Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
CHEERING AND APPLAUSE | 0:00:21 | 0:00:23 | |
Good evening | 0:00:23 | 0:00:24 | |
and welcome to Would I Lie To You, the show where dishonesty is | 0:00:24 | 0:00:27 | |
sometimes the best policy. | 0:00:27 | 0:00:29 | |
On Lee Mack's team tonight, a woman who 30 years ago gave up nursing | 0:00:29 | 0:00:34 | |
to become a comedian, so if you're in a waiting room | 0:00:34 | 0:00:37 | |
hoping she'll be out to see you soon, she won't. | 0:00:37 | 0:00:40 | |
It's Jo Brand. | 0:00:40 | 0:00:41 | |
CHEERING AND APPLAUSE | 0:00:41 | 0:00:43 | |
And a former Labour MP who when he appeared on Strictly was | 0:00:43 | 0:00:47 | |
described by the other contestants as a good hugger in times | 0:00:47 | 0:00:51 | |
of need. Let's be clear, there'll be no times of need tonight. | 0:00:51 | 0:00:55 | |
Please welcome Ed Balls. | 0:00:55 | 0:00:57 | |
CHEERING AND APPLAUSE | 0:00:57 | 0:00:59 | |
And on David Mitchell's team, a former Pussycat Doll, | 0:01:00 | 0:01:05 | |
dancer and TV personality who's also released a fragrance. | 0:01:05 | 0:01:09 | |
I did that once, I blamed it on the dog. Kimberly Wyatt. | 0:01:09 | 0:01:13 | |
CHEERING AND APPLAUSE | 0:01:13 | 0:01:16 | |
And a comedian who once snogged two Spice Girls, providing the | 0:01:16 | 0:01:22 | |
inspiration for their big hit, Stop Right Now, Thank You Very Much. | 0:01:22 | 0:01:27 | |
David Baddiel. | 0:01:27 | 0:01:28 | |
CHEERING AND APPLAUSE | 0:01:28 | 0:01:31 | |
And we begin with Round 1, Home Truths, where our panellists | 0:01:32 | 0:01:35 | |
each read out a statement from the card in front of them. | 0:01:35 | 0:01:38 | |
To make things harder, they've never seen the card before, | 0:01:38 | 0:01:41 | |
they have no idea what they'll be faced with. | 0:01:41 | 0:01:43 | |
It's up to the opposing team to sort the fact from the fiction. | 0:01:43 | 0:01:47 | |
And we're starting tonight with Ed. | 0:01:47 | 0:01:50 | |
Now don't let me down, you've had years of training. | 0:01:50 | 0:01:52 | |
LAUGHTER AND APPLAUSE | 0:01:52 | 0:01:55 | |
I once negotiated the Home Office budget whilst crawling | 0:02:01 | 0:02:05 | |
through a children's ball pit. | 0:02:05 | 0:02:08 | |
Right. David. | 0:02:08 | 0:02:11 | |
What was your job at that point? | 0:02:11 | 0:02:13 | |
I was the Economic Adviser to the Chancellor to the Treasury | 0:02:13 | 0:02:16 | |
and, um...so...my job to sort out public spending. | 0:02:16 | 0:02:20 | |
When you say negotiated it, who else was in the ball pit? | 0:02:20 | 0:02:25 | |
I was the only person employed by the Government in the ball pit, | 0:02:26 | 0:02:30 | |
but I was on the phone to | 0:02:30 | 0:02:31 | |
Number 10 Downing Street to...arguing about money. | 0:02:31 | 0:02:35 | |
Do you have children? | 0:02:35 | 0:02:36 | |
Yeah. Yeah. | 0:02:36 | 0:02:39 | |
LAUGHTER | 0:02:39 | 0:02:41 | |
Why had you gone into the ball pit - was it for...? | 0:02:44 | 0:02:47 | |
-To... -For a private sort of ball area to discuss the Home Office | 0:02:47 | 0:02:51 | |
budget or were the children you were responsible for | 0:02:51 | 0:02:53 | |
getting in trouble with the balls? | 0:02:53 | 0:02:55 | |
There was the younger one which was in quite a lot of trouble. | 0:02:55 | 0:02:57 | |
So you'd followed, | 0:02:57 | 0:02:58 | |
gone into the ball pit to extricate some ball-based crisis... | 0:02:58 | 0:03:02 | |
On the... On the phone. | 0:03:02 | 0:03:04 | |
Ah. Oh, so the call started before you went into the ball pit? | 0:03:04 | 0:03:08 | |
-I'm just sitting there having a coffee. -Yeah. | 0:03:08 | 0:03:10 | |
So what was the crisis? | 0:03:10 | 0:03:12 | |
Phone rings. David Blunkett wanted more police officers. | 0:03:12 | 0:03:14 | |
No, no, what was the crisis in the ball pit? | 0:03:14 | 0:03:17 | |
LAUGHTER | 0:03:17 | 0:03:18 | |
What was the political crisis, | 0:03:22 | 0:03:24 | |
-what was the problem in the ball pit that made you go in? -Yeah. | 0:03:24 | 0:03:28 | |
There was screaming and cries for help. It was a blockage. | 0:03:28 | 0:03:31 | |
And there are tunnels and things, are there? | 0:03:31 | 0:03:33 | |
-Tunnels and slides, and... -Ah, right. | 0:03:33 | 0:03:35 | |
The way it works is you have ball pit, ball pit, ball pit, | 0:03:35 | 0:03:37 | |
-tunnels, kind of ladders, all sorts of stuff and... -It's his Tommy Cooper impression. | 0:03:37 | 0:03:40 | |
-AS TOMMY COOPER: -Ball pit, ball pit, ball pit, tunnels, tunnels, tunnels, ball pit, ball pit, tunnels. | 0:03:40 | 0:03:46 | |
Can I... Can I just ask, was the blockage balls or was it a child? | 0:03:49 | 0:03:53 | |
Um... Oh, I think it-it was... | 0:03:53 | 0:03:56 | |
And if you went in there, wouldn't you have caused a bigger blockage? | 0:03:56 | 0:03:59 | |
It was... But sometimes you've just got to go in. | 0:03:59 | 0:04:02 | |
