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CHEERING AND APPLAUSE | 0:00:16 | 0:00:17 | |
Good evening, | 0:00:24 | 0:00:25 | |
and welcome to Would I Lie To You, | 0:00:25 | 0:00:27 | |
the show which delights in dishonesty, | 0:00:27 | 0:00:30 | |
and on Lee Mack's team tonight, | 0:00:30 | 0:00:32 | |
a man whose sole purpose in life | 0:00:32 | 0:00:34 | |
is to make ordinary women look beautiful. | 0:00:34 | 0:00:36 | |
He's the fashion equivalent of eight pints of lager, it's Gok Wan! | 0:00:36 | 0:00:40 | |
CHEERING AND APPLAUSE | 0:00:40 | 0:00:41 | |
And a man who, frankly, needs no introduction, | 0:00:43 | 0:00:47 | |
so instead, let's spend the time delighting in his famous face. | 0:00:47 | 0:00:52 | |
From Game Of Thrones, Charles Dance! | 0:00:52 | 0:00:54 | |
CHEERING AND APPLAUSE | 0:00:54 | 0:00:56 | |
And on David Mitchell's team tonight, | 0:00:58 | 0:01:01 | |
a comic most famous for her role as Dobby on Peep Show, | 0:01:01 | 0:01:05 | |
alongside the supremely talented Robert Webb, | 0:01:05 | 0:01:08 | |
and some other bloke I can't remember the name of. | 0:01:08 | 0:01:11 | |
It's Isy Suttie! | 0:01:11 | 0:01:12 | |
CHEERING AND APPLAUSE | 0:01:12 | 0:01:14 | |
And an actor who recently started in Episodes | 0:01:15 | 0:01:18 | |
and is soon to be the voice of Postman Pat. | 0:01:18 | 0:01:21 | |
I don't know where he finds the time. | 0:01:21 | 0:01:24 | |
Presumably he gets up early in the morning just as day is dawning. | 0:01:24 | 0:01:28 | |
Stephen Mangan! | 0:01:28 | 0:01:29 | |
CHEERING AND APPLAUSE | 0:01:29 | 0:01:30 | |
And so to round one, Home Truths, | 0:01:32 | 0:01:34 | |
where are panellists each read out a statement | 0:01:34 | 0:01:36 | |
from the card in front of them. | 0:01:36 | 0:01:38 | |
To make things harder, they've never seen the card before, | 0:01:38 | 0:01:41 | |
so they have no idea what they'll be faced with, | 0:01:41 | 0:01:43 | |
and it's up to the opposing team to sort the fact from the fiction. | 0:01:43 | 0:01:46 | |
Stephen is first up. Off you go. | 0:01:46 | 0:01:50 | |
Whenever I eat beans on toast, | 0:01:50 | 0:01:52 | |
I always imagine I'm a rescue helicopter, | 0:01:52 | 0:01:56 | |
and with every forkful, | 0:01:56 | 0:01:59 | |
I'm airlifting tiny bald men on a raft to safety. | 0:01:59 | 0:02:04 | |
LAUGHTER | 0:02:04 | 0:02:05 | |
Lee. What do you think? | 0:02:06 | 0:02:09 | |
-How long have you done this for? -Since I was about eight. -Right. | 0:02:09 | 0:02:12 | |
Any reason you do this apart from just keeping yourself amused? | 0:02:12 | 0:02:15 | |
My auntie Bridget, who used to live with us... | 0:02:15 | 0:02:18 | |
Is this going to be a tragic story? "She's bald, she was on a raft... | 0:02:18 | 0:02:22 | |
"She never survived and it's our way of remembering her." | 0:02:22 | 0:02:26 | |
She was on a raft with 400 bald men... | 0:02:26 | 0:02:28 | |
-who needed rescuing. -We all know your auntie! | 0:02:29 | 0:02:31 | |
LAUGHTER | 0:02:31 | 0:02:32 | |
-You say "raft", you mean "mattress". -Yeah. | 0:02:34 | 0:02:36 | |
LAUGHTER | 0:02:36 | 0:02:38 | |
-Oh. I hope she's not watching. -She's busy, don't worry. | 0:02:40 | 0:02:44 | |
LAUGHTER | 0:02:44 | 0:02:46 | |
My auntie Bridget used to live in our house | 0:02:49 | 0:02:52 | |
and she would often have to look after us if our parents were out. | 0:02:52 | 0:02:56 | |
You know, I wasn't a good eater. I was a very skinny kid, | 0:02:56 | 0:02:58 | |
and she used to try all sorts of stuff, | 0:02:58 | 0:03:01 | |
and this is one technique. She used to do other things as well. | 0:03:01 | 0:03:03 | |
Like what? What else would she do? | 0:03:03 | 0:03:05 | |
LAUGHTER | 0:03:05 | 0:03:06 | |
Spaghetti was, you were trying to, you know, you were throwing a line, | 0:03:06 | 0:03:11 | |
a rope to rescue people at the bottom of a pit. Fishfingers were coaches. | 0:03:11 | 0:03:16 | |
-Fishfingers were what?! -They were coaches on the motorway. | 0:03:16 | 0:03:21 | |
"Here comes the coach, chop it in half." | 0:03:21 | 0:03:24 | |
She's quite funny, my auntie Bridget. She's quite odd. | 0:03:24 | 0:03:27 | |
Do you think the bald men in question | 0:03:27 | 0:03:29 | |
that were going to die on the raft | 0:03:29 | 0:03:31 | |
felt glad that they'd ended in a more comfortable position | 0:03:31 | 0:03:34 | |
of going down your throat into your stomach? | 0:03:34 | 0:03:36 | |
Did you feel that was a safer place for them? | 0:03:36 | 0:03:38 | |
That was the helicopter they were coming into. | 0:03:38 | 0:03:40 | |
-Your mouth was the helicopter. -My mouth is the helicopter. | 0:03:40 | 0:03:43 | |
That's a raft going down, that's the raft. | 0:03:43 | 0:03:44 | |
