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CHEERING AND APPLAUSE | 0:00:20 | 0:00:22 | |
Good evening and welcome to a very special edition | 0:00:27 | 0:00:30 | |
of previously unseen clips from this series of Would I Lie To You? | 0:00:30 | 0:00:34 | |
Joining Lee Mack tonight, Alex Jones, Jim Carter, Bob Mortimer, | 0:00:34 | 0:00:39 | |
Miranda Hart, Alexander Armstrong, Kate Humble, Miles Jupp, | 0:00:39 | 0:00:43 | |
Diane Parish, Dr Christian Jessen, Armando Iannucci and Clare Balding. | 0:00:43 | 0:00:49 | |
And joining David Mitchell tonight, Jack Whitehall, Richard Madeley, | 0:00:49 | 0:00:53 | |
Gabby Logan, Greg Davis, Richard Osman, Mel Giedroyc, | 0:00:53 | 0:00:57 | |
Andy Hamilton, Chris Tarrant, Richard Bacon and Dale Winton. | 0:00:57 | 0:01:02 | |
And so we begin with Round One, it's Home Truths, | 0:01:04 | 0:01:06 | |
where our panellists each read out a statement | 0:01:06 | 0:01:09 | |
from the card in front of them. | 0:01:09 | 0:01:10 | |
To make things harder, they've never seen the card before, | 0:01:10 | 0:01:13 | |
so they've got no idea what they'll be faced with. | 0:01:13 | 0:01:15 | |
It's up to the opposing team to sort the fact from the fiction, | 0:01:15 | 0:01:18 | |
and, Richard, you are first up. | 0:01:18 | 0:01:20 | |
My family don't have a swear jar, | 0:01:22 | 0:01:24 | |
we have a bore jar. | 0:01:24 | 0:01:27 | |
Whenever a Madeley says something dull, | 0:01:27 | 0:01:30 | |
they have to stick a quid in it. | 0:01:30 | 0:01:32 | |
Blimey, have you got a change machine at home? | 0:01:32 | 0:01:34 | |
LAUGHTER | 0:01:34 | 0:01:35 | |
What do you think, Lee, the Madeley bore jar, could it be true? | 0:01:35 | 0:01:40 | |
Well, um... | 0:01:40 | 0:01:43 | |
Yeah, we'll go with true. | 0:01:43 | 0:01:45 | |
LAUGHTER | 0:01:45 | 0:01:46 | |
APPLAUSE | 0:01:46 | 0:01:49 | |
OK, are all the family members included in this? | 0:01:53 | 0:01:56 | |
-It's a compulsory family scheme, yeah. -OK. | 0:01:56 | 0:01:58 | |
And who would you say... We know the answer, but we'll ask it anyway... | 0:01:58 | 0:02:01 | |
-LAUGHTER -Who would you say | 0:02:01 | 0:02:03 | |
has given the most to the jar? | 0:02:03 | 0:02:05 | |
-Well, me, obviously. -You've given the most. -Yeah. | 0:02:05 | 0:02:07 | |
-And what do you do with the money? -Well, I keep it. -YOU keep it? | 0:02:07 | 0:02:11 | |
-It's my system and it's my jar. -It's your money! | 0:02:11 | 0:02:14 | |
And it's mostly my money, so I tend to keep it. | 0:02:14 | 0:02:16 | |
So basically, there's a jar full of money that you've put in, that you take all the money out and keep. | 0:02:16 | 0:02:20 | |
That is so boring, get a quid in it. | 0:02:20 | 0:02:21 | |
-LAUGHTER -Is it only family? | 0:02:21 | 0:02:23 | |
If I came to your house and was just my usual self, would I have to start overloading it? | 0:02:23 | 0:02:27 | |
Well, for example, if you came in and started talking about Not Going Out, | 0:02:27 | 0:02:30 | |
-obviously, you'd have to put a quid in. -Ooh. | 0:02:30 | 0:02:32 | |
-AUDIENCE: Ooh! -Trust me, if I was in your house, | 0:02:32 | 0:02:35 | |
-I wouldn't be talking about NOT going out. -LAUGHTER | 0:02:35 | 0:02:38 | |
Do you remember the last time you put a - you, not poor Jack or Chloe or long-suffering Judy, | 0:02:38 | 0:02:43 | |
the last time that you put a pound in that jar, what was it for? | 0:02:43 | 0:02:49 | |
I was reading something about fiscal policy out of the Financial Times, | 0:02:49 | 0:02:54 | |
and Judy said, after about three seconds, "jar". | 0:02:54 | 0:02:58 | |
Maybe she was agreeing with you in German. | 0:02:58 | 0:03:00 | |
LAUGHTER | 0:03:00 | 0:03:02 | |
What do you think, Lee Mack? | 0:03:04 | 0:03:05 | |
Miles. | 0:03:05 | 0:03:07 | |
-I think this is true. -Do you? | 0:03:07 | 0:03:10 | |
Yeah, but I do find... I find Richard intrinsically believable. | 0:03:10 | 0:03:16 | |
LAUGHTER | 0:03:16 | 0:03:17 | |
-So you think Richard's telling the truth. Kate? -I think it's complete rubbish. -You think it's a lie? -Yeah. | 0:03:17 | 0:03:21 | |
-I'm going to say not true. -Going to say it's a lie. | 0:03:21 | 0:03:24 | |
-Richard, were you telling the truth, or were you telling a lie? -Well, I'm afraid the answer is deeply boring. | 0:03:24 | 0:03:29 | |
I lied. | 0:03:29 | 0:03:30 | |
APPLAUSE | 0:03:30 | 0:03:32 | |
Bob, you're next. | 0:03:34 | 0:03:36 | |
I have a didgeridoo suspended from a tree in my back garden | 0:03:36 | 0:03:40 | |
so that when the wind blows in a particular direction, | 0:03:40 | 0:03:43 | |
it parps soothing sounds of the outback into my bedroom window. | 0:03:43 | 0:03:49 | |
LAUGHTER | 0:03:49 | 0:03:51 | |
-David's team, what do you think? -Parps soothing sounds of the outback? | 0:03:51 | 0:03:54 | |
Yes. | 0:03:54 | 0:03:55 | |
What a poetic way of putting it. | 0:03:55 | 0:03:58 | |
Thank you. | 0:03:58 | 0:03:59 | |
-Um... -Do you genuinely believe that | 0:03:59 | 0:04:01 | |
that particular instrument makes a parp? | 0:04:01 | 0:04:03 | |
How would you describe it, Greg? | 0:04:04 | 0:04:07 | |
Er-ar er-ar, er-ar... | 0:04:07 | 0:04:09 | |
LAUGHTER | 0:04:09 | 0:04:11 | |