Who has rung you up? | 0:04:02 | 0:04:03 | |
Jeremy Heywood, he was the Principal Private Secretary | 0:04:03 | 0:04:06 | |
to the Prime Minister and he's now the Cabinet Secretary. | 0:04:06 | 0:04:09 | |
The problem was David Blunkett wanted the police officers, | 0:04:09 | 0:04:11 | |
we didn't have enough money, and Jeremy was ringing me to try and sort out the problem. | 0:04:11 | 0:04:15 | |
-That's a lot of people wanting stuff. -And I'm on the phone and suddenly the cry comes | 0:04:15 | 0:04:18 | |
and do I admit to Downing Street that I'm in a children's | 0:04:18 | 0:04:21 | |
ball play area or do I try and bluff it out? | 0:04:21 | 0:04:23 | |
I didn't want to admit that I was more focused on children's | 0:04:23 | 0:04:26 | |
ball areas than sorting out... | 0:04:26 | 0:04:28 | |
Oh, no. | 0:04:30 | 0:04:32 | |
No. You're right about that, Ed, that wouldn't have helped. | 0:04:32 | 0:04:37 | |
So let's go through... Let's go through the phone call. | 0:04:37 | 0:04:40 | |
I will be the person - who was the person that called you, Jeremy? | 0:04:40 | 0:04:43 | |
-Jeremy Heywood. -Jeremy Heywood. -He's the Cabinet Secretary of the country. | 0:04:43 | 0:04:46 | |
OK, and what sort of person is he? Give me something to work with. | 0:04:46 | 0:04:49 | |
Nice guy, so he rings up and says, "We've got a problem." | 0:04:49 | 0:04:51 | |
No, no, Ed, you don't understand, I want the voice. | 0:04:51 | 0:04:53 | |
Is he northern, southern, old, young? | 0:04:53 | 0:04:55 | |
He's exact... Sounds exactly like Tom Jones. | 0:04:55 | 0:04:57 | |
Excellent! | 0:04:57 | 0:04:58 | |
LAUGHING | 0:04:58 | 0:04:59 | |
AS TOM JONES: So listen, huh. | 0:04:59 | 0:05:01 | |
What is he - old, young, north, south? | 0:05:03 | 0:05:05 | |
-My age. -Your age, quite old, he's north, south? | 0:05:05 | 0:05:08 | |
-At the time, we were young. -You were young. | 0:05:08 | 0:05:10 | |
He-he's sort of southern, I would say. | 0:05:10 | 0:05:12 | |
OK. Ed, Ed, Ed, we've got a real problem. | 0:05:12 | 0:05:14 | |
-Oh, look, he's working... -So I'm like this, | 0:05:14 | 0:05:16 | |
and I'm talking to you, I'm saying you know, it wasn't... | 0:05:16 | 0:05:18 | |
I'll play a ball blockage. | 0:05:18 | 0:05:20 | |
And then, well, I'm-I'm, sort of, I'm saying... I'm saying... | 0:05:20 | 0:05:23 | |
I'll be a child, then. Help! | 0:05:23 | 0:05:25 | |
It's not clear, it's not clear. | 0:05:25 | 0:05:26 | |
-Help! -It's not clear. | 0:05:26 | 0:05:28 | |
He-lp, help! | 0:05:28 | 0:05:30 | |
It's not clear it's value for money. | 0:05:30 | 0:05:32 | |
Help, help! Dad, Dad, help! | 0:05:32 | 0:05:34 | |
Well, I'll tell you what, there's your publicity shot. | 0:05:34 | 0:05:38 | |
So, Ed, how did this all resolve itself? Did-did-did you solve..? | 0:05:38 | 0:05:41 | |
We got the police officers in the end, but not the... | 0:05:41 | 0:05:44 | |
Not-not that! | 0:05:44 | 0:05:45 | |
Ed, we're not so concerned about... | 0:05:46 | 0:05:48 | |
We're worried about the children. The children. | 0:05:48 | 0:05:51 | |
I mean, I'm wondering, do you still have access to them? | 0:05:51 | 0:05:54 | |
Basically, I grabbed the legs and I pulled. | 0:05:55 | 0:05:59 | |
-Yeah? -I pulled him out. | 0:05:59 | 0:06:01 | |
Out he came. | 0:06:01 | 0:06:02 | |
And was it your child? | 0:06:02 | 0:06:03 | |
-I don't... -What do you think? | 0:06:05 | 0:06:07 | |
Well, this is entirely possible. | 0:06:07 | 0:06:09 | |
-It is. -Yeah. | 0:06:09 | 0:06:11 | |
I think it's true. | 0:06:11 | 0:06:12 | |
The only thing that makes me doubt it, really, is the coincidence | 0:06:12 | 0:06:15 | |
of the balls at the location and the balls in Ed's surname. | 0:06:15 | 0:06:20 | |
-Right. -That's why you doubt it? | 0:06:20 | 0:06:22 | |
-That's why I doubt it. -Really? | 0:06:22 | 0:06:24 | |
Yeah, because that's what makes it something that someone would have | 0:06:24 | 0:06:27 | |
invented and written on a card to be read out for a television programme. | 0:06:27 | 0:06:31 | |
What do you think, Kimberly? Does it sound truthful to you? | 0:06:31 | 0:06:35 | |
-There's a big part of me that does think it's true. -Hm. | 0:06:35 | 0:06:38 | |
Yes, cos I think that Ed Balls, every time | 0:06:38 | 0:06:42 | |
he talks about things, the job comes first. | 0:06:42 | 0:06:45 | |
-Oh, always. -So I could see him kind of going through the ball pit | 0:06:45 | 0:06:49 | |
making sure that this sort of came first but still making sure - | 0:06:49 | 0:06:51 | |
-cos he's a lovely guy - making sure the kids are OK. -Oh, he's a great guy. He's a great guy. | 0:06:51 | 0:06:55 | |
You're the captain, but if your only quibble is the pun of Balls | 0:06:55 | 0:06:59 | |
and balls, then I think we should ignore that and move forward. | 0:06:59 | 0:07:02 | |
