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CHEERING AND APPLAUSE | 0:00:16 | 0:00:20 | |
Good evening and welcome to Would I Lie To You?, | 0:00:25 | 0:00:28 | |
the show where honesty is never the best policy. | 0:00:28 | 0:00:31 | |
On David Mitchell's team tonight, | 0:00:31 | 0:00:33 | |
a comedian with a career spanning 18 years. | 0:00:33 | 0:00:37 | |
To put that into perspective, his career is old enough to vote, | 0:00:37 | 0:00:40 | |
to get married and to reject my advances at a bar. | 0:00:40 | 0:00:44 | |
It's Phill Jupitus! | 0:00:44 | 0:00:46 | |
CHEERING AND APPLAUSE | 0:00:46 | 0:00:48 | |
And an actress who, in Sherlock, sometimes appears opposite | 0:00:48 | 0:00:53 | |
her partner, Martin Freeman, but who tonight is making an exception | 0:00:53 | 0:00:56 | |
and is appearing opposite her FUTURE partner, Rob Brydon. | 0:00:56 | 0:01:00 | |
It's Amanda Abbington! | 0:01:00 | 0:01:03 | |
CHEERING AND APPLAUSE | 0:01:03 | 0:01:05 | |
And, standing in as guest captain, it's Greg Davis! | 0:01:05 | 0:01:08 | |
CHEERING AND APPLAUSE | 0:01:08 | 0:01:11 | |
And on Greg's team tonight, | 0:01:11 | 0:01:13 | |
he's not the first choirmaster to end up with his name on a list, | 0:01:13 | 0:01:16 | |
although... | 0:01:16 | 0:01:17 | |
LAUGHTER | 0:01:17 | 0:01:19 | |
..in his case it was the Queen's Birthday Honours List. | 0:01:19 | 0:01:22 | |
It's Gareth Malone! | 0:01:22 | 0:01:24 | |
CHEERING AND APPLAUSE | 0:01:24 | 0:01:27 | |
And, you know, some people, | 0:01:27 | 0:01:29 | |
some people are nervous about mentioning this man's height. | 0:01:29 | 0:01:32 | |
Not me, I'll happily say it right to his belt. | 0:01:32 | 0:01:34 | |
It's Richard Osman! | 0:01:34 | 0:01:36 | |
CHEERING AND APPLAUSE | 0:01:36 | 0:01:38 | |
Hello, everyone. | 0:01:38 | 0:01:39 | |
And so we begin with Round 1, | 0:01:40 | 0:01:43 | |
Home Truths, where our panellists each read out a statement | 0:01:43 | 0:01:46 | |
from the card in front of them. | 0:01:46 | 0:01:47 | |
Now, to make things harder, they've never seen the card before. | 0:01:47 | 0:01:50 | |
They've got no idea what they'll be faced with | 0:01:50 | 0:01:53 | |
and it's up to the opposing team to sort the fact from the fiction | 0:01:53 | 0:01:57 | |
and Gareth is first up tonight. | 0:01:57 | 0:01:59 | |
A quick technique I often use to determine | 0:02:01 | 0:02:03 | |
if someone has singing potential, is to get them to sing | 0:02:03 | 0:02:06 | |
Baa Baa Black Sheep as if they are frightened. | 0:02:06 | 0:02:09 | |
David. | 0:02:11 | 0:02:13 | |
Is it? | 0:02:13 | 0:02:15 | |
-As if they are frightened? -Yes. | 0:02:15 | 0:02:17 | |
And what is it about that that tells you anything? | 0:02:17 | 0:02:20 | |
It's to determine whether they can perform. | 0:02:20 | 0:02:23 | |
Not just to sing but whether they can take it the next level. | 0:02:23 | 0:02:26 | |
Look terrified while singing, | 0:02:26 | 0:02:28 | |
cos that's the key skill needed in a choir(!) | 0:02:28 | 0:02:32 | |
Yeah, no, it's more about them, | 0:02:32 | 0:02:34 | |
you know, it might be that I want them to get under the skin | 0:02:34 | 0:02:39 | |
of a piece of music that I'm going to do later | 0:02:39 | 0:02:42 | |
so I want to see whether they've got what it takes emotionally | 0:02:42 | 0:02:44 | |
to connect with the song, even if it is Baa Baa Black Sheep. | 0:02:44 | 0:02:47 | |
Is that one of your favourites, Baa Baa Black Sheep? | 0:02:47 | 0:02:49 | |
Well, it's a very good tune. | 0:02:49 | 0:02:51 | |
Well, look, talk is cheap. | 0:02:51 | 0:02:53 | |
LAUGHTER | 0:02:53 | 0:02:56 | |
Let's see some of that - and I use this phrase advisedly - | 0:02:56 | 0:02:59 | |
"Malone Magic" in action. | 0:02:59 | 0:03:02 | |
Erm... | 0:03:02 | 0:03:03 | |
Greg... | 0:03:04 | 0:03:05 | |
LAUGHTER | 0:03:05 | 0:03:06 | |
..could you sing Baa Baa Black Sheep as if you were frightened, please? | 0:03:06 | 0:03:10 | |
Fine. I'm an incredibly versatile actor. Let's go. | 0:03:10 | 0:03:12 | |
-Frightened? -Frightened. -OK. | 0:03:14 | 0:03:15 | |
Oh! | 0:03:17 | 0:03:19 | |
LAUGHTER | 0:03:19 | 0:03:21 | |
BREATHLESS, HIGH-PITCHED VOICE: # Baa baa, black sheep, | 0:03:21 | 0:03:25 | |
# Have you any wool? | 0:03:25 | 0:03:29 | |
# Yes, sir, yes sir | 0:03:29 | 0:03:31 | |
# Three bags full! # | 0:03:31 | 0:03:33 | |
Can I ask, are you being Barry, Robin or Maurice? | 0:03:35 | 0:03:37 | |
Can't quite tell. | 0:03:37 | 0:03:40 | |
LAUGHTER AND APPLAUSE | 0:03:40 | 0:03:43 | |
