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Good evening, welcome to Would I Lie To You?, | 0:00:23 | 0:00:25 | |
the show in which it pays to be economical with the truth. | 0:00:25 | 0:00:28 | |
On David Mitchell's team tonight, | 0:00:28 | 0:00:30 | |
the lead singer and founder of the Happy Mondays, | 0:00:30 | 0:00:33 | |
who made a fortune in the '90s, | 0:00:33 | 0:00:35 | |
obviously from the tooth fairy. | 0:00:35 | 0:00:36 | |
It's Shaun Ryder! | 0:00:36 | 0:00:38 | |
And a comedian who quit his job as a builder to do a comedy show | 0:00:41 | 0:00:45 | |
and never went back - | 0:00:45 | 0:00:46 | |
I've had builders like that. | 0:00:46 | 0:00:48 | |
It's the star of Murder In Successville, Tom Davis! | 0:00:48 | 0:00:51 | |
And on Lee Mack's team tonight, | 0:00:54 | 0:00:56 | |
the funniest thing to come out of Germany since... | 0:00:56 | 0:00:58 | |
Anyone? No? | 0:00:59 | 0:01:01 | |
Henning Wehn! | 0:01:01 | 0:01:02 | |
And a Radio 1 DJ who plays the very latest | 0:01:05 | 0:01:08 | |
in house, garage and techno funk. | 0:01:08 | 0:01:11 | |
I listen in whilst driving to my bowls club. | 0:01:11 | 0:01:14 | |
It's Clara Amfo! | 0:01:14 | 0:01:16 | |
And, so, to Round 1, Home Truths, where our panellists each | 0:01:19 | 0:01:22 | |
read out a statement from the card in front of them. | 0:01:22 | 0:01:25 | |
To make things harder, they've never seen the card before, | 0:01:25 | 0:01:28 | |
so they've no idea what they'll be faced with. | 0:01:28 | 0:01:30 | |
And it's up to the opposing team to sort the fact from the fiction. | 0:01:30 | 0:01:34 | |
Henning is first up. | 0:01:34 | 0:01:36 | |
For three weeks, I carted an empty box around | 0:01:37 | 0:01:42 | |
without realising that what I'd bought wasn't actually in it. | 0:01:42 | 0:01:47 | |
-David's team. -Right. What was it? What did you imagine it was? | 0:01:49 | 0:01:53 | |
What it was... | 0:01:53 | 0:01:55 | |
It was a... | 0:01:55 | 0:01:57 | |
No, don't let me lie... It was... | 0:02:00 | 0:02:03 | |
LAUGHTER AND APPLAUSE | 0:02:03 | 0:02:04 | |
There was... In there was | 0:02:10 | 0:02:11 | |
a plastic Christmas tree. | 0:02:11 | 0:02:13 | |
-That's what you thought was in there? -Absolutely. | 0:02:16 | 0:02:19 | |
For three weeks? | 0:02:19 | 0:02:20 | |
That's something you open quite quickly after buying it, | 0:02:20 | 0:02:23 | |
a Christmas tree. | 0:02:23 | 0:02:25 | |
No, it's about the suspense, isn't it? | 0:02:25 | 0:02:26 | |
Christmas is all about suspense and... | 0:02:26 | 0:02:29 | |
I don't think it's all about suspense. | 0:02:29 | 0:02:32 | |
Because, in general, when you buy a box that you think contains | 0:02:32 | 0:02:34 | |
an artificial Christmas tree, you just assume that it does. | 0:02:34 | 0:02:38 | |
You don't go, "I wonder if it's really in there?" | 0:02:38 | 0:02:40 | |
If you're seriously wondering if it's really in there, | 0:02:40 | 0:02:43 | |
you'd check before you left the shop, wouldn't you? | 0:02:43 | 0:02:46 | |
Yeah, maybe I've chosen my words not very wisely. | 0:02:46 | 0:02:51 | |
Some of it got lost in translation. | 0:02:53 | 0:02:56 | |
Where did you buy it, by the way? | 0:02:57 | 0:02:59 | |
Er...at Argos. | 0:02:59 | 0:03:02 | |
As you left the shop, | 0:03:02 | 0:03:04 | |
did it not occur to you that it was quite light, this box? | 0:03:04 | 0:03:06 | |
Yes, but... | 0:03:08 | 0:03:09 | |
Now it gets interesting. | 0:03:09 | 0:03:11 | |
No, because, I... | 0:03:13 | 0:03:15 | |
Shortly before that, I'd started doing yoga. | 0:03:15 | 0:03:20 | |
To increase my... | 0:03:20 | 0:03:22 | |
To improve my core strength. | 0:03:22 | 0:03:24 | |
So I didn't think anything of it. | 0:03:24 | 0:03:26 | |
I thought, "I'm in such good physical shape..." | 0:03:26 | 0:03:30 | |
"..I can lift this box without it straining me." | 0:03:32 | 0:03:36 | |
The queues at Argos are huge. How long were you in the queue for? | 0:03:38 | 0:03:42 | |
For ages. | 0:03:43 | 0:03:44 | |
So it was a few weeks later that you opened it, ready for Christmas. | 0:03:46 | 0:03:51 | |
Nothing was in there. What happened next? | 0:03:51 | 0:03:55 | |
Well, I kept the box, didn't I? | 0:03:56 | 0:03:58 | |
So you went on to have this Christmas without | 0:04:00 | 0:04:02 | |
a Christmas tree in your flat? | 0:04:02 | 0:04:04 | |
I actually, believe it or not, | 0:04:04 | 0:04:06 | |
-I did use the box instead of the Christmas tree. -As a tree? | 0:04:06 | 0:04:09 | |
-Because... -As a Christmas tree? | 0:04:09 | 0:04:10 | |
