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Good evening, and welcome to Would I Lie To You? | 0:00:25 | 0:00:27 | |
The show with dedication to fabrication. | 0:00:27 | 0:00:29 | |
And on Lee Mack's team tonight | 0:00:29 | 0:00:31 | |
a TV chef who co-wrote The Hairy Dieters book. | 0:00:31 | 0:00:34 | |
I bought it last week and I've already lost nine pounds, | 0:00:34 | 0:00:37 | |
well, £8.99 to be precise. | 0:00:37 | 0:00:40 | |
It's the Hairy Biker, Dave Myers. | 0:00:40 | 0:00:42 | |
Thank you. | 0:00:42 | 0:00:43 | |
And a woman whose working day starts at 3.00am | 0:00:45 | 0:00:49 | |
so put your hands together, very quietly so you don't wake her up, | 0:00:49 | 0:00:52 | |
it's Susanna Reid. | 0:00:52 | 0:00:54 | |
Now, on David Mitchell's team tonight, | 0:00:57 | 0:01:00 | |
a man who is one of the few comedy geniuses who can do the vital | 0:01:00 | 0:01:04 | |
but thankless task of hosting a comedy panel show, Jimmy Carr. | 0:01:04 | 0:01:09 | |
And a comedian and actor with a line in saving nature | 0:01:12 | 0:01:16 | |
and restoring homes but tonight we'll be after a little less | 0:01:16 | 0:01:20 | |
conservation and a little more action, it's Griff Rhys Jones. | 0:01:20 | 0:01:24 | |
And so we begin with Round 1, Home Truths, where our panellists | 0:01:29 | 0:01:32 | |
read out a statement from the card in front of them. | 0:01:32 | 0:01:34 | |
Now to make things harder, they've never seen the card before | 0:01:34 | 0:01:37 | |
so they've no idea what they'll be faced with. | 0:01:37 | 0:01:40 | |
It's up to the opposing team to sort the fact from the fiction. | 0:01:40 | 0:01:44 | |
Jimmy Carr is first up. | 0:01:44 | 0:01:46 | |
As a baby, I was regularly fed coffee in my bottle. | 0:01:48 | 0:01:53 | |
Lee Mack's team, what do you make of that? | 0:01:53 | 0:01:56 | |
From...from birth? | 0:01:56 | 0:01:58 | |
I thought you were going to say, from your mother's breast? | 0:01:58 | 0:02:02 | |
You were given coffee in the milk? | 0:02:02 | 0:02:04 | |
Well, milky coffee from a very...from about the age of three. | 0:02:04 | 0:02:08 | |
This is not hot coffee, obviously. | 0:02:08 | 0:02:11 | |
Yeah, no, it would have been quite warm, warm milky coffee. | 0:02:11 | 0:02:14 | |
And when you got older did you ever say to your parents, | 0:02:14 | 0:02:17 | |
-why did this happen? -Yeah. | 0:02:17 | 0:02:18 | |
My children like coffee. | 0:02:21 | 0:02:22 | |
Nowadays you can have what they call a kiddychino, a babychino. | 0:02:22 | 0:02:27 | |
Sorry, babychino. I got it wrong, kiddychino. | 0:02:27 | 0:02:29 | |
Actually, a kiddychino is just a very small pair of trousers. | 0:02:29 | 0:02:32 | |
You probably do use them. | 0:02:32 | 0:02:33 | |
If they were putting coffee in your milk for a... | 0:02:38 | 0:02:40 | |
No, they weren't putting coffee in my milk, I was having coffee. | 0:02:40 | 0:02:43 | |
Slightly milky coffee. | 0:02:43 | 0:02:45 | |
Well, that is the same as putting coffee in milk. | 0:02:45 | 0:02:47 | |
Well... | 0:02:47 | 0:02:48 | |
No, no, there's distinction between putting coffee in milk | 0:02:48 | 0:02:51 | |
and putting milk in coffee. | 0:02:51 | 0:02:52 | |
What is the distinction? | 0:02:52 | 0:02:54 | |
It's like the distinction between having a glass of water | 0:02:54 | 0:02:56 | |
and going swimming. | 0:02:56 | 0:02:58 | |
In one case you're putting water in yourself, | 0:03:03 | 0:03:05 | |
in the other case, you're putting yourself in water. | 0:03:05 | 0:03:08 | |
Did they give you other more adult foodstuffs at a very young age? | 0:03:08 | 0:03:13 | |
I think I was... | 0:03:13 | 0:03:14 | |
I think I was allowed a modicum of booze as a child. | 0:03:14 | 0:03:17 | |
Oh, were you? At what age were you allowed booze? | 0:03:17 | 0:03:19 | |
Like, as a baby. | 0:03:19 | 0:03:21 | |
It was to offset the coffee buzz. | 0:03:21 | 0:03:24 | |
Lee, what, what, what were you given as a child? | 0:03:25 | 0:03:28 | |
Evostick. | 0:03:28 | 0:03:29 | |
But that's glue. | 0:03:32 | 0:03:33 | |
Yeah, but that was to stop me getting out the cot. | 0:03:33 | 0:03:36 | |
David, as a small child, what were they bringing you in your quarters? | 0:03:36 | 0:03:40 | |
Just a port and a cigar. | 0:03:40 | 0:03:42 | |
You took the words out of my self-parodic mouth. | 0:03:45 | 0:03:48 | |
No, the blood of a pheasant. | 0:03:48 | 0:03:51 | |
Did you say pheasant or peasant? | 0:03:55 | 0:03:57 | |
Lee, what are you thinking, is there any truth in this? | 0:03:59 | 0:04:01 | |
Which way are you leaning? | 0:04:01 | 0:04:03 | |
I don't know, what do you think, guys? | 0:04:03 | 0:04:06 | |
I think we're skirting on the edge of giving out really bad child care advice. | 0:04:06 | 0:04:10 | |
That is true, but I can't help thinking that any parent | 0:04:10 | 0:04:12 | |
that's looking at Jimmy and thinking, I want to raise | 0:04:12 | 0:04:14 | |