Well, I think we've established that he's got potential | 0:03:43 | 0:03:46 | |
-and the important thing is... -Give me another emotion, Gareth. | 0:03:46 | 0:03:49 | |
-No, that's the... -Yeah I know, but give me another one, just... | 0:03:49 | 0:03:51 | |
All right, erm... | 0:03:51 | 0:03:53 | |
Sexual joy. | 0:03:53 | 0:03:54 | |
LAUGHTER | 0:03:54 | 0:03:56 | |
Hang on a minute. | 0:03:56 | 0:03:58 | |
DEEP VOICE: # Baa baa, black sheep | 0:03:58 | 0:04:02 | |
# Have you any wool? # | 0:04:02 | 0:04:04 | |
Can I do the frightened one? | 0:04:04 | 0:04:06 | |
Oh, you want to...? | 0:04:06 | 0:04:09 | |
I don't get to look someone in the eye very often. | 0:04:09 | 0:04:11 | |
LAUGHTER AND APPLAUSE | 0:04:11 | 0:04:15 | |
Do you know what I'd love to see? I'd love to see... | 0:04:19 | 0:04:21 | |
Is there anybody here, do you think, | 0:04:21 | 0:04:24 | |
who perhaps doesn't like singing, | 0:04:24 | 0:04:26 | |
who might be sat in between...? | 0:04:26 | 0:04:29 | |
He might be in between his team-mates now thinking, | 0:04:30 | 0:04:33 | |
"Oh, I do hope they don't come to me." | 0:04:33 | 0:04:35 | |
Is there anyone? | 0:04:36 | 0:04:38 | |
-Why don't we ask David to... -Oh! OK, all right. | 0:04:38 | 0:04:42 | |
..to perhaps sing Baa Baa Black Sheep. | 0:04:42 | 0:04:44 | |
-Baa Baa Black Sheep, like I'm very frightened? -Go on, David. -OK. | 0:04:44 | 0:04:48 | |
WAVERING VOICE: # Baa baa, black sheep | 0:04:48 | 0:04:51 | |
# Have you any wool? | 0:04:51 | 0:04:54 | |
# Yes, sir, yes sir | 0:04:55 | 0:04:59 | |
# Three bags full. # | 0:04:59 | 0:05:02 | |
CHEERING AND APPLAUSE | 0:05:03 | 0:05:05 | |
You know that Gareth didn't want you to sing Baa Baa Black Sheep | 0:05:09 | 0:05:12 | |
as if you were a sheep, don't you? | 0:05:12 | 0:05:14 | |
What do you ascertain from what he's just done? | 0:05:14 | 0:05:17 | |
Well, he can sing in tune and... | 0:05:17 | 0:05:20 | |
Meh... | 0:05:20 | 0:05:21 | |
..in the broadest sense. | 0:05:22 | 0:05:24 | |
Yeah, and making people feel comfortable | 0:05:24 | 0:05:26 | |
and let's not start with the Mozart Requiem. | 0:05:26 | 0:05:29 | |
Let's start with Baa Baa Black Sheep as if frightened. | 0:05:29 | 0:05:32 | |
So, what are you thinking of this claim of Gareth's? | 0:05:32 | 0:05:36 | |
I think it's true. | 0:05:36 | 0:05:37 | |
Also you have to have a thing, if you're auditioning lots of people, | 0:05:37 | 0:05:40 | |
you can't think about it with each one. | 0:05:40 | 0:05:41 | |
-You have to have a thing you ask everyone to do. -Yeah. | 0:05:41 | 0:05:44 | |
-I think we're saying it's true. -You think it's true? OK. | 0:05:44 | 0:05:47 | |
Gareth Malone, truth or lie? | 0:05:47 | 0:05:50 | |
It is... | 0:05:50 | 0:05:52 | |
-a lie. -Ah! | 0:05:52 | 0:05:53 | |
APPLAUSE | 0:05:53 | 0:05:55 | |
I really thought that was true. | 0:05:57 | 0:05:59 | |
Phill, it's your turn. | 0:06:01 | 0:06:03 | |
Ahem-hem. | 0:06:03 | 0:06:05 | |
I am addicted to rescuing loose trolleys at my local supermarket. | 0:06:07 | 0:06:11 | |
Greg's team. | 0:06:13 | 0:06:14 | |
Supermarkets and trolleys, what do you think? | 0:06:14 | 0:06:17 | |
How often do you do this, Phill? | 0:06:17 | 0:06:19 | |
When I go shopping. | 0:06:19 | 0:06:21 | |
In my experience at a lot of the supermarkets I've been to, | 0:06:22 | 0:06:24 | |
-there is a person who often deals with... -Yeah, that's Phill. | 0:06:24 | 0:06:27 | |
LAUGHTER | 0:06:27 | 0:06:29 | |
I'm just wondering has there ever been any tension between you | 0:06:29 | 0:06:32 | |
and the trolley person at your supermarket? | 0:06:32 | 0:06:34 | |
If the trolley person appears, | 0:06:34 | 0:06:37 | |
I hide behind a car. | 0:06:37 | 0:06:39 | |
If you go past a canal and you see a trolley that's been chucked in, | 0:06:41 | 0:06:44 | |
as is often the case in canals, will you attempt to retrieve that? | 0:06:44 | 0:06:48 | |
I may, I don't know. It depends how old it is. | 0:06:48 | 0:06:50 | |
The thing is, the fear would be that an old trolley in a canal | 0:06:50 | 0:06:53 | |
will not properly tessellate with a new trolley in a Waitrose. | 0:06:53 | 0:06:57 | |
It depends when the trolley's been thrown in the canal, of course. | 0:06:58 | 0:07:01 | |
It could have been recently thrown in, but you can't tell, really, | 0:07:01 | 0:07:04 | |
until you've got it out and then if you try and make it mate... | 0:07:04 | 0:07:07 | |
What if it's a Safeway trolley? | 0:07:07 | 0:07:09 | |
Safeway are no longer are in business. | 0:07:09 | 0:07:11 | |
But they thought that about Labradors and poodles, didn't they, | 0:07:11 | 0:07:14 | |
