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Good evening and welcome to a very special edition | 0:00:23 | 0:00:26 | |
of previously unseen clips from this series of Would I Lie To You. | 0:00:26 | 0:00:29 | |
Joining Lee Mack tonight, | 0:00:29 | 0:00:31 | |
Jo Brand, Ade Edmondson, | 0:00:31 | 0:00:34 | |
James Acaster, Mark Bonner, | 0:00:34 | 0:00:36 | |
Sara Pasco, Steve Davis, | 0:00:36 | 0:00:39 | |
Ore Oduba, Cariad Lloyd | 0:00:39 | 0:00:41 | |
and Gabby Logan. | 0:00:41 | 0:00:43 | |
And joining David Mitchell, | 0:00:43 | 0:00:44 | |
Claude Littner, Kimberly Wyatt, | 0:00:44 | 0:00:47 | |
Claudia Winkleman, Fay Ripley, | 0:00:47 | 0:00:49 | |
Jordan Stephens, Stacey Solomon, | 0:00:49 | 0:00:52 | |
David Baddiel, Craig Parkinson | 0:00:52 | 0:00:54 | |
and Sheila Hancock. | 0:00:54 | 0:00:56 | |
And we begin with Round 1, Home Truths, where our | 0:00:57 | 0:00:59 | |
panellists each read out a statement from the card in front of them. | 0:00:59 | 0:01:03 | |
To make things harder, they've never seen the card before, | 0:01:03 | 0:01:05 | |
they have no idea what they'll be faced with. | 0:01:05 | 0:01:08 | |
It's up to the opposing team to sort the fact from the fiction, | 0:01:08 | 0:01:12 | |
and we're starting tonight with Jo. | 0:01:12 | 0:01:14 | |
OK. | 0:01:15 | 0:01:17 | |
I once got on the tube with a live pigeon in my pocket. | 0:01:17 | 0:01:21 | |
David's team. | 0:01:23 | 0:01:25 | |
-Why was the pigeon in your pocket? -It was quite badly injured. | 0:01:25 | 0:01:29 | |
Oh, so you were being a Good Samaritan to pigeons? | 0:01:29 | 0:01:32 | |
Ish, I was a bit peckish. | 0:01:32 | 0:01:34 | |
You hadn't yet decided, it could go either way. | 0:01:35 | 0:01:38 | |
What had happened to the pigeon? | 0:01:38 | 0:01:40 | |
-What had happened to it? -Yeah. | 0:01:40 | 0:01:42 | |
Went very nicely with some roast potatoes... | 0:01:42 | 0:01:45 | |
No, no, I took it, | 0:01:45 | 0:01:47 | |
I took it to, actually to the local vets when I got home. | 0:01:47 | 0:01:52 | |
So, where did you find...? | 0:01:52 | 0:01:53 | |
It was lying on the pavement. | 0:01:53 | 0:01:55 | |
And what was the nature of the garment, | 0:01:55 | 0:01:58 | |
in the pocket of which you placed the pigeon? | 0:01:58 | 0:02:00 | |
It was a clown's outfit. | 0:02:00 | 0:02:02 | |
And it's your own fault for standing on it in the first place | 0:02:04 | 0:02:06 | |
with your big feet. | 0:02:06 | 0:02:08 | |
It was a duffle coat, a duffle coat. | 0:02:09 | 0:02:11 | |
A duffle coat. | 0:02:11 | 0:02:12 | |
But did you think about just carrying it | 0:02:12 | 0:02:14 | |
or did you think I'll put it in my pocket? | 0:02:14 | 0:02:16 | |
Cos if it's a pigeon that's struggling, | 0:02:16 | 0:02:19 | |
I think it's probably causing it more pain. | 0:02:19 | 0:02:21 | |
It wasn't, it was beyond struggling it was, it was... | 0:02:21 | 0:02:23 | |
-A dead pigeon. -A dead pigeon? -No. | 0:02:23 | 0:02:25 | |
It was, it was kind of really knackered and... | 0:02:25 | 0:02:28 | |
Can I ask, were you going to somewhere | 0:02:28 | 0:02:31 | |
when this happened or were you going back home? | 0:02:31 | 0:02:34 | |
I was going to somewhere. | 0:02:34 | 0:02:36 | |
So, you went to a meeting, | 0:02:36 | 0:02:38 | |
possibly a high level TV meeting, about... | 0:02:38 | 0:02:41 | |
-There are other places available, David. -No, not... | 0:02:41 | 0:02:44 | |
I'm just guessing, with a pigeon in your pocket. | 0:02:44 | 0:02:46 | |
I like the fact you gave it two options, | 0:02:46 | 0:02:48 | |
a meeting or a high level TV meeting. | 0:02:48 | 0:02:50 | |
I'm trying to imagine. | 0:02:50 | 0:02:52 | |
I was going to the local hospital to have a smear. | 0:02:52 | 0:02:54 | |
Oh! Wow. | 0:02:54 | 0:02:56 | |
While it was in your pocket, did it start flapping? | 0:03:02 | 0:03:05 | |
-No. -So, it... It was just completely quiet, | 0:03:05 | 0:03:08 | |
but not dead, in your pocket. | 0:03:08 | 0:03:10 | |
Did you have some seed in your pocket? | 0:03:10 | 0:03:13 | |
Of course she did! We all carry emergency Trill. | 0:03:14 | 0:03:17 | |
What are you thinking? Kimberly, does it, | 0:03:20 | 0:03:22 | |
does it have the ring of truth for you? | 0:03:22 | 0:03:24 | |
I think it's a lie. I've saved a pigeon before | 0:03:24 | 0:03:26 | |
and it was quite badly hurt. | 0:03:26 | 0:03:28 | |
-Oh, here we go. -And it was really flappy. | 0:03:28 | 0:03:30 | |
Am I the only person that hasn't saved a pigeon? | 0:03:31 | 0:03:34 | |
-I haven't. -No, I haven't. | 0:03:34 | 0:03:35 | |
I have a hard time believing it would sit in the pocket. | 0:03:35 | 0:03:38 | |
What were the circumstances for you, Kimberly? | 0:03:38 | 0:03:40 | |
I was at my flat. My now husband was gone, and I... | 0:03:40 | 0:03:46 | |
-I'm sorry to hear that. -LAUGHTER | 0:03:46 | 0:03:49 | |
Very brave of you to talk about it on the show. | 0:03:49 | 0:03:51 | |
There was a lot of commotion outside, so I went to look | 0:03:52 | 0:03:55 | |
and there was a pigeon struggling. | 0:03:55 | 0:03:57 | |
