Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Good evening. | 0:00:25 | 0:00:26 | |
And welcome back to a brand-new series of Would I Lie To You? | 0:00:26 | 0:00:30 | |
The show where economising with the truth pays dividends. | 0:00:30 | 0:00:34 | |
On David Mitchell's team tonight, he's as funny as he's tall | 0:00:34 | 0:00:37 | |
and tall as he's bald | 0:00:37 | 0:00:40 | |
and as bald as he's funny. | 0:00:40 | 0:00:41 | |
It is the funny, bald, tall Dara O'Briain. | 0:00:41 | 0:00:44 | |
CHEERING | 0:00:44 | 0:00:46 | |
And the only man lucky enough to see Tess daily, | 0:00:46 | 0:00:51 | |
from Splash and Family Fortunes, | 0:00:51 | 0:00:53 | |
TV presenter Vernon Kay. | 0:00:53 | 0:00:55 | |
CHEERING | 0:00:55 | 0:00:57 | |
And on Lee Mack's team tonight, | 0:00:59 | 0:01:01 | |
an actress who starred in both A Midsummer Night's Dream and Strictly Come Dancing. | 0:01:01 | 0:01:05 | |
So, we've seen her Bottom and her cha-cha, | 0:01:05 | 0:01:08 | |
it's Denise van Outen. | 0:01:08 | 0:01:10 | |
CHEERING | 0:01:10 | 0:01:12 | |
Borderline, borderline. | 0:01:12 | 0:01:13 | |
Risky. | 0:01:13 | 0:01:15 | |
And a comedian who, on his show about work experience, | 0:01:15 | 0:01:18 | |
did a stint as a dustman. | 0:01:18 | 0:01:19 | |
Although, you don't really need training for that, | 0:01:19 | 0:01:22 | |
you just pick it up as you go along. | 0:01:22 | 0:01:24 | |
It's Rhod Gilbert. | 0:01:24 | 0:01:25 | |
CHEERING | 0:01:25 | 0:01:27 | |
And so, to Round 1, Home Truths, | 0:01:30 | 0:01:31 | |
where our panellists each read out a statement | 0:01:31 | 0:01:33 | |
from the card in front of them. | 0:01:33 | 0:01:35 | |
To make things harder, they've never seen the card before. | 0:01:35 | 0:01:37 | |
So they've no idea what they'll be faced with. | 0:01:37 | 0:01:39 | |
Then it's up to the opposing team to sort the fact from the fiction. | 0:01:39 | 0:01:43 | |
-Dara is first up. Dara, please reveal all. -OK. | 0:01:43 | 0:01:46 | |
In nightclubs, in order to impress the ladies, | 0:01:47 | 0:01:50 | |
I used to break into my special catwalk move. | 0:01:50 | 0:01:53 | |
I hope this is true. | 0:01:56 | 0:01:58 | |
Lee's team? | 0:01:58 | 0:01:59 | |
You know we're going to ask you to demonstrate it. | 0:01:59 | 0:02:01 | |
Before you do, can we just clarify, you mean like a model | 0:02:01 | 0:02:04 | |
or were you on all fours and weeing? | 0:02:04 | 0:02:05 | |
And walking at the same time! No, like a model. | 0:02:07 | 0:02:09 | |
OK, could you demonstrate for us now? | 0:02:09 | 0:02:11 | |
-Well, no, that would be ridiculous. -I know, that's why I'm asking! | 0:02:11 | 0:02:14 | |
Yeah. No, because if I showed you that I did a very good catwalk move | 0:02:14 | 0:02:18 | |
-then obviously I'm telling the truth. -Not necessarily. | 0:02:18 | 0:02:21 | |
You could be lying but you are able to do it. | 0:02:21 | 0:02:23 | |
You could say, "When I used to go to nightclubs, | 0:02:23 | 0:02:25 | |
"I would stand on one leg" and if I said, "Demonstrate it," | 0:02:25 | 0:02:27 | |
you'd go, "No, because that'll prove I can do it." | 0:02:27 | 0:02:30 | |
And I'd go, "No. It proves you can stand on one leg. | 0:02:30 | 0:02:32 | |
"It doesn't prove you used to do it in nightclubs." | 0:02:32 | 0:02:34 | |
So, I ask you again, get yourself on the floor and start walking. | 0:02:34 | 0:02:37 | |
-DENISE: -We want to see it, don't we? | 0:02:37 | 0:02:39 | |
CHEERING | 0:02:39 | 0:02:42 | |
This move, this move is so good that if I were to show I could do it, | 0:02:43 | 0:02:49 | |
you'd be going, "Well, obviously you'd play that card in a nightclub." | 0:02:49 | 0:02:52 | |
DENISE: Just imagine we're in a nightclub now. Nightclub setting. | 0:02:52 | 0:02:55 | |
I'm single, I'm well up for it, I'm from Essex... | 0:02:55 | 0:02:57 | |
I'll take this. | 0:02:57 | 0:02:58 | |
Will you compromise, will you do the face? | 0:03:03 | 0:03:05 | |
Yeah, do you do a model face? Do you pout? | 0:03:05 | 0:03:07 | |
It was more about the swivel of the face than the face itself. The... | 0:03:07 | 0:03:10 | |
DENISE AND RHOD: The swivel of the face? | 0:03:10 | 0:03:12 | |
How do you swivel your face? | 0:03:12 | 0:03:14 | |
-It's very... -I can swivel my face. | 0:03:14 | 0:03:15 | |
I mean, that's swivelling it, isn't it? | 0:03:15 | 0:03:18 | |
No. That's surely swivelling your head. | 0:03:18 | 0:03:20 | |
-That's bad... -Your face swivels when you swivel your head. -No, no, no. | 0:03:20 | 0:03:24 | |
The head's the thing your face is on! | 0:03:24 | 0:03:26 | |
Your head needs to stay still while the face moves if you're going to do it. | 0:03:26 | 0:03:29 | |
