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Good evening and welcome to a very special edition | 0:00:25 | 0:00:28 | |
of previously unseen clips from this series of Would I Lie To You. | 0:00:28 | 0:00:32 | |
Joining David Mitchell tonight - | 0:00:32 | 0:00:34 | |
Dermot O'Leary, Kirsty Young, Stephen Mangan, Sarah Millican, | 0:00:34 | 0:00:39 | |
Richard Osman, Isy Suttie, Greg Rutherford, | 0:00:39 | 0:00:43 | |
Joan Bakewell, Jason Manford, | 0:00:43 | 0:00:46 | |
Susan Calman, Mel Giedroyc and Jon Richardson, | 0:00:46 | 0:00:49 | |
and joining Lee Mack tonight - | 0:00:49 | 0:00:52 | |
Warwick Davis, Josh Widdicombe, David Harewood, | 0:00:52 | 0:00:55 | |
Matt Dawson, Carol Kirkwood, Bob Mortimer, Paul Hollywood, | 0:00:55 | 0:01:01 | |
Joanna Scanlan, David O'Doherty, Charles Dance and Gok Wan. | 0:01:01 | 0:01:06 | |
And so to Round One, Home Truths, | 0:01:07 | 0:01:09 | |
where our panellists each read out a statement | 0:01:09 | 0:01:11 | |
from the card in front of them. | 0:01:11 | 0:01:13 | |
To make things harder, they've never seen the card before, | 0:01:13 | 0:01:15 | |
so they've no idea what they'll be faced with | 0:01:15 | 0:01:18 | |
and it's up to the opposing team to sort the fact from the fiction. | 0:01:18 | 0:01:21 | |
Charles is first up. | 0:01:21 | 0:01:23 | |
Whenever I answer the house phone | 0:01:26 | 0:01:28 | |
and it's someone I don't wish to speak to, | 0:01:28 | 0:01:30 | |
I take a message, and pretend I am my fictional handyman Sean. | 0:01:30 | 0:01:36 | |
David. | 0:01:39 | 0:01:40 | |
So, do you answer in Sean's voice all the time, | 0:01:40 | 0:01:44 | |
so that in case it's someone you don't want to speak to? | 0:01:44 | 0:01:47 | |
I leave a pause and wait for the person on the other end | 0:01:47 | 0:01:50 | |
to say, "Hello?". | 0:01:50 | 0:01:51 | |
You answer the phone with silence? | 0:01:51 | 0:01:54 | |
And I can usually tell by the "hello" | 0:01:55 | 0:01:57 | |
whether it's somebody I wish to speak to | 0:01:57 | 0:01:59 | |
and if I'm not in the mood to speak to anybody, you know, I say, | 0:01:59 | 0:02:02 | |
-NORTHERN IRISH ACCENT: -"No, I'm sorry Charles isn't home, now, | 0:02:02 | 0:02:05 | |
"try calling back later, you know?" | 0:02:05 | 0:02:08 | |
What part of Scotland is Sean from? | 0:02:08 | 0:02:10 | |
-He's from the West side of Belfast. -Ah. | 0:02:13 | 0:02:16 | |
Charles, if you don't want to speak to anyone at all, why pick up the phone? | 0:02:16 | 0:02:19 | |
Well, it's a kind of obsessive thing, you know, | 0:02:21 | 0:02:23 | |
with the insecurity that actors have, you know, you think, | 0:02:23 | 0:02:26 | |
"Oh, my God, might be a job," you know, I just... | 0:02:26 | 0:02:29 | |
-Well, let's give it a try, I'll ring you, OK? -Yeah. -OK. | 0:02:29 | 0:02:32 | |
Brr-brr, brr-brr. | 0:02:32 | 0:02:36 | |
Has he not bought a telephone since 1983? | 0:02:36 | 0:02:39 | |
Hello...hello? | 0:02:43 | 0:02:46 | |
Charles? Hello? | 0:02:46 | 0:02:49 | |
-NORTHERN IRISH ACCENT: -Hey, no, this is not Charles. Charles isn't home at the moment, | 0:02:49 | 0:02:52 | |
but if you'd like to leave your number, er, I'll get him | 0:02:52 | 0:02:56 | |
to call you back when, when he's back, yeah? | 0:02:56 | 0:02:58 | |
Charles, are you ill? | 0:02:58 | 0:03:00 | |
Charles! Charles, I'm calling for an ambulance now. | 0:03:06 | 0:03:10 | |
It's all right, get in the recovery position. | 0:03:10 | 0:03:13 | |
Oh, God, I'm on my way! | 0:03:13 | 0:03:15 | |
So, what are you thinking, Stephen Mangan? | 0:03:17 | 0:03:21 | |
I can't see that, who picks up the phone and doesn't say "hello"? | 0:03:21 | 0:03:24 | |
It's an innate human instinct, isn't it? | 0:03:24 | 0:03:26 | |
You can't pick up the phone and go... | 0:03:26 | 0:03:29 | |
.."Hello, I'm Sean," I just... | 0:03:32 | 0:03:33 | |
Isy, what do you think? | 0:03:35 | 0:03:36 | |
I don't think you just pick up the phone and not say anything he might, | 0:03:36 | 0:03:39 | |
the person might be able to hear you breathing, it all gets a bit creepy. | 0:03:39 | 0:03:42 | |
Which way are you going to go with this, David? | 0:03:42 | 0:03:44 | |
-Well, I think, we don't think it's true. -You think it's a lie. | 0:03:44 | 0:03:47 | |
OK, Charles, truth or lie? | 0:03:47 | 0:03:49 | |
Erm, I'm afraid it's a lie. | 0:03:49 | 0:03:51 | |
Joan Bakewell, it's your turn. | 0:03:55 | 0:03:57 | |
Once, when I spotted an ex-boyfriend in a department store, | 0:03:59 | 0:04:03 | |