I was worried to touch it because I thought of diseases and things, | 0:03:57 | 0:04:00 | |
-so I left it... -Oh, me, me, me! | 0:04:00 | 0:04:02 | |
..and I had to go away and think about what to do. | 0:04:02 | 0:04:04 | |
-So, what did you do? -I Tweeted about it. | 0:04:04 | 0:04:06 | |
Tweeted?! | 0:04:06 | 0:04:08 | |
LAUGHTER AND APPLAUSE Beautiful! Beautiful! | 0:04:08 | 0:04:11 | |
Did he Tweet back? | 0:04:12 | 0:04:14 | |
Well, somebody did and they sent a cab to get the pigeon | 0:04:14 | 0:04:17 | |
to take it to the Wildlife Foundation to save it. | 0:04:17 | 0:04:20 | |
-I really don't believe this. -LAUGHTER | 0:04:20 | 0:04:22 | |
So, what are you thinking, David? | 0:04:22 | 0:04:25 | |
Well, Kimberly, what do you think? Do you think it's true? | 0:04:25 | 0:04:27 | |
-I just think it's a lie. -You think it's a lie? -I think it's a lie. | 0:04:27 | 0:04:30 | |
Lie? I think we think it's a lie. | 0:04:30 | 0:04:32 | |
OK, you're saying lie. Jo, truth or lie? | 0:04:32 | 0:04:34 | |
It is...a lie. | 0:04:34 | 0:04:36 | |
APPLAUSE | 0:04:36 | 0:04:38 | |
-Claudia, you're up next. -Good! A-hem! | 0:04:42 | 0:04:45 | |
It once took four people to rescue me | 0:04:45 | 0:04:48 | |
after I got stuck in a baby's cot. | 0:04:48 | 0:04:51 | |
-LAUGHTER -Lee's team. | 0:04:51 | 0:04:54 | |
Right. First of all, how old were you? | 0:04:54 | 0:04:57 | |
-Er...I was a grown-up. -Why were you in a cot? | 0:04:57 | 0:05:00 | |
Well, because I was trying it out, just to see how it felt. | 0:05:00 | 0:05:03 | |
Did you not have a cot when you were a baby? | 0:05:03 | 0:05:05 | |
I did, but I couldn't remember what that felt like. | 0:05:05 | 0:05:08 | |
So, was it in someone's house? | 0:05:08 | 0:05:11 | |
Wait a second. | 0:05:11 | 0:05:13 | |
No. It was in a cot shop. | 0:05:13 | 0:05:15 | |
-Showroom. Showroom. -Yes! It was in a show... Thank you! | 0:05:15 | 0:05:18 | |
-Were you thinking of having a child? -I was pregnant. | 0:05:18 | 0:05:20 | |
-Oh, you were very pregnant. -I was pregnant. | 0:05:20 | 0:05:22 | |
-Oh! -Ah! -And so I was there and I thought, | 0:05:22 | 0:05:24 | |
-"I can't buy a cot without trying it". -Of course. | 0:05:24 | 0:05:27 | |
You know, you need a test-drive of beds. You know, do I need...? | 0:05:27 | 0:05:29 | |
I'm glad you weren't buying a potty. LAUGHTER | 0:05:29 | 0:05:33 | |
How did you get in the cot if you were so heavily pregnant? | 0:05:34 | 0:05:37 | |
Yes. Good. Excellent. | 0:05:37 | 0:05:40 | |
-Well, there are ridges, you know, bars... -Yeah. | 0:05:40 | 0:05:43 | |
..on the side of the cot, and I sort of just wheeled myself in, | 0:05:43 | 0:05:45 | |
-and then it was embarrassing because... -Wheeled yourself in? | 0:05:45 | 0:05:48 | |
-Frontwards? -Frontwards, yes. So like a dive, like a swallow dive. | 0:05:48 | 0:05:52 | |
But those things usually come down, don't they, at the side? | 0:05:52 | 0:05:54 | |
You can sort of move them down a bit. | 0:05:54 | 0:05:56 | |
-Oh, that's what I did. What I did... -Oh, hang on. | 0:05:56 | 0:05:58 | |
-LAUGHTER -Such a good point! | 0:05:58 | 0:06:00 | |
On the side of the cot, I don't know if you're aware, they have a little... | 0:06:00 | 0:06:03 | |
-I'm aware because I just told you. -Yes. Good. | 0:06:03 | 0:06:06 | |
And I just got it down and I got in the cot just to see how it would feel. Is it comfy? | 0:06:06 | 0:06:10 | |
-And then, did you put the bars back up again? -I don't... | 0:06:10 | 0:06:12 | |
-This, I can't... Yes. -You must have done, otherwise you wouldn't have been stuck. | 0:06:12 | 0:06:16 | |
-I did. I put the... Exactly! -Was there a...? | 0:06:16 | 0:06:18 | |
It's like you were there! | 0:06:18 | 0:06:20 | |
How did you get out, then? Did somebody help you? | 0:06:20 | 0:06:22 | |
-The people had to help me... -Four people. | 0:06:22 | 0:06:24 | |
-In the cot, and put... Exactly! Four people. -Who were these people? | 0:06:24 | 0:06:27 | |
Well, they were just the people who worked in John Lewis. | 0:06:27 | 0:06:30 | |
Four people's a lot. | 0:06:30 | 0:06:32 | |
Or maybe it's just a good service at John Lewis. It is a good shop. | 0:06:32 | 0:06:35 | |
I think you've got two fragile things. | 0:06:35 | 0:06:38 | |
-You don't want to hurt the woman who's pregnant... -Cot. -Yes! | 0:06:38 | 0:06:41 | |
-And maybe mentally ill, and then... -LAUGHTER | 0:06:41 | 0:06:44 | |
And, um...and then you have the other side of it, which is you've got a product on display. | 0:06:45 | 0:06:49 | |
-Cot for sale, cot for sale. -You don't want it to be kind of damaged. | 0:06:49 | 0:06:52 | |
-You don't want it to be.... -Let's not forget the unborn baby. | 0:06:52 | 0:06:54 | |
And the tiny baby. | 0:06:54 | 0:06:56 | |
So, what do you think, Lee? | 0:06:56 | 0:06:57 | |
Hm. What do you think, Steve, truth or lie? | 0:06:57 | 0:06:59 | |
I've got a feeling it's true. | 0:06:59 | 0:07:00 | |
If you'd have been stuck in a cot, how many people would've helped you? | 0:07:00 | 0:07:04 | |