-LEE: -All do it, audience! | 0:04:12 | 0:04:14 | |
And how soothed do you feel? | 0:04:14 | 0:04:16 | |
Right, everyone stop parping. | 0:04:16 | 0:04:17 | |
I get this every night in my house, please! | 0:04:17 | 0:04:22 | |
Where is it, Bob, it's in a tree? | 0:04:22 | 0:04:23 | |
-Yeah. -And you've made a conscious decision to put it in the tree? -Yeah. | 0:04:23 | 0:04:26 | |
I thought you said it was hanging from a tree? | 0:04:26 | 0:04:28 | |
What it is is, it's trapped in a V, I think. Is there a name for that area of a tree, | 0:04:28 | 0:04:32 | |
-is it called the Clooney or something? -A Clooney? | 0:04:32 | 0:04:34 | |
LAUGHTER | 0:04:34 | 0:04:35 | |
What's the... George Clooney's holding a didgeridoo | 0:04:35 | 0:04:38 | |
up a tree in his garden, why don't you believe this? | 0:04:38 | 0:04:41 | |
This part of your finger there is called the Clooney. | 0:04:41 | 0:04:45 | |
-Is it? -So I'm assuming... | 0:04:45 | 0:04:46 | |
I never knew that. | 0:04:46 | 0:04:47 | |
That's why I said Clooney. Where it... And it's wedged there. | 0:04:47 | 0:04:50 | |
-It's wedged in the tree's V. -Yes. | 0:04:50 | 0:04:53 | |
It's wedged horizontally in the tree's V facing south east, | 0:04:53 | 0:04:56 | |
-which is the prevailing wind where -I -live. | 0:04:56 | 0:04:59 | |
Where do you live, not Britain? | 0:04:59 | 0:05:01 | |
-Britain. -No, the prevailing wind in Britain is south westerly. | 0:05:01 | 0:05:04 | |
It doesn't happen every night. | 0:05:04 | 0:05:07 | |
-Right. -LAUGHTER | 0:05:07 | 0:05:09 | |
So tell us what this sound does for you, then. | 0:05:09 | 0:05:12 | |
You're lying in bed at night and you've had a lovely day, | 0:05:12 | 0:05:15 | |
you're just settling down, and you hear... | 0:05:15 | 0:05:17 | |
MAKES DIDGERIDOO NOISE | 0:05:17 | 0:05:21 | |
..and then what, what sort of, what happens to you? | 0:05:21 | 0:05:24 | |
I'm soothed. | 0:05:24 | 0:05:26 | |
And the mind is soothed. Do you know you get things that will do the same thing to, say, your throat? | 0:05:26 | 0:05:30 | |
Yes. | 0:05:30 | 0:05:32 | |
It does it to the mind. | 0:05:32 | 0:05:33 | |
What if your brain's fine? You don't want to hear that every time it's windy. | 0:05:33 | 0:05:37 | |
-You're always soothing your brain, that's what sleep is. -Hence the success of the pillow. -Yeah. | 0:05:37 | 0:05:41 | |
LAUGHTER | 0:05:41 | 0:05:43 | |
-GREG: -Can I just say though, Bob, | 0:05:43 | 0:05:44 | |
I've been led to believe by out-of-work hippies over the years | 0:05:44 | 0:05:47 | |
-that the didgeridoo is an incredibly difficult instrument to play. -Yeah. | 0:05:47 | 0:05:51 | |
And yet it would appear that all one has to do is to pass air through it. | 0:05:51 | 0:05:54 | |
LAUGHTER | 0:05:54 | 0:05:55 | |
No, well, you have to position it correctly, | 0:05:55 | 0:05:57 | |
just as you would have to over your mouth. | 0:05:57 | 0:05:59 | |
I've done that by utilising the Clooney in the tree. | 0:05:59 | 0:06:03 | |
You're using the Clooney of a tree as human lips? | 0:06:03 | 0:06:06 | |
LAUGHTER | 0:06:06 | 0:06:07 | |
Even to get any kind of noise out of a didgeridoo, | 0:06:07 | 0:06:10 | |
the Clooney - which doesn't exist - on Bob's tree... | 0:06:10 | 0:06:13 | |
PATSY LAUGHS | 0:06:13 | 0:06:14 | |
..would have to be flesh-like, | 0:06:14 | 0:06:16 | |
-cos an Aboriginal doesn't just go... -EXHALES HARD | 0:06:16 | 0:06:19 | |
..through it. Cos it's not just wind, they use their lips. | 0:06:19 | 0:06:22 | |
Very good point, very good point. | 0:06:22 | 0:06:24 | |
LAUGHTER | 0:06:24 | 0:06:26 | |
Just coming up this time of year, I'll admit it's a lot better. | 0:06:26 | 0:06:29 | |
In fact, I have a wisteria that grows through the didgeridoo. | 0:06:29 | 0:06:34 | |
DAVID LAUGHS | 0:06:34 | 0:06:36 | |
Of course! | 0:06:39 | 0:06:41 | |
-And when the wisteria comes into leaf... -Yeah. | 0:06:41 | 0:06:44 | |
..not only does it pipe the wind towards the didgeridoo, | 0:06:44 | 0:06:47 | |
but it acts as the lips. | 0:06:47 | 0:06:49 | |
LAUGHTER | 0:06:49 | 0:06:50 | |
It's long been said that if the wind blows in the right direction through wisteria, | 0:06:50 | 0:06:54 | |
it can play any instrument in the world. | 0:06:54 | 0:06:57 | |
LAUGHTER | 0:06:57 | 0:06:58 | |
It's time to decide, David. | 0:06:58 | 0:06:59 | |
-OK, we need to make a guess. -What are you going to say? | 0:06:59 | 0:07:02 | |
Um... | 0:07:02 | 0:07:03 | |
I think it's a lie. | 0:07:03 | 0:07:04 | |
Of course it's a lie. | 0:07:04 | 0:07:06 | |
-We think it's a lie. -You think it's a lie. | 0:07:06 | 0:07:08 | |
Well, Bob, were you telling the truth or were you telling a lie? | 0:07:08 | 0:07:10 | |
I was lying. | 0:07:10 | 0:07:12 | |
APPLAUSE | 0:07:13 | 0:07:15 | |
Christian, you're next. | 0:07:16 | 0:07:18 | |
For a prank, | 0:07:18 | 0:07:20 | |
I once set a friend's legs in plaster casts while he slept. | 0:07:20 | 0:07:26 | |
LAUGHTER | 0:07:26 | 0:07:28 | |
David Mitchell's team. | 0:07:28 | 0:07:29 | |
Do you get to take those materials home with you, then, when you're at medical school, or when you're...? | 0:07:29 | 0:07:34 | |