The raft is, they're sitting on the fork, which is a raft. | 0:03:44 | 0:03:47 | |
-No, no, the raft is the toast, surely. -The toast is the raft. | 0:03:47 | 0:03:50 | |
-I don't know. -What's the toast? -The toast is the boat they were in. | 0:03:50 | 0:03:53 | |
It's now covered in... Why would they be on a raft? | 0:03:53 | 0:03:56 | |
If they're on a raft, they're already rescued. They're already OK. | 0:03:56 | 0:03:59 | |
But helicopters don't lower down rafts. | 0:03:59 | 0:04:02 | |
Oh, thanks, well, you just ruined an entire lifetime story for me. | 0:04:02 | 0:04:07 | |
Another man comes attached to the rope | 0:04:07 | 0:04:10 | |
and he picks up each individual bald man on the raft. I've seen it. | 0:04:10 | 0:04:13 | |
Every time I've seen loads of bald men dying at sea, | 0:04:13 | 0:04:15 | |
a man comes out of the helicopter and individually picks them up. | 0:04:15 | 0:04:18 | |
If you'd have done your back story and were a proper actor, | 0:04:18 | 0:04:20 | |
you would know that you're supposed to be taking one bean... | 0:04:20 | 0:04:23 | |
That's what Charles Dance would've done. Cos he does his research! | 0:04:23 | 0:04:27 | |
That's why he's not going to be the voice of Postman Pat! | 0:04:27 | 0:04:30 | |
LAUGHTER AND APPLAUSE | 0:04:30 | 0:04:31 | |
-So what do you think? -What do we think? | 0:04:36 | 0:04:38 | |
Are we buying this story? | 0:04:38 | 0:04:39 | |
-Reluctantly, I think I am buying this story. -Really? | 0:04:39 | 0:04:42 | |
You think it might be true? | 0:04:42 | 0:04:43 | |
I do actually think it sounds quite realistic. | 0:04:43 | 0:04:45 | |
I think, in a child's brain, you might make up all of these scenarios. | 0:04:45 | 0:04:48 | |
I don't think he was eating the beans. | 0:04:48 | 0:04:50 | |
I mean, look at his hair, he was only eating the crust of that toast. | 0:04:50 | 0:04:53 | |
LAUGHTER | 0:04:53 | 0:04:54 | |
-We think it's true. -You think it's true? -Yeah. | 0:04:55 | 0:04:57 | |
Charles says it's true. | 0:04:57 | 0:04:58 | |
-Oh, go on, then. We'll say it's true. -You're saying it's true. | 0:05:00 | 0:05:03 | |
Stephen Mangan, truth or lie? | 0:05:03 | 0:05:05 | |
-It is in fact a lie. -Oh, no! | 0:05:06 | 0:05:10 | |
APPLAUSE | 0:05:11 | 0:05:12 | |
Yes, it's a lie. | 0:05:14 | 0:05:16 | |
When eating beans on toast, | 0:05:17 | 0:05:19 | |
Stephen doesn't imagine he's a rescue helicopter | 0:05:19 | 0:05:22 | |
airlifting tiny bald men to safety. | 0:05:22 | 0:05:25 | |
Charles, you're next. | 0:05:25 | 0:05:27 | |
CHARLES CLEARS THROAT | 0:05:28 | 0:05:30 | |
A little chimpanzee once came to my house for tea. | 0:05:31 | 0:05:34 | |
LAUGHTER | 0:05:34 | 0:05:35 | |
-David's team, what do you think? -A little chimpanzee. -How little? | 0:05:37 | 0:05:43 | |
Tiny chimp, about this height. | 0:05:43 | 0:05:46 | |
And did it come alone? | 0:05:46 | 0:05:49 | |
It preceded an expected guest. | 0:05:49 | 0:05:53 | |
-Was that a gorilla? -LAUGHTER | 0:05:53 | 0:05:56 | |
-ISY: -What did it eat? | 0:05:56 | 0:05:58 | |
Well, we tried Marmite, | 0:05:58 | 0:06:01 | |
because it was a Sunday afternoon | 0:06:01 | 0:06:03 | |
and we were having tea and Marmite toast, | 0:06:03 | 0:06:06 | |
that's what my kids liked. | 0:06:06 | 0:06:08 | |
But it turned its nose up at that, | 0:06:08 | 0:06:10 | |
so we gave it cheese and tomato sandwiches, | 0:06:10 | 0:06:13 | |
and she opened them up | 0:06:13 | 0:06:15 | |
and took the inside and seemed to be quite happy with that. | 0:06:15 | 0:06:19 | |
Probably on a no-carbs diet. | 0:06:19 | 0:06:20 | |
LAUGHTER | 0:06:20 | 0:06:22 | |
-What's a chimpanzee doing... -Good question. | 0:06:23 | 0:06:26 | |
..coming round to your house for tea? | 0:06:26 | 0:06:28 | |
She was with the friend who was expected, | 0:06:28 | 0:06:30 | |
and the friend who was expected was running late | 0:06:30 | 0:06:33 | |
and she sent the chimpanzee on ahead. | 0:06:33 | 0:06:36 | |
LAUGHTER | 0:06:36 | 0:06:38 | |
So, did the chimpanzee ring the doorbell or knock on the door? | 0:06:38 | 0:06:42 | |
-Knocked on the door. -And you answer the door and there is... | 0:06:42 | 0:06:46 | |
I went to the door and my wife said, "Who's that?", | 0:06:46 | 0:06:50 | |
and I said, "It's a chimpanzee." | 0:06:50 | 0:06:52 | |
LAUGHTER | 0:06:52 | 0:06:55 | |
She said, "What does it want?" | 0:06:58 | 0:07:00 | |
LAUGHTER | 0:07:00 | 0:07:02 | |
And the chimpanzee was doing this. | 0:07:06 | 0:07:09 | |
And I said, "I think it wants tea." | 0:07:10 | 0:07:13 | |
She said, "Well, ask it in." | 0:07:14 | 0:07:16 | |
LAUGHTER | 0:07:16 | 0:07:18 | |
-How did the chimpanzee get to your house? -Ordered a taxi. | 0:07:18 | 0:07:22 | |
