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CHEERING | 0:00:17 | 0:00:19 | |
Hi! | 0:00:22 | 0:00:25 | |
CHEERING / APPLAUSE | 0:00:25 | 0:00:27 | |
Good evening and welcome to Would I Lie To You?, | 0:00:27 | 0:00:30 | |
the show that sorts the facts from the fibs. | 0:00:30 | 0:00:33 | |
And on Lee Mack's team tonight - she presents The One Show, | 0:00:33 | 0:00:36 | |
which is now part of British life. Without it, | 0:00:36 | 0:00:38 | |
millions of families would have to eat their tea in silence. | 0:00:38 | 0:00:41 | |
-It's Alex Jones! -SHE LAUGHS | 0:00:41 | 0:00:44 | |
CHEERING / APPLAUSE | 0:00:44 | 0:00:47 | |
And the presenter of the extremely popular daytime quiz show Pointless, | 0:00:47 | 0:00:52 | |
whose fans will no doubt be tuning in to this show tonight. | 0:00:52 | 0:00:55 | |
So a big welcome to students, the unemployed and the bedridden. | 0:00:55 | 0:00:59 | |
-It's Alexander Armstrong! -CHEERING / APPLAUSE | 0:00:59 | 0:01:02 | |
And on David Mitchell's team tonight - | 0:01:04 | 0:01:07 | |
well, 12 years ago he was honoured with a Lifetime Achievement award. | 0:01:07 | 0:01:11 | |
He didn't take the hint. He's still here. It's Chris Tarrant! | 0:01:11 | 0:01:14 | |
CHEERING / APPLAUSE | 0:01:14 | 0:01:17 | |
And, er, first Light Lunch, now The Great British Bake Off... | 0:01:18 | 0:01:23 | |
Is there any meal she won't exploit for her own financial gain? | 0:01:23 | 0:01:27 | |
Mel Giedroyc! | 0:01:27 | 0:01:29 | |
-CHEERING / APPLAUSE -Thank you! | 0:01:29 | 0:01:31 | |
And so we start with Round 1, Home Truths, | 0:01:31 | 0:01:35 | |
where our panellists each read out a statement | 0:01:35 | 0:01:37 | |
from the card in front of them. To make things harder, | 0:01:37 | 0:01:40 | |
they've never seen the card, so they don't know what they're faced with. | 0:01:40 | 0:01:44 | |
It's up to the opposing team to sort the fact from the fiction, | 0:01:44 | 0:01:47 | |
-and we'll start with Alex. -Oh! Here we go. | 0:01:47 | 0:01:50 | |
"I once lost Julian Lloyd Webber's cello | 0:01:51 | 0:01:54 | |
because I was chatting up a parking attendant." | 0:01:54 | 0:01:57 | |
-LAUGHTER -Well, David and team? | 0:01:57 | 0:02:00 | |
-Lot of factors there. -Go on. | 0:02:00 | 0:02:03 | |
Why were you in possession of Julian Lloyd Webber's cello? | 0:02:03 | 0:02:06 | |
Because... | 0:02:06 | 0:02:08 | |
he had lent it to me. | 0:02:08 | 0:02:10 | |
Um... | 0:02:10 | 0:02:12 | |
-LAUGHTER -Why would he lend you his cello? | 0:02:12 | 0:02:16 | |
-Well, not exactly lend. -You nicked it. | 0:02:16 | 0:02:19 | |
-I was kind of looking after it. -Where were you, Alex? | 0:02:19 | 0:02:23 | |
-I was in Manchester. -Right. Yeah. | 0:02:23 | 0:02:26 | |
Was he playing? Was he doing a gig or something? | 0:02:26 | 0:02:29 | |
He was doing... Yeah. He was, like, with an orchestra, | 0:02:29 | 0:02:32 | |
but he had his own solo part, so he played - | 0:02:32 | 0:02:34 | |
In an orchestra, they all have their own instrument each, don't they? | 0:02:34 | 0:02:37 | |
Yeah, but, David, he had a special part. | 0:02:38 | 0:02:41 | |
Oh, right. OK. But... For which he didn't need his cello? | 0:02:41 | 0:02:44 | |
It was... And he asked you to hold the cello... | 0:02:44 | 0:02:47 | |
-This was before. -..and go and check on the parking scenario | 0:02:47 | 0:02:50 | |
-in the middle of the symphony. -This was before. | 0:02:50 | 0:02:53 | |
-Before the concert. -OK. | 0:02:53 | 0:02:56 | |
-So, did you know him? -I hadn't met him before, no. | 0:02:56 | 0:02:58 | |
But what was the great attraction of the parking attendant? | 0:02:58 | 0:03:02 | |
Very handsome. Very fit. It was a very hot day. | 0:03:02 | 0:03:05 | |
With a big hat like that and his jacket up there? | 0:03:05 | 0:03:08 | |
-He didn't have a hat on. He was very modern. -He didn't have a hat?! | 0:03:08 | 0:03:11 | |
I think we need to analyse this story chronologically. | 0:03:11 | 0:03:15 | |
Yes. We'll start again. | 0:03:15 | 0:03:17 | |
-Now, it is the day of the concert. -Right. | 0:03:17 | 0:03:19 | |
Dawn breaks. LAUGHTER | 0:03:19 | 0:03:22 | |
-Right. -Where are you, and where is Julian Lloyd Webber? | 0:03:22 | 0:03:26 | |
Julian Lloyd Webber and I are both in Manchester. | 0:03:26 | 0:03:29 | |
-When did you meet? -In the car park. | 0:03:29 | 0:03:33 | |
-No... -Said like a true Welsh girl! | 0:03:33 | 0:03:35 | |
ROB LAUGHS | 0:03:35 | 0:03:38 | |
APPLAUSE | 0:03:39 | 0:03:41 | |
I'm afraid "the car park" is not an acceptable answer | 0:03:43 | 0:03:46 | |
