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Good evening, and welcome to Would I Lie To You?, the show where fibbing is fabulous. | 0:00:26 | 0:00:31 | |
On David Mitchell's team tonight | 0:00:31 | 0:00:33 | |
a lady who's the presenter of The Great British Bake Off. | 0:00:33 | 0:00:36 | |
I love the celebrity version | 0:00:36 | 0:00:38 | |
where they made a variety of fruit cakes and tarts | 0:00:38 | 0:00:41 | |
make some biscuits. | 0:00:41 | 0:00:42 | |
It's Mel Giedroyc. | 0:00:42 | 0:00:43 | |
CHEERING AND APPLAUSE | 0:00:43 | 0:00:48 | |
And a presenter who like me has been in Nicole Scherzinger's house, | 0:00:48 | 0:00:54 | |
but unlike me he was invited. | 0:00:54 | 0:00:55 | |
From the X Factor, Dermot O'Leary. | 0:00:55 | 0:00:57 | |
CHEERING AND APPLAUSE | 0:00:57 | 0:00:59 | |
And on Lee Mack's team tonight | 0:01:01 | 0:01:04 | |
a man who when he played rugby showed a beautiful left foot | 0:01:04 | 0:01:07 | |
and when he danced on Strictly showed two of them. | 0:01:07 | 0:01:10 | |
From A Question Of Sport, Matt Dawson. | 0:01:10 | 0:01:12 | |
CHEERING AND APPLAUSE | 0:01:12 | 0:01:16 | |
And the star of The Last Leg, whose looks and personality have proved | 0:01:16 | 0:01:21 | |
no obstacle to his success, it's Josh Widdicombe. | 0:01:21 | 0:01:24 | |
CHEERING AND APPLAUSE | 0:01:24 | 0:01:29 | |
And so let's begin with Round One, Home Truths, where our panellists | 0:01:29 | 0:01:32 | |
read out a statement from the card in front of them. | 0:01:32 | 0:01:34 | |
To make things harder, they've never seen the card before | 0:01:34 | 0:01:37 | |
so they've no idea what they'll be faced with | 0:01:37 | 0:01:39 | |
and it's up to the opposing team | 0:01:39 | 0:01:40 | |
to sort the fact from the fiction. Josh Widdicombe, you're first up. | 0:01:40 | 0:01:44 | |
Possession. | 0:01:46 | 0:01:47 | |
-Ah OK, there's a box... -OK. | 0:01:47 | 0:01:48 | |
..which I think is at the side of your desk, can you see it? | 0:01:48 | 0:01:51 | |
Yeah, I've got it. | 0:01:51 | 0:01:52 | |
-Would you read the card first? -Yeah. | 0:01:52 | 0:01:55 | |
Then, bring out the possession. | 0:01:55 | 0:01:56 | |
A-ha! | 0:01:58 | 0:01:59 | |
"These are my favourite boxer shorts. | 0:01:59 | 0:02:02 | |
"Despite the fact they've seen better days | 0:02:02 | 0:02:04 | |
"we have such a strong bond I still wear them." | 0:02:04 | 0:02:06 | |
-Ah, right. You're my kind of guy. -OK, now let's have a look at this possession. | 0:02:06 | 0:02:10 | |
Let's see. | 0:02:10 | 0:02:11 | |
-MEL: -Oh, hello. | 0:02:13 | 0:02:15 | |
Hello. | 0:02:15 | 0:02:17 | |
Sorry you've gotta show the back bit, that's, that's vile. | 0:02:17 | 0:02:20 | |
-What's that? -That is... | 0:02:21 | 0:02:23 | |
No, no, no. | 0:02:23 | 0:02:25 | |
And that's the back bit. | 0:02:25 | 0:02:27 | |
Oh, no. | 0:02:27 | 0:02:28 | |
Do you still wear those, Josh, as pants or are they...? | 0:02:28 | 0:02:31 | |
Yeah, I don't wear them as a hat. | 0:02:31 | 0:02:33 | |
Josh, how many pants do you have, how many pairs, roughly, would you say? | 0:02:33 | 0:02:37 | |
10 to 12. | 0:02:37 | 0:02:38 | |
So these get used, what, once a fortnight? | 0:02:38 | 0:02:40 | |
You've done the maths, yeah. | 0:02:40 | 0:02:41 | |
So there are two days where you don't wear pants. | 0:02:41 | 0:02:45 | |
Is tonight one of those days? | 0:02:47 | 0:02:49 | |
I don't know if you wear boxers, I think you might be a, um... | 0:02:51 | 0:02:54 | |
-A briefs guy. -Briefs, is that what they're called? | 0:02:54 | 0:02:56 | |
-Oh, that is... -Hammocks. -That is, no. -You're young, you're quite trendy, | 0:02:56 | 0:03:00 | |
the hair's forwards which to me says you're quite you know trendy. | 0:03:00 | 0:03:03 | |
Isn't that... | 0:03:03 | 0:03:04 | |
Don't listen to her, Matt. | 0:03:04 | 0:03:06 | |
Josh, if I was your girlfriend I would want to dust with those, | 0:03:11 | 0:03:14 | |
I wouldn't want to see them on you. | 0:03:14 | 0:03:15 | |
Can I ask you something, how long have you had them for? | 0:03:15 | 0:03:18 | |
I would have probably got them | 0:03:18 | 0:03:20 | |
when I was about 18, | 0:03:20 | 0:03:22 | |
so that was 12 years. | 0:03:22 | 0:03:23 | |
-Explain the bond you have with these pants. -It's nothing personal. -What have you been through with them? | 0:03:23 | 0:03:27 | |
They haven't got any specific memory but I just don't like wastage, really, | 0:03:27 | 0:03:31 | |
and they're still perfectly usable. | 0:03:31 | 0:03:34 | |
No, they're not. | 0:03:34 | 0:03:35 | |
The frightening thing is | 0:03:36 | 0:03:38 | |
-if they're not Josh's pants... -Yeah. | 0:03:38 | 0:03:39 | |