LAUGHTER | 0:07:22 | 0:07:23 | |
APPLAUSE | 0:07:25 | 0:07:27 | |
I'm not a courageous man. | 0:07:28 | 0:07:31 | |
If I was answering the door and I saw a chimpanzee, | 0:07:31 | 0:07:34 | |
I wouldn't invite it in for tea. | 0:07:34 | 0:07:36 | |
I'd be afraid. | 0:07:36 | 0:07:38 | |
I'm not keen on wasps, | 0:07:38 | 0:07:41 | |
and they're much, much smaller than chimpanzees. | 0:07:41 | 0:07:43 | |
Who was the friend? Was it Michael Jackson? | 0:07:43 | 0:07:46 | |
I mean, who... Who were you receiving? | 0:07:46 | 0:07:49 | |
It was a lady that I had worked with | 0:07:49 | 0:07:52 | |
quite some time before this afternoon. | 0:07:52 | 0:07:56 | |
Why did she have a monkey? | 0:07:56 | 0:07:58 | |
Because she had very few friends. | 0:07:58 | 0:08:00 | |
LAUGHTER | 0:08:00 | 0:08:03 | |
All right, David, what are you thinking? This sounds peculiar. | 0:08:06 | 0:08:09 | |
I think it's true. At the moment, I think it's true. What do you think? | 0:08:09 | 0:08:13 | |
I don't know. I want to know why she would send it first. | 0:08:13 | 0:08:17 | |
A sense of fun, surely, as a bit of a joke. | 0:08:17 | 0:08:19 | |
"Go up there, knock on his door, it'll be amusing." | 0:08:19 | 0:08:22 | |
-What do you think? -What do I think? | 0:08:22 | 0:08:24 | |
I think Charles Dance, a chimp and a cheese sandwich, it's true. | 0:08:24 | 0:08:30 | |
LAUGHTER | 0:08:30 | 0:08:32 | |
-I think we're going to go true. -You're going to say true. OK. | 0:08:32 | 0:08:35 | |
Charles Dance, your chimp story, | 0:08:35 | 0:08:37 | |
were you telling the truth or were you telling a lie? | 0:08:37 | 0:08:40 | |
I'm sorry to say that it's true. | 0:08:40 | 0:08:43 | |
APPLAUSE | 0:08:43 | 0:08:47 | |
Yes, it's true. | 0:08:49 | 0:08:50 | |
A little chimpanzee once went to Charles's house for tea. | 0:08:50 | 0:08:54 | |
Gok, you're next. | 0:08:54 | 0:08:56 | |
Right. OK. | 0:08:56 | 0:08:58 | |
Every Sunday, I spend four hours | 0:08:59 | 0:09:02 | |
planning the 20 outfits I'll wear the coming week. | 0:09:02 | 0:09:06 | |
-David's team. -Do you lay them out or do you just picture them? | 0:09:06 | 0:09:09 | |
I rack them. | 0:09:09 | 0:09:11 | |
So in my bedroom, I've had some special bars put up... | 0:09:11 | 0:09:16 | |
-Oh, yeah, I remember those. -Yeah. | 0:09:16 | 0:09:18 | |
LAUGHTER | 0:09:18 | 0:09:20 | |
He has, I can vouch for this. | 0:09:20 | 0:09:21 | |
LAUGHTER | 0:09:21 | 0:09:23 | |
So I have one which is about five foot eight, | 0:09:23 | 0:09:26 | |
and then I have another one which is about four foot high, | 0:09:26 | 0:09:29 | |
so when you put a pair of trousers on or a jacket or a top, | 0:09:29 | 0:09:32 | |
it then looks like you. | 0:09:32 | 0:09:34 | |
Occasionally, if I'm very busy, I photograph them... | 0:09:34 | 0:09:37 | |
-I remember that bit too. -Yeah. | 0:09:37 | 0:09:39 | |
LAUGHTER | 0:09:39 | 0:09:40 | |
Explain why you need 20 outfits, cos I'm thinking... | 0:09:41 | 0:09:45 | |
I mean, I'm a tremendous slovenly slut. | 0:09:45 | 0:09:48 | |
It feels like you're phoning Babestation | 0:09:48 | 0:09:50 | |
and someone else has picked up. | 0:09:50 | 0:09:52 | |
LAUGHTER | 0:09:52 | 0:09:53 | |
"Sorry, can I speak to Sheila, the regular one?" | 0:09:53 | 0:09:57 | |
I often wear the same outfit in the afternoon as in the morning. | 0:09:57 | 0:10:01 | |
I could be filming a series, | 0:10:01 | 0:10:03 | |
and then I might be filming three different shows in one day, | 0:10:03 | 0:10:06 | |
so I'll need three different outfits | 0:10:06 | 0:10:07 | |
to represent three different episodes. | 0:10:07 | 0:10:09 | |
I might be going out for lunch | 0:10:09 | 0:10:11 | |
and then I'll be doing something in the afternoon, | 0:10:11 | 0:10:13 | |
so I'll get changed from my lunch outfit, | 0:10:13 | 0:10:15 | |
cos I don't want to be too dressed up to walk the dog, | 0:10:15 | 0:10:17 | |
and it's also done by a weather report as well. | 0:10:17 | 0:10:19 | |
-STEPHEN: -What? | 0:10:19 | 0:10:20 | |
The Met Office are fools! They get things wrong. | 0:10:20 | 0:10:23 | |
Do you go through with your goulashes in bright sunshine | 0:10:23 | 0:10:27 | |
on a Friday evening? | 0:10:27 | 0:10:28 | |
You're presenting yourself as somebody who plans things | 0:10:28 | 0:10:31 | |
very carefully, thinks things through carefully, | 0:10:31 | 0:10:34 | |
but your very active planning is in itself badly thought through. | 0:10:34 | 0:10:37 | |
Because on a Monday, you only planned it the day before, | 0:10:37 | 0:10:40 | |
you've got a good sense of what the weather's going to be like, | 0:10:40 | 0:10:43 | |
