Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some violent scenes and very strong language. | 0:00:02 | 0:00:06 | |
-Quavers, the lad who shot the grass, got himself nicked. -Get him gone. | 0:00:06 | 0:00:08 | |
Leanne, what the fuck? How have you found me? | 0:00:08 | 0:00:10 | |
The Tudor banquet, it's a trap. | 0:00:10 | 0:00:12 | |
-It's this Tudor banquet thing... -Yeah. | 0:00:12 | 0:00:15 | |
I've just got a bad feeling about it. | 0:00:15 | 0:00:17 | |
Your hunch? Fucking bang-on, son. | 0:00:17 | 0:00:19 | |
We're going to ambush the ambush, have a fucking big bonfire. | 0:00:19 | 0:00:22 | |
It's locked. It's Whelan, he knows. | 0:00:25 | 0:00:28 | |
Oh, look at that lads! Sweet justice! | 0:00:32 | 0:00:36 | |
Burn, you fuckers, burn! | 0:00:36 | 0:00:39 | |
Oh, look at that, lads! Burn, you fuckers, burn! | 0:01:36 | 0:01:40 | |
Right, I'm going to treat you all to tapas. | 0:01:42 | 0:01:45 | |
But you never had them other things, no? | 0:01:55 | 0:01:57 | |
-Er, no. -Well, basically they're just like fucking chips | 0:01:57 | 0:02:00 | |
and spicy ketchup, but they're fucking lovely. | 0:02:00 | 0:02:02 | |
Hands where I can see 'em, boys. | 0:02:05 | 0:02:07 | |
Fuck. | 0:02:08 | 0:02:09 | |
PHONE VIBRATES | 0:02:14 | 0:02:16 | |
Hello. | 0:02:17 | 0:02:18 | |
Patrick, mate, your hunch, fucking bang-on, son. | 0:02:18 | 0:02:22 | |
-Yeah? -The banquet, fucking Erdems are behind it. | 0:02:22 | 0:02:25 | |
Get yourself down here now, all fucking hands on deck here now, | 0:02:25 | 0:02:29 | |
we're going to ambush the ambush and have a fucking big bonfire. | 0:02:29 | 0:02:33 | |
Right. | 0:02:33 | 0:02:34 | |
I'm sorry. I never was. | 0:02:50 | 0:02:53 | |
I'm not pregnant. | 0:02:53 | 0:02:55 | |
I never was. | 0:02:56 | 0:02:58 | |
Leanne didn't know anything. | 0:03:07 | 0:03:09 | |
We really did think she was pregnant, I made her keep it up, | 0:03:09 | 0:03:11 | |
she didn't want to. | 0:03:11 | 0:03:13 | |
Look, are you out of your mind? I... We can't talk. | 0:03:13 | 0:03:16 | |
I know, I know, but please just listen. | 0:03:16 | 0:03:18 | |
I know you're back in the gang. | 0:03:18 | 0:03:19 | |
I know you're back in the gang. | 0:03:21 | 0:03:22 | |
I've gone back to an old line of work. | 0:03:27 | 0:03:30 | |
I'm doing things that aren't strictly legal. | 0:03:31 | 0:03:34 | |
Oh, you poor poppet. Nurses are so undervalued. | 0:03:36 | 0:03:40 | |
Nurses are so undervalued. | 0:03:41 | 0:03:43 | |
Of course I still want to talk to you, I'm your friend. | 0:03:45 | 0:03:48 | |
You are clearly a very talented, sensitive, good-hearted young man. | 0:03:52 | 0:03:57 | |
I fell in love, Patrick, with a man who was a master of the craft. | 0:03:57 | 0:04:01 | |
Leanne. | 0:04:03 | 0:04:05 | |
Shit, Leanne. Shit! | 0:04:05 | 0:04:08 | |
Come on, come on, come on. Answer. Pick up, pick up. | 0:04:11 | 0:04:14 | |
E-MAIL SENDS | 0:04:18 | 0:04:20 | |
Leanne, it's Patrick. I know this is you, call me urgently, please. | 0:04:20 | 0:04:23 | |
