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Good evening, | 0:00:24 | 0:00:25 | |
and welcome to Would I Lie To You, the show where lies win the prize. | 0:00:25 | 0:00:29 | |
On David Mitchell's team tonight, | 0:00:29 | 0:00:31 | |
a comedienne recently voted one of the 100 most powerful | 0:00:31 | 0:00:34 | |
women in Britain. Yes, not only is she hilarious, she can also toss | 0:00:34 | 0:00:39 | |
a caber and drag a tractor using just her teeth. It's Sarah Millican. | 0:00:39 | 0:00:43 | |
APPLAUSE | 0:00:43 | 0:00:44 | |
And a comedian who is famous for his compulsive obsessive disorder, and | 0:00:47 | 0:00:53 | |
yes, I said that the wrong way round on purpose just to unnerve him. | 0:00:53 | 0:00:56 | |
It's Jon Richardson. | 0:00:56 | 0:00:57 | |
APPLAUSE | 0:00:57 | 0:00:59 | |
And on Lee Mack's team tonight, he's the comedy legend that gave us | 0:01:01 | 0:01:05 | |
the anarchic Shooting Stars. We're no strangers to anarchy here - | 0:01:05 | 0:01:08 | |
David Mitchell's not even wearing a tie tonight. | 0:01:08 | 0:01:11 | |
It's Bob Mortimer. | 0:01:11 | 0:01:12 | |
APPLAUSE | 0:01:12 | 0:01:13 | |
And he's the Homeland star who left Birmingham to go to Hollywood, | 0:01:15 | 0:01:19 | |
but says one day he wants to return. | 0:01:19 | 0:01:22 | |
He IS a good actor! It's David Harewood. | 0:01:22 | 0:01:25 | |
APPLAUSE | 0:01:25 | 0:01:26 | |
And so we begin with round one, Home Truths, | 0:01:28 | 0:01:30 | |
where our panellists read out a statement from the card | 0:01:30 | 0:01:33 | |
in front of them, and to make things harder, they've never seen | 0:01:33 | 0:01:36 | |
the card before so they've no idea what they'll be faced with, | 0:01:36 | 0:01:39 | |
and it's up to the opposing team to sort the fact from the fiction. | 0:01:39 | 0:01:43 | |
OK, Bob, you're first up tonight. | 0:01:43 | 0:01:45 | |
Thank you. | 0:01:45 | 0:01:46 | |
I once set fire to my house with a box of fireworks. | 0:01:46 | 0:01:52 | |
David Mitchell's team. | 0:01:52 | 0:01:54 | |
Ah, was this on purpose? | 0:01:54 | 0:01:56 | |
LAUGHTER | 0:01:56 | 0:01:57 | |
It was... It was done out of ignorance. | 0:01:59 | 0:02:01 | |
LAUGHTER | 0:02:01 | 0:02:02 | |
What age were you? | 0:02:04 | 0:02:05 | |
I was somewhere round about seven. | 0:02:05 | 0:02:08 | |
I want to know where you grew up where a seven-year-old can buy | 0:02:08 | 0:02:10 | |
-a box of fireworks. -I bought them in the shop where, near where I lived in Middlesbrough, | 0:02:10 | 0:02:15 | |
it was a box for 2/6 of Standard Fireworks, that was the brand. | 0:02:15 | 0:02:19 | |
Standard brand! That sounds exciting, Standard Fireworks. | 0:02:19 | 0:02:24 | |
-Yeah. -A normal level of excitement will be engendered. | 0:02:24 | 0:02:28 | |
For a Bonfire Night you WILL forget! | 0:02:28 | 0:02:31 | |
But, but it says Standard but then it's, pch! Pch! Pch! | 0:02:32 | 0:02:37 | |
That IS standard for a firework! | 0:02:37 | 0:02:40 | |
So you're in your home? | 0:02:40 | 0:02:42 | |
-Yeah. -And you are seven or eight years old. | 0:02:42 | 0:02:44 | |
-I'm seven and I'm on my own, yeah. -On your own. -What happens? | 0:02:44 | 0:02:48 | |
On one of the fireworks, I think it was the sparklers, | 0:02:48 | 0:02:50 | |
it said "not suitable for indoor use," | 0:02:50 | 0:02:53 | |
which, at that age, makes you think, "Ah, that means they're OK." | 0:02:53 | 0:02:57 | |
Could you just not read the word "not" when you were a bairn? | 0:02:57 | 0:03:00 | |
Did you think "not" was the brand? | 0:03:00 | 0:03:02 | |
You go, "Oh, lovely I like that "not" brand food. | 0:03:04 | 0:03:08 | |
"It's "not" - for human consumption." | 0:03:08 | 0:03:10 | |
LAUGHTER | 0:03:10 | 0:03:11 | |
You know that logic that says, well, people have obviously tried them indoors. | 0:03:12 | 0:03:16 | |
And discovered they're not suitable. | 0:03:16 | 0:03:18 | |
-Yeah. -So, therefore, I won't use them indoors because I want to live. | 0:03:18 | 0:03:22 | |
But if you look on a big firework, it won't say not suitable | 0:03:22 | 0:03:25 | |
-for indoor... It's obvious. -Yeah. -Right. -Well, not to everybody. | 0:03:25 | 0:03:29 | |
But on the sparklers they chose to put it on. | 0:03:29 | 0:03:31 | |
So what happened? | 0:03:31 | 0:03:33 | |
I lit the sparkler, the sparks went into the box of fireworks - | 0:03:33 | 0:03:37 | |
the Standard box - and set THEM off and I carried the box of fireworks, | 0:03:37 | 0:03:42 | |
now beginning to light into the kitchen and I threw them into the kitchen. | 0:03:42 | 0:03:46 | |
I thought it would be more suitable. | 0:03:46 | 0:03:50 | |
I think you're right, the kitchen of all the rooms is the most | 0:03:50 | 0:03:53 | |
