Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
APPLAUSE | 0:00:17 | 0:00:21 | |
Good evening, and welcome to Would I Lie To You, | 0:00:25 | 0:00:28 | |
the show where it's a talent to tell tales. | 0:00:28 | 0:00:31 | |
On David Mitchell's team tonight, | 0:00:31 | 0:00:32 | |
next to the Arran sweater Mrs Brydon knitted me, | 0:00:32 | 0:00:36 | |
he's my favourite ever jumper. | 0:00:36 | 0:00:38 | |
It's Olympic long jump gold medallist Greg Rutherford. | 0:00:38 | 0:00:42 | |
APPLAUSE | 0:00:42 | 0:00:45 | |
And she is the Crimewatch host, who's one of the most popular | 0:00:45 | 0:00:50 | |
presenters on television so I'm sure you'll be cheering her on tonight, | 0:00:50 | 0:00:54 | |
unless you're watching this from G Wing. | 0:00:54 | 0:00:57 | |
It's Kirsty Young. | 0:00:57 | 0:00:58 | |
APPLAUSE | 0:00:58 | 0:01:03 | |
And on Lee Mack's team tonight, a comedy actress and star of | 0:01:03 | 0:01:06 | |
The Thick Of It, a political show all about spin, which is one of | 0:01:06 | 0:01:10 | |
the few four-letter words from that show we can say at 8.30. | 0:01:10 | 0:01:14 | |
It's Joanna Scanlan. | 0:01:14 | 0:01:16 | |
APPLAUSE | 0:01:16 | 0:01:19 | |
And a comedian who's come here all the way from Germany. | 0:01:19 | 0:01:22 | |
I said to him, "Eurostar?", | 0:01:22 | 0:01:24 | |
and he said, "Thanks very much, I am quite famous now." | 0:01:24 | 0:01:26 | |
It's Henning Wehn. | 0:01:26 | 0:01:28 | |
APPLAUSE | 0:01:28 | 0:01:33 | |
So we begin tonight with round one, it's Home Truths, | 0:01:33 | 0:01:35 | |
where our panellists read out a statement | 0:01:35 | 0:01:37 | |
from the card in front of them. | 0:01:37 | 0:01:38 | |
Now, to make things harder, they've never seen the card before, | 0:01:38 | 0:01:41 | |
they've no idea what they'll be faced with, | 0:01:41 | 0:01:43 | |
and it's up to the opposing team to sort the fact from the fiction. | 0:01:43 | 0:01:47 | |
Kirsty is first up, Kirsty, off you go. | 0:01:47 | 0:01:50 | |
OK. | 0:01:50 | 0:01:52 | |
I have five chickens, all named after my favourite newsreaders. | 0:01:52 | 0:01:56 | |
Oh. | 0:01:56 | 0:01:57 | |
Well, there we are. Right, Lee's team, what do you think? | 0:01:57 | 0:02:00 | |
What are their names? | 0:02:00 | 0:02:01 | |
Their names are Anna Ford | 0:02:01 | 0:02:04 | |
Yeah. | 0:02:04 | 0:02:05 | |
Jan Leeming. | 0:02:05 | 0:02:06 | |
Another newsreader. | 0:02:06 | 0:02:07 | |
Selina Scott. | 0:02:07 | 0:02:08 | |
-Newsreader. -Oh. | 0:02:08 | 0:02:10 | |
Two Scottish ones, Viv Lumsden and Mary Marquis, | 0:02:10 | 0:02:12 | |
they were very well-known newsreaders in Scotland. | 0:02:12 | 0:02:15 | |
What, specifically for Scottish news? | 0:02:15 | 0:02:17 | |
There is Scottish news. | 0:02:17 | 0:02:19 | |
You didn't mention Angela Rippon, did you? | 0:02:21 | 0:02:23 | |
Angela Rippon died. Not the newsreader, the chicken. | 0:02:23 | 0:02:25 | |
Actually, actually it was Moira Stewart that died. | 0:02:27 | 0:02:30 | |
-Ah, not Moira. -Ah. | 0:02:30 | 0:02:32 | |
This is chickeny Moira Stewart that's passed away, | 0:02:32 | 0:02:34 | |
Chickeny Moira, yeah. | 0:02:34 | 0:02:35 | |
In case any viewers are upset. | 0:02:35 | 0:02:37 | |
Newsy Moira Stewart is as fit as she's ever been. | 0:02:37 | 0:02:40 | |
Not in that way. | 0:02:40 | 0:02:42 | |
LAUGHTER | 0:02:42 | 0:02:44 | |
Can I just ask, is that a joke about Moira Stewart, or did you | 0:02:44 | 0:02:46 | |
really have a chicken called Moira Stewart that died? | 0:02:46 | 0:02:48 | |
I really had... | 0:02:48 | 0:02:50 | |
It's just the way you're looking at me, it's putting me off. | 0:02:51 | 0:02:54 | |
I really had a... | 0:02:54 | 0:02:55 | |
LAUGHTER | 0:02:55 | 0:02:56 | |
I have to say, Kirsty... | 0:02:56 | 0:02:57 | |
This is not the first time a woman has said that to me. | 0:02:57 | 0:03:01 | |
What breed of chicken are they? | 0:03:01 | 0:03:03 | |
They are Burford browns and Cotswold legbars. | 0:03:03 | 0:03:07 | |
-Right, d'you know what... -Why didn't you eat them? | 0:03:07 | 0:03:09 | |
Yeah, those are real chickens. | 0:03:09 | 0:03:10 | |
How do you know so much about chickens? You seem to know a lot. | 0:03:10 | 0:03:13 | |
Well, I know that... Well, in Waitrose, they... | 0:03:13 | 0:03:15 | |
LAUGHTER | 0:03:15 | 0:03:17 | |
I thought for a minute then you were some sort of farming expert, | 0:03:17 | 0:03:19 | |
-it turns out you're just very middle class. -Exactly. | 0:03:19 | 0:03:23 | |
