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This programme contains some strong language | 0:00:02 | 0:00:05 | |
I'm afraid the murder you witnessed was part of a gang-related feud | 0:00:05 | 0:00:08 | |
over the sale of bootleg cigarettes. Until this goes to trial, | 0:00:08 | 0:00:11 | |
you'll both be granted protected witness status. | 0:00:11 | 0:00:13 | |
You're saying we need to go into witness protection? | 0:00:13 | 0:00:15 | |
LEANNE GASPS | 0:00:15 | 0:00:16 | |
From now on, I need you to only use these names. | 0:00:16 | 0:00:19 | |
Sarah Penn. | 0:00:19 | 0:00:21 | |
Lisa Smith. | 0:00:21 | 0:00:24 | |
Look, I've got a job for yous, ain't I? | 0:00:24 | 0:00:26 | |
It's a couple of girls causing a bit of trouble. | 0:00:26 | 0:00:29 | |
They need taking out. | 0:00:29 | 0:00:30 | |
-Have any of you lads ever handled one of these before? -Yeah. | 0:00:30 | 0:00:33 | |
Yeah, of course, man. | 0:00:33 | 0:00:34 | |
Hiya, Jackie. | 0:00:34 | 0:00:36 | |
-All right. -IN POOR IRISH ACCENT: Nice weather we're having. | 0:00:36 | 0:00:39 | |
Telly said it was going to piss it down. | 0:00:39 | 0:00:42 | |
Are you taking the piss? | 0:00:42 | 0:00:44 | |
Police are here, Gaz, want to talk to you. | 0:00:44 | 0:00:47 | |
I'd like to take Gareth down to the station, | 0:00:47 | 0:00:49 | |
if you don't mind, Mrs Pugh. | 0:00:49 | 0:00:50 | |
'To make a formal statement.' | 0:00:50 | 0:00:52 | |
Has anyone been down to speak to you about anything? | 0:00:52 | 0:00:55 | |
Nah. | 0:00:55 | 0:00:56 | |
That's weird, mate, cos... | 0:00:56 | 0:00:58 | |
..I thought I saw the 5-0 outside your house earlier. | 0:00:59 | 0:01:02 | |
There's a mole in the police. | 0:01:05 | 0:01:08 | |
'Your location has been compromised.' | 0:01:08 | 0:01:12 | |
Shit! | 0:01:12 | 0:01:14 | |
GUNSHOT | 0:01:54 | 0:01:56 | |
Oh, bums. | 0:02:22 | 0:02:23 | |
Jackie! | 0:02:23 | 0:02:25 | |
Jackie. | 0:02:25 | 0:02:27 | |
Jackie! | 0:02:27 | 0:02:29 | |
Rhona, guard the door. | 0:02:29 | 0:02:31 | |
-Rhona! -Yes, sorry. -Jackie! | 0:02:31 | 0:02:35 | |
Oh, my God, I'm a murderer. I've got blood on my hands. | 0:02:35 | 0:02:38 | |
Like Blair, only without the property portfolio. | 0:02:38 | 0:02:42 | |
-What are you doing? -Calling an ambulance. | 0:02:42 | 0:02:44 | |
-No, wait, they'll put me in jail. -Rhona, we've got to. | 0:02:44 | 0:02:47 | |
-Oh, God! -Look, you shot her through a closed door. | 0:02:47 | 0:02:50 | |
She didn't even see you. Ambulance, please. | 0:02:50 | 0:02:51 | |
Great, I'm not just a murderer, I'm a competent murderer(!) | 0:02:51 | 0:02:54 | |
Yeah, a lady's been shot. | 0:02:54 | 0:02:57 | |
39 Woodbridge Court, Swindon. Please come quickly. | 0:02:57 | 0:02:59 | |
Leanne. | 0:03:02 | 0:03:03 | |
Shit. | 0:03:05 | 0:03:06 | |
There's a guy out there looking at the flat, Rhons. | 0:03:06 | 0:03:09 | |