suitable for fireworks, isn't it? | 0:03:53 | 0:03:55 | |
-It is. -Because of the oven, the gas, | 0:03:55 | 0:03:57 | |
the stove - there is fire naturally in the kitchen. | 0:03:57 | 0:04:00 | |
Yeah. There's a lot of...and there's more... It's more wipe-down. Less cloth. | 0:04:00 | 0:04:05 | |
So what happened then? | 0:04:05 | 0:04:07 | |
They went off in the, um... | 0:04:07 | 0:04:08 | |
What was the sound like? Was it bing! Wheee! Pssh-pssh-pssh? | 0:04:08 | 0:04:11 | |
No, these were only Standard. Phoo! Phoo! | 0:04:11 | 0:04:14 | |
LAUGHTER | 0:04:14 | 0:04:15 | |
And er... No, I can't remember...I remember, as I'm sat here now, | 0:04:16 | 0:04:21 | |
wiping the scorch marks off the floor and thinking that my mum's going to kill me... | 0:04:21 | 0:04:26 | |
-Yeah. -..and so I'm going to be in big trouble, | 0:04:26 | 0:04:28 | |
then I went back into the living room. Unbeknownst to me... | 0:04:28 | 0:04:32 | |
-Yeah. -..I'd dropped one. | 0:04:32 | 0:04:34 | |
And it just... The living room was completely engulfed in flames. | 0:04:34 | 0:04:37 | |
It sounds to me that if you're on your own at home at seven, | 0:04:37 | 0:04:40 | |
your mum's pretty laid-back anyway. | 0:04:40 | 0:04:43 | |
She said, "Son, will you sit here | 0:04:43 | 0:04:45 | |
"and look after these fireworks whilst I go out to the bingo." | 0:04:45 | 0:04:50 | |
So you lit the sparkler, a spark went into the Standard box. | 0:04:52 | 0:04:56 | |
-Yes. -The box started to go... | 0:04:56 | 0:04:58 | |
You go, "Uh-oh, I must get them into the most suitable room for fireworks." | 0:04:58 | 0:05:02 | |
-Yeah. -That's the kitchen, no need to go beyond the kitchen to the outdoors. | 0:05:02 | 0:05:05 | |
Yeah. Mum said, "Don't go out." | 0:05:05 | 0:05:08 | |
LAUGHTER | 0:05:08 | 0:05:09 | |
APPLAUSE | 0:05:11 | 0:05:12 | |
No, it's good to know that there was at least one rule in your house. | 0:05:15 | 0:05:19 | |
What time of day did all this happen? | 0:05:19 | 0:05:21 | |
This happened mid-afternoon. | 0:05:21 | 0:05:23 | |
-Oh, dear. So you didn't really get the benefit of the fireworks? -No. | 0:05:23 | 0:05:27 | |
Who put the fire out? | 0:05:27 | 0:05:28 | |
I went to next door where Miss Best lived. | 0:05:28 | 0:05:31 | |
Bless her, she was about 80 and I knocked on her door | 0:05:31 | 0:05:33 | |
and said, "My house is on fire," and she said, "Do you know, I thought it was." | 0:05:33 | 0:05:37 | |
So what happened then? | 0:05:40 | 0:05:42 | |
She called the fire brigade. | 0:05:42 | 0:05:43 | |
They fired their water hoses throughout the house. | 0:05:43 | 0:05:47 | |
-Ruining it. -Even the rooms where there was no fire. | 0:05:47 | 0:05:50 | |
-Not ruining it? -Yeah. | 0:05:50 | 0:05:51 | |
You do know that before they put out the fire, it was already ruined, don't you? | 0:05:51 | 0:05:54 | |
You're making this house all wet, it was lovely and warm before. | 0:05:54 | 0:05:58 | |
Lee, it's the water damage that knackers the house. | 0:05:58 | 0:06:00 | |
-Is it? Not the fire? -Not the fire. | 0:06:00 | 0:06:02 | |
If they would use their boots to put it out... | 0:06:02 | 0:06:07 | |
I must say, the entire house was...that's it. | 0:06:07 | 0:06:10 | |
I was in a family of four children and we had... | 0:06:10 | 0:06:14 | |
we were homeless. | 0:06:14 | 0:06:15 | |
-Keep it light. -I'm just saying. -Where were all the other kids while you were alone with the fire? | 0:06:16 | 0:06:20 | |
Why did she take three children out and leave you? | 0:06:20 | 0:06:23 | |
They were looking after fireworks in other people's houses. | 0:06:23 | 0:06:26 | |
So, you say you were homeless - how much of the house did the inferno claim? | 0:06:26 | 0:06:30 | |
-It had gone, the entire house. -The whole house? | 0:06:30 | 0:06:33 | |
-The whole house burnt down? -The whole house burnt down. | 0:06:33 | 0:06:36 | |
So how much did you leave in the living room? | 0:06:36 | 0:06:38 | |
The fireworks in the kitchen have only caused a few scorches! | 0:06:38 | 0:06:41 | |
-Yeah. -What did you leave in the living room? | 0:06:41 | 0:06:44 | |
And now, and now don't you feel stupid for saying Standard fireworks? | 0:06:44 | 0:06:47 | |
-Yeah. -I'll tell you... | 0:06:47 | 0:06:49 | |
Not really. I think you were stupid for lighting a sparkler indoors. | 0:06:49 | 0:06:54 | |
If you don't know what you dropped | 0:06:54 | 0:06:56 | |
in the living room is there a chance that it's just a coincidence? | 0:06:56 | 0:06:59 | |
-No, it could be. -That it might not have been your fault? | 0:06:59 | 0:07:03 | |
-That's what I said to the press. -It's not your fault. | 0:07:03 | 0:07:06 | |