..whose pants are they? | 0:03:39 | 0:03:42 | |
Well, Josh, would you help us out here | 0:03:43 | 0:03:45 | |
by perhaps just slipping into them | 0:03:45 | 0:03:47 | |
so we could get an idea of the fit? | 0:03:47 | 0:03:49 | |
Yeah. | 0:03:49 | 0:03:50 | |
Get 'em on, get 'em on, get 'em on! | 0:03:50 | 0:03:52 | |
Get 'em on. | 0:03:52 | 0:03:53 | |
AUDIENCE CLAP AND CHANT | 0:03:53 | 0:03:55 | |
This is what women chant at me in bed. | 0:03:55 | 0:03:58 | |
-Josh, maybe round here somewhere would be nice. -Here? | 0:03:58 | 0:04:00 | |
-That's going to be a good spot. -Yeah, I mean, obviously I'll take my shoes off. | 0:04:00 | 0:04:04 | |
You see, look, he doesn't seem au fait with the mapping of them. | 0:04:04 | 0:04:08 | |
It's not that you get familiar with pants and it becomes a second nature. | 0:04:08 | 0:04:11 | |
He's not at ease with those pants. | 0:04:11 | 0:04:13 | |
This is genuinely one of the lowest moments of my life, by the way. | 0:04:13 | 0:04:16 | |
Just so you know. | 0:04:16 | 0:04:17 | |
If I had a penny for every time someone said that on this show. | 0:04:17 | 0:04:21 | |
So, oh my God. | 0:04:23 | 0:04:24 | |
I suppose all you can do now is pray that it's edited sympathetically. | 0:04:24 | 0:04:28 | |
Which in all honestly is unlikely. | 0:04:30 | 0:04:33 | |
Josh, my love, that waistband is a good two inches too big for you. | 0:04:35 | 0:04:38 | |
-Well, if you feel the elastic, Mel... -Come on. | 0:04:38 | 0:04:41 | |
Mel, you don't have to touch anything you don't want to. | 0:04:41 | 0:04:44 | |
If you feel the elastic, then it's kind of gone a bit. | 0:04:45 | 0:04:48 | |
I'm going to do something slightly sinister. | 0:04:48 | 0:04:50 | |
I've been dreaming of this since Late Lunch, I'm not going to lie to you. | 0:04:50 | 0:04:54 | |
Look, come closer, love, come closer. | 0:04:55 | 0:04:58 | |
Yep, there's a whole finger. | 0:04:58 | 0:05:00 | |
All right, just take your shoes and please go back to your seat. | 0:05:03 | 0:05:07 | |
I feel like I've been thrown out of a pub, "Take your shoes and go." | 0:05:07 | 0:05:10 | |
David, it's time to gather your thoughts | 0:05:13 | 0:05:16 | |
and ask yourself whether or not Josh is telling the truth. | 0:05:16 | 0:05:20 | |
I think, Mel... | 0:05:20 | 0:05:21 | |
Yes, my love. | 0:05:21 | 0:05:22 | |
Is... You're strongly of the opinion that those are not Josh's pants. | 0:05:22 | 0:05:25 | |
He did not seem at ease when he was touching... | 0:05:25 | 0:05:28 | |
He was intimidated by the pants. | 0:05:28 | 0:05:30 | |
-He was intimidated. -Yeah. -He was. | 0:05:30 | 0:05:32 | |
I agree with you that there's a stylistic clash between Josh and those pants. | 0:05:32 | 0:05:37 | |
I'm not buying it, there's no anecdote, | 0:05:37 | 0:05:39 | |
there's no, ah, I kept these when so and so broke up with me. | 0:05:39 | 0:05:42 | |
If he's going to keep a pair of pants that long | 0:05:42 | 0:05:44 | |
you've gotta be through some good times | 0:05:44 | 0:05:46 | |
and by the looks of it some bad times. | 0:05:46 | 0:05:49 | |
So what are you thinking then? | 0:05:51 | 0:05:53 | |
Well, I think we think it's a lie. | 0:05:53 | 0:05:54 | |
-All of you all agreed. OK. -Yeah. | 0:05:54 | 0:05:56 | |
Josh Widdicombe, the pants. | 0:05:56 | 0:05:58 | |
Can I just say, either way, I'll give them to Mel so she can dust with them from now on. | 0:05:58 | 0:06:02 | |
-Thank you, thanks darling. -That's lovely, that's heart warming. | 0:06:02 | 0:06:05 | |
Is it the truth or were you telling a lie? | 0:06:05 | 0:06:07 | |
I am ashamed to say | 0:06:07 | 0:06:10 | |
it's the truth. | 0:06:10 | 0:06:12 | |
APPLAUSE | 0:06:12 | 0:06:14 | |
CHEERING | 0:06:22 | 0:06:24 | |
Yes, it's true, | 0:06:24 | 0:06:26 | |
they were indeed Josh's favourite boxer shorts | 0:06:26 | 0:06:29 | |
which he still wears. | 0:06:29 | 0:06:31 | |
Mel, you're next. | 0:06:31 | 0:06:33 | |
"I once had a snog | 0:06:33 | 0:06:34 | |
"with one of the people here | 0:06:34 | 0:06:36 | |
"on Would I Lie To You? tonight." | 0:06:36 | 0:06:38 | |
Ohhh! | 0:06:38 | 0:06:41 | |
One of us...six? Yeah, six. | 0:06:41 | 0:06:44 | |
Hang on a minute, I'm here as well. | 0:06:44 | 0:06:47 | |
-Yeah, six. -It could have been me. -She didn't snog herself, did she? | 0:06:47 | 0:06:50 | |
That's true. That's true. | 0:06:50 | 0:06:51 | |
Oh God, oh my word! | 0:06:51 | 0:06:54 | |
I think my poor grasp of mathematics has never been more cruelly exposed. | 0:06:54 | 0:07:01 | |
So one of us six people, you... Why am I saying one of the six? I know it wasn't me! | 0:07:03 | 0:07:07 | |
One of them five, was it you? | 0:07:07 | 0:07:09 | |