No, I don't... I think you can swivel things | 0:03:29 | 0:03:31 | |
with the use of things that the things are attached to. | 0:03:31 | 0:03:34 | |
I can move my eyes, seriously, right to the back of my head. Watch. | 0:03:34 | 0:03:37 | |
-There you go. -No, wait, no! | 0:03:41 | 0:03:43 | |
No, no, never mind "No, no." | 0:03:43 | 0:03:45 | |
Yes, yes. Yes, yes! | 0:03:45 | 0:03:47 | |
Nobody said "Swivel your face in relation to other bits of your head." | 0:03:47 | 0:03:51 | |
I'm swivelling it in relation to the rest of the universe. | 0:03:51 | 0:03:54 | |
Dara, really, within the rules of the game, | 0:03:55 | 0:03:58 | |
I think it would be right for you to show us this move. | 0:03:58 | 0:04:03 | |
CHEERING AND APPLAUSE | 0:04:03 | 0:04:05 | |
-Dara, I'm going to help you, OK? -No, no. | 0:04:09 | 0:04:11 | |
I'm going to help you. I'm going to give you a little bit of music | 0:04:11 | 0:04:14 | |
-so you've got something to work with. -Oh, inspiration. | 0:04:14 | 0:04:16 | |
I don't know if we've got anything ready but hit it. | 0:04:16 | 0:04:19 | |
MUSIC: "Horny '98" by Mousse T. | 0:04:19 | 0:04:22 | |
Wait, wait, stop. Whoa, whoa, wait! | 0:04:22 | 0:04:24 | |
Wait. Oh, no, hold on. | 0:04:24 | 0:04:26 | |
This is the catwalk area here, right? | 0:04:26 | 0:04:29 | |
However, first the model walks out to the start of the walk, all right? | 0:04:29 | 0:04:34 | |
So, I'm slightly backstage here. I'm nervous, I'm ready to go, right? | 0:04:34 | 0:04:37 | |
This'll be the catwalk area here. | 0:04:37 | 0:04:39 | |
-When I hit the bend, watch for the swivel, right? -Dara? | 0:04:39 | 0:04:43 | |
Dara, was this boring bit part of the chat-up? | 0:04:43 | 0:04:45 | |
Oh, man. | 0:04:45 | 0:04:48 | |
Did you have to explain it all before you did it? | 0:04:48 | 0:04:50 | |
About what she was about to see? | 0:04:50 | 0:04:52 | |
Did you have the confidence in a nightclub to go... | 0:04:52 | 0:04:55 | |
"Cut the music. I'm not ready! Cut the music. | 0:04:56 | 0:04:59 | |
"Everyone, stop having fun, I'm not ready!" | 0:04:59 | 0:05:03 | |
-OK, music. -Yeah. | 0:05:03 | 0:05:05 | |
MUSIC: "Horny '98" by Mousse T. | 0:05:05 | 0:05:08 | |
No clapping, no clapping. | 0:05:08 | 0:05:09 | |
Oh, there you go! | 0:05:18 | 0:05:19 | |
Yes! Yes. | 0:05:30 | 0:05:34 | |
Now, I don't know about you, | 0:05:34 | 0:05:36 | |
but I found that very attractive. | 0:05:36 | 0:05:39 | |
-Did you see the swivel? -That's really good. | 0:05:39 | 0:05:40 | |
-It's all in the swivel. -That was nice, with the swivel. | 0:05:40 | 0:05:43 | |
The swivel of your head, rather than your face. | 0:05:43 | 0:05:45 | |
What you're asking for would require surgery. | 0:05:45 | 0:05:48 | |
That's what the woman used to say when he used to chat them up. | 0:05:49 | 0:05:52 | |
Lee, what's it going to be, truth or lie? | 0:05:57 | 0:05:59 | |
-What do we think? -Well, I think... | 0:05:59 | 0:06:02 | |
Would that have done anything for you in a nightclub? | 0:06:02 | 0:06:04 | |
No, not really. | 0:06:04 | 0:06:06 | |
Ten years ago, with more hair, thinner, you know? | 0:06:07 | 0:06:09 | |
-DENISE: -I'd have laughed. | 0:06:09 | 0:06:10 | |
I'm not at me fighting weight here, right? | 0:06:10 | 0:06:13 | |
Definitely wasn't the first time he's done that. He's pulled it off before. | 0:06:13 | 0:06:16 | |
He's definitely done that before. | 0:06:16 | 0:06:18 | |
-Do you think so? -Too much confidence. | 0:06:18 | 0:06:20 | |
So we think it's the truth? | 0:06:20 | 0:06:21 | |
But he hasn't necessarily done it for the reasons he's saying. | 0:06:21 | 0:06:24 | |
-DENISE: -Men are so indecisive. Let's go with the truth. | 0:06:24 | 0:06:26 | |
-I'm not sure about that. -Let's go with the truth. | 0:06:26 | 0:06:28 | |
-So, Lee, what's it going to be? Come on. -Shall we go for the truth? | 0:06:32 | 0:06:35 | |
-We'll go for the truth! -Let's go for the truth. | 0:06:35 | 0:06:37 | |
Right, they're saying is the truth. | 0:06:37 | 0:06:39 | |
Dara O'Briain, were you telling the truth or were you telling a lie? | 0:06:39 | 0:06:43 | |
It is... | 0:06:44 | 0:06:45 | |
true. | 0:06:45 | 0:06:47 | |
Yay! | 0:06:47 | 0:06:48 | |
Wowser. Come on! | 0:06:48 | 0:06:51 | |
Yes, it's true. | 0:06:51 | 0:06:53 | |
Dara used to break into a special catwalk move | 0:06:53 | 0:06:55 | |
to impress the ladies in nightclubs. | 0:06:55 | 0:06:58 | |
Right, Denise, you're next. | 0:06:58 | 0:07:00 | |
I once got a tattoo | 0:07:02 | 0:07:03 | |
because I was told that it would disappear after three years. | 0:07:03 | 0:07:07 | |
Really, when? | 0:07:08 | 0:07:10 | |
Erm...I...it was on a job that I was doing. | 0:07:11 | 0:07:15 | |