I pretended to be a shop mannequin to avoid having to speak to him. | 0:04:03 | 0:04:07 | |
Lee. | 0:04:09 | 0:04:10 | |
Well, I know what I want to see. | 0:04:10 | 0:04:12 | |
-Yeah. -Yeah. | 0:04:12 | 0:04:14 | |
Oh, sorry, no, it's probably different. | 0:04:14 | 0:04:16 | |
Sorry, sorry, you want to see the mannequin thing. | 0:04:18 | 0:04:21 | |
Oh, right, oh, yeah, whatever. | 0:04:21 | 0:04:22 | |
Do that, do that, but then we do mine, yeah? | 0:04:22 | 0:04:25 | |
I would like to see the mannequin impression. | 0:04:27 | 0:04:30 | |
Well, I-I... It was in the department | 0:04:30 | 0:04:33 | |
where they used to, erm, sell a lot of fabrics | 0:04:33 | 0:04:36 | |
and they used to have mannequins draped in, in just swathes of cloth. | 0:04:36 | 0:04:41 | |
So, I grabbed a swathe of fabric | 0:04:41 | 0:04:45 | |
and just draped it across my shoulder, and it, it was full-length. | 0:04:45 | 0:04:49 | |
Where was this? We haven't said where it was. | 0:04:49 | 0:04:51 | |
It was in Dickins & Jones on Regent Street. | 0:04:51 | 0:04:54 | |
-Oh, lovely. -And when, when was this? | 0:04:54 | 0:04:56 | |
Oh, ah, it's a long time ago, early in the '60s. | 0:04:56 | 0:04:59 | |
Surely you weren't old enough | 0:04:59 | 0:05:00 | |
to shop on your own in the early '60s, Joan. | 0:05:00 | 0:05:03 | |
So gallant. | 0:05:06 | 0:05:07 | |
No, I'm kidding, I believe you. Erm... | 0:05:10 | 0:05:13 | |
I've said sorry to mannequins before now, | 0:05:17 | 0:05:19 | |
-in the department stores, I've gone... -Yeah, but what were you doing to them? | 0:05:19 | 0:05:22 | |
What do you think, Lee, is it the truth? | 0:05:22 | 0:05:24 | |
Warwick, what do you think, do you think there's any...? | 0:05:24 | 0:05:27 | |
-I think she's telling the truth. -Really, do you think? -Yeah, I do. | 0:05:27 | 0:05:30 | |
The thing for me is, if you're within six to eight foot of an ex, | 0:05:30 | 0:05:34 | |
and you don't recognise her cos she's static, it just seems a bit... | 0:05:34 | 0:05:37 | |
I wouldn't, I've never been allowed within eight feet of my exes. | 0:05:37 | 0:05:40 | |
Go on then, I'll say it's a lie. | 0:05:44 | 0:05:46 | |
OK, they're saying it's a lie. Joan, was it the truth or was it a lie? | 0:05:46 | 0:05:50 | |
-It's a lie. -Lie! | 0:05:50 | 0:05:53 | |
How could you, Warwick? | 0:05:53 | 0:05:55 | |
Dermot, you're next. | 0:05:56 | 0:05:58 | |
I sometimes move bowls and plates from the bottom | 0:05:58 | 0:06:02 | |
-to the top of the pile, so they don't feel left out. -Lee. | 0:06:02 | 0:06:06 | |
How much time have you got on your hands? | 0:06:06 | 0:06:10 | |
Is this system only for the plates and the bowls, nothing else? | 0:06:10 | 0:06:13 | |
It's for the side plates, big plates, | 0:06:13 | 0:06:15 | |
yeah, and your regular bowls. | 0:06:15 | 0:06:17 | |
So, for example, if there are four that have gone in the dishwasher, | 0:06:17 | 0:06:20 | |
and there's, say, two left, I like those two guys to be first up next time. | 0:06:20 | 0:06:24 | |
Which, I do understand, attributes some kind of personality to an inanimate object. | 0:06:24 | 0:06:29 | |
That's why they put you on David's side. | 0:06:29 | 0:06:31 | |
How many bowls are there? | 0:06:37 | 0:06:39 | |
It works with all crockery. | 0:06:39 | 0:06:41 | |
It wouldn't work with eggcups, though, would it, | 0:06:41 | 0:06:43 | |
-cos they're you couldn't really stack them in the same way. -No. | 0:06:43 | 0:06:46 | |
That's a good question, would the eggcups at the back be brought to the front? | 0:06:46 | 0:06:49 | |
-We have two so they get used regularly, they're pretty happy. -How about if you only had two plates? | 0:06:49 | 0:06:53 | |
-Dermot can't have two plates! -Thank you, Rob. | 0:06:53 | 0:06:55 | |
Imagine the sort of dinner parties he has! | 0:06:55 | 0:06:58 | |
Imagine who's coming to those dinner parties - | 0:06:58 | 0:07:00 | |
Cowell, Walliams, McPartlin, Donnelly. | 0:07:00 | 0:07:04 | |
Ant and Dec, they're using the egg cups as bowls! | 0:07:04 | 0:07:06 | |
When was the last time, if you can remember, | 0:07:09 | 0:07:11 | |
that you actually thought, "It's time for a change, let's move these fellas out of the way, | 0:07:11 | 0:07:16 | |
-"let's bring these guys up." How recently would that have been? -Oh, last week. -Really? | 0:07:16 | 0:07:19 | |
Last week, yeah. There was one single plate there | 0:07:19 | 0:07:22 | |
-and I thought, "When did that guy last get used?" -Yeah. | 0:07:22 | 0:07:26 | |
I'm thinking at least a fortnight, he's got to go to the top. | 0:07:26 | 0:07:28 | |