I'm not being funny. | 0:03:09 | 0:03:11 | |
I think that's him. I think that's the baddie. | 0:03:11 | 0:03:14 | |
Christ! How are we going to get out of here? | 0:03:18 | 0:03:21 | |
And what are we going to say happened? | 0:03:21 | 0:03:23 | |
Oh, my God. | 0:03:25 | 0:03:26 | |
-I think she's breathing. -Really? | 0:03:26 | 0:03:29 | |
I think her tits are moving up and down. | 0:03:29 | 0:03:33 | |
Right, we need to shoot one another. | 0:03:33 | 0:03:35 | |
-What? -Just in the foot or something, as a cover story. | 0:03:35 | 0:03:37 | |
We'll say that a guy came, shot us all, and then he went. | 0:03:37 | 0:03:41 | |
Rhons, I think there's an argument | 0:03:41 | 0:03:42 | |
for saying let's not shoot any more people. | 0:03:42 | 0:03:44 | |
We've got no choice. Here. Shoot me in the foot. | 0:03:44 | 0:03:47 | |
-I... Are you...? -Shoot me in the foot. | 0:03:47 | 0:03:51 | |
Hmm...! | 0:03:52 | 0:03:53 | |
-Wait! -Oh, thank God. -It needs to be through the door. | 0:03:58 | 0:04:01 | |
Shoot me in the foot through the door. | 0:04:01 | 0:04:03 | |
-Don't let go of that towel. -I'm not. | 0:04:03 | 0:04:06 | |
-Rhona...? -Hurry up! | 0:04:08 | 0:04:10 | |
Hang on. | 0:04:18 | 0:04:20 | |
Can't we just say we came home and found her like this? | 0:04:20 | 0:04:23 | |
Yeah. | 0:04:24 | 0:04:26 | |
-Yeah, that works too. Cool. -OK. | 0:04:26 | 0:04:27 | |
HE BREATHES HEAVILY | 0:04:31 | 0:04:35 | |
GUNSHOT SOUND EFFECT | 0:05:09 | 0:05:10 | |
SIRENS IN DISTANCE | 0:05:10 | 0:05:12 | |
He's just sort of hanging around, watching. He's smoking. | 0:05:12 | 0:05:16 | |
I knew he was the bad guy. | 0:05:16 | 0:05:18 | |
Ambulance is here. | 0:05:18 | 0:05:20 | |
SIRENS STOP | 0:05:20 | 0:05:21 | |
Leanne. | 0:05:21 | 0:05:22 | |
DOOR CLOSES OUTSIDE | 0:05:22 | 0:05:23 | |
Now... | 0:05:27 | 0:05:28 | |
leave this to me. | 0:05:28 | 0:05:30 | |
Oh, Jesus Christ! | 0:05:36 | 0:05:40 | |
SHE SOBS | 0:05:40 | 0:05:42 | |
Lord take vengeance on the bastards that have done this. | 0:05:44 | 0:05:46 | |
-What's the patient's name? -Jackie. | 0:05:46 | 0:05:50 | |
Jackie, love. Can you hear me? | 0:05:50 | 0:05:52 | |
OK, heart's beating, I've got a pulse. | 0:05:56 | 0:05:57 | |
SHE SOBS | 0:05:57 | 0:05:59 | |
We just came in and found her like this. | 0:05:59 | 0:06:01 | |
I mean, I'm no detective, | 0:06:01 | 0:06:02 | |
but it was probably just a drifter going from town to town. | 0:06:02 | 0:06:05 | |
We're coming with you, Jackie. | 0:06:05 | 0:06:07 | |
Don't worry. Every step of the way. | 0:06:07 | 0:06:09 | |
Actually, it's probably best if you stay here. | 0:06:09 | 0:06:11 | |
-Police are on their way. -Oh, Christ in heavens above! | 0:06:11 | 0:06:16 | |
All right, fine. You can come. | 0:06:16 | 0:06:19 | |
Stay with my voice, Jackie. I won't let the angels have you yet. | 0:06:22 | 0:06:26 | |
