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This programme contains some strong language. | 0:00:02 | 0:00:07 | |
We were placed into witness protection | 0:00:07 | 0:00:09 | |
because we saw a shooting. | 0:00:09 | 0:00:10 | |
-Oh, shit. -The gang, the same gang I assume you used to be involved with, | 0:00:10 | 0:00:13 | |
-have found our location. -I'm pregnant. We're having a baby. | 0:00:13 | 0:00:16 | |
Well, firstly I'll... I'll help you. Of course I'll... I'll help you. | 0:00:16 | 0:00:19 | |
Help my baby. | 0:00:19 | 0:00:21 | |
-Leanne, it's not the baby. -How do you know? | 0:00:21 | 0:00:23 | |
-There is no baby. -Hang on, since when have you known this? | 0:00:23 | 0:00:26 | |
The night before last. | 0:00:26 | 0:00:28 | |
I'm sorry. | 0:00:28 | 0:00:29 | |
Why don't you go and tell whoever the fuck you work for | 0:00:29 | 0:00:31 | |
that I'll give you the name for a grand? | 0:00:31 | 0:00:34 | |
Nah, the people I work for, they don't really do deals. | 0:00:34 | 0:00:37 | |
I could have a way we could plant the gun on Whelan. | 0:00:37 | 0:00:40 | |
My friend's funeral's on Thursday and the wake is at Whelan's. | 0:00:40 | 0:00:44 | |
I'll create a distraction for you to hide the gun. | 0:00:44 | 0:00:47 | |
Darling, with Sandra, it is never over. | 0:00:47 | 0:00:52 | |
PEOPLE GASP | 0:00:52 | 0:00:54 | |
-People are looking. -Yeah, I don't care. The baby. | 0:00:54 | 0:00:57 | |
I'm not pregnant, I never was. | 0:00:57 | 0:00:59 | |
Charlie Littlepockets is Patrick. Get the knuckles and the Glock. | 0:00:59 | 0:01:04 | |
I was just about to get off, actually. | 0:01:04 | 0:01:06 | |
Oh, no, no, no. You've been drinking, I'll give you a lift. | 0:01:06 | 0:01:09 | |
No, no, no, no, no. | 0:01:09 | 0:01:10 | |
Patrick! | 0:01:12 | 0:01:14 | |
SIREN WAILS | 0:01:14 | 0:01:16 | |
Oh, fuck. | 0:01:20 | 0:01:22 | |
Police! Put your hands where I can see them. | 0:01:43 | 0:01:47 | |
You're under arrest, several offences. | 0:01:47 | 0:01:51 | |
You don't have to say anything but anything you do say will be | 0:01:51 | 0:01:54 | |
written down in a little book and read out...in court. | 0:01:54 | 0:01:59 | |
SIREN WAILS | 0:01:59 | 0:02:01 | |
There you are - that... That's the lads now. | 0:02:01 | 0:02:04 | |
Hands on your head, face down on the bed. | 0:02:04 | 0:02:07 | |
Face down on the bed! | 0:02:07 | 0:02:09 | |
I'm going to search you now. | 0:02:10 | 0:02:12 | |
Search coming any second now. | 0:02:15 | 0:02:19 | |
Shit. | 0:02:27 | 0:02:28 | |
What the fuck? | 0:02:37 | 0:02:40 | |
It's all gone wrong, he's taken Patrick. | 0:02:42 | 0:02:45 | |
Oh, shit. | 0:02:47 | 0:02:48 | |
LOCKS CLICK | 0:03:14 | 0:03:16 | |
Charlie Littlepockets, Patrick. | 0:03:20 | 0:03:23 | |
It's you. | 0:03:25 | 0:03:27 | |
What? | 0:03:27 | 0:03:28 | |
Don't fuck about, son. | 0:03:28 | 0:03:30 | |
I know. | 0:03:30 | 0:03:32 | |
You've been helping them witnesses. | 0:03:34 | 0:03:36 | |
You're working for someone else, trying to make a name for yourself. | 0:03:38 | 0:03:43 | |
I'm surprised at you, son, | 0:03:43 | 0:03:45 | |