Dermot, how do you keep track of how many pills and tablets | 0:07:28 | 0:07:32 | |
you're meant to take in any... in any one day? | 0:07:32 | 0:07:35 | |
Do you have a system or does your carer really oversee all of that? | 0:07:35 | 0:07:39 | |
What does your wife think? | 0:07:41 | 0:07:42 | |
Weirdly, I only told her about it a couple of weeks ago. | 0:07:42 | 0:07:46 | |
Are you worried that your wife's doing the same thing? And so... | 0:07:46 | 0:07:49 | |
Yeah...that's a good point. | 0:07:54 | 0:07:57 | |
Dermot, you call them guys, are there no lady plates, lady bowls? | 0:07:57 | 0:08:02 | |
No, I mean, that's a catch-all term, | 0:08:02 | 0:08:04 | |
some bowls have a femininity about them, yeah, but, no, I... | 0:08:04 | 0:08:08 | |
-They're sort of, they're sort of omnisex. -Oh, OK. | 0:08:08 | 0:08:12 | |
-I don't mind being called guys. -Well, you don't, you're only one. | 0:08:12 | 0:08:14 | |
-I know. -You're a guy, yeah. | 0:08:14 | 0:08:16 | |
It's a very middle-class thing, I think, calling, parents who | 0:08:16 | 0:08:20 | |
call their children "guys", that always makes you want to vomit. | 0:08:20 | 0:08:23 | |
Yeah. Yeah, it's true, innit. | 0:08:23 | 0:08:25 | |
-"You guys want to help with the washing up?" -Oh, yes! | 0:08:25 | 0:08:27 | |
The worst one is, "Come on, guys, let's do the washing up," | 0:08:27 | 0:08:30 | |
and they go, "You're not my real dad." | 0:08:30 | 0:08:32 | |
Well, there we are. Lee, what do you think? | 0:08:34 | 0:08:37 | |
Do Dermot's words have the ring of truth about them? | 0:08:37 | 0:08:39 | |
Josh? | 0:08:39 | 0:08:41 | |
I...think...so. | 0:08:41 | 0:08:43 | |
Matt Dawson, which way are you leaning? | 0:08:43 | 0:08:46 | |
-Lie. -So, Lee, you have to have the casting vote. | 0:08:46 | 0:08:49 | |
-We're going to say that it is in fact true. -You're saying true. | 0:08:49 | 0:08:53 | |
Dermot O'Leary, were you telling us the truth or were you telling a lie? | 0:08:53 | 0:08:57 | |
I was telling you... | 0:08:57 | 0:09:01 | |
-the truth. -Oh, well done, give it that. | 0:09:01 | 0:09:04 | |
Good show, good show! | 0:09:04 | 0:09:06 | |
It's David O'Doherty. | 0:09:08 | 0:09:10 | |
I looked after a neighbour's pet for five days | 0:09:11 | 0:09:16 | |
before I realised it was dead. | 0:09:16 | 0:09:18 | |
David Mitchell and team, what do you think? | 0:09:20 | 0:09:22 | |
OK, what, what was the species of pet? | 0:09:22 | 0:09:25 | |
His name was Charlie. | 0:09:27 | 0:09:29 | |
So, initially I thought he was going to be a spaniel, at the very least, | 0:09:29 | 0:09:32 | |
-and then it turned out that he was a stick insect. -Thanks. | 0:09:32 | 0:09:38 | |
Stick insects, I mean, I'm not an expert, David, | 0:09:40 | 0:09:44 | |
don't require a huge amount of high-maintenance upkeep. | 0:09:44 | 0:09:47 | |
What was your role meant to be? | 0:09:47 | 0:09:48 | |
Step one, greenhouse, eucalyptus... | 0:09:49 | 0:09:54 | |
-into the cage... -Eucalyptus?! | 0:09:54 | 0:09:56 | |
-Eucalyptus. -It wasn't a koala bear? | 0:09:56 | 0:09:59 | |
Step two, water, squishy gun, "Squish, squish," five. | 0:10:01 | 0:10:05 | |
-One, two, three, four, five. -So, you drowned it? | 0:10:05 | 0:10:09 | |
And because I felt that he might be a bit unhappy, | 0:10:10 | 0:10:14 | |
I would take him out into the garden for this, | 0:10:14 | 0:10:17 | |
and when the wind blew, he had little aerials and they'd... | 0:10:17 | 0:10:21 | |
Do you know what I mean? Just like a stick insect. | 0:10:21 | 0:10:23 | |
So, I thought he was alive. | 0:10:23 | 0:10:25 | |
Oh, so the wind gave you the impression that it was moving. | 0:10:25 | 0:10:29 | |
"I'm alive, I'm dead... | 0:10:29 | 0:10:32 | |
"I'm alive..." That's how you'd know. | 0:10:32 | 0:10:35 | |
-What's the spraying for? -To simulate the monsoon environment that... | 0:10:35 | 0:10:40 | |
They come from a part of the world where there's a regular, | 0:10:42 | 0:10:46 | |
daily, 25-second monsoon? | 0:10:46 | 0:10:47 | |
I think if I'd taken him out, then I, obviously, would have seen... | 0:10:50 | 0:10:54 | |
-Out of what? -The cage. -Right. | 0:10:54 | 0:10:58 | |
-The cage?! -Cage? -Cage?! | 0:10:58 | 0:11:01 | |
He was in a tight metal... You're supposed to be my team! | 0:11:01 | 0:11:03 | |
I know, but I know that's what they're thinking | 0:11:03 | 0:11:06 | |
so I'm trying to help you on by going, | 0:11:06 | 0:11:07 | |
-"What, you mean that thing that little sticks could get through, the cage?" -Good question. | 0:11:07 | 0:11:11 | |