to the question "When did you meet?", | 0:03:46 | 0:03:48 | |
because the car park is a place, not a time. | 0:03:48 | 0:03:50 | |
-LAUGHTER -Let me set the scene. | 0:03:50 | 0:03:54 | |
-OK. -So, I'm in the car park, | 0:03:54 | 0:03:57 | |
-with a car-park attendant. -Of course you are. | 0:03:57 | 0:03:59 | |
He's just there. He hasn't got a hat on. He's not that official. | 0:03:59 | 0:04:03 | |
He's just generally hanging around the car park, all sexy. | 0:04:03 | 0:04:07 | |
-He's just hanging out. -Yeah. -What's he wearing? | 0:04:07 | 0:04:09 | |
-Has he got anything on? -Is he naked? -He's got jeans on and a T-shirt. | 0:04:09 | 0:04:13 | |
Jeans and a T-shirt? This is just some guy! | 0:04:13 | 0:04:16 | |
-It's a bloke! -He's got high-vis on. -He's told you he's an attendant | 0:04:16 | 0:04:20 | |
-because he wants to sound important. -Is that important? | 0:04:20 | 0:04:23 | |
Yeah. It's the sexiest thing you can say. Everyone knows that. | 0:04:23 | 0:04:26 | |
-Julian Lloyd Webber... -Yeah. -..walks in with a cello. | 0:04:27 | 0:04:30 | |
-Which weighs about four ton. -No. They're not that heavy, Chris. | 0:04:30 | 0:04:34 | |
And for someone like Julian, who's probably got a bit of sinew | 0:04:34 | 0:04:39 | |
and bicep because of all his playing, it would be very light. | 0:04:39 | 0:04:42 | |
-Yeah. -It's not going to be heavy. | 0:04:42 | 0:04:44 | |
It's how they pick cellists. They pick the ones that can carry it. | 0:04:44 | 0:04:48 | |
You can teach anyone to play it, but carrying it's the trick. | 0:04:48 | 0:04:52 | |
He pitches up. | 0:04:52 | 0:04:55 | |
-He's on his phone. -Yeah. Oh! While carrying the cello? | 0:04:55 | 0:04:59 | |
What a guy! LAUGHTER | 0:04:59 | 0:05:02 | |
Were you trying to get off with the car-park man | 0:05:02 | 0:05:05 | |
because you wanted to not pay for your own parking? | 0:05:05 | 0:05:08 | |
It's difficult to know, if you're a car-park attendant, | 0:05:09 | 0:05:12 | |
whether any relationship you're in is genuine. | 0:05:12 | 0:05:14 | |
-"Is it me, or is it just for the free parking?" -Exactly. | 0:05:14 | 0:05:18 | |
-Did he just hand the cello to you with a nod, like that... -Yes. | 0:05:20 | 0:05:22 | |
..on the understanding that you would know what he meant? | 0:05:22 | 0:05:26 | |
No. He'd put it down on the side, and then just went... | 0:05:26 | 0:05:29 | |
-What happens then? -Yes. This is crucial. | 0:05:29 | 0:05:32 | |
Then Julian comes off the phone. | 0:05:32 | 0:05:35 | |
Taps me on the shoulder. "Where's my cello?" | 0:05:35 | 0:05:39 | |
-I look round. Cello gone. -THEY GASP | 0:05:39 | 0:05:42 | |
-What? -It was the car-parking attendant! | 0:05:42 | 0:05:44 | |
-LAUGHTER -Who took the cello, then? | 0:05:44 | 0:05:46 | |
The cello had made its way into the concert hall. | 0:05:46 | 0:05:50 | |
-Of course it had. -On its own? | 0:05:50 | 0:05:53 | |
The very best cellos can do that, can't they? | 0:05:53 | 0:05:56 | |
Well, somebody has taken the cello, | 0:05:56 | 0:05:58 | |
gone into the concert hall with the cello. | 0:05:58 | 0:06:00 | |
Julian and me, flummoxed. | 0:06:00 | 0:06:02 | |
-Flummoxed? -So this is not an attempt to steal the cello? | 0:06:02 | 0:06:05 | |
This is a do-gooder seeing an unattended cello | 0:06:05 | 0:06:09 | |
and thinking, "Well, I can't leave that lying around." | 0:06:09 | 0:06:11 | |
"Someone could steal it. I'd better steal it." | 0:06:11 | 0:06:14 | |
LAUGHTER | 0:06:14 | 0:06:16 | |
It was a good citizen who thought, "That's worth millions." | 0:06:16 | 0:06:19 | |
"It's on its own. I'll take it in." | 0:06:19 | 0:06:21 | |
Why were you at this concert? What was your ostensible role? | 0:06:21 | 0:06:24 | |
I was a runner-researcher, | 0:06:24 | 0:06:26 | |
so I was working on a television programme that they were making. | 0:06:26 | 0:06:29 | |
That's new information. | 0:06:29 | 0:06:31 | |
I'm suddenly coming round to Julian's point of view. | 0:06:31 | 0:06:34 | |
So, what do you think? What are you going to say? | 0:06:34 | 0:06:37 | |
-I think it's utter, utter nonsense. -You think it's nonsense? | 0:06:37 | 0:06:40 | |
-I'm going to say she's lying. -You both think she's lying? -Yeah. | 0:06:40 | 0:06:44 | |
-Well, I certainly... I think it's true. -Do you? | 0:06:44 | 0:06:47 | |
-But not enough to overrule. -Oh, don't say that, cos now you... | 0:06:47 | 0:06:52 | |
I know. It's very rarely that I overrule. | 0:06:52 | 0:06:54 | |
