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CHEERING AND APPLAUSE | 0:00:15 | 0:00:19 | |
Good evening and welcome to Would I Lie To You, | 0:00:23 | 0:00:25 | |
the show that separates the truth from the twaddle. | 0:00:25 | 0:00:28 | |
On David Mitchell's team tonight, an actor who recently hosted | 0:00:28 | 0:00:32 | |
Channel 4's Fake News, a panel show all about lying - it'll never work. | 0:00:32 | 0:00:37 | |
It's Stephen Mangan. | 0:00:37 | 0:00:39 | |
And an actress whose award-winning stage and screen work | 0:00:41 | 0:00:45 | |
spans an incredible 60 years. | 0:00:45 | 0:00:48 | |
I'm so sorry it's come to this, it's Sheila Hancock. | 0:00:48 | 0:00:51 | |
And on Lee Mack's team tonight, she's a roving reporter | 0:00:54 | 0:00:57 | |
for the One Show, where her hard-hitting reports saw her | 0:00:57 | 0:01:01 | |
visit all 19 of Britain's Pencil Museums, | 0:01:01 | 0:01:04 | |
it's Anita Rani. | 0:01:04 | 0:01:05 | |
And the star of Catastrophe, Line Of Duty, and Shetland, | 0:01:07 | 0:01:11 | |
it's Mark Bonnar. | 0:01:11 | 0:01:13 | |
We begin as always with Round One, Home Truths, where our panellists | 0:01:16 | 0:01:19 | |
each read out a statement from the card in front of them. | 0:01:19 | 0:01:22 | |
Now, to make things harder, they've never seen the card before, | 0:01:22 | 0:01:25 | |
they've no idea what they'll be faced with. | 0:01:25 | 0:01:27 | |
It's up to the opposing team to sort the fact from the fiction. | 0:01:27 | 0:01:30 | |
-Sheila, you're first up tonight. -Oh. | 0:01:30 | 0:01:32 | |
I keep a spare front door key on my cat's collar. | 0:01:35 | 0:01:39 | |
If I ever get locked out, I simply call my cat | 0:01:39 | 0:01:42 | |
and he comes to my rescue. | 0:01:42 | 0:01:44 | |
-Lee's team. -Wow. -What's the name of your cat, Sheila? | 0:01:45 | 0:01:48 | |
Stanley. | 0:01:48 | 0:01:49 | |
Could you do the call? How do you call Stanley? | 0:01:49 | 0:01:52 | |
Meow! | 0:01:52 | 0:01:53 | |
Surely... Surely that's how he calls you?! | 0:01:55 | 0:01:57 | |
No, that's what Stanley says. | 0:01:57 | 0:01:59 | |
I was confusing, because when he wanted to come in, | 0:01:59 | 0:02:02 | |
I didn't have a cat flap | 0:02:02 | 0:02:04 | |
and I would do the intercom and say, "Are you there, Stanley?" | 0:02:04 | 0:02:08 | |
And he'd go, "Meow!" | 0:02:08 | 0:02:10 | |
So you haven't got a cat flap. | 0:02:10 | 0:02:12 | |
I haven't got a cat flap, no. | 0:02:12 | 0:02:13 | |
You haven't got a cat flap and the spare key is round his neck. | 0:02:13 | 0:02:16 | |
-Yeah. -What happens if you come and he's in the house? | 0:02:16 | 0:02:19 | |
He doesn't have them on when he's in the house. | 0:02:19 | 0:02:21 | |
Oh, he takes them off, does he, when he comes in? | 0:02:21 | 0:02:25 | |
-I take them off. -Does he take it off and hide it under the brick for you | 0:02:25 | 0:02:27 | |
when you go in? | 0:02:27 | 0:02:29 | |
I take them off when it's in the house, cos it jingles. | 0:02:29 | 0:02:32 | |
So do you put him out every time you leave the house? | 0:02:32 | 0:02:34 | |
-Yes, I do. -You do. -I do. | 0:02:34 | 0:02:36 | |
Are you not worried about burglars seeing the key | 0:02:36 | 0:02:38 | |
around your cat's neck and then using him like a key ring | 0:02:38 | 0:02:41 | |
and just...? | 0:02:41 | 0:02:42 | |
No, no. No, cos he's... | 0:02:45 | 0:02:48 | |
"This key's not working!" | 0:02:48 | 0:02:49 | |
No, it's in a metal case, it looks almost like a whistle or something. | 0:02:51 | 0:02:54 | |
-Oh, I see. -And you just pull it out and then inside there's a key. | 0:02:54 | 0:02:57 | |
Does he also wear one of those medallions with his address on it? | 0:02:57 | 0:03:01 | |
No, he's got a chip, he's got a chip inside him. | 0:03:01 | 0:03:04 | |
He's got a chip. Oh, yes, yes. | 0:03:04 | 0:03:05 | |
He doesn't need anyone to bring him home with his address | 0:03:05 | 0:03:08 | |
cos he can just come and go as he pleases with the key. | 0:03:08 | 0:03:11 | |
When was the last time you had to use this method? | 0:03:11 | 0:03:13 | |
-About a fortnight ago. -What happened? | 0:03:13 | 0:03:16 | |
-I'd forgot my key. I left it inside. -What time? | 0:03:16 | 0:03:18 | |
It was late at night and I'd just come back from the theatre. | 0:03:18 | 0:03:21 | |
It was about 11 o'clock. | 0:03:21 | 0:03:23 | |
Oh, what were you seeing? Don't say Cats. | 0:03:23 | 0:03:26 | |
I'd seen Jez Butterworth's new play. | 0:03:26 | 0:03:29 | |
Can I just ask why you don't mortice lock your door? | 0:03:29 | 0:03:32 | |
-Modest? -Mortice. | 0:03:32 | 0:03:34 | |
-Let me interpret for my friend. -In my defence, I'm from Scotland. | 0:03:34 | 0:03:37 | |
My friend is saying... | 0:03:37 | 0:03:38 | |
HE MUMBLES QUICKLY IN A THICK SCOTTISH ACCENT | 0:03:38 | 0:03:42 | |
I don't know what a mortice lock is. | 0:03:45 | 0:03:47 | |
Well, you know the big lock? Aye, if you unlock the big lock | 0:03:47 | 0:03:50 | |
and then you lock the... You unlock your Yale. | 0:03:50 | 0:03:52 | |