Well, it would have been length problems more than anything else. | 0:07:04 | 0:07:07 | |
It would be an odd-shaped cot that you could fit in. | 0:07:07 | 0:07:09 | |
-A coffin. -Only head would have been... | 0:07:09 | 0:07:11 | |
-Coffin? -A coffin? -It's the opposite to cot. | 0:07:11 | 0:07:14 | |
-"Steve Davis stuck in coffin." -It's a big, long... | 0:07:14 | 0:07:17 | |
In a coffin shop, would you try that out to see if it's comfy? | 0:07:17 | 0:07:20 | |
You know, because you're in that a lot longer, aren't you? | 0:07:20 | 0:07:23 | |
Yeah. Yeah, that's nice. | 0:07:23 | 0:07:25 | |
-So, what are you going to say? -I'm going to say it's true. | 0:07:25 | 0:07:27 | |
All right. Claudia, truth or lie? | 0:07:27 | 0:07:30 | |
It is...true. | 0:07:30 | 0:07:33 | |
APPLAUSE | 0:07:33 | 0:07:34 | |
Claude, you're next. | 0:07:37 | 0:07:39 | |
At a recent party, I rendered Lord Sugar's pet parrot mute | 0:07:41 | 0:07:47 | |
after I'd pinged it on the beak with a champagne cork. | 0:07:47 | 0:07:51 | |
-LAUGHTER -Lee's team. | 0:07:51 | 0:07:52 | |
Talk us through the incident. | 0:07:52 | 0:07:54 | |
Well, I spend quite a lot of time with Lord Sugar, as you can quite imagine. | 0:07:54 | 0:07:58 | |
-Why? -Why? Yeah. -Because we're pals. | 0:07:58 | 0:08:00 | |
-You're pals? -Why? Why? | 0:08:00 | 0:08:02 | |
He's worked under Lord Sugar for how long? | 0:08:02 | 0:08:04 | |
Not under. Not necessarily under. | 0:08:04 | 0:08:06 | |
-LAUGHTER -He's worked for Lord Sugar... | 0:08:06 | 0:08:08 | |
-With. -How? -He's been Lord Sugar's slave for... | 0:08:08 | 0:08:13 | |
How long has it been, Claude? | 0:08:13 | 0:08:14 | |
-A long, long time. -Has it? -It's been a lot time. -Yeah. | 0:08:14 | 0:08:17 | |
OK. So, you're at... Were you at a party, did you say? | 0:08:17 | 0:08:19 | |
Yeah. One of our many parties. | 0:08:19 | 0:08:20 | |
-What was the party for? -His birthday. | 0:08:20 | 0:08:22 | |
-Where was the party? -In the West End somewhere. I can't remember the hotel. | 0:08:22 | 0:08:26 | |
-Did you say his parrot? -It is his parrot, yes. | 0:08:26 | 0:08:28 | |
-He took his parrot to the party? -To the party. | 0:08:28 | 0:08:30 | |
-He does. He does. -Was it a bring-your-own-parrot party? | 0:08:30 | 0:08:33 | |
No, no, it's part of the general ambience of the evening. | 0:08:33 | 0:08:36 | |
Oh! What else did he bring to help with this ambience? | 0:08:36 | 0:08:38 | |
-Just his friends. -So he brings... To create an ambience, | 0:08:38 | 0:08:41 | |
he brings his friend, always, and a parrot? | 0:08:41 | 0:08:44 | |
Not always his parrot, but on this occasion, he brought his parrot. | 0:08:44 | 0:08:46 | |
-I don't know what's so unusual. -LAUGHTER | 0:08:46 | 0:08:49 | |
What happens when he doesn't bring his parrot? | 0:08:49 | 0:08:51 | |
Are you, like, "This is a rubbish party. Where's the parrot"? | 0:08:51 | 0:08:53 | |
No. No, not at all. On occasions... | 0:08:53 | 0:08:54 | |
If somebody had a parrot and didn't bring it to a party and sometimes did, | 0:08:54 | 0:08:57 | |
when they didn't, I'd be, "What's wrong with you?" | 0:08:57 | 0:08:59 | |
-No. -"Where's the parrot?" | 0:08:59 | 0:09:01 | |
If every time they brought a parrot and then once, they didn't, | 0:09:01 | 0:09:03 | |
I wouldn't dare ask about the parrot. | 0:09:03 | 0:09:06 | |
Don't mention the parrot and don't eat the chicken wings. | 0:09:06 | 0:09:09 | |
LAUGHTER AND APPLAUSE | 0:09:09 | 0:09:11 | |
-Talk us through the incident. -What happened? | 0:09:14 | 0:09:16 | |
You were getting the champagne bottle... | 0:09:16 | 0:09:17 | |
No, I wasn't getting the champagne bottle as such, | 0:09:17 | 0:09:19 | |
-What actually happened was... -You were bringing the champagne for Lord Sugar. | 0:09:19 | 0:09:23 | |
-We were... It was a... -LAUGHTER | 0:09:23 | 0:09:25 | |
You'd already been going around the room saying, "Red or white? | 0:09:25 | 0:09:28 | |
"Red or white?" | 0:09:28 | 0:09:30 | |
And now it's your time to bring the champagne. What happens next? | 0:09:30 | 0:09:34 | |
We were at the party, we were having a jolly good time | 0:09:34 | 0:09:37 | |
and it came a moment when the champagne was poured. | 0:09:37 | 0:09:40 | |
-OK? As happens in those kind of parties. -Yeah. | 0:09:40 | 0:09:44 | |
-Isn't that right, David? -I've had champagne in my life. | 0:09:44 | 0:09:47 | |
LAUGHTER | 0:09:47 | 0:09:48 | |
I thought, as a bit of a joke... | 0:09:48 | 0:09:50 | |
-Oh, OK. -..a bit of a joke... | 0:09:50 | 0:09:51 | |
-Yeah. -I thought I'd just kind of put the cork onto the parrot's beak. | 0:09:51 | 0:09:55 | |
-You threw it! -For a bit of a joke... -You threw it at the parrot? | 0:09:55 | 0:09:57 | |
-Like that. -You kept it in your hand? -Yes. | 0:09:57 | 0:09:59 | |
-That's vicious! -That's even more vicious! | 0:09:59 | 0:10:01 | |
-No, no, no. -Because that's like a punch with a cork. | 0:10:01 | 0:10:04 | |
This talking parrot, what does it normally say? | 0:10:04 | 0:10:07 | |
Look, I've got to say, I haven't got an intimate kind of appreciation... | 0:10:07 | 0:10:11 | |