-We're not supposed to... -Right, were you at medical school at the time? -..but we do. This would have been... | 0:07:34 | 0:07:39 | |
-Did you say was he at medical school? -At the time. | 0:07:39 | 0:07:41 | |
-Oh, right, yeah. -No, I am not... -I thought you were accusing him! | 0:07:41 | 0:07:44 | |
-ANDY: -Christian, why did you play this prank on your friend? | 0:07:44 | 0:07:48 | |
Because he'd got blind drunk, as only medical students can do. | 0:07:48 | 0:07:51 | |
And he was drunk as you were putting the plaster cast on him, or...? | 0:07:51 | 0:07:55 | |
-He'd actually passed out by that stage. -Right. | 0:07:55 | 0:07:58 | |
-He was sleeping. -Was it... | 0:07:58 | 0:07:59 | |
Can you get struck off for this? | 0:07:59 | 0:08:00 | |
-No. -Oh, right. | 0:08:00 | 0:08:02 | |
LAUGHTER | 0:08:02 | 0:08:03 | |
-Anyone? -Presumably, you had to have a plan, didn't you? | 0:08:05 | 0:08:08 | |
You didn't just happen to chance upon the plaster casting equipment. | 0:08:08 | 0:08:12 | |
Um... | 0:08:12 | 0:08:13 | |
We decided we were going to plaster him from his ankles | 0:08:13 | 0:08:17 | |
all the way up to his hips, with his legs apart like that. | 0:08:17 | 0:08:19 | |
LAUGHTER | 0:08:19 | 0:08:21 | |
He never woke up the whole time you're touching him? | 0:08:21 | 0:08:23 | |
And presumably, right the way up to the top of his groin. | 0:08:23 | 0:08:26 | |
Have you ever drunk 19 pints of cider? | 0:08:26 | 0:08:28 | |
-Yes. -All right. | 0:08:29 | 0:08:30 | |
LAUGHTER | 0:08:30 | 0:08:32 | |
Did you first take his trousers down? | 0:08:34 | 0:08:36 | |
We did, yeah. | 0:08:36 | 0:08:37 | |
Oh, the humiliation. | 0:08:37 | 0:08:40 | |
-Did you take his underpants off as well? -No, we left the undies on. | 0:08:40 | 0:08:43 | |
And you said, "we". Who were the accomplices here? | 0:08:43 | 0:08:45 | |
I had mates that were involved. | 0:08:45 | 0:08:47 | |
Name them. | 0:08:47 | 0:08:49 | |
-Matthew, Mark... -Luke and John? | 0:08:50 | 0:08:52 | |
LAUGHTER | 0:08:52 | 0:08:53 | |
Is that the gospel now, or are you... | 0:08:53 | 0:08:56 | |
-Gospel. -Gospel. | 0:08:56 | 0:08:58 | |
-Andy, did you miss that? I said, is that the gospel? -Yeah, yeah. | 0:08:58 | 0:09:02 | |
I didn't miss it, Rob. | 0:09:02 | 0:09:04 | |
LAUGHTER | 0:09:04 | 0:09:05 | |
And when he woke up, what was his reaction? | 0:09:05 | 0:09:10 | |
He thought he'd had a stroke. | 0:09:10 | 0:09:12 | |
-Because he couldn't even... -Move his legs. | 0:09:12 | 0:09:15 | |
-DAVID: That's very bad self-diagnosis. -Aah. Poor fella! | 0:09:15 | 0:09:17 | |
LAUGHTER | 0:09:17 | 0:09:19 | |
-David, what are you thinking? -Um... Andy? | 0:09:19 | 0:09:21 | |
I think the medical student thing, knowing how their minds work, | 0:09:21 | 0:09:26 | |
I think it might be true. | 0:09:26 | 0:09:28 | |
And you're edging towards...? | 0:09:28 | 0:09:30 | |
I did think it was a lie, and now I think it might be true. | 0:09:30 | 0:09:34 | |
OK, we'll say it's true. | 0:09:34 | 0:09:37 | |
Say it's true. All right, Dr Christian, were you telling the truth, | 0:09:37 | 0:09:40 | |
or were you telling a lie? | 0:09:40 | 0:09:42 | |
-It is true. -Well done. | 0:09:42 | 0:09:45 | |
Xander, you're next. | 0:09:46 | 0:09:48 | |
Last year, I was amused to discover that in one weekend, | 0:09:48 | 0:09:52 | |
I'd had a curry with Andy Murray, | 0:09:52 | 0:09:55 | |
been bowling with JK Rowling... | 0:09:55 | 0:09:58 | |
LAUGHTER | 0:09:58 | 0:10:00 | |
..and attended an odd party with Todd Carty. | 0:10:02 | 0:10:06 | |
LAUGHTER | 0:10:06 | 0:10:08 | |
APPLAUSE | 0:10:08 | 0:10:10 | |
So, David, what do you think? | 0:10:13 | 0:10:15 | |
Well, what a weekend that was! | 0:10:15 | 0:10:17 | |
What was odd about the party? | 0:10:18 | 0:10:20 | |
Where do I begin? | 0:10:20 | 0:10:23 | |
LAUGHTER | 0:10:23 | 0:10:24 | |
Er, the first indication that it was an odd party... | 0:10:24 | 0:10:28 | |
There were chicken wings that were brought around, for example, | 0:10:28 | 0:10:32 | |
that everybody dived on, | 0:10:32 | 0:10:34 | |
and it was only when we'd eaten most of the plate when somebody went, | 0:10:34 | 0:10:38 | |
"Mmm, mmm..." and then, "This is still quite red," | 0:10:38 | 0:10:42 | |
and we all noticed | 0:10:42 | 0:10:43 | |
that actually, nothing had really been cooked at all. | 0:10:43 | 0:10:46 | |
So we were all, er... We were all dicing with salmonella. | 0:10:46 | 0:10:49 | |
Erm... | 0:10:49 | 0:10:51 | |
There was a husband and wife there who had the most enormous row... | 0:10:51 | 0:10:55 | |
-I mean, it's just, it was a very odd... -So a row and disappointing food. -Yes, disappointing. | 0:10:55 | 0:11:00 | |
This is a normal party. | 0:11:00 | 0:11:01 | |
LAUGHTER | 0:11:01 | 0:11:03 | |
I'm fascinated with the bowling with Rowling. | 0:11:03 | 0:11:06 | |
Was it the sort of bowling which ladies of a certain age in white do in parks? | 0:11:06 | 0:11:10 | |
-No, sir. -Or was it ten pin, three fingers in the old, and...? | 0:11:10 | 0:11:14 | |
-Ten pin, three fingers, yes. -Ten pin and three fingers. | 0:11:14 | 0:11:16 | |
LAUGHTER | 0:11:16 | 0:11:18 | |
-Did you have to change from your normal shoes... -You bet. | 0:11:18 | 0:11:22 | |