and somebody managed it? | 0:07:14 | 0:07:15 | |
But can you imagine the psychological...? | 0:07:15 | 0:07:18 | |
Are you saying that it's going to be a Safe-Waitrose? | 0:07:18 | 0:07:20 | |
LAUGHTER AND APPLAUSE | 0:07:20 | 0:07:23 | |
-So, is he telling the truth? -I think it's true. | 0:07:28 | 0:07:31 | |
-I, yeah, I think it's true. -You think it's true? | 0:07:31 | 0:07:33 | |
-Mm, Gareth does. -My respected colleague thinks it's true. | 0:07:33 | 0:07:35 | |
-Oh, thanks. -Hold on?! -Oh, sorry. | 0:07:35 | 0:07:38 | |
LAUGHTER | 0:07:38 | 0:07:39 | |
-Yeah, well, I'm overruling both of them. -Oh, come on. | 0:07:40 | 0:07:43 | |
-I think it's a lie. -You're going to say it's a lie... -Yeah. | 0:07:43 | 0:07:46 | |
..even though both members of your team think it's true? | 0:07:46 | 0:07:49 | |
-That's right. -That's a very, very irresponsible use of power. | 0:07:49 | 0:07:52 | |
Perhaps it is. | 0:07:52 | 0:07:54 | |
Lee Mack's not here. This is my bench and I tell you, it's a lie. | 0:07:54 | 0:07:58 | |
Why do you think it's a lie? What about that was unconvincing? | 0:07:58 | 0:08:01 | |
It's irrelevant. I've made my decision. | 0:08:01 | 0:08:03 | |
So you're saying that it's a lie? | 0:08:04 | 0:08:06 | |
Phill, were you telling the truth there or were you telling us a lie? | 0:08:06 | 0:08:10 | |
I was telling... | 0:08:10 | 0:08:12 | |
-the truth. -No! | 0:08:12 | 0:08:14 | |
APPLAUSE | 0:08:14 | 0:08:16 | |
Tell you what, Greg, | 0:08:21 | 0:08:23 | |
this captaincy lark isn't as easy as it looks, is it? | 0:08:23 | 0:08:26 | |
OK. Our next round is called This Is My, | 0:08:26 | 0:08:30 | |
where we bring on a mystery guest | 0:08:30 | 0:08:32 | |
who has a close connection to one of our panellists. | 0:08:32 | 0:08:34 | |
Now, this week each of Greg's team will claim it's them | 0:08:34 | 0:08:36 | |
that has the genuine connection to the guest | 0:08:36 | 0:08:39 | |
and it's up to David's team to spot who's telling the truth. | 0:08:39 | 0:08:42 | |
So, please welcome this week's special guest, Gareth. | 0:08:42 | 0:08:45 | |
APPLAUSE | 0:08:45 | 0:08:47 | |
So, Gareth Malone, what is this Gareth to you? | 0:08:52 | 0:08:56 | |
This is my old neighbour, Gareth, and when I was learning a song | 0:08:56 | 0:09:01 | |
he would distract me by singing the same song in his own flat | 0:09:01 | 0:09:05 | |
but in a different language. | 0:09:05 | 0:09:07 | |
-Right, Richard Osman, how do you know Gareth? -This is Gareth. | 0:09:07 | 0:09:11 | |
When he came to watch a recording of Pointless, | 0:09:11 | 0:09:13 | |
I had to ask for him to be moved away from the front row | 0:09:13 | 0:09:16 | |
cos his behaviour was putting me off my statistics. | 0:09:16 | 0:09:19 | |
-And, Greg, how do you know Gareth? -This is Gareth. | 0:09:22 | 0:09:25 | |
He was the rickshaw driver I once paid to pedal me home. | 0:09:25 | 0:09:29 | |
By the time we arrived, he was so exhausted | 0:09:29 | 0:09:32 | |
I let him stay on my sofa. | 0:09:32 | 0:09:34 | |
LAUGHTER | 0:09:34 | 0:09:36 | |
So, there we have it. | 0:09:36 | 0:09:38 | |
Gareth's synchronised singer, | 0:09:38 | 0:09:41 | |
Richard's Pointless punter or Greg's shattered chauffeur. | 0:09:41 | 0:09:45 | |
-David's team, who do you want to start with? -Gareth. | 0:09:45 | 0:09:48 | |
What language does he sing the song in, or does it vary? | 0:09:48 | 0:09:53 | |
He was singing in English. | 0:09:53 | 0:09:54 | |
-So what were you singing in? -German. -Ah. | 0:09:54 | 0:09:57 | |
What song? | 0:09:57 | 0:09:59 | |
Um, I think, I think it was Bach's St Matthew Passion. | 0:09:59 | 0:10:03 | |
That's what I thought it would be. | 0:10:04 | 0:10:06 | |
So, how often did this happen? | 0:10:07 | 0:10:09 | |
Enough for me to remember... to mention it now. | 0:10:09 | 0:10:13 | |
If a neighbour was singing a song next door to me, | 0:10:14 | 0:10:18 | |
the first thing I'd do would be to translate it back to English | 0:10:18 | 0:10:22 | |
and then sing it as an off-putting kind of... | 0:10:22 | 0:10:25 | |
Especially through a wall. That really cuts deep(!) | 0:10:25 | 0:10:28 | |
-How does it go, Gareth? -I can't remember it in English. | 0:10:29 | 0:10:32 | |
You don't really want to hear it, do you? | 0:10:32 | 0:10:34 | |
AUDIENCE: Yes! | 0:10:34 | 0:10:36 | |
I'd like to hear it as if you're frightened. | 0:10:36 | 0:10:38 | |
LAUGHTER | 0:10:38 | 0:10:39 | |
# Da Jesus diese Rede vollende hatte | 0:10:41 | 0:10:44 | |
# Sprach er zu...seine...Jungen...# | 0:10:44 | 0:10:48 | |
CHEERING AND APPLAUSE | 0:10:48 | 0:10:50 | |
