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APPLAUSE | 0:00:19 | 0:00:22 | |
Good evening, and welcome to Would I Lie To You? - | 0:00:22 | 0:00:26 | |
the show that says, "If it looks like a lie | 0:00:26 | 0:00:28 | |
"and sounds like a lie, then it's probably true." | 0:00:28 | 0:00:31 | |
On David Mitchell's team tonight, he's the comedian's comedian | 0:00:31 | 0:00:34 | |
and the hairdresser's nightmare, | 0:00:34 | 0:00:36 | |
it's Paul Foot. | 0:00:36 | 0:00:37 | |
APPLAUSE AND CHEERING | 0:00:37 | 0:00:39 | |
And the star of Getting On, where she plays a nurse | 0:00:40 | 0:00:43 | |
whose jobs include bathing old people and emptying their bed pans. | 0:00:43 | 0:00:47 | |
Forgive me if I don't shake hands, it's Jo Brand. | 0:00:47 | 0:00:50 | |
APPLAUSE AND CHEERING | 0:00:50 | 0:00:51 | |
And on Lee Mack's team tonight, a survival expert | 0:00:53 | 0:00:58 | |
who can kill, skin and gut a rabbit in seconds. | 0:00:58 | 0:01:02 | |
That's the last time I take him to a petting zoo. | 0:01:02 | 0:01:04 | |
It's Ray Mears. | 0:01:04 | 0:01:06 | |
APPLAUSE AND CHEERING | 0:01:06 | 0:01:07 | |
And a stand up comedian | 0:01:09 | 0:01:11 | |
who, until a few years ago, used to live with her nan. | 0:01:11 | 0:01:14 | |
Must have been a bit awkward for her to bring young men home | 0:01:14 | 0:01:16 | |
what with her granddaughter being there all the time. | 0:01:16 | 0:01:19 | |
It's Roisin Conaty. | 0:01:19 | 0:01:20 | |
APPLAUSE AND CHEERING | 0:01:20 | 0:01:22 | |
And so we begin with Round 1, Home Truths, | 0:01:23 | 0:01:26 | |
where our panellists each read out a statement | 0:01:26 | 0:01:28 | |
from the card in front of them. | 0:01:28 | 0:01:30 | |
To make things harder, they've never seen the card before, | 0:01:30 | 0:01:32 | |
they've no idea what they'll be faced with, | 0:01:32 | 0:01:35 | |
and it's up to the opposing team to sort the fact from the fiction. | 0:01:35 | 0:01:38 | |
-And Jo is first up tonight. -Right. | 0:01:38 | 0:01:41 | |
"Once, on Christmas Day, I was forced to hitch hike my way home | 0:01:42 | 0:01:46 | |
"and was picked up by four different drivers." | 0:01:46 | 0:01:49 | |
-CHUCKLING -Lee's team. | 0:01:50 | 0:01:51 | |
Where were you going from and to? | 0:01:51 | 0:01:53 | |
I was going from London down to Hastings. | 0:01:53 | 0:01:57 | |
How old were you? | 0:01:57 | 0:01:58 | |
Er, I was about 17 and a half. | 0:01:58 | 0:02:01 | |
And because nothing was running on Christmas Day or you were skint? | 0:02:01 | 0:02:03 | |
No, well, what happened was I was meant to go home | 0:02:03 | 0:02:06 | |
on Christmas Eve but I missed the last train. | 0:02:06 | 0:02:08 | |
-So you started your journey in London? -I did. | 0:02:08 | 0:02:11 | |
-And how long did it take to get picked up? -Um... | 0:02:11 | 0:02:13 | |
-For the first bit. -Not long actually. 10 minutes...ish. | 0:02:13 | 0:02:16 | |
And he said? | 0:02:16 | 0:02:18 | |
"Would...would you like to come back | 0:02:18 | 0:02:19 | |
"and have Christmas lunch with me? I'm very lonely." | 0:02:19 | 0:02:22 | |
-Seriously, he said that? -Yeah. | 0:02:22 | 0:02:24 | |
What sort of a man was he? | 0:02:24 | 0:02:25 | |
He was a gay man in his mid 70s. | 0:02:25 | 0:02:29 | |
How far did you go with him? | 0:02:29 | 0:02:30 | |
LAUGHTER | 0:02:30 | 0:02:31 | |
No! Whoa, no, no, no, no. | 0:02:31 | 0:02:33 | |
I mean how far on your journey did you go? | 0:02:33 | 0:02:35 | |
He drop... I think he drove me about 10 miles. | 0:02:35 | 0:02:39 | |
-Right. -Something like that. -So that's the first person. -Yeah. | 0:02:39 | 0:02:42 | |
And then do you remember the second one? | 0:02:42 | 0:02:43 | |
-Er, a woman... -Yes. | 0:02:43 | 0:02:45 | |
..who picked me up round about the Eltham area, I think. | 0:02:45 | 0:02:48 | |
Oh, I like a euphemism early on in the show. | 0:02:48 | 0:02:50 | |
-ALL LAUGH -Sh... Sh... | 0:02:50 | 0:02:53 | |
We've all been picked up in the Eltham area, haven't we? | 0:02:55 | 0:02:58 | |
Actually you're more accurate than you realise. | 0:02:58 | 0:03:00 | |
She actually did make a pass at me. | 0:03:00 | 0:03:03 | |
You... This is two now! | 0:03:03 | 0:03:04 | |
Well, um, she said, "Where do you want to go?" | 0:03:04 | 0:03:07 | |
And I said, "Down to the coast, please." | 0:03:10 | 0:03:13 | |
Oh, my God. | 0:03:13 | 0:03:14 | |
Oh, oh. | 0:03:16 | 0:03:18 | |
Did she go down to the coast? | 0:03:18 | 0:03:19 | |
Well, what she actually did was she put her arm round my neck | 0:03:19 | 0:03:22 | |
and tried to kiss me. | 0:03:22 | 0:03:24 | |
She didn't. What had led her to believe that this was | 0:03:24 | 0:03:26 | |
a possibility? What had happened? | 0:03:26 | 0:03:27 | |
The mistletoe on the wing mirror? | 0:03:27 | 0:03:29 | |
LAUGHTER | 0:03:29 | 0:03:31 | |
So she tried to kiss me, | 0:03:31 | 0:03:33 | |
I opened the door and got out of the car, | 0:03:33 | 0:03:35 | |
-and ran away. -Ah, so that's... | 0:03:35 | 0:03:36 | |
That explains the second story. | 0:03:36 | 0:03:38 | |
Right, now get to the third one. | 0:03:38 | 0:03:40 | |
-What happened? -The third... The third guy was deaf. | 0:03:40 | 0:03:43 | |