At the moment I believe in democracy, | 0:06:54 | 0:06:57 | |
but if it turns out you guys are wrong, | 0:06:57 | 0:07:00 | |
I'm going to lose my belief in democracy, | 0:07:00 | 0:07:02 | |
and this could become a police state. | 0:07:02 | 0:07:05 | |
-So, your answer is... -We're going to say it's a lie. | 0:07:05 | 0:07:08 | |
Saying it's a lie. Right. | 0:07:08 | 0:07:11 | |
-Alex? -Actually, no. We're going to say it's true. | 0:07:11 | 0:07:13 | |
LAUGHTER Oh, police-state time! | 0:07:13 | 0:07:17 | |
-We're going to say it's true. -I like that. | 0:07:17 | 0:07:20 | |
I like that. I find that arousing. | 0:07:20 | 0:07:22 | |
Alex, truth or lie? | 0:07:23 | 0:07:26 | |
Rob, you should have to take the first answer on this programme. | 0:07:26 | 0:07:30 | |
-It's true! -No! | 0:07:30 | 0:07:32 | |
APPLAUSE | 0:07:32 | 0:07:35 | |
Yes, it's true! | 0:07:35 | 0:07:37 | |
Alex did lose Julian Lloyd Webber's cello | 0:07:37 | 0:07:41 | |
because she was chatting up a parking attendant. | 0:07:41 | 0:07:43 | |
Right. Next up it's Xander. | 0:07:43 | 0:07:46 | |
"I once prevented a burglar from breaking into my house | 0:07:47 | 0:07:51 | |
by hiding behind the door and barking like two different dogs... | 0:07:51 | 0:07:56 | |
LAUGHTER | 0:07:56 | 0:07:58 | |
..at him." | 0:07:58 | 0:08:00 | |
-David's team? -First up, please do the two different dogs that you did, | 0:08:00 | 0:08:05 | |
-and say what the dogs were. -OK. | 0:08:05 | 0:08:08 | |
I doubt that Xander, in his state of panic, went, | 0:08:08 | 0:08:11 | |
"First I'll do a Yorkshire terrier, | 0:08:11 | 0:08:14 | |
then I'll do... No, not an Airedale. A retriever." | 0:08:14 | 0:08:17 | |
-This is - -I can't do a retriever. I can't do a retriever. I've tried. | 0:08:17 | 0:08:21 | |
-What I tried to do... -LAUGHTER | 0:08:21 | 0:08:25 | |
The effect I was going for was of scratching paint, and... | 0:08:25 | 0:08:29 | |
HE GRUNTS AND GROWLS | 0:08:29 | 0:08:31 | |
What I wanted to give an illusion of was weight, | 0:08:31 | 0:08:35 | |
weight and snuffling, so I went for... | 0:08:35 | 0:08:39 | |
HE WHINES AND GROWLS | 0:08:39 | 0:08:41 | |
-Has anyone got a Scooby Snack? -LAUGHTER | 0:08:41 | 0:08:44 | |
And dog two, the different dog? | 0:08:44 | 0:08:47 | |
Maybe a smaller dog, the mastermind. | 0:08:47 | 0:08:51 | |
-HE LAUGHS -One was... The other one... | 0:08:51 | 0:08:53 | |
I was worried about this. It was... | 0:08:53 | 0:08:56 | |
HE SNUFFLES AND SNEEZES | 0:08:56 | 0:08:59 | |
Did this frighten the burglar? Did he run off? | 0:08:59 | 0:09:03 | |
Did he break into the house, Chris? No. | 0:09:03 | 0:09:06 | |
You were crouching down behind a door, | 0:09:07 | 0:09:09 | |
and a burglar is also coming through the door. | 0:09:09 | 0:09:11 | |
Well, what was happening was, the burglar was busy... | 0:09:11 | 0:09:15 | |
was at the door, trying to force his way in | 0:09:15 | 0:09:19 | |
by shoulder-barging. The door wasn't open, | 0:09:19 | 0:09:22 | |
but he was, er... he was trying to break the jamb. | 0:09:22 | 0:09:26 | |
-So, this was at night? -Yes. | 0:09:26 | 0:09:29 | |
Is your bed right by your front door? | 0:09:29 | 0:09:31 | |
No, it's not. My bed is in my bedroom. | 0:09:31 | 0:09:34 | |
LAUGHTER Classic. | 0:09:34 | 0:09:36 | |
Yeah. I thought, "That's the last place they'll look." | 0:09:36 | 0:09:39 | |
You thought, "Somebody's shoulder- barging the front door down"... | 0:09:39 | 0:09:42 | |
I was woken up by, thunk, thunk, on the door, | 0:09:42 | 0:09:46 | |
and I was just thinking, "What... What do I do?" | 0:09:46 | 0:09:50 | |
So he was barging away. Ba-room! Ba-room! | 0:09:50 | 0:09:53 | |
And you were snuffling away at the other side of the door. | 0:09:53 | 0:09:56 | |
-Yeah. -And then what? | 0:09:56 | 0:09:58 | |
-He paused, did he? -He paused, and then he went away. | 0:09:58 | 0:10:02 | |
-I think it weirded him out. -Why didn't you do a scary dog? | 0:10:02 | 0:10:06 | |
It sounded like a hamster. | 0:10:06 | 0:10:09 | |
-A very big hamster. -That's scary, actually. | 0:10:09 | 0:10:12 | |
-That's actually very scary. -Don't you have a burglar alarm? | 0:10:12 | 0:10:15 | |
-I never set a burglar alarm. -Not on national television. | 0:10:15 | 0:10:18 | |
Not on television. | 0:10:18 | 0:10:20 | |
OK. What are you going to say? Truth or lie? | 0:10:20 | 0:10:23 | |
-What do you think, Chris? -I think it's so daft, | 0:10:23 | 0:10:26 | |
and he's so daft, and it's such a ridiculous vision. | 0:10:26 | 0:10:29 | |