It's true. | 0:07:09 | 0:07:10 | |
Oh, no, no, no, I'm Spartacus. | 0:07:12 | 0:07:14 | |
You see I, I genuinely think... | 0:07:15 | 0:07:17 | |
It's going to be a bit awkward if all six of us have snogged her. | 0:07:17 | 0:07:20 | |
But she can only remember one. | 0:07:21 | 0:07:24 | |
If it's true | 0:07:26 | 0:07:27 | |
will the person remember, or was it like a drunken thing or? | 0:07:27 | 0:07:30 | |
I don't know if they will remember. | 0:07:30 | 0:07:32 | |
-This is getting awkward, if this is true this could be very awkward. -I don't know. | 0:07:32 | 0:07:36 | |
So how many years ago? | 0:07:36 | 0:07:38 | |
I think it was in '98, | 0:07:38 | 0:07:41 | |
so, 15 years ago. | 0:07:41 | 0:07:43 | |
Just a snog? | 0:07:43 | 0:07:44 | |
-Yeah. -Oh, it's going to be David at university, isn't it? | 0:07:44 | 0:07:49 | |
Why, did they go to university together? | 0:07:49 | 0:07:51 | |
They're both, Cambridge, aren't they? | 0:07:51 | 0:07:53 | |
-We did. -Yes. | 0:07:53 | 0:07:55 | |
And were you in the same... | 0:07:55 | 0:07:56 | |
But, but... | 0:07:56 | 0:07:58 | |
LAUGHTER | 0:07:58 | 0:07:59 | |
-No, but... -The plot thickens. | 0:07:59 | 0:08:01 | |
David... (is quite a lot... quite a lot younger than me). | 0:08:01 | 0:08:04 | |
-So that might... -But were you still hanging around the university? | 0:08:04 | 0:08:08 | |
Trying to prey on freshers in Freshers' Week. | 0:08:08 | 0:08:12 | |
What you haven't said yet, Mel, | 0:08:14 | 0:08:15 | |
is you haven't really painted a lovely picture for us | 0:08:15 | 0:08:19 | |
of the circumstances, where you were, | 0:08:19 | 0:08:22 | |
just talk us through that. | 0:08:22 | 0:08:23 | |
It was a works do. | 0:08:23 | 0:08:25 | |
Uh, not me, I've never worked in my life. | 0:08:25 | 0:08:27 | |
It was a works do and everyone had been working very, very hard, | 0:08:28 | 0:08:32 | |
it was a long series, and it was the end of term party. | 0:08:32 | 0:08:37 | |
-Stop looking at me, Mel. -End of series party. -You're scaring the bloomin' daylights out of me. | 0:08:37 | 0:08:41 | |
-What was the series? -The series. -It was the England rugby team 2003. | 0:08:41 | 0:08:46 | |
Was it a test series? | 0:08:46 | 0:08:48 | |
-Oh, it was a show back in the late '90s. -Was it Late Lunch? | 0:08:52 | 0:08:56 | |
It was called Late Lunch/Light Lunch. | 0:08:56 | 0:08:59 | |
So was the person you kissed a guest on the show | 0:08:59 | 0:09:02 | |
or were they a regular on it or...? | 0:09:02 | 0:09:03 | |
No, we were colleagues. | 0:09:03 | 0:09:05 | |
This is a totally new type of round for this game. | 0:09:05 | 0:09:08 | |
Stop trying to work out whether it's true or not, just who it is. | 0:09:08 | 0:09:14 | |
Who was it? | 0:09:14 | 0:09:16 | |
Who was it that you kissed? | 0:09:19 | 0:09:22 | |
-ROB CLEARS HIS THROAT -Was it Rob? | 0:09:24 | 0:09:25 | |
Please tell me when you kissed him he didn't do that. | 0:09:28 | 0:09:32 | |
Who was it that you kissed? | 0:09:33 | 0:09:35 | |
Dermot, it was Dermot. | 0:09:35 | 0:09:37 | |
-Dermot? -It was Dermot. | 0:09:37 | 0:09:39 | |
Wow! | 0:09:39 | 0:09:41 | |
This is a weird one now because if it's not true | 0:09:43 | 0:09:45 | |
poor Dermot now has got to answer all these questions. | 0:09:45 | 0:09:48 | |
I don't think you're allowed to question other panellists. | 0:09:50 | 0:09:53 | |
No, no, we're in new territory, this has never happened before. | 0:09:53 | 0:09:56 | |
Rob? | 0:09:56 | 0:09:57 | |
My proclamation is thus. | 0:09:57 | 0:09:59 | |
You can quiz O'Leary, however... | 0:09:59 | 0:10:03 | |
he doesn't have to answer unless he so chooses. | 0:10:03 | 0:10:07 | |
Whoa! | 0:10:07 | 0:10:08 | |
To be fair, that's true with everyone. | 0:10:08 | 0:10:12 | |
We cannot be legally required to speak. | 0:10:12 | 0:10:15 | |
If you want to make people talk when they don't want to you have to waterboard them. | 0:10:15 | 0:10:18 | |
I'm happy to waterboard him if you want to. | 0:10:19 | 0:10:22 | |
Mel, what was Dermot doing in this show? | 0:10:22 | 0:10:25 | |
Dermot was the guy responsible for getting the audience in. | 0:10:25 | 0:10:32 | |
-Has Dermot said if he remembers this? -Do you remember this? | 0:10:32 | 0:10:34 | |
That would scupper my team's chance, I can't answer that. | 0:10:34 | 0:10:37 | |
Yeah, that's handy, you mean no. | 0:10:37 | 0:10:40 | |
-So you were working on... -I was working the Light Lunch. -What was your position? | 0:10:40 | 0:10:44 | |
I was a sort of audience researcher so... | 0:10:44 | 0:10:45 | |
Well that's handy, just what she's just said yeah. | 0:10:45 | 0:10:49 | |
In 1998 were you in a relationship or is it OK to push you on this? | 0:10:49 | 0:10:51 | |