your plans for the day are probably better formed. | 0:10:43 | 0:10:45 | |
On Mondays, that's absolutely fine. | 0:10:45 | 0:10:47 | |
"I know what I need in the morning, the afternoon | 0:10:47 | 0:10:49 | |
"and outfits three and four". | 0:10:49 | 0:10:51 | |
But come Friday, the weather's all to cock, the dog has died, | 0:10:51 | 0:10:55 | |
you've dropped two scenes you're supposed to film on the Wednesday, | 0:10:55 | 0:10:59 | |
you've got to fit them in on the Friday... | 0:10:59 | 0:11:00 | |
But I've taken photographs, | 0:11:00 | 0:11:02 | |
so even if I've planned a Thursday PM outfit | 0:11:02 | 0:11:04 | |
and I decide I don't want to wear it, I flick through my phone | 0:11:04 | 0:11:07 | |
and I might want to choose a Saturday PM outfit. | 0:11:07 | 0:11:10 | |
Lee, how long do you spend on a Sunday | 0:11:10 | 0:11:12 | |
getting your outfits ready for the week? | 0:11:12 | 0:11:15 | |
What I do is I look at the seven or eight, | 0:11:15 | 0:11:18 | |
maybe sometimes nine dirty underpants in the bag, | 0:11:18 | 0:11:22 | |
I work out exactly, I spread them out on the bed, I look at them | 0:11:22 | 0:11:25 | |
and I think, "Which can take a fourth trip down?" | 0:11:25 | 0:11:28 | |
David, I'm curious to put the same question to you. | 0:11:29 | 0:11:33 | |
Sunday night comes around, you've had a smashing day, | 0:11:33 | 0:11:36 | |
Countryfile has finished and now you're thinking... | 0:11:36 | 0:11:38 | |
You're thinking, "I've got to plan ahead." | 0:11:38 | 0:11:41 | |
How much time and thought goes into it for you? | 0:11:41 | 0:11:43 | |
Well, I always wear basically the same thing every day, so none. | 0:11:43 | 0:11:48 | |
-You're like Batman in that respect, aren't you? -Yes. | 0:11:48 | 0:11:50 | |
I see myself as a superhero and I have basically one outfit. | 0:11:50 | 0:11:54 | |
-You know... -What's your superpower? | 0:11:54 | 0:11:56 | |
The ability to decide what to wear very quickly. | 0:11:56 | 0:12:00 | |
LAUGHTER | 0:12:00 | 0:12:02 | |
-What are you thinking, David? -I think it sounds very plausible. | 0:12:02 | 0:12:05 | |
-It does sound plausible, but is it TOO plausible? -I think it's true. | 0:12:05 | 0:12:09 | |
David's team thinks it's true. | 0:12:09 | 0:12:11 | |
Gok, were you telling the truth or were you telling a lie? | 0:12:11 | 0:12:14 | |
I... | 0:12:16 | 0:12:17 | |
Are you trying to work out what to wear? | 0:12:17 | 0:12:20 | |
LAUGHTER | 0:12:20 | 0:12:21 | |
I... | 0:12:23 | 0:12:24 | |
..was telling the truth. | 0:12:25 | 0:12:27 | |
APPLAUSE | 0:12:27 | 0:12:28 | |
-DAVID: -Great! | 0:12:29 | 0:12:30 | |
Isy, you're next. | 0:12:33 | 0:12:34 | |
Because my mum deemed Scooby-Doo too scary to watch, | 0:12:35 | 0:12:40 | |
I was only ever allowed to listen to it. | 0:12:40 | 0:12:43 | |
LAUGHTER | 0:12:43 | 0:12:46 | |
Lee's team, what do you make of that? | 0:12:46 | 0:12:48 | |
How would you do that? Would you have to be in another room or... | 0:12:49 | 0:12:53 | |
I was allowed to be in the room where the TV was. | 0:12:53 | 0:12:55 | |
I had to wear a blindfold. | 0:12:55 | 0:12:58 | |
-Oh, come on! -LAUGHTER | 0:12:58 | 0:13:00 | |
It was a tea towel, but, you know, I was small so I had a small head. | 0:13:02 | 0:13:05 | |
It went round my head. | 0:13:05 | 0:13:07 | |
So she tied the tea towel around your eyes, | 0:13:07 | 0:13:09 | |
in what can only be described as a hostage situation, | 0:13:09 | 0:13:12 | |
and then she left you in the room? | 0:13:12 | 0:13:14 | |
She stayed in the room to make sure that I didn't take it off. | 0:13:14 | 0:13:17 | |
-Why didn't she say, "Close your eyes and make sure you don't open them?". -I think she just wanted to be sure | 0:13:17 | 0:13:22 | |
-that I wouldn't be able to... -Peep. | 0:13:22 | 0:13:24 | |
Yeah, because she would sit next to me, | 0:13:24 | 0:13:27 | |
but she wanted to watch it, it was one of her favourite programmes. | 0:13:27 | 0:13:31 | |
Whoa, whoa, whoa. Let's focus on that bit for a moment. | 0:13:31 | 0:13:34 | |
Your mum's favourite programme was Scooby-Doo? | 0:13:34 | 0:13:37 | |
-Yeah, amongst other things. -What other things? -Amongst the news. | 0:13:37 | 0:13:41 | |
She obviously wasn't quite sure what kind of person she was. | 0:13:41 | 0:13:44 | |
"What kind of stuff do you like?" | 0:13:44 | 0:13:46 | |
"Oh, you know, the news, Scooby-Doo, that sort of thing." | 0:13:46 | 0:13:49 | |
LAUGHTER | 0:13:49 | 0:13:51 | |
-Anything else? -Gladiators. | 0:13:51 | 0:13:55 | |
LAUGHTER | 0:13:55 | 0:13:57 | |
Would she do that thing they do for... | 0:13:59 | 0:14:02 | |
You know, the audio description? | 0:14:02 | 0:14:04 | |
Would she say, "And now Scooby-Doo is running away"? | 0:14:04 | 0:14:08 | |