LAUGHTER | 0:03:44 | 0:03:46 | |
He... | 0:03:47 | 0:03:48 | |
I'll tell you what, if this turns out to be a lie, you deserve a medal | 0:03:48 | 0:03:51 | |
for the... | 0:03:51 | 0:03:53 | |
For making this as least plausible as possible en route to the story. | 0:03:53 | 0:03:56 | |
-But, OK, so he's deaf. -Yeah. | 0:03:56 | 0:03:58 | |
-Right. -And so, I... | 0:03:58 | 0:04:00 | |
I had to write down where I wanted to go. | 0:04:00 | 0:04:04 | |
-And you said Hastings on the card? -Yeah. -What did he say? | 0:04:04 | 0:04:07 | |
He didn't say anything, he just started driving. | 0:04:07 | 0:04:10 | |
-Oh, my God. -That's a bit menacing, isn't it? | 0:04:10 | 0:04:12 | |
He didn't look scary. | 0:04:12 | 0:04:14 | |
And who was the fourth? | 0:04:14 | 0:04:15 | |
The fourth was a farmer. | 0:04:15 | 0:04:17 | |
He said that he was fed up with his family, | 0:04:18 | 0:04:22 | |
so he took me all the way to Hastings from London. | 0:04:22 | 0:04:25 | |
So he's having a bad day on Christmas Day | 0:04:26 | 0:04:28 | |
and decides he'd rather drive you to Hastings. | 0:04:28 | 0:04:30 | |
Well, he said that he'd told his wife he was going out for a paper. | 0:04:30 | 0:04:34 | |
That's the end, really, | 0:04:37 | 0:04:38 | |
cos he dropped me off where I was going. | 0:04:38 | 0:04:40 | |
Did you invite the man in for a mince pie or something? | 0:04:40 | 0:04:43 | |
-No. -You didn't even invite him in? | 0:04:43 | 0:04:46 | |
No. | 0:04:46 | 0:04:47 | |
-Do you think that's a bit weird? -I don't. | 0:04:48 | 0:04:50 | |
I think it's the weirdest bit of the story. | 0:04:50 | 0:04:52 | |
He's given you a lift all the way to Hastings on Christmas Day. | 0:04:56 | 0:05:00 | |
He's the only one who hasn't made a sexual pass at you. | 0:05:00 | 0:05:03 | |
He's been entirely honourable. | 0:05:03 | 0:05:05 | |
Just give him a little bit of a mince pie and some brandy butter. | 0:05:05 | 0:05:08 | |
So, what do you think? There's a lot of detail in there. | 0:05:09 | 0:05:12 | |
-I think it's not true. -Based on? | 0:05:12 | 0:05:14 | |
I think she's just... | 0:05:14 | 0:05:15 | |
It's got too many characters, like a Tarantino film. | 0:05:15 | 0:05:18 | |
The bit I'm doubting is that... | 0:05:20 | 0:05:22 | |
Wouldn't you just write on a piece of paper, "Hastings" | 0:05:22 | 0:05:24 | |
and hope someone's going there, rather than, | 0:05:24 | 0:05:26 | |
"Anyone going sort of that way, | 0:05:26 | 0:05:28 | |
"and I'll keep getting out and getting out?" | 0:05:28 | 0:05:30 | |
Have you ever hitch hiked? | 0:05:30 | 0:05:31 | |
You sound very idealistic about it all. | 0:05:31 | 0:05:34 | |
"Well, I'm not getting in a car until they're going to Hastings. | 0:05:34 | 0:05:37 | |
"I don't care what day of the year it is." | 0:05:39 | 0:05:41 | |
"Hastings, no." | 0:05:41 | 0:05:43 | |
Paul does have a point. | 0:05:44 | 0:05:45 | |
That's not how it works. | 0:05:45 | 0:05:47 | |
You just go a little bit, and then maybe... | 0:05:47 | 0:05:49 | |
And that's part of the fun of hitch hiking. | 0:05:49 | 0:05:51 | |
Rob, don't try and pretend to me you've ever hitch hiked. | 0:05:51 | 0:05:53 | |
I know you well enough to know. | 0:05:53 | 0:05:55 | |
Getting at the back of a Mercedes once a week is not hitch hiking. | 0:05:55 | 0:05:58 | |
LAUGHTER | 0:05:58 | 0:05:59 | |
I've seen it in films though. | 0:06:00 | 0:06:02 | |
-So Ray think's it's true. -True. | 0:06:03 | 0:06:05 | |
It's got to be true. Too wacky to be made up. | 0:06:05 | 0:06:07 | |
You think they're too wacky to be made up, | 0:06:07 | 0:06:08 | |
you think it's too wacky to be true. | 0:06:08 | 0:06:10 | |
Yeah, I think she enjoyed making them up. | 0:06:10 | 0:06:13 | |
So what's it going to be then, Lee? | 0:06:13 | 0:06:14 | |
OK, well, we'll say... | 0:06:14 | 0:06:16 | |
Be it on your head, Ray, but we'll say it's the truth. | 0:06:16 | 0:06:19 | |
Saying it's the truth. OK. Jo Brand, truth or lie? | 0:06:19 | 0:06:23 | |
It is... | 0:06:23 | 0:06:25 | |
..true. | 0:06:25 | 0:06:26 | |
APPLAUSE Ah! | 0:06:26 | 0:06:27 | |
Yeah, it is true. | 0:06:30 | 0:06:31 | |
Jo did have to hitch hike home on Christmas Day | 0:06:31 | 0:06:34 | |
and was picked up by four different drivers. | 0:06:34 | 0:06:36 | |
Paul, you're next. | 0:06:36 | 0:06:37 | |
-Oh, dear. -LAUGHTER | 0:06:37 | 0:06:39 | |
"I am absolutely repulsed by beards." | 0:06:41 | 0:06:44 | |
AUDIENCE LAUGHS HYSTERICALLY | 0:06:46 | 0:06:48 | |
"When my friend grew a beard, | 0:06:54 | 0:06:56 | |
"I changed my phone number so he couldn't contact me." | 0:06:56 | 0:07:00 | |
Right, there we are. Lee. | 0:07:01 | 0:07:03 | |
-What's his name? -His name is Ben. | 0:07:03 | 0:07:05 | |
Ben. And what did Ben do? | 0:07:05 | 0:07:08 | |
Well, he used to be a child. | 0:07:08 | 0:07:10 | |
Then, when he got older, he was a tree surgeon. | 0:07:13 | 0:07:16 | |
Right. | 0:07:16 | 0:07:17 | |
So, what is it about beards that you find so repulsive? | 0:07:18 | 0:07:22 | |
Well, it's just... | 0:07:22 | 0:07:23 | |
Like...like the idea of touching a beard is horrible | 0:07:24 | 0:07:28 | |
and it can't be hygienic. | 0:07:28 | 0:07:31 | |
