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Tonight on Would I Lie To You? - | 0:00:22 | 0:00:24 | |
Stand-up, Jimmy Carr. | 0:00:24 | 0:00:27 | |
Word up, Terry Christian. | 0:00:27 | 0:00:30 | |
And their team captain, Lee Mack. | 0:00:30 | 0:00:33 | |
And facing them tonight - Birmingham beauty, Jamelia. | 0:00:33 | 0:00:39 | |
On comic duty, Marcus Brigstocke. | 0:00:39 | 0:00:42 | |
And their team captain, David Mitchell. | 0:00:42 | 0:00:47 | |
And here's your host, Rob Brydon. | 0:00:47 | 0:00:51 | |
CHEERING AND APPLAUSE | 0:00:51 | 0:00:53 | |
Good evening and welcome to Would I Lie To You? | 0:00:56 | 0:00:59 | |
the show that prides itself on being a liar's paradise. | 0:00:59 | 0:01:02 | |
According to scientists, certain people are able to tell at a glance whether somebody is lying on not. | 0:01:02 | 0:01:07 | |
They call these individuals women. | 0:01:07 | 0:01:09 | |
The very first lie was told by Adam and Eve when they denied eating the apple in the Garden of Eden. | 0:01:11 | 0:01:17 | |
The cost of eating the apple, an existence of pain and mortality. | 0:01:17 | 0:01:21 | |
Still, slightly less than a Waitrose pack of four organic Pippins. | 0:01:21 | 0:01:25 | |
And so to Round One, Home Truths, where our panellists | 0:01:25 | 0:01:28 | |
each read out a statement from the card in front of them. | 0:01:28 | 0:01:31 | |
To make things harder, they haven't seen the card, and so have no idea what they'll be faced with. | 0:01:31 | 0:01:36 | |
It's up to the opposing team to sift the fact from the fiction. | 0:01:36 | 0:01:39 | |
Jimmy, you're first up. | 0:01:39 | 0:01:41 | |
Please reveal all. | 0:01:41 | 0:01:43 | |
"Prince Philip told me I was a funny-looking fellow when I was a ball boy at Wimbledon." | 0:01:43 | 0:01:48 | |
David's team. | 0:01:48 | 0:01:51 | |
What year was this? | 0:01:51 | 0:01:53 | |
I was about 12 or 13... '84, maybe. Something like that. Ages ago. | 0:01:53 | 0:01:57 | |
-How did you get into being a ball boy? -How did I get into it? | 0:01:57 | 0:02:00 | |
I just psyched myself up. "I'm going to throw some balls today, yeah!" | 0:02:00 | 0:02:06 | |
"I love it, man!" | 0:02:06 | 0:02:07 | |
How does the system of selecting ball boys work? | 0:02:07 | 0:02:10 | |
I was in the tennis club in my local village, and I used to play tennis, | 0:02:10 | 0:02:14 | |
and there was a lottery and you could go along and two people from every club went along. | 0:02:14 | 0:02:18 | |
I thought they were from schools around the Wimbledon area. That's what I thought. | 0:02:18 | 0:02:23 | |
-Where were you at school, Jimmy? -The Wimbledon area. | 0:02:23 | 0:02:26 | |
LAUGHTER | 0:02:26 | 0:02:28 | |
He's really foxed us there. | 0:02:28 | 0:02:30 | |
APPLAUSE | 0:02:30 | 0:02:31 | |
You were lined up, all the ball boys and ball girls. | 0:02:33 | 0:02:36 | |
Yeah, it was after the Women's Final. Everybody's lined up, like, hundreds of us. | 0:02:36 | 0:02:40 | |
Which final? Who had played? | 0:02:40 | 0:02:42 | |
It was years ago. Ivan Lendl kind of era. | 0:02:42 | 0:02:44 | |
He's unlikely to make the Women's Final. | 0:02:44 | 0:02:47 | |
JAMELIA: Who was Prince Philip there with? | 0:02:48 | 0:02:50 | |
The Duke and Duchess of Kent or something. I don't really know the Royals that well. | 0:02:50 | 0:02:55 | |
Usually the Duke and Duchess of Kent do all the Wimbledon stuff | 0:02:55 | 0:02:58 | |
rather than Prince Philip, who's got more important sporting events to go and be racist at. | 0:02:58 | 0:03:03 | |
I can believe you were a ball boy at Wimbledon, | 0:03:03 | 0:03:06 | |
but I just don't think Prince Philip often turns up to Wimbledon. | 0:03:06 | 0:03:09 | |
He does. He told me I was a funny-looking fellow when I was there. | 0:03:09 | 0:03:13 | |
-That's how I know that. -That's the clincher, then. | 0:03:13 | 0:03:15 | |
MARCUS: Do you have any concept of what particular aspect | 0:03:15 | 0:03:19 | |
of your demeanour that he found funny-looking? | 0:03:19 | 0:03:22 | |
LEE: I can answer this. | 0:03:22 | 0:03:24 | |
In fact, we'll all have a go. We'll start with me and then go around like that. | 0:03:24 | 0:03:29 | |