And they've got those Cotswold leggy ones, I've noticed the eggs. | 0:03:23 | 0:03:26 | |
Can I ask why you didn't have any male newsreaders? | 0:03:26 | 0:03:29 | |
Well, because we actually... | 0:03:29 | 0:03:31 | |
Well, I'm going to have to say it now. We didn't want a cock. | 0:03:31 | 0:03:34 | |
LAUGHTER | 0:03:34 | 0:03:36 | |
Is it me or is it getting hot in here? | 0:03:38 | 0:03:40 | |
When you say they're your favourite newsreaders... | 0:03:43 | 0:03:47 | |
Can I just say of all the people we've had on the show, | 0:03:47 | 0:03:49 | |
you're the most that sounds like you're actually interrogating. | 0:03:49 | 0:03:52 | |
How do you rate newsreaders, that's the thing I want to understand. | 0:03:54 | 0:03:58 | |
Well, if you've been in the news reading game as I have, Henning, | 0:03:58 | 0:04:01 | |
it's a bit like, you, I'm sure when you watch stand-ups | 0:04:01 | 0:04:03 | |
you think, "Well, they're good, they're not so good..." | 0:04:03 | 0:04:05 | |
Oh, I hate the lot of them. | 0:04:05 | 0:04:07 | |
So why was that one Selina Scott, and not that one? | 0:04:08 | 0:04:11 | |
Well, funny you should ask that. | 0:04:11 | 0:04:13 | |
Selina Scott, particularly beautiful with sort of blondish feathers. | 0:04:13 | 0:04:18 | |
So Jan Leeming, then, what were her markings? | 0:04:18 | 0:04:21 | |
Well, her... They are... | 0:04:21 | 0:04:23 | |
The chicken, not Jan Leeming. | 0:04:23 | 0:04:25 | |
Well, she's a rather dignified bird and she's a very good layer. | 0:04:25 | 0:04:28 | |
Again, are we...? | 0:04:28 | 0:04:29 | |
LAUGHTER | 0:04:29 | 0:04:32 | |
You asked for it. | 0:04:32 | 0:04:33 | |
APPLAUSE | 0:04:33 | 0:04:36 | |
What do you think, Lee? Is she telling the truth? | 0:04:40 | 0:04:42 | |
I'm not buying that, I don't think that's true, I think it's a lie. | 0:04:42 | 0:04:45 | |
You think it's a lie. | 0:04:45 | 0:04:46 | |
I think it may be true, but I'm going to go with Henning, | 0:04:46 | 0:04:49 | |
I think he's got a very good beak for it. | 0:04:49 | 0:04:52 | |
We'll go with Henning's beak and we'll say that that is a lie. | 0:04:52 | 0:04:55 | |
You're saying it's a lie. | 0:04:55 | 0:04:56 | |
Kirsty, were you telling us the truth, or were you telling a lie? | 0:04:56 | 0:04:59 | |
It's true. | 0:05:01 | 0:05:02 | |
Yes, it was true all along, | 0:05:07 | 0:05:09 | |
Kirsty does have five chickens named after newsreaders. | 0:05:09 | 0:05:12 | |
Henning, it's your turn. | 0:05:12 | 0:05:14 | |
For three weeks I was listed as a missing person by Interpol. | 0:05:16 | 0:05:22 | |
Wow. | 0:05:24 | 0:05:26 | |
When did this happen? | 0:05:26 | 0:05:27 | |
In the mid '90s. | 0:05:30 | 0:05:32 | |
Where were you? Had you actually disappeared? | 0:05:32 | 0:05:36 | |
I was in Morocco. | 0:05:36 | 0:05:38 | |
What were you doing there? | 0:05:38 | 0:05:40 | |
I was on a bike ride in Spain. | 0:05:40 | 0:05:44 | |
You were on a bike ride in Spain in Morocco? | 0:05:47 | 0:05:49 | |
Can I have a moment to chat with my client? | 0:05:51 | 0:05:53 | |
What happened was I met someone in Spain on a train, a Moroccan man. | 0:05:58 | 0:06:05 | |
So, hang on. Was this bike ride in Spain happening on the train? | 0:06:05 | 0:06:09 | |
Was it? Cos I know that you get those Spanish bike rides | 0:06:10 | 0:06:14 | |
on trains in Morocco, it's probably one of those. | 0:06:14 | 0:06:18 | |
No, there was bad weather, and that's why I took the train | 0:06:18 | 0:06:21 | |
from the north of Spain to the south of Spain | 0:06:21 | 0:06:24 | |
because apparently, according to the local newspaper, | 0:06:24 | 0:06:27 | |
there was better, more agreeable bicycling weather. | 0:06:27 | 0:06:31 | |
How did you then get into Morocco, though? | 0:06:31 | 0:06:35 | |
That is because I met that Moroccan bloke on the train... | 0:06:35 | 0:06:40 | |
Which Moroccan bloke? | 0:06:44 | 0:06:46 | |
Yeah, does he have a name? | 0:06:46 | 0:06:48 | |
Uh, I can't quite remember, but it was Mohammed or something. | 0:06:48 | 0:06:52 | |
Mohammed the Moroccan, you met on the train in Spain. | 0:06:54 | 0:06:58 | |
He asked me if I wanted to join him to go to Morocco | 0:06:58 | 0:07:01 | |
and then I thought, "Well, I've never been outside Europe." | 0:07:01 | 0:07:05 | |
In for a penny, in for a pound, so... | 0:07:05 | 0:07:08 | |
So you were picked up by a strange Moroccan on a train, | 0:07:08 | 0:07:12 | |
and agreed to go back to Morocco with him? | 0:07:12 | 0:07:16 | |
What's the worst that can happen? | 0:07:16 | 0:07:17 | |