Well, no, he wouldn't be able to have a big key round his neck. | 0:03:52 | 0:03:55 | |
You obviously aren't that security conscious | 0:03:55 | 0:03:58 | |
if you've only got a Yale lock at all times. | 0:03:58 | 0:04:00 | |
I've only got a Yale lock. | 0:04:00 | 0:04:01 | |
-DAVID: -I think if Sheila was that security conscious, | 0:04:01 | 0:04:04 | |
she wouldn't tie her key to her cat. | 0:04:04 | 0:04:06 | |
So two weeks ago, you went to the theatre | 0:04:07 | 0:04:09 | |
and you got back at sort of half ten at night, 11 o'clock. | 0:04:09 | 0:04:11 | |
-Yeah. -What time do you get back from the theatre, usually about 11? | 0:04:11 | 0:04:14 | |
-About 11 yeah. -Just making a note of this, I'm going to rob you. | 0:04:14 | 0:04:17 | |
All right, what are you going to say? | 0:04:17 | 0:04:19 | |
-Lie. -You think it's a lie. -Lie. I'm going with Mark, lie. | 0:04:19 | 0:04:22 | |
-I think she's too sensible to do this, Sheila. -Yeah. | 0:04:22 | 0:04:24 | |
OK, you're saying it's a lie. Sheila, truth or lie? | 0:04:24 | 0:04:27 | |
Well, it is... | 0:04:27 | 0:04:30 | |
..a lie. | 0:04:30 | 0:04:31 | |
Yes, it's a lie. | 0:04:34 | 0:04:35 | |
Sheila doesn't keep a spare front door key on her cat's collar. | 0:04:35 | 0:04:39 | |
-Anita, you're next. -OK. | 0:04:39 | 0:04:41 | |
The day I moved into my new house, I caused the whole street to be | 0:04:43 | 0:04:46 | |
shut down and my neighbours' homes to be evacuated. | 0:04:46 | 0:04:50 | |
David. | 0:04:51 | 0:04:52 | |
How did you cause that? | 0:04:52 | 0:04:53 | |
Because we thought we'd found a grenade in the house. | 0:04:55 | 0:05:00 | |
You thought you'd found a grenade? | 0:05:01 | 0:05:03 | |
-Yes. -Where did you think you'd found a grenade? | 0:05:03 | 0:05:06 | |
Please don't tell me it was round your cat's neck? | 0:05:06 | 0:05:09 | |
It was our first day in our new house | 0:05:09 | 0:05:12 | |
and we were cleaning in the kitchen. | 0:05:12 | 0:05:15 | |
Where did you find the grenade? | 0:05:15 | 0:05:17 | |
On top of the cabinet, so it was kind of... | 0:05:17 | 0:05:20 | |
So it was an old, really old kitchen with low cabinets | 0:05:20 | 0:05:24 | |
and we thought we'd found a grenade. | 0:05:24 | 0:05:26 | |
What did the grenade look like? | 0:05:26 | 0:05:28 | |
A grenade? | 0:05:28 | 0:05:29 | |
No, what? Describe it. | 0:05:29 | 0:05:32 | |
Well, it was my husband that saw it first and he climbed up, | 0:05:32 | 0:05:37 | |
came down the stepladder very quickly | 0:05:37 | 0:05:40 | |
and said, "I think it's a grenade." | 0:05:40 | 0:05:43 | |
What you've done there is not a description of a grenade. | 0:05:43 | 0:05:46 | |
-So then I went to have a look... -Yes. -..and quickly came back down | 0:05:48 | 0:05:52 | |
and said, "Yeah, it looks like a grenade." | 0:05:52 | 0:05:54 | |
-What did it look like? -OK, the only... | 0:05:54 | 0:05:56 | |
It's what I imagine a grenade would look like, because... | 0:05:56 | 0:06:00 | |
-That will do. -Because I've never seen one. | 0:06:00 | 0:06:03 | |
-My client does not want to answer any more questions. -Ah! | 0:06:03 | 0:06:06 | |
Because I've never seen one in real life before. | 0:06:06 | 0:06:08 | |
-And then what did you do? -We called the police. | 0:06:08 | 0:06:11 | |
So the policewoman came round to our house, and she did the same thing, | 0:06:11 | 0:06:14 | |
she went up the stepladder, looked on top of the cabinet and | 0:06:14 | 0:06:17 | |
said, "I think it's a grenade, better call Sarge." | 0:06:17 | 0:06:21 | |
-So she phoned back... -What is that? -Sergeant. | 0:06:21 | 0:06:23 | |
-Oh, sorry I thought you meant... -You know Sarge, yeah, Sarge. | 0:06:23 | 0:06:26 | |
No, I thought Sarge sounds like a thing like Spectre, doesn't it? | 0:06:26 | 0:06:28 | |
-Cobra. -Cobra, yeah, Cobra. | 0:06:28 | 0:06:30 | |
You thought it was an acronym. | 0:06:30 | 0:06:32 | |
Yes, I... Yes, well done! | 0:06:32 | 0:06:34 | |
Can I just ask...? | 0:06:34 | 0:06:36 | |
You don't expect that, so credit where it's due. | 0:06:38 | 0:06:41 | |
Did anybody ask whether the pin was still in the grenade? | 0:06:42 | 0:06:46 | |
So, at this stage, we're still trying to find out what it is. | 0:06:46 | 0:06:48 | |
-So the policewoman has... -Has Sarge come yet? | 0:06:48 | 0:06:50 | |
Sarge, is that an acronym? | 0:06:50 | 0:06:52 | |
No, it's not an acronym, it's a shortening of Sergeant. | 0:06:52 | 0:06:54 | |
So then Sarge has turned up. | 0:06:54 | 0:06:56 | |
Thank goodness they didn't call for the constable. | 0:06:56 | 0:06:59 | |
So sergeant's there. | 0:07:05 | 0:07:07 | |
He walks in, does the same thing, up the stepladder, | 0:07:07 | 0:07:10 | |
looks and goes, "OK, think it might be a grenade, we're in our..." | 0:07:10 | 0:07:14 | |
-I'll have to call the inspector. -No. | 0:07:14 | 0:07:17 | |
Then several hours later, the Prime Minister comes in... | 0:07:17 | 0:07:22 | |
Nearly! At this point, he thinks, "I think it might be a grenade," | 0:07:22 | 0:07:25 | |
so he actually phones the bomb squad. | 0:07:25 | 0:07:28 | |