-It was a very tight mesh. -Let's call it a glass cage, or a tank. -No! | 0:11:11 | 0:11:17 | |
-No, they couldn't breathe then. It's a... -No, you don't have a lid on it, | 0:11:17 | 0:11:20 | |
-you have a, actually, no, good point, you have a... -Lee! | 0:11:20 | 0:11:23 | |
Will you stop designing hutches for stick insects? | 0:11:23 | 0:11:27 | |
So, how did you eventually know that he was dead? | 0:11:29 | 0:11:32 | |
I was just, I was putting in the eucalyptus | 0:11:32 | 0:11:35 | |
and removing yesterday's eucalyptus and he was... | 0:11:35 | 0:11:39 | |
Who'd be eating yesterday's eucalyptus?! | 0:11:39 | 0:11:42 | |
No, it was, I'd just take it out and he was like this, OK? | 0:11:42 | 0:11:45 | |
And then when I took it out it brushed past him | 0:11:45 | 0:11:48 | |
and he just reacted like this. | 0:11:48 | 0:11:50 | |
-And, you know... -Yeah. | 0:11:53 | 0:11:55 | |
-That's a fair description. -So, what are you thinking, David? | 0:11:58 | 0:12:02 | |
Is that truthful or has he made it all up? | 0:12:02 | 0:12:04 | |
I don't think it's truthful because I think stick insects, | 0:12:04 | 0:12:07 | |
-sort of, live in gangs and aren't as he described... -"Gangs"?! | 0:12:07 | 0:12:11 | |
-What's the collective noun for lots of stick insects? -Trees. Trees. | 0:12:13 | 0:12:17 | |
Do you two think it's true? Because I'm very happy to defer. | 0:12:19 | 0:12:23 | |
-I would go for, I'd say false. -Susan says "lie", Richard? | 0:12:23 | 0:12:26 | |
-I say "true". -You say "true", David? | 0:12:26 | 0:12:29 | |
Well, I think it's a lie so, you know, | 0:12:29 | 0:12:31 | |
why not sometimes just say what you think? | 0:12:31 | 0:12:33 | |
David, they think you're telling a lie. | 0:12:33 | 0:12:34 | |
Were you telling a lie or were you telling the truth? | 0:12:34 | 0:12:37 | |
This is a 100% trustworthy face | 0:12:37 | 0:12:39 | |
and it was telling the absolute...truth. | 0:12:39 | 0:12:43 | |
Sorry! | 0:12:45 | 0:12:47 | |
It's David Mitchell. | 0:12:49 | 0:12:50 | |
I once got stuck in a cave for an hour after getting the hood | 0:12:52 | 0:12:57 | |
of my cagoule caught on a stalactite | 0:12:57 | 0:13:01 | |
in a way I couldn't untwizzle. | 0:13:01 | 0:13:05 | |
Right. Caves and stalactites, Lee Mack's team. | 0:13:06 | 0:13:09 | |
-Well, the bit that we DEFINITELY believe about that story is "cagoule". -"Cagoule". | 0:13:09 | 0:13:14 | |
-We're not doubting "cagoule". -Oh, yeah. -Yeah. | 0:13:14 | 0:13:17 | |
And when, in the last three weeks, did this happen? | 0:13:17 | 0:13:21 | |
This happened when I was a boy, a child, a human child. | 0:13:21 | 0:13:25 | |
-A boy child? -Boy child! What cave was it? | 0:13:25 | 0:13:29 | |
Er, it was somewhere in France. | 0:13:29 | 0:13:32 | |
-Ah, holiday? -Yes. | 0:13:32 | 0:13:34 | |
Deliberate ploy by parents to get rid of you? | 0:13:34 | 0:13:37 | |
"Give him the baggy cagoule, find a stalactite, then run." | 0:13:37 | 0:13:41 | |
And you in... You were in there for an hour? | 0:13:42 | 0:13:44 | |
Yeah, I was I was caught on the...on the stalactite. | 0:13:44 | 0:13:47 | |
-For an hour? -For an hour, yeah. | 0:13:47 | 0:13:48 | |
Just remember, remind me again, stalactites go down, right? | 0:13:48 | 0:13:51 | |
-Stalactites hang down. -Hang down. | 0:13:51 | 0:13:53 | |
Stalagmites go up and the easy way to remember it... | 0:13:53 | 0:13:55 | |
-Yeah? -..is that stalactites have a C in them - | 0:13:55 | 0:13:58 | |
stala-c-tite, C for ceiling. | 0:13:58 | 0:14:00 | |
Stalagmites, have a G - G for ground. | 0:14:00 | 0:14:03 | |
-No, it's the stalactites come down isn't it? -Tights come down. | 0:14:03 | 0:14:05 | |
But, tights... Tights go up as well. | 0:14:05 | 0:14:07 | |
No, they don't. Not when I'm around, love. | 0:14:07 | 0:14:10 | |
Hey, hey! | 0:14:10 | 0:14:11 | |
But how did you eventually escape? | 0:14:14 | 0:14:16 | |
My dad came and released me. | 0:14:16 | 0:14:18 | |
-So, you're with your family on this trip? -Well, they were sort of... | 0:14:18 | 0:14:22 | |
It took them AN HOUR to find you... | 0:14:22 | 0:14:24 | |
I would have thought, if I'd have lost you | 0:14:24 | 0:14:26 | |
and you'd have been my child, it would have been six or seven days. | 0:14:26 | 0:14:29 | |
-Right, so what are you thinking, Lee, could this be true? -What do you think? | 0:14:31 | 0:14:34 | |
-I'm going to go for a lie. -You think it's a lie. -Hm. -Bob? | 0:14:34 | 0:14:36 | |
Lie for me, Lee. | 0:14:36 | 0:14:38 | |