a child like that anyway, is a dodgy parent in the first place. | 0:04:14 | 0:04:17 | |
You know what I mean? | 0:04:17 | 0:04:18 | |
-I think it's nonsense. -You think it's nonsense. | 0:04:18 | 0:04:21 | |
Nonsense, OK. | 0:04:21 | 0:04:22 | |
-I think it's a lie. -You think it's a lie. | 0:04:22 | 0:04:24 | |
-We'll say it's a lie then. -Pretty conclusively. -Yeah. | 0:04:24 | 0:04:27 | |
Jimmy Carr, were you telling us | 0:04:27 | 0:04:28 | |
the truth then or were you telling a lie? | 0:04:28 | 0:04:31 | |
I can tell you it is absolutely true. | 0:04:31 | 0:04:35 | |
It's true. | 0:04:35 | 0:04:36 | |
Wow, wow. | 0:04:36 | 0:04:38 | |
Yes, it's true. | 0:04:41 | 0:04:42 | |
As a baby, Jimmy was regularly fed coffee in his bottle. | 0:04:42 | 0:04:46 | |
Dave, you're next. | 0:04:46 | 0:04:48 | |
I once spent an entire Christmas locked in a bank. | 0:04:49 | 0:04:54 | |
David's team. | 0:04:57 | 0:04:58 | |
By an entire Christmas, what are we talking? All 12 days, I'm assuming. | 0:04:58 | 0:05:02 | |
No, Christmas Eve until about 7.00 on Boxing night. | 0:05:02 | 0:05:06 | |
-On Boxing night? -Yes. | 0:05:06 | 0:05:08 | |
When the bank opened for the usual Boxing Day evening. | 0:05:08 | 0:05:11 | |
-No, somebody came to let me out. -Which bank? | 0:05:11 | 0:05:15 | |
It was a merchant bank. I was working as a security guard | 0:05:15 | 0:05:19 | |
and I'd elected, due to personal trauma, that I'd spend my | 0:05:19 | 0:05:23 | |
Christmas working overtime, guarding Hill Samuel in Victoria. | 0:05:23 | 0:05:27 | |
And then they forgot about you. | 0:05:27 | 0:05:29 | |
No, because there was a rush on at Christmas, | 0:05:29 | 0:05:31 | |
I never got relieved on Christmas morning. | 0:05:31 | 0:05:33 | |
-A rush on. -Oh, we all look forward to that. | 0:05:33 | 0:05:36 | |
I mean, in the Brydon household, I have to say, | 0:05:36 | 0:05:40 | |
it's my one Christmas treat. | 0:05:40 | 0:05:41 | |
It was the Christmas after John Lennon got assassinated. | 0:05:43 | 0:05:47 | |
And you had to go into hiding? | 0:05:47 | 0:05:49 | |
I don't ever remember you being implicated in this. | 0:05:51 | 0:05:55 | |
-You see, I was living with a girl in Streatham. -Yeah, Yoko. | 0:05:55 | 0:06:00 | |
No. And we split up because she was seeing somebody else. | 0:06:00 | 0:06:04 | |
John Lennon. | 0:06:04 | 0:06:06 | |
So I needed to get a job and, you know, I wanted to be a bit of | 0:06:06 | 0:06:10 | |
a martyr so I said I'd work the Christmas shift as a security guard. | 0:06:10 | 0:06:15 | |
Like many of the great martyrs through history. | 0:06:15 | 0:06:18 | |
-Dave, answer me this. -Yes, certainly, Griff. | 0:06:18 | 0:06:21 | |
You went through a period where you were so lonely and down | 0:06:21 | 0:06:25 | |
that you didn't have any family of any kind whatsoever | 0:06:25 | 0:06:29 | |
who were saying, come home for Christmas and come and...? | 0:06:29 | 0:06:32 | |
No, but they laughed themselves silly when I phoned them | 0:06:32 | 0:06:34 | |
up on Christmas Day and told them where I was. | 0:06:34 | 0:06:37 | |
How did you do that? | 0:06:37 | 0:06:38 | |
There was a phone in the bank. | 0:06:38 | 0:06:40 | |
What sort of bank is this, with a phone in it? | 0:06:43 | 0:06:46 | |
I, honestly, I've tried to phone a bank over and over again. | 0:06:46 | 0:06:49 | |
So there's a phone in the bank, | 0:06:55 | 0:06:57 | |
why did you only use it to phone your family | 0:06:57 | 0:07:00 | |
and not to phone someone who could have released you from the bank? | 0:07:00 | 0:07:03 | |
Oh, I kept phoning. I kept phoning. It was a firm in Croydon that | 0:07:03 | 0:07:06 | |
had employed me and I kept phoning them and they said | 0:07:06 | 0:07:09 | |
they had nobody in to hold on. | 0:07:09 | 0:07:11 | |
So I held on right through, like, four shifts. | 0:07:11 | 0:07:13 | |
-And you accepted that? -Oh, no, I was locked in the bank. | 0:07:13 | 0:07:16 | |
-So at 8.00... -And I couldn't get out. | 0:07:16 | 0:07:18 | |
When you're a guard in the bank, they lock you in. | 0:07:18 | 0:07:20 | |
They don't lock you in surely, in the bank? | 0:07:20 | 0:07:22 | |
Well, they wouldn't give me the keys. I was only 22. | 0:07:22 | 0:07:26 | |
Sorry, that's how a merchant bank ensures its security over Christmas? | 0:07:26 | 0:07:29 | |
It locks a 22-year-old in there and they go, | 0:07:29 | 0:07:33 | |
it's all right if anyone breaks in, the 22-year-old will handle it. | 0:07:33 | 0:07:36 | |
No, but I had a phone, you see. I could have phoned for the police. | 0:07:36 | 0:07:40 | |
What were you supposed to do if the burglars all come in? | 0:07:40 | 0:07:43 | |
Ring Croydon, they say, we'll have someone there in the next 36 hours. | 0:07:43 | 0:07:46 | |
How did you actually celebrate Christmas? | 0:07:46 | 0:07:48 | |
I mean, what did you do to mark it? | 0:07:48 | 0:07:50 | |