Yeah, because there was pictures of a Christmas tree. | 0:04:10 | 0:04:12 | |
The saddest Christmas ever. | 0:04:15 | 0:04:17 | |
APPLAUSE | 0:04:17 | 0:04:19 | |
-I have one further question. -Yes? | 0:04:19 | 0:04:21 | |
Why were you carrying this box around with you for three weeks? | 0:04:21 | 0:04:26 | |
When I say... I didn't take it to social occasions. | 0:04:26 | 0:04:30 | |
I didn't say to the box, "Do we want to go down the park?" | 0:04:30 | 0:04:33 | |
Then the box, "What, end of November? Far too cold." So... | 0:04:33 | 0:04:37 | |
I did not ask you whether or not you socialised with the box. | 0:04:37 | 0:04:41 | |
When I went... I tell you what. | 0:04:41 | 0:04:43 | |
I took the box into town with me on one occasion. | 0:04:43 | 0:04:48 | |
I went all the way into Leicester Square with the box. | 0:04:48 | 0:04:52 | |
Why, on the occasion that you were going into Leicester Square, | 0:04:52 | 0:04:55 | |
did you take it with you? | 0:04:55 | 0:04:57 | |
That is a very good question, David. | 0:04:57 | 0:04:59 | |
And I shall give you the answer. | 0:04:59 | 0:05:01 | |
Because the box and I... | 0:05:02 | 0:05:05 | |
..were going to do a comedy show. | 0:05:07 | 0:05:10 | |
On how many journeys did you take this Christmas tree | 0:05:10 | 0:05:13 | |
other than the one from Argos to your flat | 0:05:13 | 0:05:16 | |
and the one from your flat to the comedy show in Leicester Square? | 0:05:16 | 0:05:19 | |
Can we just keep it a bit lighter? He's not up for a war crime. | 0:05:19 | 0:05:22 | |
Not on this occasion, anyway. | 0:05:27 | 0:05:29 | |
Just slightly lighten things up a bit. | 0:05:29 | 0:05:31 | |
-David, what do you think? -What do you think, Shaun? | 0:05:32 | 0:05:35 | |
I'm sort of having it a little bit, cos anything you buy from Argos, | 0:05:35 | 0:05:37 | |
even if it's a big wardrobe, it doesn't weigh anything, | 0:05:37 | 0:05:40 | |
when you walk out with the box. | 0:05:40 | 0:05:43 | |
-Are you an Argos man, Shaun? -I used to be. | 0:05:43 | 0:05:45 | |
-Really? -Big-time, yeah. | 0:05:45 | 0:05:46 | |
What stopped you? | 0:05:46 | 0:05:48 | |
Er, fame. | 0:05:48 | 0:05:50 | |
APPLAUSE | 0:05:53 | 0:05:54 | |
Tom? | 0:05:57 | 0:05:58 | |
I think he's... | 0:05:58 | 0:06:00 | |
I mean, it's a ridiculous story, | 0:06:00 | 0:06:01 | |
but I mean, he's a canny, canny fella. | 0:06:01 | 0:06:03 | |
-So shall we go for true? -Yeah. -True? | 0:06:03 | 0:06:06 | |
-We're going to say true. -All right. Henning? | 0:06:06 | 0:06:09 | |
Truth or lie? | 0:06:09 | 0:06:11 | |
This story is... | 0:06:11 | 0:06:12 | |
true. | 0:06:12 | 0:06:14 | |
APPLAUSE | 0:06:14 | 0:06:17 | |
It's true. Henning did cart an empty box around for three weeks. | 0:06:19 | 0:06:22 | |
Shaun Ryder, you're next. | 0:06:22 | 0:06:24 | |
I have trained my cat to wink. | 0:06:26 | 0:06:29 | |
What kind of cat do you have, Shaun? | 0:06:32 | 0:06:34 | |
It's just a black cat. | 0:06:34 | 0:06:36 | |
And how old is this cat? | 0:06:36 | 0:06:37 | |
I've had him about five years. | 0:06:37 | 0:06:39 | |
And was he a good student? | 0:06:39 | 0:06:41 | |
I thought he was. | 0:06:41 | 0:06:43 | |
Has anybody else ever said, "The cat's winking"? | 0:06:43 | 0:06:47 | |
When you say it, Henning, we're in dangerous territory. | 0:06:49 | 0:06:52 | |
It might be better if Lee represents the team. | 0:06:52 | 0:06:55 | |
Yes, I'll say it. So, tell me how you teach a cat to wink. | 0:06:55 | 0:06:58 | |
Right, you look at the cat, | 0:06:58 | 0:07:00 | |
and its eyes get bigger and bigger and bigger, | 0:07:00 | 0:07:03 | |
and I'd try and do these mind games with it as though | 0:07:03 | 0:07:05 | |
-I could speak to it from your mind... -Yeah. | 0:07:05 | 0:07:09 | |
..and it'd wink and stuff. | 0:07:09 | 0:07:11 | |
-So you would wink and it would sort of copy you? -Yeah. | 0:07:11 | 0:07:13 | |
Were you doing anything like gently prodding it in the eye? | 0:07:13 | 0:07:16 | |
No, I wasn't. No. | 0:07:16 | 0:07:18 | |
Would you then reward him when he did your bidding? | 0:07:18 | 0:07:22 | |
Well, I would. He'd sort of get up and go and make a cup of tea. | 0:07:22 | 0:07:25 | |
What do you mean, he went and made a cup of tea? | 0:07:26 | 0:07:28 | |
He'd sort of get up off the chair and he'd go in the kitchen | 0:07:28 | 0:07:31 | |
and stand near the kettle. | 0:07:31 | 0:07:32 | |
So that was my sort of thing to think that he wanted a tea. | 0:07:32 | 0:07:35 | |