-..into the red, white and blue... -Yes. -..sort of comedy bowling shoes? | 0:11:22 | 0:11:25 | |
No, we had purple shoes. This was the livery of this rather chic... | 0:11:25 | 0:11:28 | |
-It was posh. -..bowling place. | 0:11:28 | 0:11:30 | |
-It was a posh place. -Where was the chic bowling place? | 0:11:30 | 0:11:33 | |
-Yeah! -The chic bowling place was in London's Bayswater. -Oh, I've been there. | 0:11:33 | 0:11:36 | |
-LEE: -I've been there. -MEL: -Are the shoes purple? | 0:11:36 | 0:11:38 | |
-LEE: -That's where JK Rowling goes. That one. | 0:11:38 | 0:11:40 | |
-The Rowling alley, as they... MEL: -What's Jo... -LAUGHTER | 0:11:41 | 0:11:45 | |
-Let's cut back... -Yeah. -..to Murray and curry. -The curry. | 0:11:45 | 0:11:49 | |
We were in this rather large curry house in Milton Keynes. | 0:11:49 | 0:11:53 | |
-CHRIS: -Milton Keynes! | 0:11:53 | 0:11:54 | |
Why were you in Milton Keynes in a large curry house? | 0:11:54 | 0:11:57 | |
-MEL: -Yes. Exactly. -CHRIS: -With Andy Murray. | 0:11:57 | 0:11:59 | |
-Yeah. -MEL: -Exactly. | 0:11:59 | 0:12:01 | |
It was a charity event, | 0:12:01 | 0:12:02 | |
after which we went, we repaired, | 0:12:02 | 0:12:04 | |
to a sort of mini Taj Mahal building in Milton Keynes. | 0:12:04 | 0:12:09 | |
At another table, though, three people, | 0:12:09 | 0:12:12 | |
who'd been sitting there for quite a long time, we hadn't noticed, | 0:12:12 | 0:12:15 | |
eventually we spotted were Andy Murray, Mrs Murray, | 0:12:15 | 0:12:18 | |
and someone who I can only imagine was his agent. | 0:12:18 | 0:12:22 | |
-And... -Right. -..we, er, after a little while, obviously, | 0:12:22 | 0:12:25 | |
felt we'd better go and tell him he was Andy Murray. | 0:12:25 | 0:12:28 | |
-So you went and talked to him? -Well, only to tell him he was Andy Murray. | 0:12:28 | 0:12:31 | |
LAUGHTER | 0:12:31 | 0:12:32 | |
-So what are you going to say, David? -Well, I'm... | 0:12:32 | 0:12:34 | |
-Is this true? -..stuck, you see. What do you think, Chris? | 0:12:34 | 0:12:37 | |
Well, he's just got a little shifty little face, hasn't he? | 0:12:37 | 0:12:39 | |
LAUGHTER | 0:12:39 | 0:12:41 | |
So you think basically it's a lie? | 0:12:42 | 0:12:44 | |
I think basically it's a lie. | 0:12:44 | 0:12:46 | |
-MEL: -You know, Xander's a man about town, | 0:12:46 | 0:12:48 | |
-he's quite, "Hello..." You know, I can imagine when the... -LAUGHTER | 0:12:48 | 0:12:51 | |
I can imagine him in the purple bowling shoes and the, you know, the... | 0:12:51 | 0:12:56 | |
Andy Murray, I can imagine that. At a party with uncooked chicken wings and Todd Carty... | 0:12:56 | 0:13:02 | |
I can't, I don't know. | 0:13:02 | 0:13:04 | |
-I think it's probably a lie. -You're saying it's a lie. | 0:13:04 | 0:13:06 | |
Xander. Were you telling the truth, or were you telling a lie? | 0:13:06 | 0:13:09 | |
It is, in fact... | 0:13:09 | 0:13:10 | |
a lie. | 0:13:10 | 0:13:11 | |
Oh! | 0:13:11 | 0:13:13 | |
APPLAUSE | 0:13:13 | 0:13:14 | |
-BUZZER -It's David. | 0:13:14 | 0:13:16 | |
Once a week, I love to eat a full English breakfast, | 0:13:18 | 0:13:21 | |
but can only do so if I am entirely stripped to the waist. | 0:13:21 | 0:13:25 | |
LAUGHTER | 0:13:25 | 0:13:27 | |
-Lee's team, what do you think? -Hmm, once a week, you say? | 0:13:29 | 0:13:32 | |
-Yeah. -Any particular day of the week? | 0:13:32 | 0:13:34 | |
At the weekend, usually a Saturday or a Sunday. | 0:13:34 | 0:13:37 | |
-I know what the weekend is, David. -Mmm-hmm. -DIANE: -Do you cook it? | 0:13:37 | 0:13:40 | |
Do you cook it in that state of undress, or do you get undressed once it's cooked? | 0:13:40 | 0:13:43 | |
I... I get undressed once it's cooked. | 0:13:43 | 0:13:46 | |
LAUGHTER | 0:13:46 | 0:13:47 | |
Only... I mean, there's a limit to the amount of undressing required, | 0:13:47 | 0:13:52 | |
I mean, I take my top off. | 0:13:52 | 0:13:54 | |
Boxers, or...? | 0:13:54 | 0:13:55 | |
-No, it's... -I think it's waist up, I think he said. | 0:13:55 | 0:13:58 | |
-Oh! -Yes. -Waist up. | 0:13:58 | 0:13:59 | |
It would be odd if he had a breakfast... | 0:13:59 | 0:14:02 | |
and from the waist down, he stripped naked. | 0:14:02 | 0:14:03 | |
That would be odd if you went round to his house, said, "Thank you, David, for the sausage and beans." | 0:14:03 | 0:14:07 | |
"We're not done yet." | 0:14:07 | 0:14:08 | |
-Yeah. -LAUGHTER | 0:14:08 | 0:14:10 | |
No, that's... | 0:14:10 | 0:14:11 | |
Get them off. | 0:14:11 | 0:14:12 | |
Are none of you going to ask why? | 0:14:14 | 0:14:16 | |
-CHRISTIAN: -I'm about to ask. -GABBY: -Oh, good. | 0:14:16 | 0:14:18 | |
What on God's earth function does taking your top off | 0:14:18 | 0:14:22 | |
play in this breakfast? | 0:14:22 | 0:14:24 | |
-In many ways, I've lost a lot of self respect... -You have. | 0:14:24 | 0:14:27 | |
..over the years, and sometimes, I like to wallow in that. | 0:14:27 | 0:14:31 | |
LAUGHTER In that case, we think it's true. | 0:14:31 | 0:14:34 | |
LAUGHTER | 0:14:34 | 0:14:35 | |
I do find there's a certain amount of splatter | 0:14:35 | 0:14:39 | |
involved in the eating of a full English breakfast. | 0:14:39 | 0:14:42 | |
Is this getting sexual? | 0:14:42 | 0:14:44 | |