So the bomb squad - really nice chap walks into the kitchen. | 0:07:28 | 0:07:33 | |
He walked up the stepladder, looked at it, | 0:07:33 | 0:07:37 | |
picked it up and went, "It's a lighter." | 0:07:37 | 0:07:39 | |
He took the risk of going...first. | 0:07:40 | 0:07:44 | |
They know, because they are the only people, let's be fair, who know | 0:07:45 | 0:07:48 | |
-what a grenade looks like. -He turned round with his burned face, | 0:07:48 | 0:07:50 | |
and went, "Finally one that is a lighter. | 0:07:50 | 0:07:53 | |
"Argh, fifth time lucky!" | 0:07:53 | 0:07:55 | |
That's why they do their job, | 0:07:57 | 0:07:58 | |
because they know what a real grenade is and what a fake one is. | 0:07:58 | 0:08:01 | |
So what are you thinking, is it the truth? | 0:08:01 | 0:08:05 | |
What do you think, Sheila? | 0:08:05 | 0:08:06 | |
Oh, I'm puzzled by this one. | 0:08:06 | 0:08:08 | |
There was a hesitation right at the very beginning | 0:08:08 | 0:08:11 | |
while she tried to think up a story, I thought. | 0:08:11 | 0:08:14 | |
I think it's true, because I like the detail of the policemen | 0:08:14 | 0:08:18 | |
going up one by one and looking at it and thinking, | 0:08:18 | 0:08:20 | |
"Oh, I'm not sure about this, I'd better get someone," | 0:08:20 | 0:08:22 | |
and it makes a lot of sense to me that people would pass | 0:08:22 | 0:08:25 | |
the buck down the line. I think it's true. | 0:08:25 | 0:08:26 | |
Right, true, lie, true, lie... | 0:08:26 | 0:08:29 | |
Ah, lie. | 0:08:29 | 0:08:30 | |
Anita, was it the truth or was it a lie? | 0:08:30 | 0:08:33 | |
It was... | 0:08:33 | 0:08:34 | |
..true! | 0:08:34 | 0:08:36 | |
Yes, it's true. | 0:08:40 | 0:08:42 | |
Our next round is called This Is My... where we bring on | 0:08:42 | 0:08:44 | |
a mystery guest who has a close connection to one of our panellists. | 0:08:44 | 0:08:48 | |
Now, this week each of David's team will claim it's them | 0:08:48 | 0:08:50 | |
that has the genuine connection to the guest, | 0:08:50 | 0:08:52 | |
and it's up to Lee's team to spot who's telling the truth. | 0:08:52 | 0:08:55 | |
So, please welcome this week's special guest, John. | 0:08:55 | 0:08:58 | |
So, Sheila, what is John to you? | 0:09:05 | 0:09:08 | |
Well, this is John and he disrupted a show I was in | 0:09:08 | 0:09:12 | |
with an explosive attack of the hiccups. | 0:09:12 | 0:09:15 | |
Stephen, how do you know John? | 0:09:16 | 0:09:18 | |
This is John, we once spent an hour hiding from a piece of rope | 0:09:18 | 0:09:23 | |
because we thought it was a snake. | 0:09:23 | 0:09:25 | |
And, finally, David, what's your relationship with John? | 0:09:27 | 0:09:31 | |
This is John. | 0:09:31 | 0:09:32 | |
I was the only person to attend his neighbourhood watch meeting... | 0:09:32 | 0:09:36 | |
..so we spent ten minutes drawing a map of the road, | 0:09:38 | 0:09:41 | |
then gave up and watched an episode of Knight Rider. | 0:09:41 | 0:09:44 | |
So, there we have it. Lee's team, where to begin? | 0:09:48 | 0:09:51 | |
-Shall we start with Sheila? -Yeah. -What was the show? | 0:09:51 | 0:09:55 | |
It was a musical called Grey Gardens, | 0:09:55 | 0:09:58 | |
which I did last year at Southwark Playhouse. | 0:09:58 | 0:10:00 | |
It's a fringe theatre, so the audience are right on top of you | 0:10:00 | 0:10:03 | |
and you can hear everything. | 0:10:03 | 0:10:05 | |
And at the beginning, I could hear this person sort of | 0:10:05 | 0:10:08 | |
-supressing something... -SHE GULPS | 0:10:08 | 0:10:10 | |
..like that, and then there was a really quiet moment | 0:10:10 | 0:10:14 | |
and he had the most terrible attack of hiccups. | 0:10:14 | 0:10:17 | |
SHE HICCUPS | 0:10:17 | 0:10:18 | |
It was just like as though he was choking almost. | 0:10:18 | 0:10:21 | |
-So, eventually, I... -You say... Sorry, "eventually"? | 0:10:21 | 0:10:23 | |
You thought he was choking and you did something "eventually"? | 0:10:23 | 0:10:27 | |
-No, I knew he wasn't choking. -How did you know he wasn't choking? | 0:10:27 | 0:10:30 | |
-But he was making a choky type noise. -Oh, OK, all right. | 0:10:30 | 0:10:32 | |
So I had a glass that was supposed to be whiskey, | 0:10:32 | 0:10:35 | |
but was actually water, so I went over to him and I made him drink out | 0:10:35 | 0:10:39 | |
the back of the glass. | 0:10:39 | 0:10:40 | |
I mean, the audience were applauding like mad. | 0:10:40 | 0:10:42 | |
What was your character? | 0:10:42 | 0:10:43 | |
I was playing this old lady and it's a story of these two women, | 0:10:43 | 0:10:46 | |
they were discovered surrounded by cats and animals. | 0:10:46 | 0:10:49 | |
-They were probably locked out. -Stanley! | 0:10:49 | 0:10:52 | |
I'm curious as to how long it was before you stopped the show. | 0:10:54 | 0:11:00 | |
-I mean... -Well, I let it go on for about two, three minutes. | 0:11:00 | 0:11:04 | |
And what were you doing at the time? | 0:11:04 | 0:11:06 | |
I was singing, I was trying to sing. | 0:11:06 | 0:11:08 | |
-You were in the middle of a song? -Yes. | 0:11:08 | 0:11:09 | |
