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APPLAUSE | 0:00:21 | 0:00:23 | |
Good evening, and welcome to Would I Lie To You, the show packed | 0:00:23 | 0:00:27 | |
with fantastical facts and legendary lies. | 0:00:27 | 0:00:29 | |
On David Mitchell's team tonight, a comedian who recently shared | 0:00:29 | 0:00:33 | |
a West End stage with Michael Ball and Imelda Staunton, | 0:00:33 | 0:00:37 | |
which just goes to show that theatre security ain't what it used to be. | 0:00:37 | 0:00:41 | |
It's Jason Manford. | 0:00:41 | 0:00:42 | |
APPLAUSE | 0:00:42 | 0:00:44 | |
And a journalist and broadcaster who has written five books, | 0:00:44 | 0:00:49 | |
which interestingly is just three more than Lee Mack has read. | 0:00:49 | 0:00:53 | |
It's Joan Bakewell. | 0:00:53 | 0:00:54 | |
APPLAUSE | 0:00:54 | 0:00:56 | |
And on Lee Mack's team tonight, an actor who starred as an Ewok in Star Wars, | 0:00:57 | 0:01:03 | |
a role he wasn't very happy with as wanted to be Yoda, he did. | 0:01:03 | 0:01:07 | |
Warwick Davis. | 0:01:07 | 0:01:09 | |
LAUGHTER AND APPLAUSE | 0:01:09 | 0:01:11 | |
And a man who spends his life sniffing tarts | 0:01:11 | 0:01:15 | |
and poking his finger into muffins... | 0:01:15 | 0:01:17 | |
LAUGHTER | 0:01:17 | 0:01:19 | |
From The Great British Bake Off, Paul Hollywood. | 0:01:19 | 0:01:22 | |
CHEERING AND APPLAUSE | 0:01:22 | 0:01:24 | |
And so we begin with Round 1, it's Home Truths, where | 0:01:28 | 0:01:31 | |
our panellists read out a statement from the card in front of them. | 0:01:31 | 0:01:34 | |
Now, to make things harder they've never seen the card before, | 0:01:34 | 0:01:37 | |
they've no idea what they'll be faced with. | 0:01:37 | 0:01:39 | |
It's up to the opposing team to sort the fact from the fiction | 0:01:39 | 0:01:42 | |
and, Warwick, we're going to start with you tonight. | 0:01:42 | 0:01:46 | |
When I got my first car, my friend and I would pretend to be cops, | 0:01:46 | 0:01:50 | |
park up, eat burgers and tail cars we'd picked out of the traffic. | 0:01:50 | 0:01:54 | |
David's team. | 0:01:54 | 0:01:56 | |
How old were you at the time? | 0:01:56 | 0:01:59 | |
Well, I would have just passed my test, so 17. | 0:01:59 | 0:02:02 | |
What was your first car? | 0:02:02 | 0:02:04 | |
It was a Mini. | 0:02:04 | 0:02:05 | |
LAUGHTER | 0:02:05 | 0:02:07 | |
Could you indicate how you pretended to be cops? | 0:02:09 | 0:02:12 | |
We used to watch a lot of American films where cops normally | 0:02:12 | 0:02:15 | |
sat in the car eating doughnuts and drinking coffee | 0:02:15 | 0:02:17 | |
and then they'd see somebody go by who might be a criminal | 0:02:17 | 0:02:20 | |
and then they'd sort of throw the food and speed off. | 0:02:20 | 0:02:23 | |
LAUGHTER | 0:02:23 | 0:02:25 | |
So that's what we were doing in essence, that sort of. | 0:02:25 | 0:02:28 | |
-So you were American cops? -Yeah. | 0:02:28 | 0:02:29 | |
And what were you eating? | 0:02:29 | 0:02:31 | |
Um, just normally a burger and some chips. | 0:02:31 | 0:02:34 | |
And how far would you let yourself get through the burger | 0:02:34 | 0:02:37 | |
before you'd decide someone was a criminal and you'd throw it away? | 0:02:37 | 0:02:41 | |
Well, we let fate decide really because we, we would say, | 0:02:41 | 0:02:46 | |
"The next green car that goes by, that's going to be the criminal." | 0:02:46 | 0:02:51 | |
How do you know how the police operate? | 0:02:51 | 0:02:53 | |
LAUGHTER | 0:02:53 | 0:02:55 | |
What happened when you caught up with them? | 0:02:58 | 0:03:01 | |
Well, we also set a rule that we'd follow them | 0:03:01 | 0:03:05 | |
all the way to where they were going. | 0:03:05 | 0:03:06 | |
-Oh. -LAUGHTER | 0:03:06 | 0:03:08 | |
It's starting to sound a bit sinister now. | 0:03:08 | 0:03:10 | |
This is the strange part. | 0:03:10 | 0:03:12 | |
And when they arrived then we would just carry on, | 0:03:12 | 0:03:14 | |
we wouldn't confront them or anything. | 0:03:14 | 0:03:16 | |
-And how far was the furthest you went, in pursuit? -Um. | 0:03:16 | 0:03:20 | |
Bulgaria. | 0:03:20 | 0:03:21 | |
LAUGHTER | 0:03:21 | 0:03:23 | |
That was a really crap weekend, wasn't it? | 0:03:24 | 0:03:27 | |
"They're never going to stop!" | 0:03:27 | 0:03:29 | |
The bloke in the front's going, | 0:03:29 | 0:03:31 | |
"Don't stop - there's a bloke following us. | 0:03:31 | 0:03:33 | |
"I don't know, Bulgaria, just keep going." | 0:03:33 | 0:03:35 | |
How far was the furthest you went, like, more than a mile, two miles? | 0:03:35 | 0:03:39 | |
Oh, more than that, but we'd never go out of the county. We lived in Surrey. | 0:03:39 | 0:03:42 | |
Cos you had no jurisdiction! | 0:03:42 | 0:03:44 | |
LAUGHTER | 0:03:44 | 0:03:46 | |
APPLAUSE | 0:03:46 | 0:03:49 | |
Did you exceed the speed limit? | 0:03:52 | 0:03:54 | |
Uh, well, if they did we would then lose them | 0:03:54 | 0:03:56 | |