because you're not stupid, and you know what fucking happens. | 0:03:45 | 0:03:48 | |
Willy, honestly, I don't know what you're... | 0:03:48 | 0:03:50 | |
Charlie Littlepockets? That's one of my bears. | 0:03:50 | 0:03:53 | |
PHONE VIBRATES | 0:03:53 | 0:03:56 | |
-Yeah? -Right, I just found that bird Patrick brought with him | 0:03:56 | 0:03:59 | |
in the play room. | 0:03:59 | 0:04:00 | |
Put a gun on me, claimed she were a copper then done a runner. | 0:04:00 | 0:04:04 | |
Clear it out. | 0:04:04 | 0:04:05 | |
-One Pack has just found your bird sniffing round my flat. -What?! | 0:04:09 | 0:04:13 | |
She... | 0:04:13 | 0:04:14 | |
She said she was getting the bus. | 0:04:14 | 0:04:16 | |
Don't fuck me about, Patrick! What's going on? | 0:04:16 | 0:04:19 | |
Willy, honestly, I don't... She... | 0:04:19 | 0:04:21 | |
I've been seeing her a couple of weeks, she found me on Instagram, | 0:04:21 | 0:04:24 | |
she's a nursery nurse, she plays the clarinet | 0:04:24 | 0:04:26 | |
and she's my girlfriend, Willy. | 0:04:26 | 0:04:28 | |
I've seen her fanny. | 0:04:28 | 0:04:30 | |
HE GASPS | 0:04:36 | 0:04:38 | |
You two are in so much trouble. Start talking now. | 0:04:40 | 0:04:44 | |
I'm sorry, we're sorry, but there's guns, | 0:04:44 | 0:04:46 | |
he's got guns in the wardrobe and he's got fucking knives, | 0:04:46 | 0:04:49 | |
he's got crossbows... | 0:04:49 | 0:04:50 | |
Whoa, slow down. Who has? | 0:04:50 | 0:04:52 | |
-Willy Whelan. -What the hell do you know about Willy Whelan? | 0:04:52 | 0:04:55 | |
Look, we had a plan. By the way, | 0:04:55 | 0:04:57 | |
90% sure this is the murder weapon. | 0:04:57 | 0:05:00 | |
Jesus Christ. | 0:05:00 | 0:05:01 | |
Explain. | 0:05:01 | 0:05:03 | |
Well, we were going to plant in it in his bedroom | 0:05:03 | 0:05:05 | |
but in the wardrobe there's this secret room | 0:05:05 | 0:05:08 | |
-and it's just full of weapons, just guns, lots of guns. -Oh... | 0:05:08 | 0:05:12 | |
That's it, well done. | 0:05:14 | 0:05:16 | |
Who packed that fucker? Look at it. | 0:05:16 | 0:05:18 | |
Oh, no, not now. Fuck off, no. | 0:05:20 | 0:05:22 | |
The Five-0 are after me. | 0:05:22 | 0:05:23 | |
-What are they? What are they, rappers, what? -The police. | 0:05:23 | 0:05:26 | |
Police? Well, don't come in here, then, you twat. | 0:05:26 | 0:05:29 | |
I didn't know where to... | 0:05:29 | 0:05:31 | |
Oh, for fuck's sake. | 0:05:31 | 0:05:33 | |
HE SOBS | 0:05:33 | 0:05:35 | |
Right, just wait there, wait there. Fuck's sake. My life. | 0:05:35 | 0:05:39 | |
Here you are, take that, all right? | 0:05:47 | 0:05:50 | |
I'll call you on it later, go. | 0:05:50 | 0:05:52 | |
Well, go, go, go, you twat, go! | 0:05:52 | 0:05:55 | |
Right, that's it, well done. Give us that one, I'll have that one, | 0:05:55 | 0:05:58 | |
that's mine. | 0:05:58 | 0:06:00 | |
All units, this is Romeo Oscar 2-0. I need immediate armed backup | 0:06:02 | 0:06:05 | |
-at location, the Badger public house. Over. -What's going on? | 0:06:05 | 0:06:09 | |
Whelan's got a stockpile of weapons in there, | 0:06:09 | 0:06:11 | |