It was actually live on TV I was tattooed. | 0:07:15 | 0:07:18 | |
And it was on The Big Breakfast. | 0:07:18 | 0:07:20 | |
And who had told you that they'd disappear after three years? | 0:07:20 | 0:07:24 | |
Johnny Vaughan. | 0:07:24 | 0:07:25 | |
-So... -Had you not previously heard of tattoos? | 0:07:26 | 0:07:30 | |
No, it was a new... They were a German company who came on the show. | 0:07:30 | 0:07:33 | |
And they claimed that they had this new ink that would fade after three years. | 0:07:33 | 0:07:38 | |
-And they did it live on The Big Breakfast? -Yeah. | 0:07:38 | 0:07:40 | |
-DARA: -So, can we see it? | 0:07:40 | 0:07:42 | |
No, because it's in a place where I don't really want to get it out. | 0:07:42 | 0:07:45 | |
-LEE: -What do you mean? | 0:07:45 | 0:07:46 | |
-LEE: -What part of the body? -Where is it then? | 0:07:47 | 0:07:49 | |
It's just...erm...at the top of my bottom. | 0:07:49 | 0:07:52 | |
What is it, Denise? | 0:07:52 | 0:07:53 | |
What I had was... Barbara Windsor was on the show, | 0:07:53 | 0:07:56 | |
and you know she used to say, cos I love Carry On Camping, | 0:07:56 | 0:07:59 | |
and you know she used to say, "Well, you are saucy." | 0:07:59 | 0:08:02 | |
So I wanted to have "saucy" tattooed across there. | 0:08:02 | 0:08:05 | |
-RHOD: I've got a potato tattoo on my back. -A potato? -Have a look. | 0:08:05 | 0:08:10 | |
-Have a look. -Denise won't show you, I don't mind if I get mine out. | 0:08:10 | 0:08:13 | |
-I might have to undo a button. -Undo a button. -I'll sort it out. -All right. | 0:08:13 | 0:08:17 | |
What I'm doing is... I'm doing this, | 0:08:20 | 0:08:22 | |
but I'm imagining my face has swivelled that way. | 0:08:22 | 0:08:24 | |
Right, that... | 0:08:26 | 0:08:28 | |
I can confirm that is a potato. | 0:08:28 | 0:08:31 | |
VERNON: Are you sure that's a potato? | 0:08:31 | 0:08:33 | |
What? Why have you got that? | 0:08:33 | 0:08:36 | |
Rhod, if I were you... | 0:08:36 | 0:08:38 | |
Rhod, if I were you, I'd have that checked out. | 0:08:38 | 0:08:41 | |
Has it changed shape in the last few years? | 0:08:41 | 0:08:45 | |
-VERNON: -Used to be a chip on his shoulder. | 0:08:45 | 0:08:47 | |
-LEE: -There it is! Beautiful. | 0:08:50 | 0:08:53 | |
Do you know what, it was worth it, just for that. | 0:08:53 | 0:08:55 | |
So, Denise, you've already said - if this is true - that we can't see it. | 0:08:55 | 0:08:59 | |
I don't mind showing you. | 0:08:59 | 0:09:01 | |
Oh! | 0:09:01 | 0:09:03 | |
Maybe later! | 0:09:07 | 0:09:08 | |
-VERNON: -Have you taken legal action against the people who promised you | 0:09:08 | 0:09:11 | |
it would be there for just three years? | 0:09:11 | 0:09:13 | |
No, cos I don't know who they are. | 0:09:13 | 0:09:15 | |
They didn't leave any forwarding details for me to get in touch in three years. | 0:09:15 | 0:09:18 | |
Anonymous German men turned up on The Big Breakfast... | 0:09:18 | 0:09:21 | |
But it was The Big Breakfast! | 0:09:21 | 0:09:23 | |
"We would like to maybe tattoo you in a secret place | 0:09:23 | 0:09:26 | |
"and do not ask any questions!" | 0:09:26 | 0:09:28 | |
So, David, what are you going to say? Is this the truth or has she made this all up? | 0:09:30 | 0:09:34 | |
I believe that you might have had a tattoo on television. | 0:09:34 | 0:09:37 | |
What I can't believe is that you'd think that a tattoo | 0:09:37 | 0:09:40 | |
wouldn't last for ever. | 0:09:40 | 0:09:41 | |
I think you'd go, "Well, fine, I'll have a tattoo." | 0:09:41 | 0:09:44 | |
But she'd been told by Germans that it would go. | 0:09:44 | 0:09:47 | |
The two greatest authorities, Germans and Johnny Vaughan. | 0:09:47 | 0:09:50 | |
What do you think, Dara? | 0:09:51 | 0:09:53 | |
No. There's certainly an emotional context | 0:09:53 | 0:09:56 | |
in which this could have happened. | 0:09:56 | 0:09:59 | |
I don't think anyone's mad enough to have fallen for that. | 0:09:59 | 0:10:03 | |
And it's a big risk on live television | 0:10:03 | 0:10:05 | |
to tattoo someone and then say, | 0:10:05 | 0:10:06 | |
"Oh, don't worry, it'll go in three years." | 0:10:06 | 0:10:09 | |
I think we think it's a lie, then. | 0:10:09 | 0:10:11 | |
-DARA: -We think it's a lie. -You think it's a lie? All right. | 0:10:11 | 0:10:14 | |
Denise van Outen, were you telling the truth, then? | 0:10:14 | 0:10:16 | |
Or were you telling a lie? | 0:10:16 | 0:10:18 | |
What?! | 0:10:22 | 0:10:24 | |
I didn't think you were going to get away with that. | 0:10:25 | 0:10:27 | |
Wow! | 0:10:27 | 0:10:29 | |
Yeah, it's true. | 0:10:29 | 0:10:31 | |
Denise did get a tattoo because she was told it would disappear after three years. | 0:10:31 | 0:10:35 | |