I'm not sure. | 0:10:53 | 0:10:55 | |
You said at the time, Dermot, that you weren't in a relationship. | 0:10:57 | 0:11:00 | |
Ah well, he can't have been then. | 0:11:00 | 0:11:03 | |
So what are you going to say then, Lee? What are you thinking? | 0:11:03 | 0:11:07 | |
Ah, it's an interesting one this, isn't it? | 0:11:07 | 0:11:09 | |
I think... It feels like... | 0:11:09 | 0:11:11 | |
-Plausible. -Do you think? | 0:11:11 | 0:11:12 | |
-I think it's plausible. -It is plausible. | 0:11:12 | 0:11:14 | |
It's definitely plausible. | 0:11:14 | 0:11:15 | |
I just think O'Leary's been too kind of reticent on the details and the facts. | 0:11:15 | 0:11:19 | |
But it could be awkward cos he doesn't remember, | 0:11:19 | 0:11:22 | |
or he remembers very well and he's trying to play for his team. | 0:11:22 | 0:11:25 | |
-A gentleman doesn't tell. -I think it's a lie. -You think it's a lie. -Based on O'Leary. | 0:11:25 | 0:11:29 | |
Matt, what are, what are you thinking on this? | 0:11:29 | 0:11:32 | |
I'm not, I'm not sure, I don't think the dates fit. Lie. | 0:11:32 | 0:11:35 | |
We'll go with lie then. | 0:11:35 | 0:11:36 | |
You're saying it's a lie. | 0:11:36 | 0:11:37 | |
-I think it might be true but I'll go with my team and say lie. -OK. | 0:11:37 | 0:11:40 | |
Mel, it was a wonderful, wonderful tale, | 0:11:40 | 0:11:44 | |
was it true or were you telling a lie? | 0:11:44 | 0:11:47 | |
Rob, gents, Dermot, | 0:11:47 | 0:11:49 | |
I was telling... | 0:11:51 | 0:11:54 | |
-the truth. -Ohhh! | 0:11:54 | 0:11:57 | |
Dermot, everything that Mel said was true. | 0:12:05 | 0:12:08 | |
100% bona fide. | 0:12:08 | 0:12:10 | |
Yes, it's true, Mel did have a snog with Dermot O'Leary. | 0:12:10 | 0:12:16 | |
Our next round is called This Is My, where we bring on a mystery guest | 0:12:16 | 0:12:19 | |
who has a close connection to one of our panellists. | 0:12:19 | 0:12:21 | |
Now this week each of David's team will claim it's them | 0:12:21 | 0:12:24 | |
that has the genuine connection to the guest | 0:12:24 | 0:12:26 | |
and it's up to Lee's team to spot who's telling the truth, | 0:12:26 | 0:12:29 | |
so please welcome this week's special guest, Shaylene. | 0:12:29 | 0:12:32 | |
APPLAUSE | 0:12:32 | 0:12:34 | |
So, we will begin with Dermot. | 0:12:39 | 0:12:42 | |
Dermot, what is Shaylene to you? | 0:12:42 | 0:12:44 | |
This is Shaylene and I asked Shaylene out 156 times. | 0:12:44 | 0:12:49 | |
Mel, how do you know Shaylene? | 0:12:49 | 0:12:52 | |
This is Shaylene. When we were kids I cut her hair | 0:12:52 | 0:12:55 | |
to plump up the stuffing in my teddy bear. | 0:12:55 | 0:12:58 | |
There we are, finally David Mitchell. | 0:13:01 | 0:13:03 | |
-I want that to be true, I want that... -Yeah, that's amazing. | 0:13:03 | 0:13:06 | |
How do you know Shaylene, David? | 0:13:06 | 0:13:09 | |
This is Shaylene. | 0:13:09 | 0:13:11 | |
She is the swimming pool lifeguard | 0:13:11 | 0:13:13 | |
who talked me into letting go of the diving board I was clinging to | 0:13:13 | 0:13:18 | |
after I panicked mid boing. | 0:13:18 | 0:13:21 | |
LAUGHTER AND APPLAUSE | 0:13:21 | 0:13:24 | |
So, there we have it, | 0:13:27 | 0:13:31 | |
is it Dermot's romance rejecter, Mel's teddy stuffing supplier, | 0:13:31 | 0:13:35 | |
or David's diving board saviour? | 0:13:35 | 0:13:37 | |
Lee, where do you want to start? | 0:13:37 | 0:13:38 | |
Wow where we start that one? Dermot... | 0:13:38 | 0:13:41 | |
When was this? | 0:13:41 | 0:13:43 | |
I'd have been probably 14 and Shaylene was a year younger than me. | 0:13:43 | 0:13:47 | |
-How did you do it, was it all face to face? -Yep. | 0:13:47 | 0:13:50 | |
As, as opposed to what? | 0:13:50 | 0:13:51 | |
-We, we went to, um... -Or text? | 0:13:51 | 0:13:53 | |
He was 14. | 0:13:53 | 0:13:54 | |
Oh sorry, yeah of, course. | 0:13:54 | 0:13:56 | |
Do you know, before, it was all different. | 0:13:56 | 0:13:59 | |
In the old days what we used to do is just press our faces against the bathroom window and shout. | 0:13:59 | 0:14:04 | |
Dermot, just to be clear, how many times did you ask her out? | 0:14:04 | 0:14:08 | |
156. | 0:14:08 | 0:14:09 | |
In, like, how many sittings? | 0:14:09 | 0:14:11 | |
Probably over the course of about 18 months. | 0:14:11 | 0:14:14 | |
18 months. | 0:14:14 | 0:14:15 | |
-Why did you count them? -Yeah. | 0:14:15 | 0:14:17 | |
Because... | 0:14:17 | 0:14:18 | |
It takes 156 times for him to know she's not interested. | 0:14:18 | 0:14:23 | |
After a while it became, | 0:14:23 | 0:14:25 | |
I suppose, it became like almost like a right of passage. | 0:14:25 | 0:14:29 | |