Before I went to work, I did take myself a small capon, | 0:07:50 | 0:07:54 | |
I stuffed it, little sausages and everything and I put it by my, | 0:07:54 | 0:07:58 | |
you know, away, and I looked forward to it. | 0:07:58 | 0:08:01 | |
But when I got back on Boxing night, | 0:08:01 | 0:08:03 | |
the cat had had my capon cos I forgot to put it away. | 0:08:03 | 0:08:07 | |
The cat was wearing your cape? | 0:08:07 | 0:08:09 | |
No, a capon, it's like a type of chicken. | 0:08:09 | 0:08:12 | |
-Oh, sorry. -I didn't even have a Christmas dinner. | 0:08:12 | 0:08:14 | |
-The cat with a cape on. -The cat wasn't wearing the apron. | 0:08:14 | 0:08:17 | |
-He said... -The cat's there taking over doing the frying going, | 0:08:17 | 0:08:20 | |
well, he's gone I might as well look after myself. | 0:08:20 | 0:08:22 | |
-No, no, no, no, no. -It's like a big chicken. | 0:08:22 | 0:08:25 | |
He clearly said, I came back and the cat had my cape on. | 0:08:25 | 0:08:30 | |
So, David, what are you thinking? | 0:08:32 | 0:08:34 | |
There is only one person who can answer this question | 0:08:34 | 0:08:37 | |
here in this room, so we're going to have to turn to you, Jimmy. | 0:08:37 | 0:08:40 | |
I wouldn't have thought there were many merchant banks in Victoria. | 0:08:40 | 0:08:44 | |
I don't really know much about banks in Victoria, | 0:08:44 | 0:08:46 | |
if it was in Jersey I'd... | 0:08:46 | 0:08:48 | |
LAUGHTER | 0:08:48 | 0:08:49 | |
..I'm your man. | 0:08:49 | 0:08:50 | |
So is it the truth? | 0:08:54 | 0:08:55 | |
-I think true. -Do you? | 0:08:55 | 0:08:56 | |
I like the detail, the cat, | 0:08:56 | 0:08:58 | |
the capon, I love the story, I'd like to buy the rights. | 0:08:58 | 0:09:03 | |
-We think it's true. -True, we think it's true. | 0:09:03 | 0:09:05 | |
-You all think it's true. -Absolutely true. | 0:09:05 | 0:09:07 | |
Dave, truth or lie? | 0:09:07 | 0:09:10 | |
Sadly, it's true. | 0:09:10 | 0:09:12 | |
Yes, it's true. Dave once spent an entire Christmas locked in a bank. | 0:09:17 | 0:09:21 | |
Our next round is called This Is My, where we bring on a mystery guest | 0:09:21 | 0:09:25 | |
who has a close connection to one of our panellists. | 0:09:25 | 0:09:28 | |
This week, each of Lee's team will claim it's them | 0:09:28 | 0:09:30 | |
that has the genuine connection to the guest. | 0:09:30 | 0:09:32 | |
And it's up to David's team to spot who's telling the truth. | 0:09:32 | 0:09:35 | |
So please welcome this week's special guest, Ray. | 0:09:35 | 0:09:38 | |
So, let's start with Susanna how do you know Ray? | 0:09:47 | 0:09:50 | |
This is Ray. | 0:09:50 | 0:09:52 | |
I stole his title for downing a pint faster than anyone | 0:09:52 | 0:09:56 | |
else on the BBC Breakfast team. | 0:09:56 | 0:09:59 | |
Dave, what is Ray to you? | 0:10:00 | 0:10:02 | |
This is Ray, and as teenagers we spent two weeks | 0:10:02 | 0:10:06 | |
building a 35 foot long airship in his back garden | 0:10:06 | 0:10:10 | |
for it only to be popped by his pet cat. | 0:10:10 | 0:10:13 | |
What about you, Lee, what's your relationship with Ray? | 0:10:13 | 0:10:17 | |
This is Ray he taught me to drive in a hearse. | 0:10:17 | 0:10:19 | |
So there we are. | 0:10:21 | 0:10:22 | |
Susanna's pint drinking opponent, Dave's airship building buddy, | 0:10:22 | 0:10:26 | |
or Lee's hearse driving instructor. | 0:10:26 | 0:10:28 | |
David's team, who do you want to start with? | 0:10:28 | 0:10:31 | |
How quickly can you drink a pint? | 0:10:31 | 0:10:33 | |
I can drink a pint in six seconds. | 0:10:33 | 0:10:36 | |
-Six seconds? -Yes. | 0:10:36 | 0:10:38 | |
How quick was Ray? | 0:10:38 | 0:10:40 | |
Seven seconds. | 0:10:40 | 0:10:41 | |
Thank God you said a number bigger. | 0:10:41 | 0:10:44 | |
And how long had Ray held the record? | 0:10:44 | 0:10:47 | |
Three years. | 0:10:47 | 0:10:48 | |
And how much less a man do you think he felt? | 0:10:48 | 0:10:51 | |
Well, it was a tough phone call because I had to call him | 0:10:51 | 0:10:54 | |
to tell him that his record had gone. | 0:10:54 | 0:10:57 | |
Sorry, you just did this at home, did you? | 0:10:57 | 0:10:59 | |
"I've had another one, Ray, I'm really getting through it tonight." | 0:10:59 | 0:11:03 | |
-Sorry, no Ray.... -If you're drunk, why do you turn northern, Jimmy? | 0:11:03 | 0:11:07 | |
-Because of the alcohol. -Oh, right. | 0:11:07 | 0:11:10 | |
I don't mind. When I'm trying to fiddle the government, | 0:11:12 | 0:11:15 | |
I always put on Jimmy's voice. | 0:11:15 | 0:11:18 | |
We all, we all do different things, we all do different voices. | 0:11:18 | 0:11:22 | |
Susanna can you just fill me in, | 0:11:22 | 0:11:23 | |
what was his role in the Breakfast team then? | 0:11:23 | 0:11:26 | |
-Ray was a floor manager of Breakfast. -Right. | 0:11:26 | 0:11:29 | |
In Television Centre. | 0:11:29 | 0:11:30 | |