I mean there must be dirt in it. | 0:07:31 | 0:07:32 | |
Well, look to your left. | 0:07:32 | 0:07:34 | |
I think you'd have to go a long way | 0:07:34 | 0:07:36 | |
to find a better, more respectfully kept beard | 0:07:36 | 0:07:40 | |
than David Mitchell's. | 0:07:40 | 0:07:41 | |
But David Mitchell can afford to have a beard cleaning person. | 0:07:41 | 0:07:45 | |
LAUGHTER | 0:07:45 | 0:07:47 | |
The average beard person just... They don't ever wash it, do they? | 0:07:47 | 0:07:50 | |
It's all dirty. Bits of egg in there and all sorts. | 0:07:50 | 0:07:52 | |
-You would never consider a beard then, obviously? -Oh, no. I... | 0:07:53 | 0:07:55 | |
But on a windy day, | 0:07:55 | 0:07:57 | |
surely those bits of hair around the side of your head | 0:07:57 | 0:08:00 | |
are going to go over your face, | 0:08:00 | 0:08:02 | |
cos that's quite long hair you've got. | 0:08:02 | 0:08:03 | |
-But they're all lovely and soft. -Well. | 0:08:03 | 0:08:06 | |
Whereas, with a beard, it's all scratchy and thick hair. | 0:08:06 | 0:08:09 | |
I imagine David's beard isn't scratchy, | 0:08:09 | 0:08:12 | |
I imagine David's beard is comforting, soft and welcoming. | 0:08:12 | 0:08:18 | |
And I invite you now... | 0:08:18 | 0:08:19 | |
..to enjoy David's beard. | 0:08:22 | 0:08:24 | |
I mean, strictly speaking it's not your invitation to give. | 0:08:24 | 0:08:27 | |
But you would be doing a great service to Paul, | 0:08:28 | 0:08:31 | |
who's obviously a troubled young man. | 0:08:31 | 0:08:33 | |
-No, I would be honoured were Paul... -Paul, please. -..to fondle my face. | 0:08:33 | 0:08:36 | |
Paul, knock yourself out. | 0:08:36 | 0:08:37 | |
Leave it to me to invite him. | 0:08:37 | 0:08:39 | |
Go ahead if it would give you pleasure. | 0:08:39 | 0:08:41 | |
It does not give me pleasure, that's the whole point. | 0:08:41 | 0:08:43 | |
I hate it, but, you know... | 0:08:43 | 0:08:45 | |
Oh, he's doing it. He's doing it. | 0:08:47 | 0:08:50 | |
He's do... | 0:08:50 | 0:08:51 | |
If this is going to make you throw up, I... | 0:08:51 | 0:08:54 | |
We can both do without that footage on YouTube. | 0:08:54 | 0:08:56 | |
Did you tell your friend why you changed your number? | 0:08:58 | 0:09:00 | |
Oh, no, well, what happened is... | 0:09:00 | 0:09:02 | |
He just... He used to have a smooth face, | 0:09:02 | 0:09:05 | |
then he grew... And it was a massive beard, | 0:09:05 | 0:09:07 | |
and it was all really long, and really unkempt | 0:09:07 | 0:09:10 | |
you know, like all long. | 0:09:10 | 0:09:12 | |
And then I just couldn't deal with it. | 0:09:12 | 0:09:14 | |
And you've never seen or heard from him since? | 0:09:14 | 0:09:16 | |
Well, I can't, because he hasn't got my number. | 0:09:16 | 0:09:18 | |
He can't contact me. | 0:09:18 | 0:09:19 | |
When was this, Paul? How long ago? | 0:09:19 | 0:09:21 | |
2010. | 0:09:22 | 0:09:23 | |
That's a long... Oh, sorry, I thought you were going to say years. | 0:09:23 | 0:09:26 | |
2010 years after the birth of Christ, is that...? | 0:09:26 | 0:09:29 | |
I mean, you've picked a good example. | 0:09:31 | 0:09:33 | |
If you saw an image of Jesus Christ, | 0:09:33 | 0:09:34 | |
would you have problems looking at his beard? | 0:09:34 | 0:09:36 | |
Or does it have to be a friend in your personal space? | 0:09:36 | 0:09:38 | |
Well, I mean, | 0:09:38 | 0:09:40 | |
Jesus isn't my friend in that way. | 0:09:40 | 0:09:42 | |
-He is, Paul. -Yes. | 0:09:42 | 0:09:44 | |
And he's yours too. | 0:09:47 | 0:09:49 | |
AUDIENCE LAUGHS | 0:09:49 | 0:09:51 | |
But not yours, Lee. | 0:09:51 | 0:09:52 | |
All right, so what's it going to be, Lee? Is it true or is it a lie? | 0:09:54 | 0:09:57 | |
What do we think? | 0:09:57 | 0:09:59 | |
True. | 0:10:00 | 0:10:01 | |
Absolutely every word of it. | 0:10:03 | 0:10:05 | |
-It's a lie. It's got to be a lie. -You've done the opposite again. | 0:10:07 | 0:10:09 | |
OK, so you're saying it's a lie, you're saying it's true. | 0:10:10 | 0:10:13 | |
-True. -I'm going to go for true. -You're going to say it's true. -Yeah. | 0:10:13 | 0:10:16 | |
OK, Paul Foot, was that true or was it a lie? | 0:10:16 | 0:10:19 | |
It is... | 0:10:19 | 0:10:20 | |
true. | 0:10:20 | 0:10:21 | |
-APPLAUSE -Oh, very good. | 0:10:21 | 0:10:23 | |
Yes, it's true, Paul is repulsed by beards | 0:10:25 | 0:10:28 | |
and did change his phone number | 0:10:28 | 0:10:30 | |
rather than tell a friend he didn't like his beard. | 0:10:30 | 0:10:32 | |
-Ray, your turn. -Hmm. | 0:10:32 | 0:10:34 | |
-HE MUTTERS: -What have we got here? | 0:10:35 | 0:10:37 | |
"To hone my tracking skills, | 0:10:37 | 0:10:39 | |
"I used to secretly follow joggers in the woods." | 0:10:39 | 0:10:41 | |
LAUGHTER | 0:10:41 | 0:10:43 | |
-David. -Which woods? | 0:10:46 | 0:10:47 | |
That was in south London back then. | 0:10:47 | 0:10:49 | |
South... The woods of South London? | 0:10:49 | 0:10:51 | |
-ALL LAUGH -It could have been lots of places. | 0:10:51 | 0:10:53 | |
What you're saying is a park. | 0:10:53 | 0:10:56 | |
You followed joggers in the park. | 0:10:56 | 0:10:57 | |
A park, yes. | 0:10:57 | 0:10:59 | |
I've jogged through the woods in South London. | 0:10:59 | 0:11:01 | |
