Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some violent scenes and strong language | 0:00:02 | 0:00:10 | |
Don't be showing your face around here without a fucking grand. | 0:00:12 | 0:00:15 | |
You're back in Wit Pro and this time, you will be cooperating fully. | 0:00:15 | 0:00:19 | |
I'd like to request that Rhona and I live separately from now on. | 0:00:19 | 0:00:23 | |
If we go our separate ways, that'll be it. | 0:00:23 | 0:00:25 | |
-Here we are, lads, he's come home! -HE LAUGHS | 0:00:25 | 0:00:28 | |
GUNSHOT | 0:00:29 | 0:00:31 | |
Hello. If you're watching this video, | 0:00:38 | 0:00:40 | |
you've just received the powerful news that you'll be living in | 0:00:40 | 0:00:44 | |
witness protection long term. | 0:00:44 | 0:00:46 | |
Look, I'm not going to patronise you, that's tough, | 0:00:47 | 0:00:51 | |
but there is a silver lining or should I say platinum lining, | 0:00:51 | 0:00:55 | |
because you've just qualified for Wit Pro Platinum Level. | 0:00:55 | 0:01:00 | |
TECHNO MUSIC PLAYS | 0:01:00 | 0:01:02 | |
So, what are the benefits? | 0:01:07 | 0:01:09 | |
Well, for a start, 10,000 Nectar points loaded onto your card today. | 0:01:09 | 0:01:15 | |
These Cafe Nero cards are all stamped up | 0:01:15 | 0:01:18 | |
and there must be 12, 15 of them in here. | 0:01:18 | 0:01:20 | |
A reconditioned iPhone 5S with no more than one previous owner. | 0:01:22 | 0:01:28 | |
Orange Wednesdays, didn't they stop doing them? | 0:01:28 | 0:01:31 | |
Not for you. | 0:01:37 | 0:01:38 | |
MUSIC: In The Morning by David Lawrence | 0:01:51 | 0:01:54 | |
# Oh, dear friend, I know your secret | 0:02:07 | 0:02:13 | |
# But I just can't keep it | 0:02:13 | 0:02:17 | |
# Another day... # | 0:02:17 | 0:02:20 | |
Come on, Mr Slick. Get your tongue out your arse, it's time to work. | 0:02:20 | 0:02:24 | |
# Don't confuse, I'm not your saviour | 0:02:24 | 0:02:29 | |
# No-one can save you | 0:02:29 | 0:02:33 | |
# From the devil's arms | 0:02:33 | 0:02:36 | |
# In the morning | 0:02:40 | 0:02:44 | |
# You will pay for what you've done | 0:02:44 | 0:02:48 | |
# Well, hell is calling | 0:02:48 | 0:02:52 | |
# And I will take you with my gun | 0:02:52 | 0:02:56 | |
# In the morning | 0:02:56 | 0:03:00 | |
# You will pay for what you've done... # | 0:03:00 | 0:03:04 | |
And he's always wearing his top. | 0:03:08 | 0:03:10 | |
Why are you wearing your top? | 0:03:11 | 0:03:13 | |
Hey? | 0:03:13 | 0:03:15 | |
You're a man, ain't ya? | 0:03:15 | 0:03:16 | |
Now, I'm really excited for you two to see this one. | 0:03:20 | 0:03:24 | |
As you can see, there's lots of light, lots of space. | 0:03:24 | 0:03:28 | |
Now, um, who's the cook? | 0:03:28 | 0:03:30 | |
So... | 0:03:31 | 0:03:33 | |
..that's a Momma's jerk burger, um, heat deluxe calzone... | 0:03:33 | 0:03:36 | |
So if I could just get your autographs there and there. | 0:03:36 | 0:03:39 | |
..sticky finger ribs, a side of loaded skins... | 0:03:39 | 0:03:42 | |