I think it's almost certainly true. | 0:10:29 | 0:10:32 | |
-I'm the yin to your yang, Chris. -Are you really? | 0:10:32 | 0:10:34 | |
I'm saying it's a lie. A big fat one. | 0:10:34 | 0:10:37 | |
Ooh... I want you to override me again, David. | 0:10:37 | 0:10:40 | |
I... LAUGHTER | 0:10:40 | 0:10:43 | |
-Sorry. If I do that again, it won't be special. -OK. | 0:10:43 | 0:10:47 | |
I just don't think a burglar would try to shoulder-barge the front door. | 0:10:47 | 0:10:51 | |
I think a murderer might try and shoulder-barge the front door. | 0:10:51 | 0:10:55 | |
-So, therefore your answer is... -A lie. | 0:10:55 | 0:10:58 | |
Lie. OK. Er, Xander, was that the truth or was it in fact a lie? | 0:10:58 | 0:11:02 | |
Well, I'm sorry to tell you it is, in fact, a lie. | 0:11:02 | 0:11:04 | |
Oh! He nearly got us there. | 0:11:04 | 0:11:07 | |
Yes, it's a lie. | 0:11:07 | 0:11:09 | |
Xander didn't prevent a burglar from breaking into his house | 0:11:09 | 0:11:13 | |
by barking like two different dogs. Of course it's a lie. | 0:11:13 | 0:11:16 | |
When burglars break into Xander's property, | 0:11:16 | 0:11:18 | |
they still have to walk up the path, swim the moat and slay the dragon | 0:11:18 | 0:11:22 | |
before getting to the front drawbridge. | 0:11:22 | 0:11:25 | |
-LAUGHTER -So, at the end of that round, | 0:11:25 | 0:11:28 | |
David's team are in the lead by two points to nil. | 0:11:28 | 0:11:31 | |
Our next round is called This Is My... | 0:11:33 | 0:11:35 | |
where we bring on a mystery guest | 0:11:35 | 0:11:37 | |
who has a close connection to one of our panellists. | 0:11:37 | 0:11:40 | |
This week David's team will claim to have the genuine connection, | 0:11:40 | 0:11:44 | |
and it's up to Lee's team to spot who's telling the truth. | 0:11:44 | 0:11:47 | |
So, please welcome this week's special guest, Syd. | 0:11:47 | 0:11:50 | |
CHEERING / APPLAUSE | 0:11:50 | 0:11:52 | |
So, Chris Tarrant, what is Syd to you? | 0:11:55 | 0:12:00 | |
This is my dentist, Syd, | 0:12:00 | 0:12:02 | |
and I had to drive her to A&E | 0:12:02 | 0:12:05 | |
after biting her finger during a check-up. | 0:12:05 | 0:12:09 | |
-LAUGHTER -Right. Mel, | 0:12:09 | 0:12:11 | |
could you explain how you know Syd? | 0:12:11 | 0:12:13 | |
This is Syd. We once posed as members of an orchestra | 0:12:13 | 0:12:18 | |
to gain backstage access to meet our idol. | 0:12:18 | 0:12:22 | |
Finally, David, what is your relationship with Syd? | 0:12:22 | 0:12:26 | |
Um, this is Syd. Last year - LEE LAUGHS | 0:12:26 | 0:12:28 | |
Sorry. I just... There's something about you. | 0:12:28 | 0:12:31 | |
I don't think you know any women or anyone called Syd. | 0:12:31 | 0:12:34 | |
-In which case you'll be saying that it's a lie. -Correct. | 0:12:35 | 0:12:38 | |
-This is Syd. -Lie! | 0:12:38 | 0:12:40 | |
LAUGHTER | 0:12:40 | 0:12:42 | |
This is Syd. Last year she rescued me | 0:12:42 | 0:12:47 | |
when a seaside donkey went haywire with... | 0:12:47 | 0:12:51 | |
LAUGHTER ..with me on its back. | 0:12:51 | 0:12:53 | |
Can I just say, I retract my earlier comment. True. | 0:12:53 | 0:12:58 | |
-LAUGHTER -So, there we have it. | 0:12:58 | 0:13:00 | |
Chris's disgruntled dentist, Mel's orchestral imposter | 0:13:00 | 0:13:04 | |
or David's seaside saviour. Where do you want to start? | 0:13:04 | 0:13:06 | |
Let's start with Chris. What was she doing | 0:13:06 | 0:13:09 | |
that made you bite down so hard? LAUGHTER | 0:13:09 | 0:13:12 | |
She's actually a very accomplished dentist. | 0:13:16 | 0:13:19 | |
Her real name is Sydney, Sydney Matthews. | 0:13:19 | 0:13:21 | |
She is the junior partner in a company called Matthews & Priddy | 0:13:21 | 0:13:25 | |
-in Weybridge in Surrey. -Whoa, whoa, whoa. | 0:13:25 | 0:13:27 | |
-Sorry. Her real name is Sydney? -Sydney! | 0:13:27 | 0:13:30 | |
-Girl's name, Sydney. -Now somebody's shouted it really loudly in Welsh, | 0:13:30 | 0:13:34 | |
it's quite clear. | 0:13:34 | 0:13:36 | |
-LAUGHTER -So, sorry, Chris. Say it again. | 0:13:36 | 0:13:38 | |
I fixed up to go and have a temporary crown taken out | 0:13:38 | 0:13:42 | |
-and put the proper one in. -Oh, yeah? | 0:13:42 | 0:13:44 | |
Coronation, was it? | 0:13:44 | 0:13:46 | |
-No. -You're getting above yourself, Tarrant! | 0:13:46 | 0:13:49 | |
So she starts doing this little bit of drilling, | 0:13:49 | 0:13:52 | |
and you've got so much in your mouth, I'm going... | 0:13:52 | 0:13:55 | |
-HE MUMBLES -"It really hurts!" | 0:13:55 | 0:13:57 | |
"I want some anaesthetic!" She said, "What?" | 0:13:57 | 0:13:59 | |