Press? What, what press, who, who, who did you speak to? | 0:07:06 | 0:07:09 | |
-Local press. -They... Cos they came to the house while it was burning? | 0:07:09 | 0:07:12 | |
Yeah. You know, with their hats on, trilbies, sniffing around. | 0:07:12 | 0:07:16 | |
LAUGHTER | 0:07:16 | 0:07:17 | |
With those little bits of paper in the hat. | 0:07:19 | 0:07:22 | |
-Typewriters and everything? -Yeah. -Were they called things like Scoop McLean? | 0:07:22 | 0:07:26 | |
I believe he was called Ron Waffle. | 0:07:27 | 0:07:30 | |
Sorry, Ron Waffle? | 0:07:30 | 0:07:32 | |
It was either him or the other ace reporter on the Gazette was | 0:07:32 | 0:07:35 | |
John Caramel. It was one of them two. | 0:07:35 | 0:07:38 | |
Caramel and Waffle! | 0:07:38 | 0:07:40 | |
Honestly. | 0:07:42 | 0:07:44 | |
The question is whether you think Bob has been telling the truth. | 0:07:44 | 0:07:47 | |
Well, I was... I thought it seemed very plausible | 0:07:47 | 0:07:50 | |
until we heard about Caramel and Waffle. | 0:07:50 | 0:07:54 | |
I think he thinks he's telling the truth, but I think what's | 0:07:54 | 0:07:57 | |
happened, at some point, he's seen a film in which this has happened. | 0:07:57 | 0:08:01 | |
-He saw Backdraft. -And is now convinced that it happened to him. | 0:08:01 | 0:08:05 | |
I think it's a lie. | 0:08:05 | 0:08:07 | |
Sarah? | 0:08:07 | 0:08:08 | |
I, ah, I sort of... I was going to say I want it to be true, | 0:08:08 | 0:08:11 | |
but that sounds really horrible. | 0:08:11 | 0:08:13 | |
I think... I don't... I think it might be true. | 0:08:13 | 0:08:16 | |
Well, I think it's true. I think it's true. | 0:08:16 | 0:08:18 | |
-So you're going to go for true? -Yeah. | 0:08:18 | 0:08:20 | |
OK. Bob, were you telling the truth or were you telling a lie? | 0:08:20 | 0:08:23 | |
I was telling the truth. | 0:08:23 | 0:08:25 | |
APPLAUSE | 0:08:27 | 0:08:28 | |
Yes, it's true, Bob once set fire to his house with a box of fireworks. | 0:08:31 | 0:08:36 | |
Jon, you're next. | 0:08:36 | 0:08:37 | |
When I'm stressed, I often take a water-free bath. | 0:08:39 | 0:08:46 | |
Water-free baths, Lee and his team. | 0:08:46 | 0:08:49 | |
-Do you er, do you get undressed? -No. | 0:08:49 | 0:08:52 | |
Do you, do you just sit in the bath? | 0:08:52 | 0:08:55 | |
Well, I lie in the bath. | 0:08:55 | 0:08:57 | |
Well, of course, cos you want to get the imaginary water all over your body, don't you? | 0:08:57 | 0:09:00 | |
Do you imagine there's water in the bath or does your mind accept it's not there? | 0:09:00 | 0:09:04 | |
-No, you know it's not there. I'm not... I'm not an idiot. -I know it's not there. | 0:09:04 | 0:09:07 | |
Do you have a hovering duck? | 0:09:07 | 0:09:10 | |
How long do you spend in this position? | 0:09:12 | 0:09:15 | |
Uh, well, it depends on how stressed I am. | 0:09:15 | 0:09:18 | |
If I'm very stressed I'll be in there a long time, | 0:09:18 | 0:09:20 | |
if I'm only a little bit stressed I'll pop in and I'll pop out again. | 0:09:20 | 0:09:24 | |
But what's the benefit, what, | 0:09:24 | 0:09:25 | |
I don't see what is stress-relieving about it. | 0:09:25 | 0:09:28 | |
Oh, a bath is stress-relieving, isn't it, but then it's quite a faff | 0:09:28 | 0:09:32 | |
innit, running the water, taking your clothes off, then you're | 0:09:32 | 0:09:35 | |
wet, you can't go out when you're wet, so you've got to dry yourself | 0:09:35 | 0:09:39 | |
-then you've got to put your clothes back on. -Well, why... -If you just get in without all that faff, | 0:09:39 | 0:09:43 | |
you get all the joy of a bath and none of the fuss. | 0:09:43 | 0:09:46 | |
You're from the north - I'll bet you've got just an imaginary flannel. | 0:09:46 | 0:09:50 | |
You said that like you're not from the north. | 0:09:50 | 0:09:52 | |
I, I, I've completely converted now. | 0:09:52 | 0:09:56 | |
Have you told your accent? | 0:09:56 | 0:09:59 | |
Are you always alone? | 0:09:59 | 0:10:00 | |
LAUGHTER | 0:10:00 | 0:10:01 | |
-Oh, wow! -Sarah do you mean in life or in the bath? | 0:10:04 | 0:10:08 | |
Whichever one he wants to answer. | 0:10:08 | 0:10:11 | |
I... You always should be in the bath alone, I think we'll all agree. | 0:10:11 | 0:10:15 | |
Jon, do you do any, like, bath-related things when you're in | 0:10:15 | 0:10:18 | |
the non-bath, or do you just shut your eyes and lie there? | 0:10:18 | 0:10:20 | |
Uh, sometimes I'll put my dressing gown on over me or a big towel to... | 0:10:20 | 0:10:27 | |
-Over your clothes? -Over your clothes? | 0:10:27 | 0:10:28 | |
-Over me, I'll get into the bath. -Oh, in the bath. | 0:10:28 | 0:10:31 | |
Oh, right, so now it's suddenly got a bit more disturbing. | 0:10:31 | 0:10:35 | |