So he'd jump up on the counter top near the kettle? | 0:07:35 | 0:07:37 | |
And I'd make him a drink. | 0:07:37 | 0:07:38 | |
-What would you make him? -Well, tea. | 0:07:38 | 0:07:40 | |
Hot tea? | 0:07:40 | 0:07:41 | |
Are you sure this was a cat and not, like, a friend or a wife? | 0:07:41 | 0:07:45 | |
So how long did this cat wink for? Was it a whole year of winking? | 0:07:47 | 0:07:50 | |
No, he carried on winking till he got run over. | 0:07:50 | 0:07:53 | |
Tell me he wasn't practising in the street. | 0:07:55 | 0:07:57 | |
"What if I close my right eye now?" | 0:07:57 | 0:07:59 | |
"I wonder if I can do both eyes at the same time." | 0:08:01 | 0:08:05 | |
APPLAUSE | 0:08:05 | 0:08:08 | |
What do you think, Lee? Is this true? | 0:08:08 | 0:08:11 | |
I think it sounds entirely plausible, start to finish. | 0:08:11 | 0:08:13 | |
Really? | 0:08:13 | 0:08:15 | |
I want these two gentlemen removed from the studio. | 0:08:16 | 0:08:20 | |
I truly believe that you did see your cat winking to you | 0:08:20 | 0:08:24 | |
or at least you thought you saw it. | 0:08:24 | 0:08:26 | |
But to be fair, he didn't say, | 0:08:26 | 0:08:28 | |
"I once think I saw my cat winking," he said, "I taught my cat to wink." | 0:08:28 | 0:08:32 | |
I can't get my cat to poo outside. | 0:08:32 | 0:08:34 | |
If you can't get your cat to poo outside, | 0:08:37 | 0:08:39 | |
you should have a look at the flap. | 0:08:39 | 0:08:41 | |
I've just been doing the Shaun method. | 0:08:44 | 0:08:46 | |
I gave him a set of keys and said, "Come and go as you please." | 0:08:46 | 0:08:48 | |
LAUGHTER AND APPLAUSE | 0:08:48 | 0:08:51 | |
All right. We need an answer. What's it going to be? | 0:08:54 | 0:08:56 | |
All right, Clara, so you're saying it's true? | 0:08:56 | 0:08:58 | |
I reckon he's telling the truth. | 0:08:58 | 0:09:00 | |
-OK. Henning? -Yeah, definitely. | 0:09:00 | 0:09:02 | |
I won't lie. I'm very much doubting it, | 0:09:04 | 0:09:06 | |
but I've got to go with my team. | 0:09:06 | 0:09:08 | |
If I were you now, I'd be very worried at the standard of my team. | 0:09:08 | 0:09:10 | |
Shaun, truth or lie? | 0:09:12 | 0:09:14 | |
Absolute garbage. | 0:09:14 | 0:09:16 | |
Sorry. | 0:09:17 | 0:09:19 | |
APPLAUSE | 0:09:19 | 0:09:21 | |
Yes, it was a lie. | 0:09:23 | 0:09:25 | |
Shaun hasn't trained his cat to wink. | 0:09:25 | 0:09:28 | |
-Clara, you're next. -OK. | 0:09:28 | 0:09:30 | |
I was grabbed by security after sticking my finger in | 0:09:31 | 0:09:34 | |
Pharrell's belly button. | 0:09:34 | 0:09:37 | |
Now, David, Pharrell is a popular singer. | 0:09:38 | 0:09:42 | |
You might know him from his songs Happy or Get Lucky, | 0:09:42 | 0:09:45 | |
which he did with the Daft Punks. | 0:09:45 | 0:09:46 | |
-Daft Punk. -Pardon? -Not plural. Daft Punk. | 0:09:46 | 0:09:49 | |
That's what I said. | 0:09:49 | 0:09:51 | |
I've got no idea what it is. | 0:09:53 | 0:09:55 | |
# I'm up all night with the sun | 0:09:55 | 0:09:57 | |
# She's up all night to have fun | 0:09:57 | 0:09:59 | |
# I'm up all night to get lucky | 0:09:59 | 0:10:01 | |
# We're up all night to get lucky... # | 0:10:01 | 0:10:04 | |
CHEERING AND APPLAUSE | 0:10:04 | 0:10:07 | |
We'll need to get you in the Live Lounge. | 0:10:07 | 0:10:09 | |
I don't know what that is, but fine! | 0:10:09 | 0:10:12 | |
The Live Lounge is the penultimate room | 0:10:13 | 0:10:15 | |
in an old people's home. | 0:10:15 | 0:10:16 | |
You put your finger in his belly button. | 0:10:23 | 0:10:26 | |
-Yeah. -What happened? | 0:10:26 | 0:10:28 | |
I just happened to be in the same room as him one night. | 0:10:28 | 0:10:32 | |
-That always happens to me when I'm in the same room as someone. -Yeah? | 0:10:32 | 0:10:34 | |
Walk up, stick my finger in their belly button. | 0:10:34 | 0:10:36 | |
Some cultures, it's just "hello". | 0:10:36 | 0:10:38 | |
-Exactly. -What was the room? | 0:10:38 | 0:10:41 | |
It was a party room. | 0:10:41 | 0:10:42 | |
So were you talking to him at the point you did this, | 0:10:42 | 0:10:45 | |
or did you just, sort of, charge across the room, | 0:10:45 | 0:10:48 | |
index finger at the ready? | 0:10:48 | 0:10:49 | |
"I'm doing it!" | 0:10:51 | 0:10:53 | |
Dressed as a knight on the back of a horse. | 0:10:55 | 0:10:58 | |
THEY LAUGH | 0:10:58 | 0:11:00 | |
You lifted him like that. | 0:11:01 | 0:11:04 | |
He is quite... He's a little man, you know. | 0:11:04 | 0:11:06 | |
-Can we see how it happened? -Sure. | 0:11:06 | 0:11:09 | |