I mean, Ray is famous for having the record of | 0:11:30 | 0:11:33 | |
Seven seconds for downing a pint. | 0:11:33 | 0:11:36 | |
But that was when we were at Television centre in London | 0:11:36 | 0:11:39 | |
and then, of course, the Breakfast team moved to Salford | 0:11:39 | 0:11:42 | |
and Ray didn't come with us. | 0:11:42 | 0:11:44 | |
Oh, I see, so the Breakfast team start downing pints when? | 0:11:44 | 0:11:48 | |
I've seen the show, I think they start before they finish. | 0:11:50 | 0:11:53 | |
-Do they? -I'm confident. | 0:11:53 | 0:11:55 | |
What's the context for this pint drinking, is it an annual? | 0:11:55 | 0:11:58 | |
It is the annual Christmas party. | 0:11:58 | 0:12:00 | |
What is your pint drinking technique? | 0:12:00 | 0:12:03 | |
You have the pint. | 0:12:03 | 0:12:06 | |
And you drink it. | 0:12:06 | 0:12:08 | |
Quickly. | 0:12:09 | 0:12:11 | |
-I tap it once. -Yeah. -And I do it in four glugs. | 0:12:11 | 0:12:16 | |
Four glugs?! | 0:12:16 | 0:12:19 | |
You can't do a pint in four glugs? How big are your glugs? | 0:12:19 | 0:12:23 | |
I'd like to know about the phone call. | 0:12:25 | 0:12:27 | |
Did you want to call him straightaway, | 0:12:27 | 0:12:30 | |
-did you wait till the next day? -It was the next day. | 0:12:30 | 0:12:32 | |
Did you HAVE to ring him? | 0:12:32 | 0:12:34 | |
Cos he's already lost his job, the place he works has closed, | 0:12:34 | 0:12:37 | |
and so he'll be going, on top of that, you may think you're remembered | 0:12:37 | 0:12:41 | |
fondly as the fastest beer drinker here, well no not even that, | 0:12:41 | 0:12:44 | |
you've been beaten in that by one of the female presenters of the show. | 0:12:44 | 0:12:49 | |
He didn't care, he got a new job teaching people to drive in hearses. | 0:12:49 | 0:12:53 | |
Let's move on to that, so you, he taught you to drive, | 0:12:55 | 0:12:58 | |
why in a hearse? | 0:12:58 | 0:13:00 | |
Because that's the vehicle he owned, because he was a funeral director. | 0:13:00 | 0:13:04 | |
So what does the sign on his shop say? | 0:13:04 | 0:13:06 | |
Closed, when he's teaching me. | 0:13:06 | 0:13:09 | |
Why did he teach you to drive if he was a funeral director? | 0:13:11 | 0:13:14 | |
Because he was a friend who was a funeral director, | 0:13:14 | 0:13:17 | |
-he just so happened to own a hearse. -Where did this all take place? | 0:13:17 | 0:13:20 | |
-In the hearse. -No, I meant... | 0:13:20 | 0:13:22 | |
LAUGHTER | 0:13:22 | 0:13:24 | |
I sometimes said, can I have a lie down in the back | 0:13:24 | 0:13:26 | |
if I was tired, but he wasn't. | 0:13:26 | 0:13:28 | |
-Where does he come from? -Southport. -Southport, the streets of Southport? | 0:13:28 | 0:13:31 | |
Yes, how do you know I'm from Southport? | 0:13:31 | 0:13:33 | |
-I told him. -How do you know? | 0:13:33 | 0:13:35 | |
Because we've been doing this programme for a thousand years. | 0:13:35 | 0:13:38 | |
Right so you're in Southport. | 0:13:38 | 0:13:40 | |
Is that you David? Is that David? | 0:13:40 | 0:13:43 | |
I know everything about you, including the fact that you | 0:13:43 | 0:13:47 | |
did not learn to drive in a hearse. | 0:13:47 | 0:13:49 | |
Nevertheless, we have to go through this. | 0:13:49 | 0:13:52 | |
What age did you get your driving licence? | 0:13:54 | 0:13:56 | |
-About 22. -Wow! -About 22? | 0:13:56 | 0:13:59 | |
Wow, what? I was a late developer. | 0:13:59 | 0:14:01 | |
I don't think you... | 0:14:01 | 0:14:02 | |
Didn't have a first girlfriend till 46 and I'm only 44. | 0:14:02 | 0:14:06 | |
Give me a call in a couple of years. | 0:14:06 | 0:14:09 | |
Actually, I'd like to ask you something, what's | 0:14:09 | 0:14:12 | |
the name of this funeral directors? | 0:14:12 | 0:14:14 | |
-What, Ray's Funeral Directors? -Ray's Funeral Directors. | 0:14:14 | 0:14:17 | |
No, no, that's not my answer, I said, what? Ray's funeral directors? | 0:14:17 | 0:14:21 | |
Yeah, what was Ray's funeral directors called? | 0:14:21 | 0:14:24 | |
I'll tell you now, | 0:14:24 | 0:14:25 | |
-I'll tell you what Ray's funeral directors was called. -Yeah. | 0:14:25 | 0:14:28 | |
Jones' Funeral Directors. | 0:14:28 | 0:14:30 | |
Jones, how does he do it, how does he come up with it so fast? | 0:14:30 | 0:14:34 | |
When he took you out for these driving lessons, did it ever | 0:14:34 | 0:14:38 | |
happen that you had, how shall I put it, a passenger in the back? | 0:14:38 | 0:14:42 | |
No, but the, he did teach me once with a coffin in the back | 0:14:43 | 0:14:46 | |
that didn't contain a body. | 0:14:46 | 0:14:48 | |
It didn't contain anything before you go, what was in there? | 0:14:48 | 0:14:51 | |
DAVID: Did he, did he? | 0:14:51 | 0:14:53 | |
Ocado have got a bit more protective over their fruit and veg. | 0:14:53 | 0:14:55 | |
-Should we move onto the airship. -Yes, this is Dave. | 0:14:55 | 0:14:58 | |