-We're not suggesting that for a moment. -I think he was. | 0:10:11 | 0:10:14 | |
You said you rendered it mute, is that correct? | 0:10:14 | 0:10:16 | |
Well, look, for those few moments, it didn't know what had hit him. | 0:10:16 | 0:10:19 | |
But what...what...what was he saying before you made him mute? | 0:10:19 | 0:10:24 | |
Pretty Sugar! Pretty Sugar! | 0:10:24 | 0:10:26 | |
No, was what you had to say to him, wasn't it? | 0:10:26 | 0:10:28 | |
LAUGHTER | 0:10:28 | 0:10:30 | |
What happened next? Because I imagine Lord Sugar, or Al, as I call him, | 0:10:30 | 0:10:34 | |
I imagine he was quite upset by this. | 0:10:34 | 0:10:36 | |
-He was upset. -Yes. -He was very, very upset. -Yes. | 0:10:36 | 0:10:38 | |
-Did he get his head out the cage and try and peck you? -Lord Sugar? | 0:10:38 | 0:10:41 | |
LAUGHTER | 0:10:41 | 0:10:43 | |
So, is he telling the truth? | 0:10:43 | 0:10:45 | |
Um...it seems a particularly mean thing to do. | 0:10:45 | 0:10:49 | |
-I think it's a lie. -I think it's a lie. | 0:10:49 | 0:10:51 | |
The fact that Alan Sugar has brought a parrot to a party | 0:10:51 | 0:10:54 | |
is the bit that I doubt. | 0:10:54 | 0:10:55 | |
-You're saying it's a lie? -Cariad, you're saying it's a lie? -I think so. | 0:10:55 | 0:10:58 | |
Ade says it's a lie. I will go with my team. | 0:10:58 | 0:11:00 | |
OK, so you're saying it's a lie. Claude, truth or lie? | 0:11:00 | 0:11:03 | |
-I'm afraid it's a lie. -APPLAUSE | 0:11:03 | 0:11:06 | |
Steve, you're up next. | 0:11:08 | 0:11:11 | |
I used to coach the Sultan of Brunei's son | 0:11:11 | 0:11:15 | |
until he sacked me over an incident with a cheese sandwich. | 0:11:15 | 0:11:20 | |
-Oh! -David's team. | 0:11:20 | 0:11:22 | |
In what activity did you coach the Sultan of Brunei's son? | 0:11:23 | 0:11:26 | |
LAUGHTER | 0:11:26 | 0:11:28 | |
Snooker. | 0:11:28 | 0:11:30 | |
-Snooker? -Love it! Love snooker! | 0:11:30 | 0:11:33 | |
Where did this tutoring take place? | 0:11:33 | 0:11:37 | |
Not in the snooker club because, | 0:11:37 | 0:11:39 | |
obviously, for security reasons, um... | 0:11:39 | 0:11:41 | |
OK, yeah, I'll ask that again. | 0:11:41 | 0:11:43 | |
Where didn't it take place? | 0:11:43 | 0:11:45 | |
LAUGHTER | 0:11:45 | 0:11:47 | |
-And you can just say... -No comment. No comment. | 0:11:47 | 0:11:50 | |
..you know, snooker club, bouncy castle, whatever. | 0:11:50 | 0:11:52 | |
I had to go to his house in London. | 0:11:52 | 0:11:56 | |
Oh, they must have some money. | 0:11:56 | 0:11:57 | |
-How... -LAUGHTER | 0:11:57 | 0:11:59 | |
..how often did you tutor him? Was this a long-running thing? | 0:12:01 | 0:12:04 | |
Well, he... Until he got bored. I was part of that. | 0:12:04 | 0:12:08 | |
Right. LAUGHTER | 0:12:08 | 0:12:09 | |
APPLAUSE | 0:12:11 | 0:12:14 | |
OK. | 0:12:14 | 0:12:16 | |
You mentioned a cheese sandwich. What's the significance of that? | 0:12:16 | 0:12:19 | |
So one of the things I used to do | 0:12:19 | 0:12:22 | |
was to give myself a reward when I did well. | 0:12:22 | 0:12:26 | |
So if I made a 50 break or a 100 break, | 0:12:26 | 0:12:29 | |
then I could have a cheese sandwich. | 0:12:29 | 0:12:31 | |
So I thought I'd try and teach him the same values. | 0:12:31 | 0:12:36 | |
So, what would you ask him to do in order to obtain a cheese sandwich? | 0:12:36 | 0:12:40 | |
Pot three reds...three blacks. | 0:12:40 | 0:12:44 | |
-What, in a row? -Well, that's usually how you play the game. | 0:12:44 | 0:12:48 | |
Oh, yeah, yeah. LAUGHTER | 0:12:48 | 0:12:50 | |
And his reward was a mini Babybel and a roll? | 0:12:50 | 0:12:53 | |
I asked him what was his favourite food, and he said a cheese sandwich. | 0:12:54 | 0:12:59 | |
The son of the Sultan of Brunei's favourite food | 0:12:59 | 0:13:03 | |
-is a cheese sandwich? -Well... | 0:13:03 | 0:13:06 | |
-He probably tires of all the... -Caviar. -..unicorn-liver pate and... | 0:13:06 | 0:13:11 | |
LAUGHTER | 0:13:11 | 0:13:13 | |
We need to find out why you lost the job, | 0:13:13 | 0:13:15 | |
because it was part of this cheese sandwich. | 0:13:15 | 0:13:17 | |
I think he'd never been told | 0:13:17 | 0:13:19 | |
-that he couldn't have a sandwich before. -Well done? | 0:13:19 | 0:13:22 | |
So, he did consent to do all the potting before he'd eat the cheese sandwich... | 0:13:22 | 0:13:27 | |
-Yes. -..but then there was an atmosphere? | 0:13:27 | 0:13:29 | |
LAUGHTER | 0:13:29 | 0:13:31 | |
Steve, when you started coaching to when you were dismissed, | 0:13:31 | 0:13:36 | |
did you see a significant improvement in his game? | 0:13:36 | 0:13:38 | |
Oh, yeah. Oh, yeah. | 0:13:38 | 0:13:40 | |
Did you...? | 0:13:40 | 0:13:42 | |
-Six times world champion. -LAUGHTER | 0:13:42 | 0:13:44 | |
APPLAUSE | 0:13:44 | 0:13:45 | |
OK, it's time to guess, David. What do you think? | 0:13:49 | 0:13:51 | |
-I think it's true. -Yeah. -You think it's true? True? | 0:13:51 | 0:13:53 | |
-We're going to say true. -You're going to say it's true. | 0:13:53 | 0:13:56 | |