It's stress relief, isn't it? I don't just sit there, like, in the bath, like, you know... | 0:10:35 | 0:10:39 | |
-I don't smoke. -You could have an imaginary cigarette | 0:10:39 | 0:10:41 | |
if you're having an imaginary bath - it's fine! | 0:10:41 | 0:10:45 | |
So what are you thinking, Lee? | 0:10:45 | 0:10:47 | |
Does this, does this smack of the truth? | 0:10:47 | 0:10:49 | |
-Um, what do we think, David? -I think it's total nonsense. -Do you? -Yeah. | 0:10:49 | 0:10:54 | |
Putting the thing over your head, I think it would add to the stress as opposed to relieving it. | 0:10:54 | 0:10:58 | |
-I'm going for a lie. -You're going for a lie. | 0:10:58 | 0:11:00 | |
Go for a lie in his bath fully clothed. | 0:11:00 | 0:11:04 | |
Actually, come to think... | 0:11:04 | 0:11:05 | |
A fart's not going to be half the fun in this non-bath, is it? | 0:11:05 | 0:11:10 | |
-So are we going to say lie? -Lie. | 0:11:10 | 0:11:11 | |
My team say lie so I have to go with them and say lie. | 0:11:11 | 0:11:14 | |
You're all saying it's a lie, OK. Jon Richardson, were you just telling us | 0:11:14 | 0:11:17 | |
the truth or were you telling a lie? | 0:11:17 | 0:11:20 | |
It was, | 0:11:20 | 0:11:21 | |
sadly, true. | 0:11:21 | 0:11:23 | |
Oh, no. | 0:11:24 | 0:11:26 | |
Oh, no, no, no. | 0:11:26 | 0:11:28 | |
I want it... Let's end the show there, let's end the show there, we'll have | 0:11:28 | 0:11:32 | |
a quick chat with Jon, we'll bring on Jeremy Kyle and just end it now. | 0:11:32 | 0:11:35 | |
Yes, it's true, when Jon is stressed he has a water-free bath. | 0:11:35 | 0:11:41 | |
Our next round is called This Is My... where we | 0:11:41 | 0:11:44 | |
bring on a mystery guest who has a close connection to | 0:11:44 | 0:11:47 | |
one of our panellists. Now this week, each of Lee's team will | 0:11:47 | 0:11:50 | |
claim it's them that has the genuine connection to the guest | 0:11:50 | 0:11:53 | |
and it's up to David's team to spot who's telling the truth. | 0:11:53 | 0:11:57 | |
So, please welcome this week's special guest, Keith. | 0:11:57 | 0:12:00 | |
APPLAUSE | 0:12:00 | 0:12:02 | |
So, er, Bob, first of all. Bob, what is Keith to you? | 0:12:07 | 0:12:11 | |
Er, this is Keith, he's my oldest friend | 0:12:11 | 0:12:14 | |
and when we were at school together we hid | 0:12:14 | 0:12:17 | |
a Dictaphone in the classroom ceiling to confuse our teacher. | 0:12:17 | 0:12:21 | |
David Harewood. | 0:12:21 | 0:12:23 | |
Er, this my is old teacher, Keith. I once had to claim I wasn't me | 0:12:23 | 0:12:27 | |
when I met him in a cafe, as I was in character preparing for Homeland. | 0:12:27 | 0:12:32 | |
And finally, Lee - your relationship with Keith? | 0:12:32 | 0:12:36 | |
This is Keith, and his hawk... Yes. | 0:12:36 | 0:12:39 | |
LAUGHTER | 0:12:39 | 0:12:41 | |
Yeah. I'll admit, David, it's a difficult start, but go with it. | 0:12:41 | 0:12:47 | |
This is Keith | 0:12:47 | 0:12:49 | |
and his hawk was supposed to land on my arm at a village fete, | 0:12:49 | 0:12:54 | |
but instead, stole the wig from the man next to me | 0:12:54 | 0:12:58 | |
and flew off into a tree. | 0:12:58 | 0:13:02 | |
So there we are. It's Bob's classroom prankster, | 0:13:02 | 0:13:04 | |
it's David's blanked buddy or it's Lee's hawk handler. | 0:13:04 | 0:13:09 | |
David's team, where do you start? | 0:13:09 | 0:13:11 | |
So, yes, David, what, he was a teacher at your school? | 0:13:11 | 0:13:16 | |
-Very briefly. -What, a whole lesson? | 0:13:16 | 0:13:18 | |
I mean, I don't know if... I mean, I could... I would see him. | 0:13:21 | 0:13:23 | |
-But he didn't teach you. -No, not teach me. | 0:13:23 | 0:13:25 | |
He was someone who hung around a school | 0:13:25 | 0:13:27 | |
and, charitably, you assumed he was a teacher. | 0:13:27 | 0:13:32 | |
But if he was at the school a short period of time how did you | 0:13:32 | 0:13:34 | |
even recognise him in the cafe? | 0:13:34 | 0:13:38 | |
Oh, I knew it was him. | 0:13:38 | 0:13:40 | |
He walked into the cafe and he said, "Hi, David," | 0:13:40 | 0:13:42 | |
and, basically, I blanked him. | 0:13:42 | 0:13:45 | |
It was literally the month before I went to America | 0:13:45 | 0:13:47 | |
when I was doing Homeland and I'd just been to see my dialect coach. | 0:13:47 | 0:13:53 | |
He basically said I have to stay in my American voice, so... | 0:13:53 | 0:13:57 | |
Could you not have explained that to him in your American voice? | 0:13:57 | 0:14:00 | |
"I'm sorry, buddy, but I'm doing a role here." | 0:14:00 | 0:14:03 | |
I, I don't think it was ever as good as that, Jon, to be fair. | 0:14:06 | 0:14:09 | |
I basically just had to say, "I don't know what you're talking about." | 0:14:09 | 0:14:13 | |
