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Good evening. | 0:00:22 | 0:00:23 | |
Welcome to Would I Lie To You? - | 0:00:23 | 0:00:25 | |
the show with naked truths and well-dressed lies. | 0:00:25 | 0:00:28 | |
On David Mitchell's team tonight | 0:00:28 | 0:00:30 | |
- a TV presenter whose nickname at school was Little Winkle. | 0:00:30 | 0:00:34 | |
So was mine, but for very different reasons. It's Claudia Winkleman! | 0:00:34 | 0:00:38 | |
APPLAUSE | 0:00:38 | 0:00:41 | |
And, arguably the funniest man in Wales. Well, I would argue. | 0:00:41 | 0:00:44 | |
It's Rhod Gilbert! APPLAUSE | 0:00:44 | 0:00:48 | |
And, on Lee Mack's team tonight - she's an actress, | 0:00:48 | 0:00:51 | |
best known for appearing in EastEnders and Doctor Who. | 0:00:51 | 0:00:54 | |
Bizarre humanoids acting like no earthling ever would, | 0:00:54 | 0:00:58 | |
EastEnders is regularly watched by over 10 million viewers. | 0:00:58 | 0:01:01 | |
Tracy-Ann Oberman! APPLAUSE | 0:01:01 | 0:01:05 | |
And, he's the star of Made In Chelsea, | 0:01:05 | 0:01:08 | |
and heir to the McVitie's biscuit fortune. | 0:01:08 | 0:01:11 | |
Yes, blond hair and ginger nuts, it's Jamie Laing. | 0:01:11 | 0:01:14 | |
APPLAUSE | 0:01:14 | 0:01:17 | |
So, we begin with Round One, Home Truths, where our panellists | 0:01:18 | 0:01:21 | |
each read out a statement from the card in front of them. | 0:01:21 | 0:01:24 | |
Now, to make things harder, they've never seen the card before. | 0:01:24 | 0:01:27 | |
They've no idea what they'll be faced with. | 0:01:27 | 0:01:30 | |
It's up to the opposing team to sort the fact from the fiction, | 0:01:30 | 0:01:33 | |
and we're starting tonight with Claudia. | 0:01:33 | 0:01:35 | |
OK, good. | 0:01:35 | 0:01:37 | |
When I meet someone for the very first time, | 0:01:37 | 0:01:40 | |
I automatically make a mental note of what animal I think they are. | 0:01:40 | 0:01:45 | |
Once it's in, I never forget it. | 0:01:45 | 0:01:48 | |
-Lee's team. -Do I raise...? I don't raise my hand, do I? | 0:01:48 | 0:01:50 | |
-Do you need to go to the toilet? -You can! | 0:01:50 | 0:01:53 | |
Jamie, just to be clear - you may be dressed like a seven-year-old, | 0:01:53 | 0:01:56 | |
but you don't have to behave like one. | 0:01:56 | 0:01:59 | |
APPLAUSE | 0:01:59 | 0:02:02 | |
-Claudia, so, we met for the first time. -Yes. | 0:02:04 | 0:02:06 | |
-What animal did you choose...? -Ferret. -A ferret?! | 0:02:06 | 0:02:09 | |
-Why a ferret? -Well, small, friendly, could pet, not in a weird way. | 0:02:09 | 0:02:15 | |
-Immediately - ferret. -And will you always see him as a ferret now? | 0:02:15 | 0:02:18 | |
-That's it. -That's it, you're done. | 0:02:18 | 0:02:19 | |
I mean, you might have another name, well done, but in my mind - ferret. | 0:02:19 | 0:02:23 | |
-Can you do all of us with that system? -Of course. Beaver. | 0:02:23 | 0:02:27 | |
-APPLAUSE -She talking to you, or me? | 0:02:29 | 0:02:31 | |
-Which one? -You. -Me? Why am I a beaver? | 0:02:31 | 0:02:33 | |
-You're a cat. -Oh, I'd love to be a cat! I'm so glad. -You're a cat. | 0:02:33 | 0:02:37 | |
-Whoa, whoa, whoa, beaver? -Yes. | 0:02:37 | 0:02:39 | |
-Why a beaver? -It's just automatic. I mean, I'm not... | 0:02:39 | 0:02:41 | |
-I can see that. I can see it. -Yeah, I can see it. | 0:02:41 | 0:02:43 | |
Beavers have got big teeth, and they're like... | 0:02:43 | 0:02:46 | |
A bit smelly-looking. | 0:02:46 | 0:02:47 | |
And your point is? No, you're a total, total beaver. | 0:02:47 | 0:02:51 | |
-Common cuckoo, this one. -What? -A common cuckoo. | 0:02:51 | 0:02:55 | |
-Why a cuckoo? -Normally, I don't think about it. | 0:02:58 | 0:03:02 | |
Common cuckoo, owl, puppy. End of. | 0:03:02 | 0:03:05 | |
-Ah. What...? -APPLAUSE | 0:03:05 | 0:03:10 | |
What breed? You can't just say puppy, there's got to be a breed. | 0:03:10 | 0:03:14 | |
All right, if I'm pushed, red setter. | 0:03:14 | 0:03:16 | |
-Yes. -Happy with that. -Well, I think I'm the only one who isn't happy. | 0:03:17 | 0:03:21 | |
I'm a cuckoo. | 0:03:21 | 0:03:22 | |
Whoa, whoa, I'm not particularly happy with the beaver. | 0:03:22 | 0:03:25 | |
I'm pleased with owl, I'll be honest. I'm happy with that. | 0:03:25 | 0:03:29 | |
-I would love owl. I would have loved owl. -You're nowhere close to an owl. | 0:03:29 | 0:03:33 | |
So, Claudia. I say Claudia, I mean meerkat. | 0:03:34 | 0:03:38 | |
-You have got a bit of meerkat about you, haven't you? -OK. | 0:03:40 | 0:03:42 | |
-If I was going to do it to myself - camel. -Camel. Why camel? | 0:03:42 | 0:03:46 | |
I'm pure camel. I'm 100% camel. Maybe 3% mouse. | 0:03:46 | 0:03:51 | |
3% mouse, 97% camel. That was a hell of a mum and dad relationship. | 0:03:51 | 0:03:55 | |
You wouldn't like to be the mouse in that relationship, would you? | 0:03:56 | 0:03:59 | |
Why do you do it? | 0:04:01 | 0:04:02 | |
Does it help you remember the person's name, or something? | 0:04:02 | 0:04:04 | |
I've just done it forever. | 0:04:04 | 0:04:05 | |