Come on, come on, come on. Reply. | 0:04:23 | 0:04:25 | |
Shit. | 0:04:28 | 0:04:29 | |
Fuck it. | 0:04:32 | 0:04:33 | |
Wilton, Wilton, there you are. | 0:04:36 | 0:04:38 | |
Right, front desk now. There's someone here wants to talk to us, | 0:04:38 | 0:04:41 | |
you're not going to be disappointed. | 0:04:41 | 0:04:43 | |
Can't you do it? I'm snowed under here. | 0:04:43 | 0:04:44 | |
-Well, this is big. -Well, so is this. | 0:04:44 | 0:04:46 | |
Someone's written "twat" on the cenotaph. | 0:04:46 | 0:04:48 | |
Right, yeah. | 0:04:48 | 0:04:50 | |
Well, that's horrible, my grandad served. | 0:04:52 | 0:04:55 | |
But, seriously, you're going to want to talk to this person. | 0:04:55 | 0:04:59 | |
Oh, Jesus Christ. | 0:04:59 | 0:05:00 | |
Right, then, I'm going to treat you all to tapas. | 0:05:13 | 0:05:17 | |
SCREAMING | 0:05:27 | 0:05:30 | |
Police! Stand back! | 0:05:35 | 0:05:36 | |
Police! Stand back! | 0:05:51 | 0:05:52 | |
Freeze! On the floor! ALARM BLARES | 0:05:56 | 0:05:58 | |
Hands where I can see 'em, boys. | 0:06:10 | 0:06:13 | |
Joseph Whelan... | 0:06:20 | 0:06:21 | |
..I'm arresting you for arson and conspiracy to murder | 0:06:23 | 0:06:26 | |
for a start-off. | 0:06:26 | 0:06:29 | |
You don't have to say anything, but it may harm your defence if you | 0:06:29 | 0:06:32 | |
do not mention when questioned something which you | 0:06:32 | 0:06:34 | |
-later rely on in court. -Mother had the fucking gift, did she? | 0:06:34 | 0:06:36 | |
-Anything you do say may be given in evidence. -Look at me. | 0:06:36 | 0:06:39 | |
Do you understand? | 0:06:39 | 0:06:40 | |
Fucking look at me, you cunt! | 0:06:42 | 0:06:44 | |
Do you understand? | 0:06:44 | 0:06:45 | |
Fucking look at me! | 0:06:45 | 0:06:46 | |
Drop your weapon! | 0:06:46 | 0:06:47 | |
No, you fucking bastards! | 0:06:57 | 0:07:00 | |
That were a good man, that. | 0:07:00 | 0:07:02 | |
Hands in the air, nobody move. | 0:07:02 | 0:07:05 | |
Right, sign these. | 0:07:22 | 0:07:26 | |
-What's this? -It's a legally binding waive of your right to sue us | 0:07:27 | 0:07:29 | |
for giving your names to the Whelan gang. | 0:07:29 | 0:07:32 | |
-Okey-dokey. -What? No. | 0:07:32 | 0:07:33 | |
And in return, I won't ask what the hell you were planning to do | 0:07:35 | 0:07:37 | |
in that building tonight. | 0:07:37 | 0:07:38 | |
-OK, fair enough. -So do I sign? -Yeah. Yeah. | 0:07:40 | 0:07:43 | |
I'm sure you're keen to find out what today's events mean for you. | 0:07:45 | 0:07:48 | |
An informant from the Whelan gang came forward, | 0:07:48 | 0:07:51 | |
providing extensive information, including the tip-off about today. | 0:07:51 | 0:07:56 | |
Whelan himself was shot whilst trying to resist arrest. | 0:07:56 | 0:07:59 | |
He was pronounced dead at the scene. | 0:08:00 | 0:08:02 | |
Now, obviously, as police, that's not a result we celebrate, | 0:08:05 | 0:08:09 | |
we'd want to see him have his day in court. | 0:08:09 | 0:08:11 | |
Are you drinking Champagne? | 0:08:15 | 0:08:17 | |
No! | 0:08:17 | 0:08:18 | |
It's Cava. | 0:08:18 | 0:08:20 | |