Oh, that's... I'm, I'm remembering you now. | 0:14:13 | 0:14:15 | |
-Do the voice a bit more. -I said, "I don't know what you're talking about." | 0:14:15 | 0:14:18 | |
Oh. That did weird things to me. | 0:14:18 | 0:14:21 | |
LAUGHTER | 0:14:21 | 0:14:23 | |
So your dialect coach said, "You're in this role, you need to stay in this character. | 0:14:23 | 0:14:27 | |
"Now the lesson's over, let's go to a very public place where you're likely to encounter several people." | 0:14:27 | 0:14:31 | |
You have to stay in that voice. You have to have the confidence to stay in your voice. | 0:14:31 | 0:14:35 | |
Why can't you just, like, turn it on like an actor? | 0:14:35 | 0:14:39 | |
Oh, that's a, that's a cheap shot, Sarah. | 0:14:41 | 0:14:45 | |
I did... I had to say... I did phone him up afterwards and apologise. | 0:14:45 | 0:14:48 | |
So you had his number. | 0:14:48 | 0:14:50 | |
You stayed in touch with a teacher you barely remember? | 0:14:50 | 0:14:55 | |
Would it be fair to say the hawk's looking a bit more plausible? | 0:14:55 | 0:15:00 | |
So, David, who would you like to question next? | 0:15:00 | 0:15:02 | |
Um. Bob, er, remind us of your allegation! | 0:15:02 | 0:15:08 | |
When we were at school together we hid a Dictaphone machine | 0:15:08 | 0:15:11 | |
in the ceiling tiles to, um, interrupt the lesson. | 0:15:11 | 0:15:16 | |
So, not to record but to play stuff. | 0:15:16 | 0:15:18 | |
-Yeah. -What sort of stuff? | 0:15:18 | 0:15:20 | |
Well, it was, um, important to keep a gap at the beginning | 0:15:20 | 0:15:24 | |
so we let it run for about 15 minutes and then there was the | 0:15:24 | 0:15:28 | |
noise of a fly... | 0:15:28 | 0:15:29 | |
..for a brief period then another bit...period. | 0:15:33 | 0:15:36 | |
-To confuse the teacher. -Where would you get the noise from the fly? You'd make the noise? | 0:15:36 | 0:15:39 | |
We'd make the noise ourselves. I'm not paying for no fly to do it. | 0:15:39 | 0:15:45 | |
-Bob, let's hear your fly. -Bzzzzzz. You know...what? | 0:15:45 | 0:15:48 | |
-It does sound like a fly. -Can I hear your bee? | 0:15:48 | 0:15:51 | |
Er, we didn't do a bee. | 0:15:51 | 0:15:52 | |
-Do you know how to do a bee? -How? -Just like that fly. | 0:15:52 | 0:15:55 | |
Oh, no, it's more...it's more wholesome if it's a bee, isn't it? | 0:15:56 | 0:16:00 | |
-Show me the difference, David. -Well, I don't know. I'm, I'm not... | 0:16:00 | 0:16:03 | |
-Do it. -But I would say, OK a bee would be a sort of a fuller bzzzzzzzzzz. | 0:16:03 | 0:16:07 | |
No, that's a bumble bee. | 0:16:07 | 0:16:09 | |
Whereas a fly is a (HIGHER PITCH) zzzzzzzz. | 0:16:09 | 0:16:11 | |
-That is good. -That's good, very good. | 0:16:11 | 0:16:13 | |
Do you see the way he just slipped straight in and out of character? | 0:16:13 | 0:16:17 | |
-So you'd hide it. -So, yes, there was silence. | 0:16:17 | 0:16:19 | |
-Yeah. -Then a little bit of fly, silence, little bit of fly | 0:16:19 | 0:16:23 | |
and then quite loudly, but not to frighten anyone, the word "wolf!" | 0:16:23 | 0:16:29 | |
What? Then more silence. | 0:16:34 | 0:16:36 | |
-Yeah. -A bit more silence. Then... | 0:16:39 | 0:16:43 | |
-Yeah. -..Speedway stadium. | 0:16:43 | 0:16:46 | |
Speedway stadium? | 0:16:46 | 0:16:48 | |
Do you know, the idea was just to say kind of random things. | 0:16:48 | 0:16:52 | |
We had, he was a really nice teacher called, um, Bill Whittlingham. | 0:16:52 | 0:16:59 | |
How did Bill Whittlingham react to these random sounds? | 0:16:59 | 0:17:02 | |
Well, Mr Whittlingham left the room and said, | 0:17:02 | 0:17:06 | |
"Can you sort this out by the time I've gone back?" | 0:17:06 | 0:17:09 | |
"Whatever it is that's going on." | 0:17:09 | 0:17:11 | |
And there was a cupboard in the corner where, interestingly, | 0:17:11 | 0:17:14 | |
it had exercise books in it, pens and that, but it also had, in a little cage, a hand lion, | 0:17:14 | 0:17:20 | |
which is a robotic... It's a battery operated thing. | 0:17:20 | 0:17:23 | |
-A what? -Are you just, | 0:17:23 | 0:17:24 | |
are you just saying any words that come into your head in any order? | 0:17:24 | 0:17:28 | |
It's a hand lion and if you... | 0:17:28 | 0:17:31 | |
-A hand lion? -It's a robotic elect...animatronic hand lion. | 0:17:31 | 0:17:36 | |
And if you'd been particularly good he would put it on your hand | 0:17:36 | 0:17:40 | |
and set it to "lick" and it would lick you. | 0:17:40 | 0:17:44 | |
-If you'd been particularly... -Was this like a clockwork lion? | 0:17:44 | 0:17:47 | |
No, it was remote control, I promise you. It was remote control? | 0:17:47 | 0:17:49 | |
Remote control. He had the controller in his desk and he said, | 0:17:49 | 0:17:53 | |