What was the song, Sheila? | 0:11:09 | 0:11:11 | |
So, I Love You, I Love You. It's a song that she sings | 0:11:11 | 0:11:13 | |
to her daughter and it's a very poignant moment. | 0:11:13 | 0:11:16 | |
But you can't do a poignant moment with someone going... | 0:11:16 | 0:11:18 | |
-SHE HICCUPS -No, I'm kind of surprised. | 0:11:18 | 0:11:20 | |
To be honest, I'm kind of surprised that John | 0:11:20 | 0:11:22 | |
-didn't take it upon himself to leave the theatre. -Yeah. | 0:11:22 | 0:11:24 | |
He was embarrassed, poor darling. He's stuck in this show. | 0:11:24 | 0:11:27 | |
So you thought, you'll help him with his embarrassment... | 0:11:27 | 0:11:29 | |
-I sort of did. -..by making him drink upside down with a glass of water. | 0:11:29 | 0:11:33 | |
No! The audience were getting really aggressive with him | 0:11:33 | 0:11:36 | |
-as the... -What were they doing? | 0:11:36 | 0:11:38 | |
Well, they were going, "Shush, shush, shush," like that to him. | 0:11:38 | 0:11:41 | |
But they must have known that it's an involuntary action | 0:11:41 | 0:11:43 | |
-and he's not doing it deliberately. -No, but audiences are like that. | 0:11:43 | 0:11:46 | |
It's in a lovely moment, | 0:11:46 | 0:11:47 | |
they were enjoying the show and suddenly this idiot's going... | 0:11:47 | 0:11:50 | |
SHE HICCUPS | 0:11:50 | 0:11:52 | |
So they were going, "Shh!" And he's going... | 0:11:52 | 0:11:54 | |
-HE HICCUPS -Shh, shh! | 0:11:54 | 0:11:56 | |
Are you sure it wasn't like the house version of the song? | 0:11:56 | 0:11:58 | |
Maybe it's bit more garage. | 0:11:58 | 0:12:00 | |
# Shh, ah, shh, ah | 0:12:00 | 0:12:02 | |
# Shh, shh, ah, ah. # | 0:12:02 | 0:12:04 | |
Is that what you think house music sounds like? | 0:12:04 | 0:12:06 | |
And, I quote, "Shh, shh, huh, huh, | 0:12:08 | 0:12:10 | |
"shh, shh, huh, huh." | 0:12:10 | 0:12:12 | |
I would say of all the genres of music, | 0:12:14 | 0:12:16 | |
although house isn't close, | 0:12:16 | 0:12:18 | |
it's the closest unless you can tell me what that is closer than. | 0:12:18 | 0:12:21 | |
I would say it's a very experimental avant-garde... | 0:12:21 | 0:12:25 | |
-..East Berlin... -Philip Glass. -..in the early '30s. | 0:12:26 | 0:12:31 | |
I certainly wouldn't call it house music, | 0:12:31 | 0:12:33 | |
in a desperate attempt to get down with the kids. | 0:12:33 | 0:12:36 | |
I don't think 1930s East German is actually a genre of music. | 0:12:37 | 0:12:40 | |
-I'm saying... -You've given me a decade and a country. | 0:12:40 | 0:12:43 | |
Yeah, in fact, you've also given a country that didn't exist | 0:12:43 | 0:12:45 | |
-in the decade you've given. -Yes! | 0:12:45 | 0:12:48 | |
Well spotted! Well spotted! | 0:12:48 | 0:12:50 | |
But you notice that Lee didn't spot it. | 0:12:51 | 0:12:53 | |
Right, who would you like to quiz next? | 0:12:56 | 0:12:58 | |
We'll go with Stephen, shall we? | 0:12:58 | 0:13:00 | |
Just remind us, Stephen, just refresh our memories. | 0:13:00 | 0:13:03 | |
This is John, we once spent an hour hiding from a piece of rope | 0:13:03 | 0:13:07 | |
because we thought it was a snake. | 0:13:07 | 0:13:08 | |
Where were you? | 0:13:08 | 0:13:10 | |
We were in California. | 0:13:10 | 0:13:13 | |
Right, and how do you know this gentleman? | 0:13:13 | 0:13:15 | |
-I'm related to him. -In what... How? -How? | 0:13:15 | 0:13:18 | |
Well, some of our relatives are, were, you know... | 0:13:18 | 0:13:21 | |
-We're cousins. -You're cousins. -Yeah. | 0:13:22 | 0:13:24 | |
-OK, so you're in California. -Yeah. | 0:13:24 | 0:13:26 | |
-And what are you camping, are you? -We're camping. | 0:13:26 | 0:13:29 | |
-What age were you? -I was nine... | 0:13:29 | 0:13:32 | |
-Nine? -..teen. -Oh. | 0:13:32 | 0:13:33 | |
Who was camping? | 0:13:33 | 0:13:35 | |
-We were. -Just the two of you? -Just the two of you? | 0:13:35 | 0:13:37 | |
-Just the two of us, yeah. -Yellowstone? -No, no, no. | 0:13:37 | 0:13:40 | |
-Yosemite? -No. | 0:13:40 | 0:13:42 | |
-Big Sur? -No. | 0:13:42 | 0:13:43 | |
Doesn't matter what type of snake it was. | 0:13:43 | 0:13:45 | |
So, who spotted it first? | 0:13:48 | 0:13:50 | |
We're in a tent, and I wake up and we're in the woods | 0:13:50 | 0:13:54 | |
and it's California. | 0:13:54 | 0:13:55 | |
Oh, you're not at a camp site then, you're just going wild. | 0:13:55 | 0:13:58 | |
-Not in a camp site, no. -OK. | 0:13:58 | 0:13:59 | |
And I see a snake on the roof of the tent. | 0:13:59 | 0:14:02 | |
So you saw the shadow, the silhouette. | 0:14:02 | 0:14:04 | |
We saw a shadow of a snake. So I say to him, "I think there's a snake." | 0:14:04 | 0:14:07 | |
-He says, "I think there is." -Yeah. -But it wasn't moving. | 0:14:07 | 0:14:10 | |
But we watched it, because we thought maybe it was asleep. | 0:14:10 | 0:14:13 | |
How long did you watch it for? | 0:14:13 | 0:14:15 | |
-For about 40 minutes. -Right. | 0:14:15 | 0:14:16 | |
And you were too scared to like try and sneak out the front way and run? | 0:14:16 | 0:14:19 | |
-Well, we did come up with a plan. -Oh, OK. | 0:14:19 | 0:14:22 | |