cos we didn't have authority to speed. | 0:03:56 | 0:03:58 | |
LAUGHTER | 0:03:58 | 0:04:01 | |
What did you think they were guilty of? What were their crimes? | 0:04:01 | 0:04:04 | |
Why were you after them? | 0:04:04 | 0:04:06 | |
Just because we'd been told to. | 0:04:06 | 0:04:07 | |
-Who was telling you? -Bring him in. | 0:04:07 | 0:04:09 | |
Did you have little radios? | 0:04:09 | 0:04:11 | |
"All units, we're looking for a green Ford Cortina, | 0:04:11 | 0:04:16 | |
"registration Alpha, Papa, Papa, Alpha." | 0:04:16 | 0:04:19 | |
Didn't know Alan Bennett was a policeman! | 0:04:19 | 0:04:21 | |
LAUGHTER | 0:04:21 | 0:04:23 | |
Here we go. He said um, he said... | 0:04:23 | 0:04:26 | |
-IMITATING ALAN BENNETT: -"We're looking for a car, it's just escaped. | 0:04:26 | 0:04:28 | |
LAUGHTER | 0:04:28 | 0:04:31 | |
"If anybody happens to see it, do take chase but don't get too close." | 0:04:31 | 0:04:37 | |
David, I'm holding you responsible for that one. | 0:04:37 | 0:04:41 | |
I thought he'd already done it. | 0:04:41 | 0:04:43 | |
LAUGHTER | 0:04:43 | 0:04:44 | |
-So what do you think, David? -Yeah, I think it might be real. -I think he would. -It might be true. | 0:04:44 | 0:04:48 | |
-He had a bit of fun. -Well, I think we think it's true then. -Yeah. | 0:04:48 | 0:04:51 | |
-You're going to say true? -Yeah. -Warwick Davis, truth or lie? | 0:04:51 | 0:04:56 | |
It is the truth. | 0:04:57 | 0:04:59 | |
APPLAUSE | 0:04:59 | 0:05:01 | |
Yes, it's true. | 0:05:04 | 0:05:06 | |
When Warwick got his first car, he and a friend would pretend to | 0:05:06 | 0:05:09 | |
be cops, park up, eat burgers | 0:05:09 | 0:05:11 | |
and tail cars they'd picked out of the traffic. | 0:05:11 | 0:05:14 | |
Next up, it's Jason. | 0:05:14 | 0:05:16 | |
I was gutted when I first saw Rob Brydon's "small man in a box" routine, | 0:05:17 | 0:05:22 | |
as for years I'd been entertaining my pals | 0:05:22 | 0:05:25 | |
with my own "man trapped in my mouth". | 0:05:25 | 0:05:27 | |
LAUGHTER | 0:05:27 | 0:05:29 | |
Well, first of all "small man in a box" is a silly little thing | 0:05:29 | 0:05:32 | |
I do that nonetheless shows great talent, and it's this. | 0:05:32 | 0:05:37 | |
-USING A FAINT VOICE: -Where are you? I don't know where you are. Somebody get me out of here. | 0:05:37 | 0:05:41 | |
Thank you, now. | 0:05:41 | 0:05:42 | |
APPLAUSE | 0:05:42 | 0:05:45 | |
OK, can we, can we hear the man trapped? | 0:05:47 | 0:05:49 | |
Well, I'd rather not because... | 0:05:49 | 0:05:52 | |
-You can't do it. -Because... -LAUGHTER | 0:05:52 | 0:05:54 | |
What it is, is like I never thought about doing it as part | 0:05:54 | 0:05:56 | |
of my act or anything like that but, you know, it's like anything | 0:05:56 | 0:05:59 | |
that's really, you know, that you think, "that's good", | 0:05:59 | 0:06:02 | |
-and then you see someone else do it properly and well, you know, like Rob. -Yeah. | 0:06:02 | 0:06:06 | |
And I thought, I can't do that now cos it's been done. | 0:06:06 | 0:06:11 | |
-Mine's amateur in, in... -We'll take an amateur version, won't we? We won't... -Yeah, yeah. | 0:06:11 | 0:06:14 | |
We'll take, we'll take any old rubbish you've got. | 0:06:14 | 0:06:17 | |
I'd be em, I'd be em, I'd be embarrassed to do it on. | 0:06:17 | 0:06:19 | |
-That's why we want you to do it. -On BBC One. | 0:06:19 | 0:06:21 | |
I think the only way we can really get a grip on this is | 0:06:21 | 0:06:25 | |
if you were to give us a little something of it. | 0:06:25 | 0:06:28 | |
Yeah, you've got to give us a sample. | 0:06:28 | 0:06:30 | |
LAUGHTER | 0:06:30 | 0:06:31 | |
-Let's have some water. You know what it's like, Rob. -Careful, he'll drown. | 0:06:31 | 0:06:34 | |
LAUGHTER | 0:06:34 | 0:06:36 | |
APPLAUSE | 0:06:37 | 0:06:40 | |
Just warm, just warming up. Just putting, just putting him in. | 0:06:42 | 0:06:47 | |
The part of the trick. | 0:06:47 | 0:06:48 | |
-Oh, you pretend to put him in, do you? -Yeah. | 0:06:48 | 0:06:51 | |
Can I just say before you do it, that's a nice detail that you | 0:06:51 | 0:06:53 | |
might want to consider. | 0:06:53 | 0:06:55 | |
LAUGHTER | 0:06:55 | 0:06:57 | |
Anyway, enough prevaricating. | 0:06:57 | 0:06:58 | |
All right. OK. | 0:06:58 | 0:06:59 | |
I wonder what you're going to do. | 0:07:03 | 0:07:05 | |
LAUGHTER | 0:07:05 | 0:07:07 | |
-HE SQUEALS: -Help, get me out. I can't get out. | 0:07:08 | 0:07:11 | |
I'm stuck in his mouth, I can't get out! | 0:07:11 | 0:07:14 | |
APPLAUSE | 0:07:14 | 0:07:16 | |
Why don't I see if I can coax my little man in a box | 0:07:19 | 0:07:22 | |
to have a little chat to the man who you've got stuck in your mouth? | 0:07:22 | 0:07:25 | |
Here we go. | 0:07:25 | 0:07:27 | |
The old Rob Brydon chat up line. | 0:07:27 | 0:07:29 | |
LAUGHTER | 0:07:29 | 0:07:31 | |