"You've been such a good boy, | 0:17:53 | 0:17:55 | |
"get out the hand lion and you'll get a lick." | 0:17:55 | 0:17:57 | |
And if you'd been bad he'd put him on your hand and he'd strike, | 0:17:57 | 0:18:00 | |
he'd strike at your hand. | 0:18:00 | 0:18:02 | |
So, the hand lion had two settings - it could lick or it could strike. | 0:18:02 | 0:18:06 | |
Yes, good boy, bad boy. | 0:18:06 | 0:18:07 | |
Right, very sensible. | 0:18:07 | 0:18:09 | |
-Now the only problem with it of course... -What, this story? | 0:18:09 | 0:18:12 | |
The only problem was cos if the batteries got low, it would get constipated. | 0:18:14 | 0:18:19 | |
No, anyway but in this cupboard, so we got up on the cupboard, um... | 0:18:23 | 0:18:27 | |
You climb onto the cupboard that the hand lion is housed in? | 0:18:27 | 0:18:31 | |
-Probably asleep. -Right. You reach up under the ceiling tile. | 0:18:31 | 0:18:35 | |
-Take out the Dictaphone. -Switch it off. -Yeah. | 0:18:35 | 0:18:37 | |
-Mr Whittlingham comes back in. -Yes, yes. -What happens? | 0:18:37 | 0:18:40 | |
He's nervously awaiting another, you know, edict from above. | 0:18:40 | 0:18:43 | |
It doesn't come, we carry on with the lesson, um, British Government and Politics, it was. | 0:18:43 | 0:18:48 | |
There was a lesson called British Government and Politics? | 0:18:48 | 0:18:50 | |
-Yeah. -A whole year on that? | 0:18:50 | 0:18:52 | |
Two years. It was A-Level. | 0:18:52 | 0:18:54 | |
So the 6th formers... | 0:18:54 | 0:18:55 | |
A hand lion... | 0:18:55 | 0:18:57 | |
A hand lion that can either lick or strike was what was used to | 0:19:00 | 0:19:05 | |
express praise or, | 0:19:05 | 0:19:07 | |
or the opposite to these 17 or 18-year-old students. | 0:19:07 | 0:19:13 | |
And it was very effective. | 0:19:13 | 0:19:16 | |
All right, would you like to move on to the final claim. | 0:19:16 | 0:19:19 | |
So Lee, tell the story about Keith. | 0:19:19 | 0:19:22 | |
I was at a village fete, and er... | 0:19:22 | 0:19:25 | |
Why were you at a village fete? | 0:19:25 | 0:19:27 | |
I was helping out. | 0:19:27 | 0:19:28 | |
-What village? -Thames Ditton. -Why were you helping out at Thames Ditton fete? | 0:19:28 | 0:19:32 | |
I don't live too far away from there and they asked me to help out and I did a few little things. I did... | 0:19:32 | 0:19:37 | |
I did a bit of tombola, a bit of announcing then I went over to | 0:19:37 | 0:19:39 | |
judge the pig racing, the usual things you do at a fete, you know. | 0:19:39 | 0:19:43 | |
-The pig racing? -Yeah. I don't know why I judged it, cos surely, first past the post, but... | 0:19:43 | 0:19:47 | |
It was... I was there in case of a dead heat. | 0:19:49 | 0:19:52 | |
And what happened with the... with the hawk and Keith and the wig? | 0:19:52 | 0:19:56 | |
One of the things, um, I had to do was to volunteer to stand there | 0:19:56 | 0:20:00 | |
and learn - he had the little, er, headpiece on, where he'd | 0:20:00 | 0:20:04 | |
teach the crowd basic falconry, I believe we call it. | 0:20:04 | 0:20:07 | |
I stick the, er, stick the glove on and, er, | 0:20:07 | 0:20:09 | |
then hold this little thing. I don't know what it was but I'm doing this. | 0:20:09 | 0:20:13 | |
-A small morsel of meat. -Thank God you've been to one, cos I haven't. I'm holding a small morsel of meat. | 0:20:13 | 0:20:17 | |
Then what happens? And then, er... | 0:20:17 | 0:20:19 | |
Then the swan comes down. | 0:20:19 | 0:20:21 | |
The swan came down. | 0:20:21 | 0:20:23 | |
So the hawk comes over, right, it comes up there, there's a person | 0:20:23 | 0:20:26 | |
missing from this story, and it's the mayor, right, the local mayor. | 0:20:26 | 0:20:29 | |
I can't say it in... I always struggle. | 0:20:29 | 0:20:31 | |
The mayor. | 0:20:31 | 0:20:33 | |
The mayor! The mayor, right? So. | 0:20:33 | 0:20:35 | |
The mayor is standing next to a horse. | 0:20:35 | 0:20:37 | |
Yeah. So, the local... | 0:20:37 | 0:20:38 | |
So, the mayor is doing his bit, | 0:20:38 | 0:20:41 | |
but the mayor has got a wig on, right, the hawk flies over to go | 0:20:41 | 0:20:45 | |
and land on my hand, but he lands on the mayor's head | 0:20:45 | 0:20:48 | |
so it gets caught up in his, in his... What shall we call them? | 0:20:48 | 0:20:52 | |
-Talons. -Talons! -Talons. | 0:20:52 | 0:20:53 | |
Gets caught up in the talons | 0:20:53 | 0:20:54 | |
and then in the sort of panic the bird sort of...and he can't | 0:20:54 | 0:20:57 | |
release this wig and he flies off and he goes into the tree. | 0:20:57 | 0:21:00 | |
I said, "Why didn't he go for the meat?" He said, "I genuinely think the gold chain caught his eye," | 0:21:00 | 0:21:05 | |