Congrats, guys! Come on. | 0:03:42 | 0:03:44 | |
..and three bottomless Pepsis. | 0:03:44 | 0:03:46 | |
I want to fight ya. | 0:03:51 | 0:03:54 | |
I want to fight ya in the night. | 0:03:54 | 0:03:58 | |
I want to fight ya under the covers. | 0:03:58 | 0:04:00 | |
Ooh, here she is, the superstar. | 0:04:12 | 0:04:15 | |
-Have you seen it? -Hm? | 0:04:16 | 0:04:19 | |
And that is every branch in the south-west, not just ours. | 0:04:19 | 0:04:23 | |
Oh, my God. | 0:04:26 | 0:04:28 | |
My chin looks so fat. | 0:04:29 | 0:04:32 | |
Emma, does my chin look fat? | 0:04:32 | 0:04:34 | |
Er, you look gorgeous. | 0:04:34 | 0:04:35 | |
Right, come on, lunch, we're celebrating. | 0:04:36 | 0:04:39 | |
Put Archie in his cage, give him a DentaStix. | 0:04:39 | 0:04:41 | |
I want to try that new place next to Tiles Tiles Tiles. | 0:04:41 | 0:04:44 | |
-..east side of town. -HE LAUGHS | 0:04:50 | 0:04:53 | |
Oh... | 0:04:57 | 0:04:58 | |
Charming, isn't he? 1960s, I believe. | 0:05:03 | 0:05:08 | |
Er, '40s I'd say. The paw pads went suede in the late '50s. | 0:05:08 | 0:05:12 | |
Oh. Collector? | 0:05:12 | 0:05:14 | |
Yo, Patrick. Come on, mate! | 0:05:14 | 0:05:16 | |
No. No, I'm not. | 0:05:18 | 0:05:20 | |
And, of course, it's not plumbed in, is it? | 0:05:22 | 0:05:24 | |
It's only a bloomin' show house. | 0:05:24 | 0:05:26 | |
-So I called Gary... -Oh, God, not Gary. | 0:05:26 | 0:05:28 | |
Yeah, don't laugh - Gary. | 0:05:28 | 0:05:30 | |
He shows up with this... | 0:05:30 | 0:05:32 | |
Hi, guys, I just wanted to let you know about our, um... | 0:05:32 | 0:05:35 | |
..about our, um, specials. | 0:05:39 | 0:05:42 | |
We've got, um... | 0:05:44 | 0:05:45 | |
..bread and, um... | 0:05:47 | 0:05:49 | |
Screaming hot fajitas? | 0:05:50 | 0:05:52 | |
Just, just reading off the board, | 0:05:52 | 0:05:54 | |
not trying to do your job or anything, whatever your name is. | 0:05:54 | 0:05:57 | |
-Imogen. -Imogen. | 0:05:57 | 0:06:00 | |
You choose that yourself? | 0:06:00 | 0:06:01 | |
Er, no. | 0:06:01 | 0:06:02 | |
My parents did. | 0:06:04 | 0:06:05 | |
Huh. | 0:06:07 | 0:06:08 | |
Er, I'll just give you a minute and come back for your order. | 0:06:09 | 0:06:14 | |
Mm! Mm-mm-mm. Mm! | 0:06:20 | 0:06:23 | |
Oh, I could eat another one of them, honestly, | 0:06:23 | 0:06:26 | |
if we weren't going back to work. I'm disgusting. | 0:06:26 | 0:06:29 | |
Hi. Sorry, I've just got your bill. Whenever you're ready. | 0:06:29 | 0:06:33 | |
Three months in, have that cleared. | 0:06:46 | 0:06:49 | |
Fucking flying ants! The fucking bastards are everywhere upstairs. | 0:06:49 | 0:06:53 | |
Willy, have a listen to this one. | 0:06:53 | 0:06:56 | |
Right, say you open a brewery, | 0:06:56 | 0:06:59 | |
that One Pack just so happens to own. | 0:06:59 | 0:07:02 | |
You're paying for beer that he never gives you, | 0:07:02 | 0:07:05 | |
make a couple of grand disappear every week easy. | 0:07:05 | 0:07:07 | |