What's funny about my massive head? | 0:03:29 | 0:03:30 | |
Do you think you frightened the Prince with your appearance? | 0:03:32 | 0:03:36 | |
He was actually really freaked out? | 0:03:36 | 0:03:38 | |
You know, that joke works if you don't do that. | 0:03:43 | 0:03:46 | |
AUDIENCE: Ahh! | 0:03:48 | 0:03:49 | |
I thought you could never look more like a ventriloquist's dummy. | 0:03:49 | 0:03:53 | |
Do that again! | 0:03:53 | 0:03:55 | |
You cheeky monkey! You'll go back in the box! | 0:04:00 | 0:04:03 | |
Right, David. What do you reckon? Is he telling the truth? | 0:04:03 | 0:04:06 | |
What do you think? | 0:04:06 | 0:04:08 | |
It could be true because of... his face. But... | 0:04:08 | 0:04:11 | |
I don't think you're ugly, I just think... | 0:04:18 | 0:04:21 | |
No, sorry! I just think that you have a very unique face. | 0:04:24 | 0:04:27 | |
Nobody will ever forget... | 0:04:27 | 0:04:29 | |
How am I getting bullied by Jamelia? | 0:04:29 | 0:04:33 | |
How did that happen? | 0:04:33 | 0:04:34 | |
So, David, what's your team deciding here? | 0:04:34 | 0:04:38 | |
I think it could be true. | 0:04:38 | 0:04:40 | |
I don't know. I don't trust you. | 0:04:40 | 0:04:43 | |
You're a funny-looking fellow. | 0:04:43 | 0:04:45 | |
MARCUS: See, that's the crucial detail. | 0:04:45 | 0:04:48 | |
I'm edging towards a lie. | 0:04:48 | 0:04:52 | |
You're saying it's a lie? OK. | 0:04:52 | 0:04:54 | |
-Jimmy Carr. -I can tell you, it is... | 0:04:54 | 0:04:57 | |
A lie. | 0:04:57 | 0:04:59 | |
It's a lie. | 0:05:01 | 0:05:02 | |
Prince Philip didn't tell Jimmy he was a funny-looking fellow at Wimbledon. What a moment. | 0:05:02 | 0:05:07 | |
Perhaps the funniest man in Britain, known for his off-colour material, finally getting to meet Jimmy Carr. | 0:05:07 | 0:05:13 | |
Jamelia, you're next. | 0:05:15 | 0:05:17 | |
"I once stole some toilet paper from George Michael's house." | 0:05:18 | 0:05:22 | |
Lee? | 0:05:22 | 0:05:24 | |
Was it new or used? | 0:05:24 | 0:05:26 | |
Was it beside the bed on the floor crumpled up, or was it...from a roll? | 0:05:28 | 0:05:34 | |
I'm amazed he has toilet paper in his house, cos he's normally at the gents' in the park. | 0:05:34 | 0:05:38 | |
Yeah, it was in his house. In the toilet. Not IN the toilet, like, on the roll. | 0:05:41 | 0:05:46 | |
What were you doing at George's house? | 0:05:46 | 0:05:49 | |
-It was a party. I think it was his birthday. -You think? | 0:05:49 | 0:05:52 | |
How blase are you? You think. What was the occasion? | 0:05:52 | 0:05:54 | |
-It was a party. What do you have parties for? -I have parties for all sorts of reasons. | 0:05:54 | 0:05:59 | |
-Well, it was one of those reasons. -All right, then. | 0:05:59 | 0:06:02 | |
Why did you steal the paper? | 0:06:02 | 0:06:04 | |
A memento. | 0:06:04 | 0:06:06 | |
How much did you steal, Jamelia? What sort of quantities are we talking about here? | 0:06:06 | 0:06:10 | |
-Just like a square. -One square? | 0:06:10 | 0:06:14 | |
Then you did this. That's not a square. | 0:06:14 | 0:06:16 | |
That's an oblong. | 0:06:16 | 0:06:18 | |
The toilet paper squares are oblong. They're referred to as squares, but they're not perfect squares. | 0:06:18 | 0:06:24 | |
They're oblong. They're definitely longer than they are wide. | 0:06:24 | 0:06:27 | |
You're the only person in the world that's noticed that. | 0:06:27 | 0:06:31 | |
Everybody else just goes like that, like that. But not you. | 0:06:31 | 0:06:34 | |
"I say... Excuse me, darling, pass me the ruler. | 0:06:34 | 0:06:38 | |
"I think this is actually an oblong, not technically a square." | 0:06:38 | 0:06:42 | |
How long ago was it? | 0:06:43 | 0:06:45 | |
-A few years. -Three, four years? Give us some figures. | 0:06:45 | 0:06:48 | |
About three or four years. | 0:06:48 | 0:06:49 | |
Oh, right. That's handy. | 0:06:49 | 0:06:52 | |
No further questions, your Honour. False. | 0:06:52 | 0:06:55 | |
If you're going to steal from George Michael's house, | 0:06:55 | 0:06:57 | |
you'd steal something a bit better than that. | 0:06:57 | 0:07:00 | |
DAVID: What do you want, to take a flat screen TV? | 0:07:00 | 0:07:03 | |