Er, crucially, we've assessed your risk levels | 0:08:20 | 0:08:22 | |
and the team feels it's now safe for you both to go home. | 0:08:22 | 0:08:25 | |
-Thank you. -Oh! | 0:08:29 | 0:08:31 | |
Oh, thank you. | 0:08:31 | 0:08:32 | |
Oh, my God, we're going home. | 0:08:36 | 0:08:38 | |
-It's over, ladies. -Thank you. | 0:08:38 | 0:08:40 | |
You're more than welcome. | 0:08:41 | 0:08:43 | |
Can we have some fizz? | 0:08:45 | 0:08:46 | |
No. | 0:08:46 | 0:08:47 | |
-DC Wilton, it was Patrick, wasn't it? -Sorry? | 0:08:52 | 0:08:55 | |
The informant. It was Patrick Daniels, I know it was... | 0:08:55 | 0:08:57 | |
I'm sorry, I'm not able to confirm or deny if it was... | 0:08:57 | 0:08:59 | |
I know, I know but I just want to thank him. | 0:08:59 | 0:09:02 | |
Well, I'm afraid that's not possible. | 0:09:02 | 0:09:04 | |
-Whoever it is... -Patrick. | 0:09:04 | 0:09:06 | |
That informant is now himself in witness protection. | 0:09:06 | 0:09:09 | |
Oh, of course. | 0:09:09 | 0:09:10 | |
He would've known about that. | 0:09:14 | 0:09:15 | |
Oh, I'm sorry Leanne. | 0:09:18 | 0:09:20 | |
You were right about him. | 0:09:21 | 0:09:23 | |
And on the eighth count of murder, how do you plead? | 0:09:53 | 0:09:57 | |
Guilty, Your Honour. | 0:09:57 | 0:09:58 | |
And on the ninth count of murder, how do you plead? | 0:09:58 | 0:10:01 | |
Guilty, Your Honour. | 0:10:01 | 0:10:03 | |
Now, what I was thinking we could do with Pepe today | 0:10:32 | 0:10:35 | |
is just take a bit off to frame his face | 0:10:35 | 0:10:37 | |
and soften the shoulders a bit. | 0:10:37 | 0:10:39 | |
Yeah, just make sure you clip the shite from round its arse, love. | 0:10:39 | 0:10:43 | |
James. | 0:10:50 | 0:10:51 | |
Hi. | 0:10:52 | 0:10:53 | |
Rhona, hi. | 0:10:53 | 0:10:55 | |
So now, right, as well as my own commission, | 0:10:55 | 0:10:58 | |
I'll be getting 0.5% on everything my sub team does, yeah? | 0:10:58 | 0:11:03 | |
What about outside work? Do you have any hobbies? | 0:11:03 | 0:11:06 | |
-Yeah, I do have a hobby, actually. -Ah? | 0:11:06 | 0:11:08 | |
Well, passion, really. | 0:11:08 | 0:11:10 | |
Don't tend to talk about it, though, | 0:11:10 | 0:11:12 | |
because some people do extract the Michael. | 0:11:12 | 0:11:14 | |
Oh, yeah? Well, tell me about it. | 0:11:14 | 0:11:16 | |
Well, I am an absolute nutter... | 0:11:16 | 0:11:20 | |
..for F1. | 0:11:23 | 0:11:24 | |
So, which one do I press? | 0:11:26 | 0:11:28 | |
-This one. -Which one? | 0:11:28 | 0:11:30 | |
-AV1. -Why does it say AV1? | 0:11:30 | 0:11:32 | |
I thought it was BT Vision. | 0:11:32 | 0:11:34 | |
It just does. Just press it. | 0:11:34 | 0:11:36 | |
You're doing great, just stick with it. | 0:11:36 | 0:11:38 | |
Thank you. | 0:12:01 | 0:12:02 | |
Here you go. | 0:12:05 | 0:12:07 | |
God, it feels like ages since we've seen each other. | 0:12:07 | 0:12:09 | |
-So much has happened. -Yeah, I know, right. | 0:12:09 | 0:12:12 | |
Doesn't it seems weird now that just a matter of weeks ago | 0:12:12 | 0:12:15 | |
we were genuinely participating in a plot to kill a man with a hammer? | 0:12:15 | 0:12:20 | |