I think it may be too late to ignore it. | 0:07:02 | 0:07:04 | |
You both think it's true, we'll say true. | 0:07:05 | 0:07:07 | |
You're going to say it's true. OK. | 0:07:07 | 0:07:10 | |
Ed, truth or lie? | 0:07:10 | 0:07:13 | |
It is in fact... | 0:07:13 | 0:07:14 | |
..true. | 0:07:14 | 0:07:16 | |
That was very well done. Well done. | 0:07:16 | 0:07:19 | |
Yes, it's true. | 0:07:19 | 0:07:20 | |
Ed did negotiate a Home Office budget whilst crawling | 0:07:20 | 0:07:24 | |
through a ball pit. | 0:07:24 | 0:07:25 | |
Kimberly, you're next. | 0:07:25 | 0:07:27 | |
OK. | 0:07:27 | 0:07:29 | |
My ability to do the splits proved invaluable when my car broke down. | 0:07:29 | 0:07:34 | |
-Right. -Wow! | 0:07:34 | 0:07:35 | |
-Lee's team. -To establish the facts, can you do the splits? | 0:07:35 | 0:07:38 | |
-Yes, I can. -Well, there's an interesting thing | 0:07:38 | 0:07:40 | |
cos may I be the first to say, Kimberly, that you... | 0:07:40 | 0:07:42 | |
I mean, I'm taking a risk saying it, but are pregnant. | 0:07:42 | 0:07:45 | |
-I am pregnant. -Thank God! | 0:07:45 | 0:07:47 | |
We wouldn't ask you to do the splits now, obviously. | 0:07:49 | 0:07:51 | |
If you want to see the splits... | 0:07:51 | 0:07:53 | |
-Not whilst you're pregnant. -..I can do them. | 0:07:53 | 0:07:55 | |
You can do the splits now even though you're pregnant? | 0:07:55 | 0:07:57 | |
Yeah. | 0:07:57 | 0:07:58 | |
What are you, some kind of freak? | 0:07:58 | 0:08:01 | |
-Well, let's hold that for a minute, let's hold that. -I'm a dancer. | 0:08:01 | 0:08:03 | |
For now, let's assume she can. | 0:08:03 | 0:08:05 | |
Hang on, hang on, hang on, the whole nation now wants to see the splits. | 0:08:05 | 0:08:08 | |
You-you-you're turning down the chance to see a pregnant Pussycat Doll do the splits? | 0:08:08 | 0:08:12 | |
I can't believe it! | 0:08:12 | 0:08:14 | |
It's not the whole nation, it's-it's roughly half. | 0:08:14 | 0:08:17 | |
That is... That is... That is so untrue! | 0:08:18 | 0:08:21 | |
OK, ready? | 0:08:25 | 0:08:26 | |
-Whoa! -Oh! Whoa! | 0:08:26 | 0:08:28 | |
Oh! | 0:08:29 | 0:08:31 | |
Whoo! | 0:08:31 | 0:08:33 | |
CHEERING AND APPLAUSE | 0:08:33 | 0:08:35 | |
Kimberly, I'm very happy to tell you it's a boy. | 0:08:37 | 0:08:40 | |
LAUGHTER | 0:08:40 | 0:08:42 | |
OK, let's assume that she can do the splits. | 0:08:51 | 0:08:53 | |
She can do the splits! | 0:08:53 | 0:08:54 | |
She can do the splits. Well, the card... | 0:08:54 | 0:08:56 | |
The card doesn't say, "I can do the splits," does it? | 0:08:56 | 0:08:59 | |
The card says... What was it the card said again? | 0:08:59 | 0:09:02 | |
My ability to do the splits proved invaluable when my car broke down. | 0:09:02 | 0:09:07 | |
-OK. -So what happened? | 0:09:07 | 0:09:09 | |
Yes. | 0:09:09 | 0:09:10 | |
So I was driving to LA | 0:09:10 | 0:09:12 | |
to look for a job as a dancer, and my car started smoking | 0:09:12 | 0:09:17 | |
and, like, leaking, so I pulled to the nearest truck stop, or... | 0:09:17 | 0:09:22 | |
Petrol station, a services, a services. | 0:09:22 | 0:09:24 | |
Petrol station, thank you. Yes, and wanted to fix the car myself, | 0:09:24 | 0:09:28 | |
so I intended to lift the bonnet... | 0:09:28 | 0:09:31 | |
Good start. | 0:09:31 | 0:09:33 | |
-..and assess the situation and fix it. -Right. | 0:09:33 | 0:09:37 | |
But the bonnet of the car was really heavy. | 0:09:37 | 0:09:40 | |
Can I not just check, don't you lot call it the hood? | 0:09:40 | 0:09:42 | |
I do, but I'm... I've been here, living here for five years | 0:09:42 | 0:09:46 | |
so my language is starting to shift. | 0:09:46 | 0:09:48 | |
Or get better, as we call it. | 0:09:48 | 0:09:50 | |
Yeah! My husband... My husband says he's fixing me, yes. | 0:09:50 | 0:09:54 | |
So, the bonnet is really heavy, | 0:09:54 | 0:09:58 | |
and the thing that holds the bonnet up is nowhere to be seen. | 0:09:58 | 0:10:01 | |
-Oh, dear. -Oh! -I'm in a pickle, so I look... | 0:10:01 | 0:10:04 | |
-Is your leg about to..? -No, no, you're not going to tell us... | 0:10:04 | 0:10:07 | |
-So I look for a stick. -No way! Is that where this is leading? | 0:10:07 | 0:10:11 | |
Look, I know I want to put oil in my car and I need two hands to do it. | 0:10:11 | 0:10:15 | |
-No. -No way! | 0:10:15 | 0:10:16 | |
-So the shop helped me make, like, a-a funnel. -No! | 0:10:16 | 0:10:18 | |
And I had the other hand with the oil, | 0:10:18 | 0:10:20 | |
-but I needed to get the bonnet up, so I used my leg... -No. | 0:10:20 | 0:10:23 | |
-Why couldn't you get a truck driver? -..so I could fill the oil. | 0:10:23 | 0:10:26 | |
Whoa, whoa, whoa. | 0:10:26 | 0:10:27 | |
Or, even better, there was someone helping you with the thing, | 0:10:27 | 0:10:29 | |
why didn't you say, "Actually, is there any chance you could hold it?" | 0:10:29 | 0:10:34 | |