-Lie. -Lie. David? | 0:14:38 | 0:14:40 | |
-It's a lie. -Yes. | 0:14:40 | 0:14:42 | |
Joanna, you're next. | 0:14:45 | 0:14:47 | |
I used to vet potential boyfriends by getting them to play me at darts. | 0:14:50 | 0:14:54 | |
I could tell more about them in one game, than I could on ten dates. | 0:14:54 | 0:14:58 | |
David? | 0:15:00 | 0:15:01 | |
So, what was it about their darts-playing, | 0:15:01 | 0:15:04 | |
that told you things about their personality? | 0:15:04 | 0:15:07 | |
Stance. It's, sort of, liquidity of the way they stand in that position. | 0:15:07 | 0:15:13 | |
-The "liquidity"? -Was this linked to, you thought their character | 0:15:13 | 0:15:17 | |
or their physical prowess, if I can put it that way. | 0:15:17 | 0:15:20 | |
It's character. It was all about the character. | 0:15:20 | 0:15:22 | |
Well, here's the thing, | 0:15:22 | 0:15:24 | |
because one of our panellists is quite accomplished at darts. | 0:15:24 | 0:15:28 | |
It's Lee. So, Lee, would, would you demonstrate | 0:15:28 | 0:15:31 | |
and then we could ask Joanna to analyse | 0:15:31 | 0:15:32 | |
and come to her own conclusions. | 0:15:32 | 0:15:34 | |
Are you good at darts? | 0:15:34 | 0:15:36 | |
I've been known to do double tops, I think you know what I'm saying. | 0:15:36 | 0:15:40 | |
So, what I tend to do is I tend to go like this... That's the line. | 0:15:44 | 0:15:48 | |
-And now, I'll take my dart. -Where's the board, sorry? | 0:15:48 | 0:15:50 | |
Good question, that's what I was thinking. | 0:15:50 | 0:15:52 | |
That's the first thing I do is I'd go, "Hang on, there's no board." | 0:15:52 | 0:15:55 | |
Because I know what I'm doing! And then I would take the dart, | 0:15:55 | 0:15:58 | |
I will lean forward with all the weight on the right leg - | 0:15:58 | 0:16:01 | |
keeping it straight, of course, I'm not an idiot. | 0:16:01 | 0:16:03 | |
I'll then raise the hand and little finger, | 0:16:03 | 0:16:05 | |
note the little finger is in the air, it's weight, | 0:16:05 | 0:16:07 | |
if I put it down, I'll fall to the left. | 0:16:07 | 0:16:09 | |
I have to ballast myself with the finger out. | 0:16:10 | 0:16:13 | |
And then I'd go like that, | 0:16:13 | 0:16:14 | |
might give it a cheeky wiggle of the bottom to the lady watching... | 0:16:14 | 0:16:18 | |
and then, "Oh, he's only gone and hit 180 again!" | 0:16:18 | 0:16:21 | |
I'm going to collect the things, | 0:16:21 | 0:16:23 | |
I'm so proud, I'll probably moonwalk to the board. | 0:16:23 | 0:16:26 | |
Oh, Christ! | 0:16:26 | 0:16:28 | |
I didn't know about that, usually oches are straight. | 0:16:28 | 0:16:31 | |
And then I would grab the darts, like that, | 0:16:31 | 0:16:34 | |
and go, "They're for you, princess." | 0:16:34 | 0:16:38 | |
That's how I roll. | 0:16:38 | 0:16:39 | |
Now then, you've seen a... | 0:16:45 | 0:16:48 | |
A fulsome display. | 0:16:48 | 0:16:50 | |
So, what would you...? What judgments...? | 0:16:51 | 0:16:54 | |
What conclusions would you have come to about Lee, from that? | 0:16:54 | 0:16:58 | |
You all saw it, there was evidence there of the, kind of, | 0:16:58 | 0:17:01 | |
it's about a certain sort of flow. | 0:17:01 | 0:17:02 | |
Yes. | 0:17:02 | 0:17:04 | |
And I think Lee pretends... | 0:17:04 | 0:17:05 | |
Gives quite a good impression of being a bit of a moron. | 0:17:05 | 0:17:10 | |
It is true he does, he does. | 0:17:13 | 0:17:15 | |
But, but what I think that belies | 0:17:15 | 0:17:17 | |
is the fact that underneath it, he is a bit of a kind, old softie. | 0:17:17 | 0:17:22 | |
-Yay. Yay. -And that's, kind of, what I'm looking for. | 0:17:22 | 0:17:26 | |
-So, David, what do you think? -Kirsty, what do you think? | 0:17:26 | 0:17:29 | |
I would tend to think it's true. | 0:17:29 | 0:17:32 | |
Greg? | 0:17:32 | 0:17:33 | |
Yeah, I, sort of, think the same. | 0:17:33 | 0:17:35 | |
Can I say, I'm, sort of, 70%, I'm not 100%. | 0:17:35 | 0:17:38 | |
-How, what percent are you? -50. -You're 50. 50?! | 0:17:38 | 0:17:44 | |
Well, the thing is it could be either, that's the thing. | 0:17:44 | 0:17:46 | |
-Well, that's... -I know! | 0:17:46 | 0:17:48 | |
-True. -True. OK, so, Joanna, truth or lie? | 0:17:54 | 0:17:59 | |
In fact, it is a lie. | 0:17:59 | 0:18:01 | |
Sorry. | 0:18:03 | 0:18:04 | |
It's Gok. | 0:18:07 | 0:18:09 | |
Right. | 0:18:09 | 0:18:11 | |
I always use two toothbrushes to brush my teeth. | 0:18:11 | 0:18:14 | |
-One for the top set, one for the bottom. -David's team. | 0:18:14 | 0:18:17 | |
I believe it. | 0:18:17 | 0:18:19 | |