In fact I bit her two fingers really quite badly. "Argh!" | 0:13:59 | 0:14:02 | |
-And she is pouring blood. -And has Syd treated you since? | 0:14:02 | 0:14:06 | |
No. She's due to in three months, so I'm trying to be quite nice to her. | 0:14:06 | 0:14:10 | |
Right. Do you want to move on to another suspect? | 0:14:10 | 0:14:12 | |
OK. David, what did it do, the donkey? | 0:14:12 | 0:14:15 | |
It ran suddenly in one direction with me on its back. | 0:14:15 | 0:14:18 | |
No! Where were you? I bet he says Blackpool. | 0:14:18 | 0:14:21 | |
No. I was on the beach. It was in Norfolk. | 0:14:21 | 0:14:24 | |
Which beach? I know Norfolk quite well. | 0:14:24 | 0:14:26 | |
-Which beach in Norfolk was it? -Oh, damn! | 0:14:26 | 0:14:29 | |
LAUGHTER | 0:14:29 | 0:14:32 | |
It was, er, Great Yarmouth. | 0:14:32 | 0:14:35 | |
-When was this? -It's about... It was last year. | 0:14:35 | 0:14:37 | |
-Do they let adults ride donkeys? -Good question. Ask him. | 0:14:37 | 0:14:40 | |
Yes, they do. They do. They did. I got on the donkey. It went haywire. | 0:14:40 | 0:14:44 | |
-Hang on. -Are you saying I'm a liar? | 0:14:44 | 0:14:47 | |
The donkey went haywire, and Syd rescued me! | 0:14:47 | 0:14:52 | |
-LAUGHTER -But what scared the donkey? | 0:14:52 | 0:14:55 | |
-Yeah. I could answer that. -What scared... | 0:14:55 | 0:14:57 | |
LAUGHTER | 0:14:57 | 0:14:59 | |
You haven't explained why you were on the donkey. | 0:14:59 | 0:15:01 | |
When I look at you, I don't think "donkey". | 0:15:01 | 0:15:04 | |
-Thank you. -I think Mel does. | 0:15:05 | 0:15:07 | |
The aim was... LAUGHTER | 0:15:07 | 0:15:11 | |
One child of some friends of mine wanted to have a donkey ride, | 0:15:14 | 0:15:18 | |
and then was a bit nervous of the donkey ride, | 0:15:18 | 0:15:21 | |
and I said, well, I'd have a donkey ride | 0:15:21 | 0:15:24 | |
to sort of demonstrate that it was, you know, fine and safe and... | 0:15:24 | 0:15:27 | |
-Oh, so it was a disaster, then? -It was a disaster. | 0:15:27 | 0:15:30 | |
It was an absolute disaster. It was a very sad day. | 0:15:30 | 0:15:33 | |
-Did you have to pay for the ride? -Er, I think so, yeah. | 0:15:33 | 0:15:36 | |
Do you remember roughly what that was? | 0:15:36 | 0:15:39 | |
I think roughly about a thousand pounds. | 0:15:39 | 0:15:41 | |
LAUGHTER Might have been less. | 0:15:41 | 0:15:44 | |
Certainly not a million. Not a million pounds. | 0:15:44 | 0:15:48 | |
It wasn't, like, 4p. | 0:15:48 | 0:15:50 | |
David, how did Syd rescue you? | 0:15:50 | 0:15:52 | |
She had a geographical advantage on the donkey, | 0:15:52 | 0:15:55 | |
because I don't think I'm being rude to Syd | 0:15:55 | 0:15:58 | |
to say she probably couldn't have matched this crazed beast for speed. | 0:15:58 | 0:16:04 | |
She was over where the donkey was headed, | 0:16:04 | 0:16:07 | |
sort of near there, and was able to intercept | 0:16:07 | 0:16:09 | |
and grab the bit of string that's attached to a donkey's face. | 0:16:09 | 0:16:13 | |
THEY LAUGH | 0:16:13 | 0:16:16 | |
It's like having Zara Phillips with us, isn't it? It really is. | 0:16:16 | 0:16:20 | |
You have literally never seen a donkey in your life, have you? | 0:16:20 | 0:16:24 | |
-Right. What about Mel, then? -Just remind us again of your story. | 0:16:25 | 0:16:30 | |
This is Syd, and we once posed as members of an orchestra... | 0:16:30 | 0:16:36 | |
-Yeah? -Mm-hm. -..to meet our idol. | 0:16:36 | 0:16:39 | |
Who is the idol, just for fun? | 0:16:39 | 0:16:41 | |
-Lesley Judd, the, um... -LAUGHTER | 0:16:41 | 0:16:45 | |
..the, er, ex-Blue Peter presenter. | 0:16:45 | 0:16:48 | |
You don't need to tell me who Lesley Judd is. | 0:16:48 | 0:16:51 | |
So, does Lesley Judd also play in an orchestra? | 0:16:51 | 0:16:55 | |
-Not that I know of. -What was she doing there, then? | 0:16:55 | 0:16:59 | |
-She was hosting the event. -Where was it? | 0:16:59 | 0:17:02 | |
It was in Oxford Town Hall. | 0:17:02 | 0:17:05 | |
-And you were how old? -16. | 0:17:05 | 0:17:08 | |
You say you posed as orchestra members. | 0:17:08 | 0:17:11 | |
How? Did you go and buy an instrument? | 0:17:11 | 0:17:13 | |
We borrowed from a friend, funnily enough, a cello case. | 0:17:13 | 0:17:17 | |
That's all you'd need. Cos one of you gets in it. | 0:17:17 | 0:17:19 | |
-Yeah. -So, hang on. | 0:17:19 | 0:17:22 | |
When you were 16... Lesley Judd, as we know, was a Blue Peter presenter | 0:17:22 | 0:17:26 | |
-back in the glorious heyday - -The fab four. -Exactly. | 0:17:26 | 0:17:29 | |