And he was singing exactly the same song the other side of a wall? | 0:10:54 | 0:10:57 | |
Yeah. I mean, actually, I think up a semitone. | 0:10:57 | 0:11:01 | |
-So he's your neighbour, he's also called Gareth? -Yeah. | 0:11:01 | 0:11:04 | |
He's singing the same song in a different language | 0:11:04 | 0:11:07 | |
and a semitone different. | 0:11:07 | 0:11:09 | |
It's almost unbelievable, isn't it? | 0:11:09 | 0:11:11 | |
Now, Richard, what was the behaviour in the front row... | 0:11:11 | 0:11:16 | |
Yeah, I wanted to know that. | 0:11:16 | 0:11:17 | |
..that Gareth did that was putting you off your stats? | 0:11:17 | 0:11:21 | |
I sit very close to the audience on Pointless, | 0:11:21 | 0:11:23 | |
where my little desk is and there's an audience very close to me. | 0:11:23 | 0:11:26 | |
Xander is further away for contractual reasons. | 0:11:26 | 0:11:29 | |
But lots of people come and see Pointless regularly and they know | 0:11:29 | 0:11:32 | |
if they turn up early they can sit in the front row and Gareth is one | 0:11:32 | 0:11:35 | |
of those people and there's a trick that people in the audience here, | 0:11:35 | 0:11:38 | |
I'm sure if you've been to lots of shows, know, that there's a way | 0:11:38 | 0:11:41 | |
of getting yourself on a TV show, which is laugh in an unusual way. | 0:11:41 | 0:11:44 | |
-HIGH-PITCHED: -Ah-ha-ha-ha! | 0:11:44 | 0:11:46 | |
Sorry, sorry. | 0:11:46 | 0:11:48 | |
Carry on. | 0:11:48 | 0:11:49 | |
-Now Amanda will almost certainly be on the show. -Yeah. | 0:11:49 | 0:11:53 | |
So, Gareth had a way of laughing. | 0:11:53 | 0:11:56 | |
Because you come for two shows, he didn't do it in the first show | 0:11:56 | 0:11:59 | |
and in the second show he'd clearly developed a laugh | 0:11:59 | 0:12:01 | |
that sounded sort of like a donkey braying sort of a laugh, | 0:12:01 | 0:12:05 | |
every time something funny was said, | 0:12:05 | 0:12:06 | |
so he did it, like, four times in a show. | 0:12:06 | 0:12:08 | |
Can we hear your version of the laugh? | 0:12:08 | 0:12:10 | |
It'd be like a kind... Oh, God. | 0:12:10 | 0:12:13 | |
It'd be kind of like a hee-haw-hee-haw. | 0:12:13 | 0:12:16 | |
That sort of thing. | 0:12:16 | 0:12:17 | |
-Yeah. -And I could hear it all the way through | 0:12:17 | 0:12:20 | |
and so in the first recording break I said to the floor manager, | 0:12:20 | 0:12:23 | |
"Could you get him moved to the back?" | 0:12:23 | 0:12:26 | |
Can I ask a question at this point? | 0:12:26 | 0:12:28 | |
How did Gareth react, because if you were to pick somebody here and say, | 0:12:28 | 0:12:32 | |
"Sorry, could you, could you go and sit over there?" | 0:12:32 | 0:12:34 | |
they might be upset. | 0:12:34 | 0:12:35 | |
-I mean, how did he take it? -No, floor managers are very good. | 0:12:35 | 0:12:38 | |
They always just say, | 0:12:38 | 0:12:39 | |
"For camera reasons we need three more people at the back." | 0:12:39 | 0:12:41 | |
-Oh, so he wasn't told what the reason was? -No, no, of course not. | 0:12:41 | 0:12:44 | |
-How do you think he feels now? -Yeah. | 0:12:44 | 0:12:46 | |
He literally came up to me about three days later and said, | 0:12:46 | 0:12:49 | |
"I know why they moved me. | 0:12:49 | 0:12:50 | |
"They moved me because I was doing that laugh" and I said, "Yeah." | 0:12:50 | 0:12:53 | |
In what context did he come up to you three days later | 0:12:53 | 0:12:55 | |
and were you alarmed? | 0:12:55 | 0:12:57 | |
During a recording, he sauntered up to you while you were halfway | 0:12:57 | 0:13:01 | |
through reading out some information and went, | 0:13:01 | 0:13:04 | |
"By the way, Richard, I know why I got moved the other day | 0:13:04 | 0:13:06 | |
"and I know why security are coming for me now." | 0:13:06 | 0:13:09 | |
Of course not. We have recording breaks and stuff like that. | 0:13:09 | 0:13:12 | |
Right. OK, so during a recording break, he went, | 0:13:12 | 0:13:15 | |
"I know why. I'm laughing normally now." | 0:13:15 | 0:13:18 | |
All right, David, what about Greg? | 0:13:19 | 0:13:21 | |
So, Greg, tell us your story. | 0:13:21 | 0:13:25 | |
Not your whole life, you know. Just... | 0:13:25 | 0:13:28 | |
Just the rickshaw bit. | 0:13:28 | 0:13:30 | |
I had a very big celebration in the centre of town. | 0:13:30 | 0:13:34 | |
-Ooh, where? -What reason? | 0:13:34 | 0:13:36 | |
I was celebrating leaving teaching. | 0:13:36 | 0:13:38 | |
LAUGHTER | 0:13:39 | 0:13:42 | |
OK. | 0:13:42 | 0:13:43 | |