Here it comes, ready? | 0:07:31 | 0:07:33 | |
-IN A FAINT VOICE: -How are you feeling today? | 0:07:33 | 0:07:35 | |
-SQUEALING: -Um. | 0:07:35 | 0:07:36 | |
LAUGHTER | 0:07:36 | 0:07:38 | |
Do you think it's possible that Jason might have been | 0:07:44 | 0:07:47 | |
lying in what he's been saying? | 0:07:47 | 0:07:49 | |
I don't know, cos he could be, he could be better at it than he's making out. | 0:07:49 | 0:07:53 | |
-No, I'll be honest with you. That's the best I've ever done it. -LAUGHTER | 0:07:53 | 0:07:56 | |
I'll tell you what we'll do, just one last little try, just the best it can be for us. | 0:07:56 | 0:08:00 | |
-SQUEALING: -I'm stuck in his mouth, I can't get out, help me. | 0:08:00 | 0:08:05 | |
I can't get out! | 0:08:05 | 0:08:08 | |
-USING NORMAL VOICE: -He's panicking now. He's panicking! | 0:08:08 | 0:08:11 | |
APPLAUSE | 0:08:11 | 0:08:13 | |
So what do you think then, Lee? | 0:08:14 | 0:08:16 | |
Warwick? | 0:08:16 | 0:08:18 | |
Well, at first I thought he was lying | 0:08:18 | 0:08:19 | |
but I'm tending to think now that he may well have done this. | 0:08:19 | 0:08:23 | |
-Paul? -No, I think it's a lie. | 0:08:23 | 0:08:24 | |
I think he's actually practised as he's been doing it. | 0:08:24 | 0:08:26 | |
You think he's learnt that talent in the last five minutes? | 0:08:26 | 0:08:29 | |
I think that talent has really come to the fore in the last five minutes. | 0:08:29 | 0:08:32 | |
You think it's a lie, Warwick thinks it's true. | 0:08:32 | 0:08:34 | |
I think it's...true, because he did it well. | 0:08:34 | 0:08:36 | |
-You think it's true? -I think it's true because he did it well. | 0:08:36 | 0:08:39 | |
-All right, you're saying true. -Well enough. | 0:08:39 | 0:08:41 | |
OK, so Jason. | 0:08:41 | 0:08:43 | |
Yeah. | 0:08:43 | 0:08:45 | |
Were you telling the truth, or were you telling a lie? | 0:08:45 | 0:08:48 | |
It was... | 0:08:48 | 0:08:50 | |
-True. -Ah. Good start, good start, Warwick. | 0:08:50 | 0:08:54 | |
APPLAUSE | 0:08:54 | 0:08:57 | |
Yes, it's true. Jason was gutted | 0:08:57 | 0:08:59 | |
when he first saw my small man in a box routine because he'd been | 0:08:59 | 0:09:03 | |
entertaining his mates with his man trapped in his mouth. | 0:09:03 | 0:09:07 | |
Our next round is called This Is My..., where we bring on a mystery | 0:09:07 | 0:09:10 | |
guest who has a close connection to one of our panellists. | 0:09:10 | 0:09:13 | |
Now, this week each of Lee's team will claim it's them | 0:09:13 | 0:09:16 | |
that has the genuine connection to the guest | 0:09:16 | 0:09:18 | |
and it's up to David's team to spot who's telling the truth. | 0:09:18 | 0:09:21 | |
So, please welcome this week's special guest, Neil. | 0:09:21 | 0:09:24 | |
APPLAUSE | 0:09:24 | 0:09:26 | |
So, Warwick, what is Neil to you? | 0:09:33 | 0:09:35 | |
Well, this is Neil and he paid me to jump out of a tree in the park | 0:09:35 | 0:09:41 | |
and propose to his girlfriend whilst dressed as an Ewok. | 0:09:41 | 0:09:44 | |
LAUGHTER | 0:09:44 | 0:09:47 | |
Paul, how do you know Neil? | 0:09:47 | 0:09:49 | |
This is Neil, he's my neighbour and when he goes on holiday | 0:09:49 | 0:09:52 | |
I look after his parrot and take it out in the cage for a walk. | 0:09:52 | 0:09:55 | |
LAUGHTER | 0:09:55 | 0:09:57 | |
And finally, Lee, what's your relationship with Neil? | 0:09:57 | 0:10:00 | |
This is Neil, | 0:10:00 | 0:10:01 | |
and to prove my manhood I once assaulted a Womble in front of him. | 0:10:01 | 0:10:06 | |
LAUGHTER | 0:10:06 | 0:10:09 | |
So there we have it. | 0:10:09 | 0:10:11 | |
Warwick's park proposer, | 0:10:11 | 0:10:13 | |
Paul's parrot-walking neighbour or Lee's Womble witness. | 0:10:13 | 0:10:16 | |
David, where do you want to begin? | 0:10:16 | 0:10:18 | |
Where to begin. | 0:10:18 | 0:10:19 | |
Yes, so Warwick. | 0:10:19 | 0:10:20 | |
Yes. | 0:10:20 | 0:10:21 | |
Clarify exactly the transaction that you underwent with Neil. | 0:10:21 | 0:10:25 | |
He paid me to dress as an Ewok and propose to his girlfriend. | 0:10:25 | 0:10:31 | |
So, but if YOU proposed to his girlfriend you then might | 0:10:31 | 0:10:34 | |
have to marry his girlfriend. LAUGHTER | 0:10:34 | 0:10:37 | |
No, it was on his behalf, I mean | 0:10:37 | 0:10:39 | |
himself and his girlfriend were huge Star Wars fans. | 0:10:39 | 0:10:43 | |
So you have got the costume at home just all the time. | 0:10:43 | 0:10:46 | |
Well, I was given one after working on the film. | 0:10:46 | 0:10:48 | |
-Oh, they give you one. -You want to get that on eBay. | 0:10:48 | 0:10:51 | |
Then you wouldn't have to jump out of trees and propose to people. | 0:10:51 | 0:10:54 | |
LAUGHTER | 0:10:54 | 0:10:55 | |
You're obviously a successful actor. You know obviously | 0:10:55 | 0:10:58 | |
been in Star Wars and you must have been doing better than having to | 0:10:58 | 0:11:01 | |