Steve, was it true, or was it a lie? | 0:13:56 | 0:13:58 | |
-It was true. -APPLAUSE | 0:14:00 | 0:14:03 | |
-Stacey, you're next. -OK. | 0:14:05 | 0:14:08 | |
I'm frightened of rainbows and I refuse to go outside | 0:14:09 | 0:14:13 | |
when sunshine immediately follows the rain. | 0:14:13 | 0:14:16 | |
-Wow! -Lee's team. | 0:14:16 | 0:14:18 | |
So, how long have you been scared of rainbows? | 0:14:18 | 0:14:20 | |
Probably since I was a kid, to be honest. | 0:14:20 | 0:14:22 | |
What started it? Was it Zippy? | 0:14:22 | 0:14:24 | |
I just don't like them. | 0:14:24 | 0:14:25 | |
I think...I think they're mysterious. | 0:14:25 | 0:14:27 | |
You don't know where they end. | 0:14:27 | 0:14:29 | |
And there's apparently, a little short man at the end that's, like, | 0:14:29 | 0:14:32 | |
"Oh, I've got a pot of gold"! | 0:14:32 | 0:14:33 | |
LAUGHTER | 0:14:33 | 0:14:35 | |
I don't like the thought of the light spectrum | 0:14:37 | 0:14:40 | |
-hitting all different angles, going everywhere and... -Making a mess. | 0:14:40 | 0:14:44 | |
..creating this colourful strip through the sky. | 0:14:44 | 0:14:47 | |
This is like the craziest version of Open University I've ever watched. | 0:14:47 | 0:14:50 | |
LAUGHTER | 0:14:50 | 0:14:52 | |
I just don't like... I don't like the ideology of rainbows, | 0:14:52 | 0:14:54 | |
-I don't like the fact that they're.... -Can I just...? | 0:14:54 | 0:14:56 | |
"Look at me, I'm all the colours of the rainbow! Whaa!" | 0:14:56 | 0:14:59 | |
Can I just check, is...is this actually happening? | 0:14:59 | 0:15:03 | |
-LAUGHTER -It's a weird one, isn't it? | 0:15:03 | 0:15:04 | |
I didn't think Stacey would come on and go, "I don't like the ideology of rainbows". | 0:15:04 | 0:15:08 | |
Ideology of rainbows? | 0:15:08 | 0:15:10 | |
Susie, is there a word for someone who dislikes rainbows? | 0:15:10 | 0:15:14 | |
Hm. | 0:15:14 | 0:15:15 | |
I've got one. LAUGHTER | 0:15:15 | 0:15:18 | |
I don't think there is. | 0:15:19 | 0:15:21 | |
Just the thought of it coming out of the sky. | 0:15:21 | 0:15:23 | |
Coming out of nowhere and landing on the floor. Do you know what I mean? | 0:15:23 | 0:15:26 | |
Yeah, but they don't fall from the sky. | 0:15:26 | 0:15:28 | |
What's that chicken that was scared of the sky falling down? | 0:15:28 | 0:15:31 | |
-Chicken Licken. -Yeah. -Yeah. -Could you empathise with him? | 0:15:31 | 0:15:34 | |
Oh, I can completely see where he's coming from. | 0:15:34 | 0:15:36 | |
LAUGHTER | 0:15:36 | 0:15:38 | |
So, what do you think, Lee, is she, er...? | 0:15:38 | 0:15:40 | |
APPLAUSE | 0:15:40 | 0:15:41 | |
Is she telling the truth? | 0:15:41 | 0:15:43 | |
What do you think, Ore? | 0:15:44 | 0:15:46 | |
I think you can have irrational fears, can't you? You can. | 0:15:46 | 0:15:50 | |
Yeah, but you've got to draw the line. | 0:15:50 | 0:15:51 | |
You would draw the line, yeah, just not seven of them in a bow, like that. | 0:15:51 | 0:15:55 | |
LAUGHTER | 0:15:55 | 0:15:56 | |
-So, you're saying yeah? -I'm saying truth, Lee, yeah. | 0:15:56 | 0:15:58 | |
-So, you're both saying true. -Come on. | 0:15:58 | 0:16:00 | |
I'll go with my team and say she does have this irrational fear. | 0:16:00 | 0:16:03 | |
You're saying it's true. Stacey, truth or lie? | 0:16:03 | 0:16:06 | |
It is, in fact, a lie. | 0:16:06 | 0:16:07 | |
-Well done. -Whoa! | 0:16:07 | 0:16:09 | |
APPLAUSE | 0:16:09 | 0:16:11 | |
I love rainbows! | 0:16:13 | 0:16:15 | |
-Fay Ripley, you're up next. -Right. Hm! | 0:16:16 | 0:16:19 | |
I was once investigated by Interpol | 0:16:19 | 0:16:23 | |
after a holiday romance with a water-skiing instructor. | 0:16:23 | 0:16:27 | |
-Lee's team. -Where was he a water-skiing instructor? | 0:16:28 | 0:16:30 | |
Corfu. | 0:16:32 | 0:16:33 | |
What part of your life was this? What year was it, let's say? | 0:16:33 | 0:16:36 | |
Um...I don't really remember, but I would guess at mid 20s. | 0:16:36 | 0:16:40 | |
The 1920s, or...? LAUGHTER | 0:16:40 | 0:16:42 | |
I was young enough to go away with my parents. | 0:16:44 | 0:16:47 | |
-I was on holiday with my parents. -So, what was his name? | 0:16:47 | 0:16:50 | |
-Fanos. -Fanos? | 0:16:51 | 0:16:54 | |
I'll tell you why I'm already doubting that, | 0:16:54 | 0:16:56 | |
you just happened to look around the studio and there's a fan over there. | 0:16:56 | 0:16:59 | |
Kind of thinking his name could have been Camera-os, Audience-os. | 0:17:00 | 0:17:05 | |
LAUGHTER So, when did Interpol get involved? | 0:17:05 | 0:17:08 | |
There was a burglary from one of the hotel rooms | 0:17:08 | 0:17:12 | |
and some money was stolen. | 0:17:12 | 0:17:14 | |
How much money was taken? | 0:17:14 | 0:17:15 | |
-£75,000. -What?! -Oh, wow! | 0:17:15 | 0:17:17 | |
-£75,000. -Worth. | 0:17:17 | 0:17:20 | |
-Of what? -£75,000 worth of money? | 0:17:20 | 0:17:23 | |
LAUGHTER That's £75,000, isn't it? | 0:17:23 | 0:17:26 | |
Jewellery. They thought that at the airport, | 0:17:26 | 0:17:30 | |
when we were waving goodbye, he had passed me the goods. | 0:17:30 | 0:17:35 | |