-secret room in his back bedroom. -Cool. | 0:06:11 | 0:06:14 | |
Well, presumably we've got time for a Costa from the garage? | 0:06:14 | 0:06:17 | |
It's literally two minutes that way. | 0:06:17 | 0:06:19 | |
So what about Charlie Littlepockets? | 0:06:20 | 0:06:23 | |
It's one of the bears, you saw it. | 0:06:23 | 0:06:26 | |
I-I-I gave it to her as a present. | 0:06:26 | 0:06:28 | |
You've been played, son. | 0:06:34 | 0:06:36 | |
We both have. | 0:06:36 | 0:06:37 | |
What do you mean? | 0:06:38 | 0:06:40 | |
Your girlfriend is one of the fucking witnesses. | 0:06:40 | 0:06:42 | |
-What? -Yeah, she's used you to get to me, I'll say this for her, | 0:06:44 | 0:06:48 | |
some fucking bollocks on her. | 0:06:48 | 0:06:50 | |
So you're saying she's responsible? | 0:06:50 | 0:06:53 | |
Sorry, son. | 0:06:53 | 0:06:54 | |
Oh, shit. | 0:06:57 | 0:06:58 | |
Very devious creatures, women. | 0:06:59 | 0:07:02 | |
They'll suss out your weaknesses, | 0:07:02 | 0:07:04 | |
so she's realised that you're a big-hearted lad and you love twat. | 0:07:04 | 0:07:08 | |
HE SOBS | 0:07:08 | 0:07:10 | |
Now, don't be too hard on yourself, son, happens to the best of us. | 0:07:10 | 0:07:14 | |
Come on, now. Come on, now. | 0:07:14 | 0:07:18 | |
You're a good guy, Patrick. You're a good guy, you're loyal, | 0:07:18 | 0:07:22 | |
smart, and brains, not just a pair of fists. | 0:07:22 | 0:07:25 | |
I always got work for someone like that, right? Don't you forget. | 0:07:25 | 0:07:29 | |
Right, come on, let's fucking get a Mr Whippy. | 0:07:35 | 0:07:37 | |
Police! Stand back! | 0:07:47 | 0:07:49 | |
Armed police! | 0:07:52 | 0:07:54 | |
Clear! | 0:07:54 | 0:07:55 | |
Shit. | 0:08:05 | 0:08:07 | |
Urgh. | 0:08:07 | 0:08:08 | |
Hello, officers. | 0:08:10 | 0:08:13 | |
I see you've found my little play den, then? | 0:08:13 | 0:08:15 | |
Guilty as charged. | 0:08:15 | 0:08:18 | |
It's where I bring my girls, see? | 0:08:18 | 0:08:20 | |
Mistresses, sex professionals, | 0:08:20 | 0:08:22 | |
I won't have 'em on that marital bed, | 0:08:22 | 0:08:24 | |
won't have them on there out of respect for my wife. | 0:08:24 | 0:08:26 | |
Do you partake, Officer? | 0:08:29 | 0:08:31 | |
All right, son? What's up? | 0:08:50 | 0:08:52 | |
Right, well, um, the good news is, | 0:08:52 | 0:08:55 | |
they know who Charlie Littlepockets is. | 0:08:55 | 0:08:58 | |
Yeah, yeah, we know, Patrick. It's all come out in the wash. | 0:08:58 | 0:09:00 | |
Turns out it were bollocks. | 0:09:00 | 0:09:02 | |
-Right. -Hang on, hang on, hang on. | 0:09:02 | 0:09:04 | |
That's the good news? Where's the cash? | 0:09:06 | 0:09:08 | |
Don't be saying you've come here without the cash. | 0:09:08 | 0:09:11 | |
Well, they jumped me, One Pack, they jumped me. | 0:09:11 | 0:09:13 | |
They smacked me in the back of the head with a weapon... | 0:09:13 | 0:09:15 | |
-..and left a big gaping hole in my head. -Let me see. | 0:09:15 | 0:09:18 | |
Look. | 0:09:18 | 0:09:19 | |
-Agh. -Get the money sorted fast. | 0:09:19 | 0:09:22 | |
Believe me, son, I'm doing you a favour here, yeah? | 0:09:22 | 0:09:26 | |