pick these little jobs like this up. | 0:11:01 | 0:11:03 | |
-Well, yeah, but I mean... -He's here, isn't he? | 0:11:03 | 0:11:06 | |
LAUGHTER | 0:11:06 | 0:11:08 | |
There are sort of ups and downs in any actor's career. | 0:11:10 | 0:11:13 | |
I'll say it again, he's here, isn't he? | 0:11:13 | 0:11:16 | |
LAUGHTER | 0:11:16 | 0:11:18 | |
What was your line, what did you have to say? | 0:11:18 | 0:11:20 | |
Well, I hopped out of the tree and I went, "Yup yup," which is | 0:11:20 | 0:11:25 | |
Ewok language for "yippee". | 0:11:25 | 0:11:28 | |
LAUGHTER | 0:11:28 | 0:11:30 | |
And I said, "On behalf of Neil, will you marry him?" | 0:11:31 | 0:11:37 | |
And thankfully she said yes and then he came out from behind the bush. | 0:11:37 | 0:11:42 | |
Just, I don't... | 0:11:42 | 0:11:43 | |
LAUGHTER | 0:11:43 | 0:11:45 | |
So the girl was in a park by herself, | 0:11:47 | 0:11:51 | |
he's hiding behind a bush. He's not with her that day. | 0:11:51 | 0:11:54 | |
No, no, no, no. | 0:11:54 | 0:11:55 | |
You jump out of a tree dressed as an Ewok saying, "Yup yup," | 0:11:55 | 0:11:59 | |
and she stayed still and waited to hear the rest of the sentence! | 0:11:59 | 0:12:02 | |
LAUGHTER | 0:12:02 | 0:12:04 | |
No, Neil and I had organised it. | 0:12:04 | 0:12:07 | |
She always went this way home from work. | 0:12:07 | 0:12:09 | |
So she was walking home from work as well. | 0:12:09 | 0:12:11 | |
-Yeah, yeah, yeah. -Was it after dark? | 0:12:11 | 0:12:14 | |
-No, no, no, it was in the summer. -OK. | 0:12:14 | 0:12:16 | |
-So you knew she'd pass that particular tree? -Yes. Yes. | 0:12:16 | 0:12:18 | |
And what was her name? | 0:12:18 | 0:12:20 | |
Tracy. | 0:12:20 | 0:12:22 | |
-That is a name. -That is a name. | 0:12:22 | 0:12:24 | |
LAUGHTER | 0:12:24 | 0:12:26 | |
So you just walk away, leaving the two lovers together | 0:12:26 | 0:12:28 | |
and you just go home and feel mission accomplished? | 0:12:28 | 0:12:31 | |
That's an image, isn't it, them kissing and in the distance | 0:12:31 | 0:12:34 | |
a little Ewok walks away like that, and a little wave. | 0:12:34 | 0:12:37 | |
Mission accomplished. | 0:12:37 | 0:12:38 | |
Just as he goes over the horizon. "My job here is done." | 0:12:38 | 0:12:41 | |
LAUGHTER | 0:12:41 | 0:12:43 | |
Yeah. | 0:12:43 | 0:12:45 | |
As he's giving out the leaflets for the local restaurant. | 0:12:45 | 0:12:48 | |
LAUGHTER | 0:12:48 | 0:12:50 | |
And did you get an invite to the wedding? | 0:12:51 | 0:12:54 | |
Yes, I did, yeah. | 0:12:54 | 0:12:55 | |
-You did, and did you go? -No, I didn't go. | 0:12:55 | 0:12:57 | |
No. | 0:12:57 | 0:12:58 | |
There was no money in that. | 0:12:58 | 0:12:59 | |
LAUGHTER | 0:12:59 | 0:13:01 | |
And how did it come about? How did you, | 0:13:03 | 0:13:05 | |
how did they get in touch with you and...? | 0:13:05 | 0:13:06 | |
Well, Neil came to a Star Wars convention that I was at | 0:13:06 | 0:13:10 | |
and I had, I knew him when I was a kid. | 0:13:10 | 0:13:14 | |
I didn't really remember him but then when he asked me, | 0:13:14 | 0:13:17 | |
"Look I'm going to propose to my girlfriend, she's a huge fan," | 0:13:17 | 0:13:21 | |
you know, and offered me some money to do it, I mean I... | 0:13:21 | 0:13:24 | |
# That's what friends are for. # | 0:13:24 | 0:13:26 | |
LAUGHTER | 0:13:26 | 0:13:27 | |
Had there been a progression of, like... | 0:13:27 | 0:13:29 | |
Did he start with Hans Solo and go, right, he don't want to do it. | 0:13:29 | 0:13:32 | |
All relationships start with hands solo. | 0:13:32 | 0:13:35 | |
LAUGHTER | 0:13:35 | 0:13:38 | |
APPLAUSE | 0:13:38 | 0:13:40 | |
OK, well, let's move on to Paul. | 0:13:42 | 0:13:45 | |
-Now, Neil is your neighbour... -Yeah. -..and he owns a parrot. -Yes. | 0:13:45 | 0:13:50 | |
Why does the parrot need walking? | 0:13:50 | 0:13:52 | |
It needs to get out in the fresh air. | 0:13:52 | 0:13:55 | |
So you walk down the road just with the parrot in the cage. | 0:13:55 | 0:13:59 | |
Well, he's actually got, it's like a... | 0:13:59 | 0:14:01 | |
It's not great exercise for the parrot, that, is it? | 0:14:01 | 0:14:03 | |
No, no, it's to get the air, it's to get the air and it keeps him... | 0:14:03 | 0:14:06 | |
-Couldn't you just use a hairdryer? -You could do! | 0:14:06 | 0:14:08 | |
LAUGHTER | 0:14:08 | 0:14:09 | |
What colour is the parrot? | 0:14:09 | 0:14:11 | |
Well, it's got a blue head and sort of brownsy. | 0:14:11 | 0:14:14 | |
-Brownsy? -Brownsy wings. -Blue head, brown wings. | 0:14:14 | 0:14:17 | |
-Yeah, a little dark down the bottom. -Sure it's not a pigeon? | 0:14:17 | 0:14:20 | |
LAUGHTER | 0:14:20 | 0:14:22 | |
-It's a bright, it's bright blue. -Oh right. | 0:14:22 | 0:14:24 | |
I mean, you seem to me too busy to be doing that as well. | 0:14:26 | 0:14:28 | |
What does your neighbour do for a job? | 0:14:28 | 0:14:30 | |