You know what? I like to see a job get done as much as the next person, | 0:12:20 | 0:12:23 | |
but I'm actually glad we didn't have to see that. | 0:12:23 | 0:12:26 | |
-Agreed. Cheers. -Cheers. | 0:12:26 | 0:12:29 | |
So how's things? | 0:12:34 | 0:12:35 | |
Yeah, good. Good. | 0:12:35 | 0:12:38 | |
It's funny being back at work. It feels like I haven't been away. | 0:12:38 | 0:12:40 | |
-Yeah. -Got my tickets booked | 0:12:40 | 0:12:42 | |
for this year's internal audit conference. Yawn. | 0:12:42 | 0:12:46 | |
No, it's a bit of a piss-up. | 0:12:46 | 0:12:48 | |
Watch out, Excel Centre. | 0:12:48 | 0:12:50 | |
Oh, I got an offer accepted on a flat. | 0:12:50 | 0:12:52 | |
Oh, amazing. | 0:12:52 | 0:12:55 | |
Yeah, I'm pretty psyched. | 0:12:55 | 0:12:56 | |
-Anyway, how about you? -Good, yeah. | 0:12:57 | 0:13:00 | |
Work's good, um... | 0:13:00 | 0:13:03 | |
You know it's nice to see the dogs again, | 0:13:03 | 0:13:05 | |
you know, the non-biters, you know, | 0:13:05 | 0:13:07 | |
and I've got, um, a bra-fitting booked, | 0:13:07 | 0:13:10 | |
because, you know, you should... you should, you know, ever year. | 0:13:10 | 0:13:14 | |
Leanne... Leanne, what's wrong? | 0:13:16 | 0:13:19 | |
I don't know, I'm sorry. | 0:13:19 | 0:13:21 | |
Come on. | 0:13:21 | 0:13:23 | |
I know it sounds mad, but... | 0:13:23 | 0:13:24 | |
-..I wish we were still in wit pro. -What? Why? | 0:13:27 | 0:13:31 | |
Because I don't want to be Leanne Stubbs again. | 0:13:31 | 0:13:34 | |
Like, I prefer Mystique, | 0:13:35 | 0:13:37 | |
or Julie Evans, salesperson of the month. | 0:13:37 | 0:13:41 | |
They were exciting interesting people and they did cool stuff | 0:13:41 | 0:13:46 | |
and people liked them. | 0:13:46 | 0:13:48 | |
Leanne Stubbs is just bloody Leanne Stubbs. | 0:13:50 | 0:13:52 | |
Yeah, but those people were Leanne Stubbs, though. | 0:13:54 | 0:13:57 | |
Oh, you know what I mean. | 0:13:57 | 0:13:58 | |
Well, no, I don't. | 0:13:58 | 0:14:01 | |
You did those things, Leanne. | 0:14:01 | 0:14:04 | |
People liked you. | 0:14:04 | 0:14:05 | |
Do you know what I think? | 0:14:09 | 0:14:10 | |
I think, in some weird way, witness protection was good for you | 0:14:11 | 0:14:15 | |
because it made you start again, | 0:14:15 | 0:14:18 | |
and turns out you're good at that. | 0:14:18 | 0:14:21 | |
I guess so. | 0:14:21 | 0:14:22 | |
Like, really good. | 0:14:22 | 0:14:24 | |
So you can do it again, | 0:14:25 | 0:14:27 | |
and I don't think you need the threat of impending assassination | 0:14:27 | 0:14:31 | |
to do it. | 0:14:31 | 0:14:32 | |
You can do whatever you want, Leanne. | 0:14:32 | 0:14:35 | |
Believe me. | 0:14:35 | 0:14:37 | |
Well, what do I want? | 0:14:39 | 0:14:40 | |
I don't know, what do you want? | 0:14:41 | 0:14:45 | |
Leanne? | 0:14:53 | 0:14:54 | |
Prince has had an accident. Can you bring me the mop and the poo towel? | 0:14:54 | 0:14:58 | |
Paula, I'm not coming in tomorrow. | 0:15:03 | 0:15:06 | |
What? Why not? | 0:15:06 | 0:15:07 | |