-I never followed your tracks, Jo. -No, well, I only jog at 0.03mph, | 0:11:01 | 0:11:05 | |
so I'd be following you. | 0:11:05 | 0:11:07 | |
What does tracking involve, can you tell me? | 0:11:10 | 0:11:12 | |
Yeah, you're following the marks and disturbances | 0:11:12 | 0:11:15 | |
that animals, or people, or anything leaves as it moves along. | 0:11:15 | 0:11:18 | |
So what is the evidence of a recent jogger? | 0:11:18 | 0:11:22 | |
It can vary. So, for example, if... | 0:11:22 | 0:11:25 | |
It depends what the jogger's wearing. | 0:11:25 | 0:11:26 | |
Probably running shoes. | 0:11:26 | 0:11:29 | |
But they might have, for example, shorts on or long trousers. | 0:11:29 | 0:11:32 | |
Right, here's a question, imagine they've got shorts on, | 0:11:32 | 0:11:34 | |
what would they leave? | 0:11:34 | 0:11:35 | |
Well, then they would avoid maybe stinging nettles and brambles | 0:11:35 | 0:11:38 | |
-as they're running on... -Whereas the ones with tracksuit bottoms on | 0:11:38 | 0:11:41 | |
are just going right through the bushes. | 0:11:41 | 0:11:43 | |
And you might even find fibres left on brambles | 0:11:43 | 0:11:46 | |
as the person passes by | 0:11:46 | 0:11:48 | |
that enable you to determine the colour of the garments | 0:11:48 | 0:11:52 | |
-that they're wearing. -All right. -Can I ask you a question? | 0:11:52 | 0:11:54 | |
Have you thought of getting a PlayStation? | 0:11:54 | 0:11:56 | |
-No. -Just checking. | 0:11:58 | 0:12:00 | |
So you could find... If they're wearing trousers | 0:12:00 | 0:12:03 | |
and are therefore crashing through the nettles and brambles, | 0:12:03 | 0:12:06 | |
you can find fibres. | 0:12:06 | 0:12:07 | |
And if it's wet, you can see footprints. | 0:12:07 | 0:12:10 | |
Mm-hm, this is true. | 0:12:10 | 0:12:11 | |
What if they're not wearing trousers and it isn't wet? What... | 0:12:11 | 0:12:15 | |
If they're not wearing trousers, they're probably not a jogger. | 0:12:15 | 0:12:18 | |
Basic rule, trousers - jogger, no trousers - dogger. | 0:12:18 | 0:12:21 | |
That's how I remember them. | 0:12:21 | 0:12:22 | |
LAUGHTER AND APPLAUSE | 0:12:22 | 0:12:24 | |
Very basic system. | 0:12:24 | 0:12:25 | |
You've got to have a system for these things, haven't you? | 0:12:27 | 0:12:29 | |
So, when you're arriving at the woods | 0:12:30 | 0:12:32 | |
long after the joggers have gone, | 0:12:32 | 0:12:34 | |
what do you look for first as the start of the trail? | 0:12:34 | 0:12:38 | |
A muddy puddle, something like that, | 0:12:38 | 0:12:40 | |
where there's a clear footprint. | 0:12:40 | 0:12:41 | |
But then you're trying to establish maybe the height of the person | 0:12:41 | 0:12:44 | |
that you're running... Their personality even shows. | 0:12:44 | 0:12:46 | |
-Their personality?! -Their personality shows and... | 0:12:46 | 0:12:49 | |
What like things like, oh, they like jogging? | 0:12:49 | 0:12:51 | |
Whether they're... Yeah, whether... Yeah, exactly. | 0:12:51 | 0:12:54 | |
-No. -Best way you can learn, isn't it? | 0:12:54 | 0:12:55 | |
Whether they're listening to music or... | 0:12:55 | 0:12:57 | |
How do you tell if they're listening to music? | 0:12:57 | 0:12:59 | |
You can get a different...get a different thing in the trail. | 0:12:59 | 0:13:02 | |
Can you tell what they're listening to from the rhythm of their footprints? | 0:13:02 | 0:13:05 | |
You go, "Oh, this jogger's listening to samba music." | 0:13:05 | 0:13:07 | |
-I'm dying to know. -I can't yet determine what music they're listening to. | 0:13:09 | 0:13:12 | |
-How do you know they listen to music? -People move differently. | 0:13:12 | 0:13:14 | |
-Rubbish. -Seriously. -Nonsense. | 0:13:14 | 0:13:16 | |
So, David, what are you going to say, is it the truth? | 0:13:17 | 0:13:20 | |
What do you think, Jo? | 0:13:21 | 0:13:23 | |
Well, I think it's plausible. | 0:13:23 | 0:13:25 | |
It's certainly a very complete story. What do you think? | 0:13:25 | 0:13:28 | |
I think he does do it. | 0:13:28 | 0:13:30 | |
Well, I think, we think it's true, then. | 0:13:30 | 0:13:31 | |
-You think it's true? -Yeah. -OK. | 0:13:31 | 0:13:33 | |
Ray Mears, were you telling the truth, or were you telling a lie? | 0:13:33 | 0:13:36 | |
It's a truth. | 0:13:38 | 0:13:39 | |
Well done. Well done, us. | 0:13:42 | 0:13:44 | |
Yes, it's true. | 0:13:44 | 0:13:45 | |
Ray did used to secretly follow joggers in the woods | 0:13:45 | 0:13:48 | |
to hone his tracking skills. | 0:13:48 | 0:13:51 | |
Our next round is called This Is My... | 0:13:51 | 0:13:53 | |
where we bring on a mystery guest | 0:13:53 | 0:13:54 | |
who has a close connection to one of our panellists. | 0:13:54 | 0:13:57 | |
This week, each of David's team will claim it's them | 0:13:57 | 0:13:59 | |
that has the genuine connection to the guest, | 0:13:59 | 0:14:01 | |
and it's up to Lee's team to spot who's telling the truth. | 0:14:01 | 0:14:04 | |
So, please welcome this week's special guest, Andy. | 0:14:04 | 0:14:07 | |
APPLAUSE | 0:14:07 | 0:14:09 | |
So, Jo Brand, what is Andy to you? | 0:14:14 | 0:14:18 | |
Er, this is Andy, and he once helped me | 0:14:18 | 0:14:22 | |