So I had a very big celebration just after my last night at school | 0:13:43 | 0:13:47 | |
-which was ludicrously big. -OK. | 0:13:47 | 0:13:50 | |
You emerge from the bar in question a little the worse for wear? | 0:13:50 | 0:13:54 | |
I was offensively drunk. | 0:13:54 | 0:13:56 | |
-A rickshaw? -Yeah. -Why? | 0:13:56 | 0:13:59 | |
If I'm honest, I was showing off. It had been a day of showing off. | 0:13:59 | 0:14:04 | |
How far did you have to take Gareth? | 0:14:04 | 0:14:07 | |
He had to take me from Central London to Hounslow which is... | 0:14:07 | 0:14:10 | |
Hounslow! | 0:14:10 | 0:14:11 | |
Yeah, it's something like.. It's just shy of ten miles. | 0:14:11 | 0:14:14 | |
How much was it? | 0:14:14 | 0:14:16 | |
It was £163. | 0:14:16 | 0:14:18 | |
-How long did it take, roughly? -Um... | 0:14:18 | 0:14:21 | |
..I mean, I honestly don't know. | 0:14:23 | 0:14:25 | |
I thought you were waiting for the length of time. | 0:14:25 | 0:14:28 | |
LAUGHTER | 0:14:28 | 0:14:31 | |
-So, you arrive. -Yeah. | 0:14:31 | 0:14:33 | |
You give him his money. | 0:14:33 | 0:14:35 | |
When does the whole idea of offering him a bed for the night come? | 0:14:35 | 0:14:39 | |
We didn't even discuss the money because I got off the bike, | 0:14:39 | 0:14:42 | |
by which point I was incredibly sober, and I looked at his face | 0:14:42 | 0:14:45 | |
and it was, er... | 0:14:45 | 0:14:47 | |
It was grey. | 0:14:47 | 0:14:49 | |
I mean, I genuinely feared for his life, so I said, | 0:14:49 | 0:14:51 | |
"Oh, my God, you must come in for a bit," | 0:14:51 | 0:14:53 | |
-and I made him a cup of tea." -LAUGHTER | 0:14:53 | 0:14:57 | |
WOLFWHISTLES | 0:14:57 | 0:14:59 | |
Greg, Greg, Greg... | 0:15:00 | 0:15:02 | |
-Greg! -We're better than that, guys! We're better than that. | 0:15:02 | 0:15:05 | |
Where did he put his rickshaw? | 0:15:08 | 0:15:10 | |
-LAUGHTER -Is that a euphemism? | 0:15:10 | 0:15:12 | |
Very personal, very personal. | 0:15:12 | 0:15:15 | |
How did it progress from the cup of tea to the sleepover? | 0:15:15 | 0:15:19 | |
Because, honestly, I was sober by the time I got home. | 0:15:19 | 0:15:22 | |
He didn't say "cup of tea". | 0:15:22 | 0:15:24 | |
He said, "Would you like to come in for a bit?" | 0:15:24 | 0:15:26 | |
-Exhausted from the bit... -Biscuits! Biscuits! | 0:15:26 | 0:15:29 | |
he fell asleep on the sofa. | 0:15:29 | 0:15:31 | |
Let's be clear, you've invited him up for a bit. | 0:15:31 | 0:15:35 | |
You go in. | 0:15:35 | 0:15:36 | |
What happens? | 0:15:37 | 0:15:39 | |
After the cup of tea, I decided that he was clearly still very | 0:15:39 | 0:15:44 | |
close to death, so I said, "Would you like to crash on the sofa?" | 0:15:44 | 0:15:47 | |
And I'll give you an extra little detail. | 0:15:47 | 0:15:50 | |
As he went past my front garden, he said, "What is that?" | 0:15:50 | 0:15:52 | |
because I'd set fire to my teaching outfit before I'd gone out, | 0:15:52 | 0:15:56 | |
when my friends first came round, | 0:15:56 | 0:15:58 | |
and there was half of a trouser leg left. | 0:15:58 | 0:16:02 | |
And Gareth saw it and went, "Is that half a trouser leg? | 0:16:02 | 0:16:06 | |
"Has someone spontaneously combusted?" | 0:16:06 | 0:16:09 | |
We need an answer, so, David's team, is Gareth | 0:16:10 | 0:16:14 | |
Gareth Malone's synchronised singer, | 0:16:14 | 0:16:18 | |
is he Richard's Pointless punter, | 0:16:18 | 0:16:21 | |
or is he Greg's shattered chauffeur? | 0:16:21 | 0:16:24 | |
I've got a horrible feeling he's the Pointless punter. | 0:16:24 | 0:16:26 | |
-You think Pointless punter? -Yeah. | 0:16:26 | 0:16:28 | |
See, I'm thinking rickshaw driver. | 0:16:28 | 0:16:30 | |
Yeah, the detail that Greg was giving was... | 0:16:30 | 0:16:33 | |
The detail of the burned trouser leg is... | 0:16:33 | 0:16:36 | |
That was like he'd forgotten himself and he was getting into his story. | 0:16:36 | 0:16:39 | |
"Oh, this happened, I'm really excited." | 0:16:39 | 0:16:41 | |
-You're discounting Gareth altogether? -Oh, completely, yeah. | 0:16:41 | 0:16:44 | |
OK, so you're going for the two tall guys there, the two lanky dudes? | 0:16:46 | 0:16:49 | |
-Hey! You know what, we're just two guys. -We're just two people, right? | 0:16:49 | 0:16:53 | |
-That's what we are. -The two lamp posts there. | 0:16:53 | 0:16:56 | |
LAUGHTER | 0:16:56 | 0:16:58 | |
So, David, what are you going to say? | 0:16:58 | 0:17:00 | |
-I'm going to... because I genuinely don't... -You're abstaining? | 0:17:00 | 0:17:03 | |
I'm going to go with the team captain's final decision. | 0:17:03 | 0:17:06 | |