Not bad, not bad. See, I told ya? Fucking smart, this one. | 0:07:07 | 0:07:11 | |
That college's loss is our fucking gain. | 0:07:11 | 0:07:14 | |
Well, fuck me, look who it is. | 0:07:17 | 0:07:20 | |
Long time no see. | 0:07:20 | 0:07:22 | |
I hope you ain't come here fucking empty handed, son, | 0:07:22 | 0:07:24 | |
not on flying ants' day. I'm in a bad enough mood as it is. | 0:07:24 | 0:07:28 | |
Where the fuck do you think you're going? | 0:07:38 | 0:07:40 | |
940, 960... | 0:07:57 | 0:07:59 | |
..980. | 0:08:03 | 0:08:05 | |
Nah. | 0:08:05 | 0:08:07 | |
I counted it a few times, Willy. There was, there was £1,000 there. | 0:08:07 | 0:08:10 | |
Look give me ten minutes, yeah? | 0:08:14 | 0:08:15 | |
Give me, give me ten minutes and I'll be back here with the £20. | 0:08:15 | 0:08:18 | |
Ah! | 0:08:26 | 0:08:27 | |
Fucking sick of that twat. | 0:08:28 | 0:08:31 | |
Here, see if there's any fucking decent bread in the place, | 0:08:31 | 0:08:34 | |
bit of toast wouldn't go a miss. The fucking bastard! | 0:08:34 | 0:08:36 | |
40, 960, 980... | 0:08:36 | 0:08:40 | |
-..grand. -HE CHUCKLES | 0:08:43 | 0:08:45 | |
Come on, Paddy, let's get him moved. | 0:08:45 | 0:08:47 | |
I've got the fucking heavy end, you haven't. | 0:08:53 | 0:08:55 | |
Oh, bollocks! | 0:08:55 | 0:08:57 | |
That's it. | 0:08:59 | 0:09:01 | |
Oh, give us a hand with this. | 0:09:01 | 0:09:02 | |
No, put him on there, put him on there. | 0:09:02 | 0:09:04 | |
Jesus. | 0:09:04 | 0:09:07 | |
-Is he going to fit? -Oh, wait, wait, wait, wait, wait. | 0:09:07 | 0:09:09 | |
That's my dinner. | 0:09:09 | 0:09:11 | |
-Right. Oh. Ready? -Yeah. -Three. | 0:09:11 | 0:09:14 | |
That's it, there we go, drop him in, get his arse in now. | 0:09:16 | 0:09:19 | |
I've got my arms fucking stuck now. | 0:09:19 | 0:09:21 | |
You've got to pull him forward so I can get my fucking arms out. | 0:09:21 | 0:09:23 | |
That's it. | 0:09:23 | 0:09:25 | |
Shit. Let's get these legs in, look, ready? | 0:09:25 | 0:09:28 | |
That's it. Go on, just snap it backwards, it won't hurt him. | 0:09:28 | 0:09:31 | |
-BONE SNAPS -That's it. -Oh, oh! | 0:09:31 | 0:09:33 | |
Put this down. Oh, his fucking leg... | 0:09:33 | 0:09:36 | |
Snap it right back in. | 0:09:36 | 0:09:38 | |
-BONE SNAPS -Oh! -There you go, there you go. | 0:09:38 | 0:09:40 | |
That's it, he's in now. Get that on the top. Go on, get it on. | 0:09:40 | 0:09:42 | |
Let's go get a pint. | 0:09:49 | 0:09:52 | |
HE RETCHES | 0:09:52 | 0:09:53 | |
HE GRUNTS | 0:10:02 | 0:10:05 | |
Er, thanks. | 0:10:14 | 0:10:16 | |
QUAD BIKE APPROACHES | 0:10:16 | 0:10:18 | |
Hey, Mr Slick. | 0:10:20 | 0:10:21 | |
Meet me by the lake in five, we'll have a wanking contest, | 0:10:21 | 0:10:24 | |
points for speed and amount. | 0:10:24 | 0:10:26 | |
Just clear these away for you. | 0:10:33 | 0:10:35 | |
Hey. | 0:10:40 | 0:10:42 | |
Hi. | 0:10:42 | 0:10:43 | |
Thanks for coming back. | 0:10:45 | 0:10:47 | |
My shift finishes in like two minutes. | 0:10:51 | 0:10:56 | |