Poor Warwick, but he doesn't seem too busy to be doing jumping out of trees! | 0:14:30 | 0:14:33 | |
LAUGHTER | 0:14:33 | 0:14:34 | |
I think you'd take it into the garden and just let it get some fresh air. | 0:14:34 | 0:14:37 | |
No, it's actually the movement, he wants to see where, you know, around. | 0:14:37 | 0:14:40 | |
You could walk round the garden, couldn't you? | 0:14:40 | 0:14:42 | |
You know those washing lines on a pole that spin round? | 0:14:42 | 0:14:45 | |
You could just attach it to that and... | 0:14:45 | 0:14:47 | |
LAUGHTER | 0:14:47 | 0:14:49 | |
APPLAUSE | 0:14:49 | 0:14:51 | |
Yeah. | 0:14:51 | 0:14:52 | |
And where would you go on this walk, Paul, where? | 0:14:53 | 0:14:55 | |
We live, we live in a village. Literally just up the lane | 0:14:55 | 0:14:59 | |
at the top there's a little path which breaks | 0:14:59 | 0:15:01 | |
out into the wheat fields. I'm literally, I don't go as far | 0:15:01 | 0:15:04 | |
as I normally walk the dog, but about half way up the field and back. | 0:15:04 | 0:15:06 | |
He offered me to have this, like a haversack. | 0:15:06 | 0:15:09 | |
It's weird, and it's got a connection, you can | 0:15:09 | 0:15:12 | |
-actually hold it on your back. -No way. -Yes. | 0:15:12 | 0:15:14 | |
-In the cage? -In the cage. | 0:15:14 | 0:15:15 | |
-Oh, I thought you meant without the cage and I thought... -Oh, no! -..it could take off. | 0:15:15 | 0:15:20 | |
Argh! | 0:15:20 | 0:15:21 | |
LAUGHTER | 0:15:21 | 0:15:23 | |
-Now, what about Lee? -So, Lee, the Womble assault. -Yes. | 0:15:24 | 0:15:29 | |
-Tell the story. -Well, there was a Womble and I... | 0:15:29 | 0:15:34 | |
No, there wasn't, Wombles don't exist, it's a lie, OK? | 0:15:34 | 0:15:37 | |
It's not an actual Womble, it's a toy Womble | 0:15:37 | 0:15:41 | |
and the story is I went away on holiday when I was 16 | 0:15:41 | 0:15:43 | |
and it was me and Neil and another friend of ours, John, and | 0:15:43 | 0:15:48 | |
we went to a little caravan site in Blackpool and I took the Womble with | 0:15:48 | 0:15:53 | |
me because I had this Womble since I was a little kid and I don't know | 0:15:53 | 0:15:56 | |
why but I took it on holiday with me and when I opened the suitcase, | 0:15:56 | 0:16:01 | |
them two mercilessly took the mickey out of me | 0:16:01 | 0:16:03 | |
and I said, "Ha, that old thing, I don't even know how it got in there." | 0:16:03 | 0:16:08 | |
And to prove my manhood I got a pair of scissors, cut its ears off | 0:16:08 | 0:16:12 | |
and then burnt it on the fire, and was devastated, but I tried to show | 0:16:12 | 0:16:17 | |
my manhood by just not being bothered. | 0:16:17 | 0:16:19 | |
Like I don't bother about that, so. | 0:16:19 | 0:16:21 | |
Did you cry later on? | 0:16:21 | 0:16:23 | |
I was crying as I did it inside, but on the outside laughing. It's a bit like this show. | 0:16:23 | 0:16:27 | |
LAUGHTER | 0:16:27 | 0:16:28 | |
I will say, Lee, you, to me you've never seemed more human. | 0:16:28 | 0:16:32 | |
LAUGHTER | 0:16:32 | 0:16:34 | |
How did your friends react when you sliced up the Womble with the scissors? | 0:16:36 | 0:16:40 | |
Did they go, "Yeah, you're a great lad," or did they, or were they... | 0:16:40 | 0:16:45 | |
-You and your boy talk. -I know, I, yeah, yeah. | 0:16:45 | 0:16:48 | |
It was a pretty rough comprehensive you went to, wasn't it, David? | 0:16:48 | 0:16:52 | |
Yes, they all said, "You are a great lad," together, as they chanted and rang their bells at the same time. | 0:16:52 | 0:16:58 | |
# You are a great lad, a great lad, a great. # | 0:16:58 | 0:17:01 | |
They danced around me and put up the maypole. | 0:17:01 | 0:17:04 | |
How did your friends react when they saw you? | 0:17:04 | 0:17:06 | |
Did they sort of go, "Oh, yeah, that's great, ha-ha, | 0:17:06 | 0:17:09 | |
"he's one of the lads still," or did they go, "Oh, my God, he's a maniac"? | 0:17:09 | 0:17:14 | |
Right. They're only having a bit of fun going, ah, it's your Womble, | 0:17:14 | 0:17:16 | |
they didn't expect me to, "No, it's not." | 0:17:16 | 0:17:19 | |
-Yeah. -So, you burnt it as well. | 0:17:20 | 0:17:22 | |
I burnt his face against the fire in there. | 0:17:22 | 0:17:26 | |
-Sorry, I'd forgotten that bit. -Yeah, oh, yeah. | 0:17:26 | 0:17:29 | |
Priceless. "I'd better burn its face so that I seem normal"! | 0:17:29 | 0:17:34 | |
LAUGHTER | 0:17:34 | 0:17:36 | |
We need an answer, David. | 0:17:36 | 0:17:37 | |
Is Neil Warwick's park proposer, | 0:17:37 | 0:17:41 | |
Paul's parrot-walking neighbour or Lee's Womble witness? | 0:17:41 | 0:17:46 | |
Joan, what do you think? | 0:17:46 | 0:17:48 | |
Well, I think if I was a fan of Warwick and the show | 0:17:48 | 0:17:52 | |
I would think that would be quite a larky thing to do. | 0:17:52 | 0:17:57 | |
I really, I genuinely hope it's not true about Lee, | 0:17:57 | 0:18:01 | |