I think we might have started when we were young, | 0:04:05 | 0:04:09 | |
and we had a teacher who was a little bit human, but mainly cow. | 0:04:09 | 0:04:12 | |
Well, she's certainly given an encyclopaedic response. | 0:04:14 | 0:04:18 | |
She has done very well. In fact, I would say it's instant with you. | 0:04:18 | 0:04:20 | |
Done. Name anybody. | 0:04:20 | 0:04:22 | |
So, without pausing or hesitating, | 0:04:22 | 0:04:24 | |
-tell us all again what we are. -OK, easy. -Go on. | 0:04:24 | 0:04:27 | |
Cat, beaver, ferret, common cuckoo, | 0:04:27 | 0:04:30 | |
-owl, baby red setter. -APPLAUSE | 0:04:30 | 0:04:34 | |
I just do it, I can't help it. | 0:04:35 | 0:04:37 | |
-So what are you thinking, Lee? -So, do we...? -True. -You think it's true. | 0:04:38 | 0:04:42 | |
Yeah, I... Yeah, I think it's true. | 0:04:42 | 0:04:44 | |
Genuinely, I think it's not true, but there's one bit in it | 0:04:44 | 0:04:47 | |
that makes it feel true - the word Claudia. | 0:04:47 | 0:04:50 | |
-You're saying it's true? -It's true. -OK, Claudia, truth or lie? | 0:04:52 | 0:04:55 | |
It is a... | 0:04:55 | 0:04:57 | |
-..lie! -No! -Oh, my God! -APPLAUSE | 0:04:57 | 0:05:01 | |
Yes, it's a lie. | 0:05:03 | 0:05:04 | |
Claudia doesn't think of an animal every time she meets someone. | 0:05:04 | 0:05:08 | |
Jamie, you're next. | 0:05:08 | 0:05:09 | |
I once set a sauna on fire. | 0:05:11 | 0:05:14 | |
-What? How? -I was in Brazil. -Of course. | 0:05:14 | 0:05:18 | |
-And I was in the sauna, and I decided to pour vodka... -Oh, my God. | 0:05:18 | 0:05:23 | |
..on the rocks of the sauna. | 0:05:23 | 0:05:25 | |
-Cos you thought that's what vodka on the rocks was? -Yeah. | 0:05:25 | 0:05:28 | |
Look, how it started was my friend told me - I was in Cornwall, | 0:05:28 | 0:05:32 | |
-of all places - and my friend... -Can I jump in here and say, | 0:05:32 | 0:05:35 | |
did your parents know you were drinking? | 0:05:35 | 0:05:37 | |
I wasn't a minor. I was 18 and a half. | 0:05:38 | 0:05:42 | |
-Isn't "18 and a half," 18, once you get to be an adult? -Well, no. | 0:05:42 | 0:05:46 | |
That's so true! Who says 18 and a half? | 0:05:46 | 0:05:50 | |
You were in Cornwall. | 0:05:52 | 0:05:53 | |
I was in Cornwall, and my friend said to me, "If you go and | 0:05:53 | 0:05:56 | |
"lie in the bath, and pour vodka in it, like a shot of vodka..." | 0:05:56 | 0:05:59 | |
-In the bath? -In the bath, it gets you drunk. | 0:05:59 | 0:06:02 | |
-I didn't go and do it, but then... -A shot of vodka in a bath? | 0:06:02 | 0:06:05 | |
Because of the fumes, it gets you drunk, so I was in Brazil, | 0:06:05 | 0:06:09 | |
travelling, and my friend had a sauna in their apartment, | 0:06:09 | 0:06:13 | |
-so I was left alone, and... -I've heard about these Brazilian slums. | 0:06:13 | 0:06:19 | |
So you're left alone in this flat? | 0:06:19 | 0:06:21 | |
I was left alone... | 0:06:21 | 0:06:22 | |
With a bottle of vodka, and you thought, "If only there was | 0:06:22 | 0:06:25 | |
"some way I could use this bottle of vodka to make me become drunk." | 0:06:25 | 0:06:29 | |
-Well... -APPLAUSE | 0:06:29 | 0:06:34 | |
-Where were you in Brazil? -I was in Rio. | 0:06:34 | 0:06:36 | |
Ah, that is in Brazil, yep. Tick. | 0:06:36 | 0:06:39 | |
-A solid answer, a solid answer. -Continue. | 0:06:39 | 0:06:41 | |
In Rio. I was in a foreign country, I was young, I was experimenting, | 0:06:41 | 0:06:44 | |
so I thought, "Why not experiment with...?" | 0:06:44 | 0:06:46 | |
Why did you look at me when you said you were experimenting? | 0:06:46 | 0:06:49 | |
I decided to take the bottle of vodka into my sauna, | 0:06:49 | 0:06:51 | |
and pour it onto the rocks. | 0:06:51 | 0:06:53 | |
As I poured it onto the rocks, it went into flames, | 0:06:53 | 0:06:55 | |
and it burnt the sauna. | 0:06:55 | 0:06:56 | |
So you poured it onto the rocks, and immediately, what happened? | 0:06:56 | 0:06:59 | |
-So I poured it onto the rocks... -Just one shot, or the whole bottle? | 0:06:59 | 0:07:04 | |
-Half a bottle, so... -Half a bottle of vodka. | 0:07:04 | 0:07:07 | |
At 18 and a half, you change the rules. | 0:07:07 | 0:07:10 | |
And so the fire engines turned up, and... | 0:07:12 | 0:07:14 | |
No, hang on, we've missed a beat here. | 0:07:14 | 0:07:16 | |
You're in the sauna, and you've poured half | 0:07:16 | 0:07:18 | |
-a bottle onto the rock things, flames are appearing. -Yes. | 0:07:18 | 0:07:23 | |
You're sitting there - what are you wearing? | 0:07:23 | 0:07:25 | |
-Er... -David! | 0:07:25 | 0:07:26 | |
-Well, I was going to go... -They've told me to make the show sexier. | 0:07:26 | 0:07:30 | |
I was going to... | 0:07:30 | 0:07:31 | |
So I was going to go in naked, | 0:07:31 | 0:07:32 | |
because I thought that's what you do, but I actually put on my | 0:07:32 | 0:07:35 | |
swimming trunks, so I wore swimming trunks in there. | 0:07:35 | 0:07:38 | |
How low down your leg did they go? | 0:07:38 | 0:07:40 | |