and that's when the little Welsh helper said, "No, I think | 0:10:34 | 0:10:37 | |
"it's better that you do it." | 0:10:37 | 0:10:39 | |
"I think it'll be better if you did this." | 0:10:42 | 0:10:45 | |
So you... So the hood is up, you've got your leg up, what happened then? | 0:10:45 | 0:10:50 | |
Then I was putting oil in my car, | 0:10:50 | 0:10:53 | |
in the engine, I heard a couple of guys chuckling... | 0:10:53 | 0:10:56 | |
While doing the splits? | 0:10:56 | 0:10:58 | |
While doing the splits. | 0:10:58 | 0:10:59 | |
Why didn't you ask the guys to help you? | 0:10:59 | 0:11:01 | |
Well, you know what, Lee? That's exactly what happened, | 0:11:01 | 0:11:03 | |
I turned around and I said, "Do you want to help me?" and they both... | 0:11:03 | 0:11:05 | |
And these two chuckling guys, | 0:11:05 | 0:11:07 | |
they weren't the Chuckle Brothers, were they? | 0:11:07 | 0:11:09 | |
They may have been. | 0:11:09 | 0:11:10 | |
They crossed their arms and said, "Mm-mm," and continued to laugh. | 0:11:10 | 0:11:14 | |
No. | 0:11:14 | 0:11:15 | |
So is there not a world in which you can put everything on the floor, | 0:11:15 | 0:11:18 | |
-lift the hood up with one hand... -Oh, yes, yes. | 0:11:18 | 0:11:20 | |
..take the lid off, get the funnel, put the funnel in... | 0:11:20 | 0:11:23 | |
Hang on, where are you putting the chicken and the fox? | 0:11:23 | 0:11:26 | |
Hm, I suppose, you're reaching down a bit, | 0:11:26 | 0:11:29 | |
but I suppose it's tricky, but it would definitely be, it would | 0:11:29 | 0:11:32 | |
be tricky, but it would be higher up the list than, "I'll use my foot." | 0:11:32 | 0:11:36 | |
So, what do you think? Is it the truth? | 0:11:36 | 0:11:38 | |
-I... -Well, I'm torn here because I-I wouldn't... | 0:11:38 | 0:11:41 | |
I wouldn't give it a moment's thought, this is definitely | 0:11:41 | 0:11:44 | |
a lie, but she can do it, she can stick her leg in the air quite high. | 0:11:44 | 0:11:47 | |
It's a lie, she can do it, but she didn't need to do it, | 0:11:47 | 0:11:50 | |
she wouldn't have done it. | 0:11:50 | 0:11:51 | |
What I can't believe is that if two old gits won't come and help you, | 0:11:51 | 0:11:57 | |
of all people, to do your car, then...then America is finished, | 0:11:57 | 0:12:02 | |
so I kind of don't believe it, really, | 0:12:02 | 0:12:05 | |
I can't believe that two people wouldn't help. | 0:12:05 | 0:12:07 | |
-Well, because this has turned the British public. -If it was me... | 0:12:07 | 0:12:11 | |
Up until now we were quite positive about your country. | 0:12:11 | 0:12:13 | |
-The special relationship ends here. -It ends now. | 0:12:13 | 0:12:17 | |
So, Lee, what's it going to be? | 0:12:17 | 0:12:19 | |
So you're both saying a lie, I'll go with my team | 0:12:19 | 0:12:21 | |
and say it's got to be a lie. | 0:12:21 | 0:12:23 | |
It's a lie. Kimberly, truth or lie? | 0:12:23 | 0:12:24 | |
It is... | 0:12:24 | 0:12:26 | |
..true. | 0:12:26 | 0:12:28 | |
No way! Wow! | 0:12:28 | 0:12:30 | |
Yes, it's true. | 0:12:34 | 0:12:35 | |
Kimberly did hold her car bonnet open by doing the splits. | 0:12:35 | 0:12:39 | |
Our next round is called This Is My, where we bring on a mystery guest | 0:12:39 | 0:12:42 | |
who has a close connection to one of our panellists. | 0:12:42 | 0:12:45 | |
Now, this week, each of Lee's team will claim it's them | 0:12:45 | 0:12:48 | |
that has the genuine connection to the guest, | 0:12:48 | 0:12:50 | |
and it's up to David's team to spot who's telling the truth. | 0:12:50 | 0:12:53 | |
So please welcome this week's special guest, Billy. | 0:12:53 | 0:12:56 | |
APPLAUSE | 0:12:56 | 0:12:59 | |
So, Ed, what is Billy to you? | 0:13:03 | 0:13:06 | |
This is Billy, my karaoke partner. | 0:13:06 | 0:13:09 | |
When I let rip as Lionel Ritchie, he was my Diana Ross. | 0:13:09 | 0:13:14 | |
All right. Jo, how do you know Billy? | 0:13:16 | 0:13:19 | |
This is my neighbour Billy. | 0:13:19 | 0:13:21 | |
I once stole his wheelie bin | 0:13:21 | 0:13:24 | |
then texted him instead of my husband to tell him what I'd done. | 0:13:24 | 0:13:30 | |
Right. Finally, Lee, what is your relationship with Billy? | 0:13:30 | 0:13:35 | |
This is Billy, he drives a barge and once whilst I was enjoying | 0:13:35 | 0:13:40 | |
a view from a bridge, I accidentally dropped my ice cream on his head. | 0:13:40 | 0:13:44 | |
There we have it. | 0:13:45 | 0:13:47 | |
So, is Billy Ed's karaoke companion, | 0:13:47 | 0:13:50 | |
Jo's dustbin donor or Lee's sticky skipper? | 0:13:50 | 0:13:53 | |
David's team, where do you want to begin? | 0:13:53 | 0:13:56 | |
We'll start with Ed. What was the karaoke occasion? | 0:13:56 | 0:13:59 | |
It was an event at the Labour Party Conference in Manchester. | 0:13:59 | 0:14:04 | |
What is Billy, politically? | 0:14:04 | 0:14:07 | |