What about Charlie Little Pockets? | 0:06:28 | 0:06:30 | |
Charlie bloody Little Pockets can look after himself. | 0:06:30 | 0:06:33 | |
SIRENS WAIL | 0:06:43 | 0:06:45 | |
Follow that fucking ambulance there. | 0:06:45 | 0:06:48 | |
MUSIC: Why by Annie Lennox | 0:06:51 | 0:06:55 | |
'Mummy! | 0:06:55 | 0:06:56 | |
'Pyjama bottoms back on, please.' | 0:06:56 | 0:06:58 | |
'Mummy! | 0:07:01 | 0:07:04 | |
'Bottoms on now. | 0:07:04 | 0:07:06 | |
'Bottoms on. I'm going to count to three. | 0:07:06 | 0:07:09 | |
'One, two...' | 0:07:09 | 0:07:11 | |
Three minutes and I want it all cleared away. | 0:07:11 | 0:07:14 | |
This had better be good. I'm at a bake sale. | 0:07:14 | 0:07:16 | |
'Is that Detective Wilton?' | 0:07:16 | 0:07:17 | |
Speaking. Who's this? | 0:07:17 | 0:07:19 | |
My name's PC Creswell, over at Swindon. | 0:07:19 | 0:07:21 | |
We've had an incident at an address which the system's telling us | 0:07:21 | 0:07:24 | |
you've got an operational interest in. | 0:07:24 | 0:07:27 | |
'39 Woodbridge Court.' | 0:07:27 | 0:07:28 | |
What sort of incident? | 0:07:28 | 0:07:30 | |
'A shooting. One IC1 female,' | 0:07:30 | 0:07:32 | |
-mid-40s, large build, believed to be a neighbour from... -'OK.' | 0:07:32 | 0:07:36 | |
There are two residents at the property. | 0:07:36 | 0:07:37 | |
Two IC1 females accompanied the victim to hospital. | 0:07:37 | 0:07:40 | |
An officer is being dispatched to intercept them there. | 0:07:40 | 0:07:42 | |
-OK. Listen carefully. -Brown Owl... | 0:07:42 | 0:07:44 | |
Those two women are witnesses in an active investigation. | 0:07:44 | 0:07:47 | |
Now, this shooting is almost certainly an attempt on their lives. | 0:07:47 | 0:07:50 | |
Brown Owl, can I go to the toilet? | 0:07:50 | 0:07:52 | |
Yeah, yeah, go, go. | 0:07:52 | 0:07:53 | |
Tell the officer to reassure them of their safety, | 0:07:53 | 0:07:56 | |
bring them into the Swindon station, | 0:07:56 | 0:07:57 | |
and I'll collect them there myself personally. | 0:07:57 | 0:07:59 | |
GUNSHOT SOUND EFFECT | 0:07:59 | 0:08:01 | |
Oh, my God. | 0:08:23 | 0:08:25 | |
Right, guess how many former Big Brother contestants | 0:08:25 | 0:08:29 | |
are on the sex offenders register? | 0:08:29 | 0:08:31 | |
Male and female. | 0:08:31 | 0:08:33 | |
As soon as we get news about Jackie, we need to get out of here. | 0:08:34 | 0:08:37 | |
-That guy could've followed us. -Rhona, we're in a hospital. | 0:08:37 | 0:08:40 | |
There's no safer place to get shot. | 0:08:40 | 0:08:43 | |
Ladies. | 0:08:43 | 0:08:44 | |
Am I right in thinking you'd be the two ladies | 0:08:44 | 0:08:46 | |
-who came in here with a gunshot victim? -Yes. | 0:08:46 | 0:08:49 | |
I am aware of your situation. | 0:08:49 | 0:08:52 | |
Leanne Stubbs. Rhona Fairburn. | 0:08:52 | 0:08:54 | |