Mine are slight... They're not too long... | 0:07:40 | 0:07:41 | |
Give me some inches above the knee. | 0:07:41 | 0:07:44 | |
-I would say about seven inches. -Above the knee? -Above the knee. | 0:07:44 | 0:07:47 | |
If you go seven inches above my knee, you get to my waist. | 0:07:47 | 0:07:50 | |
-APPLAUSE -Nice. Nice. | 0:07:51 | 0:07:56 | |
-So you're sitting in there, in your trunks, on the slats. -Mm-hm. | 0:07:56 | 0:08:00 | |
And the flames have started. What are you doing? | 0:08:00 | 0:08:03 | |
No, I thought the best option was to pick them up and throw them... | 0:08:03 | 0:08:06 | |
-The rocks? -Yeah, cos I thought... -What? -They must be boiling hot. | 0:08:06 | 0:08:08 | |
Well, that's what I found out, obviously. | 0:08:08 | 0:08:10 | |
What do you mean, you found out? | 0:08:10 | 0:08:11 | |
You must have suspected they were hot, | 0:08:11 | 0:08:13 | |
cos you knew they were producing the heat, surely. | 0:08:13 | 0:08:16 | |
But you... In that panic... | 0:08:16 | 0:08:17 | |
No, not even in a panic do I go, "I'll throw the hot rocks." | 0:08:17 | 0:08:20 | |
Bear in mind, he was 18 and a half. | 0:08:20 | 0:08:23 | |
So I try and pick up the rocks, to throw them out the door, | 0:08:23 | 0:08:25 | |
-and realise they were... -Out of the door? -Yeah, cos there's a... | 0:08:25 | 0:08:28 | |
Cos there's a door into the sauna. | 0:08:28 | 0:08:30 | |
Cos you really wanted, at this point, | 0:08:30 | 0:08:31 | |
to spread the fire to the rest of the apartment. | 0:08:31 | 0:08:34 | |
What's on the other side of the door? The hall? The living room? | 0:08:34 | 0:08:37 | |
-What? -A lovely balcony. | 0:08:37 | 0:08:38 | |
I know you can... | 0:08:38 | 0:08:39 | |
So you want to throw them on the passers-by outside? | 0:08:39 | 0:08:43 | |
Nothing says Rio like a falling, flaming vodka rock. | 0:08:45 | 0:08:48 | |
My thought process was to pick up the rocks, | 0:08:50 | 0:08:53 | |
throw them out the door, and it would have been fine. | 0:08:53 | 0:08:55 | |
However, I picked up the rocks, they were too hot, | 0:08:55 | 0:08:58 | |
so they fell on the ground, and the fire went. | 0:08:58 | 0:09:00 | |
-How could you not know that the rocks are hot? -Lee, I told you... | 0:09:00 | 0:09:03 | |
Are you so posh you don't understand the concept of coal? | 0:09:03 | 0:09:06 | |
Have you ever gone to...? | 0:09:06 | 0:09:07 | |
Have you ever cooked something, and you open up the oven, | 0:09:07 | 0:09:10 | |
and gone to take it out with your hands? | 0:09:10 | 0:09:11 | |
-No. -No! | 0:09:11 | 0:09:13 | |
OK. | 0:09:13 | 0:09:15 | |
-So, David, what is your team thinking about this? -Claudia? | 0:09:15 | 0:09:18 | |
I think it's true. | 0:09:18 | 0:09:19 | |
Apartment, balcony, he's waiting for everyone to go, trunks on, | 0:09:19 | 0:09:23 | |
vodka there. Finally, everything comes into place. | 0:09:23 | 0:09:26 | |
-There we go. -"Finally, a chance to put my trunks on. Everyone's out." | 0:09:26 | 0:09:30 | |
-What do you think? -I'm on your side. It doesn't matter what I think. | 0:09:31 | 0:09:34 | |
I'm just interested to know. | 0:09:34 | 0:09:36 | |
-So what are you going to say, then? -I think we'll say true. | 0:09:36 | 0:09:39 | |
-OK, Jamie, were you telling the truth, or was it a lie? -It was... | 0:09:39 | 0:09:43 | |
-..true. -Ooh! -APPLAUSE | 0:09:43 | 0:09:48 | |
Yes, it's true. Jamie did set a sauna on fire. | 0:09:48 | 0:09:52 | |
Right, Rhod, you're next. | 0:09:52 | 0:09:54 | |
OK. A mistake I made in France meant someone in England got hospitalised. | 0:09:54 | 0:10:01 | |
-Lee's team. -Have you just learned to read? | 0:10:03 | 0:10:06 | |
APPLAUSE | 0:10:08 | 0:10:12 | |
Was the mistake you made in the French language? | 0:10:12 | 0:10:16 | |
-Yes. -It's a simple question, Rhod - was it in the French language? -Yes! | 0:10:16 | 0:10:18 | |
In the language of French. | 0:10:18 | 0:10:20 | |
It's a simple question with a simple answer - yes, it was. Oui. | 0:10:20 | 0:10:22 | |
Can you tell us the mistake you made, please? | 0:10:22 | 0:10:24 | |
The mistake I made got somebody hospitalised, that was the... | 0:10:24 | 0:10:27 | |
I didn't say... No, no, no. | 0:10:27 | 0:10:29 | |
-APPLAUSE -That's not worthy of a clap. -No. | 0:10:29 | 0:10:31 | |
-What was the mistake? -What was the mistake? -Qu'est que c'est...? | 0:10:31 | 0:10:35 | |
Lee, I'll take it from here. | 0:10:35 | 0:10:37 | |
What was the nature of this mistake? | 0:10:39 | 0:10:40 | |
It was a language thing. It was a French/English mix-up. | 0:10:40 | 0:10:43 | |
It was a mix-up. A terrible mix-up. | 0:10:43 | 0:10:44 | |
A terrible mix-up, language mix-up, terrible. | 0:10:44 | 0:10:46 | |
What were you doing in France? | 0:10:46 | 0:10:47 | |
I was, er... I was on the phone. | 0:10:47 | 0:10:49 | |
I was in France, I was working in France, and I was on the phone. | 0:10:51 | 0:10:54 | |
-Working in France. -I was on the phone to England, | 0:10:54 | 0:10:57 | |