Don't be showing your face around here without a fucking grand. | 0:09:26 | 0:09:29 | |
Now piss off. | 0:09:29 | 0:09:30 | |
Where are you, you little prick? | 0:09:35 | 0:09:37 | |
Right, where? | 0:09:37 | 0:09:39 | |
Hey, no, I'm in the field. | 0:09:39 | 0:09:42 | |
Right, which way? | 0:09:42 | 0:09:43 | |
Right... | 0:09:43 | 0:09:45 | |
This way? | 0:09:48 | 0:09:49 | |
This ain't hide-and-fucking-seek. | 0:09:49 | 0:09:52 | |
Where are you? | 0:09:52 | 0:09:54 | |
Over here. | 0:09:54 | 0:09:56 | |
Oh, boy. | 0:09:56 | 0:09:58 | |
Come here. | 0:09:58 | 0:10:00 | |
Where are we going? | 0:10:02 | 0:10:04 | |
-We sorted you out some board and lodgings. -What do you mean? | 0:10:04 | 0:10:06 | |
You're going on your holidays, Quavers. | 0:10:06 | 0:10:09 | |
Come on. | 0:10:10 | 0:10:12 | |
Can I change out of my PE kit? | 0:10:12 | 0:10:14 | |
Can you bollocks, son. | 0:10:14 | 0:10:16 | |
Right, Quavers, we're here. | 0:10:25 | 0:10:26 | |
This him, is it? | 0:10:40 | 0:10:42 | |
This is your new lodger. | 0:10:42 | 0:10:43 | |
He'll have to work, mind. | 0:10:43 | 0:10:46 | |
He'll have to work. | 0:10:46 | 0:10:48 | |
Good luck, Quavers. | 0:10:50 | 0:10:52 | |
So... | 0:10:58 | 0:10:59 | |
What is this? | 0:10:59 | 0:11:01 | |
Like a farm or... | 0:11:02 | 0:11:04 | |
..scrap yard or something? | 0:11:04 | 0:11:06 | |
Yeah. | 0:11:06 | 0:11:08 | |
This is me family. | 0:11:20 | 0:11:22 | |
That's me daughter Brigid, that's me son Gurvin. | 0:11:22 | 0:11:26 | |
You'll be sleeping in with Gurvin. | 0:11:26 | 0:11:28 | |
There's no talking after lights out | 0:11:28 | 0:11:30 | |
or the Virgin Mary will come out of the cupboard and whip your legs. | 0:11:30 | 0:11:34 | |
You all right? | 0:11:46 | 0:11:48 | |
HE SNORTS | 0:11:48 | 0:11:50 | |
Oh, no. | 0:12:08 | 0:12:11 | |
Right, here's how it's going to be. You're back in wit pro | 0:12:13 | 0:12:16 | |
and this time you will be cooperating fully. | 0:12:16 | 0:12:19 | |
But I'd just like to point out that the reason | 0:12:19 | 0:12:22 | |
we felt compelled to come up with this plan... | 0:12:22 | 0:12:24 | |
It was her idea, by the way. | 0:12:24 | 0:12:25 | |
The reason why we felt forced to do this was | 0:12:25 | 0:12:27 | |
because we were let down by the police in the first place... | 0:12:27 | 0:12:30 | |
Listen, love, you two are looking at a long list of charges - | 0:12:30 | 0:12:33 | |
conspiracy to pervert the course of justice, | 0:12:33 | 0:12:36 | |
possession of a firearm, | 0:12:36 | 0:12:38 | |
-assaulting a police officer. -Also her. | 0:12:38 | 0:12:40 | |
And I'm pretty sure you shot your neighbour through the bathroom door. | 0:12:40 | 0:12:43 | |
-Her again, pattern developing. -Leanne. | 0:12:43 | 0:12:46 | |
Now, I'm prepared to overlook these indiscretions | 0:12:46 | 0:12:49 | |
provided you now fully cooperate with my investigation. | 0:12:49 | 0:12:53 | |
You'll have to be given new identities. | 0:12:53 | 0:12:56 | |
I can now tell you a date has been set for trial - | 0:12:56 | 0:12:58 | |
it's the 23rd of this month. | 0:12:58 | 0:13:00 | |