break into an ex boyfriend's house | 0:14:22 | 0:14:26 | |
through the dog flap so I could steal all his pants. | 0:14:26 | 0:14:29 | |
AUDIENCE LAUGHS | 0:14:29 | 0:14:31 | |
Right. Paul, how do you know Andy? | 0:14:31 | 0:14:34 | |
This is Andy. | 0:14:34 | 0:14:36 | |
He is a great believer in telekinesis, | 0:14:36 | 0:14:39 | |
and, together, we conduct experiments | 0:14:39 | 0:14:42 | |
to try and move objects with the power of our minds. | 0:14:42 | 0:14:46 | |
OK. And finally, David, what's your relationship with Andy? | 0:14:46 | 0:14:49 | |
This is Andy. | 0:14:49 | 0:14:50 | |
I once accidentally nudged him into a fountain.. | 0:14:50 | 0:14:54 | |
LAUGHTER | 0:14:54 | 0:14:55 | |
..whilst trying to take a photo of a tank. | 0:14:55 | 0:14:58 | |
Well, there we are. | 0:15:00 | 0:15:02 | |
Jo's fellow pants pincher, | 0:15:02 | 0:15:04 | |
Paul's psychic sidekick, or David's fountain friend. | 0:15:04 | 0:15:07 | |
-Lee, where do you want to start? -Jo. | 0:15:07 | 0:15:09 | |
Mm-hm. | 0:15:09 | 0:15:11 | |
Just talk us through the incident again. | 0:15:11 | 0:15:13 | |
Well, I was probably about 18-ish, something like that, and, Andy... | 0:15:13 | 0:15:16 | |
You'd just got in from a long hitch, had you? | 0:15:16 | 0:15:20 | |
Yeah. | 0:15:20 | 0:15:21 | |
Um, and Andy is a friend of mine. | 0:15:21 | 0:15:23 | |
I was going out with this bloke who was a millionaire. | 0:15:23 | 0:15:28 | |
We went to a party next door to his house. | 0:15:28 | 0:15:32 | |
-He ended up snogging someone else at this party. -Oh, right. | 0:15:32 | 0:15:36 | |
Who did he snog? | 0:15:36 | 0:15:38 | |
A woman with blonde hair. I can't remember her name. | 0:15:38 | 0:15:41 | |
Roisin. | 0:15:41 | 0:15:42 | |
So I was quite cross, | 0:15:44 | 0:15:46 | |
and I just wanted to... | 0:15:46 | 0:15:48 | |
do something to make my feelings... | 0:15:48 | 0:15:51 | |
And you decided to go through the dog flap? | 0:15:51 | 0:15:54 | |
-Yeah. -What kind of dog did he have? | 0:15:54 | 0:15:55 | |
A St Bernard. | 0:15:55 | 0:15:56 | |
-SHE LAUGHS -No, he didn't. | 0:15:56 | 0:15:58 | |
ALL LAUGH | 0:16:00 | 0:16:02 | |
No, he had...he had a fat Scottie dog. | 0:16:02 | 0:16:06 | |
Like a Highland terrier? | 0:16:06 | 0:16:07 | |
-Yeah. -They're tiny. | 0:16:07 | 0:16:08 | |
I know, but I was thin at the time. I was thin when I was a teenager. | 0:16:08 | 0:16:11 | |
No, no, no. You might have been thin but you weren't like 1ft high. | 0:16:11 | 0:16:14 | |
Terriers are like...big cats. | 0:16:14 | 0:16:16 | |
I didn't walk straight through. | 0:16:16 | 0:16:17 | |
-I wriggled through it. -Wriggled? -Yeah. | 0:16:19 | 0:16:23 | |
What did Andy... What was Andy's part in this? | 0:16:23 | 0:16:25 | |
Andy's part in it was that he helped push me through | 0:16:25 | 0:16:28 | |
from the garden side. | 0:16:28 | 0:16:30 | |
See, not as easy now, is it? You needed a friend to get you through the tiny... | 0:16:30 | 0:16:33 | |
-Well, a bit, yeah. And he kept watch in case... -In case what? | 0:16:33 | 0:16:37 | |
The neighbours noticed. | 0:16:37 | 0:16:39 | |
Yeah, best way to stop anyone noticing | 0:16:39 | 0:16:40 | |
someone going through a dog flap is to have someone stood up next to it. | 0:16:40 | 0:16:43 | |
Yeah, a complete stranger standing next to the door's a bit suspicious. | 0:16:43 | 0:16:46 | |
-Well. -When you got in the house, what did you do? | 0:16:46 | 0:16:49 | |
-Went to his bedroom. -Yeah. | 0:16:49 | 0:16:51 | |
Got all his pants out of the drawer... | 0:16:51 | 0:16:53 | |
..and all his pants out of the washing basket. | 0:16:54 | 0:16:57 | |
-Ah! -Threw them out into the garden, | 0:16:57 | 0:17:00 | |
and then we went and chucked them in a bin, | 0:17:00 | 0:17:02 | |
and then went to the pub or something. | 0:17:02 | 0:17:04 | |
Why pants? If he's a millionaire, why didn't you... | 0:17:04 | 0:17:06 | |
If you broke in and risked getting arrested, | 0:17:06 | 0:17:08 | |
why didn't you steal something, or break something, | 0:17:08 | 0:17:10 | |
or write on, like, a painting? | 0:17:10 | 0:17:12 | |
Because a bit of me wanted to do something | 0:17:12 | 0:17:15 | |
that he would think was a bit weird, and possibly not know it was me. | 0:17:15 | 0:17:19 | |
Did he ever find out? | 0:17:19 | 0:17:21 | |
I never saw him again. | 0:17:21 | 0:17:22 | |
-You don't know to this day if he...? -..blamed the dog. | 0:17:22 | 0:17:24 | |
-He knows now. -He knows now, yeah. | 0:17:24 | 0:17:26 | |
Well, hopefully he's dead, so he doesn't. | 0:17:26 | 0:17:29 | |
ALL LAUGH | 0:17:29 | 0:17:30 | |
Joke, everyone. | 0:17:32 | 0:17:33 | |
The good thing is, Jo... | 0:17:35 | 0:17:36 | |
..as long as you've moved on. | 0:17:38 | 0:17:39 | |
LAUGHTER | 0:17:39 | 0:17:41 | |
-Blimey. -Right. | 0:17:44 | 0:17:45 | |
Who else would you like to quiz? | 0:17:45 | 0:17:47 | |
OK, Paul. So you believe it is possible to move an object | 0:17:47 | 0:17:50 | |
with the power of thought? | 0:17:50 | 0:17:51 | |
Yeah. It's not just possible, we've done it. | 0:17:51 | 0:17:54 | |
-What things have you moved? -We moved a vase. | 0:17:54 | 0:17:57 | |
-You moved a vase? -A vase. | 0:17:57 | 0:17:59 | |