There's taking a memento and then there's just being a thief. | 0:07:03 | 0:07:09 | |
You're edging towards saying it's a lie, I suspect. | 0:07:09 | 0:07:11 | |
Me and Jimmy think it's a lie, but Terry, if you're gonna overrule us... | 0:07:11 | 0:07:15 | |
I'm going to disagree and that way I'll look great if you're wrong. | 0:07:15 | 0:07:18 | |
You won't look great. | 0:07:18 | 0:07:19 | |
Fair enough. Give them your brutal quipping, not me! | 0:07:19 | 0:07:24 | |
I'm on your team. | 0:07:24 | 0:07:25 | |
Right, Jamelia. You're going to have a bit of brutal quipping. | 0:07:25 | 0:07:30 | |
We'll say that's a lie, Jamelia. | 0:07:30 | 0:07:32 | |
So, Jamelia, they're saying it's a lie. Are you telling the truth? | 0:07:32 | 0:07:36 | |
It is...true. | 0:07:36 | 0:07:39 | |
It's true. | 0:07:42 | 0:07:44 | |
Jamelia did once steal some toilet paper from George Michael's house. | 0:07:44 | 0:07:49 | |
I bumped into George Michael in a toilet once. | 0:07:49 | 0:07:51 | |
We'd never met before, but he was very friendly. | 0:07:51 | 0:07:53 | |
Marcus, you're next. | 0:07:55 | 0:07:56 | |
Right. | 0:07:56 | 0:07:59 | |
"I worked as a podium dancer at the Ministry of Sound." | 0:07:59 | 0:08:04 | |
-You were a podium dancer at where, sorry? -At the Ministry of Sound. | 0:08:06 | 0:08:09 | |
What does that involve? | 0:08:09 | 0:08:11 | |
Don't just say dancing. What did you have to wear, for example? | 0:08:11 | 0:08:14 | |
Usually we'd get a phone call and they'd let us know if there was any colour theme. | 0:08:14 | 0:08:19 | |
Then at certain points in the evening, | 0:08:19 | 0:08:22 | |
they would gather up those of us who were employed to do it | 0:08:22 | 0:08:26 | |
and put us on a podium to get the crowd going. | 0:08:26 | 0:08:29 | |
What sort of tunes were you dancing to? | 0:08:29 | 0:08:31 | |
This was early '90s, so, you know, early '90s house music. | 0:08:31 | 0:08:36 | |
Like what? Name one. | 0:08:36 | 0:08:38 | |
Hello. | 0:08:38 | 0:08:39 | |
-Erm... -I can't help you here. -No! | 0:08:39 | 0:08:44 | |
I think the nature of that kind of music was that they were | 0:08:47 | 0:08:50 | |
relatively indistinct tunes designed to create an atmosphere across the entire evening. | 0:08:50 | 0:08:55 | |
That's a stroke of luck, innit? | 0:08:55 | 0:08:57 | |
There is an easy way to tell if he's telling the truth, which is, would you like to show us? | 0:08:57 | 0:09:03 | |
-Not particularly. -Come on! | 0:09:03 | 0:09:06 | |
CHEERING AND APPLAUSE | 0:09:06 | 0:09:08 | |
That's it. That's all I'm doing. | 0:09:16 | 0:09:18 | |
-There you go. -Rubbish! | 0:09:18 | 0:09:21 | |
-I'm now a sort of moderately plump man in my mid-30s. It doesn't have quite the same impact. -Oh, come on. | 0:09:23 | 0:09:29 | |
What do you mean, "moderately"? | 0:09:29 | 0:09:32 | |
-Where did they find you? -Their own people just kind of talent spotted me. | 0:09:32 | 0:09:37 | |
They talent scouted you? | 0:09:37 | 0:09:39 | |
Marcus, it was a part-time job. | 0:09:39 | 0:09:42 | |
What other jobs were you doing at the time? | 0:09:42 | 0:09:44 | |
I was working on an oil rig. | 0:09:44 | 0:09:47 | |
Oh, get off! | 0:09:47 | 0:09:49 | |
I worked for nine months on an oil rig doing four weeks on, and in the two weeks off I'd go and do... | 0:09:49 | 0:09:56 | |
This is like your own private Flashdance. | 0:09:56 | 0:09:58 | |
It's in that area, yeah. | 0:10:00 | 0:10:02 | |
You were welding and then you were dancing! | 0:10:02 | 0:10:05 | |
Flashdance is based on your life! | 0:10:05 | 0:10:08 | |
What did the oil rig people, did you tell them what you were doing part-time? | 0:10:08 | 0:10:12 | |
-I used to practise on the rig. -You did not! | 0:10:12 | 0:10:14 | |
In a way, an oil rig is just a massive podium. | 0:10:14 | 0:10:19 | |
Lee, what do you think? Is he telling the truth? | 0:10:21 | 0:10:24 | |
It's got a lot of YMCA qualities to it, to be honest. | 0:10:24 | 0:10:27 | |
# Duh, duh-duh... # Come on, boys! | 0:10:27 | 0:10:29 | |
Not only do I think this is true, I think this is | 0:10:29 | 0:10:32 | |
the most dignified and wonderful way for Marcus to come out on television. | 0:10:32 | 0:10:36 | |