Which was one of us was going to hit it and knock it away from the tent. | 0:14:22 | 0:14:26 | |
-Yeah. -And then it would fly away and then we'd dash out of the tent. | 0:14:26 | 0:14:28 | |
-Hit it with your bare hand? -I think it was a pillow, actually. | 0:14:28 | 0:14:31 | |
You took pillows camping? | 0:14:31 | 0:14:32 | |
-Glamping. -Don't you? | 0:14:35 | 0:14:37 | |
-So one of us hit it. -Yeah, with the pillow? | 0:14:37 | 0:14:39 | |
And the snake flew up in the air | 0:14:39 | 0:14:41 | |
and then landed right back down on top of the tent. | 0:14:41 | 0:14:44 | |
-When it settled and it was still again... -Yeah. | 0:14:44 | 0:14:46 | |
..you now know it's definitely not a live snake. | 0:14:46 | 0:14:48 | |
No, we think it may have been stunned. | 0:14:48 | 0:14:50 | |
Which one of you hit it? | 0:14:52 | 0:14:54 | |
I'd be lying if I said I remembered. | 0:14:54 | 0:14:56 | |
Probably John who did it. | 0:14:56 | 0:14:57 | |
-Probably... -HE STUTTERS: -..John... | 0:14:57 | 0:15:00 | |
Probably...John. | 0:15:00 | 0:15:01 | |
I mean, it's not easy to remember blood relatives, is it?! | 0:15:01 | 0:15:06 | |
So what happens next? | 0:15:09 | 0:15:10 | |
-We decided one of us had to dash out of the tent... -Yeah. | 0:15:10 | 0:15:14 | |
..and then see what the situation was. | 0:15:14 | 0:15:16 | |
And who did that? | 0:15:16 | 0:15:17 | |
And John very bravely said he would do it. | 0:15:17 | 0:15:21 | |
So quietly we got out of our sleeping bags, and to get him | 0:15:21 | 0:15:24 | |
a quick exit, I helped open the flap and he jumped out. | 0:15:24 | 0:15:27 | |
And then he turned around and he went, | 0:15:28 | 0:15:30 | |
"You won't believe this, it's a rope." | 0:15:30 | 0:15:33 | |
OK. | 0:15:35 | 0:15:36 | |
Mark, you seem to find a potentially life-threatening situation | 0:15:36 | 0:15:40 | |
rather amusing. | 0:15:40 | 0:15:41 | |
Can I ask Stephen, where had this rope come from? | 0:15:46 | 0:15:48 | |
It was on the tent, it was just a rope on the tent. | 0:15:48 | 0:15:51 | |
Ropes on tents are really thin. They're not like... | 0:15:51 | 0:15:53 | |
-Very thin snake. -They've not got the girth of a snake. | 0:15:53 | 0:15:55 | |
It wasn't a snake like that. | 0:15:55 | 0:15:57 | |
No, I know, it was a piece of rope like that. | 0:15:57 | 0:16:00 | |
How could you think that... The most you could think of is a worm. | 0:16:00 | 0:16:02 | |
Yeah, but also you've got to remember... | 0:16:02 | 0:16:05 | |
"There's a worm! "Quick, get my pillow!" | 0:16:05 | 0:16:07 | |
..it's also early morning, so the sun is just coming up, | 0:16:07 | 0:16:10 | |
-casting a long shadow. -Oh, yeah, I forgot | 0:16:10 | 0:16:12 | |
snakes are lot thinner in the morning, aren't they? | 0:16:12 | 0:16:14 | |
It was early morning, it'll be... They fatten up during the day. | 0:16:14 | 0:16:17 | |
That's a little thin bit of rope, that's nothing like a snake. | 0:16:17 | 0:16:19 | |
Unless you'd have said the shadow had somehow made it | 0:16:19 | 0:16:21 | |
-look like bigger. -That's what I'm saying, it's early morning. | 0:16:21 | 0:16:24 | |
-You didn't say that! -It's early morning, the sun is low. | 0:16:24 | 0:16:26 | |
-I said that. -He did say that, although... | 0:16:26 | 0:16:28 | |
And made it look... I mean, you know. | 0:16:28 | 0:16:30 | |
Sometimes Lee doesn't totally listen to everything other people say. | 0:16:30 | 0:16:33 | |
It is true, that is a fair point. | 0:16:33 | 0:16:35 | |
OK, now what about David? | 0:16:35 | 0:16:37 | |
David, so remind us again, David. | 0:16:37 | 0:16:40 | |
Erm... | 0:16:40 | 0:16:42 | |
Oh, I can't remember. | 0:16:42 | 0:16:43 | |
I was the only person to turn up at John's | 0:16:44 | 0:16:47 | |
neighbourhood watch meeting and then gave up and watched an episode | 0:16:47 | 0:16:50 | |
of Knight Rider. | 0:16:50 | 0:16:51 | |
How well do you know your neighbour? | 0:16:51 | 0:16:53 | |
Not very well, but a bit. | 0:16:53 | 0:16:55 | |
There'd been little, a sort of photocopied note had gone round | 0:16:55 | 0:16:58 | |
about this meeting. | 0:16:58 | 0:17:00 | |
A photocopied note?! | 0:17:00 | 0:17:02 | |
-It's e-mail these days. -But how do you know each other's e-mails | 0:17:02 | 0:17:05 | |
before you start neighbourhood watch? | 0:17:05 | 0:17:07 | |
Well, they've not... They've started it, he's in it. | 0:17:07 | 0:17:09 | |
No, but this is before, this is the first meeting, isn't it? | 0:17:09 | 0:17:11 | |
Yeah, it's the first meeting to set it up. | 0:17:11 | 0:17:13 | |
-Oh, I do apologise, sorry, carry on. -Yeah. | 0:17:13 | 0:17:16 | |
Sorry, I must apologise about Rob. Sometimes he doesn't listen. | 0:17:16 | 0:17:19 | |
And anyway, so between me and my wife, | 0:17:26 | 0:17:29 | |
we decided that one of us should go | 0:17:29 | 0:17:32 | |
and we thought that it, you know... | 0:17:32 | 0:17:33 | |
-And she thought... -She thought... -..it should be you. | 0:17:33 | 0:17:36 | |
And it turned out I thought that, too. | 0:17:37 | 0:17:40 | |