They were suggesting I was some kind of donkey. | 0:17:35 | 0:17:38 | |
I think it's a mule, isn't it? | 0:17:38 | 0:17:41 | |
-Ah, is it? -Not a donkey. | 0:17:41 | 0:17:43 | |
-LAUGHTER -I didn't actually know that. | 0:17:43 | 0:17:45 | |
APPLAUSE | 0:17:45 | 0:17:47 | |
And so, when did Interpol get involved, when you were back home? | 0:17:47 | 0:17:50 | |
Because... Yes. | 0:17:50 | 0:17:52 | |
I was playing a record in my, er...flat, | 0:17:52 | 0:17:57 | |
and I left to go and get something from the shops | 0:17:57 | 0:18:00 | |
and I heard the record coming out of a van outside my flat. | 0:18:00 | 0:18:06 | |
Have I had a blackout? Because I don't know what's going on now. Is it just me? | 0:18:06 | 0:18:09 | |
-Is it just me that's not following? -I think Fay means... -What do you mean? | 0:18:09 | 0:18:14 | |
I think she means that Interpol had bugged your flat | 0:18:14 | 0:18:17 | |
and you heard a recording of the inside of your flat from the Interpol van. | 0:18:17 | 0:18:20 | |
Do you know Fanos? Because you're all over this story. | 0:18:20 | 0:18:24 | |
What was the song? | 0:18:24 | 0:18:26 | |
It was a Barbra Streisand song from Yentl. It didn't do very well. | 0:18:26 | 0:18:30 | |
What was the song? | 0:18:30 | 0:18:32 | |
Papa Can You Hear Me? | 0:18:32 | 0:18:34 | |
-Oh, a lovely tune! -Ah! -But not on Yentl. | 0:18:34 | 0:18:38 | |
-It so is! -It certainly is. -That was a test. | 0:18:38 | 0:18:41 | |
LAUGHTER | 0:18:41 | 0:18:42 | |
You hear the Barbra, how do you know that they're Interpol? | 0:18:45 | 0:18:48 | |
So I was just paranoid, I couldn't understand it, | 0:18:48 | 0:18:51 | |
-but when my dad rang me... -Yes? | 0:18:51 | 0:18:54 | |
..to say, "I think you're being followed by Interpol..." | 0:18:54 | 0:18:57 | |
Now, OK, what on Earth made him think that? | 0:18:57 | 0:19:00 | |
Because some bloke he knows tipped him off. | 0:19:00 | 0:19:03 | |
Some bloke he knows tipped him off about Interpol? | 0:19:03 | 0:19:09 | |
What line of work is your dad in? | 0:19:09 | 0:19:11 | |
-He's a businessman. -Oh, he sounds suspicious. -Oh! | 0:19:11 | 0:19:14 | |
-It's a bit vague, isn't it? -Yeah. The Talented Mr Ripley. | 0:19:14 | 0:19:17 | |
LAUGHTER | 0:19:17 | 0:19:20 | |
-Very good. -APPLAUSE | 0:19:20 | 0:19:24 | |
-From what you know about Fona... Funos. -Fanos. | 0:19:26 | 0:19:29 | |
He's not a real person, so it's OK. | 0:19:29 | 0:19:32 | |
LAUGHTER | 0:19:32 | 0:19:34 | |
..do you think he was capable of committing that kind of heinous crime? | 0:19:35 | 0:19:39 | |
Well, I suppose I...I loved him. He was... | 0:19:39 | 0:19:42 | |
Can you describe the moment... | 0:19:42 | 0:19:45 | |
LAUGHTER | 0:19:45 | 0:19:47 | |
..when you realised you were in love with him? | 0:19:47 | 0:19:49 | |
"When he gave me £75,000 worth of jewellery." | 0:19:49 | 0:19:52 | |
LAUGHTER | 0:19:52 | 0:19:54 | |
APPLAUSE | 0:19:54 | 0:19:56 | |
So, what are you thinking? | 0:20:01 | 0:20:03 | |
There is an essence of truth for me. | 0:20:03 | 0:20:05 | |
What, that she once went on holiday? | 0:20:05 | 0:20:07 | |
LAUGHTER | 0:20:07 | 0:20:09 | |
I think that Fay is lying. | 0:20:09 | 0:20:12 | |
From the start, she looked like she was riffing it, | 0:20:12 | 0:20:14 | |
and then very quickly had the look in her eyes of someone who's out of their depth. | 0:20:14 | 0:20:18 | |
LAUGHTER | 0:20:18 | 0:20:20 | |
I think it's a lie, you say it's a lie, you think it's true. | 0:20:20 | 0:20:23 | |
-You do this. -It's a lie. It's nonsense. | 0:20:23 | 0:20:24 | |
You're going to say it's a lie? All right, Fay Ripley, | 0:20:24 | 0:20:27 | |
holiday romance, Interpol, truth or lie? | 0:20:27 | 0:20:29 | |
It is...true. | 0:20:30 | 0:20:32 | |
-SHOCKED GASPS -Wow! | 0:20:32 | 0:20:35 | |
APPLAUSE | 0:20:35 | 0:20:37 | |
Mark, you're up next. | 0:20:37 | 0:20:39 | |
A-huh! One Halloween, I was quizzed by the police | 0:20:39 | 0:20:45 | |
while dressed as a caveman | 0:20:45 | 0:20:48 | |
because another caveman had just robbed | 0:20:48 | 0:20:51 | |
an off-licence around the corner. | 0:20:51 | 0:20:53 | |
David's team. | 0:20:53 | 0:20:55 | |
It's an unsuitable costume for Halloween, isn't it? | 0:20:55 | 0:20:59 | |
I thought you dressed as witches and things on Halloween. | 0:20:59 | 0:21:01 | |
It used to be that way, but then the Americans made us dress as, like, Scooby-Doo and things. | 0:21:01 | 0:21:05 | |
We didn't used to have Halloween. | 0:21:05 | 0:21:07 | |
No, exactly. What we used to do is celebrate the burning of a Catholic. | 0:21:07 | 0:21:12 | |
LAUGHTER AND GROANING | 0:21:12 | 0:21:14 | |
Do they celebrate Halloween in Scotland? | 0:21:14 | 0:21:17 | |
-Yes. -Do they call it something else, like... | 0:21:17 | 0:21:20 | |
-HEAVY ACCENT: -Halloween? | 0:21:20 | 0:21:21 | |
-LAUGHTER -Halloween. | 0:21:21 | 0:21:24 | |
Why had you selected a caveman outfit? | 0:21:24 | 0:21:26 | |
I had very little money, I was a student | 0:21:26 | 0:21:29 | |
and it was kind of all I could cobble tog... | 0:21:29 | 0:21:32 | |