-Or the day after that. -What are you talking about? | 0:15:07 | 0:15:09 | |
-I'm leaving. -What? | 0:15:09 | 0:15:11 | |
I'm sorry. Don't worry about paying me for the week. | 0:15:11 | 0:15:15 | |
Leanne? | 0:15:15 | 0:15:18 | |
Leanne! | 0:15:18 | 0:15:19 | |
DOORBELL RINGS | 0:15:41 | 0:15:42 | |
SHE SNORTS | 0:15:51 | 0:15:52 | |
Leanne? | 0:17:18 | 0:17:19 | |
Leanne? | 0:17:21 | 0:17:22 | |
Yes? | 0:17:39 | 0:17:40 | |
Hi, sorry, I was actually looking for DC Wilton? | 0:17:40 | 0:17:43 | |
Transferred out the borough. | 0:17:43 | 0:17:45 | |
Promoted. And why not? She's...she's a great detective. | 0:17:45 | 0:17:49 | |
So am I. | 0:17:49 | 0:17:51 | |
I'm a man and I've got rather a pale hue, | 0:17:51 | 0:17:54 | |
and that's really unfashionable at the moment. | 0:17:54 | 0:17:57 | |
OK. Er, well, look, you might remember me, | 0:17:58 | 0:18:01 | |
I was one of the witnesses to the Parson's Lane shooting? | 0:18:01 | 0:18:04 | |
I'm a police detective, love. | 0:18:04 | 0:18:06 | |
I deal with a lot of shootings. | 0:18:06 | 0:18:09 | |
Right, but you do remember this one? | 0:18:09 | 0:18:12 | |
Yeah. | 0:18:12 | 0:18:13 | |
OK, well, look, the thing is, I'm seriously worried. | 0:18:15 | 0:18:18 | |
My friend, the other witness, she's gone missing | 0:18:18 | 0:18:20 | |
and I'm just really frightened that something's happened to her. | 0:18:20 | 0:18:24 | |
-Missing, how? -Well, she's not responding to my texts, | 0:18:24 | 0:18:26 | |
um, I went round to her flat and there was no-one there, | 0:18:26 | 0:18:29 | |
so I looked through the letterbox and there's just piles of... | 0:18:29 | 0:18:31 | |
Yeah, yeah, um, you see me, deal with crime. | 0:18:31 | 0:18:35 | |
This...not crime. | 0:18:35 | 0:18:39 | |
Sorry. | 0:18:39 | 0:18:40 | |
Hey, um... | 0:18:43 | 0:18:46 | |
Do you like Italian food? | 0:18:46 | 0:18:50 | |
LAUGHTER AND CHATTER | 0:19:07 | 0:19:10 | |
No, not that, that's for the gravy. | 0:19:19 | 0:19:21 | |
Those sprouts done, Rhona? | 0:19:21 | 0:19:23 | |
-Mm? -The sprouts, Rhona? Are you keeping an eye on them? | 0:19:24 | 0:19:29 | |
Yeah. Sorry, a couple of minutes. | 0:19:29 | 0:19:32 | |
OK, my go, is it? | 0:19:37 | 0:19:39 | |
-Film. -The Spy Who Loved Me. | 0:19:39 | 0:19:42 | |
How did you know that? | 0:19:42 | 0:19:43 | |
Because you do it every year, Dad. | 0:19:43 | 0:19:46 | |
Mum, your turn, not Love Actually. | 0:19:46 | 0:19:48 | |
Right. | 0:19:48 | 0:19:49 | |
-MESSAGE ALERT -OK. It's three words. | 0:19:52 | 0:19:55 | |
You're meant to sign it, dear, not tell us. | 0:19:55 | 0:19:58 | |
Oh, well, I've said it already now, it's three words. | 0:19:58 | 0:20:02 | |
No, that's syllables. | 0:20:03 | 0:20:05 | |
Right. Three words, film. | 0:20:05 | 0:20:08 | |
Wonderful. | 0:20:17 | 0:20:20 | |
It's A Wonderful Life. | 0:20:20 | 0:20:22 | |
Yes! | 0:20:22 | 0:20:23 | |
Four words, It's A Wonderful Life is four words. | 0:20:23 | 0:20:26 | |
Is it? Oh, yes. | 0:20:26 | 0:20:29 | |
I'll blame it on the sherry. You go, Rhona. | 0:20:29 | 0:20:32 |