It's so stupid, in a way, and unbelievable, that it could be true | 0:10:36 | 0:10:43 | |
as a double bluff, but a lie is a double bluff | 0:10:43 | 0:10:46 | |
and he's made it mad and he's thrown the oil rig thing in which might be true, to go with the lie. | 0:10:46 | 0:10:52 | |
-It's a lie. -After three series we've done so far, | 0:10:52 | 0:10:55 | |
I've never asked someone and at the end of it had less information than when I started. | 0:10:55 | 0:11:00 | |
That's why you're the team captain and I'm on the end. | 0:11:00 | 0:11:03 | |
Now I'm being quipped again by you both. | 0:11:03 | 0:11:06 | |
You're like Radio Four panel show bullies. So I would say... | 0:11:06 | 0:11:11 | |
Radio Four? I've never been so happy in all my life! | 0:11:11 | 0:11:15 | |
-Do you really think that, Terence? -Yes. I'm telling you, he's lying. | 0:11:15 | 0:11:20 | |
Did you not see the dance move? Did you not see his crazy... | 0:11:20 | 0:11:23 | |
I didn't believe any of this, but that was a move, wasn't it? | 0:11:23 | 0:11:27 | |
-What are you going to go for, Lee? -We'll say it's true. -OK, Marcus. | 0:11:27 | 0:11:31 | |
Is it truth or a lie? | 0:11:31 | 0:11:33 | |
It is in fact...true. | 0:11:33 | 0:11:37 | |
It's true. Marcus did work as a podium dancer at the Ministry of Sound. | 0:11:42 | 0:11:46 | |
The DJs got a lot of requests from clubbers at the Ministry, | 0:11:46 | 0:11:49 | |
mainly, "Can you get that big, posh bloke off the podium? | 0:11:49 | 0:11:52 | |
"He's putting me off my ecstasy." | 0:11:52 | 0:11:54 | |
Our next round is called The Ring of Truth, | 0:11:56 | 0:11:59 | |
in which I read out some amazing celebrity facts | 0:11:59 | 0:12:01 | |
and all our team have to do is decide whether they're true or not. | 0:12:01 | 0:12:05 | |
Lee's team, take a look at this. | 0:12:05 | 0:12:07 | |
This is my kinda town. | 0:12:07 | 0:12:10 | |
Riding the express elevator to | 0:12:17 | 0:12:18 | |
the top of one of the city's highest buildings, | 0:12:18 | 0:12:21 | |
this is the view that nearly took my breath away. | 0:12:21 | 0:12:24 | |
You know, it's an adventure to shop in this city. | 0:12:26 | 0:12:29 | |
150 market stalls display their goods, | 0:12:29 | 0:12:33 | |
whilst over them tense traffic pounds across the elevated inner ring road. | 0:12:33 | 0:12:39 | |
Yes, it's my kinda town. | 0:12:42 | 0:12:45 | |
So, so long, Birmingham. Here's lookin' at ya. | 0:12:45 | 0:12:49 | |
So here's the related fact, then, for Lee's team. | 0:12:53 | 0:12:57 | |
-A related fact? It's not that related, is it? -It's Birmingham. | 0:13:05 | 0:13:09 | |
There are two Telly Savalases on her chest. | 0:13:09 | 0:13:11 | |
It looks like those stuck on ones, you know, that you can buy in the joke shop? | 0:13:13 | 0:13:17 | |
What's famous about Jodie Marsh is that hers were actually real. | 0:13:17 | 0:13:21 | |
She's had an ongoing spat with Jordan | 0:13:21 | 0:13:23 | |
over the fact that Jordan has had surgery and she hasn't. | 0:13:23 | 0:13:27 | |
I've met both of them. | 0:13:27 | 0:13:29 | |
Both tits? | 0:13:29 | 0:13:31 | |
I kinda had a quick, you know... You can't help looking, can you? | 0:13:32 | 0:13:39 | |
To be honest, Jodie Marsh strikes me as somebody who wouldn't particularly mind people looking. | 0:13:39 | 0:13:44 | |
It'd be a bit rich if she gets massively offended. | 0:13:44 | 0:13:47 | |
Turns up like that, somebody looks at her tits and she goes, "How dare you? | 0:13:47 | 0:13:51 | |
"Actually, I'm very skilled in golf course management. | 0:13:51 | 0:13:55 | |
"What do you have to do to get taken seriously as a woman these days?!" | 0:13:55 | 0:14:00 | |
Why would she do a course on golf course management? | 0:14:00 | 0:14:04 | |
Well, she plays golf. | 0:14:04 | 0:14:06 | |
Her love of the game comes from her grandfather, Jasper Marsh, who was actually a professional golfer. | 0:14:06 | 0:14:11 | |
The University of Birmingham. | 0:14:11 | 0:14:13 | |
Did it used to be a polytechnic, or did it used to be a 24-hour garage? | 0:14:13 | 0:14:17 | |
To be fair, I think the University of Birmingham is a proper one. | 0:14:20 | 0:14:25 | |