cobble together in the house. | 0:21:32 | 0:21:35 | |
-So, what had you done? -I had a throw on the couch, | 0:21:35 | 0:21:38 | |
which was kind of one of those polyester fur things, | 0:21:38 | 0:21:41 | |
which I'd wrapped around myself. | 0:21:41 | 0:21:43 | |
I'd made sure I was wearing pants. | 0:21:43 | 0:21:46 | |
Hold on, hold on. | 0:21:46 | 0:21:48 | |
You say the other caveman was arrested for robbing a shop? | 0:21:48 | 0:21:53 | |
Well, there had been a robbery that night in the area where I lived | 0:21:53 | 0:21:57 | |
and it was somebody dressed very similarly to me. | 0:21:57 | 0:22:00 | |
Where are you going to put the stuff you've robbed | 0:22:00 | 0:22:02 | |
if you're dressed as a caveman? You've got no pockets. | 0:22:02 | 0:22:05 | |
He did not rob anything. LAUGHTER | 0:22:05 | 0:22:08 | |
I'm fascinated by this other man. | 0:22:08 | 0:22:11 | |
LAUGHTER | 0:22:11 | 0:22:12 | |
-This man that robbed the shop. -Yeah. | 0:22:12 | 0:22:14 | |
Who was also, presumably, wearing the same outfit. | 0:22:14 | 0:22:19 | |
That is unbeliev... It's a lie! | 0:22:19 | 0:22:21 | |
I think... LAUGHTER | 0:22:21 | 0:22:22 | |
I think what we're saying is, you did rob the off-licence. | 0:22:22 | 0:22:26 | |
LAUGHTER | 0:22:26 | 0:22:28 | |
When the policeman approached you, what did he say to you? | 0:22:28 | 0:22:31 | |
He said, "Excuse me, sir, could you... | 0:22:31 | 0:22:33 | |
"..could you show me what you've got in your furry throw?" | 0:22:33 | 0:22:38 | |
Was he definitely a policeman? | 0:22:38 | 0:22:40 | |
Well, he was dressed like one... | 0:22:40 | 0:22:42 | |
Because it was Halloween! It was Halloween. | 0:22:42 | 0:22:44 | |
How did how did it end? | 0:22:44 | 0:22:46 | |
He, um...he searched me, and he then sort of said, | 0:22:46 | 0:22:51 | |
because there's been a...there's been an incident down at the offie... | 0:22:51 | 0:22:54 | |
Ah, I was hoping you were going to say, "murder". | 0:22:54 | 0:22:56 | |
LAUGHTER | 0:22:56 | 0:22:58 | |
There's been a murder down at the offie. And, er... | 0:22:58 | 0:23:01 | |
There was a murder down at the offie about 200,000 years ago | 0:23:01 | 0:23:04 | |
and you fit the description. | 0:23:04 | 0:23:05 | |
LAUGHTER | 0:23:05 | 0:23:07 | |
Er...yeah. So he kind of... He let me...he let me go, essentially. | 0:23:08 | 0:23:12 | |
So, um...what are you thinking? I know what Sheila's thinking. | 0:23:12 | 0:23:15 | |
-Oh, definitely. -You think it's...? | 0:23:15 | 0:23:17 | |
-A lie. -A lie. Definitely a lie? | 0:23:17 | 0:23:19 | |
I think he might be telling the truth. | 0:23:19 | 0:23:21 | |
True, lie, true, lie. Ah! Lie. | 0:23:21 | 0:23:25 | |
They're saying it's a lie. | 0:23:25 | 0:23:27 | |
Is it the truth, or is it a lie? | 0:23:27 | 0:23:31 | |
Well, I'm sorry to tell you that it is, in fact, a lie. | 0:23:31 | 0:23:35 | |
APPLAUSE | 0:23:35 | 0:23:37 | |
Jordan, you're next. | 0:23:39 | 0:23:41 | |
I missed Kanye West's entire set at Glastonbury | 0:23:41 | 0:23:44 | |
because I was trapped in my sleeping bag. | 0:23:44 | 0:23:46 | |
-LAUGHTER -Lee's team. | 0:23:46 | 0:23:49 | |
When you say trapped in your sleeping bag, | 0:23:49 | 0:23:51 | |
I'm picturing a sleeping bag as something you can just sort of, | 0:23:51 | 0:23:53 | |
if it doesn't unzip, you just crawl out the big end at the end. | 0:23:53 | 0:23:56 | |
-The head end. -What's it called, the hole? | 0:23:56 | 0:23:58 | |
-The end. -The orifice! -The orifice! | 0:23:58 | 0:24:01 | |
-I just call it the orifice of rest. -Yes. | 0:24:01 | 0:24:04 | |
LAUGHTER | 0:24:04 | 0:24:06 | |
It was one of these sleeping bags where you can zip up your whole... | 0:24:06 | 0:24:09 | |
-Your head was in it? -Yeah. -You had just your little face showing? | 0:24:09 | 0:24:12 | |
-Well, no, no. -HE LAUGHS | 0:24:12 | 0:24:13 | |
-That's a sort of... CSI use that kind of sleeping bag. -Yeah. | 0:24:13 | 0:24:17 | |
Where does the zip go on the sleeping bag? | 0:24:17 | 0:24:19 | |
So it's, like, you zip up and then, like... | 0:24:19 | 0:24:22 | |
-And all the way down? -Yeah, but then it comes to a point... | 0:24:22 | 0:24:25 | |
You've gone in, you've zipped all the way down, up and down there. | 0:24:25 | 0:24:28 | |
I'd basically got in and at some point, | 0:24:28 | 0:24:30 | |
-I'd got, like, a piece of material caught in the zip. -Oh, yeah. | 0:24:30 | 0:24:35 | |
And then the worst part about it was... | 0:24:35 | 0:24:37 | |
-You were suffocating to death. -LAUGHTER | 0:24:37 | 0:24:40 | |
No, like, the worst part about it was that | 0:24:40 | 0:24:43 | |
everyone went to Kanye, and so, my screams were... | 0:24:43 | 0:24:46 | |
You know, no-one could hear me shout. | 0:24:46 | 0:24:48 | |
They thought you were just very enthusiastic about Kanye West. | 0:24:48 | 0:24:51 | |
Yeah, they were, like... I was, like, "No! Please!" | 0:24:51 | 0:24:54 | |
-They're, like, "Yeah!" -LAUGHTER | 0:24:54 | 0:24:56 | |
-Were you sharing this tent with someone? -Yeah. -Who? | 0:24:56 | 0:24:59 | |