So you built an airship...I mean, this seems entirely plausible | 0:14:58 | 0:15:01 | |
to me, you built an airship in your back garden? | 0:15:01 | 0:15:03 | |
No, in Ray's back garden, we had a mutual love of dirigibles. | 0:15:03 | 0:15:07 | |
And how um, how, how old were you when you, when you did this? | 0:15:09 | 0:15:12 | |
-16. -What did you build your airship out of? | 0:15:12 | 0:15:17 | |
Well, it's mainly air. | 0:15:17 | 0:15:19 | |
No, no, no, it was plastic sheeting but it was sculpted | 0:15:19 | 0:15:23 | |
so it did form the shape of an airship. | 0:15:23 | 0:15:26 | |
How can you sculpt sheeting? | 0:15:26 | 0:15:28 | |
Because the way you cut it and you put it together, | 0:15:28 | 0:15:31 | |
when it's blown up, it will assume that shape. | 0:15:31 | 0:15:33 | |
And was there anything underneath it? | 0:15:33 | 0:15:36 | |
There was meant to be, but it never got that far, really. Um... | 0:15:36 | 0:15:40 | |
When the cat jumped on it, it was kind of went out of commission. | 0:15:40 | 0:15:44 | |
With his cape billowing in the wind. | 0:15:44 | 0:15:46 | |
It was a different cat. | 0:15:48 | 0:15:49 | |
You had terrible trouble with cats. How did you inflate it? | 0:15:49 | 0:15:55 | |
-With a vacuum cleaner put on blow. -So you blew with a vacuum cleaner? | 0:15:55 | 0:15:58 | |
Do they have a blow function? I don't know. | 0:15:58 | 0:16:00 | |
-Do you do any vacuuming very often? -God, no! -No, what about you, Jimmy? | 0:16:00 | 0:16:04 | |
I don't know I'd have to ask my people but I imagine someone does. | 0:16:04 | 0:16:08 | |
It's terrible to see three grown men | 0:16:08 | 0:16:10 | |
who've never picked up a vacuum cleaner. | 0:16:10 | 0:16:11 | |
Oh, I have picked one up. | 0:16:11 | 0:16:13 | |
-Oh, I've picked one up, yeah, but not for vacuuming. -Yeah. | 0:16:13 | 0:16:16 | |
So the idea was, you actually get the shape formed, and then | 0:16:18 | 0:16:21 | |
you heat the air that you put in and hopefully it would have flown. | 0:16:21 | 0:16:25 | |
How do you heat the air once it's already in there? | 0:16:25 | 0:16:28 | |
Crafting a gondola with two camping stoves on. | 0:16:28 | 0:16:30 | |
-It wasn't to carry people. -You said, "Crafting a gondola." | 0:16:32 | 0:16:35 | |
-We never got that far. -I know what all three of those words mean, | 0:16:35 | 0:16:38 | |
but I can't get a concept out of them. | 0:16:38 | 0:16:42 | |
In airship terminology, in dirigibles, it is a gondola | 0:16:42 | 0:16:45 | |
that's suspended underneath the bag of gas. | 0:16:45 | 0:16:47 | |
Do you know what, that fact alone - true. | 0:16:47 | 0:16:50 | |
Have we changed channels? | 0:16:50 | 0:16:52 | |
Where were you going to go? | 0:16:52 | 0:16:54 | |
Venice. | 0:16:54 | 0:16:55 | |
Just flying really. It was just... | 0:16:55 | 0:16:57 | |
He was thinking, | 0:16:57 | 0:16:59 | |
next time I get locked in a bank, I want an escape plan. | 0:16:59 | 0:17:02 | |
You, see I'd been on an inflatables course where, where... | 0:17:02 | 0:17:06 | |
Yeah, spin on it. | 0:17:06 | 0:17:08 | |
Hang, hang, hang on, hang on, what is an inflatables course? | 0:17:08 | 0:17:11 | |
It's for people that keep letting down their girlfriend. | 0:17:11 | 0:17:15 | |
It was just learning how to make things out of plastic | 0:17:18 | 0:17:21 | |
and blowing up, it was kind of a sculptural thing. | 0:17:21 | 0:17:24 | |
Now, let's go back to this cat, did he jump from a tree or a wall? | 0:17:24 | 0:17:28 | |
-Back yard wall. -Back yard wall. -Yeah. | 0:17:28 | 0:17:30 | |
So the cat saw this huge inflated thing and thought... | 0:17:30 | 0:17:33 | |
-DAVE: Bloody hell, I'll have that. -I'm going to jump on it. | 0:17:33 | 0:17:35 | |
Yeah. No, it just jumped on the top and we were in it at the time. | 0:17:35 | 0:17:39 | |
You were in it. Why had you gone inside? | 0:17:39 | 0:17:42 | |
To work out where to put the heat shield. | 0:17:42 | 0:17:45 | |
-You honestly... -That's true, that's true. | 0:17:47 | 0:17:50 | |
Couldn't be any more true. | 0:17:50 | 0:17:51 | |
To work out where to put the heat shield, true. | 0:17:51 | 0:17:54 | |
Right, chaps. We need an answer. So, David's team - | 0:17:56 | 0:17:58 | |
is Ray Dave's airship building buddy, | 0:17:58 | 0:18:02 | |
Susanna's pint drinking opponent, or Lee's hearse driving instructor? | 0:18:02 | 0:18:08 | |
Let's, let's go through, OK. So the hearse story, nonsense. | 0:18:08 | 0:18:13 | |
I could imagine BBC Breakfast having a drinking competition. | 0:18:13 | 0:18:16 | |
I remind you of the phrase, | 0:18:16 | 0:18:18 | |
we were in there to see where to put the heat shield. | 0:18:18 | 0:18:21 | |
You think...you think he'd make that up? | 0:18:24 | 0:18:27 | |
And let's not forget the phrase, Jones's funeral directors. | 0:18:27 | 0:18:30 | |
I think he's a mate of Dave's. | 0:18:32 | 0:18:34 | |