and I made a mistake with my French/English translation. | 0:10:57 | 0:11:00 | |
-Who received the mistake? -A girl. A girl. | 0:11:00 | 0:11:03 | |
-What was her name? -Anne. -What colour hair does she have? | 0:11:03 | 0:11:06 | |
I don't know. She was on the phone. | 0:11:06 | 0:11:08 | |
APPLAUSE | 0:11:08 | 0:11:11 | |
-So you never met Anne? -I never met her, never met her. | 0:11:13 | 0:11:15 | |
So can you talk us through the incident? | 0:11:15 | 0:11:17 | |
I was asked by someone in France, | 0:11:17 | 0:11:19 | |
they said, "Can you talk to somebody in England?" | 0:11:19 | 0:11:21 | |
-Why did they ask YOU to do that? -Because... | 0:11:21 | 0:11:26 | |
-..they didn't speak English. -Right. | 0:11:26 | 0:11:28 | |
What was the relationship between Anne and the person that had | 0:11:28 | 0:11:30 | |
asked you to talk? | 0:11:30 | 0:11:31 | |
Oh, that was Anne's father. He said, "Can you speak to Anne? | 0:11:31 | 0:11:34 | |
"She's in England. And we're in France. | 0:11:34 | 0:11:36 | |
"And ask her what's wrong with her." | 0:11:36 | 0:11:37 | |
-How did you know him? What was the relationship? -How did you know him? | 0:11:37 | 0:11:40 | |
-There's a new angle. -Oh, I knew him... Oh, you should have asked. | 0:11:40 | 0:11:42 | |
I knew him because, erm... | 0:11:42 | 0:11:44 | |
I worked in France. I was in a school. I worked in a school. | 0:11:44 | 0:11:46 | |
-He was the caretaker. -What were you doing in school? | 0:11:46 | 0:11:48 | |
-I was teaching English. -Now, his daughter, she's French? -Yes. | 0:11:48 | 0:11:52 | |
-She's living in England? -Yeah. -Now... | 0:11:52 | 0:11:54 | |
-No, no, she wasn't living, she was on a very short exchange. -Right. | 0:11:54 | 0:11:58 | |
Now, in the words of A Question Of Sport, what happened next? | 0:11:58 | 0:12:02 | |
He came to me, said, "Can you talk to my daughter, Anne? | 0:12:03 | 0:12:06 | |
"She's ill, she's in England." | 0:12:06 | 0:12:07 | |
She couldn't speak to the family she was with, that's the problem. | 0:12:07 | 0:12:10 | |
So she didn't know how to speak to the family? | 0:12:10 | 0:12:12 | |
She couldn't speak to the family, cos the family was... | 0:12:12 | 0:12:14 | |
How is you speaking to her going to help that? | 0:12:14 | 0:12:16 | |
Right, here's the situation. Anne could talk to her dad, | 0:12:16 | 0:12:18 | |
and tell him what was wrong with her in French, but he couldn't say that | 0:12:18 | 0:12:20 | |
to the family cos they didn't speak French, and he didn't speak English, | 0:12:20 | 0:12:23 | |
so I spoke to her in French, | 0:12:23 | 0:12:25 | |
then I passed it on to the family in English. | 0:12:25 | 0:12:26 | |
"What's wrong with her?" I passed that on to them in English, | 0:12:26 | 0:12:29 | |
then I passed it back to him in French. | 0:12:29 | 0:12:30 | |
Everyone's happy, except... | 0:12:30 | 0:12:32 | |
-That's fine. -APPLAUSE | 0:12:32 | 0:12:35 | |
You said that you made a mistake that caused this person | 0:12:35 | 0:12:39 | |
-to be hospitalised. -That's right, I did, yeah. -What did you do wrong? | 0:12:39 | 0:12:42 | |
What did you say wrong? | 0:12:42 | 0:12:44 | |
-I said... -SPEAKS FRENCH | 0:12:44 | 0:12:47 | |
All that, you know. As you do. | 0:12:47 | 0:12:48 | |
-And she said... -SPEAKS ECHOING FRENCH | 0:12:48 | 0:12:52 | |
-Was she stuck in the bell tower? -APPLAUSE | 0:12:52 | 0:12:59 | |
I know what's wrong with her! Is it something to do with her back? | 0:12:59 | 0:13:02 | |
-J'ai un angines. -And what is that? What does that mean? -Well, I said... | 0:13:02 | 0:13:06 | |
I got the English family on the phone, and I said, | 0:13:06 | 0:13:08 | |
-"Hey! She's got an angina." -And that's a mistake, right? | 0:13:08 | 0:13:11 | |
Well, angina, I found out later, is a serious heart condition, | 0:13:11 | 0:13:14 | |
-so she was hospitalised. -Right. But what was wrong with her? | 0:13:14 | 0:13:17 | |
"Angines" is a sore throat. I didn't know that at the time. | 0:13:17 | 0:13:20 | |
-Oh. -APPLAUSE | 0:13:20 | 0:13:25 | |
And what happened? Did they then rush her to this hospital? | 0:13:25 | 0:13:27 | |
They called 999, and got her into hospital, yeah. | 0:13:27 | 0:13:29 | |
Neuf neuf neuf? | 0:13:29 | 0:13:32 | |
OK. So, Lee, what are you thinking? Could it be true? | 0:13:33 | 0:13:37 | |
I don't think Anne is a French name. | 0:13:37 | 0:13:38 | |
That's the one bit in it that I don't believe. | 0:13:38 | 0:13:40 | |
-Anne-Marie? -Who's she? -Don't know. | 0:13:40 | 0:13:43 | |
APPLAUSE | 0:13:45 | 0:13:49 | |
What an absolutely amazing answer! | 0:13:54 | 0:13:56 | |
That's one of the funniest things anybody's ever said. | 0:14:00 | 0:14:03 | |
-I believe it to be true. -You believe it to be true. -Mm-hm. -OK. | 0:14:05 | 0:14:08 | |
It was so tortuous getting that story out, | 0:14:08 | 0:14:10 | |
that it has to be the truth. | 0:14:10 | 0:14:11 | |
-Yeah. -Lee, you think so too? -It could not be any truer. | 0:14:11 | 0:14:14 | |
-Rhod, truth or lie? -Of course, it is... | 0:14:14 | 0:14:18 | |