Can I just check, when you say, "One for the bottom..."? | 0:18:21 | 0:18:26 | |
-How would you tell the two apart? -Different colours. | 0:18:26 | 0:18:29 | |
One pink and one blue - | 0:18:29 | 0:18:31 | |
always pink up top, always blue, blue down below. | 0:18:31 | 0:18:36 | |
-Just talk us through it. -Right. -You're in the bathroom... -Yeah. | 0:18:36 | 0:18:39 | |
-Yeah. -OK, so, I'm in the bathroom. | 0:18:39 | 0:18:41 | |
I have my shower, I fully body-moisturise... | 0:18:41 | 0:18:45 | |
I can vouch for all of this. | 0:18:45 | 0:18:47 | |
And then, I go to brush my... And it's quite a big ritual for me | 0:18:49 | 0:18:51 | |
because when I was younger I was bullied by the way that I look, you see, so... | 0:18:51 | 0:18:56 | |
I think it's fair to say, Gok, you weren't bullied BY the way you look, were you? | 0:18:56 | 0:19:00 | |
-Because of the way I looked. -Yeah. -Absolutely. | 0:19:00 | 0:19:02 | |
-It's an important distinction. -Yeah, absolutely. | 0:19:02 | 0:19:04 | |
Otherwise you're being bullied by a concept, aren't you? | 0:19:04 | 0:19:06 | |
This is true, thanks for pointing that out. | 0:19:06 | 0:19:08 | |
I'm feeling bullied again, thank you very much indeed. | 0:19:08 | 0:19:11 | |
Well, you can see how it started, can't you? | 0:19:11 | 0:19:13 | |
So, as I was saying, I was bullied and one of the big reasons | 0:19:15 | 0:19:18 | |
was because of my big teeth and my big smile, | 0:19:18 | 0:19:22 | |
-and so, I was always very aware of how big my mouth is... -Why are you looking at Stephen, Rob? | 0:19:22 | 0:19:26 | |
-Erm... -Well, I thought they might have met at a support group, I... | 0:19:26 | 0:19:30 | |
-Teeth Anonymous! -MUFFLED: -I don't know what you're talking about. | 0:19:30 | 0:19:35 | |
-Erm, what do you think? -Isy? -I think this is definitely true. | 0:19:35 | 0:19:37 | |
He's very plausible in his chat, but I just can't, | 0:19:37 | 0:19:41 | |
-I can't see someone doing that. -I'm going to say lie. | 0:19:41 | 0:19:44 | |
-OK, so, Gok, truth or lie? -It was a lie. | 0:19:44 | 0:19:48 | |
That was unlucky. | 0:19:48 | 0:19:50 | |
Richard Osman, you're next. | 0:19:53 | 0:19:56 | |
When I was a child I created a superhero called Snooker Table Man. | 0:19:56 | 0:20:01 | |
He had three key skills and one mortal enemy. | 0:20:04 | 0:20:08 | |
Lee. | 0:20:08 | 0:20:10 | |
Let's start with the obvious, | 0:20:10 | 0:20:11 | |
who's the mortal enemy of Snooker Table Man? | 0:20:11 | 0:20:13 | |
-Vampire Ray. -Not... | 0:20:13 | 0:20:15 | |
-Who was based loosely around Ray Reardon. -Ray Reardon? | 0:20:15 | 0:20:18 | |
What were his three skills, Richard? | 0:20:18 | 0:20:20 | |
A lot of his skills didn't have an awful lot to do with snooker, I'll be honest. | 0:20:20 | 0:20:23 | |
He took, he took on the form of a snooker table | 0:20:23 | 0:20:26 | |
-because then he could get... -Whoa, whoa, whoa, whoa, whoa. | 0:20:26 | 0:20:29 | |
What...? Just one question to clarify, | 0:20:29 | 0:20:32 | |
what the hell are you talking about? | 0:20:32 | 0:20:35 | |
Right, Snooker Table Man, he would take on the form of a snooker table | 0:20:35 | 0:20:39 | |
in the same way that the TARDIS would take on the form of a phone box, it's not crazy, | 0:20:39 | 0:20:42 | |
and he would be able to go into the houses of very rich and successful and famous people and spy on them. | 0:20:42 | 0:20:46 | |
Well, it's not like the TARDIS, is it? | 0:20:46 | 0:20:49 | |
-The TARDIS is the vehicle that the superhero, for want of a better word, travels round in. -Yeah. | 0:20:49 | 0:20:53 | |
If you're Snooker Table Man, | 0:20:53 | 0:20:54 | |
and there's a child trapped in a building, you know, | 0:20:54 | 0:20:56 | |
"What are we going to do?" "Don't worry, it's Snooker Table Man." | 0:20:56 | 0:20:59 | |
and then you turn into a snooker table, and you go, | 0:20:59 | 0:21:01 | |
"Now what, I don't know, that's all I can do." | 0:21:01 | 0:21:03 | |
So, what was his purpose, what did he do? | 0:21:03 | 0:21:06 | |
His purpose was to go into the houses of very rich people | 0:21:06 | 0:21:09 | |
who were trying to, for various reasons, take over the world, | 0:21:09 | 0:21:13 | |
and he would, firstly, he would report back on them | 0:21:13 | 0:21:17 | |
because he had wireless transistors in the pockets. | 0:21:17 | 0:21:20 | |
Whoa, whoa, whoa, so, he was... | 0:21:20 | 0:21:23 | |
So, he would go into the houses of very, very rich people. | 0:21:23 | 0:21:26 | |
Admit, ADMIT, admit that is a good disguise if you want to get into... | 0:21:26 | 0:21:29 | |