-Just re-enact it. -Lee, do you want to be Pharrell Williams for us? | 0:11:09 | 0:11:12 | |
Just imagine you're a multi-platinum-selling artist. | 0:11:12 | 0:11:15 | |
-Yeah. -Respected around the globe. | 0:11:15 | 0:11:17 | |
There you go, so you're, you know... | 0:11:17 | 0:11:19 | |
OK... | 0:11:22 | 0:11:24 | |
He's a bit more... | 0:11:24 | 0:11:26 | |
I've never seen him keep still. That's all I've ever seen him do. | 0:11:26 | 0:11:29 | |
-What was Pharrell doing at the time? -He was just being Pharrell. | 0:11:29 | 0:11:31 | |
Well, what was he doing? Was he making a Pot Noodle? | 0:11:31 | 0:11:35 | |
No, he was entertaining his guests. | 0:11:35 | 0:11:37 | |
-Entertaining them? -Yeah. | 0:11:37 | 0:11:38 | |
"So, an Irish fellow walks into the pub..." | 0:11:38 | 0:11:41 | |
-That kind of stuff? -He's not Tommy Cooper. -Oh, OK. | 0:11:41 | 0:11:44 | |
-And then I'm dancing... -I'm not dancing. | 0:11:44 | 0:11:46 | |
-Don't like this song. -And then... -Ooh! | 0:11:46 | 0:11:48 | |
All right. If you want to get back in your seats. So there we are. | 0:11:50 | 0:11:53 | |
She's brought it vividly to life. | 0:11:53 | 0:11:55 | |
So...poke. | 0:11:56 | 0:11:58 | |
-"Ooh!" -Yeah. | 0:11:58 | 0:11:59 | |
Then how long before the security arm hand goes on your arm? | 0:11:59 | 0:12:03 | |
I'd say about... Yeah, it was about 10 to 15 seconds. | 0:12:03 | 0:12:06 | |
In that 10, 15 seconds, what happened? | 0:12:06 | 0:12:09 | |
My arm was kind of grabbed. | 0:12:09 | 0:12:12 | |
No, that's the end of it. | 0:12:12 | 0:12:14 | |
The 10, 15 seconds before the arm grab, after the, "Ooh!" | 0:12:14 | 0:12:18 | |
-What happened? -Don't forget the poke. | 0:12:18 | 0:12:20 | |
-Poke. "Ooh!" -Can we all do it? | 0:12:20 | 0:12:24 | |
Ready? | 0:12:24 | 0:12:25 | |
After three. One, two, three. | 0:12:25 | 0:12:27 | |
ALL: Poke! Ooh! | 0:12:27 | 0:12:29 | |
David, look, you have to accept the fact | 0:12:30 | 0:12:32 | |
she was up all night to have fun. | 0:12:32 | 0:12:34 | |
It's as simple as that. | 0:12:34 | 0:12:36 | |
Now, what are you going to say? | 0:12:36 | 0:12:38 | |
-I think it's true. -You think it's true? | 0:12:38 | 0:12:40 | |
-I'm going to go lie. -You're going to go lie. | 0:12:40 | 0:12:43 | |
Which means I have to make the decision. | 0:12:43 | 0:12:45 | |
I'm going to go lie. | 0:12:45 | 0:12:47 | |
So, Clara, truth or lie? | 0:12:47 | 0:12:49 | |
True! | 0:12:49 | 0:12:51 | |
APPLAUSE | 0:12:51 | 0:12:54 | |
Our next round is called "This is My..." where we bring on | 0:12:57 | 0:12:59 | |
a mystery guest who has a close connection to one of our panellists. | 0:12:59 | 0:13:02 | |
Now, this week, each of Lee's team will claim it's them that | 0:13:02 | 0:13:05 | |
has the genuine connection to the guest, | 0:13:05 | 0:13:07 | |
and it's up to David's team to spot who's telling the truth. | 0:13:07 | 0:13:10 | |
So, please welcome this week's special guest, Bill. | 0:13:10 | 0:13:13 | |
APPLAUSE | 0:13:13 | 0:13:17 | |
Henning, what is Bill to you? | 0:13:20 | 0:13:23 | |
This is Bill. | 0:13:23 | 0:13:24 | |
I once bought an Irish accent mouth spray from him | 0:13:26 | 0:13:32 | |
cos I genuinely believed it would give me an Irish accent. | 0:13:32 | 0:13:36 | |
Clara, how do you know Bill? | 0:13:41 | 0:13:43 | |
So this is Bill and when my chair broke, | 0:13:43 | 0:13:46 | |
he let me sit on his back so I could interview Nicki Minaj. | 0:13:46 | 0:13:50 | |
All right. Finally, Lee, what's your relationship with Bill? | 0:13:50 | 0:13:54 | |
This is Bill. | 0:13:54 | 0:13:56 | |
I had to leave my life drawing class | 0:13:56 | 0:13:59 | |
when he walked in, disrobed, | 0:13:59 | 0:14:03 | |
and I realised he was the man that sold me my sausages. | 0:14:03 | 0:14:07 | |
So there we have it. | 0:14:09 | 0:14:11 | |
Is Bill Clara's spare chair, Henning's spray seller, | 0:14:11 | 0:14:14 | |
or Lee's model mate? | 0:14:14 | 0:14:15 | |
David's team, where would you like to begin? | 0:14:15 | 0:14:18 | |
Henning. So explain the thing about this spray. | 0:14:18 | 0:14:22 | |
Bill has actually got a shop | 0:14:22 | 0:14:25 | |
and I walked past his shop. | 0:14:25 | 0:14:27 | |
And I saw Irish accent spray. | 0:14:28 | 0:14:31 | |
And I hadn't written a decent joke in a long time. | 0:14:33 | 0:14:36 | |
And thought, "Well, | 0:14:36 | 0:14:39 | |
"let's get that spray." | 0:14:39 | 0:14:41 | |
-So when you say you saw Irish accent spray, what do you mean? -Like... | 0:14:41 | 0:14:45 | |
Well, it's like a helium balloon. | 0:14:47 | 0:14:49 | |