Not from my point of view. | 0:14:44 | 0:14:46 | |
LAUGHTER | 0:14:46 | 0:14:47 | |
Is this on your own, or would someone join you? | 0:14:49 | 0:14:51 | |
I... More usually, on my own, but I wouldn't... | 0:14:51 | 0:14:55 | |
-ROB LAUGHS -Would you like someone to join you? | 0:14:55 | 0:14:58 | |
-I don't think so, really. -I'm not offering. | 0:14:58 | 0:15:00 | |
LAUGHTER | 0:15:00 | 0:15:02 | |
Can I ask a question? Gabby, do you like a fried breakfast? | 0:15:02 | 0:15:05 | |
LAUGHTER | 0:15:05 | 0:15:06 | |
-David is this... -Hang on. -Sorry. | 0:15:09 | 0:15:12 | |
LAUGHTER | 0:15:12 | 0:15:13 | |
Is this for practical reasons, as you say, just to stop the splashing, | 0:15:13 | 0:15:18 | |
or is it a lovely sense of liberation? | 0:15:18 | 0:15:21 | |
I think it's partly practical. | 0:15:22 | 0:15:25 | |
Partly, yes, of course, you feel closer to nature. | 0:15:25 | 0:15:29 | |
LAUGHTER | 0:15:29 | 0:15:31 | |
So what are you thinking, Lee, what are you going to say, is he telling the truth here? | 0:15:31 | 0:15:35 | |
-Christian, what do you think, do you eat with your clothes on? -I do, I do. | 0:15:35 | 0:15:38 | |
You don't strip off for any reason to do with eating? | 0:15:38 | 0:15:41 | |
No, not really. | 0:15:41 | 0:15:42 | |
Do you think he does? | 0:15:42 | 0:15:43 | |
LAUGHTER | 0:15:45 | 0:15:46 | |
Having got to know David during the course of this evening, | 0:15:46 | 0:15:50 | |
I rather suspect he does. | 0:15:50 | 0:15:52 | |
LAUGHTER | 0:15:52 | 0:15:54 | |
Diane, do you? | 0:15:56 | 0:15:57 | |
Do I? No, I do not, no. | 0:15:57 | 0:15:59 | |
-No, I mean... -Oh! Sorry. -I was going to say do you believe... LAUGHTER | 0:15:59 | 0:16:02 | |
I was going to say do you believe it? I wasn't taking the opportunity to go, do you have fry-ups, | 0:16:02 | 0:16:06 | |
do you want to come round my house, will you take your top off? | 0:16:06 | 0:16:08 | |
-I wasn't going to say that. -Of course not. -I was thinking it. I was absolutely thinking it. | 0:16:08 | 0:16:12 | |
I'd never've said it out loud, but now you've brought it up... Do you want to come round on Sunday? | 0:16:12 | 0:16:16 | |
I've got Birds Eye Potato Waffles. | 0:16:16 | 0:16:18 | |
LAUGHTER | 0:16:18 | 0:16:20 | |
-Do you think David is telling the truth, or do you...? -I think he's telling the truth. | 0:16:21 | 0:16:25 | |
-I think David's a well brought up, educated chap. -Yes. | 0:16:25 | 0:16:28 | |
He'd never do anything quite so stupid. | 0:16:28 | 0:16:30 | |
-Never. He'd have breakfast in a bow tie. -So it's not true. | 0:16:30 | 0:16:32 | |
-I'm on lie now, yeah. -OK. We have to go with lie, then. -You're going to say lie. | 0:16:32 | 0:16:36 | |
-David, truth or lie? -Please don't be true. | 0:16:36 | 0:16:39 | |
It is a lie. | 0:16:39 | 0:16:40 | |
-Thank God for that. -APPLAUSE | 0:16:40 | 0:16:44 | |
Next, it's Jim. | 0:16:44 | 0:16:46 | |
After being knocked unconscious by a Frisbee for three days, | 0:16:46 | 0:16:50 | |
I could only speak in a thick Scottish accent. | 0:16:50 | 0:16:53 | |
LAUGHTER | 0:16:53 | 0:16:56 | |
-David's team. -Oh... | 0:16:56 | 0:16:58 | |
Bit harsh, though, just cos you're Scottish, doesn't mean you're thick, does it? | 0:16:58 | 0:17:02 | |
LAUGHTER | 0:17:02 | 0:17:04 | |
So what was the occasion of being hit by the Frisbee? | 0:17:04 | 0:17:07 | |
I was playing with my daughter and her friends, | 0:17:07 | 0:17:09 | |
and we were playing Frisbee, you know, | 0:17:09 | 0:17:11 | |
with a bunch of people, and this young lad just let it go, | 0:17:11 | 0:17:14 | |
and it just caught me right on the side of the head. | 0:17:14 | 0:17:17 | |
-Er... -Did you pass out first? -Well, I... No, I... Well, I don't know, really. | 0:17:17 | 0:17:21 | |
I went sort of strange and I had to sit down, | 0:17:21 | 0:17:25 | |
but I don't think I physically... | 0:17:25 | 0:17:26 | |
So you sat down, feeling a bit dizzy. | 0:17:26 | 0:17:28 | |
-Head between my knees. -You sat down and at some point, someone asked, | 0:17:28 | 0:17:31 | |
how are you feeling? And you found yourself answering... | 0:17:31 | 0:17:34 | |
I think I said, "I'll tak' the high road | 0:17:34 | 0:17:36 | |
"and you tak' the low road and I'll..." And that was... | 0:17:36 | 0:17:40 | |
Was it just the voice, | 0:17:40 | 0:17:41 | |
or for the next three days, did you not eat lettuce and loathe the English as well? | 0:17:41 | 0:17:45 | |
LAUGHTER | 0:17:45 | 0:17:46 | |
-ARMANDO: -Some of us do eat lettuce. -Yeah. | 0:17:46 | 0:17:49 | |
In fact, I went up to the, erm, the Accident and Emergency, | 0:17:50 | 0:17:54 | |
and somebody there when they met me, and was convinced by my wife, | 0:17:54 | 0:17:57 | |
who took me there, that I wasn't Scottish, said... | 0:17:57 | 0:18:00 | |
tried to calm me down and said, "It will go away." | 0:18:00 | 0:18:02 | |
Your wife needed to be there to persuade, just to say, "I'm sorry, he's not really Scottish." | 0:18:02 | 0:18:06 | |
Cos they get a lot of people who are just Scottish but want to be cured. | 0:18:06 | 0:18:10 | |
LAUGHTER | 0:18:10 | 0:18:11 | |
Frisbees are dangerous things. | 0:18:11 | 0:18:13 | |
I took my son out, my oldest son, when he was about five or six, | 0:18:13 | 0:18:17 | |