And it started off by drawing, you were drawing a map. | 0:17:44 | 0:17:47 | |
-Map of the street. -Yeah, well, then... | 0:17:47 | 0:17:49 | |
Why were you drawing a map of the street? | 0:17:49 | 0:17:52 | |
Because John wanted to explain, the area he thought the neighbourhood, | 0:17:52 | 0:17:56 | |
this neighbourhood watch group should cover. | 0:17:56 | 0:17:59 | |
How many houses away do you live from him? | 0:17:59 | 0:18:02 | |
Erm... | 0:18:02 | 0:18:04 | |
He's... | 0:18:04 | 0:18:05 | |
I think next door but four? | 0:18:05 | 0:18:07 | |
Next door but four. So, let's say five houses away. | 0:18:07 | 0:18:11 | |
Cos that's a very weird way to describe... | 0:18:11 | 0:18:13 | |
Next door but four! | 0:18:13 | 0:18:15 | |
I've never heard anyone say, "He lives next door but four." | 0:18:15 | 0:18:17 | |
It just somehow doesn't work. | 0:18:17 | 0:18:19 | |
Next door but one, is the limit to how much you can use that. | 0:18:19 | 0:18:22 | |
You can't just keep adding numbers on. | 0:18:22 | 0:18:24 | |
Go for it, I'm going for it. | 0:18:24 | 0:18:25 | |
I'm going next door but 40,000, that's where the Queen lives. | 0:18:25 | 0:18:29 | |
Was Knight Rider on telly or did he have it on a DVD? | 0:18:31 | 0:18:34 | |
He had it on a DVD. | 0:18:34 | 0:18:35 | |
So I'm a massive fan of Knight Rider, I've got all of them. | 0:18:35 | 0:18:38 | |
Which one was this? | 0:18:38 | 0:18:40 | |
-Which what? -Which episode. You understand the question. | 0:18:40 | 0:18:43 | |
I don't remember the title of the episode. | 0:18:43 | 0:18:45 | |
No, but what happened in the episode? | 0:18:45 | 0:18:47 | |
What happened in the episode? I'd be interested to hear this. | 0:18:47 | 0:18:49 | |
Michael Knight... | 0:18:49 | 0:18:51 | |
Settle down, because this will be very interesting. | 0:18:51 | 0:18:54 | |
..is driving along... | 0:18:54 | 0:18:55 | |
-Michael Knight, that's a good start, Michael Knight. -Yeah, yes. | 0:18:55 | 0:18:58 | |
As I remember, he's driving along in KITT, and he's driving | 0:18:58 | 0:19:01 | |
absolutely on the speed limit, but not above the speed limit. | 0:19:01 | 0:19:05 | |
Even in your anecdotes, health and safety is important. | 0:19:05 | 0:19:09 | |
It's important to the plot. | 0:19:09 | 0:19:10 | |
He's driving at... And it says on the on KITT's digital dial, | 0:19:10 | 0:19:14 | |
55mph, which is the speed limit in America. | 0:19:14 | 0:19:18 | |
And the police pull him over. | 0:19:18 | 0:19:20 | |
It turns out that he is driving over the speed limit, | 0:19:20 | 0:19:23 | |
but there's something wrong with KITT, it's all askew. | 0:19:23 | 0:19:27 | |
Hang on, I'm just trying to remember the episode of Knight Rider | 0:19:27 | 0:19:29 | |
where the story was about the speedometer being slightly broken. | 0:19:29 | 0:19:34 | |
That's a coincidence, cos I'm trying to do the same thing. | 0:19:34 | 0:19:37 | |
All right, we need an answer. | 0:19:38 | 0:19:41 | |
So, Lee's team, is John Sheila's helpless hiccuper, | 0:19:41 | 0:19:46 | |
Stephen's cowardly companion, | 0:19:46 | 0:19:48 | |
or David's Knight Riding neighbour? | 0:19:48 | 0:19:51 | |
What do you think, Mark? | 0:19:51 | 0:19:52 | |
Er, I... There... | 0:19:52 | 0:19:54 | |
It seems to me you can drive a bus through the holes | 0:19:54 | 0:19:57 | |
in all three of them. I don't know. | 0:19:57 | 0:19:59 | |
Stephen's snake, he had me until the pillow. | 0:19:59 | 0:20:04 | |
Yeah, I just don't think David, even though he's a really nice man, | 0:20:04 | 0:20:08 | |
I just don't think he'd have the patience. | 0:20:08 | 0:20:10 | |
I'll have to pull you up on that. | 0:20:10 | 0:20:12 | |
Cos anyone else would just feel like, | 0:20:12 | 0:20:14 | |
-"Why don't we just go down the pub, mate?" -No, not David. | 0:20:14 | 0:20:16 | |
-Not David, no. -David's never ended a sentence with "mate." | 0:20:16 | 0:20:19 | |
Mate, OK, fine! Fair enough. | 0:20:19 | 0:20:21 | |
Except when playing chess! | 0:20:22 | 0:20:24 | |
Of course. Even for you, David, that was quite middle class. | 0:20:28 | 0:20:32 | |
Yes, I'll go, "Fair enough, you've won, mate." | 0:20:32 | 0:20:36 | |
And what about Sheila? The fringe theatre with the hiccups. | 0:20:36 | 0:20:39 | |
If I had the hiccups for two or three minutes, I would leave. | 0:20:39 | 0:20:42 | |
-Yeah. -It's very difficult in those sort of theatres to get out. | 0:20:42 | 0:20:47 | |
-Yeah. -They were trapped. -They were trapped. | 0:20:47 | 0:20:49 | |
Well, but that's a fire and safety nightmare! | 0:20:49 | 0:20:52 | |
Right, who's it going to be? | 0:20:54 | 0:20:55 | |
I think it's Sheila. What do you think, Mark? | 0:20:55 | 0:20:57 | |
-Ah, David. -Yeah. -You think it's David. | 0:20:57 | 0:20:59 | |
-Yeah, I mean possibly. -I think it's Stephen! -Oh... | 0:20:59 | 0:21:02 | |
Lee Mack, make a decision. Be a captain. | 0:21:02 | 0:21:05 | |
Right, my decision, it's definite and it's clear | 0:21:05 | 0:21:07 | |
and I'm not going back on it. | 0:21:07 | 0:21:09 | |
-Anita, you are deciding. -Oh, God! | 0:21:09 | 0:21:10 | |