If I had a gun to your head though, Amanda, and don't rule it out... | 0:17:06 | 0:17:09 | |
LAUGHTER | 0:17:09 | 0:17:11 | |
-..who would you go for? -Greg. | 0:17:11 | 0:17:13 | |
You'd go for Greg. All right. | 0:17:13 | 0:17:15 | |
Or Richard. | 0:17:15 | 0:17:16 | |
-What do you think? -I think Greg. | 0:17:17 | 0:17:19 | |
-You think Greg, now? -Oh, no! -We'll say Greg. We'll say Greg. | 0:17:19 | 0:17:22 | |
They're saying that it is Greg. | 0:17:22 | 0:17:25 | |
-Gareth... -He's a Pointless contestant. | 0:17:25 | 0:17:27 | |
Could you please... | 0:17:27 | 0:17:29 | |
-I've taken your answer! -Yeah, I know! | 0:17:29 | 0:17:31 | |
Would you now observe the rules of the game | 0:17:31 | 0:17:34 | |
and please treat this with a little more respect? | 0:17:34 | 0:17:37 | |
Gareth, would you please reveal your true identity. | 0:17:40 | 0:17:44 | |
-My name is Gareth and I once distracted Gareth. -Oh! | 0:17:44 | 0:17:47 | |
LAUGHTER AND APPLAUSE | 0:17:47 | 0:17:49 | |
Yes, Gareth WAS Gareth's synchronised singer. | 0:17:56 | 0:18:00 | |
-Gareth, thank you very much indeed. -Thank you. | 0:18:00 | 0:18:03 | |
CHEERING AND APPLAUSE | 0:18:03 | 0:18:06 | |
Which brings us to our final round, Quick-fire Lies | 0:18:06 | 0:18:09 | |
and we will start with... | 0:18:09 | 0:18:12 | |
It is Richard. | 0:18:13 | 0:18:15 | |
Every time I lock my front door, I squawk like a parrot. | 0:18:17 | 0:18:20 | |
That way... | 0:18:20 | 0:18:22 | |
LAUGHTER | 0:18:22 | 0:18:24 | |
That way, if I later worry that I didn't lock it, | 0:18:27 | 0:18:29 | |
I remember the squawk and know that I did. | 0:18:29 | 0:18:32 | |
David's team. | 0:18:34 | 0:18:35 | |
Quite genuinely, I think that makes perfect sense. | 0:18:35 | 0:18:37 | |
As someone who's slightly OCD about locking stuff, | 0:18:37 | 0:18:40 | |
what you need is to remember the moment when you knew it was locked... | 0:18:40 | 0:18:43 | |
-Yes. -..and a squawk of a parrot's as good as anything else. | 0:18:43 | 0:18:46 | |
-Give us a squawk. -WAAAK! | 0:18:46 | 0:18:48 | |
-PHILL: -Yeah. I can see the door now. | 0:18:48 | 0:18:51 | |
Although, I'd get confused and maybe | 0:18:51 | 0:18:52 | |
I'd think, "Oh, I squawked and I didn't lock it." | 0:18:52 | 0:18:55 | |
No, you squawk after you lock. | 0:18:55 | 0:18:57 | |
-Oh, OK. -It goes, lock, squawk. | 0:18:57 | 0:19:00 | |
And your doorway - I don't know your doorway - | 0:19:00 | 0:19:02 | |
but are you in view of neighbours? | 0:19:02 | 0:19:04 | |
Have you ever been witnessed doing this? | 0:19:04 | 0:19:06 | |
Well, I'm in hearing view of neighbours that side. | 0:19:06 | 0:19:10 | |
Hearing view?! | 0:19:10 | 0:19:11 | |
LAUGHTER | 0:19:11 | 0:19:13 | |
I mean... | 0:19:13 | 0:19:14 | |
-Whatever the word for "hearing view" is. -Earshot! | 0:19:16 | 0:19:18 | |
-Richard, you're coming out of the house, OK? -Yeah. | 0:19:19 | 0:19:22 | |
You're reaching into your pocket to get your keys. | 0:19:22 | 0:19:25 | |
-Act it out for us. -Shall I be the door? | 0:19:25 | 0:19:27 | |
-Yeah, why don't you... -This is going to be the worst mime ever. | 0:19:27 | 0:19:31 | |
LAUGHTER | 0:19:31 | 0:19:33 | |
There's my key. | 0:19:35 | 0:19:38 | |
Are you going to penetrate Gareth with that? | 0:19:39 | 0:19:41 | |
LAUGHTER | 0:19:41 | 0:19:43 | |
If you don't want me to do it, I won't do it. | 0:19:46 | 0:19:48 | |
No, we want you to do it. | 0:19:48 | 0:19:50 | |
WAAAK! | 0:19:57 | 0:19:58 | |
APPLAUSE | 0:20:00 | 0:20:02 | |
No, I don't believe him anymore. | 0:20:08 | 0:20:11 | |
-No, the squawk was too nonchalant. -Yeah, it was, wasn't it? | 0:20:11 | 0:20:14 | |
What you need is the OCD focus. The squawk is your point of remembrance. | 0:20:14 | 0:20:18 | |
You just squawked like you were saying goodbye to the door | 0:20:18 | 0:20:20 | |
in parrot language. | 0:20:20 | 0:20:22 | |
By and large, it's quite perfunctory, I'll admit to that. | 0:20:23 | 0:20:26 | |
It's kind of plausible cos it's him and he's a bit of an odd bod. | 0:20:26 | 0:20:29 | |
-What?! -What?! | 0:20:29 | 0:20:30 | |
What on earth has given you that opinion? | 0:20:30 | 0:20:32 | |
Well, he's so tall. | 0:20:32 | 0:20:34 | |
You know you're saying this in hearing view of me, don't you? | 0:20:35 | 0:20:38 | |
Maybe he does a different bird and that's what's going to happen to us. | 0:20:39 | 0:20:43 | |
He'll say, "Oh, I don't do a parrot. I do this one." | 0:20:43 | 0:20:45 | |
KOO-KOOKOO-KOO, KAKA-KA! | 0:20:45 | 0:20:48 | |