It's a proper university. | 0:14:25 | 0:14:26 | |
Jodie wrote her dissertation on the placement of bunkers on links courses. | 0:14:26 | 0:14:31 | |
-No she didn't! -Come on, Rob, you're pushing your luck now! | 0:14:31 | 0:14:35 | |
-What are you going to say on this one? -What do you think? | 0:14:35 | 0:14:38 | |
I can't imagine she's got a golf course management from the University of Birmingham. | 0:14:38 | 0:14:43 | |
I'm going to say it's a lie. But I think it might be true. | 0:14:43 | 0:14:47 | |
Terry's off again. | 0:14:47 | 0:14:49 | |
Either way, I'll end up being ridiculed by my own team. | 0:14:51 | 0:14:54 | |
What are you writing down there? | 0:14:54 | 0:14:57 | |
It's a letter to Points of View to complain about this show. | 0:14:57 | 0:15:00 | |
So you're saying it's a lie? | 0:15:00 | 0:15:03 | |
You say it's a lie. OK, well. | 0:15:03 | 0:15:05 | |
It's actually...a lie. | 0:15:05 | 0:15:07 | |
When we all agree, you see. When we all agree. | 0:15:10 | 0:15:12 | |
Jodie Marsh doesn't have a degree in Golf Course Management from the University of Birmingham. | 0:15:12 | 0:15:18 | |
Golf course management is a taxing degree. | 0:15:18 | 0:15:21 | |
You learn all about golf course design, upkeep, groundsmanship, | 0:15:21 | 0:15:25 | |
and then after lunch you get a certificate. | 0:15:25 | 0:15:27 | |
Which means at the end of that round, it's David's team in the lead with three points. | 0:15:29 | 0:15:34 | |
APPLAUSE | 0:15:34 | 0:15:36 | |
Our next round is called This Is Mine. | 0:15:38 | 0:15:42 | |
We bring on a mystery guest who has a close connection to one of our panellists. | 0:15:42 | 0:15:46 | |
This week, each of Lee's team will claim it's them that has the genuine | 0:15:46 | 0:15:50 | |
connection to the guest. | 0:15:50 | 0:15:51 | |
It's up to David's team to spot who's telling the truth. | 0:15:51 | 0:15:54 | |
Please welcome this week's special guest, Steve. | 0:15:54 | 0:15:57 | |
So, Terry. What's Steve to you? | 0:16:07 | 0:16:10 | |
This is my mate Steve. | 0:16:10 | 0:16:12 | |
We were actually questioned by police, | 0:16:12 | 0:16:14 | |
who mistook us both for jewel thieves. | 0:16:14 | 0:16:18 | |
That sounds incredibly plausible. | 0:16:18 | 0:16:20 | |
Lee, perhaps you'd like to explain how you know Steve? | 0:16:20 | 0:16:24 | |
This is Steve. | 0:16:24 | 0:16:26 | |
We own a greyhound together that has come last in every race. | 0:16:26 | 0:16:29 | |
And finally, Jimmy, what's your connection with Steve? | 0:16:29 | 0:16:33 | |
This is Steve, we were at primary school together, | 0:16:33 | 0:16:35 | |
didn't see each other for 20 years and then met up in a hotel when he brought me room service. | 0:16:35 | 0:16:40 | |
You call it room service! | 0:16:43 | 0:16:45 | |
David's team, where do you want to start? | 0:16:46 | 0:16:49 | |
You're all claiming to be friends with him. I want to see a real connection, | 0:16:49 | 0:16:52 | |
so if you can all give him a hug, I want to see if there is, you know... | 0:16:52 | 0:16:57 | |
You want to see if I hug this man like I own a greyhound with him? | 0:16:57 | 0:17:00 | |
No, no. If he's your friend, if you own something with him... | 0:17:00 | 0:17:03 | |
This is how we hug. We go like this, usually. | 0:17:03 | 0:17:06 | |
"Hey, how are you, little fella? | 0:17:06 | 0:17:07 | |
"Get off! I'm trying to get off with him here." | 0:17:09 | 0:17:13 | |
That's how we hug. | 0:17:13 | 0:17:14 | |
Leave my mate alone. Aye up, mate, how you doing? | 0:17:14 | 0:17:18 | |
Can you just turn around? | 0:17:18 | 0:17:21 | |
Which hotel was this, Jimmy? | 0:17:32 | 0:17:34 | |
-It was the Lowry in Manchester. -That is a hotel in Manchester. | 0:17:34 | 0:17:38 | |
He's the night duty manager there. | 0:17:38 | 0:17:41 | |
He knew you were staying in the hotel and brought your room service up in order to renew your acquaintance? | 0:17:41 | 0:17:47 | |
Yes, and I recognised him immediately. | 0:17:47 | 0:17:50 | |
Did you go, "Oh, my God, Steve, how are you?" | 0:17:50 | 0:17:52 | |
He really hasn't changed that much. | 0:17:52 | 0:17:55 | |