-Noakes, Purves, Singleton, Judd. -When grown-ups used to... -Yeah. | 0:17:29 | 0:17:33 | |
-When grown-ups used to host Blue Peter. -Yeah. | 0:17:33 | 0:17:35 | |
-Great times. -ROB LAUGHS | 0:17:35 | 0:17:38 | |
-Did it work? -We got past security. | 0:17:38 | 0:17:42 | |
I'm not sure about this security business, to be honest. | 0:17:42 | 0:17:45 | |
Imagine a meeting at Oxford Town Hall. "Who we got on this week?" | 0:17:45 | 0:17:49 | |
"Lesley Judd is hosting an orchestra." | 0:17:49 | 0:17:51 | |
-"We're going to need some security." -LAUGHTER | 0:17:51 | 0:17:54 | |
-Did she sign anything for you? -She did, yep. | 0:17:54 | 0:17:57 | |
I had a Blue Peter annual. | 0:17:57 | 0:17:59 | |
-I think Lesley was in circus gear on the front. -I've got that one. | 0:17:59 | 0:18:03 | |
-LAUGHTER -All right. | 0:18:03 | 0:18:06 | |
We need an answer, so what are you going to say? | 0:18:06 | 0:18:09 | |
-I think it's Chris. -You think Chris? | 0:18:09 | 0:18:11 | |
Cos Syd, more importantly, | 0:18:11 | 0:18:14 | |
looks like she could be a very good dentist. | 0:18:14 | 0:18:19 | |
I have to disagree. If we're going by looks alone, | 0:18:19 | 0:18:21 | |
I'd say she's more likely to have manhandled a donkey. | 0:18:21 | 0:18:25 | |
LAUGHTER | 0:18:25 | 0:18:27 | |
We can't just go by looks, can we? | 0:18:28 | 0:18:31 | |
I think she looks like a really lovely friend of Mel's. | 0:18:31 | 0:18:34 | |
-We need an answer, so... Alex thinks it's Chris. -Chris. | 0:18:34 | 0:18:38 | |
-Are you sticking with that? -I'm sticking 100 percent. | 0:18:38 | 0:18:41 | |
Lee, presumably you think me. LAUGHTER | 0:18:41 | 0:18:44 | |
Despite my real gut reaction that it's David, | 0:18:44 | 0:18:48 | |
-I would say... -LAUGHTER | 0:18:48 | 0:18:50 | |
..of the two, | 0:18:50 | 0:18:53 | |
-we will go with Mel. -Argh! | 0:18:53 | 0:18:56 | |
Or will we go with Chris? | 0:18:56 | 0:18:58 | |
Split the difference. Me! | 0:19:00 | 0:19:03 | |
APPLAUSE | 0:19:03 | 0:19:06 | |
-We'll say Mel. -You're saying Mel. | 0:19:09 | 0:19:11 | |
OK. So, Syd, would you like to reveal your true identity? | 0:19:11 | 0:19:15 | |
My name is Syd, and Mel and I posed as members of an orchestra | 0:19:15 | 0:19:19 | |
-in order to meet our idol. -CHEERING / APPLAUSE | 0:19:19 | 0:19:21 | |
Yes, Syd and Mel did once pose as members of an orchestra | 0:19:23 | 0:19:28 | |
in order to get backstage and meet Lesley Judd. | 0:19:28 | 0:19:31 | |
Thank you very much, Syd. APPLAUSE | 0:19:31 | 0:19:34 | |
Which brings us to our final round, Quickfire Lies, | 0:19:36 | 0:19:39 | |
in which our panellists lie through their teeth and against the clock. | 0:19:39 | 0:19:42 | |
We will start with... BUZZER | 0:19:42 | 0:19:44 | |
It's Lee. | 0:19:44 | 0:19:46 | |
"I can always remember all my ex-girlfriends' names | 0:19:46 | 0:19:50 | |
and the order in which I went out with them, | 0:19:50 | 0:19:52 | |
because their initials happen to make the acronym... | 0:19:52 | 0:19:55 | |
BERMUDA." | 0:19:55 | 0:19:57 | |
LAUGHTER | 0:19:57 | 0:19:59 | |
OK. Off we go. | 0:19:59 | 0:20:02 | |
BERMUDA. | 0:20:02 | 0:20:04 | |
-B! -What? | 0:20:06 | 0:20:08 | |
-B. -B? | 0:20:08 | 0:20:10 | |
Please give me the names of all your ex-girlfriends | 0:20:10 | 0:20:13 | |
that make the acronym BERMUDA, as quickly as possible, please. | 0:20:13 | 0:20:17 | |
OK. Brenda... | 0:20:17 | 0:20:19 | |
-Brenda! -Brenda! -Superb. | 0:20:19 | 0:20:22 | |
Brenda is still as popular a name as ever. | 0:20:22 | 0:20:25 | |
-E. -Ethel. -Sorry? | 0:20:25 | 0:20:27 | |
I'm helping you. What's the next one? Is it Ethel? | 0:20:27 | 0:20:31 | |
-It's not Ethel. -Enid. -It's not Enid. Have another guess. | 0:20:31 | 0:20:34 | |
LAUGHTER | 0:20:34 | 0:20:36 | |
-Erin. -Sorry? -Erin. | 0:20:36 | 0:20:38 | |
-Erin? -Erin! -OK. | 0:20:38 | 0:20:40 | |
-Um, how do you spell Bermuda? -LAUGHTER | 0:20:40 | 0:20:43 | |
-R. -I know. I was joking, you... | 0:20:43 | 0:20:46 | |
-LAUGHTER -Sorry. Er, R? | 0:20:46 | 0:20:49 | |
That was... Oh, R. | 0:20:49 | 0:20:51 | |
-Rasputin. -That was actually Regine. | 0:20:51 | 0:20:54 | |
-Sorry? -Reggie? -Regine! | 0:20:54 | 0:20:56 | |
-Regime, as in "regime change"? -No, no, no. | 0:20:56 | 0:21:00 | |
Next? Next up after Regine? | 0:21:00 | 0:21:03 | |
..Regine was the lovely Molly. Molly, Molly, Molly! | 0:21:03 | 0:21:06 | |
I could tell you a thing or two about Molly, | 0:21:06 | 0:21:09 | |
-but this isn't the time. -Next one! -What about U? | 0:21:09 | 0:21:12 | |