-Now, you did say that I was the only one. -Only you. | 0:10:35 | 0:10:39 | |
-Only me! -Look away. -Where will I see it? -Look away. | 0:10:39 | 0:10:41 | |
No, seriously, don't look! | 0:10:48 | 0:10:51 | |
Have a drink, have a drink. | 0:11:08 | 0:11:10 | |
Have a drink, you'll be fine. | 0:11:10 | 0:11:12 | |
Yeah? | 0:11:12 | 0:11:13 | |
-It's fine! -I need counselling. | 0:11:16 | 0:11:18 | |
Right, our next round is called This Is My... | 0:11:20 | 0:11:23 | |
Where we bring on a mystery guest who has a close connection to one of our panellists. | 0:11:23 | 0:11:27 | |
Now, this week, each of David's team will claim it's them | 0:11:27 | 0:11:30 | |
that has the genuine connection to the guest. | 0:11:30 | 0:11:32 | |
And it's up to Lee's team to sort out who's telling the truth. | 0:11:32 | 0:11:35 | |
So please welcome this week's special guest, Mel. | 0:11:35 | 0:11:39 | |
So, Vernon, what is Mel to you? | 0:11:46 | 0:11:51 | |
This is Mel. | 0:11:51 | 0:11:53 | |
And he came to the rescue | 0:11:53 | 0:11:56 | |
when I almost blew up | 0:11:56 | 0:11:58 | |
a banana factory. | 0:11:58 | 0:12:00 | |
David, perhaps you'd like to explain how you know Mel? | 0:12:03 | 0:12:06 | |
This is Mel. He's the postman who had to retrieve my phone | 0:12:06 | 0:12:09 | |
from a postbox when I accidentally posted it | 0:12:09 | 0:12:12 | |
instead of a letter I was carrying. | 0:12:12 | 0:12:14 | |
-Finally, Dara, how do you know Mel? -This is Mel. | 0:12:16 | 0:12:19 | |
One night, we were out stargazing | 0:12:19 | 0:12:21 | |
and we were quizzed by the police | 0:12:21 | 0:12:23 | |
because they thought we were Peeping Toms. | 0:12:23 | 0:12:25 | |
Lee's team, where do you want to begin? | 0:12:26 | 0:12:29 | |
There's something about... | 0:12:29 | 0:12:31 | |
If he'd said he blew up a banana factory it would have been bizarre, | 0:12:31 | 0:12:34 | |
but there's something more bizarre about almost blowing up a banana factory. | 0:12:34 | 0:12:37 | |
-DENISE: -What did you actually do in the banana factory? | 0:12:37 | 0:12:40 | |
Well, what happens in a banana factory, | 0:12:40 | 0:12:45 | |
-is that bananas come in from a foreign land. -Yeah. | 0:12:45 | 0:12:49 | |
-Let's say the Caribbean. -Yeah. | 0:12:49 | 0:12:51 | |
And they are ripened in Bolton. | 0:12:51 | 0:12:53 | |
They're ripened in Bolton? | 0:12:53 | 0:12:56 | |
There's not enough sun in the Caribbean? | 0:12:58 | 0:13:00 | |
-Did you work in this banana factory? -I did, yeah. | 0:13:03 | 0:13:05 | |
What was your job? | 0:13:05 | 0:13:06 | |
-I... -Were you the banana straightener? -No. | 0:13:06 | 0:13:10 | |
Or were you the banana bender? | 0:13:10 | 0:13:11 | |
Maybe they come in straight | 0:13:11 | 0:13:12 | |
and it's his big muscly body that turns them into that shape. | 0:13:12 | 0:13:15 | |
That's what they do in Bolton! | 0:13:15 | 0:13:17 | |
"What are you up to?" | 0:13:17 | 0:13:18 | |
"Oh, you know, just usual, bending me bananas." | 0:13:18 | 0:13:21 | |
RHOD: Surely it's a banana ripening plant, anyway, not a factory? | 0:13:23 | 0:13:26 | |
Well, it's a factory because there was a conveyor belt so I just... | 0:13:26 | 0:13:29 | |
Wait, wait, there's a conveyor belt? | 0:13:29 | 0:13:32 | |
So someone puts it on and it's green | 0:13:32 | 0:13:36 | |
and by the end of the conveyor belt, it's ripened? | 0:13:36 | 0:13:39 | |
How big is this conveyor belt, Vernon? | 0:13:39 | 0:13:42 | |
And more to the point, what are you doing other than... | 0:13:42 | 0:13:45 | |
Shall I straighten it yet? | 0:13:48 | 0:13:50 | |
RHOD: What did Mel do? | 0:13:51 | 0:13:53 | |
Mel, he was one of the foremen. | 0:13:53 | 0:13:56 | |
-And you were... -There were only four men working in a banana factory?! | 0:13:56 | 0:14:00 | |
How did you almost blow up this banana factory? | 0:14:00 | 0:14:03 | |
I was on a forklift truck and what happened was | 0:14:03 | 0:14:06 | |
I inadvertently drove into a gas heater | 0:14:06 | 0:14:11 | |
and disconnected it. | 0:14:11 | 0:14:13 | |
Right, and then what happens? | 0:14:13 | 0:14:14 | |
-And then the factory filled up with gas. -Really properly fills? | 0:14:14 | 0:14:18 | |
Yeah, yeah. | 0:14:18 | 0:14:19 | |
-What did Mel do? -So, what did Mel do? How did he save you? | 0:14:19 | 0:14:22 | |
Mel shut down the factory and evacuated the building. | 0:14:22 | 0:14:26 | |
Leaving the bananas to ripen themselves? | 0:14:26 | 0:14:28 | |
Now, what about David? What did we think of David's story with the postbox? | 0:14:30 | 0:14:33 | |
What were you supposed to be posting? | 0:14:33 | 0:14:35 | |
-I had a card and two normal letters to post. -Right. | 0:14:35 | 0:14:40 | |
And the nearest postbox to me has a... | 0:14:40 | 0:14:44 | |