to a field area - a field - and I said... | 0:18:17 | 0:18:20 | |
LAUGHTER | 0:18:20 | 0:18:21 | |
..I said, "Stand there, we are going to enjoy the Frisbee." | 0:18:21 | 0:18:25 | |
So he stood over there... | 0:18:25 | 0:18:26 | |
-I wish you were my dad! -And I... | 0:18:26 | 0:18:29 | |
LAUGHTER | 0:18:29 | 0:18:30 | |
What I hadn't told him was that he was meant to catch the Frisbee. | 0:18:30 | 0:18:34 | |
So he stood there full of the trust of a trusting son, like that, | 0:18:34 | 0:18:38 | |
and I did a great throw... | 0:18:38 | 0:18:42 | |
You know when you straighten the arm, so it goes...? | 0:18:42 | 0:18:44 | |
And it went, "Tssh," and he looked at it with a lovely innocent face... | 0:18:44 | 0:18:50 | |
-LAUGHTER -..and it went, "Bang!" | 0:18:50 | 0:18:53 | |
There. And blood went, "Psh!" | 0:18:53 | 0:18:56 | |
And the shock on his face that his father had done this to him. | 0:18:56 | 0:19:00 | |
LAUGHTER | 0:19:00 | 0:19:02 | |
-IN SCOTTISH ACCENT: -"What the hell have you done, you idiot?!" | 0:19:03 | 0:19:06 | |
LAUGHTER | 0:19:06 | 0:19:07 | |
-So what are you thinking, David? -Well, I... | 0:19:07 | 0:19:11 | |
-EMILY: -Oh, totally true. | 0:19:11 | 0:19:12 | |
Well, I... Well, this is my concern. | 0:19:12 | 0:19:15 | |
Jim has very reasonably been reticent | 0:19:15 | 0:19:17 | |
about doing a Scottish accent in this bit of the game. | 0:19:17 | 0:19:20 | |
I suspect, and maybe I'm wrong, and Jim can prove me wrong, or otherwise. | 0:19:20 | 0:19:24 | |
But I don't think that he necessarily | 0:19:24 | 0:19:28 | |
does a very convincing Scottish accent. | 0:19:28 | 0:19:30 | |
-Ooh... -Jim Carter can't do a Scottish accent? | 0:19:30 | 0:19:34 | |
Well, because lots of people can't do various accents, | 0:19:34 | 0:19:37 | |
lots of very good actors can't do certain accents. | 0:19:37 | 0:19:39 | |
And I think it would be unlikely that the accent you'd get if concussed | 0:19:39 | 0:19:43 | |
would be one that you couldn't previously do. | 0:19:43 | 0:19:45 | |
-I disagree with that entirely. -Do you? -Yeah. | 0:19:45 | 0:19:48 | |
Well, get your own team. | 0:19:48 | 0:19:50 | |
LAUGHTER | 0:19:50 | 0:19:52 | |
Just give us a little taste of this voice, if you can use the great... | 0:19:53 | 0:19:57 | |
-Use your tool, your great actor's tool... -My tool, yes. | 0:19:57 | 0:20:00 | |
..to give us a little bit of this voice. | 0:20:00 | 0:20:02 | |
IN SCOTTISH ACCENT: I don't... I don't feel very well, | 0:20:02 | 0:20:05 | |
I think I'm a bit, a bit woozy. | 0:20:05 | 0:20:07 | |
LAUGHTER | 0:20:07 | 0:20:08 | |
That's lovely, isn't it? | 0:20:08 | 0:20:09 | |
It's Radio 4, it's Saturday afternoon, it's a play. | 0:20:09 | 0:20:11 | |
All right, so, David, truth or lie, what are you going to say? | 0:20:11 | 0:20:14 | |
Um, what do you think? | 0:20:14 | 0:20:16 | |
-I think it's true. -You think it's true? -I'll take the hit. -I think it might be true. | 0:20:16 | 0:20:20 | |
I... Well... | 0:20:20 | 0:20:21 | |
OK, I think we're going to say it's true, then. | 0:20:21 | 0:20:25 | |
Jim Carter, were you telling the truth or were you lying? | 0:20:25 | 0:20:27 | |
Er... | 0:20:27 | 0:20:29 | |
I was telling a lie. | 0:20:29 | 0:20:30 | |
-Oh... -APPLAUSE | 0:20:30 | 0:20:32 | |
Who'd have thought that? | 0:20:32 | 0:20:35 | |
Erm... Next. | 0:20:35 | 0:20:37 | |
-BUZZER -It's Lee. | 0:20:37 | 0:20:38 | |
I got stuck for half an hour in a men's toilet | 0:20:40 | 0:20:43 | |
because I couldn't find the door. | 0:20:43 | 0:20:45 | |
LAUGHTER | 0:20:45 | 0:20:46 | |
So where was this men's toilet? | 0:20:47 | 0:20:50 | |
-Next to the ladies'. -LAUGHTER | 0:20:50 | 0:20:52 | |
Were you on your own? | 0:20:52 | 0:20:54 | |
Yes. | 0:20:54 | 0:20:55 | |
LAUGHTER | 0:20:55 | 0:20:57 | |
And where was the...? | 0:20:57 | 0:20:58 | |
-Apart from somebody singing some Wham! song, I don't know who he was. -LAUGHTER | 0:20:58 | 0:21:02 | |
And where was this ladies' toilet that it was next to? | 0:21:03 | 0:21:07 | |
It was in the place I worked at, which was a bingo hall. | 0:21:07 | 0:21:10 | |
RICHARD: And so presumably, you'd managed to find the door on the way in? | 0:21:10 | 0:21:13 | |
-No. -LAUGHTER | 0:21:13 | 0:21:16 | |
Without being facetious. | 0:21:16 | 0:21:17 | |
Oh, I didn't do THAT. | 0:21:17 | 0:21:19 | |
You found the door. | 0:21:19 | 0:21:20 | |
I stood up... | 0:21:20 | 0:21:21 | |
LAUGHTER | 0:21:21 | 0:21:23 | |
You found the door on the way in. | 0:21:25 | 0:21:27 | |
I did find the door on the way in. | 0:21:27 | 0:21:29 | |
You took a number one, number two? | 0:21:29 | 0:21:31 | |
No, I walked, I didn't get a bus. | 0:21:31 | 0:21:32 | |
LAUGHTER | 0:21:32 | 0:21:34 | |
-You've popped into the toilet. -Yes. | 0:21:36 | 0:21:39 | |
It doesn't really matter what you've gone to do. | 0:21:39 | 0:21:41 | |
Well, I think what does matter is whether or not he'd gone into a cubicle, | 0:21:41 | 0:21:44 | |
-or was just approaching a urinal. -Yes, that's a good question. -And how long it took you. | 0:21:44 | 0:21:48 | |
Given you'd just walked through the door that then you couldn't find. | 0:21:48 | 0:21:51 | |