How did you find out that you were on the Interpol list? | 0:07:20 | 0:07:23 | |
I realised only once I rang my parents once I was back in Spain, | 0:07:23 | 0:07:28 | |
and I rang my parents, and for them it was like someone phoned them | 0:07:28 | 0:07:32 | |
from beyond the grave. | 0:07:32 | 0:07:33 | |
So why didn't you ring your parents from Morocco? | 0:07:35 | 0:07:38 | |
Because that man, that Mohammed... | 0:07:38 | 0:07:42 | |
-You remember Mohammed, don't you? -Yeah, yeah. | 0:07:42 | 0:07:44 | |
-He was the man on the train. -The Moroccan on the train. | 0:07:44 | 0:07:47 | |
-The Moroccan on the train who invited him back to his house. -Yeah. | 0:07:47 | 0:07:50 | |
So by then I was staying there with Mustapha and his family... | 0:07:50 | 0:07:53 | |
LAUGHTER | 0:07:53 | 0:07:56 | |
From what port did you leave Spain | 0:07:56 | 0:07:59 | |
and into which port did you enter Morocco? | 0:07:59 | 0:08:02 | |
Good question. | 0:08:02 | 0:08:03 | |
Well, we left Spain, if I remember correctly, from Algeciras, | 0:08:03 | 0:08:09 | |
and went over to Ceuta, | 0:08:09 | 0:08:11 | |
which is one of the two Spanish enclaves in the north of Morocco. | 0:08:11 | 0:08:15 | |
Good answer. | 0:08:15 | 0:08:17 | |
I think you've just clutched victory from the jaws of defeat. | 0:08:18 | 0:08:20 | |
How was it then resolved? How did you end up getting off of the list? | 0:08:22 | 0:08:25 | |
Well, hang on a minute, we're jumping ahead here, | 0:08:25 | 0:08:27 | |
what the hell did you do in Morocco? | 0:08:27 | 0:08:28 | |
Yeah, he's allowed to do that, isn't he? | 0:08:28 | 0:08:31 | |
What were you doing? | 0:08:34 | 0:08:35 | |
-I was travelling without... No, Mohammed. -Mohammed. | 0:08:35 | 0:08:40 | |
My client is getting mixed up cos at passport control | 0:08:40 | 0:08:43 | |
they said, "You Mustafa passport." | 0:08:43 | 0:08:45 | |
He's getting a bit mixed up with the names. | 0:08:45 | 0:08:50 | |
I'm curious as to the fact that Interpol has a missing persons list. | 0:08:50 | 0:08:55 | |
Yeah, no what happened is my parents got involved, | 0:08:55 | 0:08:58 | |
and they got Interpol involved. | 0:08:58 | 0:09:01 | |
Right. | 0:09:01 | 0:09:02 | |
I sent a few postcards, one of them to my friend Mark | 0:09:02 | 0:09:06 | |
and on that postcard I wrote, "I have joined the Foreign Legion." | 0:09:06 | 0:09:10 | |
"Probably see you never again, have a good life," | 0:09:12 | 0:09:14 | |
or something, and then, Mark, being a quite clever boy, | 0:09:14 | 0:09:18 | |
thought, "OK, with this postcard I can have a lot of fun," | 0:09:18 | 0:09:21 | |
I go round Henning's parents and say them | 0:09:21 | 0:09:24 | |
something along the lines of, | 0:09:24 | 0:09:27 | |
"Herr Wehn, Frau Wehn, you might be interested in this." | 0:09:27 | 0:09:30 | |
-Sorry, so, your friend Mark... -Yes. | 0:09:30 | 0:09:32 | |
..used this postcard to mentally torture your parents. | 0:09:32 | 0:09:36 | |
"I'll make his parents think he's disappeared forever, for a laugh." | 0:09:38 | 0:09:42 | |
Well, it's German sense of humour. | 0:09:43 | 0:09:45 | |
LAUGHTER AND APPLAUSE | 0:09:45 | 0:09:47 | |
And what do we know about | 0:09:52 | 0:09:55 | |
this Moroccan chap who we're calling Mohammed? | 0:09:55 | 0:09:57 | |
He hadn't been home for many, many years, | 0:09:57 | 0:10:00 | |
and so we couldn't take the boat straight to Morocco, | 0:10:00 | 0:10:04 | |
we had to go to one of the Spanish enclaves, because he had to collect | 0:10:04 | 0:10:09 | |
a suitcase full of books from a cafe in Ceuta. | 0:10:09 | 0:10:14 | |
Full of what? Why did he have a suitcase full of books? | 0:10:14 | 0:10:17 | |
Because someone left them there for him. | 0:10:17 | 0:10:19 | |
But why books, in a suitcase? | 0:10:22 | 0:10:24 | |
Well, that is, it was back in the mid '90s, people were still reading. | 0:10:24 | 0:10:27 | |
-So he went to a cafe in the Spanish enclave of Morocco... -Yes. | 0:10:31 | 0:10:36 | |
..to collect a suitcase which he told you was full of books. | 0:10:36 | 0:10:40 | |
Well, I suppose a friend of his left them there. | 0:10:42 | 0:10:45 | |
Yes, but why? | 0:10:45 | 0:10:46 | |
I mean, you know what it sometimes is like, isn't it? Like... | 0:10:46 | 0:10:50 | |
Well, I can't quite think of an example... | 0:10:50 | 0:10:52 | |
But if he could, it would be like that. | 0:10:57 | 0:11:00 | |
This Interpol list that you were on, | 0:11:01 | 0:11:03 | |