This must've been tremendously upsetting for you both. | 0:08:57 | 0:09:00 | |
If you'd like to come down to the car, | 0:09:00 | 0:09:02 | |
I'll take you down to the station. | 0:09:02 | 0:09:03 | |
You're completely safe now. | 0:09:03 | 0:09:05 | |
Yeah, thank you, that's such a relief. | 0:09:09 | 0:09:12 | |
Before we go though, we would just like to... | 0:09:12 | 0:09:14 | |
..pray. | 0:09:16 | 0:09:17 | |
Yes, it's something we picked up living in Dubai, | 0:09:18 | 0:09:23 | |
and we never really got out of the habit of it, did we, Rhons? | 0:09:23 | 0:09:26 | |
Five a day, like with fruit and veg. | 0:09:26 | 0:09:29 | |
They do say it's harder to quit than smoking... | 0:09:29 | 0:09:31 | |
Islam. | 0:09:31 | 0:09:33 | |
We'll meet you back here. Don't go anywhere, will you? | 0:09:33 | 0:09:36 | |
-What do you think? -We can't trust him. | 0:09:46 | 0:09:48 | |
He could be the mole. Or he could be working with the mole. | 0:09:48 | 0:09:51 | |
How did he know our names? | 0:09:51 | 0:09:52 | |
Maybe he knows DC Wilton. | 0:10:07 | 0:10:09 | |
Maybe she's the mole? Maybe they're all the mole. | 0:10:09 | 0:10:12 | |
-He wants us to get in a car with him. Fuck that. -I'm scared, Rhona. | 0:10:12 | 0:10:15 | |
Me too. | 0:10:15 | 0:10:17 | |
Why do they call it a mole? | 0:10:18 | 0:10:20 | |
Is it after the animal or the freckles that give you cancer? | 0:10:20 | 0:10:23 | |
We need to get out of here, fast. | 0:10:23 | 0:10:25 | |
OK. Good session? | 0:10:31 | 0:10:33 | |
-Yes, thank you. -I think faith's important, don't you, officer? | 0:10:33 | 0:10:37 | |
I mean, we can argue about which one's right, | 0:10:37 | 0:10:39 | |
but at the end of the day, they all boil down to the same thing. | 0:10:39 | 0:10:42 | |
Bad people who hurt others will pay for it in eternal damnation, | 0:10:42 | 0:10:47 | |
-don't you think so? -I certainly hope so, yes. | 0:10:47 | 0:10:51 | |
Now, if you'd like to follow me to the car. | 0:10:51 | 0:10:54 | |
DOCTOR WHO PLAYS ON TELEVISION | 0:10:54 | 0:10:59 | |
So, how am I going to do that? | 0:11:00 | 0:11:03 | |
SHE PASSES WIND | 0:11:06 | 0:11:09 | |
Excuse me. | 0:11:11 | 0:11:13 | |
That's the onions, I'm afraid, Linds. | 0:11:15 | 0:11:18 | |
You've got your mother to thank for that, Adrian. | 0:11:20 | 0:11:24 | |
Giving me onions. | 0:11:24 | 0:11:26 | |
I like them, | 0:11:33 | 0:11:35 | |
they don't like me. | 0:11:35 | 0:11:37 | |
-SHE PASSES WIND -Oh. | 0:11:43 | 0:11:45 | |
Actually I could just do with popping to Smith's | 0:11:53 | 0:11:56 | |
to get a chocolate bar | 0:11:56 | 0:11:59 | |
-because I'm hungry. -And diabetic. | 0:11:59 | 0:12:01 | |
And diabetic. Not to mention diabetic. | 0:12:01 | 0:12:03 | |
I've got a Toffee Crisp in the car. You can have that. My treat. | 0:12:03 | 0:12:06 | |
Actually, I need to go to the Sock Shop concession, down by Costa, | 0:12:08 | 0:12:12 | |