-cos I think that must have been very upsetting... -Me too. | 0:18:01 | 0:18:04 | |
..and then it must be very upsetting when the point came | 0:18:04 | 0:18:06 | |
and you realised you have to use that terrible moment in your past | 0:18:06 | 0:18:09 | |
-on a TV comedy show. -David, David... -That must be, that's... | 0:18:09 | 0:18:12 | |
It is series seven, I'm getting desperate. | 0:18:12 | 0:18:15 | |
By series 23 I'll be going, | 0:18:15 | 0:18:18 | |
"I had to see a child psychologist cos Mummy left." | 0:18:18 | 0:18:21 | |
LAUGHTER | 0:18:21 | 0:18:22 | |
Come on the show with an eye patch on saying, | 0:18:22 | 0:18:25 | |
"I blinded myself in one eye before the show." | 0:18:25 | 0:18:28 | |
LAUGHTER | 0:18:28 | 0:18:29 | |
Who knows, could it be an eye or a wound? | 0:18:29 | 0:18:32 | |
LAUGHTER | 0:18:32 | 0:18:35 | |
-I think the parrot one is the least plausible... -Yeah. -..for me. | 0:18:35 | 0:18:38 | |
I think Warwick's telling the truth. I think that's the closest to reality. | 0:18:38 | 0:18:42 | |
-I hope it is. -I think I too think it's most likely to be Warwick that's telling the truth. | 0:18:42 | 0:18:46 | |
-You think it's Warwick. -Yeah. -You think it's the Ewok, it's the jumping out of the tree | 0:18:46 | 0:18:50 | |
and the proposal. OK. Right, Neil, would you please reveal your true identity? | 0:18:50 | 0:18:57 | |
Rob, my name is Neil and I'm a friend of Lee's | 0:18:57 | 0:19:01 | |
and I witnessed the Womble assault. | 0:19:01 | 0:19:03 | |
LAUGHTER AND APPLAUSE | 0:19:03 | 0:19:06 | |
I think I feel a thousand years older. | 0:19:16 | 0:19:19 | |
Thank you very much, Neil. Thank you. | 0:19:21 | 0:19:22 | |
APPLAUSE | 0:19:22 | 0:19:24 | |
Which brings us to our final round Quick-fire Lies, | 0:19:28 | 0:19:30 | |
in which our panellists lie not only through their teeth | 0:19:30 | 0:19:33 | |
but against the clock and again they don't know whether | 0:19:33 | 0:19:35 | |
they're about to read out a true fact about themselves, | 0:19:35 | 0:19:38 | |
or a made-up lie they've never seen before. | 0:19:38 | 0:19:40 | |
We start with... It's Joan. | 0:19:40 | 0:19:43 | |
For the last 30 years my breakfast regime has never altered. | 0:19:45 | 0:19:49 | |
I have one bowl of porridge, one large banana | 0:19:49 | 0:19:53 | |
and half a pint of lager. | 0:19:53 | 0:19:56 | |
LAUGHTER | 0:19:58 | 0:20:00 | |
-Lee. -How much do we want this to be true? | 0:20:00 | 0:20:04 | |
LAUGHTER | 0:20:04 | 0:20:05 | |
-It's healthy. -It really isn't. | 0:20:05 | 0:20:09 | |
Sorry to break it to you but porridge is not good for you. | 0:20:09 | 0:20:12 | |
LAUGHTER | 0:20:12 | 0:20:14 | |
So for 30 years, why did you start apart from emotional problems? | 0:20:14 | 0:20:18 | |
-Well... -Drinking for breakfast. | 0:20:18 | 0:20:20 | |
I had a bit of a thing about staying healthy as I got older. | 0:20:20 | 0:20:24 | |
I thought it was important to have a routine, to have a regular nourishment that was, | 0:20:24 | 0:20:29 | |
that answered many of the needs of the diet fads that were around at the time | 0:20:29 | 0:20:34 | |
and then of course once I'd started I liked it. | 0:20:34 | 0:20:37 | |
Where did the alcohol come into it though? | 0:20:37 | 0:20:39 | |
Well, you, I mean you can't just have porridge by itself and a banana. | 0:20:39 | 0:20:42 | |
It's very dry, you have to have something to drink with it. | 0:20:42 | 0:20:45 | |
Are you seriously, in a half pint glass or in a pint glass that's half full? | 0:20:45 | 0:20:48 | |
No, no, no, a half, it's half a pint. | 0:20:48 | 0:20:50 | |
-Have you got it on draft in the kitchen? -LAUGHTER | 0:20:50 | 0:20:52 | |
No, I don't do that. I buy lager like other people do, in cans. | 0:20:52 | 0:20:56 | |
I don't gulp it down. | 0:20:56 | 0:20:59 | |
Sips it like a lady. | 0:20:59 | 0:21:00 | |
I just enjoy it, I read the Guardian while I'm... | 0:21:00 | 0:21:03 | |
You read the Guardian with your half a lager! | 0:21:03 | 0:21:05 | |
LAUGHTER | 0:21:05 | 0:21:07 | |
Exactly. | 0:21:11 | 0:21:12 | |
-HE SLURS: -Forget the paper. | 0:21:13 | 0:21:15 | |
LAUGHTER | 0:21:15 | 0:21:17 | |
So when you go abroad do you hunt down bananas and lager? | 0:21:20 | 0:21:24 | |
Yes, it's not difficult if you stay at the right places. | 0:21:24 | 0:21:27 | |
It's not difficult to acquire lager anywhere in the world. | 0:21:27 | 0:21:30 | |
-All hotels do have lager. -Yeah. -Yeah, but why specifically... | 0:21:30 | 0:21:33 | |
That not the bit we're doubting, David. | 0:21:33 | 0:21:35 | |
-Well, I'm... -We're not doubting where you get them. | 0:21:35 | 0:21:37 | |
Porridge is also well-known as a breakfast food, I don't see | 0:21:37 | 0:21:40 | |
which of these three things do you think will be somehow unattainable. | 0:21:40 | 0:21:44 | |
-It's not... -In the places you might go and stay on holiday or business. | 0:21:44 | 0:21:47 | |