-..true. -APPLAUSE | 0:14:18 | 0:14:22 | |
Our next round is called This Is My..., | 0:14:24 | 0:14:26 | |
where we bring on a mystery guest | 0:14:26 | 0:14:28 | |
who has a close connection to one of our panellists. | 0:14:28 | 0:14:31 | |
This week, each of David's team will claim it's them | 0:14:31 | 0:14:33 | |
that has the genuine connection to the guest, | 0:14:33 | 0:14:35 | |
and it's up to Lee's team to spot who's telling the truth. | 0:14:35 | 0:14:38 | |
So, please welcome this week's special guest, Tony. | 0:14:38 | 0:14:41 | |
APPLAUSE | 0:14:41 | 0:14:43 | |
Right, let's start with you, Claudia. What is Tony to you? | 0:14:48 | 0:14:52 | |
This is Tony. He's my builder. | 0:14:52 | 0:14:54 | |
He drove for over an hour to come to my house to fix my TV, and it turned | 0:14:54 | 0:14:59 | |
out all I needed to do was change the batteries in the remote control. | 0:14:59 | 0:15:04 | |
Rhod, how do you know Tony? | 0:15:04 | 0:15:06 | |
This is Tony, and we played in a band together, where we both | 0:15:06 | 0:15:11 | |
played guitar, except only his was plugged in, cos I can't play a note. | 0:15:11 | 0:15:15 | |
-David, what is your relationship with Tony? -This is Tony, | 0:15:16 | 0:15:19 | |
and I regularly go round to his house to play with his Lego. | 0:15:19 | 0:15:23 | |
So, there we have it. | 0:15:27 | 0:15:28 | |
Claudia's helpful handyman, Rhod's musical mate, or David's play pal. | 0:15:28 | 0:15:32 | |
Lee's team, where would you like to begin? | 0:15:32 | 0:15:34 | |
-OK, let's start with Claudia. -Yes. -How do you know him? | 0:15:34 | 0:15:37 | |
He built my house. | 0:15:37 | 0:15:38 | |
-GASPS -Out of Lego? Is it a combined story? | 0:15:38 | 0:15:41 | |
What happened is my telly didn't work, and so I thought... | 0:15:43 | 0:15:45 | |
-I got it, I got it. Did he put the television in the house? -Yeah. -Yes. | 0:15:45 | 0:15:49 | |
So he built this from scratch? As in, it was foundations up? | 0:15:49 | 0:15:52 | |
-Well, no, but he did the other stuff. -What other stuff? | 0:15:52 | 0:15:55 | |
You know, the building. | 0:15:55 | 0:15:57 | |
No, the painting. Help me! | 0:15:59 | 0:16:01 | |
-You know, the other stuff. -The painting. | 0:16:02 | 0:16:04 | |
-The television wasn't working. -Correct. | 0:16:04 | 0:16:06 | |
-You thought, "I'll call my builder." -That's what happened! | 0:16:06 | 0:16:09 | |
Why did you think the builder is responsible for the television? | 0:16:09 | 0:16:12 | |
I thought he would know about things falling off... | 0:16:12 | 0:16:15 | |
-I've got an unstable roof. -You've got an unstable MIND! | 0:16:15 | 0:16:18 | |
-APPLAUSE -Why are you clapping? | 0:16:20 | 0:16:22 | |
The telly didn't work, the little puffin, baby, yeah? | 0:16:23 | 0:16:27 | |
-He wanted to watch the telly... -What do you mean, "little puffin baby?" | 0:16:27 | 0:16:30 | |
-Stop talking to me! -Whoa, whoa, whoa... | 0:16:30 | 0:16:33 | |
I thought you said that YOU wanted to watch the telly. | 0:16:33 | 0:16:36 | |
-I did. The family. -But then, what was puffin doing? | 0:16:36 | 0:16:39 | |
I only want to watch what he wants to watch. | 0:16:39 | 0:16:40 | |
Who in the love of God is the puffin? | 0:16:40 | 0:16:42 | |
I can't work out whose mind is the worst, Claudia's or yours. | 0:16:44 | 0:16:46 | |
She said, "I wanted to help out the little puffin." | 0:16:46 | 0:16:48 | |
And, instead of going, "What's the puffin got to do with it?", | 0:16:48 | 0:16:51 | |
you went, "Well, hang on, who wanted to watch the telly, | 0:16:51 | 0:16:53 | |
"you or the puffin?" | 0:16:53 | 0:16:54 | |
It doesn't matter whether he wants to watch the telly. | 0:16:54 | 0:16:56 | |
"What's the puffin doing there?" is the next question. | 0:16:56 | 0:16:59 | |
Anyway, so Tony went, "No problem," because... | 0:16:59 | 0:17:02 | |
TELL US WHAT THE PUFFIN WAS DOING IN THE HOUSE! | 0:17:02 | 0:17:06 | |
-And I'm not moving on. -No, that's not his real name. | 0:17:06 | 0:17:09 | |
-He's called Arthur, but... -Who's Arthur? -Her child! | 0:17:09 | 0:17:12 | |
That's all I wanted! | 0:17:12 | 0:17:15 | |
Did you go to the Rhod Gilbert School of Explanation? | 0:17:15 | 0:17:18 | |
CLAUDIA SHRIEKS Let's move this on. | 0:17:20 | 0:17:22 | |
-Then he arrives, and he gets to the house. -Yeah. | 0:17:22 | 0:17:25 | |
And he comes in, and what happens? | 0:17:25 | 0:17:27 | |
And I say, "Something must have fallen off the roof, Tony." | 0:17:27 | 0:17:29 | |
Meaning the aerial or the dish? | 0:17:29 | 0:17:31 | |
But didn't you see that little red light in the bottom corner | 0:17:31 | 0:17:33 | |
that wasn't green? | 0:17:33 | 0:17:34 | |
Interesting. | 0:17:34 | 0:17:36 | |
And did he fix it straight away, or did he not have the tools? | 0:17:39 | 0:17:41 | |
Watch his face! | 0:17:41 | 0:17:43 | |
Did he have to nip to see his mate, Kevin, | 0:17:43 | 0:17:45 | |
who's got the right tools, who lives four days away? | 0:17:45 | 0:17:49 | |