He's involved in the trade union movement. | 0:14:07 | 0:14:09 | |
-Oh. -Oh, right. | 0:14:09 | 0:14:10 | |
-Oh. -And did you know him before? | 0:14:10 | 0:14:11 | |
Of course, yeah. | 0:14:11 | 0:14:13 | |
And-and you were singing what song? | 0:14:13 | 0:14:15 | |
Endless Love. | 0:14:15 | 0:14:16 | |
Endless Love? OK. Can you do it now? | 0:14:16 | 0:14:19 | |
Er... | 0:14:19 | 0:14:21 | |
Do you know the bit in the middle? | 0:14:24 | 0:14:26 | |
Yeah. | 0:14:26 | 0:14:27 | |
# Uh, uh | 0:14:27 | 0:14:28 | |
# Uh uh uh uh | 0:14:28 | 0:14:31 | |
# Oh huh-uh | 0:14:31 | 0:14:32 | |
# Uh uh uh uh uh uh. # | 0:14:32 | 0:14:35 | |
It's not the version of Endless Love I know, I've got to be honest. | 0:14:35 | 0:14:38 | |
What, have you not heard the Morse code version before? | 0:14:38 | 0:14:40 | |
And, # Ah ah. # | 0:14:40 | 0:14:42 | |
You know it's a ballad, don't you, Endless Love? | 0:14:42 | 0:14:44 | |
It's a slow ballad. | 0:14:44 | 0:14:46 | |
You see, I don't know anything about music, as you know, | 0:14:46 | 0:14:49 | |
I disapprove of it... | 0:14:49 | 0:14:51 | |
..but, Endless Love I've heard of as a song and I reckon | 0:14:53 | 0:14:57 | |
if I heard it I would recognise it. | 0:14:57 | 0:15:00 | |
That hasn't happened yet, Ed, and you said | 0:15:00 | 0:15:04 | |
that you were Lionel Ritchie and-and that Billy was Diana Ross. | 0:15:04 | 0:15:08 | |
It's-it's-it's a difficult leap to make to picture Billy... | 0:15:08 | 0:15:13 | |
I mean, he's not a natural Diana Ross, is he? | 0:15:13 | 0:15:15 | |
-No. -No. | 0:15:17 | 0:15:19 | |
We don't know what Billy sounds like, that's the great handicap. | 0:15:19 | 0:15:22 | |
Or indeed what Diana Ross looks like off stage. | 0:15:22 | 0:15:25 | |
LAUGHTER | 0:15:25 | 0:15:27 | |
But when-when you... When you were doing this, | 0:15:27 | 0:15:29 | |
how many people were there? | 0:15:29 | 0:15:30 | |
About 250. | 0:15:30 | 0:15:32 | |
And you sang in front of 250 people? | 0:15:32 | 0:15:35 | |
-Yeah. -Goodness me. All right. | 0:15:35 | 0:15:37 | |
-And they called for more. -More what? | 0:15:37 | 0:15:39 | |
-Drink? -More drink. | 0:15:39 | 0:15:42 | |
So this is like an evening event at a Labour Party conference? | 0:15:42 | 0:15:45 | |
Yeah, in 2010. | 0:15:45 | 0:15:46 | |
So who's there? Is it a..? | 0:15:46 | 0:15:47 | |
It was at the end of a Labour leadership election campaign, | 0:15:47 | 0:15:50 | |
and I didn't win the election, | 0:15:50 | 0:15:54 | |
but we had the best end-of-campaign party by far. | 0:15:54 | 0:15:58 | |
Well, that's the main thing, isn't it? | 0:15:58 | 0:16:01 | |
Perhaps you... Perhaps you'd expended... | 0:16:01 | 0:16:04 | |
The thing is, you shouldn't start planning the end-of-campaign party | 0:16:04 | 0:16:07 | |
too early. Maybe the more slap-dash end-of-campaign parties are | 0:16:07 | 0:16:11 | |
ironically at the end of the more focused campaigns. | 0:16:11 | 0:16:14 | |
All right, so who would you like to quiz next? | 0:16:16 | 0:16:20 | |
Jo, he's your neighbour? | 0:16:20 | 0:16:22 | |
Yeah. | 0:16:22 | 0:16:23 | |
-I've been to your house. -Yeah. | 0:16:23 | 0:16:25 | |
I never saw him. | 0:16:25 | 0:16:26 | |
He was out with his mates Stan | 0:16:29 | 0:16:31 | |
and Fred - they were doing The Supremes that night. | 0:16:31 | 0:16:33 | |
Why did you target Billy's bin? | 0:16:33 | 0:16:36 | |
Because, actually, in the past, Billy had taken our bin. | 0:16:36 | 0:16:41 | |
-Oh! -Oh! -Oh! | 0:16:41 | 0:16:42 | |
Had you been binless since Billy stole your bin? | 0:16:43 | 0:16:46 | |
No, he swapped them over cos our bin's nicer than his, | 0:16:46 | 0:16:50 | |
and on a couple of occasions... Because when-when the bin men | 0:16:50 | 0:16:54 | |
come down the road they don't always distribute them back outside | 0:16:54 | 0:16:58 | |
the houses that...so you have to go down the road looking for... | 0:16:58 | 0:17:01 | |
and on a couple of occasions I noticed he'd slid our bin into his drive. | 0:17:01 | 0:17:07 | |
He'd swapped your bins, | 0:17:07 | 0:17:09 | |
and you swapped them back? | 0:17:09 | 0:17:10 | |
Yes. Yeah. | 0:17:10 | 0:17:12 | |
It was a chain reaction. | 0:17:12 | 0:17:13 | |
And had you then... | 0:17:13 | 0:17:14 | |
Brilliant, brilliant. | 0:17:16 | 0:17:19 | |
I know what David's going to ask - why did I steal Billy's manky bin? | 0:17:19 | 0:17:24 | |
-Yes! -Yes, yeah. | 0:17:24 | 0:17:26 | |
Just for-for the hell of it, for a joke. | 0:17:26 | 0:17:28 | |
I just took it, right, and I hid it. | 0:17:28 | 0:17:30 | |
Explain the text message thing - I didn't quite grasp that. | 0:17:30 | 0:17:34 | |
Well, I meant to send a text to my husband saying, | 0:17:34 | 0:17:38 | |
"Guess what, I've just stolen Billy's bin, | 0:17:38 | 0:17:40 | |
"so knickers to him" - sorry, Billy - | 0:17:40 | 0:17:44 | |