Some places you go to you will find it difficult to find porridge. | 0:21:47 | 0:21:51 | |
-Where? -Er, some of the Greek countries you'll find it difficult to, | 0:21:51 | 0:21:54 | |
-Cyprus, you'll have... -I have to say I have... | 0:21:54 | 0:21:57 | |
Some of the Greek countries, like Greece? | 0:21:57 | 0:21:59 | |
LAUGHTER | 0:21:59 | 0:22:02 | |
That's not been... The problem that I've encountered is when | 0:22:03 | 0:22:06 | |
-I go to stay somewhere in which I've rented a villa or something. -Yeah. | 0:22:06 | 0:22:10 | |
And then I take porridge oats with me. | 0:22:10 | 0:22:12 | |
And beer, some lager as well. | 0:22:12 | 0:22:13 | |
No, you can order that. | 0:22:13 | 0:22:15 | |
Where do you go and... | 0:22:15 | 0:22:16 | |
You can't order it in a villa. | 0:22:16 | 0:22:18 | |
No, you can't order it but you can take it. | 0:22:18 | 0:22:20 | |
Unless you open the door and scream, "I'm a heavy drinker, somebody help me!" | 0:22:20 | 0:22:23 | |
It's seven in the morning. Argh! I NEED LAGER! And porridge and a banana. Thank you. | 0:22:23 | 0:22:29 | |
LAUGHTER | 0:22:29 | 0:22:30 | |
I have genuinely never been in a villa in another country | 0:22:30 | 0:22:34 | |
when there hasn't also been lager there. | 0:22:34 | 0:22:37 | |
-In the villa? -Yeah. It's not naturally occurring but when people go on holiday, | 0:22:37 | 0:22:43 | |
British people they go on holiday, the first thing they do is they buy a load of lager. | 0:22:43 | 0:22:48 | |
Do you find yourselves sometimes on a stressful week having quite a few breakfasts during the day? | 0:22:48 | 0:22:52 | |
LAUGHTER | 0:22:52 | 0:22:54 | |
What are you? Were you in the green room before, what are you having for dinner, Joan? | 0:22:55 | 0:22:59 | |
"I'll just have another breakfast actually, porridge, a banana and yes, another little half a lager." | 0:22:59 | 0:23:03 | |
Let, let me, let me just say, Joan, whatever it is that you do, it's working... | 0:23:03 | 0:23:10 | |
-Thank you. -..because you look fantastic. you see, that's how you talk to a lady. | 0:23:10 | 0:23:15 | |
Now, Lee, what are you thinking? | 0:23:15 | 0:23:16 | |
She couldn't understand a word you said, she's drunk. | 0:23:16 | 0:23:19 | |
LAUGHTER | 0:23:19 | 0:23:21 | |
Is it the truth or is it a lie? Time to decide. | 0:23:22 | 0:23:24 | |
I think she looks great and that's why I don't think she drinks half a lager. | 0:23:24 | 0:23:28 | |
Cos look at me, I do drink lager every morning and I'm 24. | 0:23:28 | 0:23:32 | |
LAUGHTER | 0:23:32 | 0:23:34 | |
-What do you think, Warwick? -Yeah, I, I think it's a lie. | 0:23:34 | 0:23:37 | |
-You think it's a lie. -I think it's a lie. Let's go for a lie. | 0:23:37 | 0:23:40 | |
-So you're going to say it's a lie? -I'll say it's a lie. | 0:23:40 | 0:23:43 | |
OK, they're saying it's a lie. | 0:23:43 | 0:23:44 | |
Joan, was it the truth or was it a lie? | 0:23:44 | 0:23:46 | |
It was a lie. | 0:23:46 | 0:23:47 | |
APPLAUSE | 0:23:47 | 0:23:49 | |
Yes, it was a lie. | 0:23:50 | 0:23:53 | |
For the last 30 years Joan's breakfast regime hasn't been | 0:23:53 | 0:23:56 | |
one bowl of porridge, one large banana and a half a pint of lager. | 0:23:56 | 0:24:00 | |
Next... It's Lee. | 0:24:00 | 0:24:04 | |
I can smell if there is a dead fly in the room. | 0:24:04 | 0:24:08 | |
LAUGHTER | 0:24:08 | 0:24:10 | |
Can I just say, I know it sounds ridiculous. | 0:24:19 | 0:24:24 | |
But I can smell a dead fly in the room. | 0:24:24 | 0:24:26 | |
So, is what you're saying that if there isn't a dead fly in the room | 0:24:26 | 0:24:30 | |
-you have no sense of smell? -No, that's not what I'm saying, | 0:24:30 | 0:24:34 | |
and you know damn well that's not what I'm saying, David. | 0:24:34 | 0:24:38 | |
No, I can smell if there is a dead fly in the room. I can smell the dead fly. | 0:24:38 | 0:24:42 | |
So is there one, is there a dead fly in here? | 0:24:42 | 0:24:44 | |
Hold on. | 0:24:44 | 0:24:45 | |
LAUGHTER | 0:24:45 | 0:24:47 | |
No, I can't smell a dead fly in this room. | 0:24:49 | 0:24:50 | |
-Obviously, this isn't what we call a normal size room, is it? -Oh, I see. -Well, a room in my house. | 0:24:50 | 0:24:55 | |
How do you prove this? Do you actually sniff it out? | 0:24:55 | 0:24:57 | |
Can you, like a sniffer dog you actually find the dead fly with your nose? | 0:24:57 | 0:25:01 | |
-Or do you just go. -No, no, no. -There's a dead fly in here. -I never told you I could find them. | 0:25:01 | 0:25:04 | |
You can't locate it, you just know it's somewhere within the walls. | 0:25:04 | 0:25:08 | |
Not, not within the wall. | 0:25:08 | 0:25:10 | |
I'm not talking about flies that might have been killed by a serial killer and then sort of plastered in. | 0:25:10 | 0:25:14 | |