It's a very narrow aperture. | 0:14:44 | 0:14:47 | |
-So only... -For the letters? -Yes. | 0:14:47 | 0:14:51 | |
-I know the kind of thing. -For whatever you want to use it for. | 0:14:51 | 0:14:55 | |
-We've got 'em, back home. -Yeah. | 0:14:55 | 0:14:57 | |
And you can't get 'em in, sometimes. | 0:14:57 | 0:15:01 | |
You can't get the wider things in. | 0:15:01 | 0:15:03 | |
So you thought, "I'll just post whatever fits," and that was your phone? | 0:15:03 | 0:15:07 | |
-It... -Stuff my keys in. Oh, they go in! The keys go in. Any change? | 0:15:07 | 0:15:11 | |
-I'll stuff that in. -I was contemplating what an outdated medium snail mail was | 0:15:11 | 0:15:15 | |
and I thought, "This'll show 'em!" | 0:15:15 | 0:15:16 | |
No, I had...in my confusion, I thought, "Oh, that doesn't fit, | 0:15:18 | 0:15:22 | |
"I'll post those two, they fit." And, "Oh, what a fool... | 0:15:22 | 0:15:26 | |
"What a fool I've been! If only this were happening in a sitcom." | 0:15:26 | 0:15:29 | |
-The two letters and phone go in at the same time? -Yeah. | 0:15:31 | 0:15:33 | |
So you're e-mailing it and putting in a hard copy at the same time. | 0:15:33 | 0:15:37 | |
-DENISE: -So how did Mel come in to it? Was he in the area? -LEE: -How did... | 0:15:37 | 0:15:40 | |
Well, luckily, | 0:15:40 | 0:15:41 | |
Mel had also fallen in. | 0:15:41 | 0:15:43 | |
He just reached out and passed it out to you. | 0:15:43 | 0:15:46 | |
Yes, I mean, I hadn't realised that pillar boxes were manned until then. | 0:15:46 | 0:15:49 | |
He simply handed it back. | 0:15:52 | 0:15:53 | |
So, go on, what happened next? | 0:15:55 | 0:15:56 | |
I noticed that the last collection of the day | 0:15:56 | 0:16:00 | |
was happening about half an hour later. | 0:16:00 | 0:16:03 | |
So I thought, "I know what I'll do, | 0:16:03 | 0:16:07 | |
"I'll simply wait." | 0:16:07 | 0:16:08 | |
Fiendishly clever! | 0:16:12 | 0:16:14 | |
No, you didn't. | 0:16:14 | 0:16:16 | |
-So what are you thinking? -No. Remind me again of your truth, lie, thing. | 0:16:16 | 0:16:21 | |
He and I, Mel and I, were stargazing and the police quizzed us | 0:16:21 | 0:16:26 | |
because they thought we were Peeping Toms. | 0:16:26 | 0:16:28 | |
-Was it just the two of you? -Yes, it was, actually, yeah. | 0:16:28 | 0:16:31 | |
And what were you stargazing at? | 0:16:31 | 0:16:32 | |
We were looking at a meteor shower. | 0:16:32 | 0:16:35 | |
OK. So the two of you were out. What have you got? You've got the telescope... | 0:16:35 | 0:16:38 | |
-No, you don't. -What have you got? | 0:16:38 | 0:16:40 | |
You just use binoculars. | 0:16:40 | 0:16:41 | |
-Binoculars? -Binoculars? | 0:16:41 | 0:16:42 | |
The naked eye, generally, binoculars probably. | 0:16:42 | 0:16:44 | |
You don't use a telescope because they move quickly so you'd have to be really fast! | 0:16:44 | 0:16:48 | |
You'd be playing it like a tu... Like that. | 0:16:48 | 0:16:51 | |
Yeah, but if you want a really good look, | 0:16:51 | 0:16:52 | |
why don't you use two telescopes, like binoculars? | 0:16:52 | 0:16:55 | |
Cos that's even better than binoculars and also, if two things happen at once, you can go, | 0:16:57 | 0:17:01 | |
"And the moon's looking nice!" | 0:17:01 | 0:17:02 | |
DENISE: So, when the police turned up... | 0:17:05 | 0:17:08 | |
We could see the police car coming because it just drove along and then stopped | 0:17:08 | 0:17:12 | |
and two of the lads came and walked over to us. | 0:17:12 | 0:17:14 | |
Cos we were two men in the middle of Ealing Common, | 0:17:14 | 0:17:16 | |
there's houses all around, | 0:17:16 | 0:17:17 | |
-but with binoculars. -But surely, you don't look... | 0:17:17 | 0:17:20 | |
You look like that, right up in the air? | 0:17:20 | 0:17:21 | |
I know but maybe they saw me during the midpoint of that. I don't know! | 0:17:21 | 0:17:25 | |
No, no, no! You don't go, "Let's start at the ground and go up!" | 0:17:25 | 0:17:28 | |
You go like that and you do that. | 0:17:28 | 0:17:30 | |
You don't go, "Would you like a cup of tea? | 0:17:30 | 0:17:32 | |
"But sorry, I can't see. | 0:17:32 | 0:17:33 | |
-"Everything's blurry." -I don't... -You can take them off. | 0:17:33 | 0:17:36 | |
RHOD: Nobody does this when they're using binoculars, | 0:17:36 | 0:17:38 | |
-"Right, head up and now, binoculars." They don't! -They do! | 0:17:38 | 0:17:41 | |
They go, "Look at that, up there." | 0:17:41 | 0:17:42 | |
They don't go, "Have you seen the moon tonight?" | 0:17:42 | 0:17:45 | |
"Wait, wait, I need a bit of a run up." | 0:17:45 | 0:17:47 | |
Don't forget, Dara's face moves independently from his head. | 0:17:48 | 0:17:51 | |