How far did the vase move? | 0:17:59 | 0:18:01 | |
-About half an inch. -Right. -About? | 0:18:01 | 0:18:03 | |
How many times have you done this, Paul? | 0:18:03 | 0:18:05 | |
We've moved things about three or four times. | 0:18:05 | 0:18:08 | |
What other things have you moved? | 0:18:08 | 0:18:10 | |
We moved um, | 0:18:10 | 0:18:11 | |
er, a crisp...crisp packet. | 0:18:11 | 0:18:14 | |
Well, they do... | 0:18:14 | 0:18:16 | |
LAUGHTER | 0:18:16 | 0:18:17 | |
Was the window open by any chance at all? | 0:18:17 | 0:18:19 | |
No, it was full. It was full and there was no wind. | 0:18:19 | 0:18:21 | |
There's no way that could have moved, | 0:18:21 | 0:18:23 | |
-It turned. -It turned. -No. | 0:18:23 | 0:18:26 | |
How do you know it just didn't move on its own, without telekinesis? | 0:18:26 | 0:18:28 | |
Because if you put a crisp packet in conditions | 0:18:28 | 0:18:31 | |
with no wind, it won't just turn. | 0:18:31 | 0:18:32 | |
It could go on its own if it was Walkers. | 0:18:32 | 0:18:34 | |
It's got air in it. | 0:18:34 | 0:18:35 | |
AUDIENCE LAUGHS | 0:18:35 | 0:18:36 | |
Or Skips. | 0:18:41 | 0:18:42 | |
Oh, Skips, yeah. | 0:18:42 | 0:18:44 | |
Can you move fruit? | 0:18:44 | 0:18:45 | |
Oh, hello. | 0:18:45 | 0:18:47 | |
But, you know, I couldn't... It would take some time... | 0:18:47 | 0:18:50 | |
It takes... And it doesn't work in this kind of environment | 0:18:50 | 0:18:54 | |
with sceptical people watching, | 0:18:54 | 0:18:56 | |
and everyone all just sort of judging. It involves... | 0:18:56 | 0:18:59 | |
Is it better with gullible people? | 0:18:59 | 0:19:01 | |
No. No. | 0:19:03 | 0:19:05 | |
-You've moved a vase, a crisp packet. -Yeah. | 0:19:05 | 0:19:08 | |
-You said there were two others. What are they? -A remote control. | 0:19:08 | 0:19:12 | |
A remote control. Remote control. And what was the last one? | 0:19:12 | 0:19:15 | |
A cushion. | 0:19:15 | 0:19:16 | |
Have you ever visually seen anything move? | 0:19:16 | 0:19:19 | |
Or have you have closed your eyes, opened them and it's moved? | 0:19:19 | 0:19:22 | |
-Yeah, we've always closed our eyes. -Yeah. -And... | 0:19:22 | 0:19:25 | |
Do you know what? I think I know what's going on. | 0:19:25 | 0:19:28 | |
No, but...neither of us moved, we're both at opposite ends of the... | 0:19:28 | 0:19:32 | |
Yeah, no, I know. I'm not doubting you Paul. | 0:19:32 | 0:19:34 | |
I'm just saying your friend Andy might be a bit of a charlatan. | 0:19:34 | 0:19:37 | |
What about David? | 0:19:39 | 0:19:40 | |
Where did this happen then? Come on. Tell us all. | 0:19:40 | 0:19:42 | |
It happened, er, in, er, at a military museum in France. | 0:19:42 | 0:19:49 | |
Military museum in France, you're taking a photograph of a tank. | 0:19:49 | 0:19:52 | |
-Hmm. -Which military museum in France? | 0:19:52 | 0:19:54 | |
It was... It was called | 0:19:54 | 0:19:57 | |
the Musee De Blande. | 0:19:57 | 0:20:01 | |
AUDIENCE CHUCKLES | 0:20:01 | 0:20:02 | |
Do you... What does that mean in English? | 0:20:02 | 0:20:04 | |
I think it means it's a museum of armour. | 0:20:04 | 0:20:07 | |
Right. | 0:20:07 | 0:20:09 | |
He knows I can't argue with him. He could say anything. | 0:20:09 | 0:20:12 | |
Whereabouts in France? | 0:20:12 | 0:20:14 | |
I th... It's sort of... I think it's quite near... | 0:20:14 | 0:20:16 | |
It's sort of in the middle-ish on the left. | 0:20:16 | 0:20:19 | |
-Now you're talking my language. -Yeah. | 0:20:20 | 0:20:21 | |
And what were you doing there? | 0:20:22 | 0:20:24 | |
Er, I was looking round the museum. | 0:20:24 | 0:20:27 | |
-Museums... Tank museums? -Yeah. -Do you do this often? | 0:20:27 | 0:20:30 | |
-Well, we were, um... -We? | 0:20:30 | 0:20:32 | |
Me and I... I've got a wife now. | 0:20:32 | 0:20:34 | |
-Wow. -I'm surprised... -It's definitely a lie. | 0:20:34 | 0:20:37 | |
To be honest I'm...I'm surprised that's never come up on the card, | 0:20:37 | 0:20:40 | |
you'd never have believed it. | 0:20:40 | 0:20:41 | |
-So... So this is quite recently? -It's, er... Yeah, last summer. | 0:20:41 | 0:20:45 | |
Last summer you said, | 0:20:45 | 0:20:46 | |
"Darling, it's time for you to know the truth about me." | 0:20:46 | 0:20:49 | |
-Well, I'm... -"Now it's time to know the real me. | 0:20:51 | 0:20:54 | |
"Museums, France. Come on." | 0:20:54 | 0:20:55 | |
I knew you had a microphone in our bedroom. | 0:20:55 | 0:20:58 | |
So, talk us through the incident with Andy | 0:21:00 | 0:21:02 | |
and how that actually happened. | 0:21:02 | 0:21:03 | |
Well, um, outside the sort of front bit, | 0:21:03 | 0:21:06 | |
there's like a piece of artillery and a tank. | 0:21:06 | 0:21:10 | |
And, er, I wanted to take a picture of the tank, as well I might. | 0:21:10 | 0:21:15 | |
-You know. -What sort of tank was it, David? | 0:21:15 | 0:21:18 | |
It was, um... It was a German tank. | 0:21:18 | 0:21:20 | |
-Was it? -A tiger tank. | 0:21:20 | 0:21:22 | |
-Yeah. -A tiger tank? -Yeah. | 0:21:22 | 0:21:23 | |
So, you've taken a photograph of your grandad's tank, | 0:21:23 | 0:21:26 | |
and um... | 0:21:26 | 0:21:27 | |
LAUGHTER | 0:21:27 | 0:21:28 | |
And then... | 0:21:28 | 0:21:30 | |