can you just elaborate on how your parents got you onto it? | 0:11:03 | 0:11:07 | |
Well, they rang the consulate and they rang all sorts of... | 0:11:07 | 0:11:10 | |
Which consulate? | 0:11:10 | 0:11:11 | |
The German one. | 0:11:11 | 0:11:13 | |
Which German consulate? | 0:11:13 | 0:11:14 | |
Well, the one in Morocco. | 0:11:14 | 0:11:16 | |
They didn't ring the police, | 0:11:16 | 0:11:17 | |
they rang the German consulate in Morocco? | 0:11:17 | 0:11:20 | |
Well, that's how you would go about it, wouldn't you? | 0:11:20 | 0:11:22 | |
It's no good ringing your local bobby. | 0:11:22 | 0:11:24 | |
And what happens then with the list? | 0:11:26 | 0:11:28 | |
Do you just... They have to tell Interpol, | 0:11:28 | 0:11:30 | |
"Stop looking for Henning, we've found him"? | 0:11:30 | 0:11:32 | |
-Yes, I suppose so, yeah. -Well, did they? | 0:11:32 | 0:11:34 | |
For all we know, they're still looking for you now. | 0:11:36 | 0:11:38 | |
I'm safe. | 0:11:41 | 0:11:42 | |
So what do you think, David? | 0:11:45 | 0:11:47 | |
Does any of that have the ring of truth, or has he made all that up? | 0:11:47 | 0:11:51 | |
What do you think, Kirsty? | 0:11:51 | 0:11:52 | |
I think it's so odd... | 0:11:52 | 0:11:54 | |
..and inconsistent and unlikely that it must be true. | 0:11:56 | 0:11:59 | |
Yeah, that's what I'm leaning towards, as well. | 0:11:59 | 0:12:02 | |
Yeah, I think, I think that, as well. | 0:12:02 | 0:12:04 | |
I think it's true. | 0:12:04 | 0:12:06 | |
Henning, was that the truth or were you telling a lie? | 0:12:06 | 0:12:10 | |
Well, this story is true. | 0:12:10 | 0:12:12 | |
Yes, it's true. | 0:12:18 | 0:12:19 | |
Henning was listed as a missing person by Interpol. | 0:12:19 | 0:12:22 | |
Our next round is called This Is My, where we bring on a mystery guest | 0:12:23 | 0:12:26 | |
who has a close connection to one of our panellists. | 0:12:26 | 0:12:28 | |
This week, each of David's team will claim it's them | 0:12:28 | 0:12:31 | |
that has the genuine connection to the guest, | 0:12:31 | 0:12:33 | |
and it's up to Lee's team to spot who's telling the truth. | 0:12:33 | 0:12:35 | |
So please welcome this week's special guest, Andy. | 0:12:35 | 0:12:38 | |
APPLAUSE | 0:12:38 | 0:12:42 | |
So, let's start with Kirsty. What is Andy to you? | 0:12:47 | 0:12:52 | |
This is Andy, he played a handbag snatcher | 0:12:52 | 0:12:56 | |
in a Crimewatch reconstruction and we only got nine calls, | 0:12:56 | 0:13:00 | |
but every single one of those nine calls | 0:13:00 | 0:13:02 | |
said that Andy was actually the bag snatcher. | 0:13:02 | 0:13:05 | |
Greg, what is Andy to you? | 0:13:08 | 0:13:10 | |
This is Andy, I beat him in a speed eating competition | 0:13:10 | 0:13:14 | |
where I ate more than a kilo of ribs. | 0:13:14 | 0:13:17 | |
Right, David, what's your relationship with Andy? | 0:13:17 | 0:13:19 | |
This is Andy, last year he gave me a surfing lesson and he told me | 0:13:19 | 0:13:25 | |
that he'd never seen a novice display | 0:13:25 | 0:13:28 | |
such natural ability amongst the waves. | 0:13:28 | 0:13:32 | |
So there we have it. Kirsty's Crimewatch culprit, | 0:13:32 | 0:13:35 | |
Greg's rib eating rival or David's complimentary surf coach. | 0:13:35 | 0:13:40 | |
Lee, where do you want to start? | 0:13:40 | 0:13:41 | |
Definitely with David. | 0:13:41 | 0:13:43 | |
Could you just show us the basic move, cos I had a surfing lesson once | 0:13:43 | 0:13:46 | |
and the first thing you learn is to go from lying to standing, don't you? | 0:13:46 | 0:13:49 | |
Could you show us that move? | 0:13:49 | 0:13:50 | |
-The lying to standing move? -You heard it. | 0:13:53 | 0:13:54 | |
I can't really remember it, it was only one lesson. | 0:13:54 | 0:13:57 | |
Where did you... where did you go for a surf? | 0:13:57 | 0:13:59 | |
Near Newquay in Cornwall. | 0:13:59 | 0:14:02 | |
So I'm not letting it go, would you demonstrate the movement from... | 0:14:02 | 0:14:07 | |
APPLAUSE | 0:14:07 | 0:14:09 | |
-This should be interesting. -Yeah, well, I'm... | 0:14:12 | 0:14:14 | |
So you're lying on the board, I'm helping you as much as I can. | 0:14:14 | 0:14:17 | |
Lying on the board. | 0:14:17 | 0:14:18 | |
And watch the movement, ladies and gentlemen, | 0:14:18 | 0:14:20 | |
watch as he gets to the standing. | 0:14:20 | 0:14:21 | |
-I'm sort of paddling along. -Nice. | 0:14:21 | 0:14:23 | |
Yeah, and then you get up to your knees first. | 0:14:23 | 0:14:26 | |
Oh, do you? | 0:14:26 | 0:14:27 | |