and unfortunately I sent it to him. | 0:17:44 | 0:17:47 | |
Jo's husband is called Bernie and he is called Billy, | 0:17:47 | 0:17:51 | |
so it is possible that they are close on her phone. | 0:17:51 | 0:17:54 | |
-Ah. -Yes, that's... | 0:17:54 | 0:17:56 | |
-Ah. -Very good. | 0:17:56 | 0:17:58 | |
-That is... -Are you friends with Billy? | 0:17:58 | 0:18:00 | |
I thought you were going to say, "Are you friends with Bernie?" | 0:18:00 | 0:18:03 | |
No, not really. | 0:18:03 | 0:18:05 | |
Not any more. | 0:18:06 | 0:18:08 | |
I'm not too close to Bernie but I'm a bit too close to Billy. | 0:18:08 | 0:18:11 | |
And how did he react? | 0:18:11 | 0:18:13 | |
Once you'd sent the text to him, did he respond to you, how did it go? | 0:18:13 | 0:18:17 | |
Yeah, he texted back, "I don't think this is meant for me." | 0:18:17 | 0:18:20 | |
Ah, right. | 0:18:20 | 0:18:22 | |
I think here's the problem. | 0:18:22 | 0:18:24 | |
I think Jo has definitely done this with someone in her | 0:18:24 | 0:18:27 | |
neighbourhood, but is it Billy? | 0:18:27 | 0:18:29 | |
-Whereas... Yeah. -But I don't know if it's him. | 0:18:29 | 0:18:31 | |
Whereas Lee definitely hasn't dropped | 0:18:31 | 0:18:34 | |
an ice cream on a barge man's head. We know that, we know that. | 0:18:34 | 0:18:36 | |
Well, let's... Let's... That's an assumption. | 0:18:36 | 0:18:39 | |
No, no, and I'm very happy to spend up to 40 minutes of my life | 0:18:39 | 0:18:42 | |
pointlessly discussing that. | 0:18:42 | 0:18:44 | |
So, Lee, tell me what... Tell me what happened with you and the ice cream. | 0:18:45 | 0:18:49 | |
I was on a bridge, I was admiring the view. | 0:18:49 | 0:18:51 | |
Where, where... What bridge? | 0:18:51 | 0:18:53 | |
What is a bridge? It spans water. | 0:18:53 | 0:18:54 | |
-Yes, what... Which bridge? -Where is the bridge? | 0:18:54 | 0:18:57 | |
The bridge was just over the water. | 0:18:57 | 0:18:58 | |
Which water? | 0:18:58 | 0:19:00 | |
The water under the bridge. | 0:19:00 | 0:19:01 | |
Name the waterway. | 0:19:01 | 0:19:02 | |
I was on Richmond Bridge which was in... Oh, now, where is it? | 0:19:02 | 0:19:06 | |
Well, anyway, I was on Richmond Bridge | 0:19:06 | 0:19:08 | |
and the water in question was in fact the River Severn. | 0:19:08 | 0:19:11 | |
I'm not an idiot, you won't be able to get me, mate. | 0:19:12 | 0:19:15 | |
River Thames. | 0:19:15 | 0:19:16 | |
Yeah. | 0:19:16 | 0:19:17 | |
A barge went past. | 0:19:17 | 0:19:19 | |
Yeah, and you had an ice cream, so it was summer, was it? | 0:19:19 | 0:19:21 | |
-Might have been, you can get ice-creams in the winter nowadays, you know. -And... | 0:19:21 | 0:19:25 | |
What sort of ice cream was it? | 0:19:25 | 0:19:27 | |
Like that one but with something in my hand. | 0:19:27 | 0:19:29 | |
This is... Yes. | 0:19:29 | 0:19:31 | |
So, yes, I was holding... I was holding an ice cream. | 0:19:31 | 0:19:34 | |
-A cornet. -Pardon? | 0:19:34 | 0:19:36 | |
A cone, or cornet, as they're called. | 0:19:36 | 0:19:38 | |
Yes, yeah, I was holding my ice cream. | 0:19:38 | 0:19:40 | |
-And what flavour of ice cream? -Going tedeledede telededede. | 0:19:40 | 0:19:42 | |
What-what flavour of ice cream? | 0:19:42 | 0:19:43 | |
Your standard vanilla. | 0:19:43 | 0:19:45 | |
-OK. -Standard vanilla? | 0:19:45 | 0:19:46 | |
-Standard vanilla, yeah. -OK. | 0:19:46 | 0:19:47 | |
That was a lovely Adam Ant song, wasn't it? | 0:19:47 | 0:19:50 | |
LAUGHTER | 0:19:50 | 0:19:51 | |
You topped Chain Reaction! | 0:19:51 | 0:19:53 | |
You've done it! | 0:19:53 | 0:19:55 | |
What event took place for the ice cream to fall out of your hand? | 0:19:58 | 0:20:01 | |
I was leaning over the bridge, I was slightly... I'd done all | 0:20:01 | 0:20:04 | |
the things you're supposed to do when an ice cream is melting. | 0:20:04 | 0:20:06 | |
I'd told the little 'un to lick the edges, right? | 0:20:06 | 0:20:09 | |
The little 'un? | 0:20:09 | 0:20:10 | |
The little 'un - Rob! | 0:20:10 | 0:20:11 | |
So I've got my cone. | 0:20:15 | 0:20:17 | |
I'm looking over the edge of the bridge like that and I'm looking | 0:20:17 | 0:20:19 | |
at the water and I'm looking at the view and I'm looking round, it's all | 0:20:19 | 0:20:22 | |
very lovely and I heard it, I heard that noise you hear, that, pff, pff, | 0:20:22 | 0:20:28 | |
pff, pffpfpfpfpfpf pff, | 0:20:28 | 0:20:30 | |
and of course it was Rob speaking Welsh, and... | 0:20:30 | 0:20:33 | |
LAUGHTER | 0:20:33 | 0:20:35 | |
Which apparently is Welsh for, "Lick your own edges," | 0:20:35 | 0:20:39 | |
and that's when pff, beneath my legs, beneath the bridge, | 0:20:39 | 0:20:44 | |
beneath my legs, slid a large barge and I looked over like that | 0:20:44 | 0:20:48 | |
and I thought, "Oh, that's a nice barge," I thought, and I thought... | 0:20:48 | 0:20:51 | |
You really craned over to get a good view of the barge. | 0:20:51 | 0:20:54 | |