Yeah, yeah. I can't smell them. I can't smell them, no, no. Definitely not. | 0:25:14 | 0:25:17 | |
-Right, OK. -But you can't locate them, you just know they're somewhere in the room. | 0:25:17 | 0:25:21 | |
I can smell if there's a dead fly in the room. | 0:25:21 | 0:25:23 | |
LAUGHTER | 0:25:23 | 0:25:25 | |
How can you put it to the test | 0:25:25 | 0:25:27 | |
because you might have been in a room in which there was | 0:25:27 | 0:25:30 | |
a dead fly and you have not smelt it and said, "There is no dead fly in this room," | 0:25:30 | 0:25:35 | |
and people have believed you and yet lurking in the corner... | 0:25:35 | 0:25:38 | |
It's a good question, Joan. It's a very good question, and I wish that I had a good answer. | 0:25:38 | 0:25:42 | |
Just by the law of averages there's been too many times | 0:25:42 | 0:25:45 | |
when I've gone in a room and gone, "There's a dead fly in this room," | 0:25:45 | 0:25:48 | |
and quite often we will see the dead fly. | 0:25:48 | 0:25:51 | |
What do you mean "quite often"? It has to be always, it has to be always. | 0:25:51 | 0:25:54 | |
I can smell if there's a dead fly in the room | 0:25:54 | 0:25:56 | |
so I will go in and go, "I think there's a dead fly in the room." | 0:25:56 | 0:25:58 | |
That's just a polite way of talking, David. | 0:25:58 | 0:26:01 | |
-I don't go, "There is a dead fly in the room, it's a fact every time." -This room is a disgrace! | 0:26:01 | 0:26:06 | |
I talk, I talk more softly than you, David, I have a softer... | 0:26:06 | 0:26:09 | |
I don't show off about my talents. | 0:26:09 | 0:26:10 | |
I walk in a room and I go, "I think there's a dead fly in this room." | 0:26:10 | 0:26:14 | |
In fact, no, I think you'll find there is definitely. | 0:26:14 | 0:26:16 | |
LAUGHTER | 0:26:16 | 0:26:17 | |
There always is. There always is. | 0:26:17 | 0:26:20 | |
What does the dead fly smell of? | 0:26:20 | 0:26:24 | |
It's a smell that I wouldn't want to describe to a friend. | 0:26:24 | 0:26:27 | |
-Try, imagine you're a wine connoisseur. -Right. | 0:26:27 | 0:26:29 | |
But it's the smell of a dead fly. | 0:26:29 | 0:26:31 | |
-I'm getting... -Yeah, what are you getting? | 0:26:31 | 0:26:34 | |
I'm getting a... I'm getting a bit of wing. | 0:26:34 | 0:26:36 | |
I'm getting, er, I'm getting another wing, er, | 0:26:36 | 0:26:40 | |
-and er, how many wings has a fly got? Is it two or four? -Four. -Four. | 0:26:40 | 0:26:43 | |
Another wing, and, no, wait, wait. | 0:26:43 | 0:26:46 | |
There's only three wings. I think I know how this fly died. Um. | 0:26:46 | 0:26:50 | |
LAUGHTER | 0:26:50 | 0:26:53 | |
You've not really described the smell there. | 0:26:53 | 0:26:55 | |
You've described the body parts of a fly while making sniffing noises. | 0:26:55 | 0:27:00 | |
Well, I can't, you know, I'm a professional. You're an amateur. | 0:27:00 | 0:27:03 | |
I'm trying to say it in layman's terms. | 0:27:03 | 0:27:04 | |
Well, earlier on, I was, er, I came to see you in your dressing room | 0:27:04 | 0:27:07 | |
to say hello and I had a little look in the window and only now I'm | 0:27:07 | 0:27:10 | |
thinking, there was a dead fly in there and you never mentioned it. | 0:27:10 | 0:27:13 | |
Before you came in I went, "Oh, smell a fly." | 0:27:13 | 0:27:16 | |
But I found that that smell was soon overpowered, Jason. | 0:27:16 | 0:27:19 | |
LAUGHTER | 0:27:19 | 0:27:21 | |
David, time to make your mind up. Is he telling the truth? | 0:27:23 | 0:27:26 | |
Is that whole fly-smelling thing real? | 0:27:26 | 0:27:30 | |
Um, well, let us pay him the respect of pretending to consider it. | 0:27:30 | 0:27:35 | |
LAUGHTER | 0:27:35 | 0:27:38 | |
Joan, you don't believe him when he says? | 0:27:38 | 0:27:41 | |
-I do not believe him. -Well, I think lie. | 0:27:41 | 0:27:43 | |
You think lie. You're saying lie. OK. | 0:27:43 | 0:27:46 | |
Lee, were you telling the truth or was that a lie? | 0:27:46 | 0:27:50 | |
I've actually started believing it myself. | 0:27:50 | 0:27:52 | |
LAUGHTER | 0:27:52 | 0:27:54 | |
It's a lie. | 0:27:54 | 0:27:55 | |
APPLAUSE | 0:27:56 | 0:27:59 | |
Yes, it was a lie, Lee can't smell if there's a dead fly in the room. | 0:27:59 | 0:28:03 | |
-BUZZER -Well, that noise signals time is up, it's the end of the show. | 0:28:03 | 0:28:06 | |
I can reveal that Lee has triumphed by three points to two. | 0:28:06 | 0:28:11 | |
APPLAUSE | 0:28:11 | 0:28:14 | |
But it's not just a team game, | 0:28:16 | 0:28:18 | |
my individual liar of the week this week is Warwick Davis. | 0:28:18 | 0:28:22 | |
APPLAUSE AND CHEERING | 0:28:22 | 0:28:26 | |
Yes, Warwick Davis, who would have thought it? An Ewok who tells lies. | 0:28:26 | 0:28:31 | |
Whatever next, Yoda trying to sell us mobile phones? | 0:28:31 | 0:28:34 | |
Good night. | 0:28:34 | 0:28:35 | |
APPLAUSE | 0:28:35 | 0:28:38 | |
Subtitles by Red Bee Media Ltd | 0:28:54 | 0:28:56 |