there was a bit of confusion for a second, and he just did a bit of an emergency landing on a | 0:21:05 | 0:21:09 | |
mayor's wig at Thames Ditton fete! What's there not to believe? | 0:21:09 | 0:21:15 | |
At that point, did you cry, "Oh, no - the mayor's hair's over there"? | 0:21:15 | 0:21:19 | |
All right, so David's team - is Keith Bob's classroom prankster, | 0:21:23 | 0:21:29 | |
David's blanked buddy or Lee's hawk handler. | 0:21:29 | 0:21:33 | |
I was believing Bob until the fact that he was 18 and the hand lion. | 0:21:33 | 0:21:39 | |
I'm leaning towards David. | 0:21:39 | 0:21:41 | |
I think I'm leaning toward David. | 0:21:41 | 0:21:43 | |
I think, I think it's Bob. And I think he panicked cos he knew we were onto him, so he went | 0:21:43 | 0:21:47 | |
on a ridiculous riff about a hand lion to throw us off the scent. | 0:21:47 | 0:21:50 | |
I'll go Bob, but I've been wrong before. | 0:21:50 | 0:21:53 | |
-Sarah? -I'm going to go David. | 0:21:53 | 0:21:54 | |
-We'll go David. -You're saying David. -M'hm. | 0:21:54 | 0:21:57 | |
Keith, please reveal your true identity. | 0:21:57 | 0:22:00 | |
My name is Keith and, er, Bob and I recorded voices | 0:22:00 | 0:22:04 | |
and hid the Dictaphone in the ceiling. | 0:22:04 | 0:22:06 | |
Yes, um... Keith is Bob's classroom prankster. | 0:22:12 | 0:22:17 | |
I would never have believed all that stuff about a hand lion was completely true. | 0:22:17 | 0:22:24 | |
Thanks very much, Keith. | 0:22:24 | 0:22:25 | |
Thank you. | 0:22:25 | 0:22:26 | |
Which brings us to our final round, Quick-fire Lies, we start with... | 0:22:29 | 0:22:34 | |
BUZZER SOUNDS | 0:22:34 | 0:22:35 | |
It's Sarah Millican. | 0:22:35 | 0:22:37 | |
-Possession. -Ah, there's a box under your desk. Would you pop it on the desk | 0:22:37 | 0:22:41 | |
and then first of all read out the card that's inside, before you | 0:22:41 | 0:22:45 | |
show us what the possession is. | 0:22:45 | 0:22:48 | |
This is my cat-cam. | 0:22:50 | 0:22:53 | |
I put it around my cat's neck for a week to film what it got up to | 0:22:53 | 0:22:57 | |
because I believed it was him who kept turning the kitchen tap on. | 0:22:57 | 0:23:02 | |
OK, let's take this item out and pop it on the desk. | 0:23:02 | 0:23:05 | |
Right, Lee's team, cat-cam. | 0:23:05 | 0:23:07 | |
So you're saying that the... You thought the cat might be | 0:23:07 | 0:23:10 | |
-turning the tap on. -Yes. -we know it wasn't Jon. | 0:23:10 | 0:23:12 | |
So you put the cat-cam on the cat | 0:23:14 | 0:23:17 | |
for how long? | 0:23:17 | 0:23:19 | |
For, well generally, like an hour at a time, but while I was out. | 0:23:19 | 0:23:23 | |
So the cat's clever enough not to be turning this tap on when you're in. | 0:23:23 | 0:23:26 | |
Well, yeah, because I would just see him doing it | 0:23:26 | 0:23:29 | |
and then I would know it was him. | 0:23:29 | 0:23:30 | |
If he could do the tap, were you not worried that he could turn | 0:23:30 | 0:23:33 | |
the camera off? | 0:23:33 | 0:23:34 | |
LAUGHTER | 0:23:34 | 0:23:35 | |
No, cos the tap's like one of those ones where that's quite fiddly. | 0:23:36 | 0:23:41 | |
How do you see the picture? You connect it to a computer? | 0:23:41 | 0:23:43 | |
Yeah, it's just got a USB thing, yeah. | 0:23:43 | 0:23:46 | |
-I see, OK. -You attach it to the computer, and how long, | 0:23:46 | 0:23:48 | |
-you watch it an hour at a time? -Well, you fast forward it, I'm not sitting watching. | 0:23:48 | 0:23:52 | |
-Oh, just the highlights, you're doing the highlights. -Yeah. | 0:23:52 | 0:23:56 | |
-Go on, the big question is... -Was it the cat? -Not so far, but I'm still... It's still sort of... | 0:23:56 | 0:24:00 | |
-Somebody's turning the taps on when you go out of the house. -It's kind of a work in progress, so... | 0:24:00 | 0:24:04 | |
-When you come...when you come back... -I hope he's not watching, cos... | 0:24:04 | 0:24:07 | |
-Don't worry, he can turn this off. -He's turned this off. | 0:24:07 | 0:24:11 | |
-Can I ask you a question, very, just..? -Yes. | 0:24:11 | 0:24:13 | |
Why didn't you attach the camera to the taps? | 0:24:13 | 0:24:16 | |
Oh! | 0:24:16 | 0:24:17 | |
LAUGHTER | 0:24:17 | 0:24:18 | |
Thank you. | 0:24:21 | 0:24:22 | |
What's the name of your cat, Sarah? | 0:24:23 | 0:24:25 | |
He's called Chief Brody. | 0:24:25 | 0:24:26 | |
And the personality, is he a scratcher? | 0:24:26 | 0:24:29 | |
-He is a scratcher. -On bits of furniture? | 0:24:29 | 0:24:32 | |
On, arms. | 0:24:32 | 0:24:33 | |
Yeah. Well, that's not so much of a worry - it's the furniture | 0:24:33 | 0:24:35 | |
is more the thing, isn't it? | 0:24:35 | 0:24:37 | |