-Walked in the door, I went to the urinal... -Yeah. | 0:21:51 | 0:21:53 | |
The door closed, | 0:21:53 | 0:21:55 | |
and then I'm now stuck in that toilet for half an hour. | 0:21:55 | 0:21:58 | |
Why was it that you couldn't find the door once it had closed? | 0:21:58 | 0:22:02 | |
Because I went in, and it was late at night, | 0:22:02 | 0:22:04 | |
and the building had started to shut down, | 0:22:04 | 0:22:07 | |
and so I went in, | 0:22:07 | 0:22:08 | |
and just as I got to the urinal, the last bit of the door closes, | 0:22:08 | 0:22:12 | |
and it's now as pitch black as you can possibly imagine. | 0:22:12 | 0:22:15 | |
The other bit to the story I've not mentioned | 0:22:15 | 0:22:17 | |
is that I was absolutely hammered. | 0:22:17 | 0:22:19 | |
LAUGHTER | 0:22:19 | 0:22:20 | |
And so... So I started getting a bit confused. | 0:22:20 | 0:22:24 | |
I went back to what I thought was the middle of the room, | 0:22:24 | 0:22:26 | |
I'm drunk, but now I've lost all bearings... | 0:22:26 | 0:22:29 | |
-DAVID LAUGHS -And so I felt my... -I wish... | 0:22:29 | 0:22:31 | |
I really wish this was on infra-red somewhere. | 0:22:31 | 0:22:34 | |
LAUGHTER | 0:22:34 | 0:22:35 | |
I was... There was a guy with a video camera, the Wham! guy, funnily enough. | 0:22:35 | 0:22:39 | |
LAUGHTER | 0:22:39 | 0:22:40 | |
And eventually, a door opened, cos someone came looking for me, | 0:22:40 | 0:22:43 | |
and as the door opened, I realised I'd lost my bearings so much | 0:22:43 | 0:22:46 | |
that I just... Every time I'd gone round, I'd missed the door. | 0:22:46 | 0:22:49 | |
I think that this is true. | 0:22:49 | 0:22:52 | |
-You think it's true? -Yeah. -I'm not sure, I think it's where he worked, | 0:22:52 | 0:22:56 | |
-and I think there's going to be some light bleeding around a door, isn't there? -Do you... | 0:22:56 | 0:22:59 | |
-You don't think it's true? -No, but if you both do... | 0:22:59 | 0:23:02 | |
It's definitely unlikely, but all the things are unlikely. | 0:23:02 | 0:23:05 | |
You think it's unlike Lee? | 0:23:05 | 0:23:07 | |
-LAUGHTER -Unlike... | 0:23:07 | 0:23:08 | |
I just... I don't know, I just think it's true, | 0:23:09 | 0:23:12 | |
and I think it's well told if it isn't. | 0:23:12 | 0:23:15 | |
-All right, so it's true. -Yeah. -OK. | 0:23:15 | 0:23:17 | |
Lee, truth or lie? | 0:23:17 | 0:23:18 | |
It is in fact true. | 0:23:18 | 0:23:20 | |
APPLAUSE | 0:23:20 | 0:23:22 | |
Clare Balding. | 0:23:24 | 0:23:26 | |
To win a bet, I presented a three-minute piece to camera, | 0:23:26 | 0:23:29 | |
live from Royal Ascot, in a full-length evening gown, | 0:23:29 | 0:23:32 | |
with Willie Carson concealed beneath my skirts. | 0:23:32 | 0:23:35 | |
LAUGHTER | 0:23:35 | 0:23:37 | |
For people that aren't sure, here's a picture. | 0:23:37 | 0:23:39 | |
LAUGHTER | 0:23:39 | 0:23:41 | |
There we are. | 0:23:41 | 0:23:42 | |
-Whose idea was the bet? -The director. | 0:23:42 | 0:23:44 | |
We've come off air, I put on the long ballgown, Willie waits... | 0:23:44 | 0:23:48 | |
He stands on a box when he's presenting with me normally. | 0:23:48 | 0:23:51 | |
Obviously, to fit under my skirts, he didn't. | 0:23:51 | 0:23:53 | |
In fact, he knelt, and he was quiet as a mouse, he was very good. | 0:23:53 | 0:23:57 | |
LAUGHTER | 0:23:57 | 0:23:58 | |
No-one's said it yet, I wanted to say it. | 0:23:58 | 0:24:00 | |
What, sorry, Miranda, what was that? | 0:24:00 | 0:24:03 | |
I wanted to say there was a Willie under her skirt. | 0:24:03 | 0:24:05 | |
LAUGHTER | 0:24:05 | 0:24:07 | |
Now it's out there, now it's out there. | 0:24:08 | 0:24:10 | |
-I'd like to request someone more mature on my team. -LAUGHTER | 0:24:10 | 0:24:13 | |
-DAVID: -I mean, I know Willie Carson is not a burly man... | 0:24:13 | 0:24:16 | |
-No, he's... -But I still think, that must be quite a substantial dress. | 0:24:16 | 0:24:21 | |
It was a very, you know, like... | 0:24:21 | 0:24:24 | |
As you sometimes get in costume dramas. It didn't have the hoops, but it had a very full skirt. | 0:24:24 | 0:24:28 | |
-But how did he get in, though? Were you stood there? -I stood... | 0:24:28 | 0:24:31 | |
-Did you go, "Come on, Willie"? -LAUGHTER | 0:24:31 | 0:24:33 | |
Well, he crawled along on the ground and then knelt under there, | 0:24:34 | 0:24:38 | |
and it's a three-minute piece, so the first two minutes was absolutely fine, | 0:24:38 | 0:24:41 | |
and on I went, and rattled on about normal racing stuff, | 0:24:41 | 0:24:43 | |
and then he started to giggle, and that's what gave it away, | 0:24:43 | 0:24:46 | |
-but because we got two of the three minutes, the bet was won. -Recreate the piece to camera. | 0:24:46 | 0:24:49 | |
OK, so I stand there and I say, "Hello and welcome to Royal Ascot, | 0:24:49 | 0:24:53 | |
"we've had a stunning first day here with a win for Frankie Dettori. | 0:24:53 | 0:24:55 | |
"We saw his flying dismount..." | 0:24:55 | 0:24:57 | |
And then this first squeak then, | 0:24:57 | 0:24:58 | |
from Willie... He goes... SHE SQUEAKS | 0:24:58 | 0:25:00 | |
Cos he's got a very high laugh. | 0:25:00 | 0:25:01 | |
And I, like, smacked him and said, stop. | 0:25:01 | 0:25:04 | |