What bird is that?! | 0:20:48 | 0:20:50 | |
I don't know, but it's in all the Tarzan films. | 0:20:50 | 0:20:52 | |
It's also reminded me I turned the gas off when I left the house, | 0:20:52 | 0:20:55 | |
so thank you. | 0:20:55 | 0:20:57 | |
LAUGHTER AND APPLAUSE | 0:20:57 | 0:20:59 | |
What do you think? Is it the truth? | 0:21:04 | 0:21:06 | |
I can't believe you do that much stuff when you go out. | 0:21:06 | 0:21:09 | |
I didn't buy the nonchalant squawk. | 0:21:11 | 0:21:13 | |
I don't think it's true of Richard. | 0:21:13 | 0:21:15 | |
OK, Richard, were you telling the truth or were you telling a lie? | 0:21:15 | 0:21:19 | |
It is... | 0:21:19 | 0:21:21 | |
a lie. | 0:21:21 | 0:21:23 | |
APPLAUSE | 0:21:23 | 0:21:25 | |
It's a lie. Next. | 0:21:27 | 0:21:30 | |
It's Amanda. | 0:21:31 | 0:21:33 | |
I spent years making sure I didn't step on my imaginary pet rabbit. | 0:21:35 | 0:21:39 | |
When I finally got a real rabbit, | 0:21:39 | 0:21:40 | |
I did just that with disastrous consequences. | 0:21:40 | 0:21:44 | |
-Greg's team. -What was his name or her name? | 0:21:46 | 0:21:49 | |
Brian or Henry, I can't remember cos it was a long time ago. | 0:21:49 | 0:21:52 | |
Did you have more than one imaginary rabbit? | 0:21:52 | 0:21:54 | |
No, just one, Greg, come on! | 0:21:54 | 0:21:56 | |
LAUGHTER | 0:21:56 | 0:21:58 | |
Where did the rabbit live? | 0:21:58 | 0:21:59 | |
Was he in a hutch in the garden or was he | 0:21:59 | 0:22:01 | |
one of those rabbits that's allowed to romp through the house? | 0:22:01 | 0:22:04 | |
He was on the bottom step of the stairs. | 0:22:04 | 0:22:07 | |
The imaginary rabbit lived on the bottom step of the stairs? | 0:22:07 | 0:22:10 | |
-Of the stairs. -And where did you step on the real rabbit? | 0:22:10 | 0:22:13 | |
I was in the garden and we used to let my pet rabbit run around. | 0:22:13 | 0:22:17 | |
It was snowing so there was white everywhere. | 0:22:17 | 0:22:19 | |
He was a black rabbit and I used to run around with him | 0:22:19 | 0:22:22 | |
-and he ran under my foot and I trod on him. -In the snow? | 0:22:22 | 0:22:25 | |
-Yeah, and he died. -Oh, I'm so sorry. | 0:22:25 | 0:22:27 | |
LAUGHTER | 0:22:27 | 0:22:29 | |
Why are you laughing? | 0:22:29 | 0:22:31 | |
-Did stuff come out of his mouth? -Oh! | 0:22:32 | 0:22:34 | |
AUDIENCE GROANS | 0:22:34 | 0:22:36 | |
-Lee would never have asked that. -No. | 0:22:41 | 0:22:43 | |
LAUGHTER AND APPLAUSE | 0:22:43 | 0:22:45 | |
I never thought I'd say it, David, but I miss him. | 0:22:50 | 0:22:53 | |
When you got your new rabbit, what was your new rabbit called, | 0:22:55 | 0:22:57 | |
-the real rabbit, what was it? -Elvis. -Elvis? | 0:22:57 | 0:23:00 | |
Do you remember where you were when you heard that Elvis had died? | 0:23:00 | 0:23:03 | |
LAUGHTER AND APPLAUSE | 0:23:03 | 0:23:05 | |
Yeah. | 0:23:09 | 0:23:10 | |
You've got to ask yourselves this - does she look like a rabbit killer? | 0:23:12 | 0:23:15 | |
Me, I say yes, she does. | 0:23:15 | 0:23:17 | |
But does she to you? That's the key thing here. | 0:23:17 | 0:23:20 | |
-Well, I've got a very firm idea. -I thought you might. | 0:23:20 | 0:23:23 | |
-You had a very firm idea last time, though. -I've learned my lesson. | 0:23:23 | 0:23:26 | |
I'm beginning to realise how this programme works | 0:23:26 | 0:23:28 | |
so, Gareth, what's your opinion, I'm genuinely interested, | 0:23:28 | 0:23:32 | |
LAUGHTER I'm... | 0:23:32 | 0:23:34 | |
No, I don't know. | 0:23:34 | 0:23:36 | |
Oh. | 0:23:36 | 0:23:38 | |
-Richard? -I think true. -You think true? | 0:23:40 | 0:23:42 | |
OK, I don't think true based on the not being able to remember the name | 0:23:42 | 0:23:46 | |
of her own imaginary friend, | 0:23:46 | 0:23:49 | |
but casting vote. | 0:23:49 | 0:23:51 | |
Oh, gosh, all right, OK, I'm going to go, true. | 0:23:51 | 0:23:54 | |
Then, against my better judgment, | 0:23:54 | 0:23:57 | |
we, as a team, will say that | 0:23:57 | 0:24:00 | |
that quite clearly rubbishly nonsensical story is true. | 0:24:00 | 0:24:05 | |
You say it's true? Amanda, truth or lie? | 0:24:05 | 0:24:08 | |
-True. -Yes! | 0:24:09 | 0:24:11 | |
Yes! | 0:24:11 | 0:24:13 | |
-Well done, guys! -That's team work. | 0:24:14 | 0:24:17 | |
Yeah, it's true. | 0:24:20 | 0:24:21 | |
Next. | 0:24:21 | 0:24:22 | |
It is Greg. | 0:24:24 | 0:24:25 | |
I once invented a language so I could speak to my sister in secret. | 0:24:28 | 0:24:34 | |
I even gave this language its own name. | 0:24:35 | 0:24:38 | |
What's the name of the language? | 0:24:41 | 0:24:43 | |