LAUGHTER | 0:14:08 | 0:14:09 | |
Cos it's quite a hard show to follow audibly. | 0:14:09 | 0:14:11 | |
HE GROWLS | 0:14:11 | 0:14:14 | |
HE GROWLS | 0:14:14 | 0:14:16 | |
You have to rely on seeing it, don't you? | 0:14:16 | 0:14:18 | |
In the words of Rob Brydon, "I'm doing Scooby-Doo". | 0:14:18 | 0:14:22 | |
"I'm doing Scooby-Doo." | 0:14:22 | 0:14:24 | |
I think... | 0:14:25 | 0:14:26 | |
I think what you were trying to do was... | 0:14:26 | 0:14:28 | |
-HE CLEARS THROAT -Here we go. | 0:14:28 | 0:14:31 | |
-HE IMPERSONATING SCOOBY-DOO: -Rooby roo! | 0:14:31 | 0:14:33 | |
APPLAUSE | 0:14:33 | 0:14:36 | |
Unbelievable. | 0:14:36 | 0:14:37 | |
Seven series in and he can't let me have one moment. | 0:14:37 | 0:14:41 | |
LAUGHTER | 0:14:42 | 0:14:43 | |
OK, so you're blindfold in the living room, and how old are you? | 0:14:43 | 0:14:47 | |
It stopped when I was about 16 and just... | 0:14:47 | 0:14:50 | |
16?! | 0:14:50 | 0:14:51 | |
So at 16 your mum would tie a tea towel round your head | 0:14:51 | 0:14:54 | |
when Scooby-Doo was on? | 0:14:54 | 0:14:55 | |
Yeah, but by then we just liked the ritual of it. | 0:14:55 | 0:14:58 | |
Oh, it's a ritual now? | 0:14:58 | 0:15:00 | |
LAUGHTER | 0:15:00 | 0:15:01 | |
Were you ever tempted to phone ChildLine? | 0:15:01 | 0:15:03 | |
Couldn't find the phone, could you? | 0:15:03 | 0:15:06 | |
LAUGHTER | 0:15:06 | 0:15:07 | |
What about Scrappy-Doo? | 0:15:09 | 0:15:10 | |
If Scooby-Doo was a bit heavy | 0:15:10 | 0:15:12 | |
and some of the issues were a little bit difficult to deal with, | 0:15:12 | 0:15:15 | |
Scrappy-Doo was a lot more accessible, wasn't it? | 0:15:15 | 0:15:17 | |
-How did she feel about that? -Is that a kind of spin off? | 0:15:17 | 0:15:21 | |
Is that a kind of spin off?! It's Scrappy-Doo! | 0:15:21 | 0:15:25 | |
Look what you've done to my voice! | 0:15:25 | 0:15:27 | |
It's Scrappy-Doo, it's the little version of... | 0:15:27 | 0:15:31 | |
There's no point saying "little". She couldn't see it! | 0:15:31 | 0:15:34 | |
It was a smaller dog. | 0:15:34 | 0:15:35 | |
HE GIGGLES LIKE SCRAPPY-DOO | 0:15:35 | 0:15:37 | |
If you can't see it, that could be a Great Dane on helium. | 0:15:37 | 0:15:40 | |
She doesn't know the size. | 0:15:40 | 0:15:42 | |
In fact, it was a Great Dane, wasn't it, Scooby-Doo? | 0:15:42 | 0:15:45 | |
I don't know, I never saw Scooby-Doo. | 0:15:45 | 0:15:47 | |
Marmaduke is a Great Dane. | 0:15:47 | 0:15:49 | |
Are you my dad, Charles? | 0:15:49 | 0:15:51 | |
LAUGHTER | 0:15:51 | 0:15:52 | |
-Did you ask me if I was your father? -Yeah. | 0:15:52 | 0:15:55 | |
LAUGHTER | 0:15:55 | 0:15:56 | |
Who's your mother? | 0:15:56 | 0:15:58 | |
LAUGHTER AND APPLAUSE | 0:16:00 | 0:16:04 | |
-So what are you thinking - truth or lie? -I think she's lying. | 0:16:07 | 0:16:11 | |
-You think she's lying? -I think she's lying. -I think she's lying. | 0:16:11 | 0:16:13 | |
Well then, I must go with my team and say she's lying. | 0:16:13 | 0:16:16 | |
OK, Isy, truth or lie? | 0:16:16 | 0:16:19 | |
It is... | 0:16:19 | 0:16:20 | |
a lie. | 0:16:20 | 0:16:22 | |
APPLAUSE | 0:16:22 | 0:16:24 | |
Yes, it's a lie. | 0:16:24 | 0:16:26 | |
Isy wasn't only allowed to listen to Scooby Doo | 0:16:26 | 0:16:28 | |
because her mum deemed it too scary to watch. | 0:16:28 | 0:16:31 | |
Our next round is called This Is My, where we bring on a mystery guest | 0:16:31 | 0:16:35 | |
who has a close connection to one of our panellists. | 0:16:35 | 0:16:38 | |
Now, this week each of David's team will claim it's them | 0:16:38 | 0:16:40 | |
that has the genuine connection to the guest | 0:16:40 | 0:16:42 | |
and it's up to Lee's team to spot who is telling the truth. | 0:16:42 | 0:16:45 | |
So, please welcome this week's special guest, Hannah. | 0:16:45 | 0:16:48 | |
APPLAUSE | 0:16:48 | 0:16:52 | |
So, Stephen, first of all, please. | 0:16:55 | 0:16:58 | |
What is Hannah to you? | 0:16:58 | 0:17:00 | |
Yes, this is Hannah. | 0:17:00 | 0:17:01 | |
We used to bamboozle our miserable neighbour | 0:17:01 | 0:17:05 | |
by adding an item of clothing to his washing line | 0:17:05 | 0:17:08 | |
after he'd pegged his laundry out. | 0:17:08 | 0:17:11 | |
LAUGHTER | 0:17:11 | 0:17:12 | |
Isy, how do you know Hannah? | 0:17:12 | 0:17:15 | |
This is Hannah. | 0:17:15 | 0:17:16 | |
In order to impress a boy, | 0:17:16 | 0:17:18 | |
we once competed to see who could eat the most ants. | 0:17:18 | 0:17:22 | |
LAUGHTER | 0:17:22 | 0:17:24 | |
-Finally, David, your relationship with Hannah? -This is Hannah. | 0:17:24 | 0:17:28 | |
Last year she bought a pub and named it The Mitchell And Glove | 0:17:28 | 0:17:33 | |