That's true. Yes, he can swivel his face. | 0:17:51 | 0:17:53 | |
And look at the woman in the bathroom behind. It's true! | 0:17:53 | 0:17:56 | |
Right, Lee, we need an answer. Is Mel Vernon's banana hero, | 0:17:58 | 0:18:03 | |
David's postman pal | 0:18:03 | 0:18:05 | |
or Dara's saucy stargazer? | 0:18:05 | 0:18:08 | |
-What do you think? -I think the difficult thing is Mel's got a tan. | 0:18:08 | 0:18:11 | |
But you can get a tan in all three of those jobs. | 0:18:11 | 0:18:13 | |
Well, he's going to the Caribbean a lot, to pick up bananas. | 0:18:13 | 0:18:17 | |
Stargazing, you can get a tan off that if you're out there long enough. | 0:18:17 | 0:18:20 | |
And a postman, outdoors all day. | 0:18:20 | 0:18:22 | |
You know that stargazing's done predominantly at night? | 0:18:22 | 0:18:25 | |
There is not a shadow of a doubt in my mind | 0:18:27 | 0:18:29 | |
that Mel worked in a banana factory. | 0:18:29 | 0:18:31 | |
OK, you're saying banana man? | 0:18:31 | 0:18:33 | |
-DENISE: -No, I definitely... If I saw Dara and Mel on Ealing Common, | 0:18:33 | 0:18:36 | |
I would think they were a couple of pervs. | 0:18:36 | 0:18:38 | |
But Dara could have said, "It's OK, I work in TV." | 0:18:40 | 0:18:43 | |
The police would go, "Well, that makes it impossible." | 0:18:43 | 0:18:46 | |
So what are you going to say? | 0:18:52 | 0:18:54 | |
We are going to state that in fact | 0:18:54 | 0:18:56 | |
Dara was cautioned by the police for standing on Ealing Common. | 0:18:56 | 0:19:00 | |
-Not necessarily for being a pervert. -Cautioned? Cautioned actually means something, legally, by the way. | 0:19:00 | 0:19:04 | |
-Sorry, he wasn't cautioned. -Questioned! -Questioned. -Questioned. | 0:19:04 | 0:19:07 | |
I was never formally cautioned with anything! | 0:19:07 | 0:19:10 | |
-You say it's Dara. -Go for it. | 0:19:12 | 0:19:13 | |
So, Mel, would you please reveal your true identity. | 0:19:13 | 0:19:17 | |
I'm Mel, and I rescued Vernon after once nearly... | 0:19:17 | 0:19:22 | |
Yes, Mel is Vernon's banana boss. | 0:19:27 | 0:19:31 | |
So, how dangerous was this? | 0:19:31 | 0:19:34 | |
Were you just seconds away from bang? | 0:19:34 | 0:19:37 | |
BOLTON ACCENT: Virtually, yeah. Vernon's driving the forklift and, like he said... | 0:19:37 | 0:19:42 | |
Oh, why didn't you speak like this before? | 0:19:42 | 0:19:44 | |
We'd have known it was Vernon! Why isn't he allowed to speak? | 0:19:44 | 0:19:47 | |
-RHOD: -I told you! | 0:19:47 | 0:19:48 | |
-And what was Vernon known as within this factory? -Little Vern. | 0:19:50 | 0:19:54 | |
-Little Vern? -Little Vern. -Aw! | 0:19:54 | 0:19:57 | |
Stand up next to Mel, Vernon, and let's see Little Vern now. | 0:19:57 | 0:20:00 | |
Mel, thank you very much indeed. | 0:20:03 | 0:20:05 | |
Which brings us to our final round, Quickfire Lies, | 0:20:10 | 0:20:13 | |
in which our panellists lie, not only through their teeth, but against the clock. | 0:20:13 | 0:20:17 | |
We will start with... | 0:20:17 | 0:20:18 | |
It's David. | 0:20:20 | 0:20:21 | |
One of the codes I live my life by... | 0:20:23 | 0:20:26 | |
Always a good start! | 0:20:28 | 0:20:30 | |
..is that my appearance should be in no way noteworthy. | 0:20:31 | 0:20:35 | |
But then again, not so unnoteworthy as to be, in itself, noteworthy. | 0:20:35 | 0:20:40 | |
-What do you think? -Well, if it is true, you're certainly carrying it off. | 0:20:43 | 0:20:47 | |
When did you decide on this code? | 0:20:50 | 0:20:52 | |
It didn't happen suddenly. | 0:20:52 | 0:20:54 | |
-It just, you know... -Sort of developed? | 0:20:54 | 0:20:57 | |
The way I felt comfortable being | 0:20:57 | 0:20:58 | |
sort of gradually formed into the philosophy, | 0:20:58 | 0:21:02 | |
and I don't think that's too grandiose a term, | 0:21:02 | 0:21:05 | |
that I have read off a card for you today. | 0:21:05 | 0:21:09 | |
I would say, since you've got a beard, | 0:21:10 | 0:21:13 | |
you have become more noteworthy. | 0:21:13 | 0:21:15 | |
The answer to that is that I've enjoyed growing a beard | 0:21:15 | 0:21:17 | |
but you're right, because I've grown a beard, some people have said, | 0:21:17 | 0:21:20 | |
"I see you've grown a beard," or, "He's got a beard," | 0:21:20 | 0:21:23 | |
-and I hate those moments. -Can I just pick you up on the point... | 0:21:23 | 0:21:25 | |
I deeply hate those moments of being physically noticed. | 0:21:25 | 0:21:29 | |
Have you really enjoyed growing a beard? | 0:21:29 | 0:21:32 | |
well, that's what's so odd. | 0:21:32 | 0:21:34 | |
I mean, I haven't like hugely enjoyed it. | 0:21:34 | 0:21:36 | |
It's not been like a brilliant roller coaster. | 0:21:36 | 0:21:38 | |
But it's just very, very slightly I've enjoyed it. | 0:21:38 | 0:21:41 | |