Have you remained friends with him since? | 0:17:55 | 0:17:58 | |
Yeah, I stay in the same hotel quite a lot. | 0:17:58 | 0:18:00 | |
So you only see him when you go to the hotel? | 0:18:00 | 0:18:02 | |
But that's fine. He lives in Manchester, I live in London, so... | 0:18:02 | 0:18:06 | |
-He's not your friend, then. -What do you want me to do, take him to the zoo? | 0:18:06 | 0:18:10 | |
-So, Lee, what's the name of the greyhound? -It's called Ballyregan. | 0:18:14 | 0:18:18 | |
And how many times has Ballyregan raced? | 0:18:18 | 0:18:20 | |
-Six times. -And has always come last? | 0:18:20 | 0:18:23 | |
Always come absolutely last. We've put him in at too high a grade. | 0:18:23 | 0:18:26 | |
Where has Ballyregan raced? | 0:18:26 | 0:18:28 | |
-Wimbledon. -So where does he live? | 0:18:28 | 0:18:31 | |
Wimbledon! Most of the dogs that run at Wimbledon are trained in Wimbledon. | 0:18:31 | 0:18:34 | |
So he lives at, what, a kennels? | 0:18:34 | 0:18:37 | |
No, he lives at the Trust House 40. Where do you think he lives? | 0:18:37 | 0:18:40 | |
Dog tracks have adjacent kennels? And Ballyregan lives in the adjacent kennels. | 0:18:42 | 0:18:48 | |
-The trainers live around dog tracks. -You're in trouble now. | 0:18:48 | 0:18:51 | |
David and dog racing. He knows everything about it. | 0:18:51 | 0:18:53 | |
Listen, if there's one thing I'm always gonna beat David at, it's dog racing. | 0:18:53 | 0:18:58 | |
I'm often down at Walthamstow with my Woodbine. | 0:18:58 | 0:19:01 | |
IMITATES DAVID: Run, you little bastard, or I'll shoot you! | 0:19:01 | 0:19:04 | |
IMITATES DAVID: Where are the pheasants? There's no bloody pheasants. | 0:19:05 | 0:19:09 | |
I don't understand. We'll never catch the fox at this rate. | 0:19:09 | 0:19:13 | |
What are you talking about? Pheasants? Dogs? Fox? | 0:19:13 | 0:19:18 | |
What sort of a menagerie do you imagine I'd be imagining?! | 0:19:18 | 0:19:23 | |
I'm in my castle with ten different sorts of vaguely posh animal, | 0:19:23 | 0:19:28 | |
all fighting each other, then I kill a servant and have sex with the wall! | 0:19:28 | 0:19:32 | |
Yes, that's who you are! | 0:19:32 | 0:19:34 | |
Right, how much does it cost to kennel Ballyregan? | 0:19:39 | 0:19:42 | |
-It costs £35 a week. -So why do you share him? Is it the credit crunch? | 0:19:42 | 0:19:47 | |
-Because it was Steve's idea. -So, Terry, how did you get to know Steve? | 0:19:50 | 0:19:54 | |
Just being out and about, drinking and what have you. | 0:19:54 | 0:19:57 | |
So you met him in a pub? He was a stranger in a pub, you got talking. | 0:19:57 | 0:20:00 | |
You're right. Out and about. | 0:20:00 | 0:20:02 | |
Out and about? And you meet people? | 0:20:02 | 0:20:04 | |
You're out and about on a friend-finding mission. | 0:20:04 | 0:20:07 | |
"Will you be my friend? Yes." | 0:20:07 | 0:20:09 | |
Can you tell us the actual situation. Why did the police think you were jewel thieves? | 0:20:09 | 0:20:14 | |
They just thought we were sort of dressed like the description... | 0:20:14 | 0:20:19 | |
Stripy top, hat, bag? | 0:20:19 | 0:20:24 | |
It was in the city centre and we were walking down the road. | 0:20:26 | 0:20:30 | |
Next thing you know, these four police cars pull up. | 0:20:30 | 0:20:34 | |
Hang on. City centre, Manchester. Pedestrianised, mate. | 0:20:34 | 0:20:37 | |
IN MANCUNIAN ACCENT: You should know that. | 0:20:37 | 0:20:40 | |
Did they pull up in police trams? | 0:20:40 | 0:20:42 | |
We were walking down this road in the city centre, | 0:20:45 | 0:20:48 | |
right, and four police cars pulled up... | 0:20:48 | 0:20:51 | |
-Got out, walked... -They got out... -..about three miles. | 0:20:51 | 0:20:56 | |
They just said that we fitted the description | 0:20:57 | 0:21:01 | |
of these guys who had just carried out a robbery on a jeweller's. | 0:21:01 | 0:21:05 | |
Right, we need an answer. | 0:21:05 | 0:21:07 | |
So, David's team. | 0:21:07 | 0:21:09 | |
Is Steve Terry's partner in crime, Lee's partner in a dog, | 0:21:09 | 0:21:13 | |
or Jimmy's primary school pal? | 0:21:13 | 0:21:17 | |
OK, can I rule Terry out at this stage? | 0:21:17 | 0:21:22 | |
I'm happy to rule Terry out. | 0:21:22 | 0:21:25 | |