So can I assume you can be trusted to stay out of trouble until then? | 0:13:00 | 0:13:04 | |
You'll give evidence by video link, you will go home | 0:13:07 | 0:13:11 | |
and we will never see one another again, is that clear? | 0:13:11 | 0:13:15 | |
Yes. | 0:13:15 | 0:13:16 | |
Sorry? I can't hear you. | 0:13:16 | 0:13:19 | |
-Yes! -Good. | 0:13:19 | 0:13:21 | |
DC Wilton, I'd like to request that Rhona | 0:13:23 | 0:13:26 | |
and I live separately from now on. | 0:13:26 | 0:13:29 | |
For God's sake, Leanne, don't be such a drama queen. | 0:13:29 | 0:13:31 | |
That's what I'd like, please. | 0:13:31 | 0:13:33 | |
We're not messing about here, Leanne. | 0:13:33 | 0:13:35 | |
-If we go our separate ways, that will be it. -I know. | 0:13:35 | 0:13:38 | |
You won't be able to just text me if there's a spider in the bath. | 0:13:38 | 0:13:41 | |
-I know! -Well, given all that's happened, yes, | 0:13:41 | 0:13:44 | |
I think that would be for the best. | 0:13:44 | 0:13:46 | |
# I won't play these old games | 0:14:02 | 0:14:04 | |
# Taking risks for gold chains | 0:14:04 | 0:14:07 | |
# Trying to make my own fame | 0:14:07 | 0:14:10 | |
# Struggling in the city | 0:14:10 | 0:14:12 | |
# Making love just ain't fun | 0:14:12 | 0:14:16 | |
# When your heart's left undone | 0:14:16 | 0:14:18 | |
# Makes for such a sad song | 0:14:18 | 0:14:21 | |
# Struggling in the city | 0:14:21 | 0:14:23 | |
# Oh-oh, oh-oh | 0:14:25 | 0:14:30 | |
# Oh-oh..# | 0:14:30 | 0:14:31 | |
Oh, my... Oh, my... Oh, my God! | 0:14:31 | 0:14:35 | |
I know this is highly unusual, but I just wondered | 0:14:36 | 0:14:39 | |
if there was an any chance of an extension? | 0:14:39 | 0:14:41 | |
Oh, Patrick, where does it all end? | 0:14:41 | 0:14:43 | |
-I know, I do understand but... -There are no extensions. | 0:14:43 | 0:14:46 | |
# ..I won't play these old games | 0:14:56 | 0:14:58 | |
# Taking risks for gold chains | 0:14:58 | 0:15:01 | |
# Trying to make my own fame | 0:15:01 | 0:15:03 | |
# Struggling in the city... # | 0:15:03 | 0:15:05 | |
Dear Patrick. | 0:15:05 | 0:15:07 | |
My name is Rosemary. I'm the editor of Vintage Bear Enthusiast. | 0:15:07 | 0:15:11 | |
I wondered if you'd be interested in talking to us about your work. | 0:15:13 | 0:15:18 | |
Come on, come on. | 0:15:19 | 0:15:21 | |
BIRDS CHEEP | 0:15:47 | 0:15:50 | |
HE GASPS | 0:15:54 | 0:15:57 | |
FABRIC RIPS | 0:15:58 | 0:16:00 | |
-Agh! -CRUNCH! | 0:16:04 | 0:16:06 | |
ENGINE FAILS TO START | 0:16:06 | 0:16:09 | |
Not today! Not today! | 0:16:09 | 0:16:11 | |
Shit! Shit! | 0:16:11 | 0:16:14 | |
Fucking shit. | 0:16:16 | 0:16:17 | |
Out of my way. | 0:16:17 | 0:16:19 | |
-I'm so sorry, I'm not late. -Over an hour late, Patrick. | 0:16:22 | 0:16:25 | |
-I know, I know. -We have deadlines for a reason, Patrick. | 0:16:25 | 0:16:28 | |
-I'm afraid that's an automatic fail. -What?! | 0:16:28 | 0:16:31 | |
No, no, no, no. Wait, listen. I've had a really difficult week. | 0:16:31 | 0:16:33 | |
I have an 82-year-old mother with a detached retina, Patrick. | 0:16:33 | 0:16:36 | |
-You can teach me nothing of difficult weeks. -OK, sure, but... | 0:16:36 | 0:16:39 | |