Shaylene lived in a different village to the village I grew up in. | 0:14:29 | 0:14:32 | |
Which village was this? | 0:14:32 | 0:14:34 | |
I grew up in a village called Marks Tey and Shaylene lived in Great Tey. | 0:14:34 | 0:14:37 | |
And where was this. Mordor? | 0:14:37 | 0:14:39 | |
And Shaylene went to same youth club as me. | 0:14:40 | 0:14:43 | |
Youth club. It's getting more rock and roll this story. | 0:14:43 | 0:14:46 | |
Shaylene was the only girl in the village who had black hair... | 0:14:46 | 0:14:50 | |
and, er... | 0:14:50 | 0:14:51 | |
Have you looked to your left? | 0:14:51 | 0:14:52 | |
At least Mel is realistic. | 0:14:54 | 0:14:55 | |
She had black, jet black hair | 0:14:56 | 0:14:58 | |
all in, kind of, a lovely sort of '80s Madonna-style quiff. | 0:14:58 | 0:15:02 | |
-The first time she said no, how long did you leave it till the second time? -The next week. | 0:15:02 | 0:15:06 | |
-So it's every week you were doing it? -Yeah. -Every week, 156 weeks, 18 months, that adds up. | 0:15:06 | 0:15:11 | |
-Sometimes twice a week. -Rob's thinking it does, but it doesn't. | 0:15:11 | 0:15:14 | |
Sometimes twice a week, sometimes twice in the same night, oh, go on, go out with me. | 0:15:14 | 0:15:18 | |
So when it got to a hundred did you not think, probably not going to happen? | 0:15:18 | 0:15:21 | |
Thought I'm still in, keep batting. | 0:15:21 | 0:15:24 | |
Lee, who else would you like to quiz? | 0:15:25 | 0:15:27 | |
-Who shall we go with next? -Mel. | 0:15:27 | 0:15:30 | |
OK. How old were you? | 0:15:30 | 0:15:32 | |
When the hair cutting happened? | 0:15:32 | 0:15:34 | |
-Yes, obviously I don't mean... -Oh, sorry. -..how old were you, er, on your 12th birthday? | 0:15:34 | 0:15:38 | |
So, Shaylene's older sister Charlotte is a good friend of mine. | 0:15:38 | 0:15:44 | |
Shaylene and Charlotte. | 0:15:44 | 0:15:46 | |
Yes, Shaylene and Charlotte. | 0:15:46 | 0:15:48 | |
Who was her dad, Sh, Sh, Sean Connery? | 0:15:48 | 0:15:50 | |
Shaylene and Charlotte came over to ours to do a sleepover. | 0:15:50 | 0:15:56 | |
We had a bunk bed, and I wanted her to sleep on the top bunk. | 0:15:56 | 0:16:01 | |
This is the bit, you see. | 0:16:01 | 0:16:02 | |
Because we had a game in our house | 0:16:02 | 0:16:05 | |
whereby if you slept on the top bunk | 0:16:05 | 0:16:08 | |
you had to drape your hair over the side of the bunk. | 0:16:08 | 0:16:12 | |
Like Rapunzel. | 0:16:12 | 0:16:14 | |
Tell you what, Dermot, I'm glad you didn't go back to hers now. | 0:16:15 | 0:16:18 | |
He'd have said, "No, my hair's too short." | 0:16:19 | 0:16:22 | |
She went, "Don't worry, use something else." | 0:16:22 | 0:16:25 | |
Go on. | 0:16:26 | 0:16:28 | |
I had a secret plan with Shaylene. | 0:16:28 | 0:16:31 | |
I wanted her to fall asleep on the top bunk | 0:16:31 | 0:16:35 | |
so that I could cut her beautiful hair. | 0:16:35 | 0:16:37 | |
I didn't cut that much. | 0:16:37 | 0:16:39 | |
Right, how much did you cut? | 0:16:39 | 0:16:41 | |
-About two inches. -That's a lot of hair. | 0:16:41 | 0:16:43 | |
-So having cut this hair off... -Yes? -..what did you do with it? | 0:16:43 | 0:16:46 | |
So I had this lovely beloved teddy bear Patch. | 0:16:46 | 0:16:49 | |
And, er, had a bit of a hole in it. | 0:16:49 | 0:16:51 | |
What? | 0:16:51 | 0:16:53 | |
I remember exactly where. | 0:16:53 | 0:16:54 | |
-Where? -Shoulder down to mid arm. | 0:16:54 | 0:16:57 | |
How did the hole start, did you make the hole? | 0:16:57 | 0:17:00 | |
Just love, just love. | 0:17:00 | 0:17:01 | |
Is that what you call love? Ripping off a man's arm. | 0:17:01 | 0:17:03 | |
Dermot. | 0:17:03 | 0:17:05 | |
Lee, what about David? | 0:17:07 | 0:17:09 | |
David. Remind us again of this utter truth. | 0:17:09 | 0:17:13 | |
Um, Shaylene is the swimming pool lifeguard | 0:17:13 | 0:17:16 | |
who talked me down when I was clasping on to a diving board. | 0:17:16 | 0:17:20 | |
Were you actually hanging off it? | 0:17:20 | 0:17:21 | |
Yeah, I had my arms round it like that and it was at head height. | 0:17:21 | 0:17:26 | |
But how did you get to that position? | 0:17:26 | 0:17:28 | |
I was considering jumping off the diving board | 0:17:28 | 0:17:31 | |
and I remained indecisive too long in the process. | 0:17:31 | 0:17:35 | |
Right. At the last minute you went but panicked and stopped. | 0:17:35 | 0:17:38 | |
-Exactly. -And of course... -And I sort of... -Cos you weren't... | 0:17:38 | 0:17:41 | |
..slid off it and grabbed it and was left there dangling. | 0:17:41 | 0:17:45 | |
And had you gone to the pool specifically to dive | 0:17:45 | 0:17:47 | |
or had you gone with a bunch of mates and you were larking around, | 0:17:47 | 0:17:50 | |