And I do think Steve looks too well-groomed to be from Manchester. | 0:21:25 | 0:21:29 | |
Jamelia, everyone! Come on. | 0:21:33 | 0:21:36 | |
Another thing, Lee, | 0:21:36 | 0:21:38 | |
you're way too successful to have bought half a dog. | 0:21:38 | 0:21:41 | |
-You'd just buy your own greyhound. I think it's Jimmy. -You think it's Jimmy? | 0:21:41 | 0:21:44 | |
-I think it's greyhound. -I think I'm edging towards Jimmy. | 0:21:44 | 0:21:49 | |
I think Jimmy looked a little bit put upon when you were | 0:21:49 | 0:21:52 | |
sort of having a go at essentially what a bad friend he is. | 0:21:52 | 0:21:57 | |
"It's all very well, for a quick sandwich in a hotel bar, | 0:21:59 | 0:22:02 | |
"But, you know, I've got gigs and stuff. Steve, isn't it? | 0:22:02 | 0:22:06 | |
"Yeah, catch you next time I'm passing through town." | 0:22:06 | 0:22:09 | |
So, David, time to decide. | 0:22:10 | 0:22:12 | |
I think we'll go with the majority decision. We think it's Jimmy. | 0:22:12 | 0:22:16 | |
OK. Well, Steve, | 0:22:16 | 0:22:18 | |
would you like to reveal your true identity? | 0:22:18 | 0:22:21 | |
Yeah, the truth is me and Terry were mistaken as jewel thieves. | 0:22:21 | 0:22:25 | |
Yes. Steve is Terry's mate. | 0:22:29 | 0:22:33 | |
They were questioned by the police, who mistook them for jewel thieves. | 0:22:33 | 0:22:37 | |
Was it a pedestrianised area? | 0:22:37 | 0:22:40 | |
No, it was in Derby, actually, not Manchester. | 0:22:40 | 0:22:43 | |
You liar! | 0:22:43 | 0:22:44 | |
No, I just said a city centre. He said Manchester. | 0:22:44 | 0:22:47 | |
Thank you very much, Steve. | 0:22:47 | 0:22:49 | |
Which brings us to our final round, Quick Fire Lies, in which | 0:22:54 | 0:22:57 | |
panellists lie not only through their teeth, but against the clock. | 0:22:57 | 0:23:00 | |
The scores are tied, so there's everything to play for, | 0:23:00 | 0:23:03 | |
and we start with... | 0:23:03 | 0:23:04 | |
BUZZER | 0:23:04 | 0:23:06 | |
..David. | 0:23:06 | 0:23:08 | |
"I read 1984 from cover to cover in WHSmith, | 0:23:08 | 0:23:13 | |
"so I didn't have to buy a copy." | 0:23:13 | 0:23:16 | |
Lee, do you believe that? | 0:23:16 | 0:23:19 | |
-When was this? -It was, I'd say, 1992. | 0:23:19 | 0:23:26 | |
So, eight years after it came out. | 0:23:26 | 0:23:29 | |
Did you knock on the door at 8.30 as they opened, | 0:23:29 | 0:23:33 | |
and you were in there till five, "Oh, this is good"? | 0:23:33 | 0:23:36 | |
-Or did you pop in and read a bit at a time? -I read it in a series of lunchtimes. | 0:23:36 | 0:23:42 | |
Did you find that later in the afternoon you were really, really hungry? | 0:23:42 | 0:23:46 | |
-I grabbed a sandwich, as well. -Oh, you were eating and turning at the same time? | 0:23:46 | 0:23:51 | |
No, no, no. You can't eat sandwiches in WHSmith's, you barbarian! | 0:23:51 | 0:23:58 | |
What was the name of Winston's girlfriend in 1984? | 0:23:58 | 0:24:03 | |
It's Julia, as in, "Do it to Julia," isn't it? Yes. I think. | 0:24:03 | 0:24:08 | |
What were you doing for a living in 1992? | 0:24:08 | 0:24:10 | |
I was working in a publisher's. | 0:24:10 | 0:24:14 | |
-Was it really badly paid? -It was quite badly paid, but I dare say | 0:24:14 | 0:24:17 | |
-I could have stretched to a copy, actually. -Why didn't you? | 0:24:17 | 0:24:20 | |
-Because I quite liked... -You liked the danger! | 0:24:20 | 0:24:24 | |
"I'm living on the edge, sweetheart! I'm nipping into WHSmith's and I ain't paying for it!" | 0:24:25 | 0:24:30 | |
It technically is a type of shoplifting, but with intellectual property. | 0:24:30 | 0:24:35 | |
You're stealing thoughts. | 0:24:35 | 0:24:36 | |
It's very 1984 in and of itself. | 0:24:36 | 0:24:38 | |
-I like it. -Thank you. | 0:24:38 | 0:24:41 | |
I don't know. What do we think? | 0:24:41 | 0:24:43 | |
Well, in 1992, I was having it large, he was podium dancing... | 0:24:43 | 0:24:47 | |
and he was reading bleedin' books in his lunchtime. He's weird enough to have done it. | 0:24:47 | 0:24:51 | |
Let me ask you a question. What were you having that was so large? | 0:24:51 | 0:24:54 | |
-Everything. -Chips, milkshake, the lot. | 0:24:54 | 0:24:58 | |