I originally thought Sheila, but I'm going to go with Stephen. | 0:21:12 | 0:21:14 | |
-You're going to go with Stephen. -Yeah. -What you doing, Mark? | 0:21:14 | 0:21:16 | |
-Stephen! -Stephen! | 0:21:16 | 0:21:18 | |
-Stephen, we're going to say Stephen. -You're saying it's Stephen. | 0:21:18 | 0:21:20 | |
I don't know why. | 0:21:20 | 0:21:22 | |
John, would you please reveal your true identity? | 0:21:22 | 0:21:25 | |
Hi, I'm John... | 0:21:25 | 0:21:27 | |
..and Stephen and I hid from a piece of rope in a tent. | 0:21:27 | 0:21:30 | |
Yes, John is Stephen's cowardly companion. | 0:21:37 | 0:21:40 | |
Thank you very much, John. | 0:21:40 | 0:21:41 | |
Which brings us to our final round, Quickfire Lies, and we start with... | 0:21:45 | 0:21:48 | |
It's Lee. | 0:21:50 | 0:21:51 | |
Oh, says "possession." | 0:21:51 | 0:21:53 | |
Right, under the desk is a box, if you bring the box onto the desk. | 0:21:53 | 0:21:57 | |
Now, read the card first and then show us the possession. | 0:21:57 | 0:22:01 | |
I recently took a crash course in taxidermy | 0:22:03 | 0:22:07 | |
by the end of which, I'd managed to make this. | 0:22:07 | 0:22:10 | |
OK, show us what "this" is. | 0:22:12 | 0:22:14 | |
Pop it onto the desk. | 0:22:14 | 0:22:16 | |
Right, David's team, where would you like to begin? | 0:22:25 | 0:22:29 | |
What is it? I can't see it. | 0:22:29 | 0:22:30 | |
-Can we have a proper look? -Hold it up. | 0:22:30 | 0:22:32 | |
That, Sheila, is what I call Mouse on a Skateboard. | 0:22:32 | 0:22:37 | |
-It's a mouse, is it? -Would you like me to take it across? | 0:22:37 | 0:22:39 | |
-Please do. -What's it made of? -Made of mouse. | 0:22:39 | 0:22:43 | |
-Oh, my God. -With a little bit of skateboard. | 0:22:43 | 0:22:45 | |
Oh, no! | 0:22:45 | 0:22:47 | |
-Oh. -STEPHEN: -How was he killed? He looks like he was... | 0:22:48 | 0:22:50 | |
I should point out that he wasn't killed. | 0:22:50 | 0:22:52 | |
He was found dead naturally. | 0:22:52 | 0:22:54 | |
It's like he was found walking down a very small alley. | 0:22:54 | 0:22:57 | |
-Careful, took ages. -Oh. | 0:23:00 | 0:23:01 | |
OK, first of all, how long was this course? | 0:23:01 | 0:23:04 | |
This was the first course. | 0:23:04 | 0:23:05 | |
The course is... Well, it takes place over about 16 weeks, | 0:23:09 | 0:23:14 | |
-so four months. -A crash course that's.... | 0:23:14 | 0:23:18 | |
Taxidermy takes years to perfect, this is a crash course. | 0:23:18 | 0:23:21 | |
-And how often did you go? -It happens every week. | 0:23:21 | 0:23:24 | |
-Once a week. -For 16 weeks. | 0:23:24 | 0:23:26 | |
-That's not a crash course. -It is. -That's an evening class. | 0:23:26 | 0:23:30 | |
No, not in relation to the proper course, to become | 0:23:30 | 0:23:33 | |
a professional taxidermist, that takes four years. | 0:23:33 | 0:23:35 | |
Well, that goes on for 25 years and you meet once every six months? | 0:23:35 | 0:23:38 | |
That takes four years or until the animal dies. | 0:23:38 | 0:23:40 | |
How did you do that mouse? | 0:23:44 | 0:23:46 | |
Basically, we... I found a mouse. | 0:23:46 | 0:23:48 | |
Where? | 0:23:48 | 0:23:50 | |
There, on the stair. | 0:23:50 | 0:23:51 | |
And it had little clogs on. | 0:23:57 | 0:23:59 | |
I found the mouse actually in the cage, | 0:23:59 | 0:24:03 | |
which it was kept in because it was my child's pet. | 0:24:03 | 0:24:05 | |
AUDIENCE SIGHS | 0:24:05 | 0:24:07 | |
-And it was skateboarding? -No, it wasn't skateboarding. | 0:24:07 | 0:24:09 | |
My son was a skateboarder, | 0:24:09 | 0:24:10 | |
and that's why he wanted the mouse on the skateboard. | 0:24:10 | 0:24:13 | |
What did you do with the mouse that you found? | 0:24:13 | 0:24:15 | |
Well, the first thing I did was, | 0:24:15 | 0:24:16 | |
I had to break the news to my son | 0:24:16 | 0:24:19 | |
and I said, "Your mouse is dead." | 0:24:19 | 0:24:21 | |
So that was that covered and then, he said, | 0:24:22 | 0:24:25 | |
"Oh, I don't want to lose him forever." | 0:24:25 | 0:24:28 | |
And I said, "In that case, it's the crash course at the taxidermist." | 0:24:28 | 0:24:32 | |
-So, wait a minute, the mouse dies. -Correct. | 0:24:32 | 0:24:34 | |
You have a conversation with your son, "What are we going to do? | 0:24:34 | 0:24:37 | |
"Let's stuff him. I know, I'll learn, | 0:24:37 | 0:24:39 | |
-"I won't get a professional animal stuffer." -Correct. | 0:24:39 | 0:24:41 | |
-And that's because... -I'll learn to do it, you ring up the course, | 0:24:41 | 0:24:44 | |
they say, "There happens to be a 16-week course starting next week." | 0:24:44 | 0:24:48 | |
How many people were on the course? | 0:24:49 | 0:24:52 | |
I would say there was 12, 14, something like that. | 0:24:52 | 0:24:54 | |
-12. -There was 12. -12. -12. | 0:24:54 | 0:24:56 | |
Sorry, no, it was a disciples convention. | 0:24:56 | 0:24:58 | |
Talk me through them, what sort of people were they? | 0:24:58 | 0:25:00 | |
There was Matthew, Mark, Luke... | 0:25:00 | 0:25:02 | |
Oh, sorry, there was a guy called Thomas, | 0:25:02 | 0:25:04 | |