bombing, heavy petting, | 0:17:50 | 0:17:53 | |
all the things that we're not supposed to do but if I know you, | 0:17:53 | 0:17:56 | |
the rebel that you are, you would have been doing them. | 0:17:56 | 0:17:59 | |
It was one of my regular late night music parties in the municipal baths. | 0:17:59 | 0:18:03 | |
How old were you? | 0:18:04 | 0:18:05 | |
It was recently, it was... | 0:18:05 | 0:18:08 | |
-How recently? -It was just about an hour ago. | 0:18:08 | 0:18:10 | |
No, it was, it was last autumn. | 0:18:12 | 0:18:16 | |
I'd have thought if David Mitchell had been hanging off a diving board, | 0:18:16 | 0:18:20 | |
someone would have taken a photo and tweeted that, wouldn't they? | 0:18:20 | 0:18:23 | |
I don't think you're allowed to have mobile phones in swimming pools. | 0:18:23 | 0:18:27 | |
Come the advent of the aqua phone | 0:18:27 | 0:18:29 | |
my water sports days are over. | 0:18:29 | 0:18:32 | |
Have you ever dived in off a diving board headfirst at that point? | 0:18:32 | 0:18:35 | |
No, and I certainly wasn't planning on doing this headfirst. | 0:18:35 | 0:18:39 | |
-Oh you were going to go feet first. -Absolutely. | 0:18:39 | 0:18:42 | |
And so you'd jumped you... | 0:18:42 | 0:18:44 | |
I was thinking of this programme | 0:18:44 | 0:18:46 | |
and I thought, well I can lose up to about there, it'll be fine. | 0:18:46 | 0:18:51 | |
You know, they could prop the remnant on a bar stool and I can still do the job. | 0:18:53 | 0:18:58 | |
So I thought I'll go in with the non-panel show end first. | 0:18:58 | 0:19:03 | |
As you've leapt off, | 0:19:05 | 0:19:06 | |
at that point you think, I'm going in, change your mind, | 0:19:06 | 0:19:09 | |
spin in the air, grab the board and land and just do that, | 0:19:09 | 0:19:12 | |
because I think that's a 10. | 0:19:12 | 0:19:14 | |
I'm giving a 10 for that. | 0:19:14 | 0:19:15 | |
It was, the moment of indecision changed... | 0:19:15 | 0:19:19 | |
-That made you stumble. -Changed how I... I mean I, I can't entirely... | 0:19:19 | 0:19:23 | |
-Did you... -It's bizarre considering it happened to me, | 0:19:23 | 0:19:28 | |
I can't entirely visualise it. | 0:19:28 | 0:19:31 | |
So, er, what are you thinking, Lee? | 0:19:32 | 0:19:35 | |
I want to know exactly how Shaylene talked down David. | 0:19:35 | 0:19:38 | |
She said, "Are you all right?" | 0:19:38 | 0:19:41 | |
Which you know wasn't the best question in the world but, er... | 0:19:41 | 0:19:44 | |
-She's clearly trained. -Yes. | 0:19:44 | 0:19:45 | |
What did you say? | 0:19:45 | 0:19:47 | |
I think I said something like, "Oh, yes, sorry, I slipped." | 0:19:47 | 0:19:50 | |
Sorry I slipped?! | 0:19:50 | 0:19:51 | |
One minute you're panicking and then, "Oh, sorry, I slipped, forgive me." | 0:19:51 | 0:19:56 | |
Even in near death situations you're middle class. | 0:19:56 | 0:20:00 | |
"Sorry, I appear to have slipped, my dear." | 0:20:00 | 0:20:03 | |
-I didn't say... -"Could you fetch my cravat? It appears to have wafted away." | 0:20:03 | 0:20:06 | |
I didn't say sorry I slipped in a suave tone of voice, Lee, | 0:20:08 | 0:20:12 | |
but I did say sorry, | 0:20:12 | 0:20:14 | |
because it's very deeply ingrained in me to apologise at almost any occasion. | 0:20:14 | 0:20:20 | |
How did you say it then, if you didn't say it in a suave way? | 0:20:20 | 0:20:23 | |
"Sorry, I slipped! Sorry, I slipped!" | 0:20:23 | 0:20:26 | |
Like that. | 0:20:26 | 0:20:27 | |
You were quite panicked. | 0:20:27 | 0:20:28 | |
I was quite panicked. | 0:20:28 | 0:20:30 | |
What happened then, what did she say? | 0:20:30 | 0:20:32 | |
She said, "It's all right, stay calm," "Too late!" I screamed. | 0:20:32 | 0:20:36 | |
Where is she? Is she on the floor or is she on up top? | 0:20:37 | 0:20:40 | |
She has got on the diving board. | 0:20:40 | 0:20:42 | |
What, she's up there with you? | 0:20:42 | 0:20:44 | |
She's giving it a little wobble. | 0:20:44 | 0:20:46 | |
She's not got to the boingy end, she's just... | 0:20:46 | 0:20:49 | |
"Do you mind if I have a little skip whilst we're doing this?" | 0:20:49 | 0:20:52 | |
It was only after a few minutes had passed that she threatened to boing me off. | 0:20:52 | 0:20:58 | |
Wow! I'll tell you what, these municipal swimming pools. | 0:20:58 | 0:21:04 | |
Do you know what, I would say that constitutes heavy petting. | 0:21:04 | 0:21:09 | |
So you were hanging on for a few minutes? | 0:21:09 | 0:21:12 | |
No, not really, for a few... I think for about four or five minutes. | 0:21:12 | 0:21:15 | |
Four or five? Oh, the eagle-eyed lifeguard(!) | 0:21:15 | 0:21:18 | |
She just... | 0:21:21 | 0:21:23 | |