-So, Lee. Time for a guess. -True. | 0:24:58 | 0:25:00 | |
-You're saying true. You're saying it's a lie. -Lie. | 0:25:00 | 0:25:03 | |
Who do I trust the most? | 0:25:03 | 0:25:05 | |
Well, it's not going to be a jewel thief from Manchester who happened to get off. | 0:25:07 | 0:25:12 | |
I wasn't a jewel thief, was I? | 0:25:12 | 0:25:15 | |
Yeah, definitely stick to that story. | 0:25:15 | 0:25:17 | |
-I'll go with Terry and say that's a lie. -You're going to say it's a lie? | 0:25:17 | 0:25:20 | |
David, is it a lie or were you telling the truth? | 0:25:20 | 0:25:22 | |
It is a lie. | 0:25:22 | 0:25:25 | |
It was a lie. | 0:25:28 | 0:25:29 | |
Of course, the novel 1984 is where the term "Big Brother" comes from. | 0:25:29 | 0:25:33 | |
The protagonist, Winston Smith, tries to overthrow a fascist regime | 0:25:33 | 0:25:37 | |
by sitting in a room with Ulrika and the little one from Austin Powers. | 0:25:37 | 0:25:41 | |
Next. | 0:25:41 | 0:25:42 | |
BUZZER | 0:25:42 | 0:25:44 | |
Ooh! Terry Christian. | 0:25:44 | 0:25:46 | |
"Possession." | 0:25:46 | 0:25:47 | |
OK, there's a box under the desk. | 0:25:47 | 0:25:49 | |
If you'd like to bring it up and read out the card therein. | 0:25:49 | 0:25:53 | |
"This is some of my hair collection... | 0:25:53 | 0:25:57 | |
"..that I've gathered from guests who appeared on The Word." | 0:26:00 | 0:26:04 | |
Rod Hull and Emu. | 0:26:05 | 0:26:09 | |
MC Hammer. | 0:26:09 | 0:26:12 | |
And Kurt Cobain's hair. | 0:26:12 | 0:26:15 | |
All right. There we are. | 0:26:15 | 0:26:17 | |
Where did you manage to get this hair from? | 0:26:17 | 0:26:21 | |
I'd ask the make-up women to take it off the brush. | 0:26:21 | 0:26:25 | |
So they were brushing Emu? | 0:26:25 | 0:26:27 | |
Emu, he just, he kinda sheds. | 0:26:32 | 0:26:35 | |
Would you mind if I had a look? | 0:26:35 | 0:26:38 | |
I'd quite like to see some of MC Hammer's little curlies in a Regal packet. | 0:26:38 | 0:26:44 | |
That phrase has never been said in the history of mankind! | 0:26:44 | 0:26:47 | |
-Be careful, cos there's only... -What are you smelling it for? -It smells like heroin! | 0:26:47 | 0:26:51 | |
That's, that's never Rod Hull's hair. | 0:26:54 | 0:26:57 | |
Look at that. That's not even real hair. | 0:26:59 | 0:27:02 | |
Look at MC Hammer's in a little baggy. | 0:27:02 | 0:27:05 | |
Oi! Don't open it! | 0:27:05 | 0:27:06 | |
That's never MC Hammer's hair. I'm telling you. | 0:27:06 | 0:27:10 | |
Have a look at that. That's not MC Hammer's hair. | 0:27:10 | 0:27:12 | |
-I know MC Hammer's hair. -This is like a really low budget CSI. | 0:27:12 | 0:27:17 | |
DAVID: It's little pot... | 0:27:19 | 0:27:22 | |
Now it's turned into Antiques Roadshow. | 0:27:22 | 0:27:23 | |
Which I could see you on, actually, David. | 0:27:23 | 0:27:26 | |
I'd have that insured for two, maybe three pence. | 0:27:26 | 0:27:30 | |
What are you going to plump for? | 0:27:30 | 0:27:34 | |
You know the thing that's most convincing is that this is definitely an old cigarette packet. | 0:27:34 | 0:27:39 | |
-It's a big, hairy lie. -But now he's doing that smile. | 0:27:39 | 0:27:43 | |
I hate this game! | 0:27:43 | 0:27:46 | |
-I think we're going to say a lie, aren't we? -I'll agree. | 0:27:46 | 0:27:50 | |
You're saying it's a lie. OK. Terry, is it truth or is it a lie? | 0:27:50 | 0:27:53 | |
Get yer hair, baby. Lie! | 0:27:53 | 0:27:56 | |
BUZZER | 0:27:59 | 0:28:01 | |
That's it. | 0:28:01 | 0:28:02 | |
That noise signals time is up and it's the end of the show, | 0:28:02 | 0:28:06 | |
and I can reveal that David's team have four points, | 0:28:06 | 0:28:08 | |
but Lee's team have romped to victory with six points. | 0:28:08 | 0:28:13 | |
CHEERING AND APPLAUSE | 0:28:13 | 0:28:14 | |
But it's not just a team game. | 0:28:17 | 0:28:21 | |
My individual liar of the week this week is Terry Christian. | 0:28:21 | 0:28:26 | |
Terry, you can put the award on your award shelf, | 0:28:30 | 0:28:34 | |
or as it's currently known, your shelf. Good night. | 0:28:34 | 0:28:38 | |
Subtitles by Red Bee Media Ltd | 0:28:56 | 0:28:59 | |
E-mail [email protected] | 0:28:59 | 0:29:01 |