and I gave her my blessing to use my face on the pub sign. | 0:17:33 | 0:17:38 | |
LAUGHTER | 0:17:38 | 0:17:40 | |
Lee's team, where to begin? | 0:17:40 | 0:17:41 | |
Why is The Mitchell And... Where does the Glove come into this? | 0:17:41 | 0:17:45 | |
I think it was originally called The Boxers. | 0:17:45 | 0:17:50 | |
As in the dog or the fighters? | 0:17:50 | 0:17:52 | |
As in the gloved fighters. | 0:17:52 | 0:17:55 | |
Well, it's an obvious progression, isn't it? Boxing - David Mitchell. | 0:17:55 | 0:17:58 | |
LAUGHTER | 0:17:58 | 0:18:01 | |
I think she was keen to change the image of the pub. | 0:18:01 | 0:18:04 | |
Do you know why Hannah chose you? | 0:18:04 | 0:18:07 | |
I think, if you can believe it, she's a fan of my work. | 0:18:07 | 0:18:10 | |
-Right, OK, so she's a fan. -It's a lie, move on. | 0:18:10 | 0:18:14 | |
LAUGHTER | 0:18:14 | 0:18:16 | |
-Have you been to The Mitchell And Glove? -No. | 0:18:16 | 0:18:18 | |
Where is this pub, David? Which part of the country? | 0:18:18 | 0:18:21 | |
-It's in Swansea. -Swansea?! | 0:18:21 | 0:18:24 | |
LAUGHTER | 0:18:24 | 0:18:27 | |
Cos I don't believe David. | 0:18:29 | 0:18:30 | |
I can imagine his mind going, "I've to think of something quick." | 0:18:30 | 0:18:33 | |
Even then, he's thinking of middle-class things. | 0:18:33 | 0:18:35 | |
"Swan, Swansea." | 0:18:35 | 0:18:37 | |
LAUGHTER | 0:18:37 | 0:18:39 | |
-Is it themed inside? -I will be very hurt if I'm not on all the menus. | 0:18:39 | 0:18:43 | |
-It's a gastro pub, is it? -Not in Swansea, no. | 0:18:43 | 0:18:47 | |
LAUGHTER | 0:18:47 | 0:18:49 | |
I believe what it is is a flat-roofed pub. | 0:18:49 | 0:18:53 | |
One of the reasons I think it's named after me is that I wrote in my book | 0:18:53 | 0:18:58 | |
that I had a theory that flat-roofed pubs are always bad. | 0:18:58 | 0:19:03 | |
You never get nice food in a flat-roof pub. | 0:19:03 | 0:19:06 | |
You might get eaten by a dog. | 0:19:06 | 0:19:08 | |
Hannah said, this will be a nice flat-roofed pub that does nice food. | 0:19:11 | 0:19:16 | |
By which I don't mean a carvery. | 0:19:16 | 0:19:19 | |
-You don't like carveries? -No. | 0:19:19 | 0:19:21 | |
LAUGHTER | 0:19:21 | 0:19:24 | |
What about Stephen Mangan's? What was yours again, Steve? | 0:19:24 | 0:19:27 | |
We used to befuddle, well, annoy our miserable neighbour | 0:19:27 | 0:19:31 | |
by putting items of clothing on his washing line | 0:19:31 | 0:19:34 | |
after he'd pegged his laundry out. | 0:19:34 | 0:19:37 | |
-Where was this? -Crouch End. | 0:19:37 | 0:19:38 | |
-When was it? -Oh, 15 years ago, probably. | 0:19:38 | 0:19:42 | |
What is your relationship with Hannah? | 0:19:42 | 0:19:45 | |
-Hannah is my mate James' younger sister. -Was she living with you? | 0:19:45 | 0:19:49 | |
There were three of us in the house. | 0:19:49 | 0:19:50 | |
What kind of thing did you used to put on there? Just shirts? | 0:19:50 | 0:19:54 | |
It started one day. | 0:19:54 | 0:19:55 | |
He came round and complained and we were sitting up in her bedroom | 0:19:55 | 0:19:59 | |
looking out of the window and he put his washing out, | 0:19:59 | 0:20:02 | |
and I said, "I'm going to put a sock on his washing line." | 0:20:02 | 0:20:04 | |
He liked everything to be very precise | 0:20:04 | 0:20:06 | |
and he'd come in and we'd watch him every day, fold it, | 0:20:06 | 0:20:10 | |
he'd put all the socks together and put them in the washing, | 0:20:10 | 0:20:12 | |
rather than just chucking it all in. | 0:20:12 | 0:20:14 | |
Sorry, the person next to you is thinking, "What's wrong with that?" | 0:20:14 | 0:20:17 | |
LAUGHTER | 0:20:17 | 0:20:19 | |
So we put a blue sock on and then he came out | 0:20:19 | 0:20:22 | |
and put all his washing away hours later. | 0:20:22 | 0:20:25 | |
He was like, and it was very funny. It doesn't sound funny now. | 0:20:25 | 0:20:30 | |
In total, how much did you put on? | 0:20:30 | 0:20:33 | |
It went on for about six months. | 0:20:33 | 0:20:35 | |
We'd go to charity shops to buy stuff to put on his washing line. | 0:20:35 | 0:20:38 | |
I know Gok's going to ask it, so I'll ask it for him. | 0:20:38 | 0:20:41 | |
On a Sunday, did you lay out clothes? | 0:20:41 | 0:20:43 | |
LAUGHTER AND APPLAUSE | 0:20:43 | 0:20:46 | |
Isy, you're saying, with Hannah, | 0:20:48 | 0:20:51 | |
you both went out together pulling | 0:20:51 | 0:20:54 | |
and to attract some guys you ate ants? | 0:20:54 | 0:20:58 | |
We weren't out. We were at school. | 0:20:58 | 0:21:00 | |
-How old were you? -About 15 or 16. | 0:21:00 | 0:21:05 | |
Would you mind standing next to Hannah so I can work out the visual | 0:21:05 | 0:21:08 | |