-Uriah. -This was the weird one. -They're all a bit weird. | 0:21:12 | 0:21:15 | |
Not actually her name, right, but my nickname for her - Una. | 0:21:15 | 0:21:19 | |
-What was her real name? -Sally. | 0:21:19 | 0:21:22 | |
LAUGHTER Why did you call Sally Una? | 0:21:22 | 0:21:24 | |
Because Una Stubbs played Aunt Sally in Worzel Gummidge. | 0:21:24 | 0:21:27 | |
Oh! | 0:21:27 | 0:21:29 | |
Oh, that's very good. That's very good. | 0:21:29 | 0:21:32 | |
Yes, he's good. | 0:21:32 | 0:21:35 | |
D, Dave. Experimental year. | 0:21:35 | 0:21:37 | |
LAUGHTER | 0:21:37 | 0:21:40 | |
If you've forgotten it, I'll never forgive you! | 0:21:40 | 0:21:43 | |
HE LAUGHS | 0:21:43 | 0:21:45 | |
APPLAUSE | 0:21:45 | 0:21:48 | |
Happy days, Dave. Happy days. | 0:21:48 | 0:21:51 | |
Dave. The D... That's what you're saying? | 0:21:51 | 0:21:54 | |
-The D is Dave? -Of course I'm not. | 0:21:54 | 0:21:57 | |
-OK. -Delia. | 0:21:57 | 0:21:59 | |
Not THE Delia! | 0:21:59 | 0:22:01 | |
And, may I say, not my mother, who was called Delia. True story. | 0:22:01 | 0:22:04 | |
-Definitely not her. -But that's why it popped into your head now | 0:22:04 | 0:22:08 | |
as you were making it up! | 0:22:08 | 0:22:10 | |
And A? | 0:22:10 | 0:22:12 | |
-Was Alex. -SHE GASPS | 0:22:12 | 0:22:15 | |
That certainly is a serendipitous series. | 0:22:15 | 0:22:18 | |
If Sally wasn't serendipitous, | 0:22:18 | 0:22:20 | |
I wouldn't have been able to do that with her. | 0:22:20 | 0:22:23 | |
-What was the M again? -What? -The M again? | 0:22:23 | 0:22:25 | |
-Molly. -And the E? -Was... What? | 0:22:25 | 0:22:28 | |
-And the E? -The E... | 0:22:28 | 0:22:31 | |
-I'll tell you exactly what the E was. -The E was... | 0:22:31 | 0:22:34 | |
It was, in fact... I'll tell you exactly. | 0:22:34 | 0:22:37 | |
LAUGHTER | 0:22:37 | 0:22:38 | |
-Erin! -U... | 0:22:38 | 0:22:41 | |
-And I loved her. -U? | 0:22:41 | 0:22:45 | |
Er... Una. Sally. | 0:22:45 | 0:22:47 | |
Real name Sally. Come on, Lee. You know this. The D? | 0:22:47 | 0:22:50 | |
-Give me a D! -The D was... | 0:22:50 | 0:22:53 | |
-Mummy! Deirdre! Delia! -LAUGHTER | 0:22:53 | 0:22:56 | |
-The E? -Give me an E! Erin! | 0:22:56 | 0:22:59 | |
-The B? -Give me a B! | 0:22:59 | 0:23:01 | |
That was a long time ago. Be fair! Brenda. | 0:23:01 | 0:23:04 | |
-And the R? -And the R was Reg-... Regine. | 0:23:04 | 0:23:07 | |
-Regine! -Little Regine. | 0:23:07 | 0:23:10 | |
-Is that a name? -It's a name, isn't it? | 0:23:10 | 0:23:13 | |
-Tell me it's a name. -LAUGHTER | 0:23:13 | 0:23:15 | |
Regine's a name! Anything's a name, isn't it? | 0:23:15 | 0:23:17 | |
I went out with a girl called Cupboard for three weeks. | 0:23:17 | 0:23:22 | |
And where did Cupboard come in the BERMUDA list? | 0:23:22 | 0:23:26 | |
Oh, she was before I invented the acronym system. | 0:23:26 | 0:23:29 | |
Sorry? It was a system? It didn't happen by accident? | 0:23:29 | 0:23:32 | |
You were seeking out people beginning with these letters. | 0:23:32 | 0:23:35 | |
What was it about the island of Bermuda that you wanted - | 0:23:35 | 0:23:38 | |
Some of my ex-girlfriends went missing. | 0:23:38 | 0:23:41 | |
LAUGHTER / APPLAUSE | 0:23:41 | 0:23:44 | |
What do you think, David? What does your team think? | 0:23:47 | 0:23:49 | |
-I think it's a lie. -Would he go out with somebody called Brenda? | 0:23:49 | 0:23:52 | |
What do you mean? Yes. She was Miss World, right? | 0:23:52 | 0:23:55 | |
She said, "I really like you." I said, "And I really like you." | 0:23:55 | 0:23:58 | |
"What's your name?" "Brenda." "Forget it." | 0:23:58 | 0:24:01 | |
So, what's it going to be, David? | 0:24:01 | 0:24:03 | |
I mean, I think it's preposterous because it's preposterous. | 0:24:03 | 0:24:07 | |
Yes. I think it's a lie. I think it's a lie. | 0:24:07 | 0:24:10 | |
You're saying it's a lie. OK. Um, Lee? | 0:24:10 | 0:24:13 | |
-Were you telling the truth or a lie? -Of course I was telling a lie! | 0:24:13 | 0:24:17 | |
-Oh, yes! Well done. Brilliant. -Well done. | 0:24:17 | 0:24:21 | |
-APPLAUSE -Yes, it's a lie. | 0:24:21 | 0:24:23 | |
Lee's ex-girlfriends do not form an acronym that spells Bermuda, | 0:24:23 | 0:24:28 | |
although they have formed a support group. | 0:24:28 | 0:24:31 | |
-Next... -BUZZER | 0:24:31 | 0:24:34 | |
-It's Alex. -Oh. | 0:24:34 | 0:24:36 | |
"I can tell if someone is a good dancer | 0:24:37 | 0:24:40 | |
just by the way they smile." | 0:24:40 | 0:24:42 | |
-David's team. -Alex, look at me. | 0:24:42 | 0:24:45 | |