I think he looks so much like a mate of Dave's, if we stood them | 0:18:34 | 0:18:37 | |
face to face, it would look like a vase. | 0:18:37 | 0:18:39 | |
So you are saying, therefore...? | 0:18:39 | 0:18:41 | |
Airship. Airship. | 0:18:41 | 0:18:43 | |
Airship, right. OK. Ray, please reveal your true identity. | 0:18:43 | 0:18:48 | |
I'm Ray and I built an airship with Dave. | 0:18:48 | 0:18:51 | |
Thank you very much indeed, Ray. | 0:18:57 | 0:18:59 | |
Which brings us to our final round, Quick-Fire Lies, | 0:19:03 | 0:19:06 | |
in which our panellists lie not only through their teeth | 0:19:06 | 0:19:09 | |
but against the clock. And we start with... | 0:19:09 | 0:19:12 | |
It's Susanna, off you go. | 0:19:13 | 0:19:16 | |
My dad used to keep a coconut in the car because holding it was | 0:19:16 | 0:19:20 | |
the only thing that would cure my travel sickness. | 0:19:20 | 0:19:23 | |
David's team. | 0:19:23 | 0:19:25 | |
Where did the coconut come from? | 0:19:25 | 0:19:27 | |
We used to go on this very long journey to Devon | 0:19:27 | 0:19:29 | |
cos that's where we used to go on holiday. | 0:19:29 | 0:19:31 | |
One year, when the fair came to the village where we were staying, | 0:19:31 | 0:19:34 | |
we won a coconut and because I was sitting with it in the car on the | 0:19:34 | 0:19:39 | |
way home, cos I was so fond of it, | 0:19:39 | 0:19:42 | |
it was the one journey where I didn't get sick. | 0:19:42 | 0:19:44 | |
And you hadn't opened the coconut, you hadn't given | 0:19:44 | 0:19:47 | |
in to the temptation which most of us when we get a coconut, | 0:19:47 | 0:19:50 | |
really the thrill is the smashing open with the hammer of the coconut. | 0:19:50 | 0:19:53 | |
I disagree. | 0:19:53 | 0:19:54 | |
It's the drilling and the sucking the milk out with a straw. | 0:19:54 | 0:19:57 | |
Some of us like to drill and suck, some of us like to smash. | 0:19:57 | 0:20:00 | |
This is what it says on Rob's match.com website. | 0:20:00 | 0:20:03 | |
So talk us through the benefits, I mean, | 0:20:05 | 0:20:08 | |
what was it about holding the hairy little fella that...? | 0:20:08 | 0:20:11 | |
You got excited then, didn't you? | 0:20:15 | 0:20:17 | |
I did. Thought it was me for a minute. | 0:20:17 | 0:20:19 | |
That brought you such, that brought you such comfort? | 0:20:19 | 0:20:22 | |
I think it must have just been the texture of it | 0:20:22 | 0:20:24 | |
and also the sheer distraction because... | 0:20:24 | 0:20:28 | |
This could be the best night of your life, Dave. | 0:20:28 | 0:20:31 | |
It would help me to visualise if you could put your head in her lap. | 0:20:31 | 0:20:36 | |
Can we do that? Can you just, you have your head, | 0:20:36 | 0:20:38 | |
just so we can get a feel, if you could just... | 0:20:38 | 0:20:43 | |
Wow, do you know what, he didn't take much persuading, did he? | 0:20:43 | 0:20:47 | |
So how would that look, is this something we could believe in? | 0:20:47 | 0:20:50 | |
Yeah, just slightly higher so we can see. | 0:20:50 | 0:20:53 | |
I tell you what, I'm glad he faced that way. | 0:20:53 | 0:20:56 | |
-That could have been awkward, couldn't it. -Well... | 0:20:56 | 0:20:58 | |
You don't look as delighted with the coconut as I was expecting. | 0:20:58 | 0:21:02 | |
Can I just say, with my slightly spiky hair, | 0:21:02 | 0:21:04 | |
I probably am slightly more coconut-esque. I'm just saying. | 0:21:04 | 0:21:08 | |
Too late, the coconut's been cast. | 0:21:08 | 0:21:10 | |
So, David. | 0:21:12 | 0:21:14 | |
Marvellous. | 0:21:15 | 0:21:17 | |
-David, what are you thinking? -What do you think, Griff? | 0:21:19 | 0:21:21 | |
I don't believe the old hairy coconut story. | 0:21:21 | 0:21:23 | |
I think, definitely true. | 0:21:23 | 0:21:25 | |
Well, I'm saying true, Griff's saying, not true so, | 0:21:25 | 0:21:27 | |
who ever your favourite is, just go with that. | 0:21:27 | 0:21:30 | |
This is, it's like I'm, you know, a nasty dad | 0:21:30 | 0:21:33 | |
with two children of very different ages. | 0:21:33 | 0:21:36 | |
-My instinct is it's true. -You think it's true. | 0:21:38 | 0:21:40 | |
OK, Susanna, they say it's true. | 0:21:40 | 0:21:42 | |
Were you telling the truth or were you, in fact, telling a lie? | 0:21:42 | 0:21:47 | |
It is...a lie. | 0:21:47 | 0:21:50 | |
Yes, it's a lie. Susanna's dad didn't used to keep | 0:21:54 | 0:21:57 | |
a coconut in the car to cure her travel sickness. | 0:21:57 | 0:22:01 | |
Next, it's Griff. | 0:22:01 | 0:22:04 | |
I pretended to Princess Margaret that I was deaf. | 0:22:05 | 0:22:09 | |
-You pretended to Princess Margaret that you were deaf? -Yeah. | 0:22:09 | 0:22:13 | |
Why did you pretend you were deaf? | 0:22:13 | 0:22:15 | |
Because...because I needed to... | 0:22:15 | 0:22:21 | |
I needed to explain that I didn't understand what she was saying. | 0:22:21 | 0:22:25 | |
What did she say? | 0:22:25 | 0:22:26 | |