He just got the remote - it was like magic - and he flicked this thing. | 0:17:49 | 0:17:53 | |
The "on" button. | 0:17:53 | 0:17:55 | |
This is the killer question that will decide whether | 0:17:55 | 0:17:58 | |
she's telling the truth. | 0:17:58 | 0:18:00 | |
Did he charge you? | 0:18:00 | 0:18:02 | |
-No. -He's not a builder. | 0:18:02 | 0:18:05 | |
Well, there we are. Now, who would you like to question next? | 0:18:05 | 0:18:08 | |
OK, so, Rhod. Sorry, remind us of your fact. | 0:18:08 | 0:18:10 | |
-I can't even remember his name. -APPLAUSE | 0:18:10 | 0:18:16 | |
-It's Tony. -I know what it is! I'm bluffing. | 0:18:16 | 0:18:18 | |
It's a bluff, it's a bluff. | 0:18:18 | 0:18:19 | |
I'm bluffing. Right, this is Tony. | 0:18:19 | 0:18:22 | |
We played in a band together, and we both played guitar, | 0:18:22 | 0:18:24 | |
but only his was plugged in, because I can't play a note. | 0:18:24 | 0:18:26 | |
-You can't play. -What was the band called? -Er... | 0:18:26 | 0:18:29 | |
It was a long time... Muckspreader. | 0:18:30 | 0:18:33 | |
Muckspreader! And where did you get the name from? | 0:18:33 | 0:18:36 | |
Two of the band were farmers. It's rural west Wales. | 0:18:36 | 0:18:40 | |
-Why were you part of the band, then? If you couldn't play. -Erm... | 0:18:40 | 0:18:42 | |
And you weren't singing. | 0:18:42 | 0:18:43 | |
Because Tony was the lead singer and guitarist, and as you see him now, | 0:18:43 | 0:18:50 | |
that's the kind of charisma he brought to the stage. | 0:18:50 | 0:18:52 | |
Why were you in the band? Why were you in the band? | 0:18:52 | 0:18:55 | |
That's what I'm coming to, that's what I'm saying. | 0:18:55 | 0:18:57 | |
-You were there for charisma? -No, Tony was... | 0:18:57 | 0:18:59 | |
This is what he was like, as a lead frontman. | 0:18:59 | 0:19:02 | |
Surely he didn't put his arms behind his back when | 0:19:02 | 0:19:04 | |
he was playing the guitar? | 0:19:04 | 0:19:06 | |
-No, he had a guitar in front of him. -Yeah. | 0:19:06 | 0:19:07 | |
But in all other ways, that is exactly what he was like. | 0:19:07 | 0:19:10 | |
Dressed in a suit? | 0:19:10 | 0:19:11 | |
He was that dull and uncharismatic at the front of the stage. | 0:19:11 | 0:19:14 | |
-That... -So boring was he... -That is not... We're not doubting that. | 0:19:14 | 0:19:17 | |
What we're doubting is the fact that | 0:19:17 | 0:19:19 | |
he thought you could help that situation. | 0:19:19 | 0:19:22 | |
They saw me dancing on the dance floor in a barn-dance thing, | 0:19:22 | 0:19:26 | |
and they thought, "We need a frontman, cos ours is so dull." | 0:19:26 | 0:19:29 | |
So you were like the Bez? | 0:19:29 | 0:19:30 | |
I was exactly like the Bez, but with a guitar, yeah. | 0:19:30 | 0:19:33 | |
And what kind...? I was going to say what kind of music did you play? | 0:19:33 | 0:19:36 | |
But you didn't. What kind of music didn't you play? | 0:19:36 | 0:19:38 | |
Well, the band was a sort of punky, rocky sort of... | 0:19:38 | 0:19:40 | |
Punky rocky, is that how you introduced it, Johnny Rotten? | 0:19:40 | 0:19:43 | |
-WELSH ACCENT: -And now we're going to do some punky rocky music. | 0:19:43 | 0:19:45 | |
-Can you do a...? -WELSH ACCENT: -By The Muckspreaders! | 0:19:45 | 0:19:49 | |
# I am the antichrist, I'm not, I'm a farmer! # | 0:19:49 | 0:19:51 | |
-APPLAUSE -The Muckspreaders! | 0:19:51 | 0:19:55 | |
All our songs had the word "muck" in the title. | 0:19:56 | 0:19:59 | |
-Like what? -Like, er... | 0:20:01 | 0:20:04 | |
Hey, Hey, We're The Muckspreaders. | 0:20:05 | 0:20:07 | |
Muck Ado About Nothing. | 0:20:07 | 0:20:09 | |
Oh, you did Shakespeare plays as well? | 0:20:09 | 0:20:13 | |
Oh, I see! Now it's all making sense! | 0:20:13 | 0:20:15 | |
Don't Muck A... | 0:20:15 | 0:20:17 | |
"And now, ladies and gentlemen, this punk rock band | 0:20:17 | 0:20:19 | |
"would now like to perform a piece from Shakespeare. | 0:20:19 | 0:20:23 | |
"But he won't be speaking, he's not plugged in. He'll mime it." | 0:20:23 | 0:20:26 | |
-So, what about David? -OK, David. | 0:20:26 | 0:20:28 | |
Tony and you go round to his house to play Lego, | 0:20:28 | 0:20:31 | |
-is that what you're saying? -To play with HIS Lego. | 0:20:31 | 0:20:33 | |
-Why would you play Lego at Tony's house? -He's got a lot of Lego. | 0:20:33 | 0:20:36 | |
Can I say, at this point, with all this mention of Lego, and us being | 0:20:36 | 0:20:41 | |
the BBC, there are other children's building blocks available. | 0:20:41 | 0:20:45 | |
They're not as good, but there are... | 0:20:45 | 0:20:48 | |
-There are others. Sorry, carry on. -Yes, absolutely. | 0:20:48 | 0:20:51 | |
How often do you go round to his house and play with Lego? | 0:20:51 | 0:20:53 | |
I suppose it must be once every two or three weeks. | 0:20:53 | 0:20:59 | |
-How long is a session? -Oh, two or three hours. | 0:20:59 | 0:21:02 | |
And do you free-form, or have you got a kit, | 0:21:02 | 0:21:04 | |
that you follow the instructions? | 0:21:04 | 0:21:06 | |