to see whether you look like you should be at school together? | 0:21:08 | 0:21:11 | |
-Yep. -I think you're mixing up age and height. | 0:21:11 | 0:21:13 | |
They're completely different things. | 0:21:13 | 0:21:15 | |
-Trust me, I'm a stylist. -Oh, here we go. | 0:21:15 | 0:21:18 | |
Before you know it, they'll be naked. | 0:21:18 | 0:21:20 | |
LAUGHTER | 0:21:20 | 0:21:23 | |
OK, similar age. It could work. | 0:21:24 | 0:21:27 | |
-So you were at school? -Yeah. -There's a boy there that you like? | 0:21:27 | 0:21:31 | |
-Yeah, and he was called Paul Brooks. -Paul Brooks. | 0:21:31 | 0:21:34 | |
And you thought the best way to impress Paul is to eat some ants? | 0:21:34 | 0:21:39 | |
It was during a school production. | 0:21:39 | 0:21:42 | |
So we were in Grease. | 0:21:42 | 0:21:46 | |
What? | 0:21:46 | 0:21:48 | |
-Grease, the musical. -Right. | 0:21:48 | 0:21:51 | |
I thought you were saying, | 0:21:51 | 0:21:52 | |
"We were in Greece and you know what the economy's like there. | 0:21:52 | 0:21:55 | |
"It's all we could eat!" | 0:21:55 | 0:21:57 | |
How many did you eat in total? | 0:21:57 | 0:22:00 | |
I ate about 24. | 0:22:00 | 0:22:02 | |
-No way! 24? -Yeah. | 0:22:02 | 0:22:05 | |
-How many did Hannah eat? -About 23. | 0:22:05 | 0:22:08 | |
Loser. | 0:22:08 | 0:22:09 | |
And that's why you got Paul Brooks? | 0:22:09 | 0:22:12 | |
Did you get Paul Brooks? | 0:22:12 | 0:22:14 | |
No, he just stood there the whole time... | 0:22:14 | 0:22:16 | |
And thought, she's stupid and walked off. | 0:22:16 | 0:22:19 | |
He just sat there chewing on his cockroach going, | 0:22:19 | 0:22:22 | |
"This is so last year!" LAUGHTER | 0:22:22 | 0:22:26 | |
What made you stop at 24 then? | 0:22:26 | 0:22:28 | |
Surely you could tell by his eyes, after two or three, | 0:22:28 | 0:22:30 | |
that this wasn't working. | 0:22:30 | 0:22:32 | |
We just carried on and then the interval was over | 0:22:32 | 0:22:34 | |
and we had to go and do the second half of Grease. | 0:22:34 | 0:22:36 | |
-This was during the show? -Yeah. | 0:22:36 | 0:22:38 | |
-During the show? -Tell me more, tell me more. | 0:22:38 | 0:22:41 | |
LAUGHTER AND APPLAUSE | 0:22:41 | 0:22:44 | |
Well, we need an answer here. | 0:22:48 | 0:22:50 | |
So, Lee's team, is Hannah Stephen's washing-line prankster, | 0:22:50 | 0:22:56 | |
Isy's fellow ant-eater, | 0:22:56 | 0:22:58 | |
or David's pub landlady? | 0:22:58 | 0:23:00 | |
What do you think? | 0:23:00 | 0:23:01 | |
-We can rule out the strange theme pub? -Oh, thanks! | 0:23:01 | 0:23:06 | |
What is it about my face smiling politely next to a boxing glove | 0:23:06 | 0:23:10 | |
that makes you think people won't want to get drunk? | 0:23:10 | 0:23:13 | |
LAUGHTER | 0:23:13 | 0:23:14 | |
I think Stephen is telling the truth? | 0:23:14 | 0:23:16 | |
You think Stephen's telling the truth. Charles? | 0:23:16 | 0:23:19 | |
-I think he is probably is, actually. -You think it's Stephen? -Yeah. | 0:23:19 | 0:23:23 | |
I think it's Isy, but I will go with the majority. | 0:23:23 | 0:23:25 | |
Then I've got someone to blame. | 0:23:25 | 0:23:27 | |
OK, so, Hannah, would you please reveal your true identity. | 0:23:27 | 0:23:31 | |
My name is Hannah, and in order to impress a boy, | 0:23:31 | 0:23:34 | |
Isy and I once competed to see who could eat the most ants. | 0:23:34 | 0:23:39 | |
APPLAUSE | 0:23:39 | 0:23:42 | |
Thank you very much, Hannah. | 0:23:42 | 0:23:44 | |
Which brings us to our final round, Quick Fire Lies, | 0:23:46 | 0:23:49 | |
in which our panellists lie not only through their teeth | 0:23:49 | 0:23:51 | |
but also the clock. | 0:23:51 | 0:23:53 | |
We will start with Lee. | 0:23:53 | 0:23:55 | |
When I was seven, I had to be a bridesmaid at my auntie's wedding... | 0:23:57 | 0:24:01 | |
LAUGHTER | 0:24:01 | 0:24:03 | |
When I was seven, I had to be a bridesmaid at my auntie's wedding | 0:24:06 | 0:24:09 | |
as one of the girls who was supposed to do it was ill | 0:24:09 | 0:24:11 | |
and the dress was a perfect fit. | 0:24:11 | 0:24:14 | |
LAUGHTER | 0:24:14 | 0:24:16 | |
What did the dress look like? | 0:24:16 | 0:24:18 | |
I'd describe the colour as traumatic. | 0:24:18 | 0:24:21 | |
LAUGHTER | 0:24:21 | 0:24:24 | |
Why did they have to have a bridesmaid? | 0:24:24 | 0:24:26 | |
Why couldn't they say, "She's not well, let's move on?" | 0:24:26 | 0:24:29 | |
I think you are mixing me up with admin. | 0:24:29 | 0:24:31 | |
LAUGHTER | 0:24:31 | 0:24:33 | |
If someone says to me, "Put the dress on", I put it on. | 0:24:33 | 0:24:36 | |
You know that, don't you? | 0:24:36 | 0:24:39 | |
I do as I'm told. | 0:24:40 | 0:24:42 | |
So you didn't display any reluctance to put the dress on? | 0:24:42 | 0:24:45 | |