It's a balloon. | 0:14:49 | 0:14:51 | |
No, no, it's a spray, but it changes your accent. | 0:14:51 | 0:14:54 | |
Instead of making your voice more high-pitched, | 0:14:54 | 0:14:56 | |
it makes it more Irish-accented? | 0:14:56 | 0:14:58 | |
Yeah. | 0:14:58 | 0:14:59 | |
Although mixed with the accent you've already got, | 0:14:59 | 0:15:02 | |
God knows what that could do. | 0:15:02 | 0:15:05 | |
And what shop sells this? What shop? | 0:15:05 | 0:15:08 | |
Like one of them that you've got round Camden. | 0:15:08 | 0:15:12 | |
-Bill's got a shop in Camden. -Yeah! | 0:15:12 | 0:15:14 | |
And his best product is a spray that makes you sound Irish. | 0:15:14 | 0:15:18 | |
Well, I didn't buy all his products, so I can't rank them in a... | 0:15:18 | 0:15:22 | |
Let's get the genre of shop clear. It's a sort of joke shop, is it? | 0:15:24 | 0:15:29 | |
Hey, call it as derogatively as you want. | 0:15:30 | 0:15:34 | |
By "joke shop", I don't mean a risible shop, | 0:15:34 | 0:15:37 | |
I mean a shop that sells joke items like whoopee cushions... | 0:15:37 | 0:15:41 | |
Yeah, exactly. | 0:15:41 | 0:15:42 | |
Fake blood and...that sort of shop. And when did this happen? | 0:15:42 | 0:15:47 | |
The best part of ten years ago, say. | 0:15:52 | 0:15:54 | |
Was there a reason you needed to sound Irish? | 0:15:54 | 0:15:56 | |
No, it was just I thought... | 0:15:56 | 0:15:59 | |
"That's another string to my bow." | 0:15:59 | 0:16:02 | |
How did you imagine it being used in your stand-up? | 0:16:11 | 0:16:16 | |
Maybe if I tell a joke where Irishmen go to the pub. | 0:16:17 | 0:16:22 | |
Do you know a joke where Irishmen go to the pub that you could | 0:16:22 | 0:16:26 | |
tell in your current accent, but you could mime the point | 0:16:26 | 0:16:29 | |
at which you would spray your...? | 0:16:29 | 0:16:31 | |
It would, like, go, "There is an English fella going into the pub | 0:16:31 | 0:16:37 | |
"and says, 'Oh, jolly good morning, my good fellow.'" | 0:16:37 | 0:16:41 | |
-And then... -He didn't even have any spray for that! | 0:16:43 | 0:16:45 | |
Brilliant! See? You don't need a spray, you can do it! | 0:16:47 | 0:16:50 | |
"And then an Irishman goes in a pub," and then I spray. | 0:16:50 | 0:16:55 | |
And then I go... | 0:16:55 | 0:16:56 | |
-GERMAN ACCENT: -"Top of the morning." | 0:16:56 | 0:16:58 | |
LAUGHTER AND APPLAUSE | 0:16:58 | 0:17:01 | |
-Who would you like to ask next? -Clara, who's Nicki Minaj? | 0:17:05 | 0:17:10 | |
-So, Nicki Minaj is a rapper... -There she is. | 0:17:10 | 0:17:14 | |
My God, that's Su Pollard! | 0:17:14 | 0:17:16 | |
LAUGHTER | 0:17:16 | 0:17:17 | |
Nicki Minaj is a singer, basically. | 0:17:17 | 0:17:20 | |
Nicki Minaj a singer, a rapper, one of those modern types. | 0:17:20 | 0:17:23 | |
In what context were you interviewing her? | 0:17:23 | 0:17:25 | |
I was interviewing her at a big festival. | 0:17:25 | 0:17:28 | |
-Glastonbury or something? -No, it was Radio 1, actually. | 0:17:28 | 0:17:30 | |
Big Weekend, yeah. | 0:17:30 | 0:17:32 | |
And was it just on radio, the interview? | 0:17:32 | 0:17:35 | |
It was a Red Button situation as well. | 0:17:35 | 0:17:37 | |
-So there were cameras as well? -Yeah. | 0:17:37 | 0:17:40 | |
All eyes were on us. | 0:17:40 | 0:17:41 | |
Obviously she's, like, the main attraction, a big star, | 0:17:41 | 0:17:43 | |
so they gave her, I guess, the better chair. | 0:17:43 | 0:17:45 | |
I suspect people knew my chair was a little bit dodgy but thought it would, you know, | 0:17:45 | 0:17:49 | |
survive the interview. | 0:17:49 | 0:17:50 | |
It got a bit creaky and then one of the legs snapped off. | 0:17:50 | 0:17:54 | |
And lovely Bill here was doing the sound, and then we only had | 0:17:54 | 0:17:57 | |
about five seconds to go before we were going live, and Bill came in. | 0:17:57 | 0:18:01 | |
One thing you could have done is conduct the interview standing up. | 0:18:01 | 0:18:05 | |
Yeah, but... | 0:18:05 | 0:18:07 | |
You know, you go with what the artist wants. | 0:18:07 | 0:18:09 | |
And if she wants to sit down, I'm going to sit down. | 0:18:09 | 0:18:11 | |
-How long was the interview going to be? -About... | 0:18:11 | 0:18:13 | |
I think it ended up being about five or six minutes. | 0:18:13 | 0:18:16 | |
That's a long time to stand, actually. | 0:18:16 | 0:18:20 | |
Bill definitely looks like he fixes things - | 0:18:20 | 0:18:22 | |
leads or wires, cameras. | 0:18:22 | 0:18:24 | |
Yeah, he's sturdy. | 0:18:24 | 0:18:27 | |