No, it was like a big tepee. | 0:24:59 | 0:25:01 | |
-How many of you were in the big tepee? -Seven. | 0:25:01 | 0:25:02 | |
-Seven. -Odd number. | 0:25:02 | 0:25:04 | |
LAUGHTER | 0:25:04 | 0:25:07 | |
Did you not think to just sort of crawl out and sort of...? | 0:25:07 | 0:25:10 | |
-Oh, actually wiggle out? -Yeah. | 0:25:10 | 0:25:11 | |
-Why didn't you crawl in...? -And go see Kanye like a caterpillar! | 0:25:11 | 0:25:14 | |
Yeah, why didn't you crawl to the front flap and ask for help? | 0:25:14 | 0:25:18 | |
I, um...I didn't think of that. | 0:25:18 | 0:25:19 | |
You didn't think? How long were you in there for? | 0:25:19 | 0:25:21 | |
I don't know. It was quite comfortable, ultimately. | 0:25:21 | 0:25:24 | |
Sorry, is the real truth of this story that you woke up and thought, | 0:25:24 | 0:25:28 | |
"I can't be bothered", and went back to sleep again? | 0:25:28 | 0:25:30 | |
LAUGHTER | 0:25:30 | 0:25:32 | |
What do you think, Lee, is he telling the truth? | 0:25:32 | 0:25:34 | |
I find it hard to believe that there is a sleeping bag that exists | 0:25:34 | 0:25:37 | |
-that zips up all the way around. -It's a weird way to zip. | 0:25:37 | 0:25:40 | |
-Guys, yeah, it... -All the way round? -Yeah! | 0:25:40 | 0:25:42 | |
Lee, you're sitting there, saying you don't think it's possible | 0:25:42 | 0:25:45 | |
to get a sleeping bag with a zip that goes all the way round? | 0:25:45 | 0:25:48 | |
-You're missing the point. -I'm staggered by this. | 0:25:48 | 0:25:50 | |
Why can you not get a sleeping bag that zips all the way up the side, | 0:25:50 | 0:25:53 | |
goes over the head and then just stops about here? | 0:25:53 | 0:25:55 | |
-What's the benefit of it going all the way down to the bottom? -Warmth! | 0:25:55 | 0:25:58 | |
Are you absolutely insane? | 0:25:58 | 0:26:01 | |
How does that make it warmer, that it goes all... | 0:26:01 | 0:26:04 | |
Because heat stays in! | 0:26:04 | 0:26:05 | |
-No, but he means... -It stays in in my version because there's no gap at the side, you cretin! | 0:26:05 | 0:26:10 | |
The zip goes up the side, it goes at the top, | 0:26:10 | 0:26:13 | |
you open it like a book, but the bit in the middle is joined together! | 0:26:13 | 0:26:16 | |
You get in, like a little sandwich-maker, | 0:26:16 | 0:26:18 | |
it closes up again, you pop your head out the faceless coffin | 0:26:18 | 0:26:22 | |
and then you zip it from the inside, like that! You don't need to go... | 0:26:22 | 0:26:25 | |
-This is the most pointless conversation! -Is everyone following my version? | 0:26:25 | 0:26:29 | |
-Imagine you're in a... -No, we've got to move on now, Rob. | 0:26:29 | 0:26:31 | |
-Imagine you're... -LAUGHTER | 0:26:31 | 0:26:34 | |
Are we saying this is truth, or a lie? | 0:26:34 | 0:26:35 | |
-I'm saying it's a lie. -Lee! Lee! | 0:26:35 | 0:26:37 | |
-You're saying it's the truth? -I think it's true. -We say it's true. | 0:26:37 | 0:26:39 | |
Right, you're in a tent, right? It's very cold. | 0:26:39 | 0:26:41 | |
Press your button. Is it truth, or a lie? | 0:26:41 | 0:26:43 | |
-Don't do anything. I am in charge of this. -Press the button, Jordan! | 0:26:43 | 0:26:46 | |
-You do it, that's it, you won't win anything. -Press the button, Jordan! | 0:26:46 | 0:26:49 | |
Don't listen to him, press the button. Is it truth or a lie? | 0:26:49 | 0:26:52 | |
Don't you dare! | 0:26:52 | 0:26:54 | |
LAUGHTER | 0:26:54 | 0:26:55 | |
Lee, zip it! | 0:26:57 | 0:26:58 | |
All the way around, or just halfway? | 0:26:58 | 0:27:01 | |
APPLAUSE | 0:27:01 | 0:27:02 | |
What are you saying, Lee? | 0:27:04 | 0:27:06 | |
-It is... -Not yet! Wait! | 0:27:06 | 0:27:07 | |
-No, no! He'll go berserk. -I'm... | 0:27:07 | 0:27:10 | |
His only role is to say when to press the button. | 0:27:10 | 0:27:12 | |
That's right. It's what I do. It's what I do. | 0:27:12 | 0:27:15 | |
-I think it's true. -You think it's true? | 0:27:15 | 0:27:18 | |
-I think it's true. -Then we go true. -You're going to say true. | 0:27:18 | 0:27:20 | |
Jordan, was it the truth, or was it a lie? | 0:27:20 | 0:27:22 | |
You can press it now. | 0:27:22 | 0:27:24 | |
-LAUGHTER -No, no, no, no! No, no, no, no, no! | 0:27:24 | 0:27:27 | |
No, no, no, no, no! | 0:27:27 | 0:27:28 | |
You don't tell him... | 0:27:28 | 0:27:30 | |
-Well, I wasn't, really. -..when to press it. | 0:27:30 | 0:27:32 | |
-It's all right, it's all right. -No, no, that's not how it works. | 0:27:32 | 0:27:35 | |
-Rob, I wasn't telling him. I wasn't telling him. -Right... | 0:27:35 | 0:27:37 | |
Wait. I'm going back, I'm going to tell you again. | 0:27:37 | 0:27:39 | |
LAUGHTER | 0:27:39 | 0:27:41 | |
Oh, it's a lie. Sorry! | 0:27:41 | 0:27:42 | |
-APPLAUSE -What he's done?! | 0:27:42 | 0:27:45 | |
CHEERING | 0:27:45 | 0:27:46 | |
-Oh, my God! -Sorry. | 0:27:46 | 0:27:49 | |
Well, that's all we've time for | 0:27:49 | 0:27:50 | |
on this special edition of Would I Lie To You? | 0:27:50 | 0:27:53 | |
Thanks for watching. Goodnight. | 0:27:53 | 0:27:54 | |
CHEERING AND APPLAUSE | 0:27:54 | 0:27:56 |