LAUGHTER INTERRUPTION | 0:21:30 | 0:21:31 | |
And have... | 0:21:31 | 0:21:33 | |
How did it crop up? | 0:21:33 | 0:21:34 | |
I want to know the actual mechanics of how he ends up in the... | 0:21:34 | 0:21:37 | |
I've not taken the picture at this point. | 0:21:37 | 0:21:39 | |
I'm trying to get the tank in frame | 0:21:39 | 0:21:41 | |
and I was backing away, you know, just slowly, | 0:21:41 | 0:21:43 | |
and I, er... There's a... There was a sort of... | 0:21:43 | 0:21:46 | |
-pondy, fountainy bit which people... -A what? -A pondy, fountainy bit. | 0:21:46 | 0:21:50 | |
Oh, right. I genuinely thought you were speaking French again. | 0:21:50 | 0:21:53 | |
-De ponde fountaine bit. -Fountainy bit. -Ah. | 0:21:54 | 0:21:57 | |
And I...I just, um... | 0:21:57 | 0:21:58 | |
-You backed into it. -I backed... I just sort of...with my elbow, | 0:21:58 | 0:22:01 | |
and I don't know, he was obviously... | 0:22:01 | 0:22:03 | |
He was obviously what? | 0:22:03 | 0:22:04 | |
He was obviously... He was obv... I don't know, I was about to say. | 0:22:04 | 0:22:07 | |
I was about to see how that sentence finished myself, Lee. | 0:22:07 | 0:22:09 | |
Now I need another run up. | 0:22:09 | 0:22:11 | |
-Here we go. This is what I want to know. You've backed into him. -Yeah. | 0:22:11 | 0:22:14 | |
There can only be two things. | 0:22:14 | 0:22:15 | |
He's either looking at you | 0:22:15 | 0:22:16 | |
and, for some reason beyond anything, he just thought, | 0:22:16 | 0:22:19 | |
I'd better just stand here and be pushed into the fountain, | 0:22:19 | 0:22:21 | |
or he's facing the fountain, in which case, | 0:22:21 | 0:22:23 | |
why is a man facing a fountain so far... | 0:22:23 | 0:22:25 | |
Was he weeing into the fountain? | 0:22:25 | 0:22:26 | |
LAUGHTER | 0:22:26 | 0:22:27 | |
He was standing on the rim eating a baguette. | 0:22:27 | 0:22:31 | |
Ho-ho! Was he? | 0:22:31 | 0:22:32 | |
-OK. -Was he? Was he wearing a beret? | 0:22:32 | 0:22:35 | |
Did he have onions round his neck? | 0:22:35 | 0:22:37 | |
No, no, no, no, no, no. | 0:22:37 | 0:22:38 | |
How deep was the water into which he fell? | 0:22:38 | 0:22:41 | |
Um, about 8ft. | 0:22:41 | 0:22:42 | |
8ft?! | 0:22:42 | 0:22:44 | |
AUDIENCE LAUGHS | 0:22:44 | 0:22:45 | |
Not 8ft, not 8ft. | 0:22:45 | 0:22:47 | |
It was about a foot. | 0:22:47 | 0:22:49 | |
All right. We need an answer, so, | 0:22:49 | 0:22:51 | |
Lee's team, is Andy Jo's fellow pants pincher, | 0:22:51 | 0:22:56 | |
Paul's psychic sidekick, or David's fountain friend? | 0:22:56 | 0:23:01 | |
-David's fountain friend. -Do you think so? | 0:23:01 | 0:23:03 | |
Without a doubt. | 0:23:03 | 0:23:04 | |
Well, please tell me at least there's a doubt. | 0:23:04 | 0:23:06 | |
SHE LAUGHS | 0:23:06 | 0:23:08 | |
I've never felt more confident. | 0:23:08 | 0:23:10 | |
Wow. Ray, are you of sound mind? | 0:23:11 | 0:23:14 | |
-I agree. I agree, I think. -You agree as well? | 0:23:14 | 0:23:16 | |
Absolutely, without a shadow of a doubt, it was David. | 0:23:16 | 0:23:18 | |
Lee, you're not as sure. | 0:23:18 | 0:23:20 | |
I'm not... I'm not sure it's David. | 0:23:20 | 0:23:22 | |
Usually I would have dismissed someone pretending | 0:23:22 | 0:23:24 | |
that they've moved a vase half inch. | 0:23:24 | 0:23:27 | |
There's something about Paul that makes me think, | 0:23:27 | 0:23:29 | |
yeah, he looks like the kind of man who, in his own deluded mind, | 0:23:29 | 0:23:31 | |
thinks he has done it, and which, in itself, is a truth, isn't it? | 0:23:31 | 0:23:34 | |
-If you think it's true, then it's true. -Yeah. | 0:23:34 | 0:23:36 | |
-But I think Jo's... -Pants. -..story is the most likely | 0:23:36 | 0:23:38 | |
because I've known Jo for some years, | 0:23:38 | 0:23:40 | |
and I can confirm she is bitter and twisted. | 0:23:40 | 0:23:42 | |
LAUGHTER | 0:23:42 | 0:23:43 | |
So your two team mates say one thing, you say another, | 0:23:44 | 0:23:47 | |
-what are you going to do? -We'll go with David's...ludicrous story | 0:23:47 | 0:23:51 | |
and say that it was David. | 0:23:51 | 0:23:52 | |
You're saying it's David, OK. | 0:23:52 | 0:23:54 | |
Andy, would you please reveal your true identity? | 0:23:54 | 0:23:58 | |
Hi, my name's Andy | 0:23:58 | 0:24:00 | |
and I helped Jo steal... | 0:24:00 | 0:24:02 | |
-ALL: -Oh! -..her ex boyfriend's pants. | 0:24:02 | 0:24:04 | |
APPLAUSE | 0:24:04 | 0:24:06 | |
Whoopie. | 0:24:06 | 0:24:07 | |
Ladies and gentlemen, Andy. Thank you very much. | 0:24:09 | 0:24:12 | |
Which brings us to our final round, Quick-fire Lies, | 0:24:15 | 0:24:18 | |
and we start with... | 0:24:18 | 0:24:21 | |
-BEEP -It's Lee. | 0:24:21 | 0:24:23 | |
"A man from Brazil once taught me a very simple noise you can make | 0:24:25 | 0:24:29 | |
"that will always stop a fox in its tracks." | 0:24:29 | 0:24:32 | |
LAUGHTER | 0:24:32 | 0:24:34 | |
-David's team. -Can we hear the noise? | 0:24:35 | 0:24:38 | |
I'll be honest with you, it's a very instinctive thing, | 0:24:38 | 0:24:40 | |
and without a fox, I, er... | 0:24:40 | 0:24:43 | |
-I'll be a fox. Ready? -Yeah. | 0:24:43 | 0:24:45 | |
-Ready? -Yeah. | 0:24:45 | 0:24:47 | |
ALL LAUGH | 0:24:47 | 0:24:48 | |