It's a long time to...to be on all fours with someone sitting on you. | 0:18:27 | 0:18:31 | |
I reckon I could take you for a minute. | 0:18:31 | 0:18:33 | |
Try that out! Tom, sit on David. | 0:18:33 | 0:18:36 | |
I'm not going to embarrass you. | 0:18:38 | 0:18:40 | |
I'm going to put Tom on all fours and put you on HIS back. | 0:18:40 | 0:18:43 | |
CHEERING AND APPLAUSE Let's give it a go! | 0:18:43 | 0:18:46 | |
-LEE: -We can all sit on him, be like a sofa! | 0:18:47 | 0:18:50 | |
-Be gentle, David. -Clara, talk us through the... | 0:18:53 | 0:18:55 | |
-Do I have to come down lower? -A little bit lower. | 0:18:55 | 0:18:58 | |
Yeah, there you go. | 0:18:58 | 0:18:59 | |
This is a lot harder! Now I'm in a crouch! | 0:18:59 | 0:19:02 | |
That's what Bill did! | 0:19:02 | 0:19:03 | |
-You want to do some more yoga, mate! -Yeah! | 0:19:03 | 0:19:05 | |
APPLAUSE | 0:19:05 | 0:19:07 | |
-There you go. -So where should I sit? | 0:19:11 | 0:19:15 | |
-Right in the middle there. -Right there? -Facing me. | 0:19:15 | 0:19:18 | |
-I'm sorry about this. -That's all right, David. | 0:19:18 | 0:19:20 | |
-I'm going to lower myself quite gently. -Yeah. -Yeah, yeah. | 0:19:20 | 0:19:23 | |
Can I ask Shaun to be a footstool? | 0:19:23 | 0:19:27 | |
-Very gentle, very gentle. -I am. | 0:19:27 | 0:19:28 | |
I'm basically keeping most of the weight on my own knees. | 0:19:28 | 0:19:30 | |
Oh, my God, my knees! | 0:19:30 | 0:19:33 | |
Sit back a bit. | 0:19:33 | 0:19:34 | |
Bill! | 0:19:34 | 0:19:35 | |
What are you doing? | 0:19:35 | 0:19:37 | |
Bill didn't do that. | 0:19:37 | 0:19:39 | |
David Mitchell, Tom Davis... | 0:19:40 | 0:19:42 | |
Yes, so as you can see... As you can see, that's easy to do. | 0:19:46 | 0:19:50 | |
That's NOT easy to do! Well, you know... | 0:19:50 | 0:19:53 | |
Clara is not as heavy as David. | 0:19:53 | 0:19:55 | |
She's not let herself go like that. I mean... | 0:19:55 | 0:19:57 | |
-I will say one thing. -Go on. -That on a grassy terrain, | 0:19:59 | 0:20:02 | |
it would be a lot easier. | 0:20:02 | 0:20:04 | |
-It would. -I'm slipping all over the place. | 0:20:04 | 0:20:06 | |
I'm sorry I let you down, David. | 0:20:06 | 0:20:08 | |
I can come to your house at Christmas | 0:20:08 | 0:20:10 | |
if you're looking for another chair. | 0:20:10 | 0:20:11 | |
I'll do a better job as long as you've got carpet. | 0:20:11 | 0:20:14 | |
David, would you like to move on to Lee? | 0:20:16 | 0:20:19 | |
-Lee. -Yes, David. -Why were you going to a life drawing class? | 0:20:19 | 0:20:25 | |
Because I just decided that I wanted to learn something new because - | 0:20:25 | 0:20:28 | |
I'm not being big-headed - | 0:20:28 | 0:20:29 | |
-I've cracked everything else. -Yeah. | 0:20:29 | 0:20:32 | |
Why...why nudes, though? | 0:20:32 | 0:20:34 | |
What was the attraction of the nude human form? | 0:20:34 | 0:20:37 | |
You could have focused on fruit. | 0:20:37 | 0:20:39 | |
I do do a little bit of fruit, as it goes. | 0:20:39 | 0:20:42 | |
But I wanted to expand... | 0:20:42 | 0:20:44 | |
-Um... -So that's why... | 0:20:44 | 0:20:46 | |
I just find naked men do that for me! | 0:20:46 | 0:20:50 | |
I wanted to expand my repertoire. I'd cracked the fruit. | 0:20:50 | 0:20:53 | |
I kept showing my wife and my wife would say, "No idea." | 0:20:53 | 0:20:57 | |
Then one day she went, "Is it an orange?" I went, "Yeah." | 0:20:57 | 0:21:00 | |
She went, "It's time to move on." | 0:21:00 | 0:21:02 | |
-And so you left your wife... -So I left my wife. | 0:21:02 | 0:21:06 | |
How many of these still life classes had you done before Bill popped in? | 0:21:06 | 0:21:11 | |
I'd probably done about seven or eight. | 0:21:11 | 0:21:14 | |
-How is Bill looking under there? -Say again? -Bill. | 0:21:14 | 0:21:17 | |
-Has he got a nice body, or...? -Has he got a nice body naked? | 0:21:17 | 0:21:20 | |
-Yeah. -I'd say... I'd say he's firm, yeah. | 0:21:20 | 0:21:22 | |
-CLARA: -Sturdy! -Sturdy. | 0:21:22 | 0:21:23 | |
I said to him, "How come you're so firm?" | 0:21:23 | 0:21:25 | |
He said, "Well, you try being a chair every three weeks." | 0:21:25 | 0:21:29 | |
-And you knew it was nude man week? -Oh, yes. They told us. | 0:21:29 | 0:21:32 | |
They said, "Next week, we're doing a nude man." | 0:21:32 | 0:21:34 | |
Then you found out that your butcher was a nude model. | 0:21:34 | 0:21:38 | |
Not straightway. He comes in and teases you a little bit. | 0:21:38 | 0:21:40 | |
He comes in with a robe, takes his belt off slowly... | 0:21:40 | 0:21:43 | |