-We're building a castle. -Are you? -A model of a castle. | 0:21:06 | 0:21:09 | |
So this castle - is it an exact replica of your house, or is it...? | 0:21:09 | 0:21:15 | |
No, it's supposed to look like the Tower of London. | 0:21:15 | 0:21:19 | |
So it's... How big is it going to end up being? | 0:21:19 | 0:21:21 | |
It's obviously big, isn't it? | 0:21:21 | 0:21:22 | |
When it's finished, | 0:21:22 | 0:21:24 | |
I think it'll be roughly the size of one of these circles, here. | 0:21:24 | 0:21:29 | |
-Wow, and how long's that going to take? -As big as that? | 0:21:29 | 0:21:31 | |
Yeah, yeah, yeah. It's big. | 0:21:31 | 0:21:32 | |
Do you have different sections that you work on, | 0:21:32 | 0:21:34 | |
or do you work on the same section at the same time? | 0:21:34 | 0:21:36 | |
What we've largely done is completed the White Tower, | 0:21:36 | 0:21:40 | |
and now we're trying to work out the footprint, if you see what I mean, | 0:21:40 | 0:21:44 | |
of the curtain wall. | 0:21:44 | 0:21:45 | |
-I so hope... -Quick question, quick question - | 0:21:45 | 0:21:47 | |
are you still married? | 0:21:47 | 0:21:49 | |
-Er, yes, I am. -How do you know him? | 0:21:51 | 0:21:53 | |
I know him because I made a documentary, | 0:21:53 | 0:21:56 | |
-and I met him doing that. -What was the documentary called? | 0:21:56 | 0:21:58 | |
The documentary was called The Pursuit Of Youth. | 0:21:58 | 0:22:01 | |
It was about people who are into childish things as adults. | 0:22:01 | 0:22:06 | |
-And they got YOU to host that? -Yes. | 0:22:06 | 0:22:10 | |
When you approached this Lego building, did everyone believe you? | 0:22:15 | 0:22:18 | |
So you told your wife, "I'm going to go and build Lego at Tony's house," | 0:22:18 | 0:22:22 | |
and everything was fine? That was all...? | 0:22:22 | 0:22:24 | |
She seemed to believe me. | 0:22:24 | 0:22:27 | |
-Has Tony got a wife? -I can answer that. | 0:22:27 | 0:22:29 | |
Yes, Tony does have a wife. | 0:22:32 | 0:22:33 | |
What is the name of the person who started Lego? | 0:22:33 | 0:22:36 | |
-I don't know. -Nor do I, so... | 0:22:36 | 0:22:40 | |
So, Lee's team - is Tony Claudia's helpful handyman, | 0:22:45 | 0:22:50 | |
Rhod's musical mate, or David's play pal? | 0:22:50 | 0:22:53 | |
Well, David's played this game long enough to know that if he was | 0:22:53 | 0:22:56 | |
to put in the phrase, "I was making a telly show," that would be a risk. | 0:22:56 | 0:22:59 | |
Are you following his career? I'm not. | 0:22:59 | 0:23:01 | |
Anybody here following David's career? | 0:23:03 | 0:23:05 | |
Anybody? | 0:23:06 | 0:23:08 | |
I feel like I saw the trailer for it. | 0:23:09 | 0:23:11 | |
Don't say that, even as a joke. Really? | 0:23:11 | 0:23:12 | |
-No, I saw the trailer. -THAT was trailered? | 0:23:12 | 0:23:15 | |
-DEEP VOICE: -"This week, on Pursuit Of Youth..." | 0:23:15 | 0:23:18 | |
-IMPERSONATES DAVID: -"How's your wife, Tony?" | 0:23:19 | 0:23:21 | |
APPLAUSE | 0:23:21 | 0:23:23 | |
-DEEP VOICE: -Join us next week on Pursuit Of Youth." | 0:23:23 | 0:23:26 | |
-Now, what about Claudia? -I think you're wise, you're clever, | 0:23:32 | 0:23:36 | |
you would have thought this through, I feel. | 0:23:36 | 0:23:39 | |
-You would have checked... -You think Claudia's wise and clever? | 0:23:39 | 0:23:42 | |
-Wise and clever, the two... -Have you ever seen her on | 0:23:42 | 0:23:44 | |
-the television? Or met her? -No, but I think you have good initiative. | 0:23:44 | 0:23:48 | |
You have very good initiative. | 0:23:48 | 0:23:49 | |
So who do you think it is, Jamie, if you don't think it's Claudia? | 0:23:49 | 0:23:53 | |
I mean, I do think it's Claudia, maybe. I actually... | 0:23:54 | 0:23:57 | |
-What? -Cos now it's just changed. -You now think it's Claudia. | 0:23:57 | 0:24:01 | |
-I think it's Claudia. -I think it's Rhod. -Oh. -You're wrong. | 0:24:01 | 0:24:04 | |
-Oh, in that case(!) -No, you could be right. I'm going with you. | 0:24:04 | 0:24:07 | |
Don't you change your mind! He's already done this. | 0:24:07 | 0:24:09 | |
-I'm easily susceptible. I want it to be David. -I want it to be David! | 0:24:09 | 0:24:12 | |
I think it's Claudia. I'm going with Rhod. | 0:24:12 | 0:24:14 | |
-No! -APPLAUSE | 0:24:14 | 0:24:18 | |
What's it going to be? Who are you going? | 0:24:18 | 0:24:19 | |
She's seen the documentary - David. | 0:24:19 | 0:24:21 | |
-David, all right. -You'd better have seen this documentary! -I don't... | 0:24:21 | 0:24:24 | |
Tony, would you please reveal your true identity? | 0:24:24 | 0:24:26 | |
My name is Tony, | 0:24:26 | 0:24:27 | |
and I drove to Claudia's to fix her electric problem. | 0:24:27 | 0:24:30 | |
GASPS, APPLAUSE | 0:24:30 | 0:24:32 | |
YOU SAW THAT TRAILER! | 0:24:32 | 0:24:33 | |
Yes, Claudia's helpful handyman. Thank you very much, Tony. | 0:24:33 | 0:24:37 | |
Which brings us to our final round, Quickfire Lies, | 0:24:40 | 0:24:43 | |
and we start with... | 0:24:43 | 0:24:44 | |
It's Rhod. | 0:24:47 | 0:24:49 | |