She said, "What are you going to say?" | 0:22:26 | 0:22:28 | |
And how did you find out that's what she'd said? | 0:22:28 | 0:22:31 | |
Because I pretended to be deaf. | 0:22:31 | 0:22:33 | |
-She said... -So she then said it loudly and clearly. | 0:22:33 | 0:22:36 | |
-So did you have, did... -What? | 0:22:36 | 0:22:37 | |
-So did you have someone signing to you then? -What? | 0:22:37 | 0:22:40 | |
She came up to me and, if you remember, she spoke in a | 0:22:42 | 0:22:45 | |
sort of very Princess Margaret sort of voice and so she said... | 0:22:45 | 0:22:49 | |
We met and we were introduced and she said, | 0:22:49 | 0:22:51 | |
"Oh, you going here at the end?" | 0:22:51 | 0:22:52 | |
And you said? | 0:22:52 | 0:22:54 | |
And I said, "I beg your pardon, Ma'am." | 0:22:54 | 0:22:57 | |
And she said... | 0:22:57 | 0:22:59 | |
UNINTELLIGIBLE SPEECH | 0:22:59 | 0:23:00 | |
Yeah. | 0:23:00 | 0:23:03 | |
And I said, "Yes." And she said, "What do you mean, yes?" | 0:23:03 | 0:23:06 | |
And I said, "I'm terribly sorry. | 0:23:08 | 0:23:10 | |
"I didn't quite catch what you said then, Ma'am. I am a little deaf." | 0:23:10 | 0:23:16 | |
And she said? | 0:23:16 | 0:23:17 | |
"What are you going to say?!" | 0:23:17 | 0:23:20 | |
-And what were you going to say? -What? | 0:23:20 | 0:23:23 | |
What was the answer to the question? What were you going to say? | 0:23:23 | 0:23:26 | |
-What is the answer to that question? -"I haven't thought it through yet." | 0:23:26 | 0:23:30 | |
You mean, you talking to me now or to Princess Margaret? | 0:23:30 | 0:23:33 | |
No, no, to Princess Margaret. | 0:23:33 | 0:23:34 | |
The answer should have been, I haven't thought it through yet. | 0:23:34 | 0:23:37 | |
-Yeah. -But what did you end up saying? -That's what I said to her, | 0:23:37 | 0:23:40 | |
"I haven't quite thought it through yet." | 0:23:40 | 0:23:41 | |
But...no. But what...the answer...no. | 0:23:41 | 0:23:43 | |
No, I'm asking, she said, "What are you going to say?" | 0:23:43 | 0:23:46 | |
He said, "I haven't thought it through yet." | 0:23:46 | 0:23:48 | |
What I want to know is, | 0:23:48 | 0:23:49 | |
what were you going to say in the thing that you were supposed to say? | 0:23:49 | 0:23:52 | |
-Oh, I was going to make a speech. -And what were you going to say? | 0:23:52 | 0:23:54 | |
He hadn't thought it through yet. | 0:23:54 | 0:23:56 | |
I hadn't thought it through at that stage. | 0:23:56 | 0:23:58 | |
-What did you say? -Something about art. -Pardon? -Art. | 0:23:58 | 0:24:01 | |
Sorry, I didn't understand what you said. | 0:24:01 | 0:24:03 | |
I was making a speech. | 0:24:03 | 0:24:05 | |
You can hear better with your classes on, can you? | 0:24:05 | 0:24:07 | |
Yeah. I can see you, cos I can see your lips moving now. | 0:24:07 | 0:24:10 | |
And probably, I might be able to read 'em. | 0:24:10 | 0:24:12 | |
-It was an art competition... -A competition, were you in it? | 0:24:12 | 0:24:14 | |
..And I was giving prizes to the people. | 0:24:14 | 0:24:16 | |
-You were giving prizes. -Yeah, and she'd been invited along. | 0:24:16 | 0:24:19 | |
-Right. -As the, you know, royal member of royalty. | 0:24:19 | 0:24:22 | |
And so I met her and I couldn't understand a word she was saying, | 0:24:22 | 0:24:24 | |
-so I had to lie. -And pretend you were deaf. | 0:24:24 | 0:24:27 | |
And it all went horribly wrong. | 0:24:27 | 0:24:28 | |
Lee, what are you going to say? Is that true, do you think? | 0:24:28 | 0:24:31 | |
-What do you think, Susanna? -I think it's true. | 0:24:31 | 0:24:34 | |
Think it's true. | 0:24:34 | 0:24:35 | |
I think it's true. You can't stand there going, eh? You what? | 0:24:35 | 0:24:38 | |
I think Griff would try just to smooth his way out of it. | 0:24:38 | 0:24:41 | |
Just try and yeah. He's a smoothy, isn't he? | 0:24:41 | 0:24:44 | |
-Yeah, I think it's true. -He's an old smoothy. I think it's true. | 0:24:44 | 0:24:47 | |
You think it's true? | 0:24:47 | 0:24:48 | |
Griff, were you telling the truth or were you telling a lie? | 0:24:48 | 0:24:51 | |
What? | 0:24:51 | 0:24:53 | |
It's true. | 0:24:53 | 0:24:54 | |
It's true. | 0:24:54 | 0:24:55 | |
Yes, it's true. | 0:24:57 | 0:24:59 | |
Griff did pretend to Princess Margaret that he was deaf. | 0:24:59 | 0:25:03 | |
Next...it is Lee. | 0:25:03 | 0:25:05 | |
I have hidden in a cupboard to escape Anthea Turner. | 0:25:07 | 0:25:11 | |
-David's team. -Where were you when this happened? | 0:25:13 | 0:25:15 | |
-In the cupboard. -In the cupboard. | 0:25:15 | 0:25:17 | |
Where was the cupboard? | 0:25:17 | 0:25:19 | |
In the room I was hiding from Anthea. | 0:25:19 | 0:25:22 | |
-Where was the room? -Just away from Anthea Turner. | 0:25:22 | 0:25:25 | |
What was the occasion? | 0:25:25 | 0:25:27 | |
And do not define the occasion or the geographical space | 0:25:27 | 0:25:30 | |
in relation to Anthea Turner, what else was it? | 0:25:30 | 0:25:33 | |