And then, so I'm on my knees now. I'm still a bit shaky, though. | 0:14:27 | 0:14:30 | |
Yeah, yeah. | 0:14:30 | 0:14:31 | |
I'm a beginner, basically. | 0:14:31 | 0:14:32 | |
-But you're a natural. -Already I'm showing promise. | 0:14:32 | 0:14:35 | |
See? I haven't fallen in. | 0:14:35 | 0:14:36 | |
You've not. | 0:14:36 | 0:14:38 | |
And then... | 0:14:38 | 0:14:39 | |
-You're the only person I know that was dressed like that. -Yeah. | 0:14:39 | 0:14:43 | |
So you're on your knees. | 0:14:44 | 0:14:45 | |
-Yeah, and then I stand up on it. -Do it. | 0:14:45 | 0:14:47 | |
-Can I use that? -Oh, that was there. | 0:14:49 | 0:14:50 | |
What I did that not everyone can do is I actually leant on a wave, | 0:14:52 | 0:14:56 | |
cos you can. | 0:14:56 | 0:14:58 | |
You know, if you hit water at enough speed it's like concrete, | 0:14:58 | 0:15:01 | |
and, similarly, for me, it's just up, there you go. | 0:15:01 | 0:15:04 | |
APPLAUSE | 0:15:04 | 0:15:07 | |
I thought I'm surfing that way. | 0:15:07 | 0:15:09 | |
But then, if you want to turn round, you just move the tiller, and... | 0:15:11 | 0:15:16 | |
Why were you down there and why had you decided... | 0:15:18 | 0:15:21 | |
You don't strike me as a man of the sea. | 0:15:21 | 0:15:23 | |
It was a stag do. A friend of mine was getting married. | 0:15:23 | 0:15:27 | |
I know what stag do's are. | 0:15:27 | 0:15:29 | |
In the run up, it was decided it was a weekend in Cornwall. | 0:15:29 | 0:15:32 | |
Who was the friend? | 0:15:32 | 0:15:34 | |
His name was Robbie. | 0:15:34 | 0:15:35 | |
David, what size was the board? | 0:15:36 | 0:15:38 | |
-What size was the board? -Yeah. -Oh. | 0:15:38 | 0:15:40 | |
That's him giving him time to think the reiteration of the question. | 0:15:40 | 0:15:42 | |
What size, the board size? | 0:15:42 | 0:15:44 | |
What size the board, the board of the size. | 0:15:44 | 0:15:45 | |
-You want me to tell you the board size? -Yes. | 0:15:45 | 0:15:47 | |
Um, normal. | 0:15:47 | 0:15:48 | |
-Normal size. -Normal. | 0:15:50 | 0:15:52 | |
What size is a normal-sized board? | 0:15:52 | 0:15:54 | |
How long is a... Well, this surfboard was six feet long. | 0:15:54 | 0:15:58 | |
-Six feet? -Six feet. -That's, that's... | 0:15:58 | 0:16:01 | |
That's a very short surfboard. | 0:16:01 | 0:16:03 | |
Ten foot would have been believable. Six foot is not believable. | 0:16:03 | 0:16:06 | |
Six foot, yeah, but he is quite a maverick. | 0:16:06 | 0:16:07 | |
To be honest, I didn't, I didn't... | 0:16:07 | 0:16:10 | |
-Surf. -..measure it. | 0:16:10 | 0:16:11 | |
One final question, what else did you and the guys get up to | 0:16:14 | 0:16:17 | |
on the stag weekend, David? | 0:16:17 | 0:16:19 | |
We had a curry one night. | 0:16:19 | 0:16:22 | |
Rock and roll. | 0:16:22 | 0:16:23 | |
Cornish curry. | 0:16:23 | 0:16:24 | |
If you go to the seaside, you're not having a curry, | 0:16:24 | 0:16:26 | |
you're having fish and chips, aren't you. | 0:16:26 | 0:16:28 | |
And what sort of stag do goes all the way to Newquay | 0:16:28 | 0:16:32 | |
and says "Well, I really fancy now some naan bread." | 0:16:32 | 0:16:35 | |
I must say, if that's the part that you think | 0:16:38 | 0:16:40 | |
is the chink in my armour... | 0:16:40 | 0:16:42 | |
..that a stag do wouldn't have a curry at the seaside, | 0:16:44 | 0:16:48 | |
then I reckon I'm doing all right. | 0:16:48 | 0:16:50 | |
Right, Lee, who's next? | 0:16:51 | 0:16:53 | |
-OK, Kirsty. -Yes. | 0:16:53 | 0:16:55 | |
Just remind me again of your thing. | 0:16:55 | 0:16:57 | |
This is Andy, and in a Crimewatch reconstruction he played | 0:16:57 | 0:17:01 | |
a bag snatcher, and we only got nine calls | 0:17:01 | 0:17:05 | |
on the particular reconstruction, and every single one of them | 0:17:05 | 0:17:07 | |
actually named Andy as the real bag snatcher. | 0:17:07 | 0:17:12 | |
He was representing the criminal, yeah, and... | 0:17:12 | 0:17:14 | |
The bag snatcher. | 0:17:14 | 0:17:15 | |
The bag snatcher. How much money was in the bag? | 0:17:15 | 0:17:18 | |
Um, well, actually, that was the reason, because we wouldn't normally | 0:17:18 | 0:17:21 | |
have something like a bag snatcher on Crimewatch | 0:17:21 | 0:17:23 | |
cos although it's serious to the person it's happened to, it's not... | 0:17:23 | 0:17:26 | |
Is this where you pretend it was more serious? | 0:17:26 | 0:17:28 | |
She wouldn't let go of the bag, so it ended up as kidnap. | 0:17:28 | 0:17:30 | |
No, no, no. | 0:17:30 | 0:17:32 | |
And we shouldn't make light of it, Lee. It's crime. | 0:17:32 | 0:17:34 | |