to buy a pair of pants. | 0:12:12 | 0:12:14 | |
I'm not too proud to admit, having survived an assassination attempt, | 0:12:14 | 0:12:18 | |
that it's not very nice down there. | 0:12:18 | 0:12:22 | |
I've been fresher. | 0:12:23 | 0:12:24 | |
There'll be a shower and a change of clothes waiting for you | 0:12:24 | 0:12:27 | |
down at the station. Let's just get to the car, shall we? | 0:12:27 | 0:12:30 | |
-Er, actually, there is just one other thing. -What? | 0:12:33 | 0:12:35 | |
I need to... | 0:12:35 | 0:12:37 | |
I mean... | 0:12:38 | 0:12:41 | |
Run! Sorry! | 0:12:41 | 0:12:44 | |
God. First murder, now assaulting an officer. | 0:12:44 | 0:12:46 | |
I'm basically Raoul Moat. | 0:12:46 | 0:12:47 | |
What? | 0:12:49 | 0:12:51 | |
-It's him, I'm sure it's him. -Who? | 0:12:53 | 0:12:55 | |
Sulky guy. | 0:12:55 | 0:12:57 | |
The guy I saw hanging around outside our flat. | 0:12:57 | 0:13:01 | |
Shit. | 0:13:01 | 0:13:03 | |
Shit! | 0:13:08 | 0:13:10 | |
Hello. Who are you? | 0:13:20 | 0:13:23 | |
I'm Dr Purso. | 0:13:27 | 0:13:30 | |
-Mrs...? -Harris. | 0:13:30 | 0:13:33 | |
Hm. | 0:13:33 | 0:13:34 | |
SHE CLEARS HER THROAT | 0:13:34 | 0:13:35 | |
Mrs Harris, | 0:13:35 | 0:13:37 | |
I'm the specialist old lady doctor on this ward. | 0:13:37 | 0:13:43 | |
This is Nurse Goodfaith. | 0:13:43 | 0:13:46 | |
Nurse, would you check the patient's notes for me? | 0:13:46 | 0:13:49 | |
What's the CBX count? | 0:13:57 | 0:14:00 | |
-50. -Good. | 0:14:00 | 0:14:02 | |
-CBX count? -Mm. | 0:14:02 | 0:14:05 | |
No-one's ever mentioned that before. | 0:14:05 | 0:14:07 | |
Honestly, this place is run like a bloody zoo. | 0:14:07 | 0:14:11 | |
Can't wait to get back to Harley Street | 0:14:11 | 0:14:13 | |
and start making some proper coin. | 0:14:13 | 0:14:15 | |
Before you go, doctor, I've been having a twinge in my left breast. | 0:14:16 | 0:14:23 | |
Can you check it for me? | 0:14:23 | 0:14:24 | |
That's more nurse territory. | 0:14:26 | 0:14:28 | |
If you'd like to pop your top off, | 0:14:28 | 0:14:30 | |
Nurse Goodfaith will have a feel for you. | 0:14:30 | 0:14:32 | |
MOBILE PHONE RINGS | 0:14:38 | 0:14:40 | |
Wilton. Yeah, hello. | 0:14:40 | 0:14:44 | |
Yes, I'm just on my way now. | 0:14:44 | 0:14:45 | |
They've what? | 0:14:47 | 0:14:49 | |
Absconded? | 0:14:49 | 0:14:50 | |
OK, let's go. | 0:14:54 | 0:14:56 | |
Wait. | 0:15:03 | 0:15:05 | |
He's coming back! | 0:15:07 | 0:15:08 | |
Hello, I'm the doctor, and she's the nurse. | 0:15:17 | 0:15:20 | |
VENTILATOR INFLATES AND DEFLATES BEEPING | 0:15:20 | 0:15:22 | |
Oh. | 0:15:24 | 0:15:25 | |
MOBILE PHONE RINGS | 0:15:30 | 0:15:33 | |
Answer it. | 0:15:39 | 0:15:41 | |
Hello? | 0:15:45 | 0:15:46 | |
Who's this? | 0:15:48 | 0:15:49 | |
Rhona, it's DC Wilton at North Meads station. | 0:15:49 | 0:15:51 | |