I suggest that next time you spend a little less | 0:16:39 | 0:16:41 | |
time in the pub and a little more time in the library. | 0:16:41 | 0:16:44 | |
Oh, fuck off, you twat! | 0:16:44 | 0:16:46 | |
What the fuck would you know about my life? | 0:16:46 | 0:16:49 | |
Julie? | 0:16:49 | 0:16:51 | |
SHE GASPS | 0:16:51 | 0:16:53 | |
-Julie! -I'm sorry, that was too far... | 0:16:53 | 0:16:55 | |
-No, he's assaulted me! -What? | 0:16:55 | 0:16:57 | |
-Security! -Sorry, I just wanted to get my... | 0:16:57 | 0:17:00 | |
Oo-ooh. | 0:17:00 | 0:17:01 | |
I've soiled, Julie. | 0:17:01 | 0:17:04 | |
Julie, I've soiled. | 0:17:04 | 0:17:06 | |
Is that what you do? | 0:17:06 | 0:17:08 | |
I'm sorry, I shouldn't have... | 0:17:08 | 0:17:10 | |
You've made a 58-year-old woman soil! Are you happy? | 0:17:10 | 0:17:13 | |
What? What are you doing? Get off me. | 0:17:13 | 0:17:15 | |
Get out! | 0:17:15 | 0:17:16 | |
Consider yourself dis-enrolled. | 0:17:16 | 0:17:18 | |
I'm sorry, I just wanted to get my essay in! Just... | 0:17:18 | 0:17:22 | |
SHE SOBS | 0:17:22 | 0:17:24 | |
Fucking have that. | 0:17:44 | 0:17:45 | |
Fucking hell. | 0:17:52 | 0:17:54 | |
Welcome home, son. | 0:18:11 | 0:18:13 | |
Here you are, boys. | 0:18:16 | 0:18:18 | |
He's come home. | 0:18:18 | 0:18:20 | |
Give him a fucking whisky! | 0:18:20 | 0:18:22 | |
Oh, he's alive! | 0:18:37 | 0:18:39 | |
Ohh... | 0:18:39 | 0:18:40 | |
Dear Rosemary. Thanks for your e-mail. I'm very flattered. | 0:18:44 | 0:18:48 | |
However, due to a change in personal circumstances | 0:18:48 | 0:18:51 | |
I'm no longer pursuing bear restoration. | 0:18:51 | 0:18:54 | |
Dear Patrick. No problem. | 0:18:56 | 0:18:59 | |
Sorry to hear you've stopped your bear work. | 0:18:59 | 0:19:02 | |
You are clearly a very talented, sensitive, good-hearted young man. | 0:19:02 | 0:19:08 | |
Goodbye and good luck. | 0:19:08 | 0:19:10 | |
Love, Lea... | 0:19:11 | 0:19:12 | |
Love, Rosemary. | 0:19:16 | 0:19:18 | |
All rise. | 0:19:21 | 0:19:23 | |
-DISTORTED: -My friend and I were walking home... | 0:19:26 | 0:19:30 | |
But she wanted to go to the shop so... | 0:19:30 | 0:19:33 | |
-DISTORTED: -We took a detour through the car park on Parson's Lane... | 0:19:33 | 0:19:37 | |
And that's when we saw him, the gunman. | 0:19:37 | 0:19:41 | |
-DISTORTED: -He pulled up on a scrambler bike and... | 0:19:41 | 0:19:45 | |
Shot the guy in the ice-cream van. | 0:19:45 | 0:19:47 | |
And can you identify the gunman from the photographs in front of you? | 0:19:47 | 0:19:51 | |
Yes, he's, um, picture number two. | 0:19:51 | 0:19:54 | |
For the benefit of the court, | 0:19:54 | 0:19:55 | |
the witness has identified picture two, the defendant, | 0:19:55 | 0:20:00 | |
as the gunman. | 0:20:00 | 0:20:02 | |
Witness B, can you hear me? | 0:20:21 | 0:20:23 | |
DISTORTED: Yes, yes, I can hear you. | 0:20:25 | 0:20:27 | |
SILLY VOICE: Do I need to do a different voice? | 0:20:27 | 0:20:32 | |
No, no, there's no need for that. | 0:20:34 | 0:20:36 | |
OK. Or I could do ze accent for reasons of security, oui? | 0:20:36 | 0:20:41 | |