LAUGHTER AND APPLAUSE | 0:17:35 | 0:17:38 | |
So Andy would be, then, an actor, would he? | 0:17:43 | 0:17:46 | |
Yeah, Andy is an actor. | 0:17:46 | 0:17:48 | |
Well, why did the nine people bother to ring up and say, | 0:17:48 | 0:17:50 | |
"My friend Andy the actor is playing..." | 0:17:50 | 0:17:54 | |
No, no, no, they were people who had actually witnessed the crime | 0:17:54 | 0:17:58 | |
who phoned us and said, that is the actual guy. | 0:17:58 | 0:18:01 | |
He looked so like the person. | 0:18:01 | 0:18:04 | |
Ah-hah. | 0:18:04 | 0:18:05 | |
So you're telling me that people rang up the BBC and said, | 0:18:05 | 0:18:09 | |
"I think I know who did it, it's the person I've just seen doing it | 0:18:09 | 0:18:11 | |
"in the reconstruction"? | 0:18:11 | 0:18:13 | |
-Yeah. -What does that mean? | 0:18:13 | 0:18:16 | |
What are you talking about? | 0:18:17 | 0:18:19 | |
Just to be clear, Crimewatch has been going... | 0:18:20 | 0:18:22 | |
It'll be 25 years next year. This has never happened before. | 0:18:22 | 0:18:26 | |
You don't say. | 0:18:26 | 0:18:27 | |
I would go as far to say it's never happened at all. | 0:18:27 | 0:18:30 | |
Was Andy subsequently arrested? | 0:18:33 | 0:18:35 | |
-Andy wasn't arrested... -He wasn't arrested. -No. | 0:18:35 | 0:18:38 | |
He wasn't arrested, he's an actor! Of course he wasn't arrested! | 0:18:38 | 0:18:40 | |
-Get him now! -Let's get him, quick! | 0:18:40 | 0:18:43 | |
Right, what about Greg, and his story? | 0:18:46 | 0:18:49 | |
You think Greg did it? | 0:18:49 | 0:18:50 | |
He would have got away. | 0:18:52 | 0:18:53 | |
He would. | 0:18:53 | 0:18:54 | |
So go on, Greg, remind us of your, um, thing. | 0:18:54 | 0:18:58 | |
This is Andy, and I beat him in a speed eating contest | 0:18:58 | 0:19:01 | |
where I ate over a kilo of ribs. | 0:19:01 | 0:19:04 | |
Where was this? | 0:19:04 | 0:19:06 | |
At a training camp, Andy's an athlete. | 0:19:06 | 0:19:09 | |
What's his event? | 0:19:09 | 0:19:10 | |
110 metre hurdles so that's over 10 hurdles. | 0:19:10 | 0:19:12 | |
He runs over 110 metre hurdles. Does he use a ladder? | 0:19:12 | 0:19:15 | |
If you're wondering what a kilo of ribs looks like, I'm your man, | 0:19:18 | 0:19:23 | |
because look at these here, you see. | 0:19:23 | 0:19:25 | |
Here we go. | 0:19:25 | 0:19:27 | |
Oooh. That's a kilo of ribs. | 0:19:27 | 0:19:29 | |
That smells. So that is a kilo of ribs. | 0:19:29 | 0:19:35 | |
How long did it take you to eat this much ribs? | 0:19:35 | 0:19:39 | |
I think, if I remember correctly, about six minutes. | 0:19:39 | 0:19:42 | |
-Six minutes, to eat all that? -Six minutes? -Yeah. | 0:19:42 | 0:19:44 | |
But how did you know whether you'd finished them or not? | 0:19:44 | 0:19:47 | |
They weren't there any more. | 0:19:47 | 0:19:48 | |
Let's do it logically. | 0:19:50 | 0:19:52 | |
So let's assume there is 60 bits on the rack. | 0:19:52 | 0:19:55 | |
Yeah. | 0:19:55 | 0:19:56 | |
And you've eaten them all in six minutes, | 0:19:56 | 0:20:00 | |
which works out at six seconds a thingybob. | 0:20:00 | 0:20:04 | |
One, two, three, | 0:20:05 | 0:20:10 | |
four, five, six. | 0:20:10 | 0:20:15 | |
That's doable. | 0:20:15 | 0:20:16 | |
I think that is doable. | 0:20:16 | 0:20:18 | |
APPLAUSE | 0:20:18 | 0:20:21 | |
Right, we need an answer. | 0:20:21 | 0:20:25 | |
So, Lee's team. Is Andy Kirsty's Crimewatch culprit, | 0:20:25 | 0:20:29 | |
Greg's rib eating rival, or David's complimentary surf coach? | 0:20:29 | 0:20:35 | |
Andy does look like an athlete. | 0:20:35 | 0:20:37 | |
-Yeah. -He does, he definitely. | 0:20:37 | 0:20:39 | |
Well, yeah, but he also looks a bit like a surfing dude, | 0:20:39 | 0:20:41 | |
and, dare I say, a minor criminal. | 0:20:41 | 0:20:43 | |
I think it's Greg. | 0:20:46 | 0:20:48 | |
OK, you think it's Greg. | 0:20:48 | 0:20:50 | |
I don't think it's Kirsty. I think it's more likely Greg. | 0:20:50 | 0:20:53 | |
I have two Gregs, so I will make that three Gregs. Three Gregs, please. | 0:20:53 | 0:20:56 | |
OK. You're saying it's Greg. Andy, please reveal your true identity. | 0:20:56 | 0:21:01 | |
My name is Andy, and Greg did once beat me eating a kilo of ribs. | 0:21:01 | 0:21:06 | |
And it's not just any Andy. | 0:21:08 | 0:21:11 | |
This is Andy Turner who is indeed | 0:21:11 | 0:21:13 | |
European and Commonwealth hurdling champion. | 0:21:13 | 0:21:17 | |
APPLAUSE | 0:21:17 | 0:21:19 | |
Big thanks to Andy Turner, ladies and gentlemen. | 0:21:19 | 0:21:21 | |