Rhona, I know about what's happened. | 0:15:51 | 0:15:53 | |
I'm so sorry. | 0:15:53 | 0:15:55 | |
Let me assure you we're doing everything we can | 0:15:55 | 0:15:57 | |
to find out how this could've happened. | 0:15:57 | 0:15:59 | |
We know why this happened. We were tipped off. | 0:15:59 | 0:16:02 | |
I'm sorry? | 0:16:02 | 0:16:03 | |
Someone called us to say that our location had been revealed | 0:16:03 | 0:16:05 | |
-by the police. -By the police? | 0:16:05 | 0:16:07 | |
-No, no. Hang on. -'There's a mole in the police.' | 0:16:07 | 0:16:10 | |
Someone working for the gang. Maybe more than one. | 0:16:10 | 0:16:13 | |
Maybe even you. | 0:16:13 | 0:16:15 | |
Suffice it to say we no longer feel safe under your protection. | 0:16:15 | 0:16:18 | |
-Can we just meet? -From here on in, we'll be going it alone. | 0:16:18 | 0:16:21 | |
Rhona? | 0:16:21 | 0:16:22 | |
"Suffice it to say?" | 0:16:23 | 0:16:25 | |
"From here on in?" | 0:16:25 | 0:16:28 | |
-What is going on, Rhona? -Give me your phone. | 0:16:28 | 0:16:30 | |
Fuck the police. | 0:16:34 | 0:16:37 | |
That's what's going on. | 0:16:37 | 0:16:38 | |
Just Rhona and Leanne? | 0:16:39 | 0:16:42 | |
Wait, is that the hand you wiped the old lady's tit with? | 0:16:45 | 0:16:48 | |
I've sanitised. | 0:16:48 | 0:16:49 | |
Right, let's get out of here. | 0:16:51 | 0:16:54 | |
Shit. | 0:16:57 | 0:16:59 | |
Rhona. | 0:16:59 | 0:17:01 | |
Disguises. | 0:17:01 | 0:17:02 | |
Yes, but stealing, law, morals. | 0:17:02 | 0:17:07 | |
Polyester. | 0:17:08 | 0:17:10 | |
Rhona, this is life or death. | 0:17:10 | 0:17:12 | |
Needs must. | 0:17:12 | 0:17:14 | |
No jewellery, no valuables, | 0:17:15 | 0:17:16 | |
and we post the stuff back to the hospital when we're done. | 0:17:16 | 0:17:19 | |
Yeah. | 0:17:19 | 0:17:21 | |
# Yeah | 0:17:22 | 0:17:24 | |
# Yeah | 0:17:25 | 0:17:28 | |
# Won't you follow me into the jungle? | 0:17:29 | 0:17:33 | |
# Ain't no god on my street... # | 0:17:35 | 0:17:38 | |
-Sorry. -Sorry. | 0:17:38 | 0:17:39 | |
There it is. | 0:17:39 | 0:17:41 | |
Right, we need to think about names, accents and... | 0:17:41 | 0:17:45 | |
What? | 0:17:45 | 0:17:47 | |
Leanne, I told you to check. | 0:17:47 | 0:17:49 | |
Right, we're going to have to put them back. | 0:17:51 | 0:17:53 | |
Hang on a minute. | 0:17:55 | 0:17:57 | |
This guy, | 0:17:58 | 0:18:00 | |
he'll be in overnight, right? | 0:18:00 | 0:18:01 | |
Eyes shut, lots of machines | 0:18:01 | 0:18:03 | |
and, between me and you, I had a quick swizz down his chart... | 0:18:03 | 0:18:07 | |
he ain't coming out. | 0:18:07 | 0:18:08 | |
I think we've found a bed for the night. | 0:18:10 | 0:18:12 | |
MUSIC: Get Busy by Sean Paul | 0:18:18 | 0:18:22 | |
Fuck it. | 0:18:38 | 0:18:39 | |
Listen, I'm sure I saw 'em, but... | 0:18:42 | 0:18:44 | |
Fuck. | 0:18:44 | 0:18:47 | |
-So, what, do you fancy a kebab, then? -Mm. | 0:18:47 | 0:18:50 | |