No, it's a terrible disguise, it's a terrible disguise, | 0:21:29 | 0:21:31 | |
unless the person in question has ordered a snooker table. | 0:21:31 | 0:21:34 | |
Otherwise, they'll go... It's the worst disguise in the world! | 0:21:34 | 0:21:37 | |
They'll go, "Where the hell did that come from?" | 0:21:37 | 0:21:40 | |
You think any rich person, if they were given a delivery of a snooker table, | 0:21:40 | 0:21:43 | |
wouldn't go, "Oh, lovely, a snooker table." | 0:21:43 | 0:21:45 | |
They would, but you didn't say you were given delivery, | 0:21:45 | 0:21:48 | |
you said you suddenly appeared in an empty room. | 0:21:48 | 0:21:50 | |
No, I didn't, what do you mean, transport myself... | 0:21:50 | 0:21:52 | |
So, you knock on the door and you go, "Hello, I'm here to give you a snooker table." | 0:21:52 | 0:21:57 | |
No, you are, you are... | 0:21:57 | 0:21:59 | |
That was it, that was your... | 0:22:01 | 0:22:02 | |
Now, you're making it sound ridiculous. | 0:22:02 | 0:22:04 | |
How did he move around? | 0:22:12 | 0:22:13 | |
He didn't move around, that's the beauty of him. | 0:22:13 | 0:22:16 | |
People moved around him, that's snooker tables. | 0:22:16 | 0:22:18 | |
You know what, I won't tell the rest of this story, | 0:22:18 | 0:22:21 | |
if you're going to mock me. | 0:22:21 | 0:22:22 | |
-What are the other powers you haven't told us about? -Yeah. | 0:22:27 | 0:22:29 | |
Well, I've given you the two and the third one was... | 0:22:29 | 0:22:32 | |
-What was the second one? -Transistors... -The transistors, yeah. | 0:22:32 | 0:22:34 | |
-The ability to transmit information. -Who to? -And it... | 0:22:34 | 0:22:37 | |
To... (Oh, goodness me!) | 0:22:37 | 0:22:39 | |
Who do you think, if we're trying to save the world, who do you think he's transmitting to? | 0:22:39 | 0:22:43 | |
-Steve Davis. -Firstly, me. | 0:22:43 | 0:22:45 | |
-What was your third power then? -The third power was exploding balls. | 0:22:48 | 0:22:52 | |
And how would he use his exploding balls? | 0:22:55 | 0:22:57 | |
In what situation would he want his balls to explode? | 0:22:57 | 0:23:00 | |
Finally, a sensible question. | 0:23:02 | 0:23:04 | |
If I received enough information... | 0:23:06 | 0:23:09 | |
that the person whose home this snooker table is in | 0:23:09 | 0:23:11 | |
is up to no good, is up to nefarious activities, OK? | 0:23:11 | 0:23:15 | |
The next time they're playing a game of snooker, | 0:23:15 | 0:23:17 | |
I can then make those balls explode at will. | 0:23:17 | 0:23:21 | |
If you were playing this game in Wales you wouldn't call it snooker. | 0:23:21 | 0:23:24 | |
-"Snuker"? -"Snuker". -Yeah, "snuker". | 0:23:24 | 0:23:26 | |
Cos we don't, we don't like the O sound, | 0:23:26 | 0:23:29 | |
it's the same with tooth, we'd say "tuth". | 0:23:29 | 0:23:31 | |
Yeah, and, likewise, we don't like the...the Welsh. | 0:23:31 | 0:23:34 | |
-Lee, what are you thinking? -I think it's a big fat lie. | 0:23:40 | 0:23:43 | |
You think it's a lie. | 0:23:43 | 0:23:44 | |
I mean, I think he's a large man. He's like a snooker table. | 0:23:44 | 0:23:49 | |
I'm not twelve foot by six foot, you know that, David. | 0:23:49 | 0:23:52 | |
I think I'm going to say that that was a lie. | 0:23:52 | 0:23:55 | |
You think it's a lie. OK, Richard, was it the truth or was it a lie? | 0:23:55 | 0:23:59 | |
It was... | 0:23:59 | 0:24:01 | |
a lie. | 0:24:01 | 0:24:02 | |
It's Jon Richardson. | 0:24:06 | 0:24:08 | |
When I was a child, I was told to stop stalking a clown. | 0:24:09 | 0:24:14 | |
I think it's true. | 0:24:15 | 0:24:17 | |
Why were you stalking a clown? | 0:24:17 | 0:24:19 | |
Because I liked him. | 0:24:19 | 0:24:21 | |
How old were you, Jon? | 0:24:22 | 0:24:23 | |
-Nine? -What was the name of the clown? | 0:24:25 | 0:24:28 | |
Dozy David. | 0:24:28 | 0:24:30 | |
-Dozy David? -He was opening a shopping centre where I grew up | 0:24:30 | 0:24:34 | |
and I saw what I believed was genuine magic. | 0:24:34 | 0:24:39 | |
-What did he do? -He did card tricks and he juggled, and he did jokes, | 0:24:39 | 0:24:43 | |
made animals from balloons. | 0:24:43 | 0:24:46 | |
What was the nature of your stalking? | 0:24:46 | 0:24:47 | |
Physically following him or phoning him or...? | 0:24:47 | 0:24:50 | |
-It was on the phone. -How did you get his number? | 0:24:50 | 0:24:52 | |
Because I asked for his autograph and he gave me his card. | 0:24:52 | 0:24:55 | |
-What, "Dozy Dave..." -I thought, for a minute, you were going to say, | 0:24:55 | 0:24:57 | |