It was on a TV show that I was doing... | 0:25:33 | 0:25:36 | |
Hide In The Cupboard From Anthea. I remember seeing it on BBC Three. | 0:25:36 | 0:25:39 | |
That's very good. I don't think Lee was ever on it though. | 0:25:39 | 0:25:41 | |
-Oh, that's a lie. -What was the show called? | 0:25:41 | 0:25:43 | |
Pet Power. | 0:25:43 | 0:25:45 | |
Pet Power. | 0:25:45 | 0:25:47 | |
-Pet Power. It was about... -What was the premise? | 0:25:47 | 0:25:49 | |
Cats with capes. | 0:25:49 | 0:25:51 | |
What were you doing on the show? What was your role on the show? | 0:25:53 | 0:25:56 | |
My role on the show? I was the warm up man, like a TV warm up man. | 0:25:56 | 0:25:59 | |
Pet Power was the show where the pets would come on | 0:25:59 | 0:26:01 | |
and there would be interesting stories about pets. | 0:26:01 | 0:26:04 | |
And some of them, this particular incident, | 0:26:04 | 0:26:07 | |
was a budgie goes up into the rafters. | 0:26:07 | 0:26:10 | |
And I'm upstairs in my dressing room and I'm watching it on the monitor. | 0:26:10 | 0:26:14 | |
I hadn't been doing comedy very long and I was running out | 0:26:14 | 0:26:16 | |
of things to go back and say to warm the audience up. | 0:26:16 | 0:26:19 | |
And I saw the budgie go up in the rafters, | 0:26:19 | 0:26:21 | |
panicked and there was a knock on the door. | 0:26:21 | 0:26:24 | |
-KNOCKING -Hid in the cupboard. | 0:26:24 | 0:26:26 | |
And they actually came into the room but I was hiding in the cupboard. | 0:26:26 | 0:26:29 | |
-You mean the floor manager... -If you will. | 0:26:29 | 0:26:32 | |
..Turned to Anthea and said, Anthea, I need you to pop upstairs... | 0:26:32 | 0:26:36 | |
-No, no. -..To get the warm up man. | 0:26:36 | 0:26:37 | |
I don't think it was Anthea that personally came to get me. | 0:26:37 | 0:26:40 | |
-Oh, I see, you didn't hide from... -How will I ever know, Griff? | 0:26:40 | 0:26:43 | |
-They knocked on the door of your dressing room. -Correct. | 0:26:43 | 0:26:45 | |
Then what happened? | 0:26:45 | 0:26:47 | |
As the door opened, I thought oh, my God, they're going to come | 0:26:47 | 0:26:50 | |
and get me and say, come on, get out the cupboard | 0:26:50 | 0:26:53 | |
and do some jokes, even though you've none left. | 0:26:53 | 0:26:55 | |
And at that point, this is the bit you're not going to believe, | 0:26:55 | 0:26:57 | |
I thought they're going to find me, and then I saw a lion, a witch, | 0:26:57 | 0:27:02 | |
and I was able to escape into the forest and never was seen again. | 0:27:02 | 0:27:07 | |
-No. -I'll tell you what I'm interested to know. -Yeah. | 0:27:07 | 0:27:09 | |
You didn't stay in the cupboard indefinitely. | 0:27:09 | 0:27:12 | |
No, cos that would have been ridiculous. | 0:27:12 | 0:27:14 | |
-You came out and you must have chanced upon Anthea. -I did. | 0:27:14 | 0:27:17 | |
It wasn't really Anthea that went to look for him, it transpires. | 0:27:17 | 0:27:19 | |
Just the floor manager. It was a normal professional relationship. | 0:27:19 | 0:27:22 | |
He's rather building up his intimacy with Anthea Turner. | 0:27:22 | 0:27:25 | |
I don't think they've ever exchanged any words at all. | 0:27:25 | 0:27:28 | |
Even in the lying world, where any of this happened, | 0:27:28 | 0:27:30 | |
which is not the world we're living in at all. | 0:27:30 | 0:27:32 | |
Narnia is more believable. | 0:27:32 | 0:27:34 | |
David. Could that be true? | 0:27:37 | 0:27:40 | |
-Griff, do you think it's true? -It's not true. -Jimmy? | 0:27:40 | 0:27:42 | |
I think it could be true. I know Lee used to do TV warm ups. | 0:27:42 | 0:27:45 | |
I used to do TV warm ups as well, it's how a lot of comics start. | 0:27:45 | 0:27:48 | |
-When you start out, you run out of material. -You do. | 0:27:48 | 0:27:50 | |
-You think it's true. -It could be true. | 0:27:50 | 0:27:52 | |
-You've talked yourself into thinking it's... -Yeah. | 0:27:52 | 0:27:54 | |
I listened to you earlier in the show and it didn't work | 0:27:54 | 0:27:57 | |
so I'm going with Griff. It's a lie. | 0:27:57 | 0:27:58 | |
You think it's a lie? | 0:27:58 | 0:28:00 | |
OK, Lee, was it the truth or were you telling a lie? | 0:28:00 | 0:28:03 | |
Of course, it is absolutely true. | 0:28:03 | 0:28:05 | |
Yes, it's true. | 0:28:09 | 0:28:12 | |
Lee has hidden inside a cupboard to escape Anthea Turner. | 0:28:12 | 0:28:16 | |
BUZZER SOUNDS | 0:28:16 | 0:28:17 | |
And that noise signals time is up. It's the end of the show. | 0:28:17 | 0:28:20 | |
I can reveal it's a draw. | 0:28:20 | 0:28:22 | |
But it's not just a team game, | 0:28:25 | 0:28:28 | |
and my individual liar of the week this week is Dave Myers. | 0:28:28 | 0:28:32 | |
Yes, Dave and the truth, like his hair and a brush, | 0:28:34 | 0:28:37 | |
they just don't go together. Good night. | 0:28:37 | 0:28:40 | |
Subtitles by Red Bee Media Ltd | 0:28:54 | 0:28:57 |