Which brings us to our final round, Quick Fire Lies, | 0:21:24 | 0:21:27 | |
and we start with... | 0:21:27 | 0:21:29 | |
BUZZER | 0:21:29 | 0:21:30 | |
It's Lee. | 0:21:30 | 0:21:32 | |
I have had to stop listening to a classic 1980s pop song, | 0:21:32 | 0:21:35 | |
because every time I play it, it makes my baby daughter cry. | 0:21:35 | 0:21:39 | |
David and team. | 0:21:41 | 0:21:42 | |
What is the song? | 0:21:43 | 0:21:45 | |
I can't talk about it. | 0:21:45 | 0:21:46 | |
It's Ultravox, Vienna. | 0:21:48 | 0:21:52 | |
And how many times have you played it and she cried before you decided, | 0:21:52 | 0:21:56 | |
"Oh, hang on, no, this is, this is definitely a trend"? | 0:21:56 | 0:21:59 | |
It happened three times randomly, and on the third time I thought, | 0:21:59 | 0:22:02 | |
"This has got to be, no, it's not a coincidence now | 0:22:02 | 0:22:04 | |
"because she seems to be doing it at the same point." | 0:22:04 | 0:22:07 | |
Which bit? | 0:22:07 | 0:22:08 | |
Well, it starts off quite slow, it goes... | 0:22:08 | 0:22:10 | |
LEE HUMS "Vienna" by Ultravox | 0:22:10 | 0:22:13 | |
We'll be here all night if I do this. | 0:22:13 | 0:22:16 | |
And then suddenly, he suddenly goes | 0:22:16 | 0:22:18 | |
# The feeling is gone... # | 0:22:18 | 0:22:19 | |
And then she started crying her eyes out and I thought | 0:22:19 | 0:22:21 | |
that was coincidence, so I tried it once, finally, just to test it. | 0:22:21 | 0:22:26 | |
So after the third time you decided, "OK, I'm spotting a trend," | 0:22:26 | 0:22:30 | |
and then you played it a fourth time. | 0:22:30 | 0:22:32 | |
Fourth time. I even filmed it, I thought I'll film the evidence. | 0:22:32 | 0:22:35 | |
How loud was the track when you were playing it? | 0:22:35 | 0:22:37 | |
Piercingly loud that would make a baby cry, cos I really, | 0:22:37 | 0:22:39 | |
I really wanted to prove my point on the fourth one. | 0:22:39 | 0:22:42 | |
So what are you thinking, David? | 0:22:43 | 0:22:44 | |
Greg, what do you think? | 0:22:44 | 0:22:45 | |
I don't know. I haven't had any children | 0:22:45 | 0:22:47 | |
so I don't know whether or not they just hate ones, | 0:22:47 | 0:22:49 | |
like one track like that, but... | 0:22:49 | 0:22:51 | |
You should get one cos then they'll get a sandpit and you'll be happy. | 0:22:51 | 0:22:55 | |
I think it's true. | 0:22:56 | 0:22:58 | |
I think it's true, cos I think the pitch of the music, | 0:22:58 | 0:23:00 | |
I think it is the kind of thing that could disturb a little baby. | 0:23:00 | 0:23:03 | |
Well, I'm going to go with Kirsty. I think it's true. | 0:23:03 | 0:23:05 | |
-You think it's true? -Yeah. | 0:23:05 | 0:23:06 | |
OK. Lee, were you telling the truth, or was it a lie? | 0:23:06 | 0:23:09 | |
It is in fact true. | 0:23:09 | 0:23:11 | |
It is true. | 0:23:12 | 0:23:14 | |
And, rather excitingly, we can prove it. | 0:23:16 | 0:23:22 | |
I did film it. I felt terrible. | 0:23:22 | 0:23:23 | |
I did it once. It's never been played again. Play the VT. | 0:23:23 | 0:23:26 | |
OK, so here it is. | 0:23:26 | 0:23:27 | |
So I'm going to play this once and we'll never do this again. | 0:23:27 | 0:23:30 | |
All right, Millie, promise you we'll never do this again. | 0:23:30 | 0:23:33 | |
RADIO PLAYS "Vienna" by Ultravox | 0:23:33 | 0:23:36 | |
# The feeling has gone only you and I | 0:23:38 | 0:23:41 | |
# It means nothing to me. # | 0:23:41 | 0:23:44 | |
APPLAUSE | 0:23:46 | 0:23:50 | |
So sorry, Millie. The bizarrest thing. | 0:23:51 | 0:23:56 | |
I think you'll agree, ladies and gentlemen, | 0:23:56 | 0:23:58 | |
now that's light entertainment. | 0:23:58 | 0:24:00 | |
It's made me so angry cos they wouldn't show the clip of me | 0:24:01 | 0:24:04 | |
attacking my mother with a taser. | 0:24:04 | 0:24:06 | |
I thought it was really funny. | 0:24:06 | 0:24:09 | |
Yes, it's true. There is nothing that Lee will not do for a laugh. | 0:24:10 | 0:24:17 | |
Next. | 0:24:19 | 0:24:20 | |
BUZZER | 0:24:20 | 0:24:22 | |
It's... Oh, it's me. Right. | 0:24:22 | 0:24:23 | |
I was recently bounced off a bouncy castle | 0:24:27 | 0:24:30 | |
whilst trying to prevent a bouncident. | 0:24:30 | 0:24:33 | |
What's a bouncident? | 0:24:35 | 0:24:37 | |
It's an incident involving a bounce, | 0:24:37 | 0:24:39 | |
and you put the two together to create bouncident. | 0:24:39 | 0:24:42 | |
Bouncident. Surely it's a derivative of accident, not incident. | 0:24:42 | 0:24:45 | |