It is not a word... | 0:24:43 | 0:24:47 | |
that you will have heard of | 0:24:47 | 0:24:49 | |
and the word is Cushin. | 0:24:49 | 0:24:51 | |
-Cushin. What? -Cushin. | 0:24:51 | 0:24:53 | |
-So like, like "cushion" but Cushin? -Yeah. | 0:24:53 | 0:24:56 | |
-And could you say something in Cushin? -Yeshk. | 0:24:56 | 0:24:59 | |
LAUGHTER | 0:24:59 | 0:25:01 | |
-What, what...? -Could you say something more? | 0:25:01 | 0:25:04 | |
Is that what "yes" is in Cushin? | 0:25:04 | 0:25:06 | |
I didn't claim that the language was sophisticated. | 0:25:06 | 0:25:10 | |
I would say you're arbitrarily adding a sort of "shk" sound. | 0:25:10 | 0:25:15 | |
-So do a sentence. -OK. | 0:25:15 | 0:25:17 | |
Um... | 0:25:18 | 0:25:21 | |
Ashkiminsh... | 0:25:21 | 0:25:23 | |
Ishk amshk... | 0:25:24 | 0:25:26 | |
LAUGHTER | 0:25:26 | 0:25:28 | |
It's obviously been a long time. | 0:25:28 | 0:25:31 | |
I lushkly am enjoyshkink... | 0:25:31 | 0:25:33 | |
..thisk experienshk of Would I Lieshk To You? | 0:25:35 | 0:25:38 | |
You sound like the chef on Sesame Street. | 0:25:38 | 0:25:41 | |
If it's so simple, what did I say then? | 0:25:41 | 0:25:43 | |
You said, "I am loving the experience of Would I Lie To You?" | 0:25:43 | 0:25:46 | |
No, I didn't, I said I am largely enjoying the experience | 0:25:46 | 0:25:48 | |
of Would I Lie To You? | 0:25:48 | 0:25:50 | |
So it lookshk like it's not as shimplesk as you thinkshk! | 0:25:50 | 0:25:53 | |
LAUGHTER AND APPLAUSE | 0:25:53 | 0:25:56 | |
Where did the name for this language, Cushin, come from? | 0:26:00 | 0:26:03 | |
I honestly can't remember. | 0:26:03 | 0:26:05 | |
But it was called Cushin and I can tell you part of the language | 0:26:05 | 0:26:09 | |
and, I'm afraid I can't explain this to you, | 0:26:09 | 0:26:11 | |
would be sometimes mid-sentence, sometimes at the end of a sentence, | 0:26:11 | 0:26:15 | |
just to loudly proclaim, "Cushon!" | 0:26:15 | 0:26:19 | |
LAUGHTER | 0:26:19 | 0:26:21 | |
Cushin is talking with random "shks" if you can squeeze them in, | 0:26:21 | 0:26:26 | |
and occasionally going "cushon!" | 0:26:26 | 0:26:28 | |
in the middle or at the end of a sentence? | 0:26:28 | 0:26:32 | |
You know, my parents... | 0:26:33 | 0:26:35 | |
My parents didn't... | 0:26:36 | 0:26:38 | |
They didn't work out Cushin, | 0:26:40 | 0:26:42 | |
as simplistic as you clearly think it is, they didn't work it out. | 0:26:42 | 0:26:45 | |
They didn't work it out when you when you said, | 0:26:45 | 0:26:48 | |
"Ishk wantshk to goshk to the shopshk?" | 0:26:48 | 0:26:52 | |
They went, "What on earth is he saying?" Oh, my God! | 0:26:52 | 0:26:54 | |
Hang on, David. | 0:26:54 | 0:26:56 | |
Cushon! | 0:26:56 | 0:26:57 | |
So, David, he's been quite fulsome, lot of detail, | 0:27:00 | 0:27:03 | |
but is it the truth or is it a lie? | 0:27:03 | 0:27:05 | |
What do you think? | 0:27:05 | 0:27:07 | |
Well, I believed him up until the point he went "Cushon!" | 0:27:07 | 0:27:09 | |
-and then I... -He's enjoying "Cushon!" far too much. | 0:27:09 | 0:27:13 | |
Although he could be enjoying it with the fact that his sister | 0:27:13 | 0:27:16 | |
is watching their secret language being outed. | 0:27:16 | 0:27:18 | |
She won't dislike it. | 0:27:18 | 0:27:20 | |
She'll be ashkolutelyshk delightedsk. | 0:27:20 | 0:27:22 | |
LAUGHTER AND APPLAUSE | 0:27:22 | 0:27:24 | |
And that, my friends, so far is the biggest "Cushon!" of them all. | 0:27:27 | 0:27:32 | |
It's not inconceivable but it is unlikely. | 0:27:34 | 0:27:37 | |
What do you think, truth or lie? | 0:27:37 | 0:27:39 | |
-Lie? -Lie, let's do it. -Lie. | 0:27:39 | 0:27:41 | |
You're saying it's a lie. OK, Greg, truth or lie? | 0:27:41 | 0:27:44 | |
Ishk washk tellingshk... | 0:27:44 | 0:27:48 | |
-the truthsk. -Oh! | 0:27:48 | 0:27:50 | |
-Cushon! -Cushon! | 0:27:51 | 0:27:53 | |
APPLAUSE | 0:27:53 | 0:27:55 | |
BUZZER SOUNDS | 0:27:55 | 0:27:57 | |
And that noise signals time is up. It's the end of the show. | 0:27:57 | 0:28:00 | |
I can reveal that Greg's team have won by four points to two. | 0:28:00 | 0:28:03 | |
APPLAUSE AND CHEERING | 0:28:03 | 0:28:06 | |
But, of course, it's not just a team game. | 0:28:07 | 0:28:10 | |
My individual liar of the week this week is Gareth Malone. | 0:28:10 | 0:28:14 | |
APPLAUSE | 0:28:14 | 0:28:16 | |
Gareth Malone. | 0:28:16 | 0:28:18 | |
Something those military husbands might want to think about | 0:28:18 | 0:28:20 | |
next time they leave you alone with their wives. | 0:28:20 | 0:28:23 | |
Good night! | 0:28:23 | 0:28:24 |