"Oh, I wish I could use me whistle." | 0:21:23 | 0:21:25 | |
How did she make you go from, I don't want to let go, | 0:21:27 | 0:21:29 | |
to letting go, what kind of words did she use? | 0:21:29 | 0:21:32 | |
"It's OK just drop in, you know, I promise you won't hit the bottom." | 0:21:32 | 0:21:36 | |
Just drop in? I'm around three o'clock till six on Thursday. | 0:21:36 | 0:21:42 | |
Do you have Earl Grey ice cream? | 0:21:44 | 0:21:46 | |
Feel free to drop in any time you like. | 0:21:49 | 0:21:52 | |
Go on, yes. | 0:21:54 | 0:21:55 | |
So you were hanging on but what did she say to make you let go? | 0:21:55 | 0:21:58 | |
Um, I think "It's fine, you won't hurt yourself", | 0:21:58 | 0:22:02 | |
she said, "This happens a lot." | 0:22:02 | 0:22:04 | |
"If you'd come in here half an hour earlier there'd be three of you... | 0:22:08 | 0:22:11 | |
"Only just cleared the last backlog." | 0:22:12 | 0:22:15 | |
OK, so Lee, we need an answer. | 0:22:15 | 0:22:18 | |
Is Shaylene Dermot's romance rejecter, | 0:22:18 | 0:22:22 | |
Mel's teddy stuffing supplier, | 0:22:22 | 0:22:26 | |
or David's diving board saviour? | 0:22:26 | 0:22:28 | |
What do you think? | 0:22:28 | 0:22:30 | |
David...has no... | 0:22:30 | 0:22:33 | |
to hang onto something for four or five minutes. | 0:22:33 | 0:22:35 | |
-That's a long... -That is. -That's a long time to hang on. | 0:22:35 | 0:22:38 | |
-Long time. -You couldn't hang on that long. | 0:22:38 | 0:22:40 | |
Dermot said she had black hair. | 0:22:40 | 0:22:42 | |
156. | 0:22:42 | 0:22:44 | |
That's a lot, isn't it? | 0:22:44 | 0:22:45 | |
It's a lot and it's a very specific number. | 0:22:45 | 0:22:48 | |
-It's too precise. -I think Mel. | 0:22:48 | 0:22:49 | |
-It's got to be Mel. -You think Mel? | 0:22:49 | 0:22:51 | |
-Mel had emotion and feeling. -Mel. -I would go Mel. -I'll go with the team and say Mel. | 0:22:51 | 0:22:54 | |
You're all in agreement. OK. | 0:22:54 | 0:22:56 | |
Shaylene, | 0:22:56 | 0:22:58 | |
please reveal your true identity. | 0:22:58 | 0:23:00 | |
Hi, I'm Shaylene | 0:23:00 | 0:23:01 | |
and Dermot asked me out 156 times. | 0:23:01 | 0:23:06 | |
CHEERING AND APPLAUSE | 0:23:06 | 0:23:09 | |
Thank you, Shaylene, thank you very much. | 0:23:09 | 0:23:12 | |
Which brings us to our final round, Quick Fire Lies, | 0:23:14 | 0:23:16 | |
in which our panellists lie not only through their teeth but against the clock. | 0:23:16 | 0:23:20 | |
We start with... | 0:23:20 | 0:23:22 | |
BUZZER | 0:23:22 | 0:23:23 | |
It's Lee. | 0:23:23 | 0:23:25 | |
"At school I was given the nickname The Charmer | 0:23:25 | 0:23:28 | |
"because I was the only one who could console the school snake whenever it got agitated." | 0:23:28 | 0:23:33 | |
LAUGHTER | 0:23:33 | 0:23:35 | |
David and team. | 0:23:35 | 0:23:36 | |
So, | 0:23:40 | 0:23:42 | |
what type of snake was the school snake? | 0:23:42 | 0:23:44 | |
Er... it was, er, do you know what, I genuinely can't remember what type of snake it was it was. | 0:23:44 | 0:23:48 | |
-I could describe it. -Go on. -Go on. | 0:23:48 | 0:23:51 | |
Er, legless? | 0:23:51 | 0:23:52 | |
Er, it was, yes, it was, it was about so big. | 0:23:54 | 0:23:58 | |
-What was it called? -Er... | 0:23:58 | 0:24:00 | |
it was called, I think it was called Sammy. | 0:24:00 | 0:24:02 | |
You remember its name but not its species. | 0:24:02 | 0:24:05 | |
Well I'm like that with women. | 0:24:05 | 0:24:07 | |
Grass snake rings a bell. I think. | 0:24:09 | 0:24:10 | |
Why did your school go for a snake, as opposed to a mouse or some such... | 0:24:10 | 0:24:14 | |
Oh, it had a mouse as well but it was in there with the snake. | 0:24:14 | 0:24:18 | |
What was in the tank other than the snake. | 0:24:18 | 0:24:23 | |
Well, it was open plan, | 0:24:23 | 0:24:25 | |
there was an area in the corner where he used to sleep, | 0:24:25 | 0:24:29 | |
-we used to call it the bedding area. -What was there? | 0:24:29 | 0:24:31 | |
-What was there? -Never mind what he used to do there. | 0:24:31 | 0:24:33 | |
-Just like an ordinary bed but just a lot longer. -A bed was there. | 0:24:33 | 0:24:36 | |
A lot longer and a lot thinner. | 0:24:36 | 0:24:39 | |
Very long and thin, extremely hard to tuck in at night. | 0:24:39 | 0:24:42 | |
By the time you'd done one side and gone round the other side, | 0:24:43 | 0:24:48 | |
this side had come up again. | 0:24:48 | 0:24:50 | |
-You'd be there forever. It was awful. -Very long thin. | 0:24:50 | 0:24:52 | |
-Very long thin bed. -Mattress. | 0:24:52 | 0:24:54 | |
Very long thin mattress. | 0:24:54 | 0:24:55 | |
This wasn't one of those snakes that likes to sleep curled up. | 0:24:55 | 0:24:59 | |