Can you do fox not reading a book? | 0:24:48 | 0:24:50 | |
No, no, no, no. They know. | 0:24:52 | 0:24:54 | |
-They know. -What's that? | 0:24:54 | 0:24:55 | |
They know. | 0:24:55 | 0:24:56 | |
You, you dumb...don't know. | 0:24:56 | 0:24:58 | |
-What's that? -Ready? | 0:24:59 | 0:25:01 | |
Ready? OK. | 0:25:01 | 0:25:02 | |
"Come on, Mr Lee, come on." | 0:25:02 | 0:25:04 | |
-Oh. -Oh. | 0:25:04 | 0:25:06 | |
"Stop me. Stop me, Mr Lee. Stop me." | 0:25:06 | 0:25:08 | |
I didn't think this would give Rob an impression opportunity. | 0:25:09 | 0:25:13 | |
-"Come on, Mr Lee." -You can see him in the producers' room. | 0:25:13 | 0:25:16 | |
"Could we change, um, bear to fox? | 0:25:16 | 0:25:18 | |
"I can... I can do Basil Brush, I can't do a bear." | 0:25:18 | 0:25:22 | |
They can't... | 0:25:22 | 0:25:23 | |
Lee, they can't change what a Brazilian man once told you. | 0:25:23 | 0:25:26 | |
ROB LAUGHS | 0:25:26 | 0:25:29 | |
That's true. | 0:25:29 | 0:25:31 | |
That is very true. | 0:25:31 | 0:25:32 | |
Oh, that was like something out of Poirot, wasn't it? | 0:25:32 | 0:25:36 | |
LAUGHTER | 0:25:36 | 0:25:38 | |
Did this happen in Brazil? | 0:25:38 | 0:25:39 | |
It was in... It was in Brazil, yes. | 0:25:39 | 0:25:41 | |
And what was... What was the noise? | 0:25:41 | 0:25:43 | |
The noise was... | 0:25:43 | 0:25:44 | |
I might have to take a little drink to do it properly. | 0:25:44 | 0:25:46 | |
I can only stop a fox if I've got water. | 0:25:46 | 0:25:48 | |
Not many people know this but... | 0:25:50 | 0:25:51 | |
..the fox fears very few things. | 0:25:53 | 0:25:56 | |
It's true, you know. | 0:25:56 | 0:25:57 | |
But there is one animal... | 0:25:59 | 0:26:01 | |
That's my bushy tail. | 0:26:02 | 0:26:04 | |
There is one animal... | 0:26:05 | 0:26:07 | |
-Come on. -..that, if a fox hears... -Yes! | 0:26:07 | 0:26:09 | |
..the tone is so weird to the fox it will scare the fox. | 0:26:09 | 0:26:13 | |
And that beast, if I may call it a beast, | 0:26:13 | 0:26:16 | |
is the dolphin. | 0:26:16 | 0:26:18 | |
AUDIENCE LAUGHS | 0:26:18 | 0:26:19 | |
And the noise that you make is simply the noise of the dolphin, | 0:26:21 | 0:26:25 | |
which I will now demonstrate. | 0:26:25 | 0:26:26 | |
The fox comes towards you... and a simple... | 0:26:26 | 0:26:29 | |
IMITATES DOLPHIN SQUEAK | 0:26:29 | 0:26:30 | |
..will stop the fox in its tracks. | 0:26:30 | 0:26:32 | |
LAUGHTER AND APPLAUSE | 0:26:33 | 0:26:37 | |
Can I just ask you | 0:26:39 | 0:26:40 | |
why would you want to stop a fox in its tracks anyway? | 0:26:40 | 0:26:44 | |
Foxes aren't aggressive. They don't run towards you... | 0:26:44 | 0:26:46 | |
-Foxes are aggressive. -Foxes are aggressive. | 0:26:46 | 0:26:48 | |
-They gnaw at our recycling box. -Well, can I just say? | 0:26:48 | 0:26:51 | |
They don't gnaw at my recycling | 0:26:51 | 0:26:53 | |
because I have a letter box and this. | 0:26:53 | 0:26:55 | |
IMITATES DOLPHIN SQUEAK | 0:26:55 | 0:26:57 | |
They're off. | 0:26:57 | 0:26:59 | |
Was it a recycling gnawing scenario | 0:26:59 | 0:27:02 | |
that the Brazilian man was giving you this technique... | 0:27:02 | 0:27:04 | |
-No, no. -..in order to avert? | 0:27:04 | 0:27:06 | |
This was just one of those crazy, drunken nights in Rio | 0:27:06 | 0:27:08 | |
that, er, I... I'll never forget. | 0:27:08 | 0:27:10 | |
I'll never forget sitting there... | 0:27:10 | 0:27:11 | |
I wasn't even talking really to this gentleman, and... | 0:27:11 | 0:27:14 | |
PFF, he was smoking a big fat cigar, | 0:27:14 | 0:27:15 | |
and he turned round to me and goes... | 0:27:15 | 0:27:17 | |
-IMITATES ACCENT: -"If there's one thing that life has taught me... | 0:27:17 | 0:27:20 | |
-"..this... -IMITATES DOLPHIN SQUEAK | 0:27:22 | 0:27:24 | |
"..will always stop a fox in its tracks." | 0:27:24 | 0:27:26 | |
And he did that. | 0:27:26 | 0:27:27 | |
He blew the smoke into my eyes and we slept together. | 0:27:27 | 0:27:30 | |
ALL LAUGH | 0:27:30 | 0:27:31 | |
-Truth or lie? -Lie. | 0:27:33 | 0:27:34 | |
It's a lie. OK, Lee... | 0:27:34 | 0:27:36 | |
..the suspense is killing us. | 0:27:38 | 0:27:40 | |
Is it true? | 0:27:41 | 0:27:43 | |
It is, in fact, | 0:27:43 | 0:27:45 | |
a lie. | 0:27:45 | 0:27:47 | |
Yes, it's a lie. | 0:27:49 | 0:27:51 | |
Lee wasn't taught a noise | 0:27:51 | 0:27:53 | |
that can always make a fox stop in its tracks. | 0:27:53 | 0:27:56 | |
BUZZER | 0:27:56 | 0:27:57 | |
Ah, that noise signals time is up. | 0:27:57 | 0:27:58 | |
It's the end of the show. | 0:27:58 | 0:27:59 | |
And I can reveal that David's team have won by 3 points to 2. | 0:27:59 | 0:28:04 | |
APPLAUSE | 0:28:04 | 0:28:05 | |
APPLAUSE DROWNS OUT SPEECH | 0:28:07 | 0:28:08 | |
But it's not just a team game, | 0:28:08 | 0:28:10 | |
and my individual liar of the week this week is Jo Brand. | 0:28:10 | 0:28:15 | |
-APPLAUSE -Crikey. | 0:28:15 | 0:28:16 | |
Yes, Jo Brand, | 0:28:17 | 0:28:19 | |
devious, calculating and shamelessly misleading. | 0:28:19 | 0:28:23 | |
If she wasn't a comedian, she'd have made a hell of an accountant. | 0:28:23 | 0:28:26 | |
Good night. | 0:28:26 | 0:28:27 | |
APPLAUSE | 0:28:27 | 0:28:29 |