy was on the warpath. | 0:26:21 | 0:26:22 | |
'He'd seen Police Five and was threatening to sack us all | 0:26:22 | 0:26:24 | |
'first thing Monday. So, not only did I have to torch | 0:26:24 | 0:26:27 | |
'the entire fucking pirate ET stock, | 0:26:27 | 0:26:29 | |
'I had to call Ronnie Farrell and explain why | 0:26:29 | 0:26:31 | |
'he had to collect his equipment immediately. | 0:26:31 | 0:26:33 | |
'He took it reasonably well, for a dangerous sociopath.' | 0:26:33 | 0:26:36 | |
200 I've already paid you, plus 100 for the inconvenience. | 0:26:36 | 0:26:40 | |
Fair enough. | 0:26:40 | 0:26:42 | |
And finally there's a hire fee for using my equipment | 0:26:42 | 0:26:46 | |
without my permission. | 0:26:46 | 0:26:48 | |
Sorry, what's that? | 0:26:48 | 0:26:49 | |
Another 200. | 0:26:51 | 0:26:52 | |
But, somehow, come Monday morning we still had our jobs. | 0:26:52 | 0:26:55 | |
Right, what the fuck has been going on in...! | 0:26:55 | 0:26:59 | |
What are you going on about? | 0:26:59 | 0:27:01 | |
What? I saw Police fucking Five. | 0:27:01 | 0:27:04 | |
Have you been out in the sun a bit too much this weekend, Tony? | 0:27:04 | 0:27:07 | |
Tony, your wife called. I told her you were busy hunting | 0:27:07 | 0:27:09 | |
for topless models. But she said call her back immediately. | 0:27:09 | 0:27:12 | |
Looks like someone should "phone home." | 0:27:12 | 0:27:14 | |
I'll take it downstairs. | 0:27:14 | 0:27:16 | |
I know you pricks have been up to something. | 0:27:16 | 0:27:18 | |
Oh, this came for you, Martin. | 0:27:18 | 0:27:21 | |
Oh, the conniving little shit! | 0:27:25 | 0:27:26 | |
-She must have done a background check on me! -What's happened? | 0:27:26 | 0:27:30 | |
It's a demand from the tax office for unpaid national insurance. | 0:27:30 | 0:27:33 | |
230 quid! | 0:27:33 | 0:27:34 | |
Ha, that'll teach ya. There's always hidden costs | 0:27:34 | 0:27:37 | |
when you finger-bang old grannies over the bins. | 0:27:37 | 0:27:40 | |
Really, you should be paying this, Vincent. | 0:27:40 | 0:27:42 | |
Oh, I would, mate, but I've told you, I'm a conscientious objector when it comes to tax. | 0:27:42 | 0:27:46 | |
-BRENDAN: -Where's that weaseley wee cunt?! | 0:27:46 | 0:27:47 | |
Is that Fitzpatrick you're after, Brendan? | 0:27:47 | 0:27:51 | |
Listen, I will pay your tax bill, OK? | 0:27:51 | 0:27:53 | |
Just don't tell him I'm up here. | 0:27:53 | 0:27:54 | |
I'll pay it myself, mate, this'll be a lot more fun. | 0:27:54 | 0:27:57 | |
He's up here, Brendan! | 0:27:57 | 0:27:58 | |
Nobody makes money out of my daughter's tits except me. | 0:27:59 | 0:28:02 | |
-Come here! I'll kill you, you thieving bastard. -No! | 0:28:02 | 0:28:06 | |
# As I lie here, thinking of you | 0:28:06 | 0:28:09 | |
# I realise that nothing is new | 0:28:10 | 0:28:14 | |
# Lying in bed | 0:28:14 | 0:28:16 | |
# Thinking of you | 0:28:16 | 0:28:18 | |
# I realise | 0:28:18 | 0:28:20 | |
# Nothing is new | 0:28:20 | 0:28:22 | |
# You say you love me | 0:28:22 | 0:28:24 | |
# But you want success | 0:28:24 | 0:28:26 | |
# I say you're lying | 0:28:26 | 0:28:28 | |
# Nothing has changed | 0:28:28 | 0:28:31 | |
# This is the sign of the times... # | 0:28:31 | 0:28:34 |