-No, no, no. -It likes to stretch out on it. | 0:24:59 | 0:25:02 | |
Right out like that. | 0:25:02 | 0:25:03 | |
Why did the snake need charming? | 0:25:03 | 0:25:05 | |
Was it a particularly aggressive snake or...? | 0:25:05 | 0:25:08 | |
It was, it used to do this little thing | 0:25:08 | 0:25:11 | |
where it used to raise its head up and sort of shake its head like that, left to right. | 0:25:11 | 0:25:15 | |
And I said to the teacher, "What's that? What's he doing that for?" | 0:25:15 | 0:25:19 | |
Oh, so you were taught in the same room as the snake? | 0:25:19 | 0:25:22 | |
We went to different lessons but in one of the classrooms there was. | 0:25:22 | 0:25:26 | |
This was during snake studies or... | 0:25:26 | 0:25:28 | |
Well that's what the PE teacher called it. | 0:25:29 | 0:25:31 | |
So I said, as well as the other kids, we'd say, | 0:25:33 | 0:25:36 | |
"What does it do that for? and the teacher said, | 0:25:36 | 0:25:38 | |
"That is a sign that the snake is getting agitated." | 0:25:38 | 0:25:40 | |
And I said, "I bet I can stop that," | 0:25:40 | 0:25:43 | |
and I lifted off the thing and I just went like that, | 0:25:43 | 0:25:45 | |
and I stroked the back of its head as a joke and it stopped. | 0:25:45 | 0:25:48 | |
-So you can't demonstrate it on a snake, but you... -No, I can't. | 0:25:48 | 0:25:50 | |
But Matt is there, I mean, what if Matt... | 0:25:50 | 0:25:53 | |
What if Matt were to be a little agitated, | 0:25:53 | 0:25:56 | |
I wonder if employing the same methods you could calm Matt? | 0:25:56 | 0:26:00 | |
-Well... -Matt could you be a little agitated? | 0:26:00 | 0:26:03 | |
Matt, if you could be a snake now if you put your head down here, | 0:26:03 | 0:26:06 | |
-yeah, put, put your head further down. -I'll put it... | 0:26:06 | 0:26:08 | |
-Put your head here, cos the head starts off down, right? -Right. -Now get into character. | 0:26:08 | 0:26:12 | |
From a certain angle this looks really dodgy. | 0:26:12 | 0:26:14 | |
It looks like I'm just about to go bowling. | 0:26:16 | 0:26:18 | |
So you're looking down, right, and you're the snake, | 0:26:19 | 0:26:22 | |
and now suddenly you're a snake, you're agitated. | 0:26:22 | 0:26:26 | |
That is an agitated snake. You're all worried, aren't you? | 0:26:26 | 0:26:28 | |
Don't worry, I'll sort this out. | 0:26:28 | 0:26:30 | |
Now I'm going to use my hand, | 0:26:30 | 0:26:32 | |
cos in proportion to the head that's a finger, yeah. | 0:26:32 | 0:26:34 | |
Then I stroke the back of the head like this, | 0:26:34 | 0:26:37 | |
and watch him, watch the snake calm. | 0:26:37 | 0:26:39 | |
Go down. | 0:26:42 | 0:26:43 | |
Down. | 0:26:44 | 0:26:46 | |
APPLAUSE | 0:26:46 | 0:26:47 | |
So what do you think then, David? | 0:26:49 | 0:26:51 | |
Lee claims that his teacher called him The Charmer, | 0:26:51 | 0:26:54 | |
and that's the nickname that stayed with him. | 0:26:54 | 0:26:56 | |
I'd have got murdered at my school | 0:26:56 | 0:26:58 | |
if my teacher would have said, "You, you're the charmer," that's it. | 0:26:58 | 0:27:02 | |
There's so much of that that I've got a problem with, | 0:27:02 | 0:27:04 | |
that thing, the fact it was a grass snake. | 0:27:04 | 0:27:06 | |
Time for a decision, right now. | 0:27:06 | 0:27:09 | |
I think we think it's a lie. | 0:27:09 | 0:27:10 | |
-You think it's a lie. -Lie. | 0:27:10 | 0:27:11 | |
Lee, The Snake Charmer, | 0:27:11 | 0:27:13 | |
were you telling the truth? | 0:27:13 | 0:27:14 | |
Mel's not sure now. | 0:27:14 | 0:27:16 | |
Well actually, ha, ha, ha, | 0:27:16 | 0:27:18 | |
it was | 0:27:18 | 0:27:19 | |
a lie. | 0:27:19 | 0:27:21 | |
APPLAUSE | 0:27:21 | 0:27:22 | |
Yes, it was a lie. Lee wasn't nicknamed The Charmer at school | 0:27:24 | 0:27:27 | |
because he was the only one who could calm the school snake. | 0:27:27 | 0:27:31 | |
BUZZER | 0:27:31 | 0:27:32 | |
And that noise signals time is up, it's the end of the show. | 0:27:32 | 0:27:35 | |
I can reveal that David's team has triumphed | 0:27:35 | 0:27:37 | |
by three points to one. | 0:27:37 | 0:27:39 | |
CHEERING AND APPLAUSE | 0:27:39 | 0:27:42 | |
But of course, it's not just a team game | 0:27:45 | 0:27:47 | |
and my individual liar of the week this week, | 0:27:47 | 0:27:50 | |
is Mel Giedroyc. | 0:27:50 | 0:27:53 | |
CHEERING AND APPLAUSE | 0:27:53 | 0:27:55 | |
Yes, yes, | 0:27:57 | 0:28:00 | |
Mel Giedroyc, like Mary Berry, | 0:28:00 | 0:28:02 | |
in the Great British Bake Off. | 0:28:02 | 0:28:04 | |
I'm trying to smile but I've got a very bitter taste in my mouth. | 0:28:04 | 0:28:07 | |
Good night. | 0:28:07 | 0:28:08 | |
Subtitles by Red Bee Media Ltd | 0:28:18 | 0:28:22 |