-Do you want to...? -Yeah. | 0:10:56 | 0:10:58 | |
Oh, I'll just... OK. | 0:11:01 | 0:11:04 | |
I'm really sorry, Leanne. | 0:11:15 | 0:11:17 | |
-You know about... -It's OK. | 0:11:19 | 0:11:22 | |
I think I probably overreacted a bit. | 0:11:22 | 0:11:24 | |
-CRYING: -I've missed you, Leanne. | 0:11:29 | 0:11:31 | |
TEARFULLY: I've missed you too. | 0:11:33 | 0:11:34 | |
Stop it, cos you, you're going to start me off. | 0:11:36 | 0:11:40 | |
I've been such a bitch. | 0:11:40 | 0:11:42 | |
No, I... | 0:11:42 | 0:11:44 | |
I've been a bitch. | 0:11:44 | 0:11:46 | |
-SOBBING: -Can we be friends again? | 0:11:46 | 0:11:48 | |
SOBBING: Of course we can be friends! | 0:11:48 | 0:11:50 | |
THEY SOB | 0:11:50 | 0:11:54 | |
This is just so hard, you know? | 0:12:05 | 0:12:07 | |
It's so hard. | 0:12:09 | 0:12:11 | |
-Here, blow into that. -Thanks. | 0:12:11 | 0:12:14 | |
Oh, oh. | 0:12:18 | 0:12:20 | |
They'll be closing here in a minute. | 0:12:25 | 0:12:27 | |
Do you want to come back to mine? | 0:12:27 | 0:12:29 | |
I've got a juicer. | 0:12:29 | 0:12:30 | |
Yeah. | 0:12:32 | 0:12:33 | |
THEY CRY | 0:12:33 | 0:12:36 | |
Mr Slick, what's your real name? | 0:12:58 | 0:12:59 | |
Adrian. | 0:13:02 | 0:13:03 | |
Adrian, like a film star. | 0:13:03 | 0:13:05 | |
What's it like in the city? | 0:13:08 | 0:13:10 | |
I expect you're always brawling in the nightclub. | 0:13:12 | 0:13:14 | |
Have you ever met Kanye West? | 0:13:17 | 0:13:18 | |
I've a little dream. | 0:13:24 | 0:13:26 | |
Ah, you'll think I'm silly. | 0:13:26 | 0:13:27 | |
One day, I want to get a bus... | 0:13:30 | 0:13:34 | |
..and go to Claire's Accessories. | 0:13:34 | 0:13:36 | |
Go to Claire's Accessories and try everything on. | 0:13:36 | 0:13:38 | |
Heard you killed a man. | 0:13:42 | 0:13:43 | |
You're an outlaw, so.... | 0:13:45 | 0:13:47 | |
So, what do you do? | 0:13:54 | 0:13:55 | |
Well, obviously, it's pretty gross | 0:13:55 | 0:13:57 | |
but I find if I wash it as soon as I get in, | 0:13:57 | 0:14:00 | |
-the meat smell basically goes. -Mm. | 0:14:00 | 0:14:03 | |
Oh, wow. | 0:14:03 | 0:14:05 | |
-Is this your flat? -Yeah. | 0:14:05 | 0:14:07 | |
They gave you this flat? | 0:14:07 | 0:14:09 | |
Oh, God, no. | 0:14:09 | 0:14:10 | |
-Oh, sorry, Rhona, shoes. -Oh. | 0:14:10 | 0:14:14 | |
Hang on, you're not still living in the flat they gave you, are you? | 0:14:15 | 0:14:18 | |
Yes. | 0:14:18 | 0:14:20 | |
I'm really lucky, you see, cos I work in lettings, | 0:14:20 | 0:14:23 | |
so I get to see the good stuff as it comes in. | 0:14:23 | 0:14:26 | |
Mm. | 0:14:26 | 0:14:27 | |
I could help you out, actually. What's your budget? | 0:14:27 | 0:14:29 | |
Oh, my God, the best bit is there's this office dog, Archie, | 0:14:32 | 0:14:35 | |
he's a French bulldog and he sort of belongs to the office, | 0:14:35 | 0:14:38 | |
so sometimes I take him home, sometimes Trish does | 0:14:38 | 0:14:41 | |