My uncle's been in one time, right, said he saw a rat. | 0:19:12 | 0:19:16 | |
A rat. And the guy working there picked it up, snapped its neck, | 0:19:16 | 0:19:19 | |
chucked it in the bin, touching up all the salad... | 0:19:19 | 0:19:21 | |
BRAKES SCREECH | 0:19:21 | 0:19:22 | |
Fucking move, you silly old twats. | 0:19:23 | 0:19:25 | |
And he's touching up the salad and that. | 0:19:29 | 0:19:31 | |
Now, if there's one thing I'm big on it's hygiene. | 0:19:31 | 0:19:33 | |
You don't touch rats and then touch up people's doner kebabs, | 0:19:33 | 0:19:36 | |
do you know what I mean? | 0:19:36 | 0:19:38 | |
THUNDER RUMBLES | 0:19:38 | 0:19:40 | |
MOBILE PHONE RINGS | 0:19:43 | 0:19:46 | |
HE GRUNTS | 0:20:14 | 0:20:16 | |
MOBILE PHONE: 'Message deleted. Next new message.' | 0:20:53 | 0:20:56 | |
BEEP | 0:20:56 | 0:20:57 | |
'Gareth, it's Mum. Where are you? Your tea's going cold.' | 0:20:57 | 0:21:01 | |
'Message deleted.' BEEP | 0:21:01 | 0:21:03 | |
'Gareth. Your tea's in the bin. Will you get yourself home? | 0:21:03 | 0:21:06 | |
'Now, please.' | 0:21:06 | 0:21:08 | |
'Message deleted.' BEEP | 0:21:09 | 0:21:11 | |
'Gareth, I'm not being funny. Give me a ring. Or text. | 0:21:11 | 0:21:14 | |
'It's getting late now.' | 0:21:14 | 0:21:17 | |
'Message deleted.' BEEP | 0:21:17 | 0:21:19 | |
'Gaz, love, can you give me a ring, please? | 0:21:19 | 0:21:22 | |
'You're not in any trouble, just give us a ring.' | 0:21:22 | 0:21:25 | |
'Message deleted.' | 0:21:25 | 0:21:27 | |
Shit. There must be a Mrs Ambrose. | 0:21:43 | 0:21:46 | |
Well, why don't we just go in anyway | 0:21:48 | 0:21:50 | |
and if she sees us we'll just tell her we're her daughters | 0:21:50 | 0:21:54 | |
and she's got dementia? | 0:21:54 | 0:21:55 | |
Oh! | 0:21:57 | 0:21:58 | |
Yes! I love camping. | 0:22:11 | 0:22:12 | |
Night, Rhons. | 0:22:23 | 0:22:25 | |
Night. | 0:22:26 | 0:22:28 | |
Are you thinking about Jackie? | 0:22:31 | 0:22:34 | |
Yeah. | 0:22:35 | 0:22:37 | |
Cos you shot her? | 0:22:37 | 0:22:38 | |
Yeah. | 0:22:39 | 0:22:41 | |
Bless. | 0:22:41 | 0:22:43 | |
You know, if you want to talk about it... | 0:22:43 | 0:22:46 | |
I'm always here. | 0:22:46 | 0:22:47 | |
Thanks, Leanne. | 0:22:49 | 0:22:51 | |
You know, I think... | 0:22:55 | 0:22:57 | |
even as a child I was always... LEANNE SNORES | 0:22:57 | 0:23:00 | |
RHONA SIGHS, LEANNE SNORES | 0:23:06 | 0:23:09 | |
TRAFFIC IN BACKGROUND | 0:23:15 | 0:23:18 | |
Oh, bums. | 0:23:35 | 0:23:37 | |
Balls. Why did we have to break into a caravan? | 0:23:40 | 0:23:43 | |
Right, Gareth Pugh's gone missing. | 0:23:43 | 0:23:45 | |
You gotta take out these witnesses. | 0:23:45 | 0:23:49 | |
Finish the fucking job. | 0:23:49 | 0:23:52 | |
-Oh, my God, it's the wrong key! -Hurry up! | 0:23:52 | 0:23:55 | |
GUNSHOT SOUND EFFECT | 0:23:55 | 0:23:57 |