Hangs it up like that, then he turns the other way | 0:21:43 | 0:21:45 | |
and he might do little bit of a... a bit of a stretch. | 0:21:45 | 0:21:48 | |
Then he drops it so you see his...pert cheeks. | 0:21:48 | 0:21:50 | |
And at this point, I'm thinking, | 0:21:50 | 0:21:52 | |
"Right, I should be able to do this." | 0:21:52 | 0:21:54 | |
Get my pencils out ready. | 0:21:54 | 0:21:55 | |
And then he turns slowly and that's when I saw it. | 0:21:55 | 0:22:00 | |
-The face of Bill, the man who sells me sausages. -Right. | 0:22:00 | 0:22:04 | |
So did he recognise you? | 0:22:04 | 0:22:05 | |
-Was it mutual? -Well, he just had his eyes fixed like he is tonight. | 0:22:05 | 0:22:09 | |
But as I passed, he had a look on his face like he was going to say, | 0:22:09 | 0:22:12 | |
"I'm doing discounts on burgers on Saturday." | 0:22:12 | 0:22:15 | |
He didn't do it. He's professional. He stopped himself like that. | 0:22:16 | 0:22:21 | |
And it was awkward. | 0:22:21 | 0:22:22 | |
So I simply got dressed and went home. | 0:22:22 | 0:22:25 | |
Did I not mention that bit? | 0:22:27 | 0:22:29 | |
I say life drawing - it was a car park | 0:22:29 | 0:22:31 | |
and he was in a Ford Fiesta. | 0:22:31 | 0:22:32 | |
APPLAUSE | 0:22:35 | 0:22:37 | |
We need an answer, so, David's team, is Bill Clara's spare chair, | 0:22:40 | 0:22:47 | |
Henning's spray seller or Lee's model mate? | 0:22:47 | 0:22:51 | |
I think we need to ask, | 0:22:51 | 0:22:52 | |
are you absolutely sure that one of them is true? | 0:22:52 | 0:22:55 | |
Yes. | 0:22:56 | 0:22:58 | |
I think, in the radio situation, | 0:22:58 | 0:23:01 | |
they probably could find a chair or standing. | 0:23:01 | 0:23:04 | |
There's a better solution than, for six minutes, | 0:23:04 | 0:23:07 | |
sitting on a human being. | 0:23:07 | 0:23:09 | |
-What about Lee? -Well, it's just not true. | 0:23:09 | 0:23:12 | |
See, I've got to say that he's literally not moved his... | 0:23:12 | 0:23:15 | |
He's shown no emotion. | 0:23:15 | 0:23:17 | |
Now, if I'm going to draw a man naked, I want to draw Bill. | 0:23:17 | 0:23:21 | |
-What do you think, Shaun? -I've just got to go for Bill being sat on. | 0:23:22 | 0:23:26 | |
You think Clara? | 0:23:26 | 0:23:28 | |
I'm changing my mind now because he's German, | 0:23:28 | 0:23:30 | |
so he could possibly believe about a spray... | 0:23:30 | 0:23:33 | |
You just noticed now that Henning is German? | 0:23:34 | 0:23:37 | |
It's just sunk in, yeah! | 0:23:37 | 0:23:38 | |
So you think Henning now? | 0:23:38 | 0:23:41 | |
-No, I'll stick with Clara. -Stick with Clara. | 0:23:41 | 0:23:43 | |
-And you're... -I'm going with Lee, yeah. | 0:23:43 | 0:23:45 | |
You see, I think it's Henning. | 0:23:45 | 0:23:46 | |
-You think it's Henning? -Yeah, we're going to go Henning. | 0:23:46 | 0:23:51 | |
OK - Bill, would you please reveal your true identity? | 0:23:51 | 0:23:54 | |
My name is Bill | 0:23:54 | 0:23:56 | |
and Henning bought an Irish breath spray... | 0:23:56 | 0:23:58 | |
CHEERING AND APPLAUSE | 0:23:58 | 0:24:01 | |
-That's what you bought, Henning, yeah? -Yeah. | 0:24:03 | 0:24:07 | |
And you genuinely thought it would have an effect on your accent? | 0:24:07 | 0:24:09 | |
Of some description. | 0:24:09 | 0:24:11 | |
Lee, let me give it to you. | 0:24:11 | 0:24:13 | |
It didn't work on Henning, but it might work on you. | 0:24:13 | 0:24:18 | |
-WELSH ACCENT: -I don't think you gave me the right one. | 0:24:18 | 0:24:22 | |
Thank you very much, Bill! Thank you. | 0:24:22 | 0:24:24 | |
Which brings us to our final round, | 0:24:27 | 0:24:30 | |
Quickfire Lies, and we start with... | 0:24:30 | 0:24:33 | |
It's David. | 0:24:34 | 0:24:36 | |
I once hired a jet ski... | 0:24:36 | 0:24:39 | |
-LAUGHING: -Lie. Forget it. | 0:24:39 | 0:24:42 | |
We need to hear no more, David. | 0:24:42 | 0:24:44 | |
I once hired a jet ski, but couldn't work out how to stop it, | 0:24:45 | 0:24:50 | |
so I had to buzz around the bay for 50 minutes | 0:24:50 | 0:24:53 | |
until it ran out of petrol. | 0:24:53 | 0:24:56 | |
I take it back, you did it. | 0:24:56 | 0:24:58 | |
I can so imagine you doing that. Absolutely. | 0:24:58 | 0:25:01 | |
-Where was this? -It was in Antigua. -In Antigua? | 0:25:01 | 0:25:05 | |
-Was this in your single lads' days? -He never had those days. | 0:25:05 | 0:25:09 | |
-It's your first time on the show, isn't it? -It is. | 0:25:09 | 0:25:12 | |
-Why were you in Antigua? -On holiday. | 0:25:12 | 0:25:15 | |