he wasn't sure if he wanted to be there. | 0:25:04 | 0:25:06 | |
Tell us what you do. | 0:25:07 | 0:25:09 | |
The first thing you've got to do is always check | 0:25:09 | 0:25:11 | |
that the mouse is actually dead. | 0:25:11 | 0:25:13 | |
So, sorry, it's always a... It's always a mouse? | 0:25:14 | 0:25:17 | |
This course is just for mouse stuffers. | 0:25:17 | 0:25:20 | |
No-one had anything else they were interested in. | 0:25:20 | 0:25:23 | |
-So everyone, all 12 of you turn up, sit down... -It was weird. | 0:25:23 | 0:25:26 | |
..get your mouse out. | 0:25:26 | 0:25:27 | |
Well, it was be... You've got to remember that it's | 0:25:28 | 0:25:30 | |
an introductory course. There was one guy, just one guy, Brian... | 0:25:30 | 0:25:33 | |
-A good entry level stuffer. -..turned up with a giraffe. | 0:25:33 | 0:25:35 | |
He turned up with giraffe and he went, | 0:25:35 | 0:25:37 | |
"You want the advanced course, mate, | 0:25:37 | 0:25:39 | |
"cos we can't do this in 16 weeks. | 0:25:39 | 0:25:40 | |
"Next door, the one that's got the, you know, the Velux windows." | 0:25:40 | 0:25:43 | |
You can only stuff a giraffe | 0:25:45 | 0:25:46 | |
if you've got Velux windows, that's the first thing you learn. | 0:25:46 | 0:25:50 | |
What do you do, scoop the inside out? | 0:25:50 | 0:25:52 | |
Thank you. Someone finally interested in the art form. | 0:25:52 | 0:25:55 | |
The first thing you've got to do is get rid of the inside of the mouse. | 0:25:55 | 0:26:00 | |
-How? -How do you do that? | 0:26:00 | 0:26:01 | |
Good question, Sheila. | 0:26:01 | 0:26:03 | |
You get a sharp blade and you make an incision from the back | 0:26:04 | 0:26:08 | |
of the skull all the way down to the tail. | 0:26:08 | 0:26:11 | |
So, what happens when you make that incision down the spine? | 0:26:11 | 0:26:14 | |
-Down the spine, yeah. -What happens? | 0:26:14 | 0:26:16 | |
It can only be described as a very, very horrific pop-up book, | 0:26:16 | 0:26:20 | |
because I opened it up... | 0:26:20 | 0:26:23 | |
..and it's not a pretty sight. | 0:26:24 | 0:26:27 | |
I would only describe it as sort of mouse spine like. | 0:26:30 | 0:26:33 | |
And I went, "Oh," like that, and the fella said, | 0:26:33 | 0:26:36 | |
"First rule of Get Stuffed taxidermy crash course..." | 0:26:36 | 0:26:40 | |
He said... This is the interesting bit. | 0:26:40 | 0:26:42 | |
He went, "Never ever open them from the back." | 0:26:42 | 0:26:45 | |
Right, I learnt a lesson, I learnt a lesson. | 0:26:46 | 0:26:50 | |
You've got to learn, haven't you? | 0:26:50 | 0:26:52 | |
You've got to learn, you've got to learn. | 0:26:52 | 0:26:54 | |
-So what did you do? -Well, I got my needle and thread. | 0:26:54 | 0:26:56 | |
So you stitched the mouse back up. | 0:26:56 | 0:26:57 | |
I had to stitch the mouse back up, get him back to how he was. | 0:26:57 | 0:27:00 | |
Turn him over, slice down the middle. | 0:27:00 | 0:27:03 | |
And then what did you do? | 0:27:03 | 0:27:05 | |
You have to... Effectively, there's no easy way of saying it, | 0:27:05 | 0:27:07 | |
I had to scrape out his insides. | 0:27:07 | 0:27:10 | |
-With what? -With the tools, the tools that they give you. | 0:27:10 | 0:27:13 | |
-What sort of tool is it? -Well, there's many, many tools. | 0:27:13 | 0:27:16 | |
You know those weird things you get when you're trying to get the | 0:27:16 | 0:27:19 | |
last bit of lobster out of the claw, it's like a little fork, | 0:27:19 | 0:27:21 | |
-it's got the... -It wouldn't work with a giraffe though, would it? | 0:27:21 | 0:27:24 | |
Oh, no, a giraffe... | 0:27:24 | 0:27:26 | |
All you need for a giraffe is a spade and loads of bamboo. | 0:27:26 | 0:27:28 | |
-OK, so you scoop out... -We learned that on day four. | 0:27:30 | 0:27:34 | |
What do you put back in to give him that healthy...? | 0:27:34 | 0:27:36 | |
You build individual fragments of bone shapes | 0:27:36 | 0:27:38 | |
but of metal and glue them all together. | 0:27:38 | 0:27:40 | |
It takes, ooh, 15 weeks on a Thursday night. | 0:27:40 | 0:27:43 | |
What do you think, David? | 0:27:44 | 0:27:46 | |
It sounds very plausible to me, but what does your team think? | 0:27:47 | 0:27:50 | |
Sheila, what do you think? | 0:27:52 | 0:27:54 | |
-No, I think it's a lie. -You think it's a lie? | 0:27:54 | 0:27:55 | |
I can't see why anyone wouldn't believe that. | 0:27:55 | 0:27:58 | |
I don't think there's any level on which any of us believe that. | 0:27:59 | 0:28:03 | |
-It's a lie. -They're saying it's a lie. Lee... -Yeah. | 0:28:03 | 0:28:06 | |
..is it the truth or is it a lie? | 0:28:06 | 0:28:08 | |
Oh, I actually have to go through the thing of pressing the button? | 0:28:09 | 0:28:12 | |
Lie. | 0:28:12 | 0:28:14 | |
BUZZER SOUNDS | 0:28:17 | 0:28:19 | |
Well, that noise signals time is up, it's the end of the show | 0:28:19 | 0:28:21 | |
and I can reveal that Lee's team have won by three points to one. | 0:28:21 | 0:28:24 | |
Thanks for watching, we'll see you next time, goodnight. | 0:28:26 | 0:28:29 |