Well, obviously an accident is an incident, | 0:24:45 | 0:24:48 | |
and a bouncident is an incident. Was this bouncident an accident? | 0:24:48 | 0:24:53 | |
It was an bouncident waiting to happen. | 0:24:54 | 0:24:56 | |
How did you go about preventing the bouncident... | 0:24:58 | 0:25:04 | |
that might or might not have happened. | 0:25:04 | 0:25:08 | |
I'll tell you everything. | 0:25:10 | 0:25:11 | |
Let me set the scene for you. | 0:25:13 | 0:25:15 | |
It's early summer. It was the birthday party of a small child. | 0:25:16 | 0:25:22 | |
Were you invited or just turned up? | 0:25:22 | 0:25:24 | |
I... Let's be clear. | 0:25:25 | 0:25:28 | |
-There's a children's party in a church hall. -Yeah. | 0:25:29 | 0:25:32 | |
-I'm attending because it's the party of my nephew. -Yeah. | 0:25:32 | 0:25:36 | |
And there's a bouncy castle. | 0:25:36 | 0:25:37 | |
-Whoa, whoa, in the church hall? -I know, I've never seen that. | 0:25:37 | 0:25:40 | |
-Indoors? -Yes, yes. | 0:25:40 | 0:25:41 | |
-An indoor bouncy castle? -Indoors. | 0:25:41 | 0:25:42 | |
-How big was it? -Yes. -No, there wasn't. | 0:25:42 | 0:25:44 | |
How did they get it in the door? | 0:25:44 | 0:25:47 | |
That's a fire hazard. | 0:25:47 | 0:25:49 | |
I'm not an idiot. How did they get it in the door? We've got him! | 0:25:49 | 0:25:53 | |
No, I'm sorry. Church hall, is that where the service is being held? | 0:25:53 | 0:25:56 | |
-No. -No, no. | 0:25:56 | 0:25:57 | |
It's the adjacent bit. | 0:25:57 | 0:25:59 | |
Church hall was our Prime Minister during the war. | 0:25:59 | 0:26:01 | |
APPLAUSE | 0:26:05 | 0:26:08 | |
Now, I don't like bouncy castles, cos I think they're dangerous. | 0:26:09 | 0:26:13 | |
Right. | 0:26:13 | 0:26:15 | |
And my little boy went on after I'd expressly told him not to. | 0:26:15 | 0:26:19 | |
What, he disobeyed your orders? | 0:26:19 | 0:26:22 | |
You're the worst father, | 0:26:26 | 0:26:27 | |
or the most incompetent father I've ever heard of. | 0:26:27 | 0:26:30 | |
Well, I don't like to say but I think the boy's better off in care. | 0:26:33 | 0:26:37 | |
APPLAUSE | 0:26:39 | 0:26:42 | |
This is very upsetting. | 0:26:44 | 0:26:46 | |
He clambered on, unbeknownst to me and he's going back and forth. | 0:26:47 | 0:26:52 | |
So I get on and I get my little boy, George, who is not even two, | 0:26:52 | 0:26:56 | |
and I pick him up. | 0:26:56 | 0:26:58 | |
-Right. -OK. | 0:26:58 | 0:26:59 | |
And I'm trying now to hold my little boy, | 0:26:59 | 0:27:02 | |
whilst being bounced by these evil children. | 0:27:02 | 0:27:07 | |
My wife is stood on terra firma. | 0:27:07 | 0:27:10 | |
And as I'm coming off the bouncy castle, a particularly hefty child | 0:27:10 | 0:27:16 | |
bounces, sending me up, holding my son. | 0:27:16 | 0:27:22 | |
I hurtle through the air. | 0:27:22 | 0:27:24 | |
Luckily, I come to my feet like Spiderman, | 0:27:24 | 0:27:28 | |
but the impetus is too much. | 0:27:28 | 0:27:30 | |
I surge forward and head butt my wife. | 0:27:30 | 0:27:33 | |
Thus having the bouncident that I was trying to avoid. | 0:27:35 | 0:27:40 | |
So what are you going to say, Lee? | 0:27:42 | 0:27:44 | |
What do we think? | 0:27:44 | 0:27:45 | |
-Yes, I think it's true. -You think it's true? | 0:27:45 | 0:27:46 | |
If a two-year-old had clambered on, | 0:27:46 | 0:27:48 | |
you might well go and get your two-year-old off. | 0:27:48 | 0:27:51 | |
-I think that's true. -Well, then, I must say true. | 0:27:51 | 0:27:53 | |
You say true. David's team. | 0:27:53 | 0:27:55 | |
Well, we'll say it's a lie. | 0:27:55 | 0:27:56 | |
-You're saying it's a lie. -Yep. | 0:27:56 | 0:27:58 | |
You say it's true. | 0:27:58 | 0:27:59 | |
Well, it's actually... | 0:27:59 | 0:28:01 | |
true. | 0:28:01 | 0:28:02 | |
The tension mounts. | 0:28:04 | 0:28:06 | |
Yes, it's true. I was recently bounced off a bouncy castle | 0:28:06 | 0:28:11 | |
while trying to prevent a bouncident. | 0:28:11 | 0:28:12 | |
BUZZER | 0:28:12 | 0:28:14 | |
And that noise signals time is up, it's the end of the show, | 0:28:14 | 0:28:16 | |
and I can reveal that David's team have won by three points to two. | 0:28:16 | 0:28:20 | |
APPLAUSE | 0:28:20 | 0:28:22 | |
But, of course, it's not just a team game. | 0:28:24 | 0:28:27 | |
My individual liar of the week this week is Henning Wehn. | 0:28:27 | 0:28:30 | |
Yes, Henning Wehn. | 0:28:34 | 0:28:36 | |
It was a close run thing, but he won on penalties. Good night. | 0:28:36 | 0:28:40 | |
Subtitles by Red Bee Media Ltd | 0:28:56 | 0:28:59 |