Was the Winchester Steam Museum shut? | 0:25:15 | 0:25:19 | |
Yes, I arrived at the Winchester Steam Museum | 0:25:19 | 0:25:22 | |
and it was shut and so I went straight to Antigua. | 0:25:22 | 0:25:26 | |
-When was this? -Er... I think about two years ago. | 0:25:26 | 0:25:30 | |
-And who were you with? -My, er, wife. -And what got into your head? | 0:25:30 | 0:25:35 | |
I could imagine you renting a sun lounge | 0:25:35 | 0:25:38 | |
and opening up a weighty tome. | 0:25:38 | 0:25:40 | |
I could imagine that. But I can't see you saying... | 0:25:40 | 0:25:44 | |
MIMICS DAVID: "Now, you relax here. I'm just going to go... | 0:25:44 | 0:25:47 | |
LAUGHTER | 0:25:47 | 0:25:49 | |
"..and bomb around the bay for a while." | 0:25:49 | 0:25:52 | |
APPLAUSE | 0:25:52 | 0:25:56 | |
Were you with your wife on the jet ski | 0:25:58 | 0:26:01 | |
or did she stay on dry land? | 0:26:01 | 0:26:03 | |
Er, she stayed on dry land. | 0:26:03 | 0:26:05 | |
-So you were on your own, going around? -Yeah. | 0:26:05 | 0:26:07 | |
-And it was your idea? -I just... | 0:26:07 | 0:26:09 | |
Look, I thought I'd have a bit of a go. | 0:26:09 | 0:26:11 | |
-What were you wearing, David? -Er...sort of, swimming...shorts. | 0:26:11 | 0:26:15 | |
What length were the shorts? | 0:26:15 | 0:26:17 | |
Were they sort of Daniel Craig, or...? | 0:26:17 | 0:26:19 | |
They weren't as long as Daniel Craig. | 0:26:19 | 0:26:22 | |
-What do you wear? -Shorts! I said, swimming shorts! | 0:26:24 | 0:26:26 | |
They've got a pocket. | 0:26:26 | 0:26:27 | |
-Wow! -They've got a pocket. | 0:26:27 | 0:26:29 | |
They've got a pocket and they've got netting on the inside | 0:26:29 | 0:26:32 | |
to keep everything in order. | 0:26:32 | 0:26:34 | |
All right. | 0:26:34 | 0:26:35 | |
You jump on, you're looking back at your wife, "Ha-ha" Look at me!" | 0:26:35 | 0:26:39 | |
And then what happens? | 0:26:39 | 0:26:42 | |
Well, to be honest, I'm not like, "Ha-ha, look at me" at all, | 0:26:42 | 0:26:45 | |
because I must say, as soon as I get going, | 0:26:45 | 0:26:48 | |
it becomes immediately apparent to me that I don't like it. | 0:26:48 | 0:26:51 | |
Oh, no! | 0:26:51 | 0:26:52 | |
Hang on, hang on. Here's a big question, then. | 0:26:52 | 0:26:54 | |
-You did it until the petrol ran out, you say? -Yeah. | 0:26:54 | 0:26:57 | |
So did you manage to time perfectly that the petrol would run out | 0:26:57 | 0:27:00 | |
just as you got back to the jetty? | 0:27:00 | 0:27:03 | |
-No. -So you're stuck in the middle of the sea? -Yes. | 0:27:03 | 0:27:05 | |
Well, what I didn't do is head straight out away from the... | 0:27:05 | 0:27:10 | |
The point where my plan formed, | 0:27:10 | 0:27:13 | |
I thought I'd just go up and down quite near the jetty, | 0:27:13 | 0:27:16 | |
thinking I'd be able to swim to the jetty | 0:27:16 | 0:27:19 | |
if worst comes to the worst. | 0:27:19 | 0:27:20 | |
So what happened? You just kept going, kept going, | 0:27:20 | 0:27:22 | |
and then eventually it coughed and spluttered...? | 0:27:22 | 0:27:25 | |
-Yeah. -Talk us through. | 0:27:25 | 0:27:27 | |
Well, I kept going and kept going and then eventually, | 0:27:27 | 0:27:30 | |
it coughed and spluttered... | 0:27:30 | 0:27:31 | |
..to a halt. | 0:27:33 | 0:27:34 | |
-All right. Lee, what are you going to say? -What do we think? -I... | 0:27:38 | 0:27:42 | |
-You have a great physique. -LAUGHTER | 0:27:42 | 0:27:44 | |
Yeah. | 0:27:44 | 0:27:46 | |
You've got to warn me before you say things like this! | 0:27:46 | 0:27:49 | |
A great physique for what? | 0:27:49 | 0:27:51 | |
For maybe, I don't know, | 0:27:51 | 0:27:53 | |
-a game of billiards...or Cluedo... -Yeah. | 0:27:53 | 0:27:56 | |
And I don't quite think that's jet skiing is completely your thing. | 0:27:56 | 0:28:00 | |
I agree. | 0:28:00 | 0:28:02 | |
I don't think he's ever even been to Antigua. | 0:28:02 | 0:28:05 | |
-So you're saying lie, you're saying lie... -Yes. | 0:28:07 | 0:28:09 | |
-I'm going to say that's a lie. -You're saying it's a lie? | 0:28:09 | 0:28:11 | |
-I'll go with the team. -David, truth or lie? | 0:28:11 | 0:28:13 | |
It is... | 0:28:13 | 0:28:15 | |
a lie. | 0:28:15 | 0:28:16 | |
KLAXON | 0:28:19 | 0:28:20 | |
Well, that's noise signals time is up, it's the end of the show. | 0:28:20 | 0:28:23 | |
I can reveal that David's team have won by three points to two. | 0:28:23 | 0:28:27 | |
CHEERING AND APPLAUSE | 0:28:27 | 0:28:29 | |
Thanks for watching, goodnight! | 0:28:29 | 0:28:31 |