LAUGHTER | 0:24:45 | 0:24:46 | |
-Turn your head a little bit. -LAUGHTER | 0:24:48 | 0:24:52 | |
-And now this way. -Now do it whilst you're dancing. | 0:24:52 | 0:24:55 | |
LAUGHTER | 0:24:55 | 0:24:57 | |
No. | 0:24:57 | 0:24:59 | |
Yeah, well, it's true, then. | 0:24:59 | 0:25:02 | |
-But why? -What is it about the... | 0:25:02 | 0:25:04 | |
Because people who are good at dancing - | 0:25:04 | 0:25:06 | |
Will you stop doing that? I find it a bit disturbing, David. | 0:25:06 | 0:25:10 | |
-It's a bit "light entertainment" for you, dude. -Really? | 0:25:10 | 0:25:13 | |
LAUGHTER | 0:25:15 | 0:25:18 | |
What is it? What do you look for? | 0:25:19 | 0:25:22 | |
Well, people who are good at dancing will look naturally smug. | 0:25:22 | 0:25:26 | |
What... What are you saying? | 0:25:26 | 0:25:29 | |
-Now, you're putting on a smug face. -No, he's not. | 0:25:29 | 0:25:33 | |
LAUGHTER | 0:25:33 | 0:25:35 | |
And people who are good at dancing have shorter teeth than you. | 0:25:35 | 0:25:39 | |
-LAUGHTER -It's just something about dancers. | 0:25:39 | 0:25:42 | |
They seem to be a little bit underdeveloped in the tooth area. | 0:25:42 | 0:25:46 | |
Are they making up for their short teeth by learning to dance? | 0:25:46 | 0:25:49 | |
I don't know, but it seems to be a pattern. | 0:25:49 | 0:25:52 | |
That's what I've found, doing extensive research. | 0:25:52 | 0:25:55 | |
-I'll go round you all now. Open up. -LAUGHTER | 0:25:55 | 0:25:58 | |
You could be all right. | 0:25:58 | 0:26:01 | |
Oh, that's a backhanded compliment! | 0:26:01 | 0:26:03 | |
Nice short-toothed person! | 0:26:03 | 0:26:07 | |
-You want mine? -Go on. | 0:26:07 | 0:26:10 | |
LAUGHTER | 0:26:10 | 0:26:12 | |
-Rob? -Rob, he's got quite long teeth. | 0:26:13 | 0:26:16 | |
LAUGHTER | 0:26:17 | 0:26:19 | |
-No. -LAUGHTER | 0:26:20 | 0:26:23 | |
Rob, you get up there and prove her wrong! | 0:26:24 | 0:26:28 | |
AUDIENCE CHEERS AND APPLAUDS | 0:26:29 | 0:26:33 | |
ROB SINGS TUNE TO "STAYING ALIVE" | 0:26:33 | 0:26:36 | |
# Staying alive, staying alive... | 0:26:36 | 0:26:38 | |
-What a mover! -CHEERING | 0:26:40 | 0:26:43 | |
I just want to say, Rob, I've got a lot of respect | 0:26:49 | 0:26:51 | |
-for your commitment to the show. -Yeah. | 0:26:51 | 0:26:54 | |
I mean, I'm no Bruno or Len - | 0:26:54 | 0:26:56 | |
-HE IMITATES HER ACCENT -Hasn't she got a stupid voice? | 0:26:56 | 0:27:00 | |
LAUGHTER | 0:27:00 | 0:27:02 | |
What is... Does anyone know how large Fred Astaire's teeth are? | 0:27:02 | 0:27:07 | |
-Small. -Didn't have any. Just gums. | 0:27:07 | 0:27:10 | |
-He had little tiny little... -Like that? | 0:27:10 | 0:27:13 | |
# I'm putting on my top hat | 0:27:13 | 0:27:15 | |
# Tying up my white tie... | 0:27:15 | 0:27:17 | |
HE CONTINUES, INDISTINCT | 0:27:17 | 0:27:19 | |
So, what are you going to say, David? | 0:27:19 | 0:27:22 | |
-Mel, do you think it's true? -I think it's the sort of claim | 0:27:22 | 0:27:26 | |
-that Ms Jones would make. -It's not scientifically proven. | 0:27:26 | 0:27:30 | |
-Oh, you don't say! -LAUGHTER | 0:27:30 | 0:27:33 | |
I think it's... It is the sort of thing she'd believe in. | 0:27:33 | 0:27:37 | |
-She's claimed it. She's not saying - -Do you think it's the truth? | 0:27:37 | 0:27:40 | |
-Yeah. I think we think it's true. -You think it's true? | 0:27:40 | 0:27:44 | |
Alex Jones, was it the truth, or were you telling a lie? | 0:27:44 | 0:27:48 | |
-Don't be so ridiculous. It's a lie! -Oh, no! | 0:27:48 | 0:27:53 | |
-Oh! -Very good! | 0:27:53 | 0:27:56 | |
Yes, it was a lie. Alex can't tell if someone is a good dancer | 0:27:56 | 0:28:01 | |
-by the way they smile. -BUZZER | 0:28:01 | 0:28:03 | |
Oh, that noise signals time's up. It's the end of the show. | 0:28:03 | 0:28:06 | |
I can reveal that David's team has won by three points to two. | 0:28:06 | 0:28:10 | |
CHEERING / APPLAUSE | 0:28:10 | 0:28:13 | |
But it's not just a team game, | 0:28:15 | 0:28:18 | |
and my individual Liar Of The Week this week is Alex Jones! | 0:28:18 | 0:28:22 | |
CHEERING / APPLAUSE | 0:28:22 | 0:28:25 | |
Well done, Alex! | 0:28:25 | 0:28:28 | |
Beautiful, intelligent, a gorgeous Welsh accent | 0:28:28 | 0:28:32 | |
and eyes you could drown in. That's what she said to me, | 0:28:32 | 0:28:34 | |
and I'm starting to think she didn't mean any of it. Good night! | 0:28:34 | 0:28:38 | |
Subtitles by Red Bee Media Ltd | 0:28:38 | 0:28:42 | |
E-mail [email protected] | 0:28:42 | 0:28:46 | |
. | 0:28:46 | 0:28:46 |