I can't wear normal gloves, because I have an unusual hand. | 0:24:49 | 0:24:54 | |
-Lee. -Which of the two hands is unusual? | 0:24:57 | 0:24:59 | |
That one. | 0:25:03 | 0:25:06 | |
-Could you hold up your unusual hand? -I'll show you some of it. | 0:25:06 | 0:25:10 | |
That is quite an unusual hand. | 0:25:15 | 0:25:16 | |
Is it all gloves, or is it just certain gloves? | 0:25:16 | 0:25:19 | |
Do you mean those really odd gloves, with the thumb and the four fingers? | 0:25:22 | 0:25:25 | |
-No, cos there are mittens. -And they're called mittens. | 0:25:25 | 0:25:28 | |
-Yeah, cos that's still a glove. -No, it's not. -A mitten's a glove! | 0:25:28 | 0:25:31 | |
-No, it's not. -It is! -Admit it - a mitten is not a glove. | 0:25:31 | 0:25:34 | |
Can I just say? You both seem like two people | 0:25:34 | 0:25:36 | |
who aren't quite sure of the real answer. | 0:25:36 | 0:25:38 | |
You're absolutely right. I'm doubting myself. | 0:25:38 | 0:25:40 | |
You both say it with conviction, but neither of you know the truth. | 0:25:40 | 0:25:43 | |
Well, this might help you - I could wear mittens. | 0:25:43 | 0:25:46 | |
-But I can't wear gloves. -Ah! -You've got webbed hands. | 0:25:46 | 0:25:49 | |
Have you got webbed hands? | 0:25:49 | 0:25:51 | |
Have you got webbed fingers? | 0:25:53 | 0:25:55 | |
Yes, I've got webbed fingers. | 0:25:55 | 0:25:57 | |
-Have you? -Is this why you couldn't play the guitar in Muckspreader? | 0:25:57 | 0:26:01 | |
APPLAUSE | 0:26:01 | 0:26:03 | |
Apparently. | 0:26:03 | 0:26:04 | |
-I can draw a... Well, I haven't got a pen and paper, so I can't. -OK. | 0:26:04 | 0:26:07 | |
-I have pen and paper. -Oh, you would have pen and paper, wouldn't you? | 0:26:07 | 0:26:11 | |
Are you going to draw round your hand? But not let us see? | 0:26:11 | 0:26:13 | |
Draw round your hand, but don't... | 0:26:13 | 0:26:14 | |
I'll come to you, it's all right, I've got to even it out. | 0:26:14 | 0:26:17 | |
-Have a seat, sir. Thanks for coming. -Thank you, sir. | 0:26:20 | 0:26:22 | |
Right, draw it. Go on. Draw it. | 0:26:22 | 0:26:24 | |
-"Draw it!" -Do it! Draw it! | 0:26:24 | 0:26:27 | |
-Draw round it, yeah? -Draw round it. -Rob, you're to witness it, yeah? | 0:26:27 | 0:26:30 | |
I'm going to witness it? All right, OK. | 0:26:30 | 0:26:32 | |
He's drawing round his fingers. | 0:26:32 | 0:26:34 | |
Good God. | 0:26:34 | 0:26:36 | |
Let me take it. Thank you, Rhod. | 0:26:37 | 0:26:38 | |
That must have been very traumatic for you. | 0:26:38 | 0:26:40 | |
-It certainly was. -This is what Rhod claims is the outline of his hand. | 0:26:42 | 0:26:47 | |
-So only one web on one hand. -I've known you for 15 years. | 0:26:50 | 0:26:54 | |
You'd have noticed if I had a complete flipper. | 0:26:54 | 0:26:56 | |
-So, what are you going to say, Lee? Is this the truth? -What do we think? | 0:26:58 | 0:27:01 | |
What do you think? | 0:27:01 | 0:27:02 | |
Well, I'm in the worst position here, because I've known him | 0:27:02 | 0:27:05 | |
so long, I can't help thinking I would have known this. | 0:27:05 | 0:27:07 | |
-I weirdly think it's the truth. -Why? | 0:27:07 | 0:27:09 | |
-Well, I feel like it was a very good drawing. -You think that THAT...? | 0:27:09 | 0:27:14 | |
-I like it! -Do you not think...? | 0:27:14 | 0:27:16 | |
Do you not think that, if you didn't have one webbed finger, | 0:27:16 | 0:27:19 | |
-that you couldn't have improvised that? -No, because... | 0:27:19 | 0:27:22 | |
I was assuming it was going to be fake, and they were all | 0:27:22 | 0:27:25 | |
going to be webbed, but one being webbed is very... | 0:27:25 | 0:27:27 | |
If that's his attempt at five webbed ones, he's rubbish at drawing. | 0:27:27 | 0:27:31 | |
OK, what's it going to be, Lee? It's time to decide. | 0:27:31 | 0:27:34 | |
-No, I got it wrong on the trailer. Don't ask me anything. -OK. | 0:27:34 | 0:27:38 | |
-So you don't know? -It's a lie. -You think it's a lie? -It's a lie. | 0:27:38 | 0:27:42 | |
I got David wrong, so I think we should ignore me. | 0:27:42 | 0:27:45 | |
-You do it. -Ignore me. | 0:27:45 | 0:27:47 | |
So your advice is, "I'm not sure, I don't know, maybe a lie," | 0:27:47 | 0:27:50 | |
-and, "Ignore me". -Ignore me! | 0:27:50 | 0:27:52 | |
I've really got the winning team this week, haven't I(?) | 0:27:52 | 0:27:55 | |
-So what's it going to be? -Let's go for lie. -Lie. -Lie. | 0:27:55 | 0:27:58 | |
-It's got to be a lie. I would have noticed his... -Saying it's a lie. | 0:27:58 | 0:28:01 | |
Rhod, was it the truth, or was it a lie? | 0:28:01 | 0:28:03 | |
-GASPS, APPLAUSE -Let me see it! | 0:28:06 | 0:28:09 | |
Let's see it! | 0:28:09 | 0:28:11 | |
LEE SHRIEKS | 0:28:12 | 0:28:14 | |
BUZZER SOUNDS | 0:28:14 | 0:28:15 | |
And that noise signals time is up. It's the end of the show. | 0:28:15 | 0:28:17 | |
I can reveal that David's team have won by four points to one. | 0:28:17 | 0:28:21 | |
APPLAUSE | 0:28:21 | 0:28:24 | |
Thank you for watching. Goodnight. | 0:28:24 | 0:28:26 |