I did, I like... | 0:20:54 | 0:20:55 | |
Taking your ice cream with you across the thick stone | 0:20:55 | 0:20:58 | |
-balustrade of the bridge. -I wa... I leaned... | 0:20:58 | 0:21:01 | |
Right over, "Come with me, ice cream, maybe... | 0:21:01 | 0:21:03 | |
"maybe you'd like to see, as well. | 0:21:03 | 0:21:06 | |
"Come on, vanilla, let's have a look." | 0:21:06 | 0:21:08 | |
I didn't go the full, 103... 90 degrees. I sort of did a 45. | 0:21:08 | 0:21:14 | |
I sort of leaned over that, but as any man will tell you, or woman... | 0:21:14 | 0:21:17 | |
You only have to lean, what? | 0:21:17 | 0:21:19 | |
That much and your ice cream can go. | 0:21:19 | 0:21:21 | |
OK, so, so, Billy, can I... Can I move onto Billy? | 0:21:21 | 0:21:24 | |
-Please move onto Billy. -Was he standing like that? | 0:21:24 | 0:21:27 | |
Standing exactly like that, and then in front of him, a massive boat. | 0:21:27 | 0:21:30 | |
So he's not actually... Cos he's standing a little | 0:21:30 | 0:21:32 | |
bit like those women on the end of big boats used to. | 0:21:32 | 0:21:34 | |
I'll ask you a question, David, right, | 0:21:34 | 0:21:36 | |
is he standing more like a man on a barge or more like Diana Ross? | 0:21:36 | 0:21:39 | |
LAUGHTER AND APPLAUSE | 0:21:39 | 0:21:43 | |
All right, we need an answer. | 0:21:45 | 0:21:47 | |
So, David's team, is Billy Ed's karaoke companion, | 0:21:47 | 0:21:52 | |
Jo's dustbin donor, | 0:21:52 | 0:21:55 | |
or Lee's sticky skipper? | 0:21:55 | 0:21:58 | |
Only in the Beano would an ice cream land on a bald man's head in that way. | 0:21:58 | 0:22:03 | |
-Yeah. -Although, what do you think, Kimberly? | 0:22:03 | 0:22:05 | |
-I think it's between Jo and Ed. -Right. | 0:22:05 | 0:22:07 | |
-Am I not getting a look-in at all? -No. | 0:22:07 | 0:22:09 | |
Good, cos even I was doubting it. | 0:22:09 | 0:22:10 | |
I could see Ed and Billy arm-in-arm singing karaoke. | 0:22:12 | 0:22:16 | |
I sort of think it's Jo cos I-I could believe that Jo would, | 0:22:16 | 0:22:20 | |
you know, unnecessarily reignite some unpleasantness in her street. | 0:22:20 | 0:22:25 | |
All right, so what are you going to say? | 0:22:25 | 0:22:26 | |
It's a terrible, terrible story, but I'm afraid I think it's true. | 0:22:26 | 0:22:29 | |
You're going for Jo. | 0:22:29 | 0:22:31 | |
-We going for..? -Jo. | 0:22:31 | 0:22:32 | |
Jo. I think we are going with Jo. | 0:22:32 | 0:22:34 | |
All right. OK. Billy, would you please reveal your true identity? | 0:22:34 | 0:22:40 | |
I am Billy, | 0:22:40 | 0:22:41 | |
and I was the Diana Ross to my Lionel Ritchie. | 0:22:41 | 0:22:45 | |
APPLAUSE | 0:22:45 | 0:22:48 | |
Yes. | 0:22:48 | 0:22:50 | |
Billy really was Ed's karaoke companion, | 0:22:50 | 0:22:54 | |
and...it gets better. | 0:22:54 | 0:22:55 | |
Oh, my gosh! | 0:22:55 | 0:22:57 | |
It's an interesting new definition of the word "better." | 0:23:01 | 0:23:04 | |
Ladies and gentleman, this is a treat. | 0:23:06 | 0:23:09 | |
The lyrics are on the autocue, just there, OK? | 0:23:09 | 0:23:12 | |
I can't see the words. | 0:23:12 | 0:23:13 | |
Now, listen, listen. Listen. | 0:23:15 | 0:23:17 | |
That's it, that's it, that's it. That's what we want. | 0:23:17 | 0:23:20 | |
Right, I'm going to hold it for you. | 0:23:20 | 0:23:22 | |
Well done, Rob. | 0:23:22 | 0:23:23 | |
-OK? -Yeah. | 0:23:23 | 0:23:24 | |
Music maestro, please. | 0:23:24 | 0:23:25 | |
MUSIC STARTS | 0:23:25 | 0:23:28 | |
# My love | 0:23:28 | 0:23:30 | |
# There's only you in my life | 0:23:31 | 0:23:36 | |
# The only thing that's right. # | 0:23:36 | 0:23:40 | |
This is your bit, Billy, this is your bit. | 0:23:40 | 0:23:41 | |
# My! # | 0:23:41 | 0:23:42 | |
-Not yet! -Oh. | 0:23:42 | 0:23:44 | |
# My first love | 0:23:44 | 0:23:45 | |
# You're every plan that I take | 0:23:45 | 0:23:50 | |
# You're every step I make. # | 0:23:50 | 0:23:54 | |
-Get ready, Ed. -# And now | 0:23:54 | 0:24:02 | |
# I want to share all my love with you | 0:24:02 | 0:24:11 | |
-# You know I can do -Oh, you know I can do | 0:24:11 | 0:24:19 | |
# My, and you tell me how much you care | 0:24:19 | 0:24:28 | |
# Cos all my love inside | 0:24:28 | 0:24:34 | |
# I'll give it all to you | 0:24:34 | 0:24:38 | |
# My-My endless loves My endless love. # | 0:24:38 | 0:24:43 | |
APPLAUSE | 0:24:44 | 0:24:47 | |
What are we doing?! | 0:24:47 | 0:24:50 | |
Billy! | 0:24:52 | 0:24:54 | |
Which brings us to our final round, | 0:24:56 | 0:24:58 | |
Quick-fire Lies, and we start with... | 0:24:58 | 0:25:01 | |
It's David Baddiel. | 0:25:03 | 0:25:04 | |
In a quest to improve my jawline, | 0:25:06 | 0:25:09 | |
I once bought myself a chin gym. | 0:25:09 | 0:25:12 | |
Lee's team. | 0:25:14 | 0:25:15 | |
Right. | 0:25:15 | 0:25:16 | |
I-I think that's true. | 0:25:16 | 0:25:17 | |