Please, witness B, your own accent will be quite sufficient, thank you. | 0:20:41 | 0:20:46 | |
Patrick. | 0:20:50 | 0:20:52 | |
I'm sorry. | 0:20:53 | 0:20:55 | |
Leanne didn't know anything, it was all my fault. | 0:20:56 | 0:20:59 | |
We really did think she was pregnant at first | 0:20:59 | 0:21:01 | |
but then I realised she wasn't and I made her keep it up. | 0:21:01 | 0:21:04 | |
She didn't want to, honestly. | 0:21:04 | 0:21:06 | |
-We need to go. -Patrick! | 0:21:06 | 0:21:08 | |
Come on, we really need to go, come on. | 0:21:08 | 0:21:11 | |
Hi. | 0:21:16 | 0:21:18 | |
Hello, Rhona. | 0:21:18 | 0:21:20 | |
Thank you. | 0:21:20 | 0:21:22 | |
So... | 0:21:25 | 0:21:28 | |
Have a seat. | 0:21:29 | 0:21:31 | |
Do you want a cup of tea? A coffee? An Options? | 0:21:31 | 0:21:35 | |
I'm pleased to tell you | 0:21:35 | 0:21:36 | |
-that the trial resulted in a successful conviction. -Yes! | 0:21:36 | 0:21:40 | |
The suspect received a substantial custodial sentence | 0:21:40 | 0:21:43 | |
and we have therefore been able to review your security status... | 0:21:43 | 0:21:46 | |
..and I can confirm... | 0:21:48 | 0:21:51 | |
Yes? | 0:21:51 | 0:21:53 | |
-..that you still qualify for witness protection. -What?! | 0:21:55 | 0:21:58 | |
What?! | 0:21:58 | 0:21:59 | |
Well, this is absolutely scandalous. | 0:21:59 | 0:22:01 | |
-You said the trial would be the end of this. -I didn't figure on you | 0:22:01 | 0:22:04 | |
breaking into the gang-leader's house | 0:22:04 | 0:22:06 | |
and poking around his weapons stash. | 0:22:06 | 0:22:08 | |
So...what does this mean? | 0:22:08 | 0:22:11 | |
It means you'll need to continue living in witness protection | 0:22:11 | 0:22:14 | |
until we're confident that you're no longer at risk. | 0:22:14 | 0:22:17 | |
Oh, bums. | 0:22:17 | 0:22:19 | |
Never rains but it pours. | 0:22:19 | 0:22:22 | |
Right, fuck it, I don't care, I'm going home. | 0:22:22 | 0:22:24 | |
I want to go and hug my mum | 0:22:24 | 0:22:26 | |
and argue with my dad about immigration. | 0:22:26 | 0:22:28 | |
You'd be putting your family in grave danger. | 0:22:28 | 0:22:31 | |
Look, the situation will continually be under review. | 0:22:32 | 0:22:35 | |
Every six months. | 0:22:35 | 0:22:37 | |
OK, well, thanks for letting me know. | 0:22:39 | 0:22:41 | |
Have you, um, told Rhona about this? | 0:22:41 | 0:22:44 | |
Yeah. | 0:22:44 | 0:22:46 | |
How'd she take it? | 0:22:46 | 0:22:47 | |
SHE WAILS | 0:22:47 | 0:22:51 | |
Oh, you know? Similar to you. | 0:22:51 | 0:22:53 | |
WAILING CONTINUES | 0:22:53 | 0:22:55 | |
Oh. | 0:22:55 | 0:22:57 | |
Good luck, Leanne. | 0:22:57 | 0:22:58 | |
Yeah. | 0:22:58 | 0:23:00 | |
-Have you seen it? -Mm? | 0:23:06 | 0:23:08 | |
-And that is every branch in the south-west. -Oh, my God. | 0:23:08 | 0:23:11 | |
Fucking stop now, you've gotta pull him forward | 0:23:11 | 0:23:14 | |
so I can get my fucking arms out. Snap it back. | 0:23:14 | 0:23:16 | |
BONES CRUNCH, MAN GROANS | 0:23:16 | 0:23:18 | |
You dirty little bastard! | 0:23:18 | 0:23:20 | |
SHE SCREAMS | 0:23:20 | 0:23:21 | |
GUNSHOT | 0:23:21 | 0:23:23 |