I may have said, you know, | 0:24:45 | 0:24:47 | |
"Mother, father, I'm a seven-year-old boy, | 0:24:47 | 0:24:50 | |
"despite the fact that I am two years younger-looking | 0:24:50 | 0:24:53 | |
"and slightly androgynous, but please | 0:24:53 | 0:24:55 | |
"give me some dignity." | 0:24:55 | 0:24:57 | |
My father turned round to me and said, "Son, when I was your age..." | 0:24:57 | 0:25:01 | |
He had a pipe. "When I was your age, | 0:25:01 | 0:25:04 | |
"my father asked me to put a dress on | 0:25:04 | 0:25:07 | |
"and I put it on, and his father before him, | 0:25:07 | 0:25:10 | |
"and his father before him. | 0:25:10 | 0:25:12 | |
"You'll put the dress on and you'll smile." | 0:25:12 | 0:25:15 | |
LAUGHTER | 0:25:15 | 0:25:18 | |
Was there a pageboy as well as bridesmaids at this wedding? | 0:25:18 | 0:25:22 | |
I was a pageboy once. | 0:25:22 | 0:25:23 | |
If another boy had dressed up as a girl | 0:25:23 | 0:25:26 | |
-I would have felt it was fair game to persecute him? -True. | 0:25:26 | 0:25:30 | |
But luckily, the pageboy came up to me, little Sharon, and he said, | 0:25:30 | 0:25:35 | |
"Tell me about it, you think you've had a rough day. | 0:25:35 | 0:25:39 | |
"You know what I mean? I'm a 24-year-old." | 0:25:39 | 0:25:42 | |
-How much notice did you get? -Pardon? -How much notice did you get? | 0:25:44 | 0:25:49 | |
-From memory, quite a few people went, "Ah." -No, no you idiot! | 0:25:49 | 0:25:54 | |
-How many warning? How far in advance? -Oh! | 0:25:54 | 0:25:58 | |
I genuinely thought you meant noticed. | 0:25:58 | 0:26:01 | |
How much notice did you get? | 0:26:01 | 0:26:03 | |
That was a genuine one. | 0:26:03 | 0:26:05 | |
Oh, everyone thought I was adorable! | 0:26:08 | 0:26:10 | |
LAUGHTER | 0:26:10 | 0:26:12 | |
Everyone was looking. | 0:26:12 | 0:26:13 | |
I was nervous at first, but then I felt like a princess! | 0:26:13 | 0:26:17 | |
LAUGHTER | 0:26:17 | 0:26:20 | |
Oh, I see. How much in advance did they tell me? | 0:26:24 | 0:26:27 | |
-How much notice? -How much notice did I get? | 0:26:27 | 0:26:29 | |
That would be embarrassing if this was on television, wouldn't it? | 0:26:34 | 0:26:37 | |
LAUGHTER | 0:26:37 | 0:26:40 | |
I got... I think I got like, I don't know, five hours or something. | 0:26:40 | 0:26:43 | |
She was ill at the last minute. | 0:26:43 | 0:26:45 | |
I just think you would have absolutely refused at that age. | 0:26:45 | 0:26:49 | |
Listen, I said, "Dad, I don't want to do it." | 0:26:49 | 0:26:51 | |
He went, "Listen, I'm not your dad, I'm your mother." | 0:26:51 | 0:26:54 | |
LAUGHTER | 0:26:54 | 0:26:57 | |
"And I'm sick of you constantly calling me Dad. | 0:27:00 | 0:27:03 | |
"The other one, that's your dad." | 0:27:03 | 0:27:05 | |
How long did you have to keep the dress on? | 0:27:09 | 0:27:11 | |
At what point in the proceedings... | 0:27:11 | 0:27:13 | |
I mean, did you have to wear it right through to the disco? | 0:27:13 | 0:27:16 | |
My dad said, "You'll keep it on till the music starts." | 0:27:16 | 0:27:20 | |
HE SINGS "THE STRIPPER" | 0:27:20 | 0:27:23 | |
Because unfortunately the cabaret act had cancelled because of illness. | 0:27:26 | 0:27:31 | |
What are you thinking, David? Does that sound at all plausible to you? | 0:27:31 | 0:27:36 | |
-What do you think, Isy? -I really want it to be true. | 0:27:36 | 0:27:40 | |
Then say true. | 0:27:40 | 0:27:42 | |
I actually think it could genuinely be | 0:27:42 | 0:27:44 | |
the biggest load of drivel I've ever heard. It can't be true. | 0:27:44 | 0:27:48 | |
-I don't think it's true. Lie? -Yeah. | 0:27:48 | 0:27:52 | |
Conclusively, it's a lie. | 0:27:52 | 0:27:54 | |
Lee, truth or lie? | 0:27:54 | 0:27:56 | |
It's a lie. | 0:27:56 | 0:27:59 | |
APPLAUSE | 0:27:59 | 0:28:00 | |
They wanted it to be true, didn't they? | 0:28:00 | 0:28:02 | |
Yes, it's a lie. | 0:28:02 | 0:28:04 | |
Lee wasn't a bridesmaid at his auntie's wedding. | 0:28:04 | 0:28:07 | |
BUZZER | 0:28:07 | 0:28:08 | |
That noise signals time is up and it's the end of the show. | 0:28:08 | 0:28:11 | |
I can reveal David's team has romped home by five points to one. | 0:28:11 | 0:28:15 | |
APPLAUSE | 0:28:15 | 0:28:18 | |
But it's not just a team game. | 0:28:22 | 0:28:25 | |
My individual liar of the week this week is Stephen Mangan. | 0:28:25 | 0:28:29 | |
Thank you. | 0:28:29 | 0:28:31 | |
APPLAUSE | 0:28:31 | 0:28:33 | |
Yes. Stephen Mangan. | 0:28:33 | 0:28:37 | |
Today is hardly a surprising victory | 0:28:37 | 0:28:39 | |
as, when it comes to lying through his teeth, | 0:28:39 | 0:28:41 | |
Stephen has more to work with than most. Good night. | 0:28:41 | 0:28:46 | |
APPLAUSE | 0:28:46 | 0:28:49 |