"Gave me the autograph and included his number as well!" OK. | 0:24:57 | 0:25:02 | |
So, talk us through, then, what happened. You leave it a day or two do you or...? | 0:25:02 | 0:25:05 | |
I left it a day or two cos I didn't want to look... | 0:25:05 | 0:25:08 | |
Give him chance to get home in his car that keeps falling apart. | 0:25:08 | 0:25:12 | |
So, what did you do, talk us through the first conversation. | 0:25:12 | 0:25:15 | |
Well, no, that's the thing, he never answered his phone. | 0:25:15 | 0:25:17 | |
So I used to leave messages. | 0:25:17 | 0:25:19 | |
"Hiya, David, it's Jon here, from Lancaster, | 0:25:19 | 0:25:21 | |
"just wondering if you're coming back and doing any shows or...? | 0:25:21 | 0:25:25 | |
"Give us a ring, we'll see what happens." | 0:25:25 | 0:25:27 | |
He never rang back so I had to ring him again, didn't I? | 0:25:27 | 0:25:29 | |
-Right, and how long did this go on for? -A few weeks. | 0:25:29 | 0:25:32 | |
How many times in those few weeks did you ring him? | 0:25:32 | 0:25:35 | |
I would imagine it was something like every other day. | 0:25:35 | 0:25:37 | |
And was it the same messages or was it getting steadily more menacing? | 0:25:37 | 0:25:40 | |
Were you going, "Now, listen here, Dozy Dave..." | 0:25:40 | 0:25:45 | |
"If you don't call me back..." | 0:25:45 | 0:25:46 | |
"Yeah, I know where you live, I've got your address on the card..." | 0:25:46 | 0:25:49 | |
-"Yes, I've got your number..." -"I'll come round your house..." | 0:25:49 | 0:25:51 | |
"I know where you keep your balloons!" | 0:25:51 | 0:25:55 | |
"If you don't call me, I'll get a bucket of confetti | 0:25:55 | 0:25:58 | |
"and I'll throw it right in your face, and you'll think it's water." | 0:25:58 | 0:26:01 | |
"Just watch it, you!" | 0:26:03 | 0:26:04 | |
"Yeah, what's worse, I'm going to come... | 0:26:04 | 0:26:07 | |
-"come round and mend your car!" -Did this carry... | 0:26:07 | 0:26:10 | |
Did this carry on long enough for the messages, | 0:26:10 | 0:26:12 | |
your voice was getting deeper and deeper. | 0:26:12 | 0:26:14 | |
"Now, listen here... | 0:26:14 | 0:26:16 | |
"this has been 23 years... | 0:26:16 | 0:26:18 | |
"..how do you make a poodle out of a BALLOON?!" | 0:26:19 | 0:26:22 | |
How did it end then, Jon? | 0:26:29 | 0:26:31 | |
It ended very upsettingly | 0:26:31 | 0:26:34 | |
when his wife or girlfriend answered the phone. | 0:26:34 | 0:26:38 | |
And said, "David says, will you stop calling the house." | 0:26:38 | 0:26:42 | |
Oh. | 0:26:42 | 0:26:43 | |
-Oh, this is a heart-breaking story. -Blimey. | 0:26:43 | 0:26:46 | |
Lee, what do you think, could that tale of woe be true? | 0:26:46 | 0:26:50 | |
I think it fits his character profile, sweet. I think it's probably true. | 0:26:50 | 0:26:53 | |
-Yeah, do we, David? -I think it's true. -True. -For me. | 0:26:53 | 0:26:56 | |
-OK, we'll say... -You all think it's true. | 0:26:56 | 0:26:58 | |
Jon, were you telling the truth or were you telling a lie? | 0:26:58 | 0:27:01 | |
I was telling a... | 0:27:01 | 0:27:03 | |
truth. | 0:27:03 | 0:27:05 | |
Lee, how do you know Ian? | 0:27:10 | 0:27:11 | |
This is Ian, he is my supermarket delivery driver | 0:27:11 | 0:27:15 | |
who accidently got... I can't remember! | 0:27:15 | 0:27:17 | |
I just want you to know this is absolutely true, right, | 0:27:19 | 0:27:23 | |
but they do insist that we say it exactly the way it happened. | 0:27:23 | 0:27:28 | |
-So, here we go. -Right. -Erm... | 0:27:28 | 0:27:30 | |
This is David... No, what's your name? | 0:27:30 | 0:27:32 | |
-Lee. -Yeah. | 0:27:34 | 0:27:35 | |
Perhaps you'd like to explain how you know Ian? | 0:27:35 | 0:27:38 | |
Never met him. | 0:27:38 | 0:27:39 | |
This is Ian, right. | 0:27:41 | 0:27:42 | |
-Lee. -This is Ian. -This is Ian. | 0:27:43 | 0:27:46 | |
Listen, I think it's fair to say the opposition have got it down to 50/50. | 0:27:46 | 0:27:50 | |
So, Lee, how do you know Ian? | 0:27:55 | 0:27:59 | |
This is Ian. | 0:27:59 | 0:28:01 | |
Ian, do me a favour, could you Sellotape that to your face? | 0:28:06 | 0:28:09 | |
Right. | 0:28:12 | 0:28:13 | |
This is Ian, he is the supermarket delivery driver | 0:28:13 | 0:28:16 | |
who accidentally trapped me in the back of his van | 0:28:16 | 0:28:19 | |
and drove me to his next drop-off point. | 0:28:19 | 0:28:21 | |
Right, and finally, David, what is Lee to you? | 0:28:21 | 0:28:25 | |
Not Lee, sorry. | 0:28:25 | 0:28:27 | |
Subtitles by Red Bee Media Ltd | 0:28:51 | 0:28:54 |