And very slightly also, I've had a sense of achievement. | 0:21:41 | 0:21:44 | |
Of course, it is no achievement. | 0:21:44 | 0:21:45 | |
It's actually a failure in personal hygiene. | 0:21:45 | 0:21:48 | |
But it feels like an achievement. | 0:21:48 | 0:21:50 | |
But you surely went through the difficult itchy stage. | 0:21:50 | 0:21:53 | |
-I did go through it. -No-one enjoys that. | 0:21:53 | 0:21:55 | |
I call them my teens. | 0:21:55 | 0:21:57 | |
Do you make these rules about everything? | 0:21:59 | 0:22:02 | |
Are the underpants you're wearing unnoteworthy enough to be... | 0:22:02 | 0:22:05 | |
You know what I'm saying. Are they? | 0:22:05 | 0:22:07 | |
-I don't think... -Sorry, let's start again, | 0:22:07 | 0:22:09 | |
-are you wearing underwear? -Yes. | 0:22:09 | 0:22:12 | |
-OK. -And I don't want to sound too sexy, but yes. | 0:22:12 | 0:22:14 | |
I don't want to sound too sexy, but no. | 0:22:16 | 0:22:18 | |
Under my underwear, I'm naked. | 0:22:18 | 0:22:20 | |
I want to know, not what you consider noteworthy, | 0:22:22 | 0:22:25 | |
but what you consider so unnoteworthy that it becomes noteworthy. | 0:22:25 | 0:22:28 | |
A grey tie. | 0:22:28 | 0:22:30 | |
If you were in a suit, like you're in a suit-wearing scenario, | 0:22:30 | 0:22:33 | |
and you wore a grey tie, | 0:22:33 | 0:22:35 | |
that would be so unnoteworthy as to be, in itself, noteworthy. | 0:22:35 | 0:22:38 | |
So a grey tie... | 0:22:38 | 0:22:39 | |
It could be so colourless, so "not wanting to draw the eye", it would draw the eye. | 0:22:39 | 0:22:44 | |
It's how you spot spies, isn't it? | 0:22:44 | 0:22:46 | |
People who are just trying to blend in so much | 0:22:46 | 0:22:48 | |
-they've blended in so much, they're noticeable. -It's true. | 0:22:48 | 0:22:50 | |
Like a chameleon. | 0:22:50 | 0:22:51 | |
If there was a chameleon in here, it would stand out. | 0:22:51 | 0:22:55 | |
I'll tell you what, if there was a comedian in here, it'd stand out. | 0:22:56 | 0:22:59 | |
LAUGHTER AND APPLAUSE | 0:22:59 | 0:23:03 | |
A worrying round of applause on the subject of our comedy. | 0:23:04 | 0:23:08 | |
Is it true or is it a lie? Make your decision. | 0:23:09 | 0:23:12 | |
I think it's true. I think it's very plausible that David would be like that, yeah. | 0:23:12 | 0:23:17 | |
-Yeah, I think it's true. -I'll go with my team and say true. | 0:23:17 | 0:23:20 | |
All saying true. David, truth or lie? | 0:23:20 | 0:23:22 | |
Yes, well, of course it's true. | 0:23:22 | 0:23:24 | |
Yes, it's true. | 0:23:27 | 0:23:29 | |
One of the codes David lives his life by | 0:23:29 | 0:23:31 | |
is that his appearance should be in no way noteworthy. | 0:23:31 | 0:23:34 | |
Next... | 0:23:34 | 0:23:35 | |
..it's Rhod. | 0:23:37 | 0:23:38 | |
I once dug up my dead hamster... | 0:23:41 | 0:23:43 | |
..and gave it a wash. | 0:23:46 | 0:23:47 | |
What age were you when you bought it? | 0:23:53 | 0:23:56 | |
And what age were you when it bought it?! | 0:23:56 | 0:23:58 | |
Oh, God, I... | 0:23:58 | 0:24:02 | |
When I bought it, I must have been 25. | 0:24:02 | 0:24:04 | |
-25? Sorry? -What? -No? | 0:24:04 | 0:24:07 | |
-25? -Six! | 0:24:07 | 0:24:10 | |
-Six! -I must say, I was thinking it would have been during your childhood. | 0:24:10 | 0:24:14 | |
I don't know exactly, I did not record my age. | 0:24:14 | 0:24:16 | |
-DARA: -OK, we're not splitting hairs between 23 and 24 here. -Mid-twenties. | 0:24:16 | 0:24:21 | |
You weren't nine is what we were basically getting at. | 0:24:21 | 0:24:24 | |
No, I tell you what, maths really is your strong point. | 0:24:24 | 0:24:27 | |
No, the point is, who in their 20s buys a hamster? | 0:24:27 | 0:24:29 | |
-LEE: -I like the fact that it doesn't seem unusual that he dug it up | 0:24:32 | 0:24:35 | |
and washed it, that's all right. | 0:24:35 | 0:24:36 | |
"You had a hamster in your mid-20s?" | 0:24:36 | 0:24:38 | |
Surely that's not the bit you should be focused on! | 0:24:38 | 0:24:40 | |
-Did the hamster have a name? -Yes, his name was... | 0:24:42 | 0:24:45 | |
..Ianto. | 0:24:46 | 0:24:47 | |
-How's that spelt? -I-A-N-T-O, I think. | 0:24:49 | 0:24:51 | |
To be honest, I never had cause to write the name down. | 0:24:51 | 0:24:54 | |
You don't have to worry about the spelling of any pets really, do you? | 0:24:56 | 0:25:01 | |
I think there are times when you have to write... | 0:25:01 | 0:25:03 | |
You might be writing an e-mail. with news, to a loved one. | 0:25:03 | 0:25:07 | |
-"By the way, Ianto's looking peaky." -You're quite right, I did once... | 0:25:07 | 0:25:11 | |
-DARA: -Did you not put a little tombstone? | 0:25:11 | 0:25:14 | |