-Is it? -Thanks. -Can I ask why you're so worried about the cat turning the taps on | 0:24:37 | 0:24:41 | |
when you've got something in your house that's attacking you? | 0:24:41 | 0:24:44 | |
I wouldn't mind if he turned the tap on if it's scratching my face. | 0:24:44 | 0:24:47 | |
-Well, that's because you're not a cat lover. -No, but I don't like things that scratch. | 0:24:47 | 0:24:52 | |
Well, don't get a cat, then. | 0:24:52 | 0:24:56 | |
-Am I the weirdo here? -Yeah. | 0:24:56 | 0:24:57 | |
-Can we have a show of hands? -Yes. | 0:24:59 | 0:25:02 | |
That's so lovely to hear, cos usually it's me. | 0:25:02 | 0:25:07 | |
What colour is your cat, Sarah? | 0:25:07 | 0:25:09 | |
Ginger. | 0:25:09 | 0:25:10 | |
Um, pink collar, ginger cat? | 0:25:10 | 0:25:12 | |
Would you? | 0:25:12 | 0:25:14 | |
It's red, it's not pink. | 0:25:14 | 0:25:16 | |
-Would you, pink. -It's red. | 0:25:16 | 0:25:17 | |
Oh, please it's pink. | 0:25:17 | 0:25:18 | |
It's red, shut your face. | 0:25:18 | 0:25:20 | |
Red and ginger, devil's finger. | 0:25:22 | 0:25:26 | |
-What? -That's what they say. It's true. | 0:25:26 | 0:25:29 | |
-No-one says that. -Who says that? | 0:25:29 | 0:25:31 | |
-No-one says that, Bob. -They do. | 0:25:31 | 0:25:33 | |
-Is that what your mum used to say? -And they're still saying it. | 0:25:33 | 0:25:36 | |
So what do you think, Lee? Is she telling the truth? | 0:25:36 | 0:25:39 | |
What do we think, Bob? | 0:25:39 | 0:25:40 | |
I'm saying it's a lie. | 0:25:40 | 0:25:42 | |
-You're saying it's a lie, David's saying it's... -Possibly true. | 0:25:42 | 0:25:46 | |
-Well, I'll go lie. -OK, you're saying lie. Sarah, truth or lie? | 0:25:46 | 0:25:51 | |
It is a... | 0:25:51 | 0:25:53 | |
lie. | 0:25:53 | 0:25:54 | |
Oh! | 0:25:54 | 0:25:57 | |
Yes, it's a lie, Sarah didn't put a cat-cam on her cat. | 0:25:57 | 0:26:03 | |
Next. | 0:26:03 | 0:26:05 | |
It's David Harewood. | 0:26:05 | 0:26:07 | |
I can balance a bank note on my nose. | 0:26:09 | 0:26:13 | |
When did you first find this out? | 0:26:15 | 0:26:18 | |
When I was about, um, 13. | 0:26:18 | 0:26:20 | |
Is it flat or is it sort of like that? | 0:26:20 | 0:26:23 | |
It's on its, kind of, on its... | 0:26:23 | 0:26:26 | |
-On its edge. -Yes. And I would balance it on like that. | 0:26:26 | 0:26:30 | |
Straight up? Like that? | 0:26:30 | 0:26:31 | |
-Yes. -On your nose? -Kind of like that. | 0:26:31 | 0:26:34 | |
So the end of the note is along your nose there. | 0:26:34 | 0:26:37 | |
-Going upwards? -Yes. | 0:26:37 | 0:26:39 | |
What's your technique for... cos I imagine the problem | 0:26:39 | 0:26:42 | |
with that is that the note would immediately fall off. | 0:26:42 | 0:26:45 | |
-Well, I kind of... -What's your technique for preventing that? | 0:26:45 | 0:26:48 | |
Zen. | 0:26:48 | 0:26:50 | |
Is that a type of glue? | 0:26:50 | 0:26:51 | |
What do you think, David? Does this have the ring of truth for you? | 0:26:53 | 0:26:56 | |
I don't think it does. | 0:26:56 | 0:26:58 | |
I think it's an odd mixture of something that would be | 0:26:58 | 0:27:01 | |
impossible and not that impressive anyway. | 0:27:01 | 0:27:05 | |
So what do you think? | 0:27:06 | 0:27:08 | |
-I think we think it's a lie. -I think it's a lie. -Lie. We think it's a lie. | 0:27:08 | 0:27:11 | |
Three of you, all three of you think it's a lie. OK. | 0:27:11 | 0:27:13 | |
David Harewood, truth or lie? | 0:27:13 | 0:27:16 | |
It is... | 0:27:16 | 0:27:18 | |
true. | 0:27:18 | 0:27:20 | |
Whoa! | 0:27:20 | 0:27:21 | |
Yes, it's true. | 0:27:25 | 0:27:27 | |
Whoa. | 0:27:30 | 0:27:32 | |
You pulled that out at just the right time for us. | 0:27:32 | 0:27:34 | |
-Cheers, mate. -I might have to... I have to stand up for this. | 0:27:34 | 0:27:36 | |
-All right, please do. -Here we go. | 0:27:36 | 0:27:39 | |
Take your time, milk it. | 0:27:39 | 0:27:41 | |
Whoa. | 0:27:47 | 0:27:50 | |
APPLAUSE | 0:27:50 | 0:27:51 | |
-Very impressive! Yes, it's true. -BUZZER | 0:28:00 | 0:28:03 | |
Oh, and that noise signals time is up - it's the end of the show | 0:28:03 | 0:28:06 | |
and I can tell you that Lee's team have triumphed | 0:28:06 | 0:28:09 | |
by three points to two. | 0:28:09 | 0:28:11 | |
SPEECHED COVERED BY APPLAUSE | 0:28:11 | 0:28:14 | |
But, of course, it's not just a team game | 0:28:16 | 0:28:19 | |
and my individual liar of the week this week is Bob Mortimer. | 0:28:19 | 0:28:24 | |
APPLAUSE | 0:28:24 | 0:28:25 | |
Yes, Bob Mortimer if you were looking for an effortless liar | 0:28:27 | 0:28:31 | |
then Bob's your uncle. At least, he says he's your uncle - | 0:28:31 | 0:28:34 | |
he's probably lying about that, too. Good night. | 0:28:34 | 0:28:37 | |
Subtitles by Red Bee Media Ltd | 0:28:57 | 0:29:00 |