and he's got a different jumper for every day, look at his little face. | 0:14:41 | 0:14:45 | |
Yeah, hon, you're doing so great. | 0:14:45 | 0:14:47 | |
Erm... | 0:14:48 | 0:14:50 | |
-HOLDING BACK TEARS: -I'm really happy for you. | 0:14:50 | 0:14:51 | |
Thanks, and you. | 0:14:51 | 0:14:53 | |
You've got lovely hair. | 0:14:54 | 0:14:57 | |
-CRYING: -I can't take it any more. | 0:14:57 | 0:14:59 | |
Oh, hey. Shh, Rhona. | 0:14:59 | 0:15:02 | |
I'm sorry, I didn't want to get into this, it's just... | 0:15:02 | 0:15:05 | |
..we're never going home, are we? | 0:15:05 | 0:15:08 | |
Well, you know the police are trying to catch Willy Whelan, aren't they? | 0:15:08 | 0:15:12 | |
Yeah, and have been for about 15 years | 0:15:12 | 0:15:15 | |
and even if they do catch him, then what then? | 0:15:15 | 0:15:17 | |
He'll just be running the show from the inside. | 0:15:17 | 0:15:20 | |
Well, if there's nothing we can do, | 0:15:20 | 0:15:22 | |
there's no point crying about it, is there? | 0:15:22 | 0:15:24 | |
No, but there is something we can do, there is. | 0:15:24 | 0:15:27 | |
I've been thinking about it. | 0:15:31 | 0:15:33 | |
We have to get rid of Whelan... | 0:15:34 | 0:15:38 | |
..for good. | 0:15:38 | 0:15:39 | |
We need to kill him. | 0:15:41 | 0:15:43 | |
I'm sorry, I'm no lawyer but I'm pretty sure that's way illegal. | 0:15:43 | 0:15:46 | |
Well, what choice do we have? | 0:15:46 | 0:15:48 | |
Rhona, if you'd asked me a year ago | 0:15:48 | 0:15:51 | |
did I want to live in witness protection, seven times out of ten, | 0:15:51 | 0:15:54 | |
I would've said, no, course not, but I'm making the best of it. | 0:15:54 | 0:15:58 | |
Bad stuff happens, | 0:16:00 | 0:16:02 | |
it's how you react to it that counts. | 0:16:02 | 0:16:05 | |
I'll give you a lift home. | 0:16:09 | 0:16:11 | |
Ugh! | 0:16:25 | 0:16:26 | |
CRUNCHING | 0:16:26 | 0:16:27 | |
Three! | 0:16:27 | 0:16:29 | |
-CRUNCHING -Oh! | 0:16:32 | 0:16:34 | |
"Very talented, sensitive, good-hearted young man." | 0:17:18 | 0:17:21 | |
"Dear Rosemary, sorry for the slow reply. | 0:17:32 | 0:17:36 | |
"Many thanks for your kind words." | 0:17:36 | 0:17:37 | |
PHONE CHIMES | 0:17:37 | 0:17:39 | |
"You might get a kick out of this. | 0:17:42 | 0:17:44 | |
"Passing an antique shop when I saw a 1940s Merrythought | 0:17:44 | 0:17:48 | |
"in near mint condition." | 0:17:48 | 0:17:50 | |
"Dear Patrick, lovely to hear from you. | 0:17:52 | 0:17:55 | |
"You're such a knowledgeable young man." | 0:17:55 | 0:17:57 | |
"Dear Rosemary, how have you been? | 0:18:00 | 0:18:03 | |
"Tell me, how did you get involved in the scene?" | 0:18:03 | 0:18:06 | |
"I fell in love, Patrick, with a man who was a master of the craft." | 0:18:06 | 0:18:10 | |
-"Dear Rosemary..." -"Dear Patrick..." | 0:18:10 | 0:18:12 | |
-"Thanks for your message." -"How was your weekend?" | 0:18:12 | 0:18:14 | |
"Did you see the 1930s Chiltern on Antiques Roadshow?" | 0:18:14 | 0:18:17 | |
"So insightful, Patrick." | 0:18:17 | 0:18:20 | |