LAUGHTER | 0:25:18 | 0:25:21 | |
What's a chin gym, first of all? | 0:25:23 | 0:25:25 | |
A chin gym is a device to help you if you have a double or | 0:25:25 | 0:25:31 | |
triple chin, and it's like a sort of L-shaped bit of plastic | 0:25:31 | 0:25:35 | |
and you-you bite it really hard and then you have tiny little | 0:25:35 | 0:25:38 | |
weights that you put on the other end of it and you're like, "Ahhh," | 0:25:38 | 0:25:42 | |
and then you take weights off, put them back on again, that's a chin gym. | 0:25:42 | 0:25:46 | |
What was the thing you were trying to solve - | 0:25:46 | 0:25:48 | |
was your chin particularly weak or was it just fat? | 0:25:48 | 0:25:53 | |
What were you... What was the diagnosis? | 0:25:53 | 0:25:56 | |
I have a beard, and I only really have a beard | 0:25:57 | 0:26:01 | |
because I have a double chin, and I think, wrongly, obviously, | 0:26:01 | 0:26:06 | |
that this gives me the illusion of a jawline, | 0:26:06 | 0:26:10 | |
and the reason that I have that is that the chin gym didn't work. | 0:26:10 | 0:26:14 | |
How many times a day did you have to do it, then? | 0:26:14 | 0:26:17 | |
Well, one of the things about the chin gym is you can do it | 0:26:17 | 0:26:20 | |
whilst you're doing something else. | 0:26:20 | 0:26:22 | |
While you're writing, for example, | 0:26:22 | 0:26:24 | |
while you're watching telly, you can do it, while you're reading. | 0:26:24 | 0:26:28 | |
-But-but you were... But you were really trying to tone up your chin, were you? -Yes. | 0:26:28 | 0:26:32 | |
Trying to tone it? | 0:26:32 | 0:26:33 | |
You're-you're saying this as if you can't | 0:26:33 | 0:26:35 | |
think of the idea of toning up your chin. | 0:26:35 | 0:26:37 | |
-I can't. -That surprises me. | 0:26:37 | 0:26:39 | |
All you can do is build muscle up, can't you, to-to... | 0:26:40 | 0:26:43 | |
-There's no muscle in your chin. -There's no muscle there. | 0:26:43 | 0:26:45 | |
-Yeah, there is muscle in your chin. -Yes, there is. -There is. -There's muscles everywhere. | 0:26:45 | 0:26:48 | |
-I know there's muscles everywhere... -Muscles are in your jaw. -I'm feeling this, and I'm feeling a lot of... | 0:26:48 | 0:26:52 | |
-Let me feel. -Don't touch me, Balls! | 0:26:52 | 0:26:54 | |
I'm feeling... | 0:26:54 | 0:26:56 | |
Don't touch me balls?! | 0:26:56 | 0:26:57 | |
LAUGHTER | 0:26:57 | 0:27:00 | |
Can I ask you, because when people exercise in the gym, | 0:27:02 | 0:27:05 | |
they'll often put on music, so would you put on The Eye Of The Tiger, or..? | 0:27:05 | 0:27:09 | |
There aren't-there aren't that many chin based... | 0:27:09 | 0:27:12 | |
Chin chimmery, chim chimmery chim chim cheeroo. | 0:27:12 | 0:27:15 | |
Good point, although you called it chim chimmery. | 0:27:15 | 0:27:17 | |
-Well... -..which I think is wrong. | 0:27:17 | 0:27:19 | |
Chim chim-e-ney. | 0:27:19 | 0:27:21 | |
Chim chim-e-ney. | 0:27:21 | 0:27:22 | |
It's certainly not chin. | 0:27:22 | 0:27:23 | |
Chin chinnery, what would a chinnery be, a place chins were stored? | 0:27:23 | 0:27:28 | |
Like a serial killer would store the chins of his victims. | 0:27:28 | 0:27:31 | |
See the chinnery. | 0:27:31 | 0:27:33 | |
What kind of serial killer is that? | 0:27:34 | 0:27:37 | |
A very eccentric serial killer. I only... I only keep the chins. | 0:27:37 | 0:27:41 | |
How long did you stick with it as a method, how long did you go with it? | 0:27:43 | 0:27:47 | |
Well, it was in my house for about seven years, | 0:27:47 | 0:27:50 | |
but I used it perhaps twice. | 0:27:50 | 0:27:51 | |
Twice? | 0:27:51 | 0:27:53 | |
So, what do you think - is he telling the truth? | 0:27:53 | 0:27:55 | |
-Well, I think it's true. -You do? | 0:27:55 | 0:27:57 | |
Yeah, I can imagine people being a bit desperate | 0:27:57 | 0:27:59 | |
to get rid of their-their double chin and thinking... | 0:27:59 | 0:28:03 | |
-But it's the way he... -.."I'll have a go at this." | 0:28:03 | 0:28:05 | |
But the way he's described the contraption I'm just thinking it's | 0:28:05 | 0:28:08 | |
nothing that a ruler and a small can of beans wouldn't sort out. | 0:28:08 | 0:28:11 | |
You're saying? | 0:28:11 | 0:28:13 | |
Well, I think it could be true. | 0:28:13 | 0:28:16 | |
Well, then let's say it's true, shall we, then? We'll go for true. | 0:28:16 | 0:28:18 | |
-All right. -Preposterous but true. | 0:28:18 | 0:28:20 | |
True. David the chin gym, truth or lie? | 0:28:20 | 0:28:23 | |
It is... | 0:28:23 | 0:28:25 | |
..true. | 0:28:25 | 0:28:26 | |
Yes! That was good, we got one. | 0:28:26 | 0:28:29 | |
BUZZER | 0:28:29 | 0:28:31 | |
That noise signals time is up, it's the end of the show, | 0:28:31 | 0:28:33 | |
and I can reveal that the scores are tied - it's a draw. | 0:28:33 | 0:28:36 | |
Thank you for watching. We'll see you next time. Goodnight. | 0:28:39 | 0:28:42 |