LAUGHTER | 0:25:04 | 0:25:05 | |
-Is this why Channel Four have got the horse racing? -Probably. | 0:25:06 | 0:25:09 | |
-Right, David, what do you think? -What do you think, Dale? | 0:25:09 | 0:25:12 | |
Do you know, I'm really beginning to believe | 0:25:12 | 0:25:15 | |
that she'd have done it for a prank. | 0:25:15 | 0:25:16 | |
I think it was an excellent acting performance, | 0:25:16 | 0:25:20 | |
but I believe it to be a lie. | 0:25:20 | 0:25:21 | |
Oh, you see, now I have to make the decision. | 0:25:21 | 0:25:24 | |
-LAUGHTER -But I think it's a lie. | 0:25:24 | 0:25:26 | |
-You think it's a lie? -I think that's... Yeah. -OK, Clare. | 0:25:26 | 0:25:29 | |
-Were you telling the truth, or were you telling a lie? -I was telling the... | 0:25:29 | 0:25:34 | |
It was a lie. THEY LAUGH | 0:25:34 | 0:25:36 | |
APPLAUSE | 0:25:36 | 0:25:37 | |
-BUZZER -Er... It's me. | 0:25:38 | 0:25:41 | |
I recently had to be rescued by supermarket staff | 0:25:42 | 0:25:46 | |
after I fell into the chest freezer, | 0:25:46 | 0:25:48 | |
trying to reach the last packet of Yorkshire puddings. | 0:25:48 | 0:25:53 | |
LAUGHTER | 0:25:53 | 0:25:54 | |
So you've fallen in. | 0:25:56 | 0:25:58 | |
-Yes. -Talk us through the next bit. | 0:25:58 | 0:26:00 | |
Look, imagine, right, imagine that this... | 0:26:00 | 0:26:03 | |
Imagine this... This is the freezer, OK? | 0:26:03 | 0:26:06 | |
Right. | 0:26:06 | 0:26:07 | |
So I am here, and I'm looking, and I'm looking round, | 0:26:07 | 0:26:10 | |
there's nobody, so I just... | 0:26:10 | 0:26:12 | |
Ah, yes. | 0:26:12 | 0:26:14 | |
Oh, OK. | 0:26:14 | 0:26:15 | |
I'm going like that. | 0:26:15 | 0:26:16 | |
-I'm going like that, and I'm going, and I'm going... -He's in! | 0:26:16 | 0:26:20 | |
LAUGHTER | 0:26:20 | 0:26:22 | |
APPLAUSE | 0:26:22 | 0:26:23 | |
And I'm in. | 0:26:23 | 0:26:25 | |
And I'm like that. | 0:26:25 | 0:26:26 | |
-And I hit my hand on the kind of sharp inner edge... -Right. | 0:26:26 | 0:26:32 | |
And I went... And first of all, I went, "Aah!" | 0:26:32 | 0:26:35 | |
And people... People kind of... | 0:26:35 | 0:26:36 | |
So you just stay lying down? | 0:26:36 | 0:26:38 | |
Well, I was shocked, Lee! | 0:26:38 | 0:26:39 | |
LAUGHTER | 0:26:39 | 0:26:40 | |
And as I... My little head peeked up... | 0:26:40 | 0:26:44 | |
LAUGHTER | 0:26:44 | 0:26:45 | |
..over the top, | 0:26:45 | 0:26:47 | |
and some people, some Welsh people - cos it was Cardiff - | 0:26:47 | 0:26:50 | |
came over and said, "Are you all right?" | 0:26:50 | 0:26:52 | |
So... And they, they kind of... | 0:26:52 | 0:26:54 | |
You know, I could have got out. | 0:26:54 | 0:26:56 | |
But they sort of helped me up, | 0:26:56 | 0:26:58 | |
and, you know, I think they were worried I was going to make a claim. | 0:26:58 | 0:27:01 | |
LAUGHTER | 0:27:01 | 0:27:02 | |
Were you tempted to stay in there until someone came to get something, | 0:27:02 | 0:27:07 | |
and suddenly go, "Agh"? | 0:27:07 | 0:27:08 | |
-LAUGHTER -So what do you think? | 0:27:08 | 0:27:10 | |
The bit of the story I don't think is true | 0:27:10 | 0:27:13 | |
is the bit when he started talking... | 0:27:13 | 0:27:17 | |
-LAUGHTER -..up until the point when he just stopped talking then. | 0:27:17 | 0:27:20 | |
It's the fact that he sort of went, | 0:27:20 | 0:27:23 | |
"Ooh..." | 0:27:23 | 0:27:25 | |
-IN WELSH ACCENT: -"I've cut my hand, I can't get up, I'm Rob Brydon." | 0:27:25 | 0:27:28 | |
Well, that's not strictly what I said. | 0:27:28 | 0:27:31 | |
I said I looked at my hand with shock, | 0:27:31 | 0:27:32 | |
and then somebody ran over straightaway. | 0:27:32 | 0:27:34 | |
I don't think it would take that long for attention to be... | 0:27:34 | 0:27:38 | |
There would have been a sort of thru-bump kind of noise, and people would have looked round | 0:27:38 | 0:27:43 | |
and noticed that the small man who'd previously been there had somehow disappeared, | 0:27:43 | 0:27:47 | |
and then naturally have wondered where he may have gone to. | 0:27:47 | 0:27:51 | |
-LAUGHTER I think it's true... -Yeah, I think it's true. | 0:27:51 | 0:27:54 | |
..because it's quite a humiliating story, and I don't see why you'd tell it unless it was true. | 0:27:54 | 0:27:59 | |
Er... The format of the show? | 0:27:59 | 0:28:01 | |
LAUGHTER | 0:28:01 | 0:28:02 | |
-Yeah... -"I don't see why you'd tell it if it wasn't true"? | 0:28:05 | 0:28:10 | |
LAUGHTER | 0:28:10 | 0:28:11 | |
Andy, I really think you've been missing something this evening. | 0:28:11 | 0:28:14 | |
LAUGHTER | 0:28:14 | 0:28:15 | |
-So, David what are you saying? Given what... -I think we've... -..Poirot has said here. | 0:28:15 | 0:28:19 | |
-I think we think it's true. -You think it's true? -Yeah. | 0:28:19 | 0:28:21 | |
You think it's a lie. Well, I can tell you, it is... | 0:28:21 | 0:28:25 | |
a lie. | 0:28:25 | 0:28:26 | |
ALL: Aah... APPLAUSE | 0:28:26 | 0:28:29 | |
BUZZER | 0:28:29 | 0:28:30 | |
Well, that's all we've got time for on this special edition of Would I Lie To You? | 0:28:30 | 0:28:33 | |
Thank you for watching, goodnight. | 0:28:33 | 0:28:35 | |
APPLAUSE | 0:28:35 | 0:28:37 | |
Subtitles by Red Bee Media Ltd | 0:28:53 | 0:28:56 |