"Where do you stand on the waistcoat?" | 0:18:20 | 0:18:22 | |
"..achieve such a fine stitch?" | 0:18:22 | 0:18:23 | |
"I haven't seen one like that in years." | 0:18:23 | 0:18:25 | |
-"Tell me about the buttons." -"Are you on messenger?" | 0:18:25 | 0:18:28 | |
Psst! | 0:18:40 | 0:18:41 | |
Come in, there's something I want to show ya. | 0:18:43 | 0:18:46 | |
Come on, I won't bite ya. | 0:18:47 | 0:18:49 | |
Shut the door. | 0:18:55 | 0:18:56 | |
-WHISPERS: -This is me bra. | 0:19:22 | 0:19:23 | |
It was Mammy's before she left. | 0:19:25 | 0:19:27 | |
It's nice. | 0:19:31 | 0:19:33 | |
And when you're finished up in that top field, I want you... | 0:19:33 | 0:19:36 | |
Jesus, Mary and the holy Saint Joseph. | 0:19:36 | 0:19:39 | |
-You dirty little bastard. -Dad, no! | 0:19:39 | 0:19:42 | |
-Gurvin! -Ah! -Gurvin! Get in here and hold his prick. | 0:19:42 | 0:19:45 | |
Keep his seed away from her! | 0:19:46 | 0:19:48 | |
-You'll be married on Sunday. -Dad, we didn't... | 0:19:59 | 0:20:01 | |
You'll be married on Sunday. | 0:20:01 | 0:20:04 | |
CRUNCHING | 0:20:24 | 0:20:26 | |
Fuck me. | 0:20:45 | 0:20:48 | |
That one of the fucking...? | 0:20:48 | 0:20:50 | |
Stupid fuckers. | 0:20:50 | 0:20:52 | |
Shall we vacate to my office | 0:20:53 | 0:20:55 | |
and plot an appropriate course of fucking action? | 0:20:55 | 0:20:58 | |
Fucking hell. | 0:20:58 | 0:21:00 | |
I'm out, boys, win again. | 0:21:02 | 0:21:04 | |
Trish, come look at this. | 0:21:17 | 0:21:19 | |
Just watch that video. | 0:21:21 | 0:21:23 | |
Keep watching the budgie and look at the kitten's face. | 0:21:23 | 0:21:26 | |
Ooh! | 0:21:26 | 0:21:29 | |
Emma, have you seen this? | 0:21:29 | 0:21:31 | |
Do you fancy a pod, Trish? I'm just doing one for myself. | 0:21:31 | 0:21:33 | |
No, ta, I've already had two Kenyan Mellows today. | 0:21:33 | 0:21:36 | |
HIGH-PITCHED VOICE: Oh, Archie, finished your water. | 0:21:36 | 0:21:39 | |
Oh, you've finished your water. | 0:21:39 | 0:21:41 | |
Let me get you some, yes. | 0:21:41 | 0:21:44 | |
Hello, sir, how can I help? | 0:21:46 | 0:21:47 | |
Was it sales or lettings you wanted? | 0:21:50 | 0:21:52 | |
Trish! TRISH SCREAMS | 0:21:54 | 0:21:56 | |
GUNSHOT | 0:21:56 | 0:21:58 | |
GUNSHOT | 0:22:03 | 0:22:05 | |
Oh, my God, thank God you're OK. | 0:22:06 | 0:22:08 | |
Come in. | 0:22:09 | 0:22:10 | |
It was on TV, I thought it must be you, they said a woman's been shot. | 0:22:12 | 0:22:16 | |
Oh, my God, that's Trish, that's Trish! | 0:22:16 | 0:22:17 | |
It's OK, she's OK, they said she's awake and talking in hospital. | 0:22:17 | 0:22:20 | |
Oh, Rhona, it was horrible, it was so close. | 0:22:20 | 0:22:23 | |
-It's OK, it's OK, you're safe now. -They were trying to kill me, Rhona. | 0:22:23 | 0:22:26 | |
-I know, I know, but you're safe now. -Yeah. | 0:22:26 | 0:22:29 | |
All right? | 0:22:33 | 0:22:34 | |
I did manage to get the bastard in the head | 0:22:38 | 0:22:40 | |