Thus making it easy for you later to dig him up and wash him. | 0:25:14 | 0:25:17 | |
He did have a tombstone, yeah, of sorts. | 0:25:17 | 0:25:19 | |
And did it not have Ianto written on the tombstone? | 0:25:19 | 0:25:21 | |
Tragically, there was already something written on his tombstone. | 0:25:21 | 0:25:24 | |
What was written on it? | 0:25:24 | 0:25:25 | |
It was a lollipop stick. | 0:25:25 | 0:25:27 | |
-LEE: -It had a joke on it?! | 0:25:27 | 0:25:29 | |
-Your hamster dies and you buried it where? -In the garden. | 0:25:32 | 0:25:36 | |
How long was it under the earth before you dug it up? | 0:25:36 | 0:25:39 | |
-Was it, sort of, months later? -No, probably a day or two. | 0:25:39 | 0:25:42 | |
Was it in a container? A sort of hamster coffin? | 0:25:42 | 0:25:44 | |
-It was in a container, yeah. -What was the container? | 0:25:44 | 0:25:47 | |
It was in a... | 0:25:48 | 0:25:49 | |
A smoothie bottle. | 0:25:50 | 0:25:51 | |
A smoothie bottle? | 0:25:54 | 0:25:56 | |
He was in a smoothie bottle? | 0:25:59 | 0:26:01 | |
How did you get the hamster into the smoothie bottle? | 0:26:01 | 0:26:04 | |
With the lolly stick! | 0:26:04 | 0:26:05 | |
No, no, I took the top off and just pushed him in. | 0:26:07 | 0:26:10 | |
You sort of forced him in? Because I imagine... | 0:26:10 | 0:26:13 | |
I had to. He was dead. I tried persuading him but it didn't work. | 0:26:13 | 0:26:16 | |
-DENISE: -And then, how would you get the hamster out to wash it? | 0:26:17 | 0:26:21 | |
Or did you put the water in the bottle, put the lid back on, | 0:26:23 | 0:26:26 | |
give it a shake and then take the lid off and then...? | 0:26:26 | 0:26:28 | |
You wouldn't want to put water in. | 0:26:28 | 0:26:30 | |
You'd want to put lots of fizzy drink in, | 0:26:30 | 0:26:32 | |
shake it up and...he's out! | 0:26:32 | 0:26:33 | |
He is blown out like that. And then you go...and catch him. | 0:26:35 | 0:26:38 | |
The thing that we haven't established in all of this | 0:26:39 | 0:26:42 | |
is why you felt you had to clean him. | 0:26:42 | 0:26:47 | |
Because he, well he had, like, a strawberry Mohican. | 0:26:47 | 0:26:49 | |
-It had gone stiff. -There was still strawberry stuff in there? | 0:26:49 | 0:26:52 | |
Yeah, I hadn't rinsed it out properly. | 0:26:52 | 0:26:54 | |
-And you were racked with guilt? -Yep. | 0:26:54 | 0:26:57 | |
Oh, wow. | 0:26:57 | 0:26:58 | |
Can you describe the...the washing? | 0:26:58 | 0:27:01 | |
If I'm honest, the washing of him doesn't stand out that much. | 0:27:01 | 0:27:05 | |
It was a fairly straightforward rinse and blow-dry, as I remember. | 0:27:05 | 0:27:08 | |
In the... | 0:27:08 | 0:27:10 | |
-A blow-dry? Come on! You didn't blow-dry him. -In the kitchen sink? | 0:27:10 | 0:27:13 | |
"Been anywhere nice on your holidays? | 0:27:13 | 0:27:17 | |
"Do want a cup of tea or anything?" | 0:27:17 | 0:27:19 | |
Did you run the hamster under the kitchen tap? | 0:27:19 | 0:27:22 | |
I washed as much of that strawberry smoothie | 0:27:22 | 0:27:24 | |
out of his sticky, brittle hair | 0:27:24 | 0:27:26 | |
as I could... | 0:27:26 | 0:27:27 | |
..said our goodbyes and buried him in the garden. | 0:27:28 | 0:27:31 | |
So did you feel like you'd done the right thing? | 0:27:31 | 0:27:33 | |
Yeah, definitely, yeah. Thanks, Rob. I did, yeah. | 0:27:35 | 0:27:37 | |
That's good. That's good to know. | 0:27:37 | 0:27:39 | |
-Do you think he's telling the truth? -I don't. -No. | 0:27:39 | 0:27:41 | |
-VERNON: -Maybe a quick flick under the tap | 0:27:45 | 0:27:47 | |
but I don't think he'd spend time scrubbing down the hamster. | 0:27:47 | 0:27:49 | |
-So you're saying lie? -We're saying it's a lie. | 0:27:49 | 0:27:52 | |
You're saying it's a lie. Rhod, the hamster, the burial, the resurrection, | 0:27:52 | 0:27:57 | |
is it the truth or were you telling a lie? | 0:27:57 | 0:28:00 | |
Obviously, | 0:28:00 | 0:28:01 | |
it's true. | 0:28:01 | 0:28:03 | |
Well, it's... It's true. | 0:28:09 | 0:28:13 | |
And it's very upsetting. | 0:28:13 | 0:28:15 | |
BUZZER | 0:28:15 | 0:28:16 | |
And that noise signals time is up. | 0:28:16 | 0:28:18 | |
It's the end of the show. | 0:28:18 | 0:28:20 | |
I can reveal that | 0:28:20 | 0:28:21 | |
Lee's team have won by four points to one. | 0:28:21 | 0:28:24 | |
SPEECH DROWNED OUT BY CHEERING | 0:28:24 | 0:28:27 | |
But it's not just a team game | 0:28:29 | 0:28:31 | |
and my individual liar of the week, this week, | 0:28:31 | 0:28:34 | |
is Dara O'Briain. | 0:28:34 | 0:28:35 | |
Yes, Dara is so good at lying, | 0:28:37 | 0:28:39 | |
even Lance Armstrong thinks he should ease up. Goodnight! | 0:28:39 | 0:28:43 | |
Subtitles by Red Bee Media Ltd | 0:28:57 | 0:29:04 |