with a coffee machine though. | 0:22:40 | 0:22:42 | |
All right, have a seat, I'll make you a Ribena. | 0:22:43 | 0:22:45 | |
-Make it hot. -All right. | 0:22:45 | 0:22:47 | |
SHE SLURPS | 0:22:50 | 0:22:54 | |
Oh... | 0:22:59 | 0:23:02 | |
Oh, God, I hope Trish is OK. | 0:23:02 | 0:23:04 | |
I, I can't even go see her, can I? | 0:23:06 | 0:23:09 | |
I can't go back to the office, to the flat. I loved that flat. | 0:23:10 | 0:23:14 | |
That's it, innit? | 0:23:16 | 0:23:17 | |
Leanne... | 0:23:17 | 0:23:20 | |
..this is what I meant. | 0:23:20 | 0:23:21 | |
We can never build lives in here. | 0:23:22 | 0:23:24 | |
The only way to stop this is if Willy Whelan is... | 0:23:27 | 0:23:31 | |
-..gone. -Rhona, no. | 0:23:31 | 0:23:33 | |
We can't, we're not... | 0:23:33 | 0:23:35 | |
WHISPERS: ..killers. | 0:23:36 | 0:23:38 | |
-Oh, look, this is it. -Oh, my God, that's my office. | 0:23:38 | 0:23:41 | |
Turn it up, turn it up. | 0:23:41 | 0:23:43 | |
-TV: -Now there's shock in Chippenham tonight as gunshots were fired | 0:23:43 | 0:23:46 | |
this afternoon in what appears to have been a premeditated attack | 0:23:46 | 0:23:49 | |
at a local estate agent. | 0:23:49 | 0:23:51 | |
Thankfully there have been no fatalities. | 0:23:51 | 0:23:54 | |
A 34-year-old woman is being treated for a gunshot wound to the shoulder | 0:23:54 | 0:23:58 | |
at the Royal United Hospital in Bath. | 0:23:58 | 0:24:00 | |
Floral tributes have started to be laid outside the premises | 0:24:00 | 0:24:04 | |
for three-year-old French bulldog Archie | 0:24:04 | 0:24:06 | |
who was killed in the attack... | 0:24:06 | 0:24:08 | |
Oh, yeah, sorry, forgot about that, a dog got shot. | 0:24:08 | 0:24:11 | |
Right, I want Whelan's shitty, beardy head on a fucking spike. | 0:24:11 | 0:24:18 | |
We get guns. I don't know where, the internet? | 0:24:18 | 0:24:20 | |
And I'll go into that pub, open fire, be like, | 0:24:20 | 0:24:24 | |
"This is for Archie." | 0:24:24 | 0:24:26 | |
All right, Clive Owen, sit down. | 0:24:30 | 0:24:32 | |
Look, I've been thinking about this a lot. | 0:24:34 | 0:24:37 | |
Even if we could kill Whelan, | 0:24:37 | 0:24:39 | |
we'd almost certainly face retaliation | 0:24:39 | 0:24:41 | |
from one of his lackeys afterwards, | 0:24:41 | 0:24:43 | |
not to mention obviously the small matter of life imprisonment. | 0:24:43 | 0:24:45 | |
So then what? | 0:24:45 | 0:24:47 | |
What if somebody else killed him? | 0:24:50 | 0:24:53 | |
Mm? What if we could maybe make that happen? | 0:24:53 | 0:24:56 | |
But who? | 0:24:58 | 0:25:00 | |
There's another gang. | 0:25:00 | 0:25:01 | |
Think about it, Leanne, the guy in the ice cream van, | 0:25:02 | 0:25:05 | |
the one we saw get shot? | 0:25:05 | 0:25:07 | |
There's another gang. | 0:25:09 | 0:25:11 | |
We need Willy Whelan dead. | 0:25:17 | 0:25:20 | |
SHE SCREAMS | 0:25:22 | 0:25:23 | |
Who the fuck are you? | 0:25:23 | 0:25:24 | |
Gurvin! | 0:25:24 | 0:25:28 | |
Shit. | 0:25:28 | 0:25:29 |